#i like mixing all his backstories and plot points together

[im-not-buying-it-ether]

Marvelous Bats tidbit #3

Billy has a few aliases and fake names he has used, something any part time radio personality host, part time superhero, and full time menace of a child should have a fair amount of.

Joesph Williams is the name he always used when police caught him. Be it shoplifting in his homeless days to get through the month trying not to starve, being caught place a child shouldn’t be during the school day, or the one time he broke into a patrol car. Joesph Williams was the name he gave so he didn’t build a juvenile record on his real name, it as close enough to the real thing without being it for billy to easily remember.

The Whiz kid, famous boy reporter in the after school hours for Whiz Radio with Marvelously provided safety tips for the average Fawcettizen dealing with mundane magical issues or coming into their own (the close proximity to The Rocks entrance and the near weekly exposure to magic has a lot of it surfacing in Fawcett) Everything from why you absolutely shouldn’t summon and Hellhound to leave your enemies a flayed corpse and basic protection spells for the next time the Monster Society of Evil rears their ugly heads. Billy loves being the Whiz Kid, people actually listen to him talk magic and its the one time all his magical study as magics champion gets recognized since Captain Marvel doesn’t always need spells to punch a bad guy into prison.

Captain Marvel, the guy the whole world knows. The symbol of pure and perfect heroism Billy always saw in his heroes and try’s to emulate the best he can, never curses or has a mean word to say. Always there to save the day and comfort the people he’s saved when they’re frightened, doing his absolute very best to be the hero he’d love as a kid and the hero he needed every time “Do Good And Good Will Follow” never seemed to work for little orphan Billy.

[akilahia]

Thinking about IHNMAIMS in pretty much all of its forms.

Specifically Ted and Ellen. Obviously in the Game their relationship is very different from the short story/comic/radio drama, with Ted being in love with Ellen(although it’s evident it’s because she is the only woman left alive). In the game he shows devotion to her, he is willing to push past his usual methods of flirtation and find other ways to get what he needs.

But in the other adaptions his feelings towards Ellen are mixed. I think his unique backstory with being so dependent on women to live a happier and more lavish life style, significantly effect how he views Ellen beyond AM’s tampering

Throughout the short story Ted constantly thinks ill of Ellen. Even though prior to being placed in this hell, she had only had sex twice before. But she is the last woman alive on earth. The video game(while following a different plot line(still one that is extremely tragic and literally made me cry)) expresses that even before Ellen’s assualr she had little to no interest in sex. She would never have had sex with the four men if it weren’t for

1. AM

2. Being the Last women alive

3. AM’s deliberate tampering

In a world where characters like Benny have been so permanently physically marked as a form of torture by AM, something like sex, is not as extreme in comparison(at least from Ted’s perspective). However to be the last woman alive, with minimal interest in sex, to be tampered with in such a way, is such a horrific form of torture.

I’m going to shift a way from this for a second to talk about Ted’s backstory for the video game. I understand that the videogame makes changes in terms of backstory for some of the characters(like Benny), so we can’t claim Ted’s backstory for the game is even remotely close to whatever it might have been for the short story. However, I still think can provide interesting context to his behavior towards Ellen.

Starting off, he really isn’t the cool rich guy that he played himself off to be when life was still normal. He never came from money, he was poor and he was forced to work and couldn’t go to school. However he was good looking which is resulted in older woman being attracted to him. And when he was NINETEEN, one older woman gave him her husband’s money and offered him the chance to travel and live in luxury.

Now this probably isn’t important, or was even taken into consideration by the game makers, but I was curious as to what the possible age gap between this older woman and Ted could be. The were together for 5 years, then she died

She died specifically of an aneurysm, which according to Google typically happens between the ages of 30 to 60. There is all this stuff with the Cold War and ww3 and I was going to try to do all this math with it but it’s too late for that and not relevant to the point I’m trying to make. But I’m just going to do some simple mental math and estimate that it might have been late 60’s or early 70’s when the older woman and Ted first got into a relationship. As I’m assuming everything went to shit in 1995 since that’s when the game came out, and 25 years had passed after he met the woman. Also this makes sense as Ted’s grandfather sold the farm due to the Great Depression, since most people married and had kids young, I’m going to be generous and say grandpa was 30 in 1929, and Ted’s mother or father was 9, then 10-12 years later Ted was born. Then 19 years later it would be about the 60’s or 70’s.

I am going to presume that the older woman had been married to her husband for at least 15 years. So it might have been 50’s at the earliest possibility. And the average age people married at then was when they were in their 20’s. So when she met Ted she was AT THE EARLIEST 35. Making her at least 16 years older than Ted when the first got together. But also worth noting that they do specifically mention older. So if we look on the higher side of the typical ages for aneurisms she could have been 55 when they first met(as the 5 years would pass making her 60) so she could have been 36 years older than him.

This seriously isn’t relevant to the actual point I’m trying to make with Ellen and Ted but I got sucked in. I guess I just wanted to highlight that Ted did not have the power in this relationship, he was young and poor, while she was old and rich, and I can imagine how that kind of relationship would impact him.

The next thing I want to note is the use of the word ‘lover’.

Though it can be used in a strictly romantic non intimate sense, I think it is used in the sexual way here.

Especially with the provided context of two different definitions of the word ‘lover’ both highlighting it’s connotations with sexual relationships

Furthermore, Ted’s relationship with the older woman is essentially just a sugar baby relationship. She is letting him experience things he never could have without her money. She teaches him how to act as a socialite and gets him used to the high life.

In connection to the sexual elements above, there was a video I wanted to link here but I can’t find it anywhere anymore. It was a YouTube video with a bunch of sugar babies discussing their experiences. And one woman confides that you really won’t make much money if you are in a platonic or non intimate romantic relationship with your sugar parent. If you want to make money and live richly, you have to preform sexual favors.

Now it’s hard to say if this was the only relationship with an older woman that Ted had been in. But regardless of whether it was one woman or a billion, using his body in order to get something that he wants has become an important asset to Ted; As seen in the castle with the maid and the witch. His love for Ellen(in the video game) helps him break past this fatal flaw of his, despite AM’s obvious temptations to make him fail.

Even if this stuff was in anyone’s minds when they wrote Ted’s backstory but I think it’s extremely important to note, especially as we return to my main point.

As stated before, Ted views Ellen negatively due to her promiscuity, despite the desire(felt really gross typing this word in this context) being placed in her as a form of torture by AM. She also is a woman, and Ted’s life has been spent around using and being used by women, so definitely lots of conflicting stuff there. Additionally Ted’s experiences with sexual relations are shown to be based in being transactional.

When he agrees with Ellen to go to the caves to get the food, she rewards him by being intimate with him to show her gratitude. Ted sees it as her ‘using him.’ (From the Radio Drama, I was going to post the clip but I could only post one video in a tumblr post apparently)

In the comic, after this encounter he questions her motivations. What she got out of it, once again thinking transactionally. But her response

“Does there have to be a reason”

Really gets to me. Especially after looking at all this intertextual context. Thinking about video game Ted’s backstory with book Ted’s thoughts and behaviors, he is shown to always think there is some kind of catch. No one is doing something without getting something in return, especially if that thing is kindness.

Ted is so intensely paranoid(as seen in all versions). I think by pairing up the backstory for the game with the short story/comic/radio drama it’s evident to see how heavily affected he is by it.

He thinks he has been tormented less by AM, making him paranoid of the others, contributing towards his behavior towards Ellen. Yet despite everything from the past and all of AM’s tampering, he still finds comfort with Ellen. Her unfaltering kindness manages to reach him even when he dismisses it as a farce. She doesn’t hate him or the others for how they’ve treated her, she still wants to help them. He still cares for her and the others. But he is filled with so much fear. He even apologizes to her.

I feel like at that point in the Radio drama marks a shift. Ted has made a realization about AM and it’s a lot for him, but Ellen is there for him. It’s a genuinely sincere act of kindness from her where she doesn’t ask or expect anything in return. They have some kind of connection. Once again blending the different versions, I think that this moment between them comes together in the end when they kill the other victims together. They don’t speak to each other, they just do it quickly and he kills her. And here he doesn’t refer to her by any degrading names. In the comic he holds her. Like how in the radio drama she held him.

Overall I just wanted to point out how well all these versions really mix to provide so much more behind each character. The backstories for the video game allow the reader to understand book Ted’s actions and relationships from a new angle.

The is was super duper major mess of a ramble. It’s now 3 am and I have a migraine, so I’m done for tonight. I might clean this up another time or make another post about Video game Ted with context to his backstory since I didn’t include the events from the video game in here.

Once again these are just my thoughts and beliefs on how I think the video game backstory for Ted provides interesting context for Book Ted. I know that both stories play out differently and both Ted’s act differently so please don’t get angry if you disagree with the message of stuff I said

mini sequel post about video game Ted

[lurkingshan]

Love Sea Final Thoughts

I have been trying to wrap my head around my overall feelings about Love Sea, a show that is undeniably flawed but somehow charming anyway, that drops so many threads but does such a good job with a few of its core points that it's hard to be mad. I can't really say that this is a great drama, but I can say that I enjoyed it a lot and I think it's a good watch if you go in understanding some caveats.

Let's start with a few things I really loved about this show:

Mahasamut. A great character, he will be going on my shortlist of Thai bl favorites. He's smart, honest, patient, giving and forgiving but he also knows himself, his limits, and his worth. On top of all that, he actually looks like a normal person, with a healthy body weight and beautiful imperfect skin. So rare in dramas.

Smart class dynamics. I appreciated how much this show grounded Mut and Rak's relationship in their class disparity, how wealth and lack of same was a constant issue between them that was never forgotten, and how its effect on their power dynamic shifted over time as their relationship grew.

Very well-executed sex scenes. The sex in this show is tied to character development and relationship arcs, and every sex scene mattered to the story. We watched the shifting power dynamics between Mut and Rak play out via the sex they had together and by watching their intimacy we learned more about them.

Ridiculous chemistry. The main love story was supported by truly excellent emotional and sexual chemistry. I always believed in the attraction and the feelings between these two, and that helped a lot when the story didn't quite take me where it needed to.

Rak and Vie's friendship. I really loved that we spent time with these two as besties, and that they were genuinely so supportive of each other. Vie was a real MVP in kicking Rak's ass when he needed it.

Meena, the best child ever. What a delightful character who brought a lot of fun and lightness to the story. Her scenes with Mut were a true highlight.

And here are some things that didn't quite work for me:

Uneven focus for the main characters. Once we left the island to go to Bangkok, the entire show was about Rak, his backstory, his issues, his ongoing problems, and his needs, and Mut was kind of subsumed in his story instead of having one of his own. I was glad we got back to Mut's life at the end, but they really should have kept it present throughout so everything didn't feel so one-sided.

Shallow engagement with family trauma. And despite the fact that the story was so much about Rak's issues, the story never actually went deep on them. I still don't really understand a lot about his family dynamics. The show used his dad and cousin as villains and then his mom as an easy out to solve everything at the end, but we never dug into how all these people ended up this way in the first place. It was a real missed opportunity.

Rak's emotional journey. I was on board for much of it, but other parts felt a bit haphazard and all over the place. Sometimes it felt like he was suddenly progressing out of nowhere, and others it felt like he was backsliding just because the plot demanded it. I liked where the story took him a lot but the path to get there was pretty bumpy.

The side couple. WOOF. I have no idea what happened here, but that was a fail on just about every front. Mook was a hard character to love from the start, Vie felt like a completely different person with Mook than in all her other scenes, there was so much lying and manipulation for no good reason, and in the end they were left completely unresolved. If you are on the lookout for great gl pairings, you will not find that here.

So there you have it. This show is absolutely a mixed bag on its execution, so how much you end up liking it will probably depend on how strongly you connect with what it did well and where it dropped the ball. For me, it was a good experience and one I'll remember fondly. I'll definitely be watching the special when it's released and I hope to see this cast again.

[mandacantu]

10 Reasons Why I Actually Loved The Crow Remake

FKA Twigs - I'm not going to sit here and pretend I am not a huge twigs fan, because I love anything she touches and especially her music. This was her first time as a leading lady and I thought she did a good job. I do think there were some points where her line reading could have been a little more fast paced in some spots, but overall, I think she was captivating, eloquent and emotional. And wow, so many stunning visuals that we got of her from this movie!

2. We didn't have to see depictions of brutal and violent deaths of women in this film. I didn't want to spend too many of my thoughts on comparisons to the original The Crow, but one thing I noticed was that I didn't have to endure the violent and sexually abusive death of Shelly or any other woman in this movie. I do like the original movie but never cared for the way they went all in on Shelly's death. In this remake, we still see Shelly die but we don't have to endure gratuitous SA scenes whilst losing the leading lady. I appreciated that and was able to relax more, honestly.

3. The villain had actual motivation for killing and being a villain. There was some decent backstory and character development for the villain and that is something that I always appreciate. Some of my favorite pieces of media (like Spirited Away and Knives Out) do well to at least give the villain a story or a reason for being bad. I think it adds depth to the story and for me, helps immerse me into the plot more.

4. It felt like a comic book come to life. From the color grading and palette to the way scenes were cut and moved from one to the next, it felt like I was flipping through a comic book. There were moments that were very whimsical in depictions of love and then very gritty scenes. The contrast in some of those scenes felt similar to flipping a page in a comic.

5. It was very romantic and spent a lot of time focusing on their love story. I thought their love was believable and felt like that whirlwind kind of love where you just want to party and kiss all night. It gave me a reason to care about both of the characters and it gave Shelly a place in the spotlight where she becomes so much more than just a symbol of loss for character development. Focusing on their love and giving us some romance was a timeless decision and puts their love story up there with Romeo and Juliet or Christian and Sateen.

6. Soundtrack was amazing! If you are into some new wave, some goth tunes and some dance tracks, this is the playlist for you. Beyond just the soundtrack, it was truly a different experience to see it synced up to parts of the movie as intended. The intro was amazing, I thought it was like a James Bond meets Underworld mixed with some NIN music video sprinkled in there. The folks who worked on the score deserve a standing ovation. There were moments where I was tearing up because of how well the music paired with the scene. Most memorable and moving was Joy Division's Disorder when they bust out of rehab together and a perfectly placed Boadicea by Enya. There were so many other good ones too, I'm seriously considering seeing it again just for the mini music videos you get from the film.

7. It was aesthetically pleasing. And I'm not just talking about the eye candy that was Bill Skarsgård, though lets give him his flowers for being a true Mr. Fanservice! The actual visuals were beautiful. I loved the cinematography and color choices. It was truly a feast for the eyes. Just take a look at this beautiful gif set by pizgif!

8. I could easily see a story about grief and the longing for justice for loved ones. I thought it was a good story and as I watched it, I thought to myself that the person who wrote the original comic must have gone through an immense loss. It wasn't until I looked it up that it seems to be confirmed that The Crow was inspired by such loss. The moodiness of the movie itself added to the weight of the tragic storyline. In that, I liked that it takes a while for Eric to become The Crow. Losing someone you love transforms you and in this sense, the movie is all about that transformation and pain and longing.

9. I liked the ending. I don't want to say too much to spoil it, but I enjoyed the different ending and I was definitely teary eyed and sniffling as I left the theater.

10. It was goth as fuck. I think goth can be a multitude of styles and honestly shouldn't be something that has a gatekeeper. This was emo-boy-goth, it was e-boy-tiktok-hottie-goth, it was goth in a different flavor. I think folks are quick to see this new Eric not dressed like a new-wave-leather-daddy-goth as decidedly not dark enough. To quote a favorite musician, he was "goth as fuck, even when [he's] not in black, gothic is the pain you feel and not the clothes that's on your back."

Closing thoughts: A lot of the negative criticism is coming from men or diehard fans of the 1994 movie, so I am not surprised. This rendition felt like the same story, just done differently and with more emphasis on the love story than the revenge plot. There is nothing wrong with that and nothing wrong with a gothic romance heavy action flick.

This was intended to be a different version of The Crow and that isn't a bad thing. I personally think that if they had done the styling to be an exact replica of Brandon Lee's rendition then the movie would still get tons of hate, if not more. It was a "damned if you do, damned if you don't" situation for sure. I'm glad they took a risk and deviated from the '94 version.

We have been doing remakes since the creation of art. It has always been common to hear that the new movie coming out is actually a retelling of this classic tale or continuation of that scary story. Remakes are not a new concept and some of them do well to tell the same story in a different way. We are in the day and age where there isn't really an original idea anymore, anyway. In a world full of countless retellings of Batman/Joker and Spiderman movies, why not remake The Crow? I say fire it up!

I think they do a good job to pave the way for others to retell this love story in the same vein as The Joker and Harley Quinn. Hell, I would say to keep going, next let's see a remake where The Crow is about two badass lesbians. (I might have gotten too peppered up watching the movie, it was hot.)

P.S. I loved that there were little things like Eric wearing Shelly's jacket later in the movie. I feel like a lot of critics saw him wearing this jacket and were quick to bash the costume design too, but this is the kind of attention to detail that made their love believable to me. And I thought he looked cute as hell in it.

Okay, the end.

[ilikekidsshows]

-long ask ahead-

Big fandom blog recently said that ML is a character-driven show, that it shows what the characters WOULD do, not what they SHOULD do. This really got me thinking.

Somehow I can kinda see their point; if there was a book about the events of ML written completely from Marinette's POV, we could see all her thoughts and how she disregards other characters' feelings/existance and it would make sense because they are not of any priority to her view of the world. As Marinette she has a strong drive to get Adrien into her hands that leads to all kinds of funny/questionable situations. Her depictions in the show where she paranoidly imagines scenarios with Adrien or is plotting to get to him is what I could see as character-driven moments. No-one outside of herself is giving her these goals and ambitions.

But aside from that? The Ladybug/superhero side seems only reactive instead of active. She saves the day when the villains attack, but has no ambition to go after them when the attack is over. There is no real tie to her personal life aside from her having to play the hero role and some attacks interrupting her civilian life. If the story wouldn't emphasize that she is the greatest Ladybug, and instead anyone could do it as well, then Marinette probably wouldn't do it. She doesn't seem personally attached to being Ladybug, as seen in Kwami's Choice. If we removed Hawkmoth with all his backstory and ambitions from the show, there wouldn't be a Ladybug, there wouldn't be a plot outside of Marinette wanting Adrien. Marinette is not interested in the lore of the miraculous or in being a superhero, she wouldn't do anything without an outside influence. So this side is more plot-driven if we view Hawkmoth as the plot-tool?

And what about characters popping out of nowhere and mingling with the plot (e.g. Felix, Chloe)? Chloe's actions are clearly often just there to further the plot of the episode instead of giving us insight on her character. Felix's goals change every other episode. Tomoe could be any other prop and we wouldn't know more about her, etc.

Can stressing about being the guardian be viewed as character-driven? No-one outside of Ladybug herself really pressures her to act a certain way in that role (Su-han could be talked down easily, I don't count him). Is her keeping secrets and disregarding Chat Noir a result of her controlling behaviour, thus character-driven? (but it's also extremely convenient for the writers to add tension or because they don't care about Chat Noir) And how is this perspective meant to make it more bearable to watch unfolding?

I did look up some character-driven vs. plot-driven posts and explanations, but the more I think about it in the context of ML, the more it blends together and I get no clear answer. Of course, there's probably very few exclusivly 100% character- or plot-driven stories, and certainly not a show like ML, but some elements should be easier to put in one box or the other? I'm not even sure about the definitions of character- vs plot-driven anymore, I'm so confused, I'm sure I got it wrong along the way and mixing in-character with writer's views and so on.

I would love to respark my enjoyment of the show with a simple change of perspective but I think that sadly won't do. In the end, whether it's this or that, I'm still disappointed and unsatisfied with how it went in the long run. Yet it's still interesting to think about how people who still really like the show could view it.

I think you mentioned on your blog that you have some education in media-analysis or something of the kind. If you like, could you share your perspective on the claim at the top?

What's the common definition of character-driven stories and can we apply it on ML?

Would this change of perspective make some writing choices more enjoyable (it's subjective, I know)? I think a lot viewers expect a superhero show to be more plot-heavy and characters to develop (or characters wanting to improve themselves somehow), so if we went into ML thinking from the start "this is not about the plot and how people should act, I'm just watching characters do whatever they would do" would our reactions be really different?

How would the show have to be written and presented to be truely character-driven?

Sorry that's a lot I ask. Feel free to answer whatever you like (or ignore the message). Thanks for reading anyway.

Anonymous asked: Miraculous is character driven story, the plot is determined by what the characters's do rather than the usual opposite with wath the characters doing is determined by the plot, said a friend of mine when we discussed before. What's your opinion about it if I may ask?

---

Okay, so I'm just going to start this by saying that "character-driven" and "plot-driven" are not literary analysis terms, but writing tip terms. It refers to what the focus of your story is. It means that, when you write a book or a movie, you should usually pick to prioritize an in-depth character study or a story with a lot of plots or world-building (the lore, if you will). Character-driven stories have a plot or several, but it isn't intended to be the main draw, so it can be sloppy while more work gets put into making sure the characters are complex and have clear arcs from beginning to end. Similarly, plot-driven stories can have complex characters, but the main draw is meant to be the larger narrative.

Plot-driven vesus character-driven is a writing tip against avoiding a bloated story full of unnecessary details. If your story is about two nobles dealing with an arranged marriage and the pressure their families put on them, having a complex magic system and magical duels using said system take up a bunch of pages is unnecessary. Similarly, if you're writing a story about a complex magic system, how it gets used and how it affects the society at large, dedicating a lot of time to a romance arc takes attention away from the actual points of the story, like the dreaded "forced Hollywood romance" in action/adventure movies.

In a comic or TV series, you usually (thanks companies for cutting episode counts; you suck) have more time and space to deal with more stuff, and varying stuff can improve a long-running series. In an ongoing, long-running superhero comic or show, you can and should use both and have them take turns. This is, in fact, the industry standard. Sure, a Batman story can technically have him chasing down Scarecrow, but, if the bulk of the episode/issue/trade is him battling his inner demons that the Scarecrow's Fear Toxin causes him to hallucinate, then is the story really about chasing down Scarecrow, or is it about developing Batman's character? (It's the latter.)

In general, I don't think "character-driven versus plot-driven" is a useful analysis tool, because it's binary. Basically, in media analysis, you should always try to avoid yes or no questions, but many binary questions are equally bereft of deeper meaning. Asking if Miraculous is character or plot-driven will answer that question, but not anything else. You can describe how you came to that conclusion, but the character/plot divide won't by itself create any other points to be made about the text, you need another tool/lense/question for that.

In addition, character-driven versus plot-driven can't refer to "what moves the story", because moving the story is the plot. The plot, or plots, are the cause-and-effect chains within a story. A plot doesn't move by itself, either natural occurences or character actions will move it along, you need a cause and effect. This also means, that, even if character-driven was a way to describe story progression, only stories about natural disasters could be not-character-driven.

In the top ask, the would vs should division seems to imply that the person describing Miraculous as character-driven is trying to say that, in Miraculous, the characters’ actions are supposed to be logical from the perspective of their personal motivations and not necessarily morally correct. This is how I’ve seen most people defend Marinette's villain arc; that we aren't meant to agree with her, but simply wait and see what the payoff will be.

The problem with this approach to analyzing Miraculous specifically is that the writers have never committed to a long-term payoff. I just can't believe that Marinette's villain arc will lead to a satisfying conclusion instead of the show either dropping the whole thing without addressing it, or having Marinette once again get so upsette that her victims have to console her. They're already setting up the possibility for instant forgiveness by focusing on how upset she was about the lying she “had” to commit. She already feels bad, so punishing her would be wrong, and the “punishment” here refers to any kind of long-term consequences for her actions.

Of course, the implication also is that, while we supposedly aren't supposed to agree with Marinette, we can't hold her too accountable either, we can't “demonize” her or want her to get “punished”. Which just sounds like we aren't even allowed to expect this “plotline” to have a satisfying conclusion. It could very well be that these people would think “yeah, Marinette was wrong but she feels really bad about it so let's just everyone forget about it until she does it again” would, in fact, be the satisfying payoff. Basically, even wanting the other characters to be justifiably upset with Marinette is the same as wanting to “punish” Marinette, so we can’t expect any character to behave like they have motivations or feelings outside of pleasing Marinette.

But, like, that's that thing with character actions supposedly making sense from their perspective; as you said in that book comparison, it only makes sense from Marinette's perspective. From any other perspective, what on earth is motivating the other characters to keep giving Marinette chance after chance while she squanders them all? She's not that good of a friend that she’d earn that much leeway, not from supposedly reasonable normal people who are merely acting how they would act instead of how the Marinette-favoring writers think they should act. The would versus should argument therefore only refers to Marinette and is just an excuse for her actions.

In addition, we have one big problem with the argument that Marinette is supposed to be a flawed character and anyone criticizing her is just too impatient to wait for the payoff for her character arc, in addition to the writers’ inability to write payoffs that I already mentioned. The other problem is that, while the audience might think Marinette needs to grow and become better, the writers don't. Every single one of Marinette's self-growth arcs has been scrapped: her inability to communicate got vindicated, her awkward romancing got excused and her quest to confess to Adrien got resolved by Adrien confessing instead. Marinette isn't a character who grows. In addition, the writers' every comment on the S5 finale has been nothing but excuses for why Adrien not knowing anything is right, because Adrien is just too emotional (like a hysterical woman who needs to be controlled because the writers are that kind of people).

So, in terms of what character-driven and plot-driven even mean: if Marinette is both completely disengaged from the plots of stopping the villains permanently or figuring out the Miraculous lore, and is a static character who doesn't actually grow or have a discernible arc, what is Miraculous as a show even about? In addition to the love square, it used to be about character development before the retool, but, after said retool, the characters have stagnated and the show just spins its wheels until the writers decide to have something cool happen to ramp up social media engagement. Now all we have is the love square and Marinette acting like she’s the center of the universe, so I guess the show is about the love square and Marinette, so it's technically character-driven, if character-driven can mean “making one character look like she’s the only one deserving of sympathy or celebration”. I guess you could say the show is Marinette-driven, it’s about Marinette and what she wants and what a girlboss she is while getting what she wants.

Frankly, it kinda sounds like the new character-driven vs plot-driven comparison is trying to create a new way to say: “don't expect a kids' show to be well-written.” It's kinda like people are saying: “of course the plot is shit because Miraculous is about the character writing”, but, like, the character writing is shit too. That’s what I’ve been saying since the S5 finale aired and Astruc started claiming that Marinette won and was truly kind and Adrien can't be trusted to know the truth about Gabriel: the way Marinette is written doesn't match how the writers want her to be viewed. The writers are only really interested in writing one character, but in a way where all her character arcs get scrapped, which, I think, doesn’t even hit the bare minimum requirement of being character-driven the way writing tip websites intend it.

My background in media analysis mainly means I'm pretty good at spotting patterns, and Miraculous' patterns reveal sloppy plot writing and sloppy character writing. It's all just been slop since the retool, mostly, I think, because the writers aren’t really interested in developing their characters or plots. The writers’ main focus seems to be to try to sell Marinette as an amazing person who deserves all the attention, while everything outside of isolated “cool” scenes gets overlooked. The wisemen of the groupchat saw these definitions and called Miraculous a “look at our cool girlboss”-driven show.

[fountainpenguin]

☁️ Cloudlands AU ☁️

Fairly OddParents

A serious deep-dive into FOP's worldbuilding, with a focus on sewing seemingly conflicting canon together to create consistent lore. Heavy emphasis on non-human biology and complex magical cultures.

#ridwork guides

What Is Cloudlands AU?

An FOP series ft. detailed lore and character relationships. The goal is fanfics that expand on the show's canon without conflicting it if at all possible, even if that means wild explanations.

Why does Crocker's portal to Fairy World have a completely new design every time it appears? Who's that anti-fairy kid Jorgen claims H.P. and Anti-Cosmo raised together? What's up with the Sacred Silver Pencil Sharpener of Canada? And are you telling me Cosmo and Wanda were assigned as godparents to Erg 40,000 years before they were married, presumably while Wanda and Juandissimo were dating? What was that like? We talk about it all!

A carefully considered magic system does a lot of heavy lifting. ❤️

AO3 Series: 130 Station, Rainbow Train, and Other Arcs

FOP blog tag - #FAIRIES!

Tone

Mostly drama with fluff and angst mixed in.

Characters

Mainly Pixies (H.P. & Sanderson), Anti-Fairies (Anti-Cosmo, Anti-Wanda, Foop), & the late modern kids (Poof, Goldie, Goldie's counterpart Anti-Marigold).

Cosmo, Wanda, Timmy, Chloe, and other humans (such as Denzel Crocker, Kevin Crocker, Gary, Betty, and Ed Leadly) also have arcs and messy backstories.

Ships

Canon-compliant, but expanded on. Ex:

- Anti-Cosmo married his childhood betrothed while Anti-Wanda was dating Anti-Juandissimo.

- H.P. and several OCs across his long life. Those romances go... great!

- Shout-out to Mark/Vicky, Poof/Goldie, Foop/Anti-Marigold, Foop/Anti-Coriander, Timmy/Molly & Chloe/Kevin (My beloveds...)

- Also worth mentioning that I treat Wanda/Juandissimo as a sincere and pleasant part of their backstories. They went their separate ways, but had a non-abusive dating life. They were friends :)

- Sanderson has a ton of will o' the wisp dating life issues, but we don't have time to unpack that right now.

Setting

Most works take place in the cloudlands, which include Fairy World, Anti-Fairy World, and Pixie World. Some works takes place in Dimmsdale. Rarely works take place elsewhere, such as alien planets or Unwish Island.

Is It For Me?

This AU is highly detailed. It clings to canon to the point of being ridiculous. It can be tough to get into due to long works and a heavy focus on less popular characters (such as Pixies), but there's a lot to read.

This AU focuses more on magical beings in the supporting cast than it does the main cast, but there are still notable pieces about the mains.

For a breakdown of detailed lore, see the Orange Train post

Major Themes

Growing up, making mistakes, pushing through hard times, recovery, revenge, forgiveness, growth, change, and letting go.

Plot Highlights

- Origin of the Pixies - A young H.P. contracts the real-world bacteria Wolbachia pipientis, which causes wasps to reproduce asexually. Now he's caring for an exponentially increasing amount of pixies he never wanted in the first place, on top of drama like his wife accusing him of cheating and him being kidnapped by Cupid's family because he's the holotype of a brand new species.

- Frayed Knots - Anti-Cosmo, raised in the anti-fairy baby ban era, experiments with Anti-Fairy biology in the hopes he'll discover a loophole to achieve his dream of being a father. In doing so, he finds a breakthrough that could possibly flip biology around so Anti-Fairies are the hosts and Fairies are their reflective counterparts bound to their whims... and he becomes obsessed with fathering a generation whose biology is exactly that.

- 130 Reasons Why I'm Fairy Trash - Happy Peppy Gary and Betty were raised as Pixie tools since they were 10. At age 18, Betty opts to wipe her magical memories, cut ties with Gary, and move to Brightburg. Gary, blindsided and desperate, throws himself down a trainwreck of bad decisions in an attempt to retrieve her memories from Fairy World. Everybody clap for him. (And other stories.)

- Come What May - Kevin Crocker spends the spring with an uncle and grandmother he's never met. Ghosts, the popular kids, an anti-fairy, and his uncle's talking cat make it their personal mission to bother him. It's a good thing he's dead inside.

Ongoing?

This long-term passion project began in March 2016. It is ongoing with intent to wrap up the existing projects in the next several years. Updates tend to come in bursts with breaks in between.

- Want AO3 emails? Subscribing to both the Rainbow Train & 130 Station series will cover everything in Cloudlands AU.

- Or, subscribe to specific plot arcs. Find the list HERE.

Warnings, notes, and explanations below so readers can learn more about this AU. Proceed with caution. Don't like? Don't read.

- There are abused children, neglectful adults, and non-human characters in fanfics for the show about abused children, neglectful adults, and non-human characters?? Scandalous. (Seriously though, this one's a doozy)

👀 Take a Peek

New here? You might like to start with these:

- "Mama's Boy" (G - 3000 words) - A back-and-forth comparison of Cosmo's upbringing against Anti-Cosmo's. Quick and easy read, and definitely a fan-favorite.

- "Make You Proud" (G - 4700 words) - Anti-Wanda is excited that she won a gold medal at the Fairy World Games. She tries to get Anti-Cosmo's attention while he's distracted with the event. Fluffy, silly character study.

- "Step Back" (G - 5600 words) - Foop gets overwhelmed at a party with his extended family. A brief glimpse into Anti-Fairy World and who Foop is shaping up to be as a person. Foop is my favorite to write character studies for and this is an oldie, but a goodie.

- "Solo" (T - 6000 words) - A young pixie answers phones as part of his coming of age trial. Things go awry when Gary and Betty call for help from Florida and the inexperienced pixie is at a loss about how to get them back to California. Takes place during the S4 episode "Baby Face." Huge personal favorite of mine; this is where plot really kicks off. Good introduction to the drama you can expect in a lot of my work.

- "Sentry" (G - 6000 words) - The start of a 3-part arc about Poof, Foop, and their pixie classmate (Finley) at boarding school before transitioning to spring break. The arc starts with Poof getting in trouble for fighting, then moves to Poof reflecting while on the bus, then moves to the three kids spending time with their grandparents.

- Very soft drama with some fluff; a good taste without getting overwhelmed. Also, this arc is more recent than the pieces above, which were posted in 2016. - Takes place at the end of 130 Prompts Arc 2, so it does contain very minor plot spoilers.

Start Reading

Recommended ways to get into the full AU

🌄 First Written - Baby, You're a Rich Man

H.P. and Sanderson got their hands on a baby clown. Now they just have to get him safely back to Pixie World when they've been deprived of magic and damaged their truck.

- Based on the Season 4 episode "School's Out! The Musical" - An introduction to magic basics, biology, and world lore through Sanderson's eyes. - Throws readers directly into the thick of things with Sanderson's meandering thoughts and extremely unhealthy fixation on H.P. and/or taking over as Head Pixie someday

🗑️ 130 Reasons Why I'm Fairy Trash

The 130 Prompts project is a series of one-shots that explores my FOP character ideas and worldbuilding.

- "Excitement" (G - 7500 words) - The first piece written for my series 130 Reasons Why I'm Fairy Trash. It's about the Pixies traumatizing 10-year-old Gary and Betty at an amusement park so they'll cling to safety in the future. From here, you can read the 130 Prompts series in recommended order if you like.

If you're new to my worldbuilding, I recommend reading the prompts in the suggested order instead of chronological order. This way, you'll be given worldbuilding info in order instead of jumping to a piece where that info is assumed.

📅 Chronological Start - "First Things First"

A 10k-word piece (G-rated) about nature spirit OCs, featuring cameos of canon characters like Mother Nature, Father Time, and the Grim Reaper. This piece sets up lore for the Fairy zodiac, which plays a role in Frayed Knots especially.

- Each piece in the 130 Prompts series has Previous and Next links so you can either read in recommended order or you can follow the chronology from start to end. - Reading chronologically is not recommended unless you're already familiar with the worldbuilding - Full timeline chronology (Entire Cloudlands AU)

🗺️ Worldbuilding - So, You're Studying the Cloudlands...

A collection of worldbuilding and meta essays covering subjects like biology, culture, history, holidays, magic, maps, and a handbook on new godkid assignments.

You may also like my @riddledeep blog, where I first posted this meta. I'm currently moving things to the guide linked above. This way, the content is backed up and accessible to those who don't use Tumblr. Posts will remain on the blog.

📋 AU Notes & Warnings

Author writes villain encounters & villain backstories about complex non-human societies and does not inherently condone any viewpoints presented by characters or the societies they live in.

- This series focuses heavily on Pixies, Anti-Fairies, and cloudland or Fae culture. There is less focus on human godchildren or the main characters in the show (like Timmy, Cosmo and Wanda).

- This series is built so that many intricate storylines and worldbuilding elements weave together. There's no shame in skipping pieces you don't want to read, but you may miss plot or worldbuilding details important to the larger story. It can be intimidating to get into such a big project.

- This series does have fluff, but relies on drama. Content may be upsetting, and the order you read things may limit the chance for mental breaks.

- Lots of drama and complicated things going on. I recently changed the rating of my longfics to Not Rated & Creator Chose Not To Use Archive Warnings due to the sheer variety of things, such as:

- Fantastic racism (Fairies, Anti-Fairies, Pixies, genies, and others disliking each other)

-> Show canon heavily implies these races have conflict. Jorgen faced no pushback for calling Norm a "filthy genie" on international TV. Jorgen and others refer to Pixies with rude terms such as "cone-headed freaks", etc.

- Social ladder/caste system (Cupid's ancestors organized fae in a list many generations ago to help Fairies find species with heat cycles that overlapped theirs, but the system has been corrupted into legal discrimination)

- Biologically assigned status (Male Fairies who eat a lot of jelly at a young age will develop into gynes: big, tough, freckled Fairies who fight with each other to defend their turf and drone companions. Think how H.P. and Big Daddy have unique body shapes compared to the other Fairies. They're gynes!)

- Some young bees are fed royal jelly so they develop into queens. The name for these "princesses" is gynes, so I yoinked that

- Most of the pixies are drones, apart from a few gynes. Vice President Longwood is due to succeed H.P. as Head Pixie someday, which Sanderson (a drone) absolutely despises.

- Fairies lick each other in greeting to spread pheromones, mirroring a hive of eusocial bees that gather near the queen to lick her

It's basically a non-sexual A/B/O dynamic, which was completely unintentional and I got a good laugh out of it when I realized what A/B/O was years ago. Convergent evolution...

- Mpreg - It's canon in the show that male Fairies give birth. I don't have anything to say about it; just that it's canon in my work too and treated with the same sincerity as everything else.

- Injury - Includes long-term injury, temporary injuries, and self-harm (Ex: Cutting your palm to stop using magic so you won't age). I don't consider this series bloody or gory. Fairies do have rainbow blood that's mentioned occasionally, but they're very elastic and heal quickly. The humans don't really have bloody moments.

- Character death - Most common when gynes fight to the death, but I've written other deaths as well, such as one where the Pixies caused a car crash on purpose because it benefited them.

-> Fairies are very resilient. Anti-Fairies regenerate if they're killed, as they can't die if their host counterpart (the Fairy) still lives. Death isn't overly common in my 'fics, but I'd feel weird warning for other things and not mentioning this one.

- Sexism (Anti-Fairy World tends to look down on women; Anti-Cosmo in particular tends to parrot the sexist beliefs he grew up with and gets annoyed at pushback)

-> Male bats often mate with many females (up to 30 sometimes). I built Anti-Fairy society around the idea that females outnumber males, but males see it as a sign that many women should be subservient to them because "it's nature." Anti-Cosmo is a product of his culture. Diversity loss! The villain has harmful views!

-> Anti-Fairies tend to be less racist and more sexist than Fairies while Fairies tend to be less sexist and more racist.

- Honey-lock - Anti-Fairies get flooded with hormones and magic 3 months after their counterparts mated. The pair are driven to locate each other, mate, and produce children in reflection of their counterparts.

-> what do you mean that's traumatizing? Dang, you guys live like this?

-> Anti-Cosmo's underlying goal in Frayed Knots is to beat the system so the next generation of Anti-Fairies will be born without the honey-lock's effects.

- Sociosexual Anti-Fairy culture - Anti-Fairies have a touch-based society themed around bonobos because I thought it would be interesting, particularly in a society where pregnancy is out of your control anyway (i.e. you can't accidentally get pregnant- It's in your counterparts' hands).

-> I do think "It feels good and we have few consequences, so why not?" is a reasonable direction for their culture

-> I'm not sure I would make that same choice years later, as it can be quite off-putting, but I'm glad I got to worldbuild with such unique building blocks. I enjoy it, but it's not for everyone.

- Infidelity (Anti-Cosmo cheats on his wife before Anti-Wanda and is implied to sometimes cheat on Anti-Wanda)

-> You're telling me the sexist sociosexual culture has infidelity and the evil villain fell into it? Bummer...

- Iris Virus - Having colored eyes in Anti-Fairy culture is played as an STD that's ceremonially passed to new individuals (because... sociosexual culture).

-> Also, what was I supposed to do with almost every Anti-Fairy having red eyes but Anti-Cosmo, Anti-Wanda, Foop, and the occasional background Anti-Fairy have other colors? Genetics? No way! 😃👍

-> RIP Anti-Cosmo. I'm sorry I find it hilarious that you cheat on all your partners and then sob like your trust's been shattered when your wife chooses to pass the virus on to secure allegiance with a valuable ally. Her body, her choice, dude.

- Child, physical, emotional, and sexual abuse (Frayed Knots in particular is not a hunky-dory story; Anti-Cosmo was often hit as a child. Some characters are cruel to Anti-Cosmo and he is cruel to others as well.

-> There are abuse themes in the Fairly OddParents 'fics?? The TV show about abused kids? what won't they think up next.

-> Cosmo's mother is doting in canon, so I portray Anti-Cosmo's mom as abusive to him.

-> Living in a sexist sociosexual culture sometimes leads to sexual abuse?? Also, belonging to a species that is magically forced to reproduce when your counterparts do even if you didn't consent is probably also sexual abuse? wild.

-> In Origin of the Pixies, H.P. was kidnapped by a will o' the wisp in his younger years and pressured into sex while she was producing milk for newborn Sanderson.

-> H.P. is emotionally distant and not the best at coping with what happened to him. He doesn't necessarily pursue help or get the best closure to this story. Don't hold the villains up as role models.

-> Foop has an alternate personality. This is canon; here's a compilation video I made of his appearances in the series (Note, this compilation includes Foop's Terrific Twos and some scenes where his alter is implied with eye highlights and a high voice to be there, but not confirmed). It's heavily implied he gained this personality due to being isolated in Abracatraz since the day he was born.

-> Cupid's family kills any children that aren't born triplets due to a sacred oath his ancestors took to uphold love all hours of the day. Tradition requires three children to split the magic by way of Morning, Afternoon, and Evening.

-> I would say it's also child abuse that Jorgen was raised with all the pressures of being Keeper of the Rules from the moment he was born, including being pressured to cut off his own wings in line with the tradition of "noble self-sacrifice."

- Young characters & implied offscreen sex - Are you seriously telling me the popular teens might've had sex when they were something like 150,000 years old and they'd been together since childhood? What on earth.

-> In Anti-Fairy society, you're recognized as a full adult at age 150,000.

-> In Fairy World, you're recognized as an adult when you moult your juvenile wings and grow your adult wings. This is generally between ages 140,000 and 180,000.

-> In Pixie World, you're recognized as a full adult at age 250,000. H.P. keeps age of majority high to encourage his pixies to establish themselves in Pixie World instead of leaving. These are non-human cultures that each have their own views.

-> Poof and Goldie have an arc about Goldie having Harm OCD over the fear that she'll fall into her will o' the wisp species stereotype and take advantage of Poof. Meanwhile, Poof has panic attacks because he's pretty sure she did, but blames himself for not being more self-aware. 😬

-> Foop gave his lover Anti-Marigold the iris virus when they were considered young adults in Anti-Fairy society (but still in school) to see if his dad would notice. Years later, he has a breakdown over the fact Anti-Cosmo never did, nor does he seem to care if his son is being reckless.

-> The sexual part of the Celebrity Kids arc is kept off-screen throughout the 130 Prompts. This arc is about the stress of being high schoolers treated like celebrities, ambassadors, royalty, and sports stars.

- Implied incest in H.P.'s family line before he was born (In the old days, it was common to marry cousins to preserve money. This custom has ended in modern times, but comes up on rare occasion)

-> It's implied this family history led to the genetic mutation that gave him wasp biology; that mutation plays a big role in his story.

-> H.P. talks about how he admires his counterpart, whom he considers a cousin. Sometimes other characters mock his admiration because of his infamous family history. It's not even important in his present-day life; it's just that my 'fics are full of jerks.

Some topics may make you uncomfortable. You don't have to read them, but that's part of fleshing out these very detailed, long-lived cultures and their messy underbellies. They're Fae. Were you expecting giddy fluff?

- Summaries for my multi-chapter FOP 'fics

- Summaries for 130 Prompts (with emoji guide)

- Want more info? Send an Ask!

You can create works based on this AU. Please cite me and/or the AU as appropriate (i.e. for things very specific to this AU). You are free to expand on ideas you've thought of thanks to my AU as a jumping off point. I'd love to reblog or link things to my AO3 works if I see them!

I write drama content with morally gray characters. Please don't portray my story events or worldbuilding out of context with intentional malice. In other words, I request you do not post things created for the specific intention of mocking me or the AU. It's not to everyone's tastes, but it's built with sincerity and it is loved <3

[justatalkingface]

what's your opinion on the big 3? When I was hyperfoxed on this series they were the thing I care Abt the most (I enjoyed season 4, obv I'd change some stuff now but I still remember it being atleast ok)

I hate how dirty they did my girl nejire, as far as I'm aware they didn't even do anything with her after the whole pagent thing she just got a small backstory about how she was sad (don't know all of it I haven't been keeping up that well w the manga)

mirios not having a quirky and having to save eri (a girl who I can't imagine would be that skilled at the age she is and has been training on lizards to give his quirk back all together, I'd imagine it taking a few more months but bnhas time is shit so) and coming back in the war arc to punch one person and then basically do noting iicr

The only decently written one was amajiki, I wish they had more going on I think they have a fun dynamic (w them helping taking care of eri and me rlly liking idk what it's called but I love the fluff it brings) :(

Lots of mixed feelings, in all honesty. Lots of mixed feelings.

I'll admit, a big part of my mixed feelings about them is they showed up as the latest, 'Stomp on Izuku's everything' at the point in the story where it was becoming obvious that there was always something stomping on Izuku, and that gave me a bad first impression on them I've never been able to shake... which isn't helped by how they're connected to the clusterfuck of Nighteye, of all people, which is kind of my whole thing with Mirio (warning; I am biased):

As a person, he's obviously nice, but as a character, basiclly his entire reason for existing was, 'give Izuku an existential crisis' and I don't think I've ever forgiven him for that, really. His entire character is just bigger, stronger, older, happier, more capable, more confident, more successful, more loved Izuku, who had a Quirk his whole life and only had to dig deep to find out how strong it, and he, was all along.

Unironically. It's....

It's a really bad look, to be blunt; he feels kind of like a bad fanfiction character written by a bad writer who wanted to put their super special OC in the story, except he's canon.

Since we've never seen him even think something unheroic, there's really nothing that distinguishes him from that impression factual statement, which, again, makes it hard for me to give a shit about him, or even remember him... which is a problem Hori seems to share, lol. It doesn't help that I loathe Sir Nighteye and that most of his development time is spent admiring him, to boot, and that his parts of the story are either empty or focused on a living plot device I can't quite like no matter how hard I try because of how blatant the emotional manipulation is about the biggest story breaking, SOD shattering plot device until Stars and Stripes showed up.

If he ever got any kind of development to flesh him out a human being rather than being either Izuku and/or a heroic archetype, it'd help, but beyond all of that his biggest personality trait is liking jokes, and that barely even comes up. Or, rather, considering both the Final Arc and his response to Bakugou's name, along with Nighteye's own tendencies, 'jokes', maybe.

He doesn't deserve it, I admit it, it's not his fault, but I just can't get past that. He also doesn't deserve to just be forgotten until his big moment of a butt joke, but... MHA, everyone. In all honesty, I'd just like him better if his entire story arc didn't exist in and as some of the worst parts of the Overhaul arc, but he's tainted by that fact.

I freely admit that I am unfairly biased against him, so take all of that with a mountain of salt.

As a side note though, god, the story doesn't seem to realize how badly Nighteye is using the poor kid; Mirio thinks Nighteye is training him because he's worthy, while Nighteye mainly seems to be doing it because he's the closest thing to an All Might clone he can get, bar him actually cloning All Might, even if he grew to like him for who he is. I'm not sure Nighteye ever thought of Mirio with just his Quirk as anything more than a temporary situation; even at the start of canon, when on his own merits he's rising to fame with how successful he is, Nighteye's overall focus is still about getting AFO into the kid.

I almost wish I could see Nighteye explaining how all of his training came down to getting All Might's Quirk, just to see MIrio react and tear Nighteye down a peg about it, except Hori's history of handling these kinds of things means he'd never be allowed to be properly offended on his own behalf, the poor bastard.

Moving on, Tamaki. Out of all of them, he's had the biggest of an on-screen story arc, and in a intellectual way his Quirk is easily the most interesting. Unfortunately, while he has a personality, it feels so bland at times that he's far easier to remember for his Quirk than who he is.

I liked his story, really, but at the time it was overshadowed by Mirio and his everything, and by the time he showed back up it was clear how irrelevant it and he was, so it was more about how (admittedly, very) cool he get his Quirk to be than it was about him, and with some brutal honesty, it's probably because his Quirk is so interesting that he even got that much focus beyond that initial arc by Hori.

And... Nejirie.

In a combat sense she's easily the best of them, really; Mirio is almost purely defensive, which limits him (especially if he's not surprising someone with it) while Tamaki's Quirk, while flexible, is so conditional in ways that can easily hold him back (we only ever see him fight with full preparation; if he's not gearing for a fight he'd be easy to ambush), and like a lot of things in the Final Arc, his big laser canon thing is.... questionable.

Nejirie, though, is just simply powerful. In a setting where everyone has one power and one main application of that power, where you either fly or blast things, but not both, she's the closest I've seen to a 'traditional' super hero, like you'd see in Marvel or DC.

At the same time, though, out of the three of them she least has a story, for obvious reasons, and it's a disgrace, really. If Hori had just spent some time on her, on the her backstory that apparently exists (yeah, I'm not sure where that is either), she could have been so interesting... but really, all she is is the Girl Teammate. Her personality traits are The Girl Teammate's personality traits. She's just The Girl Teammate stamped over all of the interesting stuff, and it's such a waste, it really is.

And finally, as a unit? The Big Three is a shiny toy that Hori forgot in the corner somewhere as soon as he got bored with it. He spent a few minutes oohing and aahing over them, focusing really hard on developing interesting powers, how they could be used, and how strong they were, only to start to lose interest as soon as those powers were established, and he was writing the three of them off before their introductory arc was even over.

[starlostlix]

GUYS I KIND OF LOVE SK8 THE INFINITY

[This ended up being kind of a review/discussion about the show so enjoy whatever the hell I'm talking about here.]

I binged the show this afternoon and.... wow.

I love the skateboarding sequences. The animation is so fluid and the skateboarding tricks they do are wild. I do not know the details of how animation works but I think it must have taken a lot of effort to make it look so good.

The plot is relatively simple in terms of the main skateboarding beefs/tournament (it even has a beach episode!) but it's effective because it feels more grounded. An underground skateboarding group with competitions could probably exist which is quite interesting.

It's the characters that really make this show. Reki and Langa and their dynamic, with its ups and downs, are so compelling, and Reki's issues with his own self-worth and skill are so human. Langa's growth in skill in skateboarding is so interesting to follow and his joy at the sport after his dad's death (and his previous passion for snowboarding) is reallly nicely done. Them becoming distanced and coming back together again because they realise that skateboarding is enjoyable due to each other is so sad but also beautiful when resolved. "Reki my love... of skateboarding" is maybe my second favourite dub line of the series.

Joe and Cherry (aka Matchablossom) have a great dynamic together, with their history with Adam is really interesting (speaking of that I'm convinced young Cherry had a crush on Adam, oh and Cherry should have kept that lip ring). I love a married-couple-style bickering duo with their endearing nature shining through in small moments and that's really sweet. Plus they act as mentors to the younger characters and that's really fun. Cherry relying on the calculations of his AI assistant vs Joe being more brute and somewhat reckless in his technique is quite an interesting comparison between the two and I appreciate their childhood best friends backstory.

Miya is also really great, and his struggles with balancing competitiveness and fun are compelling. The small parts we see of his backstory of him losing friends because he got successful is really interesting. Shadow is also really fun, at first a minor antagonist and eventually an ally. Him becoming a chaperone to these kids is really funny and his different presentations in and out of the skateboarding world is really cool.

Adam... where to start really. Well I was quite uncomfortable at some points with the way he acts towards Langa (a minor) and he's a bit... intense at points which I feel mixed on. That being said, his character is really really interesting - a politician with an outlet in an intense skateboarding persona and an abusive family makes for a very interesting antagonist and his ambitiousness and need to win as a driving force explains how he really pushes himself and the limits of skateboarding. His desire to find his 'eve' - someone that can truly match his skating - is really intriguing (I only wish he wasn't pursuing a 17-yr-old Langa for that considering it's romantic connotations). His dynamic with 'Snake' - his childhood friend turned secretary - is really interesting too (as is Snake's actions and motivations in general).

To me so many people in this show feel queer-coded. Joe Cherry and Adam are such a messy trio and it's kind of comical that Cherry could be seen to have had feelings for both of them. Reki and Langa are so awkward and they clearly like each other a lot in a way that feels romantic ("show her she's a lucky girl" kind of speaks for itself). Adam is Adam, I don't really have to say much else there tbh.

Also THE THEMES!!!! THE THEMES!!!! Loss, friendship, passion in your interests, the desire to have FUN rather than be competitive all the time, what an interest can mean to a person (which as an AuDHD individual is something I feel attached to in this show in particular), etc. It's really well done in this show and there is loads to talk about but they honestly deserve their own in depth posts (which I may do eventually you never know).

STUDIO BONES!!!! DROP SEASON 2 AND THE MATCHABLOSSOM OVA AND MY LIFE IS YOURSSS!!!!

I enjoyed the show a lot and it's a very fun and well made series despite its short runtime.

There's a lot that can be talked about but to put it simply, I am now a SK8 fan.

[artsywriter25]

Let’s talk about Kung Fu Panda 4

Okay, so we finally got some updates on KFP4, the plot, the director and what to expect to see in the film. My reaction to this is….mix.

On one hand, I’m so happy we got something! But on the other hand, I’m just really nervous and I don’t like this deflated feeling. So I’m writing this out to share my thoughts and wanting to hear what the fandom thinks. I’ll try not to make this too long or sound like a rant, I’m going straight to the point and talk about the good and bad about KFP4.

=

So first let’s talk about the director: Mike Mitchell

……Oh boy.

Ok I’m not gonna give the guy any crap, I’m willing enough to give him a chance. Yes I know he directed Trolls, but he also directed Shrek Forever After. I looked back at that movie after The Last Wish and it’s not really that bad. It was actually sweet and serious in some parts. And that’s what I hope this director will do, have the 4th film at least serious in some parts and don’t make it too goofy or jokey where it feels awkward.    

Now on to the story and this is the best way I can summarize this from a few articles I’ve read:

“ Po is getting promoted to be the spiritual leader of the Valley of Peace, but he has to choose someone to take his place as the new Dragon Warrior. He catches a theft fox who he could see potential in their skills but they don’t get along. But Then a Chinese sorcerer known as ‘The Chameleon’, has summon Po’s past villains from the dead. Now Po and his (student?) must journey together and stop this new villain. ”  

So judging by the information that we got, it sounds like many years have passed since the third movie. Po becoming leader actually worries me because it’s probably hinting that Master Shifu may pass away and now Po has to take his responsibilities (This is just a guess so sorry Shifu fans!).  

There is also this fox character they have mention in the articles which they can’t seem to get the name right and they keep flipping their gender. First it was misspelled as Shen, then it was Chen and Zhen so I’m just gonna call them Fox for now on.

I wonder what kind of story arc will they give Fox. What’s their backstory? What kind of lessons they must learn? Does Po see himself in them or are they both different with different views? These are some questions I hope they answer. Giving Po a student to teach was a direction I theorized DreamWorks will go down and I’m glad they did. The trilogy had Po as a student, now taking the role of masterful teacher, it make sense to passed down those experiences to someone. I can really image the funny shenanigans they can get in to, along with the Furious Five. I think it would have been awesome if they each had a student too and they all come together fighting the villains with the skills they were taught. If there’s one thing I’m really worried about is the Five getting pushed aside for this new character or Fox ending up being a perfect character. Have Fox be flawed, have them be a kid we can relate and root for and something that the kids will like too.

Now let’s talk about my most favorite thing of all: THE VILLAINS!!!

OH MY GOD MY FANGIRL IS TRYING TO TAKE OVER! TAI LUNG, SHEN AND KAI ARE COMING BACK!! AND I DON’T KNOW IF THIS IS A GOOD OR BAD THING!!??

I am shock, like I never expected they go down this route. Story wise, I understand why the three shouldn’t come back as they served their purpose as villains, but no, they are bringing them all back. A actual animation studio is listening and giving the fans what they wanted??

DreamWorks must be watching their fandoms, that’s the only explanation I can think of. They must have saw all of our fanarts and fanfics and went like “Oh damn, they really love are villains…you know what, let’s bring them back.”

So how will this affect the story? I honestly don’t know, maybe Fox has to learn all body, mind, and spirit in order to help Po and the Five.

Now what I’m really surprised is they choose a chameleon to be the forth villain. I did some research this morning, and there’s not that many species that look intimidating. But if they could make a peacock threatening, I’m sure they can make a chameleon threatening too. I even looked up about sorcerers in China and I think they meant shamans. Chinese shamans are known to be wizards or spirit mediums, this could mean the Chameleon may have some connection to the spirit realm, which I hope they explored more on. I read some of this under Wikipedia, its very interesting.

=

And that’s all I have to say for Kung Fu Panda 4. I am a little worry for this film but I’m not gonna get worked up about it, I’m gonna stay positive that it will work and I’m sure it will. The only thing that could save this film is the animation. I think KFP is perfect for that hybrid spiderverse animation.  

But what do you guys think and are you still excited for the sequel?? If you wanna discuss anything about this I’m all ears. 

[happyk44]

Thinking about that long form feral!Jason fic I wanna write but probably never will get around to doing so, and like. It would be such a disappoint to just keep my meandering thoughts in my head, right?

As far as plot goes, it'll probably end up being more character driven introspective than plot important. Like yeah there's a plot they're following because it wouldn't be PJO without a stupid quest but that's really just an excuse to bustle everyone together. Thought process is Thanatos goes missing ala SoN and Nico, flocked by Hazel and Jason, drags Percy and Thalia along to help find him because - idk, he just does. Cousin outing lmao.

Hazel is alive for no other reason than I want her to be. She was a "gift" from Zagreus as thanks for Nico helping out in the war, because he was annoyed Nico got snubbed in all the congratulations. Naturally Bianca was Nico's first thought but she was like "Nico, fuck off with that shit" and directed him to their lonely sister sitting beneath a tree and poof. Hazel.

Leo was in the Kronos army and ran away at the end of the war, because he didn't trust the gods or CHB not to kill him. He wasn't really a fighter - he just made their armor and weapons, so he wasn't technically even in the actual battle, which made it a lot easier to escape detection.

He also lives with Piper now - idk if I want to include my mute!Piper thoughts, and I'm murky on how Piper and Leo will get brought into the mix. I do know it will be a "Nico knows a guy" situation. But anyway Piper and Leo live together. Idk how they met - probably crashed into each other or caught one another stealing shit or Piper saw Leo and thought "opportunity to make my dad pay attention to me" and took him with her or whatever. Obviously it doesn't work, but Leo sticks around because Piper enjoys having a friend, and he's the one who pieces together that Piper is a daughter of Aphrodite, and warns her from ever going to CHB. Up in the air if she knows his background regarding the war and shit by this point, but they're the people they have so they're tight.

Frank's backstory is more or less the same, except after training in Camp Jupiter for a couple weeks, he's like "no. I can't do this. This is awful. How do I get back to Canada and the snow?" And then Nico pops up doing his ambassador to Pluto thing (bc while both camps know about each other now, they haven't yet started mingling and Nico is aware that Octavian has... issues).

Anyway Nico is trying to get the scope of the place, wondering it would be a good place for Hazel to live so she doesn't have to hang out in the Underworld all the time, which she doesn't mind for the most part - but she does want to socialize and make friends with living people. And Nico thinks that she'll probably have a better time with the Romans than the Greeks, because they'll associate her more with wealth.

He and Frank bump into each other and Nico realizes Frank is trying to escape camp. Offers to help him and gets Hazel and Jason who help him leave in the middle of the night, while Nico socializes publicly with the other cohorts, so that like. No one gets suspicious that Frank disappeared right after Nico showed up. On their journey back to Canada, Frank discovers his shapeshifting powers.

Currently the POVs are probably gonna be a switch between Thalia and Percy. But maybe others will join in as the story flows.

Also Jason really likes Frank's shaping shifting powers, and every time they visit him and his grandma, Frank turns into a wolf (or bear or other large predator animal) and lets Jason wrestle him. Frank does not enjoy this as much as Jason does. Jason also has to wear a muzzle inside the house as per Grandma Zhang's rules, because he "does not know to keep his teeth behind his lips". Despite this, he is a decent-ish wolf pup with her, and will grumble loudly but let her click the muzzle on with only a few pitiful whines.

[starfayy]

Writeblr Intro (cuz i forgot about this)

AYUP everyone my name's Fleur, i'm a 19 years old woman, im cishet and painfully neurodivergent (AuDHD and MADD). Im also brazilian and christian so there's that! (Trilingual beast coming at ya!)

I've been a writer since who knows when, started to write fanfiction in the worst fandom i could've started (...the beatles), went to an amazing fandom -that turned out to not be that amazing but my writing and storytelling evolved exponentially so im grateful- to now being more focused in original works

I'm currently writing a book with my friend (@serenity-of-waffles)*, and i might probably work in scripts for comics, animations and maybe games????? Let's see-

yeah im an artist too hehehe

Genres i enjoy reading/writing: Fantasy, Scifi, Romance, Thriller/Suspense, Horror, Slice of Life, Supernatural

Here comes the lists of things i like to see in a book and that i tend to write it in my own stuff:

FOUND FAMILY!

A good well written romance sometimes doesn't kill ^.^ (im a cliché beast, careful)

Tragic Backstory? Sign me in

NEURODIVERSITY

Supernatural ocurrences and creatures. Analog Horror, Psychological Horror as well

Super heroes? Yes

Mythological metaphores

I write for both Youth and Adult (im a sucker for children's books they can get so dark suddenly and is amazing)

Mystery elements yesyesyes a good suspense

Deep relationships

Consequences. I love consequences.

Historical plots and period inspired fiction

Super powers, creatures, magic, a whole well made worldbuilding (Tolkien wannabe)

SOOOO what am i looking for??

FRIENDS! People to rant about my silly stories and worlds!

More writers to follow and engage and and- ykwim

Current WIPS? hmmmmm

• Eden Fables: The Inkweaver's Diary - (*NOT WRITING ALONE) So this one i won't give much detail, just know that me and my friends we're going absolutely insane over this book and the entire possible series and is our child, you're not fucking ready. The best fantasy book i ever written in my life TRUST ME. Blame Tolkien and C.S Lewis for inspiring us so much- (sorry for the vague synopsis muahahahah) A story of a boy displaced in time and space as he finds his heart and returns to his throne, finding a family along the way while dealing with the craziest adventures.

• Boreal City (future comic :O) - A retrofuturistic cyberpunk super-hero universe about many different points ot view and adventures that are actually connected (like the Marvel Comics universe or DC comics). Its being one of my favorites so far im having so much fun doing it hehe

Its very inspired by many superhero and retro-cyberpunk media, i cant count here how many hehe Synopsis (for at least one of the stories): From a family of superheroes, turned into a villain by his own demise, and disappearing for 5 years, GlitchWave makes his stupendous comeback in an unexpected redemption arc, and it all starts when he meets his brother again.....

• Gritia's Great Mystery - An amazing story about a corrupt kingdom trying to hide all evidence that god exists, aside from other...cruel crimes against certain groups of people. The aesthetic is a mix of enlightnment era, renassaice and victorian age, all together mixed with elements of thriller, romance, mystery and BIG drama. Maybe one of my most serious stories, since i wont hold back in the critics n shit

The Crown Family of Gritia, for centuries, tries to make the existence of the Mighty King, aka god, a tabboo, or even erase him from all existence, alongside his followers. Anything that goes astray the status quo is suscetible of punishment (or worse....)

That makes Spencer's life a bit complicated, even if he doesnt know abt the Mighty King's existence, he's part of a secret society...lets see where this goes right?

OOF DAMMT I SPOKE A LOT HUH SORRY IM A TALKER! Hope to find more writer friends along the way ^.^

[idjits-areus]

Let me start by saying Meta Fiction is such an episode.

I just saw the title and it reminded me of that. One thing in particular is Gabriel's interaction with Cas at the convenience store. Like, that eyebrow wiggle and knowing look of "Would you expect any less?" when Cas asked him if Gabriel was still alive I figured was intentional. It had to be. There was no way it couldn't have been. It was so blatantly obvious.

I got curious and looked up if Richard knew that he would be returning for future episodes (season 13 wise) at that point in time. This is part of an interview article I found:

Fangasm's "Richard Speight, Jr. – On Gabriel’s Return to Supernatural, Ad-Libbing with Misha Collins, and Lots of Cons!" interview article from 2014

I didn't even notice the snapping piece when I watched it before and if I had I brushed it off. Like, reading that it makes so much sense. Metatron would not have written that in. He would've done it like a regular angel because everyone knew it was Gabriel the archangel at that point not Loki the Trickster. He would've assumed that there was no need to hide behind the trickster persona anymore, so he'd just blip away like every other angel. Snapping was very much Gabriel. A little personalization if you will.

And the theory. I like how they dealt with where Gabriel was in season 13. I like the Monte Carlo backstory. It's like a conflict of canon plot here though. If we go with this theory then it sort of displaces the season 13 backstory. According to the backstory, Gabriel should be with Asmodeus in season 9 and has been since sometime in season 6. There's no way that he would have just "been around."

I could believe that Metatron took a piece of the real Gabriel and mixed it with his fake one to produce the Gabriel we got. It's not like he could get him out of hell. Not even Metatron had that kind of power I think. Therefore it wasn't the real Gabriel. It was almost like one of his copies though. Looked, acted, and talked like him but wasn't him. Yes there are some differences, but that's to be expected. It is Metatron who is pulling strings. It's his "story" after all. Even with that Metatron had to make him real. So he used that piece of the real Gabriel as the majority composition that made up the character. He let him feel real. Be real.

As I'm writing this I got another theory. One that I think I really like. Metatron could've found Gabriel in hell, yes, but he couldn't have gotten him out to do his bidding. Asmodeus would've noticed and getting Gabriel out wasn't on Metatron's to-do list. That and I highly doubt he's got the power to do so. Gabriel has made copies, illusions of himself before. I can believe that Gabriel gave Metatron a weakened copy of himself to use. It's still Gabriel, but not at the same time. It would explain a lot. This way the backstory stays intact while still allowing this episode to be canonically correct. And Gabriel would not need to mention Metatron in his retelling of the backstory because it is insignificant. It was this tiny thing that meant nothing to him, so why include it? There wasn't a need. And in doing so it allowed the writers to help fix a canon plot hole they created 4 seasons ago.

I am aware that the writers and people of this show probably hadn't thought of this backstory yet. It was a whole 4 seasons away. I don't think they plan that far in advance and once they wrote it they couldn't just go back and fix it. This is all just me grasping at the metaphorical straws trying to piece together something that probably isn't there. Just, to me, it makes sense. It works. Would this theory be considered a headcanon? Probably.

[mountainheroine]

Character dev questions!

Would you say Sam is self-motivated? If so, why? If not, why not? By self-motivated, I mean like does she do things for herself first or for others? Does she think of herself before others?

Additionally, what is her family life like? Is she close to them?

What is her greatest strength compared to her greatest weakness? Are they total opposite traits? Do they stem from each other (good to a point, bad after)? Or are they separate traits entirely that do not intersect?

And if you’re feeling up for it, how would you tier a list of her closest relationships? This can include the Until Dawn cast but can also include any new relationships she’s formed with other characters on the dash, any NPCs you’ve crafted for her backstory, etc.

Lastly: what traits does she seek out in her friends? People like her? Not like her? A mix? What is a “deal sealer” for a friendship? Like what would make her go “oh we’re best friends now”? And what is a deal breaker?

Thank you so much for sending this in! I love getting asks like these. Okay. This might get lengthy so let me see if I can break these down.

I would say Sam is a mix when it comes to her motivations. A lot of motivation for others. She likes to help people and build them up, do things that she can to assist those around her. Sometimes a bit of a people pleaser but only to an extent. She knows when to stand up and advocate for herself.

Some deeper motivations are hers and hers alone such as her drive to pursue the supernatural post game. She wants to learn about all of it not only to help herself but others as well.

Sam has a very close relationship with her family. Her mother and father are very caring which is where her traits of this shine through. She's always had a very happy home life, spending a lot of time with family. I think I'll add them in as NPCs and flesh them out a bit more as time goes on.

Sam's greatest strength is her compassion and understanding of others. It allows her to get close and really form bonds with those around her. Sadly this is also her greatest weakness because she trusts people and the people she trusts are not always the right ones which sets her up to be hurt at times though she does her best to learn and grow from each experience she is put through.

Tier list for her current bonds:

Sam's closest end game bonds right now are as follows with the muses she's interacted with:

Josh (worked on with both @pavlovianpanic & @joshinyou ) because she has bonded with each of them over the loss of Hannah and Beth. She trusts Josh probably a bit more than she should ha ha

Matt ( also worked on with pavlovianpanic) Sam used to be a cheerleader and attended a lot of his games. They have that athletic bond. Sometimes they go hiking or rock climbing together and serve as confidants to one another.

Jack (worked on with @mountaindmned ) Sam returns to the mountain once more to learn more and try to find a way to help where she encounters Jack and the Mad Dogs. She opts to become one of them and protects those who dare to step foot on the mountain.

Jessica (worked on with @rebelliousfamily ) Jess and Sam are fast friends, their happy and bubbly nature easy to bounce off of one another.

Miles (pavlovianpanic's oc) is somewhere in the middle at the moment. Sam has a lot of hard feelings right now at being pressed.

And of course Hannah though I haven't interacted with one yet.

Then there's her parents who she is very close with.

The rest of the cast are on the lower side since I have yet to plot or work on interactions with anyone.

For the last question here: I would say that what Sam looks for in a friendship is based on personality and their actions. She finds something to like in most everyone she meets but people who are honest, compassionate, and kind are big deal sealers for her. She can often sense things about those around her to say with like Emily, she knows outwardly Emily isn't really any of the listed above at a surface level but deep down there's good there to be found.

A deal sealing for being besties would be anyone who shares in her favorite interest or who just likes hearing about them. She loves drawing, rock climbing, singing, and dancing. So if you're into any or all of the above you're sure to earn a friend in Sam.

A deal breaker would have to be really big. If she can tell you lie a lot, if you're rude to people she cares about or if you hurt them. All of those things are a definite deal breaker because she needs people she can trust in her life.

[the-selfship-corner]

Canon S/I Selfship Ask Game!

Original Post Here!

Using Kasumi for this :)

✍️: Overall, how does the fandom trait you? Are you a beloved character, or hated? Are you popular, or a minor side character? Anything in between?

I’d say Kasumi is a beloved secondary character. Not quite as small of a role as a side character, but not important enough for a main character either. I like the think she’d be a fan favorite.

📝: How would your story in canon go? How would you influence the events of the original story?

Kasumi would have transferred to U.A. under recommendation. Her appearance wouldn’t change much of the main storyline, but it would change small things like how Bakugo acts later in the series. She would probably have her own side arc.

🤪: What is your trait that fanon would exaggerate?

The fanon would exaggerate her quirk, Angel, and probably draw her as some immortal being with six wings, floating eyes, and a halo.

🥰: How would someone who loved you portray you?

They would portray her as a sympathetic, kind person.

😡: How would someone who hated you portray you?

They would probably portray her as an emotional crybaby who obsesses over Bakugo.

👯: What canon character are you most similar to?

Probably a mix between Mina and Uraraka.

🌦️: Would you be accompanied by mostly fluff or angst fanfics? Both? Explain why.

There would probably be a lot of angst with Bakugo and Kasumi, mostly because of Kasumi’s backstory and Bakugo’s aggressiveness.

🏷️: What is you and your f/o’s ship name?

Katsumi :)

❤️: How popular is you x your f/o? Are you a rarepair?

Pretty popular. Most people either love it or hate it. Katsumi is almost canon, but never officially talked about. There’s plenty of scenes that hint to it, though.

💞: Aside from with your f/o, who else would you commonly be shipped with? Why?

Probably Kirishima. The two of them get along pretty well and have those similar bright personalities.

☕️: What are the most common plots of shipping fics between you and your f/o?

One rescuing the other from a kidnapping, one comforting the other from a nightmare, cuddling after Bakugos had a long day

🛌: What tropes show up in fics involving your ship?

Apocalypse, enemies to lovers, angst, fluff, villain x hero, married AU, breakup

🪐: What would be your most popular AU and why?

The most popular AU would probably be the World End AU, just because the designs are cool and Bakugo and Kasumi only have each other to rely on.

💘: Why would people love your ship? Why would people dislike your ship? How might it start debates?

People like the ship because Kasumi and Bakugo balance each other out. Bakugo teaches Kasumi how to stand up for herself more and get stronger, while Kasumi teaches Bakugo to have an open mind and try to be vulnerable with others. Some people dislike the ship because they feel Bakugo is too toxic for Kasumi, or that it’s doomed to fail due to the amount of stress on both of them. Some people may headcanon Bakugo as Aroace, while other avid Katsumi shippers would argue.

🙈: Why would your ship be thought of as cute/fluffy? Why would your ship be considered problematic?

The ship would be considered cute and fluffy because it shows a side of Bakugo the fandom wouldn’t see otherwise. He’s this really tough, hotheaded character, but when it comes to Kasumi, he becomes gentler.

🎞️: What ‘canon’ scenes would the fandom point to as evidence for the validity of your ship?

Kasumi and Katsuki were walking silently together after All Might lost his powers. Katsuki hadn’t been the same since that night. “It’s not your fault.” Kasumi said, seemingly out of nowhere. Katsukis eyes widened a little and he stopped in his tracks. He balled up his fingers into fists, knowing exactly what she was referring to. She turned to face him, putting her hands on his shoulders. “I can’t stand seeing you give up. The Katsuki I knew didn’t give up, no matter what.” Kasumi said softly. It was already dark outside. Katsuki didn’t say anything, he just looked down. “I know you’re angry at the world and yourself right now.. but…” She moved her arms slowly to hug him. “I think you’re pretty cool.” Katsuki stood there in shock for a second, before one of his shaky hands found its place on her back, just barely noticeable. After a few seconds, he pushed her away. He wiped his eyes. “Of course I’m cool… I’m gonna be #1..” His said, trying to go back to his snarky tone of voice, though a quiver could still be heard. He had that cocky smile on his face, though forced. Kasumi smiled.

💌: How would your dynamic be portrayed? What might people focus on most? Any misconceptions?

A misconception would be that Katsuki is abusive because of the way he acts towards other people, however, he’s never shown to be this way towards Kasumi. He’ll get a little snappy, but he’d never lay a hand on her. The dynamic would probably be portrayed as Ray of sunshine x angry gremlin. People would focus must on how they grow throughout the story together.

👀: How does your ship with your f/o influence both of your characterisations and the world? Would there be any interesting metas written about your dynamic?

Bakugos character would definitely be a little different. The way he treats situations would differ, how he treats people he’s fighting and people he’s saving.

[cloysauce]

The Friend Zone Experiment by Zen Cho

it's not every day your favorite fantasy author writes a novel inspired by your favorite drama.

i've been a fan of @zenaldehyde for 8 years now, so to see her venturing into a romance birthed by crash landing on you itself signals an immediate purchase for me.

[official book website]

going into the novel, it's easy to see why the main characters could pass as au versions of seri and jeong-hyeok, so much that the similarities can be too on the nose. renee goh owns a successful fashion company and in the line of succession of a powerful conglomerate family (from whom she is also estranged), add to that two toxic brothers and a string of exes. yap ket siong is a gifted (tall, broad, gentle, handsome) pianist who is close to his brother. there was a point where i worried too much about parallels but eventually as the world building progresses, the characters would stand on their own merits and unique backstories, and diverge from the cookie dough from whence they have come from.

i imagine it like the author trying to fill in a coloring book, instead of say writing from scratch. but she doesn't necessarily use yellow for the sun or green for the trees or blue for sky. she colors in the scenery in her own way, and in the manner she sees the world and in this case, an intermingling of malaysian, singaporean, and british cultures. this has always been one of her trademarks in her books. she takes something to a different spin like say how she puts Malaysian witches in magical English polite society in Sorcerer to the Crown.

admittedly, i'm very biased for Zen's writing, i love it, it's fun, it's springy, it's colorful. while there's no actual abracadabra magic in this book, she's weaving her spells just the same, in creating sparks between characters. you can trust her to create characters with depth and purpose, like this isn't just about one relationship, but also adult friendships, families, female camaraderie, and many of these rooted to a distinct heritage that me as a southeast asian girl can relate with.

the story is also framed according to real-life events with a touch of fantasy (coz rich people) but the tone and plot perfectly balances between the grim and light (as characteristic of the romance genre). i think it's a balance that's hard to pull off and to justify, but Zen is no stranger to combining two different worlds and making it gel nicely and firmly.

the novel shines its brightest when everything comes together and you chew right into the sweet center. but perhaps as all sweet centers go, it runs out quickly. i'd have wanted to relish it longer.

i've seen some of the mixed reviews and i feel there's something being lost in translation (and possibly marketing?) the book is inspired by the themes, feels, and plot structure of a kdrama, and many of the readers aren't exactly familiar of the genre still. instead they compare it to the first thing people think about when it comes to asians and rich people (yeah that book) which is a rather myopic view imho. that KK book was written with a tabloid sensibility in mind. The Friend Zone Experiment offers so much more to the table (though the title could do much better to communicate that).

but as a kdrama viewer, and a Zen Cho reader, i can say it's a treat for me. will i read it if i were not a kdrama viewer? i'm not sure. but i'm gonna lift a page straight out of cloy and say it's fate that i got to know about this book just when i'm also kneedeep into kdramas.

who will enjoy this? people who liked cloy, people curious about southeast asian affairs and living in diasporic situations, people who love strong women and green flag men, people who want well-written asian characters, people who love a good plot in their romances, and yes, people who love kdramas!

owing to their superior storytelling techniques, kdrama interest is growing and i've been seeing more blogs and readers looking for books with the literary equivalent of watching a kdrama episode. i can recommend this one, especially for the holidays. it's the best time to slurp up a book and feel warm and fuzzy inside.

[teecupangel]

OG anon of the Reborned Desmond in Unity. I'm mighty proud that my ideas spur you fun writing. I'll confess you a secret, I'm also og anons of the ideas I've sent you prior but I don't wanna have you see me aggressive or pushy because I enjoy your content immensely (I had bad experiences of people's harsh words in irl and online on my personality). Anyway, it's similar in Unity idea. What if Desmond is reborned in AC Rogue, like became Shay's childhood friend or Liam's older or younger brother. Or possibly in a time earlier so can Desmond be established in Brotherhood maybe master assassin for Connor's happiness. Haytham's confusion and frustration in some point in the plot that Desmond won't kill him but has a look of a disappointed or pained look of a family member and Lisbon is saved. Desmond and Shay could become platonic soulmates or slow burn childhood friends to lovers (up to you) or better yet Desmond unintentionally became mentor (he was supposed just be an assassin in the background damn it lmao) and Shay is like a bodyguard or right hand which had these intense sexual tension between the two. Sorry for messy and long ask

Ah, well, I don’t see a problem with your personality and I like the ideas you throw at me. To be fair, I do try to limit my time with everyone’s asks to a certain time so I can still write. So if you don’t see an answer, that only means it’s been pushed to next day or something.

Alright, let’s think about how to make this work.

As usual, we’ll keep the same limitation as the Unity AU one

Desmond remembers his life as Desmond Miles

Desmond will have his ancestors’ memories and skills but those memories will be vague

So he either gets reborn as Shay’s childhood friend or Liam’s older/younger brother. Since Liam is Shay’s childhood friend, we can combine the two and make Desmond’s Shay’s childhood friend who is also Liam’s sibling.

Now, according to AC wiki, Liam was Achilles’ first acolyte and it was Liam who also recruited the rest of the Colonial Assassins. He’s pretty much Achilles’ second in command and maybe even being groomed as the next mentor.

In this scenario, Desmond and Liam would both be inducted into the Brotherhood together (whether we keep the whole “Liam’s father got executed to save his son” part of his backstory is up to you, nonny) with Desmond being more of Liam’s shadow. Many will see him as the little bird who whispers in Liam’s ear. Everyone in the Brotherhood knows that if you want Liam on your side, you get Desmond on your side.

We’ll get to Shay later as we need to talk about how Desmond’s inclusion would affect the Colonial Brotherhood as a whole.

Achilles Davenport

Desmond would still remember how Ratonhnhaké:ton thought of him as a father-figure. He also remembers how Achilles sometimes treated Ratonhnhaké:ton like a stubborn child so he has mixed feelings for Achilles. What he does remember is that Achilles’ family would die. Here’s where we get a bit creative with this. Desmond doesn’t have actual medical know-how. What he did had was a Shaun who was more than happy to explain what killed Achilles’ family and how that could have been prevented, which literally boils down to “cleanliness”.

So, in this scenario, Desmond is kind of a clean freak. People assume it’s because he used to live in a dirty place and Liam never tried to correct them that Desmond had always been a clean freak since they were children. The homestead is always clean, especially the kitchen. Achilles learned to live with it because his son loves the ‘wash your hands’ song that Desmond taught him. In this case, Abigail and Connor live and that means that Achilles would be ‘milder’ than his canon characterization. (Maybe Abigail even treats all of Achilles' students like her children as well?)

Hope Jensen

The main difference for Hope in this scenario is how she controls her gangs. Desmond knows it would be impossible to stop crimes from happening but his words and his adherence to the Creed would resonate with Hope. Instead of having something akin to a Proto-Rooks, Hope would be in charge of something similar to how the media portrayed the golden age of the mafia. They’re criminals, yes, and they sell illegal shit but they’re organized and they have a code. They protect the people in their district and take care of crimes not their own. In exchange, the people (and maybe even the police) look the other way when they do illegal stuff. (Hope becomes a mix of Vito Corleone and Red Hood in this scenario… does this mean Desmond accidentally created the mafia in New York during the 18th century?)

Kesegowaase

Not much would change for Kesegowaase although he would consider Desmond as a close friend. They’re also hunting buddies and Kesegowaase would notice how many of Desmond’s movements are very similar to him or to other tribes that he knows of. Desmond would just wave it off as a coincidence or maybe even say “I had a great teacher”. Kesegowaase would seesaw between thinking Desmond had been trained by one of his people (or one of the other tribes) and thinking Desmond may have been blessed by one of their spirits.

Louis-Joseph Gaultier

Oooohhhh bbooyy. This one… okay. So… Gaultier will be the one that keeps butting heads with Desmond. A lot. Desmond would even argue against his inclusion as he sees Gaultier as violent and arrogant but Achilles will argue that his connection with the French army made him invaluable. Even his suggestion of just keeping Gaultier as an ‘ally’ would be denied because Achilles sees how loyal he is. “He is loyal to a master, not to the Creed!” will be Desmond’s main argument. So there are a lot of times that he and Gaultier would argue on what it means to be an Assassin and what the Creed means. Gaultier would emphasize on Desmond’s Irish immigrant heritage to belittle his knowledge about the Creed and Desmond will argue that blood doesn’t matter. On the flip side, Desmond’s constant arguments with Gaultier and critiquing of Gaultier’s actions make all the other Assassins have a better understanding of the Creed and what it means to be an Assassin.

Liam O'Brien

Honestly, I think Desmond should be his younger brother, mainly because that would make Desmond be of a similar age as Shay and because Liam just has big bro-vibes. Just imagine him being a protective older brother who likes to tease Desmond. In this scenario, Liam would feel responsible for Desmond’s safety (especially if we do decide that their father still dies for Liam’s mistakes) and he’s a bit overprotective at times which Desmond finds both tiring and also makes him feel warm inside. Liam would also be torn whenever Desmond and Achilles would butt heads. On one hand, Achilles is like a father to him, on the other hand, Liam also knows his brother long enough to understand that everything Desmond does is for what he believed is right. Achilles may have been the one to choose Liam to be an Assassin but Liam knows that it’s Desmond who embodies what being an Assassin is supposed to be.

And now, we get to Shay Cormac.

Shay met Liam first and Liam was the one to introduce Desmond to him. Desmond has no memories of Shay at all since, even before the memories of his Bleed took a hit, his memories of Haytham stopped before Haytham met Shay. Not only that but Achilles never told Ratonhnhaké:ton anything. All Desmond knew is that the Colonial Brotherhood will be destroyed by the Templars while Ratonhnhaké:ton was young. So he grew up treating Shay as a friend. They separated due to their family situations but Liam later reunites with Shay and invites him to the Brotherhood.

And this is where Shay gets hit.

Growing up, he saw Desmond more as Liam’s little brother. A small kid that Shay needs to keep an eye on because he can be a little strange and has a mischievous streak that no one would believe. Shay has lost count of how many times Desmond had made some asshole’s life hell without anyone realizing it was him.

So when he heard Desmond was one of the high-ranking members of the Brotherhood, he wasn’t surprised. Desmond had always been a sneaky little shit.

Then…

He saw Desmond as a young adult for the first time, maybe while he’s looking over reports Hope was showing him concerning the current situation in New York, and Shay just…

Stared.

Desmond as a child was cute. Maybe a little too thin but that was unfortunately normal for them. He always wore Liam’s old clothes which were too big for him.

But Desmond in his Assassin robes? Wearing clothes that actually fit him? Having grown up into a fit young man?

Shay gets hit hard. And Desmond is simply too happy to see him again to see it.

But Hope notices it.

And Liam freaking notices it too.

And now Shay doesn’t have to just deal with his growing affection for an oblivious Desmond. He has to deal with Hope’s teasing and Liam’s seesawing erratically between teasing him and threatening to eviscerate him. Shay’s crush is going to be the worst kept secret in the homestead that even little Connor Davenport knows about it.

But Desmond doesn’t.

Why?

Because Desmond is too focused dealing with the whole Kenway drama at the moment.

Because no matter who Desmond gets reborn to… He will always prioritize the three men he cared for the most.

And, at this point, Haytham Kenway was already in America (but Desmond has no idea where) and there were even slow ongoing talks of an alliance with Ratonhnhaké:ton’s tribe that Desmond has taken charge of.

And this is where I go back to my try-and-tested idea of Desmond spending lots of time with baby!Ratonhnhaké:ton and being bff with Kaniehtí:io. (*whispers*Ratonhnhaké:ton and Connor Davenport being brothers *whispers*)

But let’s focus on the first part of Rogue for this one.

One way for Desmond to learn that Achilles is messing with Isu bs is thanks to Hope. Hope and Shay were the ones to be ordered to find and analyze the precursor box and either of them could tell Desmond about it but, at this point, Shay is still ‘new’ and may be trying to get some brownie points from Achilles. On the other hand, Hope has long been converted to Desmond’s side and would definitely tell Desmond about all of these because she’s heard of how dangerous these items are from Desmond himself.

Desmond would strongarm his way to being part of the mission and might even sneak into Morrigan as a stowaway and only show himself when they were nearing Lisbon. Thanks to Desmond’s ‘affinity’ with POEs, Lisbon will definitely not happen (hell, we can even use some of the plot points from A Pirate's Son for this part XD) and the second part of Rogue would be changed to Desmond and Shay trying to secure all the other POEs in the manuscript they have.

And… maybe they start getting close during their travels and something develops between them during that time… (nudgenudgenudge)

Sidenote: This is also a bit similar to the idea I was thinking of based on @twitcherpated’s suggestion in AO3 of Desmond being reborn as the actual Connor Davenport. The only difference is that Desmond would be a bit young in that one and won’t be able to stop Lisbon but, even if he’s young, he can still comfort Shay and stop him from doing anything drastic while still in shock.