#i like it a normal amount i promise

[ghstgrrlfrnd]

not to be dramatic but crackin up might be one of the best songs ever

[lobotomyworm]

RE4 LEON THIS, RE4 LEON THAT.

CAN WE PLEASE TALK MORE ABOUT INFINITE DARKNESS AND DEATH ISLAND LEON!?!?!

I AM INSANE ABOUT THIS MAN.

HE CONSUMES MY EVERY THOUGHT.

[ratatatastic]

Vanha Kauppahalli date: en full, a 2 minute 50 second masterpiece...

Primetime Panthers | 11.6.24 (x)

[sofitai28]

im mad stressed over school which means more ben whishaw!!! enjoy :3

[blackknight-kai]

Me all damn day and night:

[oonwah13]

Happy birthday @ender1821 pookie 😋

[ddodol]

Hai ddodol i cant get rid of eunseok w inexperienced reader n the possibilities of corrupting her like.....

:3 i love the experienced x inexperienced dynamic so much i'm surprised i haven't written about one yet.

eunseok as your first bf who's always careful and gentle around you, as if you were fragile glass. he would be perfect, an exact description of your ideal type, like a prince charming of your own. it wouldn't take you too long to realize that he was just putting up a front, taking you by surprise when you saw his eyes flash dangerously when you two finally got intimate. eunseok would go insane seeing you writhe underneath him, your reactions urging him even more. he'd constantly describe his actions or how you feel or taste, chuckling when your cheeks would turn impossibly redder than before. eunseok would always ask how you feel, cooing at you as he relentlessly pleasures you.

meanie bf eunseok who wouldn't shut up about how tight you were, warm walls fluttering around him. you'd be confused with how roughly he was treating you, a huge contrast to how he treats you during the day, your pretty little head befuddled with needless thoughts. you would repeat after his words, pleased when he'd smile at you like he always does. eventually, you would learn what gets him off and how he likes it, becoming completely his and only his.

[righteous-r0de0]

david doesn’t have a favorite color, but when angel asked he told them it was hot pink because

“no one will ever believe you”

[katabay]

trains :)

this is a very rough and scribbly comic, but sometimes that's all a comic is going to end up being lmao. the guy with the jacket is darren, glasses is andy. not featured, andy's dead brother who nevertheless insists on haunting the subtext

the main thing I wanted to draw was the train tho

bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost ⭐ cara.app

[bisclavret]

what SICKO wrote the last scenes between gwaine and merlin is what i want to know. because even lancelot's last episode with merlin - which had to have been intentionally gay-coded since it's obvious the man is grappling with his feelings for merlin morphing from platonic to explicitly romantic - is still subtext because he doesn't have the tools to healthily express his feelings so he goes for the biggest romantic gesture he can think of: sacrificing his life to save a loved one. the writers also make sure to root this gesture back to gwen by adding a scene where she's inadvertently asking him to make that sacrifice first, so although it's very obvious that it's more for merlin than for gwen that lancelot dies for, she is there to add some plausible deniability, thus keeping his sexuality within the realms of subtext.

i don't want to delve too deeply into arthur's last scenes with merlin as there is both so much to unpack about what they mean to each other and there is also somehow nothing left to say that hasn't been said before. my point is just that there's so much at stake that if the viewer doesn't want to deal with the romantic subtext between them they can hang onto the 38 other dynamics merlin and arthur have represented to each other that the writers spent 5 years plastering on top of the gay subtext. basically, while the romance feels textual emotionally-speaking, it isn't "canon".

i don't mean to say that any relationship is better than another (even though i obviously have a preference) but that in gwaine's final scenes with merlin there's just no subtext anymore. his becomes the most explicit expression of romantic love towards merlin, and therefore the most explicit acknowledgment of homosexual love and the existence of queer people on the show:

it starts out with merlin suggesting that gwaine saved a girl from the saxons and then looked after her because he has a more than platonic interest in her, and they show us that merlin is right - gwaine and the girl eira slept together - even as gwaine half-heartedly denies any interest (which, why even deny it? merlin saw them holding hands! unless the lie is part of the point). then in that very same scene and directly after this exchange, merlin needs rescuing from the saxons, calls after gwaine, and gwaine performs the exact same role for him that he performed for eira: he saves him from the saxons and looks after him (for as long as merlin lets him).

the parallel between merlin and eira with such quick cause and effect (it literally all happens within the same minute) is where the shift from subtext to text becomes undeniable. yes, there have been other moments on the show where a character's affections towards two different genders are beat-for-beat the same, but, again, there has always been plausible deniability. in this case the parallel is meant to be taken at face value: the core point of it is to show us how gwaine expresses his attraction.

then, the dialogue they chose to bookend this scene with takes it a few steps further by functioning as a textual love confession to merlin himself: the scene opens with gwaine thanking merlin for everything he did for eira, and merlin saying that there is no need to thank him as it was the least he could do. a minute later, after merlin thanks gwaine for protecting him from the saxons as both merlin and the show just concluded gwaine did for eira for romantic reasons (even as he denied it by outright lying), gwaine parrots what merlin said when gwaine thanked him: no need to thank me, merlin, it's the least i could do.

but this comes off as the opposite of dismissive: in fact, this echoing of merlin's words is meant to jolt both merlin and the audience. by saying this right after saving merlin from the saxons, gwaine has now intentionally pointed merlin's attention towards the explicitly romantic parallel between himself and eira. gwaine is directly implying he just did for merlin what merlin correctly deduced he did for a woman because he desired her sexually and romantically, and he is using merlin's own words to challenge him into seeing past the initial flimsy lie that there is nothing between them. and what's behind the lie, of course, is that gwaine has done all of this and more because he desires merlin sexually and romantically. the camera even lingers on merlin, allowing him and the viewer to absorb what just happened. that for as long as we have known gwaine, his motivations have always boiled down to "i want to be there for merlin". and now both the audience and merlin finally know for sure what was motivating him the entire time.

what's more, by using merlin's own dismissive words, gwaine also implicates merlin's penchant for repression and denial and never allowing himself to be given credit where it's due. this unfortunately never properly gets dismantled on the show, but this moment shows that gwaine knows merlin well enough to know that he goes above and beyond for people, and that merlin's reasons for this ring as false to gwaine's ears as gwaine's reasons for saving damsels do to merlin. it also bittersweetly implies that gwaine has accepted that these are the platonic, repressed terms on which he can have a relationship with merlin. but i think the way in which he explicitly points all of this out to merlin is meant to imply that he isn't entirely happy about having to accept that. or, to circle back to eira, that merlin seems to be cheering for him to enter a heterosexual relationship when gwaine would clearly rather be with him.

what's additionally interesting to me about this is that this is one of the only scenes on this show that touch on same gender attraction that isn't using magic as a metaphor - because merlin doesn't have magic at the moment, yes, but also because gwaine is the more active character in this sequence, and he's an adventure hero, so he simply fights the bad guy to protect the person he loves. there is no metaphor to wrap this in, so he just gets to explicitly state his bisexuality. in the next scene, the very last one he and merlin share, it all becomes about magic again, which is both representative of merlin's sexuality and the show's "plausible deniability" approach to gay-coding, and so neither gwaine or merlin are permitted to acknowledge it. also, and this is for another post altogether, but all things point to "gwaine knew". not least because he gets to come out as queer without the complications of the magic-as-gay-metaphor which in turn emboldens him to ask merlin for the truth as directly as the metaphor-suffocated narrative will allow it.

tldr gwaine textually and canonically expresses and then confesses his feelings to merlin in a shockingly well-written and layered scene which makes gwaine the most explicitly queer character on bbc merlin and it's entirely because he exists outside the magic-as-gay-metaphor plot while loving someone who embodies that entire metaphor and it's crazy to me that we don't talk about this more. once again i ask what SICKO wrote this and where were they for the entire rest of this fucking show

tldrtldr at least gwaine is bi. its like i always say. at least gwaine is bi. at the end of the day. gwaine is bi. dont cry ok? gwaine is bi. at the end of the day. gwaine is bi. when all else fails. gwaine is bi. we'll always have. gwaine is bi

[milolovesbmc]

The Dream (The Angel's Kiss)

Based on the sculpture by Auguste Rodin (1905)

(Censored just in case even though it's nothing explicit, uncensored under the cut)

"I remember you, something about you... coming to me, and sinking into me, and giving me breath again. . ."

[velvtcherie]

kiribaku makes me feel things no man has ever made me feel before

[voidrabbitsden]

Small thumbnail art i made for a video :3333

[misspickman]

"Dear Cosmo--what's a gal to do when her ex drops back into her life? Allow me to clarify--when the ex that she betrayed as a promise to the former [Batman] drops back into her life?" "Dearest [Batgirl], Sometimes a gal can't win, you know? Warmest Regards, Cosmo Editor Lady."

[icewindandboringhorror]

Just curious what the average level of personal investment in these sorts of things is. Like, how much do people usually get into silly stuff like this their friends ask of them? etc. etc. Which I know, only surveying a small sample on a very specific website means I'm not getting an exact average idea lol, but.. curious nonetheless .. Maybe reblog for bigger sample size but also this is not very serious at all/not worth a call to action gbhjbhjb

[nemmet]

thinking about be cool scooby doo fred on this delightful evening. he's afraid of widths. he gets emotional over a drumkit. he knows how to apply eyeliner perfectly. he's a sleep deprived, paranoid, manic danger to himself and others. he becomes enemies with a goat. his shoulders are so tense that they can break a chair. he goes to jail twice. where on earth did he get the funds to give the mystery machine all those high-tech upgrades. he hired a guy to make his epiphanies look more dramatic. the exterior of his house is an affront to god. he cannot take care of himself to save his life. he is a middle aged dad stuck in the body of an eighteen year old. he has childhood trauma related to halloween. he accidentally parked his van on a space shuttle. he is consistently aggravated by daphne’s commitment to the bit. he really needs to let go of those tiny red shorts. he's a court jester. he represents the order to his criminal father's chaos. he has control issues stemming from this but tries to overcome them for the sake of the gang and always apologises when he goes too far and knows that even when they wind him up it isn't a threat because he loves and trusts them so much and they care about him in turn even before he fully opens up to them about his childhood and—