#i leave. i post about it on tumblr dot com.

[holybasementdweller]

wanted to add my two cents because shipping discourse is just all over recently. Forgive me rambling a bit here. I have a lot of thoughts on this topic and would like to get them out there in some form.

Stop harassing CC's about their boundaries.

Would you go up to a random person whom you've never met before in your life, who has never met you either, and likely has no idea who you are, purely to ask them if you can draw/write/ship them with one of their co-workers?

No! It's a wildly uncomfortable question to a lot of people, it puts them on the spot, and some CC's may not care as long as they never see it. Now that the concept has been shoved in their face, they're forced to view the idea.

I feel like a large part of the issue is the divide between younger, newer fandom members and older, traditional ones. Primarily the concept that fan content is not intended for CCs, but for fans specifically. Most 'traditional' and older fandom participants follow this view because that's what fandom is. You get to make cool things, and ramble about different head cannons and ideas with your friends and maybe find other fans who become your friends along the way. Maybe you want to throw these characters you really like into this elaborate superhero AU, or draw them in costume, or explore relationship dynamics because it's fun and you get to ramble with fellow fans. It's called a fandom for a reason!

I'd like to clarify here that this post is not meant to target anyone in particular; it's going off a general trend I've noticed.

There's been an influx of people who create fan works or fanart that seems to be aimed more to gain clout or to be noticed by CCs. It's something they wanted to make, but is leaving the realm of "by fans, for fans," in a sense that it seems to have lost more of that "for fans." The work is then shoved at the CC more aggressively than if it was just for friends.

There's a reason that spaces like AO3 and Tumblr exist with such large fan communities- because the communities are meant for fans. It's all well and good when CC's decide to take a peek or participate in said fan spaces of their own volition. They're the ones making the choice to engage. It's NOT all well and good when someone, as a fan, is trying to make that choice FOR them by shoving fanworks at the CC begging for clarification on what is okay with them. You're not going to help anyone in that way. Fan spaces exist separately from the CC spaces for a reason. The CC is a person behind the screen who you don't know. The character or role they play in the series you watch? You might know just about everything there is to know about them!

If a CC has laid out a boundary that they aren't comfortable with X Y Z, then there's a really, really simple solution here. Don't show it to them.

Don't put it in main tags, don't tag them in the post, hell, block the CC so you know they won't be able to view something that makes them uncomfortable.

There's a lot of what comes across as almost puritanical virtue signaling I've seen lately, where people are talking about CC boundaries everywhere and trying to police fanwork. I will again refer you to the point above. The fanwork is not made for the CC. It is made for fans, and if it is something the CC isn't comfortable with, then don't go posting it where they might regularly look at things (such as main fanart/fanwork tags.)

Yes, there are CCs who are over here. Yes, they look through fan works. This app is primarily a fan-oriented space and it has tags that CC's (or anyone else!!) can block to avoid things they are uncomfortable with. Though at this point the few that are over here either were already gay dot com natives or have basically become one.

I may have gone a bit off my original topic but TL;DR:

KEEP FAN WORKS TO FAN SPACES, AND STOP HARASSING THE CC'S PLEASE. LET THEM EXIST IN PEACE.

[rogloptimist]

the way i almost fell out of my chair when i saw primoz roglic IN MY FUCKING SPANISH TEXTBOOK

[anbaisai]

Few things are more satisfying than wiping that smug expression off his face 😌

[floustian]

Looked up Edith Tolkien- to see if Lúthien and Arwen as they were imagined were baddies, of course- and was jumpscared by my own face????

THAT'S MY FACE !!!!

(Do not ask for the context of this photo I have none)

I do not know what to do with this information. Jonald Ronald R Tolkien would have been down cataclysmic for me. Characters in the legendarium canonically look like me. Something something fëa something something hröa. WHAT DO I DO WITH THIS INFORMATION??

[wayward-banana]

guys I do not have 500 dollars for both of them

[cerealmonster15]

IM GOING TO TALK ABOUT ALHAITHAM AND KAVEH AGAIN!!!!!!!!!!!

i love this fuckin argument kaveh and alhaitham have on the port ormos bulletin board

it's one of those instances where kaveh and alhaitham are arguing and alhaitham is saying that like, while he disagrees with kaveh lol, he also doesnt deny theres truth to what kaveh says.

but i also think it's funny how alhaitham is like "end of conversation. ALSO-" like bitch you kept going IMMEDIATELY fkjsjfklds and then that stupid bit where theyre like "he said this" "he did not fucking say that" "he did" "no he didnt fuck you" "he did give me a month ill prove it!!!!" THEYRE FIGHTING LIKE CHILDREN ON A PUBLIC MESSAGE BOARD😭😭😭

also i have this one bit stuck forever in my mind from kavehs hang out

[video source i screenshot from]

MAYBE im reading into it way too much bc i have terminal haikaveh brain. maybe. BUT!!!! art is subjective i can do what i want :^) anyway i think a lot about this part because TO ME it sounds like kaveh keeps assuming the worst from alhaitham - makes sense, they argue all the time and they def have a turbulent relationship. HOWEVER!!!!! while alhaitham does like poking fun at kaveh and gets annoyed with him dskjfdsklf i FEEL LIKE theres an implication that he like, does not enjoy seeing kaveh suffer the way kaveh just assumes he does.

like here, kaveh is like oh, youre not hoping to see me make a fool of myself are you >:(?? just bc alhaitham was like. in a location unexpectedly. lol. and then alhaithams phrasing is just so specific where he like, doesnt say yes but doesnt say no either lol. hes like "oh so you think i get joy from seeing you in pain day in and day out? well if that were true id be entertained always because youre always in distress"

but like. I DUNNO MAYBE IM BEING STUPID BUT JKSDLFJDKL to ME it felt like he was deflecting the question. to be fair it was a silly question so maybe alhaitham didnt think it worth answering lololol but like "are you here to watch me struggle" "why do you assume i enjoy you struggling" is the vibe i get. but then with bullying also bc alhaitham is still poking at him and his distresses lol jdkslfdskl

and then like the moment the traveler is about to be like "kavehs feeling sad" and kaveh tries to deflect it, i personally think alhaitham managed to come up with a distraction to get kaveh to walk away for a minute so he could hear about kavehs troubles bc hes IMMEDIATELY LIKE

ok now that hes gone tell me about kaveh and his issues. and then goes on to explain kaveh and his behavior

and there are SEVERAL INSTANCES i mean this is an obvious thing lol but like, many such cases where kaveh and alhaitham will be like "yeah this guy is incredibly smart but his personality is fucking unbearable" i just enjoy that as much as they rag on each other theyre still like "no he is a genius though im not gonna deny that" AND ALSO [help]

alhaitham says stuff like this a few times, i think hes got a teapot line or so where he says similar things 🤔 but hes like "yeah people go about their lives doing different things and thats fine everyone should stay in their lane as long as theyre not disrupting the lives of others" AND YET!!!!!!!!!!!! he and kaveh endlessly fight with each other on how they go about their lives. trying to get the other to see their way of thinking even though i think they both acknowledge [or it says somewhere in the lore that they do] that it is a losing battle bc theyre both really set in how they see things and their methods of doing things. I JUST FIND IT REALLY INTERESTING that alhaitham is like, "mind your business and ill mind my business what ever bye" but when it comes to kaveh hes like. no actually i have to debate you. the way you feel isnt wrong however your actions make your life really hard for yourself and you could be living better if you changed" like he cannot stay in his lane when kaveh is involved!!!!! and like the whole reason he's even IN the parade of providence event at all was bc he was pursuing a thread of research that he figured out was connected to kavehs dad and his disappearance!!! mister "i dont want to get involved if it doesnt disrupt my life" got involved to give his boy some closure on the haunting of his dead father!!!!!!!!!! I am going to explode now goodbye!!!!

[get-back-homeward]

Now and Then Day

This sideblog began after watching Get Back nagged and nagged at me until finally I started to look closer at context relative to the Beatles discography and suddenly started experiencing these WAIT WHAT moments every day as what I thought I knew got turned inside out. The appeal was in looking at something you knew like the back of your hand from another direction and seeing/hearing something new you hadn’t seen/heard before. But I had no idea we’d get another song to add to the mix in 2023.

I knew Now and Then day would be an experience. I thought I’d have to wait the whole day before listening. But I got lucky and found a few minutes to listen to Now and Then when it was first released this morning. And inexplicably clicked to hear the remastered Love Me Do instead. I cannot explain my brain.

I then tried to start Now and Then and noped out before 15 seconds in. Too overwhelming. Not the right time. I was too rushed and needed more space to mentally prepare for it.

I caught NPR covering the Now and Then release today on my drive home. They had a Lennon biographer (I didn’t catch the name) reviewing the song. He said the song recalls John’s more delicate tunes like Beautiful Boys (sic) and mentioned John started the song in 1970.

Say what?!

Here I was late last night trying to nail down a better date for John’s demo than “late 70s”. Meanwhile, biographers are just here on national public radio pushing lies. Did he have ChatGPT write his comments?

Oh yeah, they also said it was created with AI no qualifier.🤦‍♀️

They played a few snippets of the song including one new piece not in the doc but refrained from playing it in full. It was mostly wrong Beatles facts all segment.

Trying the song a second time hours later, I got through it in one piece but was feeling abit 🥴 about it as a song itself. Having just listened to the original demo was probably a mistake, and I could hear all the seams and feeling the Frankenstein song effect.

Third attempt sounded more together, with the seams not quite as noticeable. I was prepared for the changes, the layering bits from other songs, and noted highlights of the instrumentals: the strings, George’s guitar bits, and Ringo’s flourishes. I love Paul coming through on the future tense certainty of “I will love you” (is that I Will?). Ringo’s shimmering effect choice (is it tams?) is such an entrancing closer. Giles’ score and Beatles recycled bits do mend the seams well once I stop thinking about them too much.

On fourth listen, my biggest notes are questioning why Paul’s harmony with John isn’t more distinct. He shows a lot of restraint here but maybe too much? Did Get Back get to him in other ways than the most obvious? Is he just self-conscious about his own voice? Or is it the limitation of the tech when it comes to harmony mixing?

The strings were what I was most worried about, but their entrance at the 1:15 mark really kicks it up a notch to transition into the singalong. Other standouts are 1:40 with George’s flourish and 2:29 peak with the guitar solo.

Lyrically, it’s the conditional and if I make it through it’s all because of you that haunts in layers of meaning both grim and cathartic that reverberate through time and space.

If John makes it through emotionally to 1980 and has a comeback? Congrats, bud you did it. But he’s stopped physically through no fault of his own. There’s the obvious mourning of that lost potential even 40 years later.

If this song this voice this message of John’s makes it through to 2023 and reaches the public? Well, success there, Paul’s tenacity saw it through with help from many friends. John’s voice and song lives on through Paul’s wish to conjure him by his side. On the Day of the Dead no less. I was reminded of the concept of tulpas today and was knocked back on my heels by the thought.

If John as an artist and Beatles as a band make it through so fans are still listening in 2023? This doubles as a bit of a fan love letter, and thank you for 60 years. Released on the day Beatlemania first appeared in black and white.

But then there’s also a reflector on this. Some original Beatles fans have aged with Paul and Ringo and others have not and aren’t here to share this like John and George. There’s grief and mourning from those still here about those lost, and the song acts as a catharsis. A kind of thank you to the band for being there for fans in good times and bad. The symbiosis of fame between a band and its fans across the decades.

It’s a lot.

I spent some time looking at the youtube comments on the song. Some original fans but many second and even third generation fans. And quite a few stories about a loved one who loved the band and recently passed away like this one:

And this:

But also in there are stories of catharsis and healing.

And many memories of the joy that Beatles music has brought to people’s lives. We all have these stories of how their songs weave into our own life. But it’s the joy that I keep coming back to as the secret sauce to the band’s earliest days. I often think of those early songs more in terms of feeling then anything, and it starts with the first single.

I love the Love Me Do remastering. That harmonica sounds so crisp. The bluegrassy harmonies have never sounded better. The ones on ple-ee-ee-ease still give me chills. Ringo’s drums moved forward in the mix to appreciate that driving beat just a bit more. I can hear the bass too. I can’t wait to hear what the other early Red album tracks sound like.

But next to Now and Then, I’m also looking at the lyrics like I never did before. Why give it another glance? Written by a 16 year old kid, it always sounded a bit juvenile and simple. But suddenly next to Now and Then, there’s a weight to it I never heard before.

Love, love me do

You know I love you

I’ll always be true

So please, love me do

It sounds like a promise. Now and Then is fulfillment of that always. It’s no longer just the whim of a kid. But rather the beginning of 7 decade devotional: To John, to the band, to fans, and reflected back again. The love is reciprocal from all sides.

How’s that for a WAIT WHAT moment? Paul turning the least likely song inside out and backwards. And he didn’t even add a lyrical middle eight.

[solar-halos]

got so litty i locked myself in my room and tried filming a tutorial for my mockingjay tote back

[neverendingford]

along the same line as the whole "why do you need to know someone's autistic before you stop bullying them for their autistic traits?" thing I've seen floating around

apologizing for it once you know is meaningless. it doesn't change the fact that you deliberately mocked someone for their behavior.

.

a customer mocked my stutter and I've lost all patience with that so I looked him in the eyes and said "I have a speech disability" and he immediately got all apologetic and was like "I wasn't making fun of you". Bro yes you were. you didn't realize you were making fun of a disability I've spent my entire life struggling with, but you were nonetheless.

just because you don't know you're being an asshole doesn't mean you're not being an asshole. you can apologize but I'm not going to forgive you.

[nellasbookplanet]

Isn't it funny how today it’s pretty common belief on here that the idea of 'cringe' and shaming of people who like 'cringe' things is bad. That the big fandoms back in the day that people like to make fun of - superwholock and john green books and twilight and homestuck and whatever was popular at the time - certainly had elements very deserving of critique, but how that critique largely drowned under people pointing and laughing at, the mostly teen girl, fans. Like, we are pretty agreed that this was bad, right? That it’s cruel to actual people and makes it difficult to have genuine conversations about the actual flaws of the media and fandoms in question, right??

And yet here we are today and I see people doing the exact same thing to newer fandoms with the defense that the fans are cringe or, if you're trying to be all moral about it, problematic and possibly evil for liking a popular media. Like, I don’t care about reylo or our flag means death or taylor swift or romantasy novels to any particular extent. I don’t have a horse in this race. But I keep seeing their fans treated as acceptable targets for harrassment or bullying. Posts talking about how immoral they are and then their screenshoted 'proof' is mostly just. Women being passionate about a thing that they love, or god forbid daring to defend it or being bummed about everyone else harrassing them. And I think it's kind of scary how we keep repeating this cycle of designating a media as inherently problematic, therefore all of its fans are problematic, therefore they are deserving of every ounce of mocking and public shaming they get.

[multi-lefaiye]

sometimes you have a trigger that cannot be reasonably and easily accommodated for, because it would require the people around you to police themselves to an extent that is not healthy for them to do.

that doesn't make your triggers and your trauma any less real or valid or *deserving* of accommodations, but deserving does not necessarily always mean that those accommodations are possible.

sometimes the best way to handle your triggers is to recognize what triggers you and do what you have to do to handle them when they come up. find coping mechanisms that work for you, and as much as you're able to, be open with the people in your life about it. even if they can't make sure you never have to interact with something that may trigger you, they can be a support system for you to ensure you'll survive the blows as they come.

it's not always possible to avoid what triggers you and it's not always possible for others to do that for you. (to be clear: i'm not at all saying people should *seek out* content that they *know* will trigger them or that they shouldn't remove themselves from situations that are triggering when they have the ability to do so, but that sometimes it's not that easy.)

(disclaimer: this is not psychological advice and i'm not saying this applies to everyone.)

[asmo-cosmetics]

mammon??? mammon obey me???

[rainbow-sparks]

Have you ever been curious how much child support Draxum would owe Splinter? No? Well I tried to get the answer anyway

I don't think Draxum actually has a salary and Splinter is unemployed after he's kidnapped but this is the only way this works. (from what I can tell)

(switched to Mathway after this, for some reason)

[deanpinterester]

uh oh i can feel it's going to be a "getting annoyed by everything" day

[whewchilly]

no offence lol but some of u need to go get a life. urgently

[tsukasageorge]

What the fuck