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pathologicalreid · 15 hours

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extraordinary measures | s.r.

in which your life hangs in the balance after a brutal attack, and Spencer has to hold himself together for the sake of you and your baby

who? spencer reid x fem!reader category: angst content warnings: fetal abduction, potentially inaccurate medical information, entirely from spencer's pov, very violent crime, mom!reader, hospitals, medication, spencer lashes out at jj, rossi's son. word count: 4.41k a/n: the people said dad!spencer angst and i delivered. also! trying something new with formatting my posts. i pay for canva pro and need to get my money's worth.

The hospital staff had moved them into a conference room, giving the BAU more space to spread out – and so Spencer’s pacing wouldn’t disturb the other people in the waiting room. This isn’t real. This isn’t happening. This isn’t real. This isn’t happening. Not to us. Not to me. Not to her.

The statistics on fetal abduction were alarming. Before today, there had only been thirteen cases since Spencer had joined the BAU. Today alone, there had been two.

“Excuse me,” an unfamiliar voice said, followed by two knocks on the door, “I’m so sorry, but have you had the chance to fill out some of the forms that we gave you?”

Answering for him, Penelope grabbed the clipboard off of the table and passed it to the nurse, “The insurance card is on the top,” she informed the nurse. Nervously, the blonde looked between the medical professional and Spencer, “Is there any update?”

The nurse cringed slightly, “I don’t have one. I’ll see if they can send someone to talk to you.” She nodded assuredly before peeling out of the room.

“Can I get you anything?” Garcia asked helplessly. He had already been given tea, water, coffee, and a sandwich, but he didn’t want any of it.

Shaking his head numbly, Spencer dragged his hands down his face as he replayed the events of this morning in his head.

He wasn’t even supposed to be working, you were due any day now, but Emily had called him with the case and gave him the choice of working. He was supposed to go with you to the check-up, but you had encouraged him to go save a life.

The woman who had been found this morning had her abdomen crudely cut open and her baby was born via a botched cesarean section, but her baby was too premature and didn’t make it. They were both found in an alley near the hospital by a garbage man. Then, while he and Luke were at the medical examiner’s office, his phone started to ring.

You had been discovered, bleeding out, outside of your obstetrician’s office, and if you hadn’t been so close to a building full of doctors, you probably wouldn’t have made it as far as surgery right now. The fact that you had been brought to surgery should have been enough to give him hope, but he hasn’t been raised to be hopeful, he was raised to be pragmatic. The reality of the situation was that in cases of fetal abduction, the mothers rarely made it out the other side.

He was left with Garcia to keep him company, she stayed as a watchdog, mainly looking through traffic footage on her laptop as she made sure Spencer didn’t go entirely off the rails. “You’re going to burn a hole in the floor,” she said offhandedly, begging Spencer to just sit down for a moment.

With a huff, he took a seat next to Penelope, leaning his head back on the taupe drywall, “I don’t know what to do,” he confessed.

“We’re going to wait, we are not going to catastrophize, and we will listen to any and all updates that the doctors give us,” she said determinedly, nodding her head as she did so. “We only know what we know and assuming the worst will just lead to feeling worse.”

Closing his eyes, he agreed, listening to the bustle of the hospital from inside the secluded, makeshift waiting space. He wished he knew more about your status when you came in, there were the crime scene photos – which Penelope was under strict orders not to show him – and a quick mention from a resident about blood loss, but nothing else.

“Dr. Reid?” A new voice said, snapping him out of his stupor as he rose to his feet, staring at the doctor who came in with his scrub cap on, “I’m afraid there isn’t much news. Things are still touch and go. They’re hopeful that they can get the bleeding under control, once they do that, we’ll know more. I’ll come out and let you know, alright?”

With the doctor leaving, Garcia reopened her laptop, “You see? We can’t assume the worst because we just don’t know enough yet.”

“Garcia,” he interrupted, hopeful for just a moment of silence to digest the new information – if you could even call it that.

Nodding succinctly, she returned to her work, “Right, okay.”

With the arrival of JJ, Penelope left to check in at the office, and since a profiler was bound to know more information, he asked JJ for an update. His baby had to be almost three hours old now, and he knew nothing about them.

He was left disappointed, there was no information on the UnSub or the baby, “What’s the point of it anyway?”

“Everyone is working on it, Spence. No one is going to rest until this case is closed,” JJ tried to reassure him.

Spencer wasn’t sure he was ever truly going to rest again, “Where is someone supposed to go with a newborn baby? The umbilical cord has to be still attached.” Statistically, women were more likely to commit cesarean abductions, and they usually did so after the loss of their own child or because they told someone they were pregnant and needed to produce a baby. “No one can tell me anything about my child, JJ, don’t you understand that? Can’t you try to understand how that feels?”

Bracing herself, JJ nodded, “You’re angry, I get it, you-“

“No, you don’t. My wife is bleeding out in surgery, and I have no fucking clue where our baby is. I have never met them. I don’t know if I have a son or a daughter or if they’re alive and you have the nerve to tell me that you ‘get it’?” He peered over at the blonde profiler. You should’ve been the first person to hold your baby, and instead, you might never live to find out what happened to you.

She was silent for a moment, “You’re right. I- I can’t even begin to process what you’re feeling right now, but all we can do is keep working on the case.”

Dropping his head in his hands, Spencer shook his head, “Then go work on the case,” he insisted, “I don’t… I need to be alone right now.”

Just as the four-hour mark approached, the glass door opened again, and David Rossi walked in.

“Are you here to lecture me?” Spencer asked, his voice raspy from crying in the solitude of the room, he wondered if JJ had told everyone how he lashed out at her.

Crossing one leg over the other, Rossi answered, “Nope,” he said, popping the last syllable. “I’m just here to sit and wait, same as you, kid.”

Nodding, Spencer leaned his head back and closed his eyes as a protection against the fluorescent lights of the hospital, “How did you manage?”

There were some things – life events – that were left unspoken in the BAU. Traumas that people didn’t want uncovered, horrors that the team didn’t need to relive, but Spencer needed answers, and this was the only way he could think to get them. “Manage what?”

“Losing your son,” he answered, crossing his arms in front of his chest as he kept his eyes closed, wondering if he too would lose a child. Birth and death within the same day.

Clearing his throat, Rossi took a moment before responding, and Spencer wasn’t sure if he was appalled at the question or if he simply wasn’t sure how to respond, “Well, I’m not sure I ever really did. Not for a long time, at least,” he admitted.

Digesting the information, Spencer shifted in his seat, “I’m not sure what I’m supposed to do. Everyone just keeps telling me to wait, but…” he chuckled to himself, “Y/N always jokes that if patience is the companion of wisdom, then I have to be the exception.”

He had always been told to wait. Wait for his turn. Wait for the perfect person to show up. He had waited, and he had gotten you, but all of that waiting had led him here. In this beige room where he had signed papers asking doctors to use extraordinary measures to try and save your life.

“Dr. Reid?” One of the doctors from earlier called his name, knocking on the glass door. Instinctively, Spencer stood up, wiping his hands on his pants and looking at the doctor expectantly, “Oh, please,” the doctor said, “Take a seat.”

Hesitantly, Spencer lowered himself back down into the hospital chair, he couldn’t help but feel like that was a bad sign.

“All things considered, your wife is very, very lucky,” the doctor informed him, “She’s not fully out of the woods yet, but they’re setting her up in recovery right now. I’m just waiting on a message from my colleague, and then I’ll be able to bring you up to see her.”

A flurry of questions flew through his mind at once, “What are you still concerned about?” He asked, leaning over and resting his elbows on his knees.

Nodding, the doctor continued, “Y/N lost a lot of blood in the attack. When you factor in the trauma of having a baby and a four-hour surgery, there’s a lot of healing that has to happen, and right now she doesn’t have the strength for it.” His phone chimed, and Spencer jolted, trying not to get his hopes up if it wasn’t about you, “Come with me,” the doctor said.

Rossi offered to let the rest of the team know and Spencer rambled off a random confirmation as he followed the doctor through the doorway, feeling like he was floating. As they walked through the hospital, Spencer grew more and more anxious.

Your hand was cold. In fact, your hand was so cold that Spencer asked the doctor to turn the volume on your vital monitor up so that he could have the constant reassurance that you were alive.

Blood was being transfused still, he had already forgotten the doctor’s estimate on just how much blood you had lost, but if he had the urge to read through your medical chart, he was sure he could find out. The only problem was, ever since the doctor left, he hadn’t been able to do anything except stare.

Every once in a while, he pinched your index finger, testing the capillary refill time out of his own morbid curiosity while blood was being returned to your body. Agents and officers stood outside of your hospital room in a steady rotation. The BAU wasn’t sure if your life was still in danger, but they weren’t willing to take any risks.

There were countless law enforcement personnel involved in this case now, if not directly investigating the case, they were at least contributing to the search. The Manassas Field Office, DC Metro, the Maryland Police – they were all out there looking. Out the window, he could see news reporters gathering out front to start their afternoon broadcasts.

It had been four hours. Four hours and there was still no word on the baby or the UnSub. The baby would need to eat soon, and Spencer found himself depending on the UnSub to have had the forethought to take care of the newborn.

Every couple of minutes, you would mumble something in your sleep, and he willed you to stay asleep. Selfishly, he wanted you to stay asleep until he knew the baby was safe – until he knew he could have something good to tell you.

Penelope was stationed right outside the door. She likely thought he hadn’t noticed her return, but the clicking of her keyboard gave her away.

Infrequently, his phone buzzed in his pocket, and he tried not to concern himself with it. Garcia had made contact with your mom, being sure to reach out to your family before any other news hit the airwaves.

He adjusted the way the nasal cannula rested on your face before bringing your hand to his mouth, pressing a gentle kiss to your knuckles and resting your cold fingers against his cheek, as if his face had the capacity to warm your whole body. Briefly, he wondered if the team would be willing to have a desk agent bring you a blanket from home.

The team would probably find a way to get him a helicopter if he requested it.

Flowers and cards flowed into your hospital room, arriving from people who knew you to people who had seen your story on the news. He had to look away when a small stuffed elephant was delivered by a nurse, knowing that the baby it belonged to was nowhere to be found.

Much to his surprise, he looked away from the stuffed animal just to find you looking back at him. The sorrow in your eyes a staggering reflection of that which could be found in his own. One glance at you and he knew that there was no need for him to break the news to you – you were well aware.

Spencer remained wholly silent as a slew of medical professionals filtered in and out of the room, a cacophony of directives and questions sent your way as tears filled your waterline. He captured your hand in both of his, holding your hand like it was a lifeline to everything he knew as the truth. He was here, you were here, and you were both alive. Tethered to you in the woven web of life, he refused to falter. Not now. Not when you needed him the most.

He answered the questions that you didn’t know the answers to and watched, tight-lipped, as your doctor kept you informed. Dr. Lasher was picking and choosing from your chart, telling you anything pertinent, and leaving out anything that she thought could wait for later.

Once the doctor had cleared through an extensive list of maladies, everyone let you have the room. “Darling,” he whispered, reaching a hand out to adjust the way your hospital gown rested on your shoulder, covering some of the exposed wires.

“There are no leads?” You asked tentatively, the pain in your voice exacerbated by the swelling caused by the breathing tube you’d had during surgery. Your eyes were glassy, and Spencer didn’t know if it was from sorrow or pain or fear. It was a question he was afraid to ask.

He shook his head, “Not yet, but everyone’s looking,” he fed you the same reassurances that had been given to him. The same reassurances that he hadn’t believed.

You moved your hands, laying your palms flat on the sterile white sheets and starting to push yourself up, only to be met with Spencer’s hands guiding you back down to the pillows. “I’ve gotta go,” you mumbled, “I wanna help. Spence, please let me help.” Fresh tears welled in your eyes as you looked at him in desperation.

The way your bottom lip quivered was what broke him, he tilted his head to the side, “You can help just fine from right here, okay?” He looked out into the hallway, wondering which member of the team was around for you to talk to. “I’ll be right back,” he told you, squeezing your hand before retreating to the hallway, never letting you out of his line of sight.

“Hey,” Penelope greeted, the compassion in her voice giving him pause, “How is she?”

Exhausted, terrified, in pain – all applicable at the moment. Spencer thought about answering for a moment before skipping Garcia’s question entirely, “Who’s around for a cognitive?”

You didn’t quite have the energy for a full interview, but you were so adamant about helping that he couldn’t refuse you, not today. “JJ’s one floor up, do you want me to call her for you?”

He thought about it for a moment, he hadn’t handled his last interaction with JJ with the most care, but you needed someone to talk to and it couldn’t be him. “Yeah,” he nodded, “Please.”

Spencer sat on the edge of your bed, smoothing your hair as he tried to comfort you. In all of the time he’d known you, he’d never need you so defeated.

Not much came out during your cognitive with JJ, either there was a mental block in the way or you hadn’t seen much when you were attacked. Whichever one it was, Spencer was fighting himself internally on whether or not he should be thankful.

“I’m so sorry,” Spencer murmured, keeping his voice low as you fought off sleep. “Close your eyes, sweetheart,” he cooed, “You need to rest.”

You fought sleep with everything you had in you, which wasn’t much anymore. The cognitive interview had gone too long. Your nurse was the one who put her foot down and ended it, even when you wanted to keep going. “It’s not fair,” you cried, slow tears making their way down your cheeks.

Very slowly, Spencer could feel his heart breaking as your exhaustion and desolation worked together to make you as miserable as possible, “I know, lovey. I know,” he assured you as tears filled his eyes.

Glassy eyes looked up at him, “I just wanted to be a mom,” you whispered, your speech slurred with sleep.

Letting his own tears fall to the white sheets of your hospital bed, Spencer nodded, “You are a mom.”

He didn’t add anything. He didn’t have it in him to make a grandiose speech about how you would always be your baby’s mother, and, luckily, he didn’t need to. Your eyes finally fell shut, final tears falling from your face as Spencer found himself grateful that sleep finally took you.

Never leaving your side, Spencer pulled the chair back up next to you, resting his chin on your bed's armrest and watching you sleep. Very slowly, color was beginning to return to your face, yet you still looked so different from when he had left the house that morning.

Unsure how long it had been, Spencer shot up straight when Penelope came rushing to the doorway, placing a finger to his lips, he nodded toward your sleeping form. Even so, the technical analyst waved him over.

Carefully, he slipped his hand out of yours and walked around your bed to Penelope, “What is it?”

Tears filled the blonde’s eyes as she looked up at him, she put both of her hands on his upper arms and cried, “They found your baby. It- they’re pulling up to the ambulance bay right now.”

Spencer’s lips parted in shock, having fully prepared himself for the day to end in undeniable heartbreak. “Are- is the baby okay?”

Penelope nodded, “They’re going up to the NICU right now to get checked out but apparently the EMTs said the baby looks completely unharmed.”

Turning to look at you, still asleep on the bed, Spencer gave Penelope a quick embrace before returning to your bedside, “Sweetheart,” he whispered, trying to wake you up from sleep that you still needed. “Honey,” he said, gently cupping your cheek with his hands as your eyes fluttered open.

You hummed groggily, squinting up at him under the fluorescence of the hospital.

“The baby’s here,” he murmured to you, making sure you didn’t jump up at his words. “They’re headed up to the NICU for a quick check, and-“

“Go,” you cut him off, your eyes wide and full of tears. “Please go hold them, Spence,” you cried, voice rough with sleep.

His shoulders slouched forward slightly, looking between you and Penelope in the doorway, “I’ll stay here,” Penelope offered immediately. “You go, I’ll stay.”

You nodded up at him, closing your eyes as he bent forward to press a kiss to your hairline. “I love you,” you breathed, placing a hand on your chest as if it would slow your racing heart.

“I love you too,” he responded before stepping out of the hospital room, following the directions that Penelope had given him in order to get up to the NICU.

Adrenaline made his stomach churn as he approached the NICU, wondering what he’d say to the people there until someone recognized him as The Dad. He still had to scrub his hands, but they let him through until he saw the bassinet. Even more, he saw the tiny baby kicking its legs inside of the acrylic container.

Emily stood by on high alert, ready to pounce on anyone who even looked at the baby funny, and Spencer just couldn’t stop staring. “Come here,” one of the NICU nurses said to him, obviously having been brought up to speed on the situation. With a smile on her face, she told him, “It’s a girl.”

“A girl,” he breathed, walking right up to the side of the bassinet.

The nurse nodded and adjusted the hat on her head, just slightly too big for the newborn’s head, “If you want, we can get you set up in a chair here, and you can give her a bottle.”

“Please,” he responded, earning another smile from the nurse, who had him take the crying baby in his arms before handing him the prepared bottle.

It broke his heart to watch how quickly she took to the bottle; he still wasn’t sure if she had eaten anything until this. He knew the nipple wouldn’t let her take in too much at a time, but in his subconscious, he was still worried about it being too much for her.

He rocked gently, “Hi, honey,” he cooed down at her.

“She’s a good eater,” the nurse observes, writing something down on a piece of paper. “We’ll keep an eye on her for just a little while, but we know how badly she needs to get down to her mama.”

Setting the now empty bottle down, Spencer looked up at the nurse, “Is she okay?”

The nurse nodded at his concern, “She’s on the small size, but she’s full term. Of course, not everything is going to be noticeable right away, but we did a full newborn exam on her and all of the tests say she’s a perfectly healthy baby.” She looked on as Spencer gently cupped the baby’s head, “Does she have a name?”

You and Spencer had made a deal, he would pick a boy’s name, and you would pick a girl’s name. Smiling softly, he murmured her name to her for the first time, “Genevieve,” he answered. A big name for such a small baby, maybe, but it was the name you had chosen.

He started making his way back down to you, feeling like he was floating through the taupe hallways of the hospital before he finally made it back to your room. Penelope excused herself when he emerged in the hallway.

“Spence,” you whispered, looking up at him with hope in your eyes for the first time since you had woken up after surgery.

Smiling at you, he sat on the edge of your bed, “Five pounds and fifteen ounces. Seventeen and a half inches long. Perfectly healthy.” He glanced behind him as he heard the wheels of the bassinet coming toward your room, turning back to watch your reaction as you saw your baby for the first time.

He was glad for his eidetic memory, he’d never want to forget the way your face lit up with recognition, “Oh, a girl.”

With the baby settled on your chest, there was nothing better for the two of you to do than watch her sleep. Every once in a while, she’d coo or squawk and immediately capture your every attention all over again. “How are you feeling?” Spencer asked you. The blood transfusions had been completed, leaving you on a course of broad-spectrum antibiotics, fluids, and lots of pain medication – two of which prevented you from breastfeeding. Although, because of her size and traumatic birth, the NICU doctor suggested that some formula would help her grow properly.

You hummed contentedly, “Tired. I hurt just about everywhere,” you admitted, not taking your eyes off of your newborn. “I’m so… just grateful,” you whispered, “Is that odd?”

“No,” he shook his head, “I know exactly what you mean.” For as terrible and horrifying as the entire ordeal was, it could’ve been much worse. He almost lost both of his girls in one day.

“Does the team want to meet her?” You asked, worried about entertaining guests with the baby.

Spencer chuckled softly, keeping his index finger pointed within Genevieve’s reach, testing her palmar reflex, “I’m sure they do, but we’ll wait and see how you feel tomorrow and revisit. Okay?”

Your head bobbed in confirmation, watching as your daughter very slowly woke up, “Hi, Vie,” you greeted her quietly, gently rubbing her back with your fingertips. You didn’t have the strength to fully hold her, but she was more than happy to just lay on you, “Sweet, sleepy girl.”

“Do you want me to take her, and you can get some sleep?” Spencer offered, noticing the way you were trying to hide a yawn from him. “We aren’t going anywhere, we’ll stay right here in this chair,” he reassured you based on the apprehensive look you were giving him.

Slowly, you nodded, helping as best you could and pouting in sympathy when Genevieve – Vie – cried out at the sensation of being moved from her warm spot on her mother’s chest to the warm spot in her father’s arms. Thankfully, the newborn calmed down just as soon as Spencer settled her in his arms, “Don’t go,” you whispered, letting your eyes fall shut as you allowed sleep to wash over you.

He hummed, “We won’t,” he muttered in response.

Sleep took you with little resistance, leaving him with Genevieve in the silence of the hospital room – save for all of the machines that you were still hooked up to.

She wouldn’t be up for much longer herself – newborns spent most of their day sleeping – so Spencer took his opportunity to watch her eyes wander around the hospital room. “You can go back to sleep too, little love. I’ll watch over the both of you,” he spoke to her in a reverent tone and adjusted the hat on her head. “I’ll keep you safe, Vie. No harm will come to you, not as long as I’m your dad.”

#criminal minds #spencer reid #spencer reid x reader #criminal minds fanfic #spencer reid fanfic #spencer reid angst #criminal minds fanfiction #spencer reid x you #spencer reid fanfiction #spencer reid fic #criminal minds fic #criminal minds angst #spencer reid x fem!reader #spencer reid dilf agenda #written by margot

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monzabee · 2 days

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the alchemy - cs55

masterlist || part 1 || part 3 ||

Summary: The one where not Carlos, nor you, have the power to fight the alchemy.

Pairing: dad!carlos sainz x mom!reader

Word Count: 7.2k

Warnings: absolute fluff (been a while), possible ovary explosion bc of dad!carlos, cursing (because i use way too many f-bombs in real life too), kids (apparently, it’s a tw for some people), i tried hating charles but it’s not happenning so a cheater redemption arc (kinda, he's trying okay??)

Author’s Note: hi, hey, hello!! first of all, thank you all so much for the love you showed for part one, i really appreciate it and i'm sorry that this part has been a little delayed, but i just wanted it to be just as drama-filled as the first part whilst still being a bit lighter so i hope i found the right balance for it. while we love dad!carlos, i felt like charles still deserved a chance to redeem himself and come to his senses so we love that redemption arc for him (well, kinda guess?). also, i know we have one more part of this little mini-series to go, a social media au (yay!), but i just wanted to let you all know, once again, that i do not have a taglist, and no i will not be making one!! however, i do appreciate all your support and comments, and please do let me know what you think about this part! thanks to @percervall once again, who had to listen me talk about this part for many many hours and who was kind enough to help me proofread!! i hope you guys enjoy! good morning, noon or night wherever you are, xoxobee

Please also note that all of my works are protected under copyright, and not available for reposting on other platforms.

It only happened once every few lifetimes.

You honestly did not expect to end up with one of your closest friends – especially not after you told your cheating husband that you were getting a divorce, after he chose his lover over you and your baby; and most definitely not after the said close friend told you that he would step up instead of your cheat of a husband.

But there you are, in the arms of non-other than Carlos Sainz, your boyfriend, having just woken up by the excited pitter patter of feet right outside your bedroom door. “Carlos,” you whisper, nudging him softly to wake him up, “Carlos, wake up.” You watch as he stirs, and then buries his head onto his pillow mumbling all the reasons why he doesn’t want to be awake, but you just chuckle softly as you poke him again. “Carlos, please.”

With a disgruntled grunt, you watch as his eyes open, and with a scratchy voice he whines, “What, amor, I was sleeping.”

Rolling your eyes, you point to the bedroom door, “Listen,” you tell him, and watch as his eyes widen as realisation sets in at the same time his expression turns into a smiling one. “I think someone is excited for today.”

“You think?” He retorts, snorting lightly as he pulls you closer, “That’s all he’s been able to talk about for weeks, amor.”

“Well, can you blame him?” You nudge him, ignoring the sound of scraping of your son’s step stool outside your door. “He just wants to watch his father win.” Watching the smile on your boyfriend’s face grows as the door handle is jiggling, you point to the pillows with your head, “Let’s just pretend we’re asleep, he’ll be happier that way.”

With a deep sigh, the happy kind, he pulls you closer to himself – at the right time too, as you hear the patter of footsteps getting closer. With a tug at the comforter, you hear, “Papa, wake up.” You can hear Carlos, badly, muffling a chuckle by burying his head deeper into your neck, but the little voice beside him is non-relenting. “Papa! You promised me we’d go to the race today!”

“Carlos,” you whisper covertly, “you’re going to make him cry.”

Giving you a look that silently says, No I won’t, he turns towards the little intruder in your bedroom, quickly gathering him in his arms as he puts him on the bed next to you. The sound of laughter coming from two of the most important men in your life bring a sleepy smile to your face as you watch Carlos tickle your son despites his protests for him to stop.

“Mommy!” Your son exclaims, climbing over Carlos to reach you, “Tell Papa to stop! We need to get ready!” His face is flushed with excitement and laughter, a sight that fills your heart with warmth.

“Alright, alright,” you say, giggling as you pull him into a hug, “let’s get ready then. You don’t want to be late for your big day, do you?”

Carlos finally stops his playful assault, sitting up and stretching with a groan. “She’s right, buddy. We should all get up and get going. Lots to do before the race, you still remember our plan for breakfast?” Your son’s eyes light up even more, if that were possible, and he scrambles off the bed, running back to his room to get dressed. You and Carlos exchange a glance, something you seem to do more now than ever.

You wait until Rafael is out of the hearing distance before you tilt your head sideways and narrow your eyes in question, “What plan are you talking about?”

“Nothing for you,” he boops your nose with his pointer finger as he straightens up and gets out of the bed, “to worry your pretty little head about. Just come to the kitchen when you’re ready.”

You raise an eyebrow, intrigued but willing to play along. “So, you think I’m pretty?” you ask, batting your eyes at him exaggeratedly as he gently shoves you back into the bed. Getting up and stretching, which you shamelessly take the opportunity to ogle him, you watch him with a smile as he heads towards the kitchen following your son. Getting ready consists of brushing your teeth and hastily throwing on a robe for you, too anxious to see what you son and husband cooking up in the kitchen – literally.

The scene in the kitchen is enough to melt your heart on its own – Rafael is standing on his trusty step stool at the counter, his little hands busy arranging an assortment of fruits on a plate. The concentration on his face is evident by the way his tongue peeks out slightly in that adorable way he does when he’s focused, a habit that he picked up from his father. Your boyfriend, on the other hand, is busy with flipping something in a pan, shirtless might you add.

“Oh my God, look at my boys!” You croon, leaning against the doorframe with a playful grin. “You even have matching hats and everything!”

“Boys?” Carlos scoffs, turning to Rafael and pointing his finger towards you, “Can you believe her?” He then turns to you as he places his hands on his hips and puffs out his chest. “We are not boys, amor, we are men.”

You chuckle at his exaggerated display of masculinity, shaking your head as you walk further into the kitchen. “Oh, of course, how could I forget? The two manliest men I know,” you tease, your voice dripping with playful sarcasm.

Rafael, picking up on the banter, puffs out his little chest just like his father, mimicking his stance. “Yeah, Mommy! We're strong, right, Papa?”

Carlos grins, his eyes twinkling as he looks at Rafael. “That’s right, we’re the strongest men in the world." He turns back to you, a mischievous glint in his eyes. “And we make the best breakfast too. Isn’t that right, Raf?”

“Yes!” Rafael exclaims, beaming with pride as he holds up the plate of perfectly arranged fruit. “Look what I made, Mommy!”

You lean down to inspect his handiwork, smiling softly. “Wow, this looks incredible, sweetheart. You’re so talented!” You give him a big kiss on the cheek, making him giggle.

Carlos steps closer, holding out a fork with a piece of pancake speared on it. “And how about a taste test, amor?” His voice is softer now, the playful tone giving way to something more tender.

You take the fork from him, taking a bite of the pancake. The fluffiness and warmth of it fill your senses, and you can’t help but let out a contented sigh. “This is amazing, Carlos. You’ve outdone yourself.”

He watches you with a satisfied smile, clearly pleased with your reaction. “Only the best for you.”

Rafael, not wanting to be left out, grabs a piece of fruit and holds it up to you. “Try mine too, Mommy!”

You take the fruit from him, savouring the sweetness as you chew. “Delicious! You’re both going to spoil me with all this great food.”

Carlos chuckles, wrapping an arm around your waist as he presses a kiss to your temple. “That’s the plan,” he murmurs against your skin, making you shiver slightly. “I can also spoil you in the other way you like,” his voice drops enough for only you to hear.

You glance up at him, meeting his playful yet heated gaze, and feel a blush creep up your cheeks. “Carlos,” you murmur, half-warning, half-inviting, as Rafael happily oblivious to the exchange, chatters away about his breakfast creation. “I would like to still be able to walk by the time we get to the paddock.”

But Carlos just smirks, leaning in to brush his lips against your ear, his breath warm and intoxicating. “Later, amor,” he promises, his voice thick with affection and mischief.

Before you can respond, Rafael tugs at your robe, breaking the spell. “Mommy! Let’s eat now!” His voice is filled with the kind of innocent excitement that only a child can muster, and it instantly brings you back in the present moment.

You smile down at him, ruffling his hair affectionately. “Alright, let’s eat. I’m starving.” Carlos gives you one last knowing glance before stepping back to grab the plates. As the three of you settle down at the table, you try to ignore his lingering gaze that makes your heart race just a bit faster, though you’re not exactly that successful.

It would be safe to say that it had been a crazy few years for Carlos Sainz. Or at least, that’s what Charles would say – if, you know, anybody was to ask him his opinion. First, he had lost his seat at Ferrari, and Charles really felt for him at first; after all, he was his teammate. But he was also the man who ended his marriage, so his feelings for Carlos changed for the worse very quickly. The whole situation had him coming to some revelations.

First revelation he came to was the fact that he was wrong for cheating on his wife, however complicated the situation might be. He had tried to justify it to himself, blaming the stress and the strain, but deep down, he knew there was no excuse for what he’d done.

Second revelation was that you deserved to be happy, with or without him – he was just being petty because it was with his old teammate. You deserved to be happy, and while Charles could admit that in theory, accepting that your happiness was now tied to Carlos was a bitter pill to swallow.

Third, and probably the biggest, revelation was that he had royally screwed up when he chose the other woman over you and your son, and it was a loss that he mourned every single day. If he thought seeing Carlos thrive after his own life was crumbling down was hurting his ego, seeing Carlos be the father to his son, was a thousand times worse.

Life took an interesting turn for Carlos after that night at the hotel in Monte Carlo. You had no expectations for him, you didn’t expect him to stay true to his words and be there for you and your baby. But that was the thing, because he kept his promise. He was at your door the next morning with a short list of apartments and penthouses in Monte Carlo. Anticipating your need of getting out of the country, he was prepared – he also looked at apartments in New York, houses in LA and townhouses in London (the few apartments he chose in Madrid also didn’t escape you, but it was a conversation you weren’t ready to have yet). So, when you were having, yet another breakdown in front of him, he just stood next to you and held you until you calmed down. He was always next to you, somehow managing his schedule for the racing season and coming out to see you between races. He kept true to his promise as he made waffles for you at midnight, grumbling about how pancakes were superior, and he held your hand when you were in the delivery room even though you were probably close to breaking the poor man’s hand. The bigger shock came when he announced that he would not be racing for the next season – something he had conveniently not told you in the months leading up to your pregnancy. It also led up to your first fight, and your first real confrontation since this unexpected journey began. The news that Carlos wouldn’t be racing the next season blindsided you. It wasn’t just the fact that he had made such a monumental decision without consulting you; it was the realisation that he had chosen you and your child over the sport he loved so deeply.

“What do you mean you’re not racing next season?” you had asked, your voice edged with disbelief. You were standing in the kitchen of the new apartment he had helped you find, your baby—your son—napping peacefully in the next room. Carlos was casually leaning against the counter, arms crossed, as if he had just announced something as mundane as what was for dinner.

He sighed, rubbing the back of his neck, a habit you had come to recognize as a sign that he was about to say something serious. “I’ve been thinking about it for a while,” he said, his voice calm, and God it drove you insane how calm and rational he was being with a decision so irrational to you. “And after everything that’s happened... I just think it’s the right decision for now.”

“But racing is your life,” you insisted, the weight of his words settling in. “I don’t understand how you can just walk away from it.”

Carlos met your gaze, his brown eyes steady and full of determination. “It’s not about walking away,” he explained. “It’s about priorities. You and Rafael... you’re my priority now. I want to be here for you both, not halfway across the world, missing out on everything.”

The sincerity in his voice made your heart ache. For so long, you had been used to being let down, to promises that were made and then broken. But here was Carlos, standing in front of you, willing to give up something he loved more than anything for you and your son.

“That’s not fair to you,” you whispered, feeling the tears welling up in your eyes. “I don’t want to be the reason you give up on your dreams.”

Carlos stepped closer, gently cupping your face in his hands. “You’re not taking anything away from me,” he assured you. “You’re giving me something I didn’t even know I needed. I’m choosing this, because I want to. I want to be here for you, to be the father Rafael deserves. I want us to be a family.”

His words broke through the wall you had been holding up, and you let the tears fall. It wasn’t just about the sacrifice he was making; it was about the fact that he was doing it willingly, without hesitation, because he wanted to be with you and Rafael. It was a love that was deeper than anything you had ever known, and it terrified you as much as it filled you with hope.

“But what if you regret it?” you asked, your voice trembling with the weight of your fears.

“I won’t,” Carlos said firmly, his thumbs gently brushing away your tears. “I know what I want. And if I ever go back to racing, it’ll be when we’re ready. When we both decide it’s the right time. But for now, this is where I need to be.”

You searched his eyes for any sign of doubt, but there was none. He was as serious as ever, and in that moment, you realized that this wasn’t just about him making a choice— it was about him choosing you, over and over again, in a way no one ever had before.

The argument you had anticipated fizzled out before it could even begin. There was nothing left to fight about, not when he had laid his heart bare for you. All you could do was fall into his arms, holding onto him tightly as you let the weight of his decision sink in. It was overwhelming, knowing that someone loved you that much, that they would uproot their entire world just to be by your side.

So, yeah, Carlos Sainz had not raced for the 2025 season. If it were up to him, he would stay with the two of you for the 2026 season as well, but you and Carlos Sainz Sr managed to convince him to get back to the real world, no matter how much he was enjoying being a stay-at-home dad. But the biggest shock for the world, and Charles, wasn’t that Carlos was returning to the F1 grid – no, the biggest shock was that he was returning to the F1 grid in one of the most coveted seats; right next to Max Verstappen. The reaction to the news had been mixed. Some were thrilled to see him back, eager to see what he could do in a car as competitive as the Red Bull. Others were skeptical, wondering if a year away from the sport had dulled his edge. For Charles, the news was a bitter pill to swallow. Carlos wasn’t just returning to the grid—he was stepping into one of the most sought-after seats in F1. But more than that, it was the reminder that Carlos had taken something else from him, something far more personal and painful. Watching Carlos step into his new role at Red Bull, knowing that he was now part of your life and Rafael’s life in a way Charles never could be, was a constant, aching reminder of everything he had lost.

And so began the Leclerc-Sainz rivalry – which although sounds riveting, is probably the reason why you had to visit your cardiologist more times than necessary within the last couple of years. On the surface, it was the perfect storyline: two former teammates, now on opposing sides, battling it out on the track in some of the most intense and thrilling races the sport had ever seen. But for you, it was far from entertainment. Each race weekend became a new source of anxiety, and Carlos knew how much it affected you, so he tried his best to keep the rivalry on the track. He would reassure you, telling you that whatever happened during the race, it wouldn’t change how he felt about you or Rafael. But even he couldn’t deny that the tension between him and Charles was personal. It was more than just racing—it was about proving something, not just to the world, but to themselves and each other. And so, race after race, you found yourself on an emotional rollercoaster. The thrill of seeing Carlos perform at his best was always accompanied by the fear of what might happen if things went wrong. The rivalry wasn’t just a storyline for the media—it was a real, living thing that had a profound impact on your life.

So, when Rafael told you that he wanted to watch his father race live, you were hesitant to agree. The thought of bringing your son into that world—where emotions ran high, and the stakes were even higher—filled you with dread. The last thing you wanted was for Rafael to witness the intensity of the rivalry that had consumed not just Carlos and Charles, but your entire life.

Carlos, however, was adamant. He knew how much it meant to Rafael to see him race, to be a part of something that had been such a significant part of Carlos’s life before Rafael was born. “He needs to see it,” Carlos told you one evening as you sat together, discussing Rafael’s request. “He needs to know what I do, why it’s important to me, and why I went back to racing in the first place.”

You couldn’t deny that Carlos had a point. Rafael idolized his father and seeing him in action would only strengthen the bond between them. But the idea of watching the race unfold, of seeing Carlos and Charles go head-to-head while your son was there, was almost too much to bear. The days leading up to the race were a blur of preparation and anxiety. Carlos did his best to reassure you, but the tension was palpable. He understood your fears and promised to keep things professional, but you both knew that once the lights went out, everything would be on the line. So, you weren’t exactly surprised that your boyfriend spent the entire morning buttering you up and getting you to relax as much as possible about the day ahead of you.

And to be perfectly fair, he was right for the most part. It had been fine from the moment you made it into the paddock, which somehow worked wonders on your anxiety. As you made your way to the circuit, Rafael’s excitement was infectious. He was practically bouncing in his seat, his little face pressed against the window as he took in the sights. You couldn’t help but smile, his joy momentarily easing the knot of anxiety that had been tightening in your chest since the moment you agreed to come to the paddock in the first place.

Seeing him so happy and in his element, you know instantly that the paddock, no matter in which country, is going to become his safe place. Rafael keeps asking Carlos questions about everything from how they manage to keep the cars so clean to what would happen if they didn’t wear helmets. And Carlos is patient as he answers all his questions, no matter how childish or obvious they might seem. So, when he told Rafael that maybe, just maybe, he might end up in one of the cars he admires so much one day, you know your son won’t miss the beat. “Can I?” He asks you, eyes widened with a pleading look as he clasps his hands together under his chin, “Please, Mommy, I promise I’ll be very careful.”

“Absolutely not,” you shake your head, mind immediately starting to think about all the things that could go wrong, “it’s so dangerous! Just think about how afraid you’d be of the speed.”

Rafael scoffs, arms crossed on his chest as he pleads through the pout he has on his face, “I’m not afraid of the speed! Papa, tell her I’m not afraid of the speed!”

Carlos reaches over Rafael’s head as he takes off his cap and ruffles his hair, which manages to get a series of giggles from the little boy, and he affirms, “You are not afraid of the speed, but your mother is right.” You have to hold in your laughter when you see the indignant look on Rafael’s face, but Carlos continues talking as he signals for his son to listen, “We can talk about it when you are older, but for right now you are my lead strategist, capisce?”

Rafael steers his pout towards you, and you shrug innocently in response, which gets a resigning sigh from him. “That’s fine, I guess.” He mumbles, and points to the garage door behind the table the three of you are sitting, “Can I look at your car again?”

“Be careful, and make sure you tell Caco where you are.” Carlos reminds him, as Rafael excitedly scurries off toward the garage, leaving you and Carlos to share a quiet moment.

Carlos leaned back in his chair, a content smile playing on his lips as he watched Rafael dart off. “He’s got the bug,” he says, a hint of pride in his voice.

You sigh, shaking your head playfully. “I know. He’s already got the attitude. I don’t think I’m ready for him to jump in a kart and never look back.”

Carlos reaches for your hand, his touch grounding you. “We’ll keep him safe,” he says quietly, his gaze meeting yours. “I promise. Whatever happens, we’ll make sure he’s ready, and we’ll protect him from the worst of it.”

You nod, squeezing his hand in return, trusting him like you always have. As you sit together, watching Rafael’s excitement fill the garage, the sweet moment is interrupted by a voice both of you know very well. “Seriously? You’re using him to get to me on a race day now?”

Your fingers nearly crush your poor boyfriend’s hand as you look at the intruder, your heart immediately racing. You turn to see Charles standing there, his expression a mix of frustration and disbelief. His eyes flicker from Carlos to you, then toward the garage where Rafael had just run off. “Excuse me?” You manage to get out, your voice sharp with surprise. The audacity of his accusation stings more than you expected. Charles' gaze hardens as he steps closer, clearly not backing down.

“You heard me,” Charles says, his tone edged with bitterness. “Bringing Rafael here, right in the middle of everything... it’s not a coincidence. You’re just trying to—”

“To what?” Carlos cuts in, his voice calm but firm. His protective instincts kick in as he stands, placing himself between you and Charles. “To have a good day with our son? To let him enjoy the race?”

Charles scoffs, shaking his head. “He’s not your son, he’s mine. Stop fooling yourself into thinking you’re his father just because you’re here.”

The words hit like a punch to the gut, and for a moment, everything goes silent. Carlos' expression tightens, but he doesn’t move, his body still a shield between you and Charles. You feel your breath catch in your throat, the weight of Charles’ words hanging heavy in the air. “I know who his father is, Charles,” Carlos says, his voice calm but steely. “And considering the fact that he doesn’t even know you exist, I’d say me being here is more than proof that I am his father.”

Charles' jaw clenches, and his eyes flicker with something raw—pain, jealousy, frustration, all mixed together. “You think you can just step in and take my place? Be the dad, play happy family with my son?”

“Cabrón,” Carlos warns, and though you’ve heard him use that nickname for his friends countless of times, this voice is devoid of all affection, “you lost all right to call yourself Rafael’s father when you decided to choose whatever flavour of the month you were with at the time.” You feel your heart race, not from fear, but from the sheer intensity of the moment and the murderous look on Carlos’ face. Carlos steps forward, his voice low but terse. “You think being a father is about biology? About showing up when it’s convenient for you? Rafael doesn’t even know who you are because you’ve never been there for him. I have. I’ve been the one tucking him in, I've been there when he was sick and crying, and I’m the one showing him love every single day.”

Charles flinches, the sting of the truth evident in his expression. For a moment, the fire in his eyes dims, replaced by something else— regret, perhaps. But it’s gone as quickly as it appeared, and he straightens his posture, trying to regain control of the situation. “I made mistakes,” Charles says, his voice quiet but defiant. “But you can’t just erase me from his life. He has a right to know who his real father is.”

Carlos’ gaze doesn’t waver, his protective instincts blazing. “Rafael knows who his real father is. He may not understand all the details yet, but he knows who’s been there for him. And when the time comes, when he’s ready, we’ll tell him the truth. But that decision isn’t yours to make anymore, Charles. You gave up that right a long time ago.”

“You’re just going to sit there and let him talk to me like this?” Charles hisses, turning towards you in an attempt to find sympathy. His eyes are pleading, but there’s anger simmering beneath the surface.

Your chest tightens as you meet his gaze, feeling the weight of everything that has been left unsaid between the three of you for so long. You take a deep breath, your voice soft but firm when you finally respond. “It’s time to let go, Charles.” Charles' face falls at your words, the weight of their finality hitting him hard. His lips part slightly as if he wants to argue, but no words come. The tension in the air is suffocating, each second stretching out painfully. Carlos remains silent, standing tall beside you, his hand subtly resting on your back for support. He knows this conversation is yours to finish. “It’s not about erasing you from Rafael’s life,” you continue, your voice steady though your heart is pounding in your chest. “It’s about doing what’s best for him. And right now, that means protecting him from the confusion and hurt that the fact that you were too much of a coward to choose him.”

Charles takes a step back, the anger in his expression dimming into something more fragile. His eyes search yours, perhaps looking for a trace of the bond you once shared, but it’s clear that things have changed too much. Too much time has passed. “I’m not trying to hurt him,” he says, his voice barely above a whisper. “I just… I apologised countless of times, what more do you want from me? I am sorry, okay?”

“Are you quite done?” Charles flinches at your sharp tone, the weight of your words settling heavily between the three of you. His gaze drops to the ground as if he’s searching for something to say, but nothing comes. Carlos stands steady beside you, his presence strong, comforting, even. “I am sorry, too, about it all.”

You can feel Carlos’ confused stare on you, and Charles looks at you with the same expression as he asks, “You... do?”

“I’m sorry that you were cheating on me from the start, I’m sorry you were too weak to stay faithful to me after we got married,” you continue, the words heavy but resolute as they fall from your lips. Charles' expression shifts, a mixture of guilt and pain crossing his face. Carlos’ hand tightens slightly on your back, offering silent support as you finally lay bare what you’ve held inside for so long. “I’m sorry I ignored it for as long as I did, and I’m sorry that I ever found out.” Charles’ face hardens, his eyes clouded with guilt and perhaps a hint of defensiveness as your words hit him. The weight of what you're saying seems to pull him down, and he takes a deep breath as if trying to absorb the impact. He opens his mouth to speak, but you cut him off, not willing to let this moment slip away before you say everything that’s been weighing on your heart. “I’m sorry I ever found out about the lies, but most of all, I’m sorry for Rafael. He deserved better, he deserved a father who was present and loved him without conditions,” you say, your eyes locking with Charles’. “You weren’t there, Charles, you weren’t there before Rafael, and you weren’t going to be there after him. So, I suppose what I’m not sorry for is falling in love with a man who was courageous enough to fill that role for both me and him.” Charles’ lips part as if to argue, but no words form. His eyes betray the guilt and regret he’s been carrying, but there’s nothing left for him to say. He knows it. You know it. Even the mechanics and people around you who have stopped what they are doing to watch this whole thing go down know it. “Finally, I’m sorry that you felt the need and audacity to come down here, now not only have you ruined our marriage, but you’ve also ruined my day-off which I intended to spend with my boyfriend, and our son.”

Charles flinches at your final words, his face crumpling under the weight of it all. The sting of your truth, laid bare for everyone to hear, leaves him speechless. His bravado has completely evaporated, replaced by a hollow sense of regret and defeat. He opens his mouth as if to respond but quickly closes it, realizing there’s nothing he can say that will undo the damage he caused, the pain he inflicted, or the years he lost. His eyes flicker to Carlos, who stands steady, unmoved by Charles’ turmoil. There’s no room for pity here. “I—” Charles begins but stops as Carlos raises his hand.

“I think you’ve said enough,” his voice lacks all sympathy for his old friend, his old teammate, “it’s best you should go before you distress my girlfriend, or my son any further.

Charles’ eyes widen slightly at Carlos’ words, the final blow landing hard. He looks as if he’s been physically struck, his shoulders slumping as any remaining fight drains from him. His gaze flickers between you and Carlos, searching for something—anything—but finding no redemption, no sympathy. There’s nothing left to say.

He swallows hard, his lips pressed into a tight line, before finally nodding in a reluctant acceptance. “Fine,” he mutters, his voice barely audible. He turns on his heel, walking away with slow, defeated steps. The tension that had gripped the air slowly begins to dissipate as he disappears into the distance, leaving only the echoes of his footsteps behind.

Carlos turns to you, his hand still resting on your back, but now it’s a comforting gesture rather than a protective one. His expression softens as he searches your face. “Are you okay?” he asks gently.

You take a deep breath, feeling the weight of everything that’s just happened, but also a sense of relief. “I think so,” you reply, your voice steady despite the emotional whirlwind you’ve just gone through. “It needed to happen.”

Carlos nods, his thumb brushing soothingly against your back. “He’s not going to ruin this for us. Not today, not ever.”

You smile faintly, grateful for his support. “No, he’s not. He’s gone now, and I’m finally free of it all.”

“We’re free of him,” Carlos adds, a reassuring strength in his voice. “You, me, and Rafael. That’s what matters.”

“Just promise me you’ll be careful on the track today,” you plead, chin resting on his chest as you look up to him.

Carlos chuckles softly, his warm smile easing the tension that still lingers. “I promise,” he says, his voice light but sincere. He tilts his head, giving you a playful wink. “But you know me, I can’t drive too carefully. It's in my nature to push the limits a bit.”

You roll your eyes with a small laugh, but your heart flutters slightly at the thought of him racing. It’s something you’ve grown used to, but there’s always that edge of worry. "Just... don’t make me regret asking," you tease, though the concern in your voice is real.

Carlos leans down, brushing his lips gently against your forehead, the gesture filled with tenderness. "I’ll come back to you both, safe and sound," he whispers softly, his forehead resting against yours for a brief moment. "Always."

You smile, feeling reassured by his words, and you give him a small nod. "Alright. Go show them what you’re made of, then."

As Carlos pulls away, you can see the familiar spark in his eyes, the passion and excitement that he always carries before a race. He gives your hand one last squeeze before turning to head toward the car. You watch him for a moment, taking in the sight of him—confident, composed, and ready for whatever comes next. Just before he reaches the garage doors, he turns back and flashes you that signature grin that always makes your heart skip a beat. “For you and Rafael,” he calls out. Your smile widens as you watch him go, knowing that no matter what happens on the track today, you’ll always have each other.

It’s not hard for you to find Rafael when you head back to the garage yourself. He’s completely engrossed in conversation with one of Carlos' engineers, pointing out different tools and parts of the car with wide-eyed fascination. His little hands gesture excitedly, and the engineer listens with a warm smile, clearly amused by Rafael’s enthusiasm. Carlos stands off to the side, leaning casually against the wall, arms crossed, watching his son with a look of pure affection and pride. His eyes sparkle as he takes in the sight of Rafael’s excitement, and there’s a certain softness to his expression that makes your heart swell.

You walk over, standing beside Carlos, who doesn’t take his eyes off Rafael but greets you with a small grin. “He’s already talking like he’s part of the team,” Carlos says quietly, his voice filled with pride. “I wouldn’t be surprised if he’s taking over the pit crew in a few years.”

You chuckle softly, watching Rafael explain something animatedly, his little voice echoing through the garage. “He’s got your passion,” you say, leaning into Carlos slightly, feeling the warmth of his presence.

Carlos hums in agreement, his arm slipping around your waist. “Maybe,” he says, his tone affectionate, “but the way he talks about everything… that’s all you. He’s got your curiosity, your heart, so, all my favourite parts of you.”

“My boyfriend the charmer,” you mumble as you lightly hit him on his chest.

Carlos chuckles, catching your hand gently against his chest before pressing a soft kiss to your knuckles. “Just telling the truth,” he murmurs, his eyes twinkling as he holds your gaze for a moment longer. “You deserve all the charm in the world.”

You roll your eyes playfully, though you can’t hide the smile tugging at your lips. “You’re lucky you’re good at this, or I might think you’re just trying to get out of bath time for the next few days.”

Carlos laughs, his warm, deep voice sending a wave of comfort through you. “I’d never do that. Bath time is part of the job.” He leans in slightly, lowering his voice with a mischievous grin. “But if I do this race right, maybe we can negotiate something.”

You raise an eyebrow, feigning suspicion, but you can’t help the flutter in your chest at the way he always manages to make you feel light and cared for, even in the most mundane moments. “Alright, we’ll see how you perform today,” you tease back “if you win, I’ll let you put a baby in me, how about that?”

Carlos freezes for a moment, his eyes widening in surprise before a slow, playful grin spreads across his face. “You’re serious?” he asks, his voice filled with both excitement and disbelief.

You nod, biting your lip, unable to hide your own smile. “If you win today, we can start thinking about it.”

Carlos lets out a short laugh, running a hand through his hair as if trying to process what you just said. “Well, I’ve never been more motivated to win a race in my life,” he says, his eyes gleaming with a new intensity.

You chuckle, your heart racing at the look on his face. "Just make sure you’re focused on the track and not… well, other things."

“Oh, I’ll be focused,” Carlos says, stepping closer and lowering his voice. “But now, I’ve got the best reason in the world to win.” He leans in, brushing his lips against your ear. “For you, and for giving Rafael a baby sister or a brother.” Your breath catches at the sincerity in his voice, and as he pulls back, he flashes you that charming grin again before heading off toward the car. You watch him go, feeling a mix of excitement and nervousness settle in your chest.

Eventually going behind the barriers and watching the race is harder than you’ve expected, you realise. As the laps go by, you keep glancing at Rafael, who’s glued to the action, his eyes wide with admiration for his dad. You smile at the way he clutches his little racing helmet, a miniature version of Carlos’ gear, his excitement evident. It’s clear he’s living every moment of the race through his dad’s performance, just as you are. When Carlos is in the lead, you hold your breath, willing him to stay ahead. When he’s fighting for position, you’re on the edge of your seat, cheering him on with every ounce of energy you have.

As the final laps approach, you glance at the clock and then at Rafael, who’s practically bouncing with excitement. You can tell he’s just as invested in the outcome as you are. You squeeze his hand, giving him an encouraging smile, and he returns it with a determined nod.

When Carlos crosses the finish line, the roar of the crowd is deafening, and you let out a cheer of your own, tears of joy welling up in your eyes. You look down at Rafael, who’s jumping up and down, his face beaming with pride and excitement. “He did it!” you shout, lifting him up in your arms as you join in the celebration.

Caco and a couple of the mechanics help you and Rafael to get to the barriers, weaving through the throng of celebrating fans and team members. As you approach the barriers, Rafael’s excitement is noticeable. His eyes are wide with wonder, and he clutches his mini helmet tightly, bouncing with every step. Caco, with his warm, reassuring smile, offers a few words of congratulations and gives Rafael a high-five. Carlos comes into view, his car parked in the parc fermé. His grin is infectious, and you can see the joy and relief in his eyes as he looks up at you and Rafael. The moment he gets out of the car, he’s enveloped by his team, but his gaze quickly finds you and Rafael. He finds his way to you after getting weighed and you can see him grab his cap before finally rushing towards you. Carlos scoops Rafael up into his arms, spinning him around as they both laugh, and then turns to you, his eyes shining with gratitude and affection.

“Well, looks like we’ve got a baby sister or brother to start thinking about,” Carlos says with a wink, setting Rafael down so he can pull you a in for a kiss.

You smile against his lips, feeling the warmth of his embrace and the joy of this moment. When you pull away, you look up at Carlos, your eyes sparkling with love and excitement. “We do, don’t we?” you say softly, your heart full as you take in the sight of your family together in this victorious moment.

Rafael, still buzzing with excitement, tugs on Carlos’ sleeve, his little voice bubbling over with enthusiasm. “Papa, did you see me cheering? I was so loud!”

Carlos laughs, his eyes crinkling with joy. “I heard you, buddy. You were the loudest cheerleader out there.”

As the celebration continues around you, you feel a profound sense of contentment. The day’s events, the race, the emotions—everything has come together perfectly. You take a deep breath, savouring the feeling of being surrounded by the people you love most.

Carlos pulls you close, wrapping his arms around both you and Rafael. “Thank you for everything today,” he murmurs, his voice filled with sincerity. “You’ve made this day even more special.”

You rest your head on his shoulder, feeling the warmth of his embrace and the steady beat of his heart. “It’s been an incredible day,” you agree, looking out at the jubilant scene around you. “I wouldn’t have wanted to spend it with anyone else.”

As you watch him savour the moments with your son before he needs to go for his interview and the podium celebrations, you realise just how lucky you are to have something that only happens every few lifetimes.

#monzabee #requests open #f1 fic #f1 fanfic #f1 smut #formula 1 #fanfic #f1 x reader #f1 x you #f1 x y/n #carlos sainz #carlos sainz x reader #carlos sainz imagine #imagine #fluff #angst #smut #carlos sainz angst

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toadtoru · 3 days

Text

HOW TO INTERACT WITH WRITERS AND ARTISTS: A GUIDE

Hello! We all know that there is a steady decline in interactions and reblogs in fandom and I think a lot of new readers are very nervous to interact with artists on here. So as a somewhat seasoned Tumblr user, I figured I’d make a little guide for those who might feel they need it. :D

Disclaimer: This is by no means a rulebook or a demand. I am not forcing you to do any of these things. This is simply meant to be helpful towards those who might be new to the app or are nervous about interacting with people. Also: Since I write fanfiction, most of these examples are gonna be rooted in fanfiction. However, this can be applied to any other form of art on here as well!

FIRST OF ALL:

Customize your blog. A lot of people think blank blogs are bots. It doesn’t have to be a big thing but go on Pinterest, and find a cute profile pic. Choose a cool colour. Give your blog some personality.

It is completely fine and normal to want to remain anonymous on here. If you want you can choose a cool pseudonym (Alba is not my real name and I know for a fact that most of my mutuals’ “names” are pseudonyms.) but your blog can also just remain nameless.

If you are going to interact with NSFW fics and art I highly recommend putting your age in your bio. A lot of NSFW artists are not comfortable interacting with minors and ageless blogs and will block you if you don’t have your age somewhere.

It’s important to remember that writers and artists love interactions! We are here because we love a certain media and want to talk about it.

Secondly, Tumblr is not Instagram or TikTok. There are no “tumblr influencers”. Most of us are just normal people who do this as a hobby.

While it’s completely okay and normal to look up to someone or admire someone’s work, try not to put people on pedestals.

Lastly, fan fiction and art do not have a time limit. It doesn’t matter if it was posted yesterday, a year ago or ten years ago. It cannot expire. The love you feel for it now is just as valid as the love someone felt for it ten years ago. So please do not hesitate to interact with art just because it was posted a while ago.

THE BIG NO-NO’S:

“Part two?” It’s fair that you’re excited about a fic and want to read more, but simply just asking for part two without saying anything else can make a writer feel bad. We are not robots or content machines.

“X is stupid” “Your characterization is bad” “X wouldn’t do this” It’s okay to not like someone’s fic or art but commenting that it is bad or that you don’t agree is not okay. If you don’t like a fic you click off. If you don’t like someone’s takes or posts, you block them. You are responsible for curating your own online experience. Block what annoys you and move on.

Hate anons. I feel like I shouldn’t have to say this, but people still do it so I’m gonna say it anyway. Don’t send hate anon to people’s inboxes.

Don’t demand things. “When is the next part coming out?” “You promised you’d post” etc. Life happens. Most of us have school or jobs or both.

Use Character AI, Chatbot, etc. Do not use AI. Do not put other people’s art into AI machines without their permission or knowledge. AI steals people’s writing and art. Do not use it to finish unfinished fics for you, do not use it to get a part two, do not use it.

Do not repost* art without permission. Do not repost art on other platforms. Do not post people’s fics on Wattpad or other platforms without permission. Do not post artists’ art on Pinterest or TikTok without permission. Do not translate writers’ fics without permission.

*Note: reposts and reblogs are not the same. A reblog is when you press the 🔁 button at the bottom of a post. This is encouraged. Reposts are when you make your own post with the stolen art.

SO WHAT CAN YOU DO?

Reblogs. Reblogs, reblogs, reblogs. Reblogs. I cannot stress this enough. Tumblr’ algorithm sucks and sometimes posts don’t show up in tags. When you reblog someone's art you help more people see it!

Also, reblogs do not only help the artist but it also helps you! You can create a tag system on your account so you easily can find works you liked again. It’s much easier to find reblogged works than it is to go through your 300 liked posts. (Also if an artist deactivates you will still have the post instead of it disappearing.)

Comment on people’s art! Tell them what you liked! I promise you it will make their day!

Ask questions! Did you notice a specific choice the artist made that you found interesting? Is there something that intrigued you or you want to know more about?

BUT I DON’T KNOW WHAT TO SAY?

It’s important to remember that your support does not have to be some profound intellectual conversation. This is Tumblr, we’re all just having fun.

“I loved this!” “Your writing is amazing!” “This art is so pretty!” “The way you draw/characterize X character is cool!”

What did the art make you feel? “This made me happy” “This made me sad” Your emotions about the piece do not have to be positive. If someone wrote a 6k fic about the SatoSugu breakup then their goal probably wasn’t to make you feel joyous. Tell them how you feel! It will make them happy to know that their art evoked emotions in you.

Predictions! Did you catch some foreshadowing? What do you think happens in the next chapter? It's super fun as a writer to read what people think is going to happen!

Okay, folks. I think that’s all I have for you. Remember that we’re all just here to have fun. We want to interact with you. Reblog and comment on the fics you like! Send your thoughts to people’s inboxes! Once you get over that initial fear, I promise you, it becomes so much more fun. Fandom is supposed to be fun.

#how do i tag this #uhhh #fanfiction #writers on tumblr #fandom #writing #writing community #???#idk man #i hope this helps someone #:D #i love you

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heretherebeturtles-comic · 2 days

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Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

#Artist's Comic Rambles #asks #art related asks #thank you for the ask!! I'm glad to hear you enjoy the comc :D #i hope this was somewhat helpful...#i get overwhelmed by broad questions very easily haha #if you would me to elaborate on something specific I mentioned feel free to ask #i wrote this all out weeks ago and then forgot about it... I just added a link or two but yeah here it is

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theshift · 2 days

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The Breakout

Before everything fell apart, Marcus had a life that he was proud of. He wasn’t some thug or low-life; he had his routines, his ambitions. Boxing was his escape, the one place where he felt in control. He spent hours in the gym, the sound of fists hitting heavy bags and the smell of sweat filling the air as he trained. There was something about the discipline, the focus, the rhythm of a good fight that made the chaos of the outside world fade away. He wasn’t a pro, but he was good—damn good—and he was starting to get noticed. On weekends, he’d run along the river, feeling the early morning breeze, imagining his next match. Life wasn’t perfect, but it was his, and he had a future lined up. That was before it all got ripped away—before he was framed for a crime he didn’t commit. Now, that life seemed like a distant dream, one he’d never wake up to again. The real world, the one he’d worked so hard for, felt like it had vanished forever.

Marcus had been in prison for two long months. His life had been ripped away, and now he was just another inmate waiting for judgment in a system that didn’t care.

But even worse than being locked up was dealing with Officer Nathan, the patrol officer who took sick pleasure in making Marcus’s life miserable. Nathan was cruel. Every day he found a new way to degrade Marcus. Whether it was spilling his food on the ground or shouting insults that cut deeper than the metal bars around him, Nathan loved to remind Marcus who was in control.

Today had been no different. As Marcus sat on his cot, his mind still reeling from the news of his sentencing—fifteen years—Nathan showed up at his cell with that same smirk.

“Well, well, look at you. Fifteen years, huh? Guess you’re gonna rot here for a while,” Nathan sneered, leaning against the bars. “Bet you thought you’d get off easy. But nobody cares about some low-life scum like you.”

Marcus clenched his fists, staring at the floor. He couldn’t believe it. Fifteen years for something he didn’t do. His whole life—gone. He swallowed the lump in his throat, trying to ignore Nathan’s voice.

“You know what the best part is?” Nathan continued, his voice dripping with cruelty. “You’ll be here, getting old and wasting away, while I’m out there. Free. Living my life. Makes you wonder why you even bother fighting, doesn’t it?”

Marcus’s body tensed. “I didn’t do it.”

Nathan barked out a laugh. “Sure, that’s what they all say. Keep telling yourself that, Marcus. Doesn’t change a damn thing.” He tapped the bars with his baton, a sharp clink ringing out. “You belong here. And I’m going to make sure every day feels like hell for you. Count on it.”

Marcus couldn’t take it anymore. The injustice, the humiliation—it all boiled inside him. He couldn’t live like this, not for fifteen years. His hands shook, his breath coming in sharp gasps as his heart pounded in his chest.

“Hey, what’s wrong? You look like you’re about to cry. Go ahead,” Nathan jeered. “Cry like the pathetic loser you are.”

Something snapped inside Marcus.

“You think you’re untouchable,” Marcus muttered, his voice low, trembling with rage.

Nathan raised an eyebrow. “What was that?”

Marcus slowly lifted his head, eyes burning with something darker, something Nathan had never seen before. “You think you’re better than me because you’re on that side of the bars? Because you can do whatever you want to people like me?”

Nathan chuckled, but there was a flicker of uncertainty in his eyes now. “Yeah, I do. What are you gonna do about it?”

Marcus’s lips twisted into a cold smile as he stood up, his body humming with a power he had always kept hidden, a power he had refused to use until now. His gaze locked onto Nathan, and the room seemed to thrum with a strange energy.

Nathan stepped back from the bars, suddenly on edge. “What’s your deal, man? Sit down before you do something stupid.”

But Marcus didn’t stop. His eyes were like burning coals, and a strange pressure filled the air around them. He closed his eyes, focusing inward, feeling the dark energy swirling within him like a storm, ready to be unleashed.

He had never wanted to use his gift, but this was different. This was survival.

Marcus's body felt weightless as he reached out mentally, a strange, ethereal sensation that began to rise from the depths of his chest. The connection to Nathan was immediate—a tether of energy, dark and tangible, latching onto him like invisible chains. Marcus’s mind surged toward Nathan, slipping through the cracks of his consciousness, feeling his presence as if it were a physical thing.

The shift was sudden, a jarring sensation that sent Nathan stumbling backward. His hands shot up to his head, as if he could physically block Marcus’s intrusion, but it was already too late. Marcus could feel Nathan’s mind now—panicked, scattered, full of raw terror.

“No—what are you doing?” Nathan’s voice was sharp, trembling with fear.

Marcus’s smile widened. His consciousness flooded Nathan’s mind like dark water, consuming him, pushing past every mental wall the officer tried to erect. It was a slow process, deliberate, like sinking into quicksand, inch by inch, until Nathan’s screams became muffled in the back of his own mind.

Nathan staggered back against the wall, his body twitching as Marcus took over. From the outside, it looked like Nathan was having some kind of seizure, his face contorting in shock as his limbs jerked, resisting the possession. But Marcus was relentless. He pushed deeper, feeling his own awareness settle into Nathan’s body as though slipping on a perfectly tailored suit.

Nathan's mind screamed, trapped now as a mere voice, a presence that Marcus could feel but had full control over. “Stop! Get out! You can’t do this!”

Marcus ignored him. He flexed Nathan’s fingers, feeling the strength of his new form. The once-familiar prison walls looked different through Nathan’s eyes—sharper, crisper. Marcus rolled his shoulders, testing the muscles that now responded to his command.

Inside, Nathan’s terror grew. “What are you—get out of my body!”

Marcus’s laugh, low and cruel, rumbled through Nathan’s throat. “Oh, Nathan… you’re not in charge anymore.”

With one final surge of effort, Marcus forced Nathan’s consciousness into the back of his mind, shoving him deep into a corner, trapping him in the prison of Marcus’s old body. Nathan was now locked away, his pleas for help falling on deaf ears as Marcus stood tall in his stolen skin.

Nathan, now trapped in Marcus’s body, staggered forward, horrified at the sight of his own hands—Marcus’s hands—reaching out toward him, mocking him. He tried to scream, but Marcus simply sneered. “Enjoy being on the other side of those bars. I’ll make sure to give you the same treatment you gave me.”

Marcus felt the real Nathan's panic, buried deep inside his old body, helpless and confused, as the guards dragged him away. “No! You don’t understand—I’m not Marcus! I’m Nathan! Please!”

But no one listened. To everyone else, it was just Marcus losing his mind.

Meanwhile, Marcus—now fully in control of Nathan’s body—strolled through the prison halls, relishing the newfound power. Nathan’s voice screamed in the back of his head, but Marcus simply tuned him out, reveling in the freedom and control he had never felt before.

“You’ve had your fun, Nathan,” Marcus muttered under his breath, his voice sounding strange but powerful. “Now it’s my turn.”

Nathan was trapped inside Marcus’s body, powerless, screaming silently as Marcus turned and walked down the hallway in his new form. The other guards greeted him with nods of respect, completely unaware of the switch.

As Marcus settled into Nathan's body, something unexpected surfaced from the officer's memories—Nathan was secretly into men. Hidden beneath his tough exterior and cruel demeanor was a desire he had never dared to act on, a truth he kept buried deep, afraid of what it would mean for his image as the hardened officer. And to Marcus's surprise, Nathan had even found him attractive, though he would have never admitted it. The irony was delicious.

Now, with full control of Nathan's body, Marcus realized he could have the life Nathan was too scared to embrace. He wasted no time. With Nathan’s face, his fit build, and authority, Marcus quickly began to attract attention, something Nathan had always fantasized about but never had the nerve to act on. Marcus, on the other hand, had no qualms about indulging in what Nathan had suppressed. Within days, he had hooked up with men who were drawn to his new appearance—something Nathan had always dreamed of but never had the courage to pursue. It wasn’t just about the power; it was about taking Nathan’s secret desires and living them out in ways Nathan never could.

More days passed, and Marcus, now in Nathan’s body, relished every moment of his new life. He took over Nathan’s duties, tormenting the real Nathan—trapped inside Marcus’s old body. Every time Marcus walked by, he could see the fear in his own face, the panic in Nathan’s eyes as he tried to tell the guards what had happened.

“Nobody’s listening, Nathan,” Marcus whispered one day as he passed by the cell. “They think you’ve lost it. Crazy, isn’t it?”

Nathan, trapped and powerless, screamed, banging on the bars of the cell. “Stop this! Please! I’m not Marcus! I’m not him!”

But no one believed him. To the other guards, he was just another inmate losing his mind.

Marcus continued his life as Nathan, basking in the power that came with it. He spent a week tormenting the real Nathan, letting the other guards treat him the same way Nathan had treated Marcus. The irony wasn’t lost on him, and he loved every second of it.

One day, Marcus stood in front of a mirror in Nathan’s office, staring at the reflection of Nathan’s face. A thought struck him.

“Why waste this? Why stay here as some low-life prison officer?” he murmured to himself. He grinned, running a hand over Nathan’s strong jawline. “I could do so much more.”

The next morning, Marcus handed in Nathan’s resignation. He was done with this place, with this pathetic life. He had bigger plans. He left the prison behind without a second glance, the real Nathan screaming in his own body, now doomed to serve the sentence Marcus was supposed to endure.

And Marcus? He moved to the city, reinvented himself as a model. Nathan’s looks, once wasted on cruelty, now served Marcus well. The spotlight loved him, and he embraced his new life, his new identity.

As Marcus rose to fame, Nathan remained locked in a cell, forgotten, living the nightmare he had once created for others.

And Marcus? He was finally free.

#male body swap #malebodyswap #male possession #male transformation

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peanutpinet · 2 days

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BABE!!!! We absolutely need a second part to Little Things, we need to know how their relationship develops and see Sylus fall in lover with reader's soul. PLEASE BABE PLEASE!!!

Welcome to My World - Sylus x Fem Reader (Sequel to Little Things)

Request: Craving for a sequel to this w/ reader actually going back to her world and sylus just defying all odds shshshshs these kinds of fics are so interesting love em <3

A/N: Just a lil something for those who wanted to see what would Sylus be like if he were to actually come out of the screen and into our world (still having his evol but is not addressed). Also if anyone is a Kpop fan, I just want to say, do have a listen to Aespa’s Welcome to My World. It embodies this fic so much and am putting some of the lyrics into the story! I hope you guys enjoy!!

Disclaimer: I do not own the images nor the characters or you (the MC). All images were taken from Pinterest.

Also, if you haven't read Little Things, the "first part" of the story, do have a read. Will be link here. But you don't have to read it and can just read each of these fics seperately

Warnings: Fluff but mainly ANGST, Isekai Theme, Will be Going back and Forth between LADS universe and our universe, slow burn because Sylus is tryna find you :))

Funfact: I remembered the TV Show: Westworld and how the characters of the game gain conciousness when writing this fic

Songs to listen to: NCT Dream - Broken Melodies, Aespa - Welcome to My World, NCT Dream - Like We Just Met

N109 Zone - 01:48 AM

It was in the middle of the night. When all are asleep, people in the N109 zone, those in the shadows have only started to wake up and get on about their day, including Sylus. Slowly awakening from his slumber, Sylus saw the girl that was beside him, fast asleep. Her chest was rising and falling in a steady motion; indicating that she was in a deep sleep.

Smiling to himself, Sylus decided to scootch a bit closer and caressed the girl’s cheek. But as he did, the girl immediately grabbed his wrist tightly and jerked awake. “Who the fuck…w-where am I?!”

Hearing the girl’s words, Sylus knew. “You’re not her…”

Real World - 09:28 AM

You woke up with a pounding headache but slowly regained your consciousness, you noticed how the bed wasn’t as big nor was it as warm as when you were used to. Jerking up, you took in the room you were in. The bright white ceiling was the first thing you see, the smell of alcohol and blood was faint but you could smell it, and then you heard a beeping noise which made you turn and saw that your hand was hooked onto a monitor and an IV drip.

Whipping your head around, you search for your phone until you find it and immediately look at the date when you suddenly get a notification from both Instagram and Twitter mentioning the new update for Love and Deepspace.

“I’m back…” you sobbed yet your fingers glided across the screen of your phone, pressing the game that you swore you were in

As the game loads, you see the cutscenes of all of the characters and can’t help but feel emotionally overwhelmed whenever you see Sylus’ cutscenes.

Once the game loaded and you could hear that cafe jingle along with those familiar red eyes, you tried to see whether or not anything had changed in the game other than the new updates but when you clicked on his tall figure, the lines he said were nothing out of the ordinary. Even in the text message icon, you couldn’t text him like you did when you were in the game.

“Was it all just a dream?”

“Y-you’re awake!!” you heard someone talk and as your eyes looked at the doorframe, it was the nurse

You soon found out that you had been in a coma for a little over 2 weeks yet it felt like you were in the game for 2 months, maybe even more. Your best friends came to visit you every day and now that you’re awake, they were bombarding you with food, life updates, and all.

For once, you actually didn’t feel as lonely as you were when you appeared in the game.

Maybe it truly was all just a dream…

From a distance, a black crow was watching your interaction with your friends from a tree that was just outside of your window. After some time, the crow eventually fled and flew away from the tree.

N109 Zone - 04:18 AM

Sylus was beyond pissed. He took MC to where he took you in the beginning to get your evol and aether core checked but additionally, he wanted to know if you were truly not in the MC’s body. Sylus’ worker questioned as to why he brought MC again to check her evol and aether core, confusing the Onychinus’ leader.

Even when the two came home, the twins didn’t notice any difference from MC. What’s wrong with everyone? You’re not MC and it goes the other way as well. Why were the twins pestering MC who to Sylus, was not you.

“But boss, Miss Hunter and you have known each other for over 2 months now. What do you mean she’s not her?” Luke questioned, genuinely confused at his boss’ attitude

“She’s not. Have you forgotten who taught you both how to cook the simplest meal? The one that bought you those bulletproof vests?” Sylus demanded, something, anything about your sudden disappearance or at the very least, anyone other than him remembering your existence

“It’s Miss Hunter, though?” Kieran replied, making Sylus groan. “Just, leave me alone for the next few days” Sylus left the room and walked past MC who grabbed his wrist, making his brow arch in confusion.

Sighing, Sylus turned to see MC. “What is it that you want?”

“Where are you going? I went through all the trouble to get the N109 zone and I want answers regarding the aether core” MC demanded but Sylus just chuckled and used his evol to remove MC’s hand from his wrist

“You already have the aether core you’re looking for. Why don’t you go back and ask your doctor about that? I have other matters to attend to. Like why are you here instead of her” Sylus mentioned, walking away until MC talked to him

“You’re always mentioning her but you never mentioned her name. Who are you exactly talking about and what does it have to do with me?” MC questioned and this time, Sylus grabbed her by her neck and pinned her to the nearest wall

“Don’t tempt my patience. I only have so much left ever since your attitude shows up instead of something else I want. From here on out, I could care less about your little quest. You can even have that brooch you’re wearing to get in and out of the N109 zone without getting harmed. But I want you to leave. Go back to your doctor, that fish man of an artist, or fake hunter for all I care. When I come back to this place, I hope that you’re not here anymore. Or you’ll hurt even more” Sylus warned, releasing MC as he went who knows where.

Sylus went into his car, the car that you love to drive in. Though you were just a soul in MC’s body, he could immediately tell the two of you apart. What scent do you like, the small trinkets that you would buy to keep his things more organized, some small keychain plushies that he would put on his keys which is in contrast to his scary look.

You might just be a soul that just so happens to be in MC’s body, the body of a person he should’ve been interacting with, the one he should’ve been bound to. But why does his heart feel incomplete? Why does his soul long for your own.

Gripping onto the steering wheel, Sylus looked at the plushie you put in this car. It was a koala, one of your favourite plushies, because you told him that you looked like a koala when Sylus carried you around. “I swore to you that if this were to happen, I would find you. Regardless what happens, I will find a way to get back to you. Our stories’ unfinished, sweetie. Wait for me. I’ll do anything to get back to you”

Real World

It’s been several months since you woke up. You still played the game but not as often anymore. You got a job at your friend’s office as a secretary. It pays well, you and your friend are roommates, life has been going fairly well that you barely played the game that provided you comfort.

One day, however, there was a bouquet of red Carnations mixed with pink Camillas on your desk with a note attached to it. “I hope this gets to you. If this ever reaches you, it means that I’m another step closer to seeing you again. There’s this uneasy feeling I’ve been feeling since you were gone. I promise I won’t stop finding you”

Confused, you asked everyone, including the delivery man who delivered the flowers to you but no one knew where it came from. It didn’t even mention your name and only a description of you.

Brushing it off, you thought it must’ve been some kind of prank until several more flowers reached you. One after another, there were notes along with the flowers which all made your heart clench because whoever this person was, it seemed that either you left a very deep impression on them or this was some sort of stalker.

“Did the first one reach you? I’m getting closer”

“I hope that you’re eating well. Wait for me”

“It seems that you’ve forgotten about me once more. No matter, I’ll be sure to jog your memory once we meet again”

Another year has finally passed and the bouquet and notes kept on coming until you saw the flowers and notes that came in. Instead of the usual red Carnation or pink Camillas or even sometimes Forget me nots, this time it was a bouquet of black and red roses with a note of a familiar handwriting and scent.

“I’ve finally found you. You said that you were worried about me finding the real you but to me, you’re just as perfect as your soul. Your face, your body, it matches your soul perfectly. And even though you might’ve forgotten about me, I assure you that my love for you is still the same like we just met. Perhaps in the game, I would allow you to go live your life without me because it’s safer for you. But here, looking at you, I can feel myself coming alive once more. Whether you try to move on, I know that there’s a lingering feeling behind your pretty head thinking of the possibility. And you would be correct, sweetie. I’m fulfilling my promise to you. For there is no love greater than mine.

P.S: we should thank Mephisto for always managing to find you when I couldn’t

-Sylus”

You were in shock. Sure, there was a small voice, hidden behind all your to-dos, your schedules, your wants, likes, needs. A faint voice telling you of the possibility that perhaps Sylus was the one to send you all those flowers and notes but you were in your world, the real world. You would lock that faint voice and never think about it again. You were realistic. There was no way that a fictional 3D man would send you all of that.

And Mephisto? He’s a bird. A mechanical bird that is tied with Sylus. Everything seemed ridiculous. You couldn’t think straight for the rest of the day until your boss called you for a sudden meeting outside of the office and at a restaurant.

The restaurant was filled with high-class people, some were doing business with another while others were simply finding ways to spend their money. Suddenly, it reminded you of the time when you were in MC’s body and Sylus would take the two of you out to dinner.

Remembering Sylus, the flowers, and the note, you decided to excuse yourself to the restroom but in reality, you decided to log into the very game you downloaded to seek comfort. The nostalgia was coming back. They made a new update and introduced a new male character. Once your game loads, Sylus is still in the game and when you poke him, thinking that he’ll respond like how he would when a player hasn’t logged in for so long, he surprises you.

“You’re probably wondering why am I not responding to you in a way that you expect. Well, why don’t you check my messages on the message feature, sweetie?” Sylus mentioned and immediately, you went to open the message feature in the game and once again, you were shocked with what you read on the screen that you had to cover your mouth.

“It’s been a while, hasn’t it, kitten? I’m sad that you’ve forgotten about me but I’m genuinely happy with how you’re living your life so far”

“But if I were to tell you that I want to be apart of your life here, would you accept me?”

You were given the chance to answer him, to reply to this sudden message but your boss had already called you back and unfortunately, you had to go back to the table and sit beside your boss.

As you were about to sit down, you heard that familiar soothing voice that always calms your nerves; especially when you’re in the N109 zone. “Is this your secretary that we’ve been waiting for?”

Immediately, you looked up and met with those soft bright red eyes behind small glasses. The white hair you’ve gone through with your fingers was styled like how you first met him. The figure sitting in front of you was wearing a soft grey sweater and black jeans.

And that smile, that smile that you’re so used to seeing everyday is now showing in front of you again. “Pleased to meet you, sweetheart. Shall we begin the meeting?”

Throughout the meeting, you tried your best to pay attention and jot down all the notes you needed. You struggled for a moment and even towards the end, you stutter your thank you and goodbyes until the white-hair man called you.

“Waiting for someone, sweetie?” you heard that damn voice as you could feel all hairs on your skin stand up

Turning around, you finally got a good look at him. All of his 190cm height was towering over your figure. Your actual real-life self and not the MC you created in the game.

On one side, you wanted to talk, to question him if all of this was just another one of those visions you used to have. On the other, you wanted to jump at the man in front of you. To cry in his arms as he holds you close. But nothing. You were frozen in your spot as this Sylus look-alike smirked at you and held his index out which suddenly a black crow rest on.

“Is, is that…” you managed to utter, making the man in front of you chuckle

“Mephisto. An actual crow this time” he said, extending his hand out so the black crow was within your reach

Extending your own index out, the black crow, Mephisto went onto your index and you instinctively stroke its head. “We never stop looking for you, you know”

You look up to see those eyes that once were filled with rage now filled with sadness. Sighing, you tried to remind yourself that this is the real world, not your game.

“I'm sorry, sir. You must've gotten the wrong person. I don't think we’ve met before this meeting today. Your bird must be very friendly to have gone on another person’s hand” you mentioned, intending to return the black crow, still not believing that the man and bird in front of you are who you think they are

But instead, the man in front of you turned and took something from his pocket. “Is that so? Well then either you don’t want to remember what we’ve been through or Mephisto might’ve gotten the wrong person. Then how about we reintroduce ourselves to one another?”

“I’m Sylus, this is Mephisto. We were from a faraway land called the N109 zone. For the past year, I've been building my multimillion security tech company” Sylus mentioned, extending his hand out, revealing the brooch that you once wore as a promise to Sylus to stay by him

Shocked to see the brooch, you stutter at your words but Sylus noticed this and gently took one of your hands which you didn’t deny. “I meant what I said and I’m keeping my promise. My only regret is I couldn’t come find you sooner”

“H-how? This has got to be a joke. You’re not real. You’re not actually here. I must be dreaming again. I’m going mad” you started to lose your mind but Sylus pulled you into a hug

“Tell me this isn’t real then. Tell me that you don’t see me. Tell me that you don’t feel this warmth we both have wanted for a long time. Tell me you don’t want this and I’ll gladly walk away from you so that you can continue to live your life as is but don’t expect me not to want to be a part of your life. Don’t think that even if I walk away today, I won’t try my best to still keep an eye on you” Sylus stated, whispering into your ear, kissing right below your ear

Taking in his calming leather scent, you slowly sob in Sylus’ chest as he strokes your head, calming you. “You’re such a stubborn crow” you finally hug Sylus, indirectly accepting him back into your life

“I know. But it’s worth it. I finally get back to you. Though I can’t offer you as much as I would when we were in the N109 zone, I do promise you that I will be here this time. I’m not letting you go that easily. So, you’re willing to let me back?” Sylus asked, making you chuckle

“Welcome to the real world, my world, Sylus” you said, getting on your tiptoe to give his cheek a kiss but instead, Sylus turned his head, held your neck and leaned for an actual kiss

A/N: Ngl, I was simping over my own writing of this. Where can we find an irl Sylus T^T

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mrs-stans · 21 hours

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Sebastian Stan Tells All: Becoming Donald Trump, Gaining 15 Pounds and Starring in 2024’s Most Controversial Movie

By Daniel D'Addario

Sebastian Stan Variety Cover Story

It started with the most famous voice on the planet, the one that just won’t shut up.

Sebastian Stan, in real life, sounds very little like Donald Trump, whom he’s playing in the new film “The Apprentice.” Sure, they share a tristate accent — Stan has lived in the city for years and attended Rutgers University before launching his career — but he speaks with none of Trump’s emphasis on his own greatness. Trump dwells, Stan skitters. Trump attempts to draw topics together over lengthy stem-winders (what he recently called “the weave”), while Stan has a certain unwillingness to be pinned down, a desire to keep moving. It takes some coaxing to bring Stan, a man with the upright bearing and square jaw of a matinee idol, to speak about his own process — how hard he worked to conjure a sense Trump, and how he sought to bring out new insights about America’s most scrutinized politician.

“I think he’s a lot smarter than people want to say about him,” Stan says, “because he repeats things consistently, and he’s given you a brand.” Stan would know: He watched videos of Trump on a loop while preparing for “The Apprentice.” In the film, out on Oct. 11, Stan plays Trump as he moves from insecure, aspiring real estate developer to still insecure but established member of the New York celebrity firmament.

We’re sitting over coffee in Manhattan. Stan is dressed down in a black chore coat and black tee, yet he’s anything but a casual conversation partner. He rarely breaks eye contact, doing so only on the occasions when he has something he wants to show me on his iPhone (cracked screen, no case). In this instance, it’s folders of photos and videos labeled “DT” and “DT PHYSICALITY.”

“I had 130 videos on his physicality on my phone,” Stan says. “And 562 videos that I had pulled with pictures from different time periods — from the ’70s all the way to today — so I could pull out his speech patterns and try to improvise like him.” Stan, deep in character, would ad-lib entire scenes at director Ali Abbasi’s urging, drawing on the details he’d learned from watching Trump and reading interviews to understand precisely how to react in each moment.

“Ali could come in on the second take and say, ‘Why don’t you talk a little bit about the taxes and how you don’t want to pay?’ So I had to know what charities they were going to in 1983. Every night I would go home and try not only to prepare for the day that was coming, but also to prepare for where Ali was going to take this.”

Looking at Stan’s phone, among the endless pictures of Trump, I glimpse thumbnails of Stan’s own face perched in a Trumpian pout and videos of the actor’s preparation just aching to be clicked — or to be stored in the Trump Presidential Library when this is all over in a few months, or in 2029, or beyond.

“I started to realize that I needed to start speaking with my lips in a different way,” Stan says. “A lot of that came from the consonants. If I’m talking, I’m moving forward.” On film, Stan shapes his mouth like he can’t wait to get the plosives out, puckering without quite tipping into parody. “The consonants naturally forced your lips forward.”

“If he did 10% more of what he did, it would become ‘Saturday Night Live,’” Abbasi says. “If he did 10% less, then he’s not conjuring that person. But here’s the thing about Sebastian: He’s very inspired by reality, by research. And that’s also the way I work; if you want to go to strange places, you need to get your baseline reality covered very well.”

A little later, Stan passes me the phone again to show me a selfie of him posing shirtless and revealing two sagging pecs and a bit of a gut. He’s pouting into a mirror. If his expression looks exaggerated, consider that he was in Marvel-movie shape before stepping into the role of the former president; the body transformation happened rapidly and jarringly. Trump’s size is a part of the film’s plot — as Trump’s sense of self inflates, so does he. In a rush to meet the shooting deadline for “The Apprentice,” Abbasi asked Stan, “How much weight can you gain?”

“You’d be surprised,” Stan tells me. “You can gain a lot of weight in two months.” (Fifteen pounds, to be exact.)

Now he’s back in fighting form, but the character has stayed with him. After years of playing second-fiddle agents of chaos — goofball husbands to Margot Robbie’s and Lily James’ characters in “I, Tonya” and Hulu’s “Pam & Tommy,” surly frenemy to Chris Evans’ Captain America in the Marvel franchise — Stan plunged into the id of the man whose appetites have reshaped our world. He had to have a polished enough sense of Trump that he could improvise in character, and enough respect for him to play him as a human being, not a monster.

It’s one of two transformations this year for Stan — and one that might give a talented actor that most elusive thing: a brand of his own. He’s long been adjacent enough to star power that he could feel its glow, but he hasn’t been the marquee performer. While his co-stars have found themselves defined by the projects he’s been in — from “Captain America” and “I, Tonya” back to his start on “Gossip Girl” — he’s spent more than a decade in the public eye while evading being defined at all.

This fall promises to be the season that changes all that: Stan is pulling double duty with “The Apprentice” and “A Different Man” (in theaters Sept. 20), in which he plays a man afflicted with a disfiguring tumor disorder who — even when presented with a fantastical treatment that makes him look like, well, Sebastian Stan — can’t be cured of ailments of the soul. For “A Different Man,” Stan won the top acting prize at the Berlin Film Festival; for “The Apprentice,” the sky’s the limit, if it can manage to get seen. (More on that later.)

One reason Stan has largely evaded being defined is that he’s never the same twice, often willing to get loopy or go dark in pursuit of his characters’ truths. That’s all the more true this year: In “The Apprentice,” he’s under the carapace of Trumpiness; in “A Different Man,” his face is hidden behind extensive prosthetics.

“In my book, if you’re the good-looking, sensitive guy 20 movies in a row, that’s not a star for me,” says Abbasi, who compares Stan to Marlon Brando — an actor eager to play against his looks. “You’re just one of the many in the factory of the Ken dolls.”

This fall represents Stan’s chance to break out of the toy store once and for all. His Winter Soldier brought a jolt of evil into Captain America’s world, and his Jeff Gillooly was the devil sitting on Tonya Harding’s shoulder. Now Stan is at the center of the frame, playing one of the most divisive characters imaginable. So he’s showing us where he can go. The spotlight is his, and so is the risk that comes with it.

Why take such a risk?

The script for “The Apprentice,” which Stan first received in 2019, but which took years to come together, made him consider the American dream, the one that Trump achieved and is redefining.

Stan emigrated with his mother, a pianist, from communist Romania as a child. “I was raised always aware of the American dream: America being the land of opportunity, where dreams come true, where you can make something of yourself.” He pushes the wings of his hair back to frame his face, a gold signet ring glinting in the late-summer sunlight, and, briefly, I can hear a hint of Trump’s directness of approach. “You can become whoever you want, if you just have a good idea.” Stan’s good idea has been to play the lead in movies while dodging the formulaic identity of a leading man, and this year will prove just how far he can take it.

“The Apprentice” seemed like it would never come together before suddenly it did. This time last year, Stan was sure it was dead in the water, and he was OK with that. “If this movie is not happening, it’s because it’s not meant to happen,” he recalls thinking. “It will not be because I’m too scared and walk away.”

Called in on short notice and filming from November 2023 to January of this year (ahead of a May premiere in Cannes), Stan lent heft and attitude to a character arc that takes Trump from local real estate developer in the 1970s to national celebrity in the 1980s. He learns the rough-and-tumble game of power from the ruthless and hedonistic political fixer Roy Cohn (Jeremy Strong), eventually cutting the closeted Cohn loose as he dies of AIDS and alienating his wife Ivana (Maria Bakalova) in the process. (In a shocking scene, Donald sexually assaults Ivana in their Trump Tower apartment.) For all its edginess, the film is about Trump’s personality — and the way it calcified into a persona — rather than his present-day politics. (Despite its title, it’s set well before the 2004 launch of the reality show that finally made Trump the superstar he longed to be.)

And despite the fact that Trump has kept America rapt since he announced his run for president in 2015, Hollywood has been terrified of “The Apprentice.” The film didn’t sell for months after Cannes, an unusual result for a major English-language competition film, partly because Trump’s legal team sent a cease-and-desist letter attempting to block the film’s release in the U.S. while the fest was still ongoing. When it finally sold, it was to Briarcliff Entertainment, a distributor so small that the production has launched a Kickstarter campaign to raise money so that it will be able to stay in theaters.

Yes, Hollywood may vote blue, but it’s not the same town that released “Fahrenheit 9/11” or even “W.,” let alone a film that depicts the once (and possibly future) president raping his wife. (The filmmakers stand behind that story. “The script is 100% backed by my own interviews and historical research,” says Gabriel Sherman, the screenwriter and a journalist who covers Trump and the American conservative movement. “And it’s important to note that it is not a documentary. It’s a work of fiction that’s inspired by history.”) Entertainment corporations from Netflix to Disney would be severely inconvenienced if the next president came into office with a grudge against them.

“I am quite shocked, to be honest,” Abbasi says. “This is not a political piece. It’s not a hit piece; it’s not a hatchet job; it’s not propaganda. The fact that it’s been so challenging is shocking.” Abbasi, born in Iran, was condemned by his government over his last film, “Holy Spider,” and cannot safely return. He sees a parallel in the response to “The Apprentice.” “OK, that’s Iran — that is unfortunately expected. But I wasn’t expecting this.”

“Everything with this film has been one day at a time,” Stan says. The actor chalks up the film’s divisiveness to a siloed online environment. “There are a lot of people who love reading the [film’s] Wikipedia page and throwing out their opinions,” he says, an edge entering his voice. “But they don’t actually know what they’re talking about. That’s a popular sport now online, apparently.”

Unprompted, Stan brings up the idea that Trump is so widely known that some might think a biographical film about him serves no purpose. “When someone says, ‘Why do we need this movie? We know all this,’ I’ll say, ‘Maybe you do, but you haven’t experienced it. The experience of those two hours is visceral. It’s something you can hopefully feel — if you still have feelings.’”

After graduating from Rutgers in 2005, Stan found his first substantial role on “Gossip Girl,” playing troubled rich kid Carter Baizen. Like teen soaps since time immemorial, “Gossip Girl” was a star-making machine. “It was the first time I was in serious love with somebody,” he says. (He dated the series’ star, Leighton Meester, from 2008 to 2010.) He feels nostalgic for that moment: “Walking around the city, seeing these same buildings and streets — life seemed simpler.”

Stan followed his “Gossip Girl” gig with roles on the 2009 NBC drama “Kings,” playing a devious gay prince in an alternate-reality modern world governed by a monarchy, and the 2012 USA miniseries “Political Animals,” playing a black-sheep prince (and once again a gay man) of a different sort — the son of a philandering former president and an ambitious former first lady.

When I ask him what lane he envisioned himself in as a young actor, he shrugs off the question. “I grew up with a single mom, and I didn’t have a lot of male role models. I was always trying to figure out what I wanted to be. And at some point, I was like, I could just be a bunch of things.”

Which might seem challenging when one is booked to play the same character, Bucky Barnes, in Marvel movie after Marvel movie. Bucky’s adventures have been wide-ranging — he’s been brainwashed and turned evil and then brought back to the home team again, all since his debut in 2011’s “Captain America: The First Avenger.” Next year, he’ll anchor the summer movie “Thunderbolts,” as the leader of a squad of quirky heroes played by, among others, Julia Louis-Dreyfus and Florence Pugh. It’s easy to wonder if this has come to feel like a cage of sorts.

Not so, says Stan. His new Marvel film “was kind of like ‘One Flew Over the Cuckoo’s Nest’ — a guy coming into this group that was chaotic and degenerate, and somehow finding a way to unite them.”

Lately, knives have been out for Marvel movies as some have disappointed at the box office, and “Thunderbolts,” which endured strike delays and last-minute cast changes, has been under scrutiny.

“It’s become really convenient to pick on [Marvel films],” Stan says. “And that’s fine. Everyone’s got an opinion. But they’re a big part of what contributes to this business and allows us to have smaller movies as well. This is an artery traveling through the system of this entire machinery that’s Hollywood. It feeds in so many more ways than people acknowledge.” He adds, “Sometimes I get protective of it because the intention is really fucking good. It’s just fucking hard to make a good movie over and over again.”

Which may account for an eagerness to try something new. “In the last couple of years,” he says, “I’ve gotten much more aggressive about pursuing things that I want, and I’m constantly looking for different ways of challenging myself.”

The challenge continued throughout the shoot of “The Apprentice,” as Stan pushed the material. “One of the most creatively rewarding parts of the process was how open Sebastian was to giving notes on the script but also wanting to go beyond the script,” says Sherman, the screenwriter. “If he was interested in a certain aspect of a scene, he was like, Can you find me a quote?” he recalls.

Building a dynamic through improvised scenes, Stan and Strong stayed in character throughout the “Apprentice” shoot. “I was doing an Ibsen play on Broadway,” says Strong, who won a Tony in June for his performance in “An Enemy of the People,” “and he came backstage afterwards. And it was like — I’d never really met Sebastian, and I don’t think he’d ever met me. So it was nice to meet him.”

Before the pair began acting together, they didn’t rehearse much — “I’m not a fan of rehearsals,” Strong says. “I think actors are best left in their cocoon, doing their work, and then trusted to walk on set and be ready.” The two didn’t touch the script together until cameras went up — though they spent a preproduction day, Strong says, playing games in character as Donald and Roy.

After filming, both have kept memories of the hold their characters had on them. They shared a flight back from Telluride — a famously bumpy trip out of the mountains. “He’s a nervous flyer, and I’m a nervous flyer,” Stan says. Both marveled at the fact that they’d contained their nerves on the first day of shooting “The Apprentice,” when their characters traveled together via helicopter. “We both go, ‘Yeah — but there was a camera.’”

Stan’s aggressive approach to research came in handy on “A Different Man,” which shot before “The Apprentice.” His character’s disorder, neurofibromatosis, is caused by a genetic mutation and presents as benign tumors growing in the nervous system. After being healed, he feels a growing envy for a fellow sufferer who seems unbothered by his disability.

Stan’s co-star, Adam Pearson, was diagnosed with neurofibromatosis in early childhood. Stan found the experience challenging to render faithfully. “I said many times, I can do all the research in the world, but am I ever going to come close to this?” Stan says. “How am I going to ever do this justice?”

Plus, he had precious little time to prepare: “He was fully on board, and the film was being made weeks later,” director Aaron Schimberg says. “Zero to 60 in a matter of weeks.”

The actor grappled for something to hold on to, and Pearson sug gested he refer to his own experience of fame. “Adam said to me, ‘You know what it’s like to be public property,’” Stan says.

Pearson recalls describing the experience to Stan this way: “While you don’t understand the invasiveness and the staring and the pointing that I’ve grown up with, you do know what it’s like to have the world think you owe them something.”

That sense of alienation becomes universal through the film’s storytelling: “A Different Man” takes its premise as the jumping-off point for a deep and often mordant investigation of who we all are underneath the skin.

The film was shot in 22 days in a New York City heat wave, and there was, Schimberg says, “no room for error. I would get four or five takes, however many I could squeeze out, but there’s no coverage.”

Through it all, Stan’s performance is utterly poised — Schimberg and Stan discussed Buster Keaton as a reference for his ability to be “completely stone-faced” amid chaos, the director says. And the days were particularly long because Oscar-nominated prosthetics artist Michael Marino was only able to apply Stan’s makeup in the early morning, before going to his job on the set of “The Marvelous Mrs. Maisel.”

“Even though I wasn’t shooting until 11 a.m., I would go at like 5 in the morning to his studio, or his apartment,” Stan recalls. The hidden advantage was that Stan had hours to kill while made up like his character, the kind of person the world looks past. “I wanted to walk around the city and see what happened,” Stan says. “On Broadway, one of the busiest streets in New York, no one’s looking at me. It’s as if I’m not even there.” The other reaction was worse: “Somebody would immediately stop and very blatantly hit their friend, point, take a picture.”

It was a study in empathy that flowed into the character. Stan had spoken to Pearson’s mother, who watched her son develop neurofibromatosis before growing into a disability advocate and, eventually, an actor. “She said to me, ‘All I ever wanted was for someone to walk in his shoes for a day,’” Stan recalls. “And I guess that was the closest I had ever come.”

“The Apprentice” forced Stan, and forces the viewer, to do the same with a figure that some 50% of the electorate would sooner forget entirely. And that lends the film its controversy. Those on the right, presupposing that the movie is an anti-Trump document, have railed against it. In a statement provided to Variety, a Trump campaign spokesman said, “This ‘film’ is pure malicious defamation, should never see the light of day and doesn’t even deserve a place in the straight-to-DVD section of a bargain bin at a soon-to-be-closed discount movie store, it belongs in a dumpster fire.” The campaign threatened a lawsuit, though none has materialized.

Asked about the assault scene, Stan notes that Ivana had made the claim in a deposition, but later walked it back. “Is it closer to the truth, what she had said directly in the deposition or something that she retracted?” he asks. “They went with the first part.”

The movie depicts, too, Ivana’s carrying on with her marriage after the violation, which may be still more devastating. “How do you overcome something like this?” asks Bakalova. “Do you have to put on a mask that everything is fine? In the next scene, she’s going to play the game and pretend that we’re the glamorous, perfect couple.” The Trumps, in “The Apprentice,” live in a world of paper-thin images, one that grows so encompassing that Donald no longer feels anything for the people to whom he was once loyal. They’re props in his stage show.

“The Apprentice” will drop in the midst of the most chaotic presidential election of our lifetime. “The way it lands in this extremely polarized situation, for me as an artist, is exciting. I won’t lie to you,” says Abbasi.

When asked if he was concerned about blowback from a Trump 47 presidency, Stan says, “You can’t do this movie and not be thinking about all those things, but I really have no idea. I’m still in shock from going from an assassination attempt to the next weekend having a president step down [from a reelection bid].”

Stan’s job, as he sees it, was to synthesize everything he’d absorbed — all those videos on his phone — into a person who made sense. This Trump had to be part of a coherent story, not just the flurry of news updates to which we’ve become accustomed.

“You can take a Bach or a Beethoven, and everyone’s going to play that differently on the piano, right?” Stan says. (His pianist mother named him for Johann Sebastian Bach.) “So this is my take on what I’ve learned. I have to strip myself of expectations of being applauded for this, if people are going to like it or people are going to hate it. People are going to say whatever they want. Hopefully they should think at least before they say it.”

It’s a reality that Stan is now used to — the work is the work, and the way people interpret him is none of his business. Perhaps that’s why he has run away from ever being the same thing twice. “I could sit with you today and tell you passionately what my truth is, but it doesn’t matter,” he says. “Because people are more interested in a version of you that they want to see, rather than who you are.”

“The Apprentice” has been the subject of extreme difference of opinion by many who have yet to see it. It’s been read — and will continue to be after its release — as anti-Trump agitprop. The truth is chewier and more complicated, and, perhaps, unsuited for these times.

“Are we going to live in a world where anyone knows what the truth is anymore? Or is it just a world that everyone wants to create for themselves?” Stan asks.

His voice — the one that shares a slight accent with Trump but that is, finally, Stan’s own — is calm and clear. “People create their own truth right now,” he says. “That’s the only thing that I’ve made peace with; I don’t need to twist your arm if that’s what you want to believe. But the way to deal with something is to actually confront it.”

#Variety #Sebastian Stan #Photoshoot #A Different Man #The Apprentice #Thunderbolts*#Marvel #Interview #mrs-stans

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epickiya722 · 1 day

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I don't think I expressed enough how much I do actually like that Yuji is this... I don't know how to really put it into words but... how Yuji is this unique embodiment of horror and strangeness.

Like, just the details of his character makes him stand out to me. Everyone in JJK has some bit of oddness to them, and he has own unique kind.

He looks like sunshine personified and he is. He is the sweetest kid there is. And he looks like the typical "Oh, he must be the normal one who has to adapt to the horrors the other have to go through" character. Ha ha... no, he is the horror. He is the "creepy child" trope without even showing that he is.

Yuji is the kind of horror you actually have to put thought into to even realize "Oh, wait, that is actually fucked up". Fridge horror, the horror that you think nothing too much of until you really open your mind to it.

Like, he's this own level of odd with how he behaves and thinks.

First, it's his interests. Yuji didn't mind really being in the occult club. Of course, his reasons was that the club time allowed him enough time to see his grandfather. But also, even though he didn't have to really participate, he actively does. Iguchi and Sasaki exploring haunted places? Yuji tags along and isn't frightened at all. Mind you, they like going go haunted places because they like being scared. Why folks watch horror movies and go to attractions, right?

Yuji will play with an oujia board.

Fan of a movie series titled the Human Earthworm and actually can find the beauty and love in said movies. He's so real for that.

So far it's just simple stuff like that, right?

First time seeing a curse? Admits to being scared, but barely even flinches. When Megumi talks about the Cursed Finger and mentions how curses want to eat it? His response?

"Why, is it good?"

IT'S A FINGER?!

When informed about Inumaki's technique? What was the example he uses? "So if he says 'die' then it will happen?" Out of all the examples?! He was more impressed by the technique than actually fearful of it.

That Cursed Doll he had to train with? Called it "cute" and Gojo questioned that. In fact, when meeting Yaga, Yuji commented on how the dolls were cute.

How he fights is even a little odd and unsettling. He immediately goes into action, doesn't even need to hear the bell. He always has this look on his face that "Yeah, your kneecaps are mine". Not once has I ever recalled he actually smiles during a fight. Unlike some of the others who have showcased some enjoyment or some type of being unhinged in a "to hell with it" mood, Yuji always has this almost animalistic glare, that kind of unhinged. He isn't holding back, even against normal people like the high school bullies in chapter 163. Sometimes I question if he even knows how to hold back.

He doesn't like to get violent or kill. If he has to, he will. But it's just not anything he can brush off or be like "Yeah, I like doing it".

Then the idea of dying? Yeah, Yuji makes it clear he knows people will die. Execution placed on his head? He accepts dying with Sukuna instead of asking if there's any way to work around it, find a solution. Keep in mind, Sukuna is downright evil and does nothing but make life hard for Yuji every chance gets.

However, by the end, Yuji changes from choosing to die with Sukuna, so that no one else has to suffer, to offering Sukuna to live along side him even if no one accepts that.

Oh, let's not forget his family.

Yeah, Sukuna I just mentioned? That's his uncle by soul reincarnation. Jin, Yuji's dad who we don't really know what happened to him, is the reincarnation of Sukuna's twin that Sukuna ate in the womb. Doesn't stop there.

Yuji's mother, Kenjaku? Actually a 1000+ year old sorcerer who body hops by implanting their brain into whatever body they find convenient for their plans. One of those bodies happen to be Kaori Itadori, Jin's wife. Jin's dead wife. Kenjaku played wife in a woman's dead body, the same body Yuji was born from.

Yuji was born out of a corpse. With one of the Cursed Finger somehow already sealed inside him.

His other family members include Death Paintings: Choso, Eso, Kechizu, Noranso, Sho-oso, Tanso, Sanso, Kotsuso, and Shoso. His older siblings (technically) through Kenjaku, who was possessing Noritoshi Kamo's (the ancestor) body at the time. And guess what? Their blood consists of a human's blood, a cursed spirit's and Kenjaku's.

Yeah, like them, Yuji isn't really human. Again, born with one of Sukuna's Cursed Fingers already sealed in him. Without Cursed Energy, he was already outrunning cars and possessing strength not normal for the average human.

Oh, wait, and let's not forget his 'appetite'. He will eat anything if it means saving people. And he has. Other than Cursed Fingers, the other Cursed Objects Yuji consumed are his own siblings 4 - 9. Mind you, they were akin to fetuses contained in glass jars. (He isn't happy about eating them or anything for that matter though. I wouldn't be either.)

In all, he's just fridge horror with a some goodness mixed in there. I'm just rambling here.

#he's my favorite character just know that #he's just a strange little guy without even trying to be #he's MADE that way #just kiya's thoughts #jjk #jujutsu kaisen #jjk manga spoilers #jjk spoilers #itadori yuji #yuji itadori #yuuji itadori #itadori yuuji

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bloggingboutburgers · 2 days

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I think everyone will benefit from properly tagging posts. xreader fics abd ship fics ONLY include the relevent _x_ tags but none of the character's name on its own, allowing all the usual fanart, theories and such to stay on the main name tag and not be crowded out by horny fanfiction (I say this as someone who very much enjoys very horny, very smutty xreader fanfictions. I want to be able to search the fics I want directly without having to trawl through headcanon posts, fanart, unrelated ship posts, etc.).

No one really has a tailored experience on the internet (I'm glad tumblr is at least a little more user dictated than advertiser algorithm based), but I do get the frustration and discomfort that comes from the abundant hornyposting feeling inescapable.

It's tempting to take offence to persistent cries against xreader stuff. I like special POV episodes of shows for the same reason I like xreader fics. My favourite characters WERE the company I kept, my only real form of companionship (albeit simulated) for many many years. Not because I am allo, basically. I sought something to meet my social needs growing up where I was unable to find community or companionship in real life.

Unfortunately, because they are usually sexual in nature I just came to associate a need for human connection with sex (so am I allo or just conditioned to blend sexual, platonic and romantic feelings and actions together?). I was just happy to feel like I had someone to hang out with. I knew they weren't real and that I needed to find real people to connect with (not for lack of trying, kids are just cruel. Finally made friends as an adult, yay).

Didn't intend for any of that to be so sad or pathetic, but hopefully it gives context for the prevalence of xreader fics. Alongside the varied reasons people write / read them (no just blind allo horniness), especially in light of the widespread loneliness epidemic over the past decade.

It's still more than ok to not want anything to do with them either (be it due to being aroace or not - I know plenty of allos who find xreader fics cringe).

Something I need to clarify here – we get it. Well, we don't fundamentally get it, but trust me, we've been told time and time again why people would write/draw/be into xreader content (it's all part of the package of "aroaces MUST put themselves in allo people's shoes at all times"), and we know they're perfectly legitimate reasons, and we don't find it sad or pathetic, or cringe. At the very least I don't at all. That's not what it's about. It's not something as surface-level at that.

The thing is... The same kind of understanding effort is VERY rarely put forward in return for us. And the fact that we're perceived as naysayers is symptomatic of this. We're not crying against xreader content. People are free to do whatever they want. We just want it to be tagged to keep ourselves safe, and so we can appreciate some variety and find fandom content we can properly connect with with the identity we have.

The issue isn't that there is xreader content, or heck, that there's lots of it. It's that, as @kaoruko-han put it, "everyone is assumed to be into this", and that you can't express something as simple as "I'd rather read something else" without being finger-pointed as a villain.

Yeah, no one has a tailored experience online, but there's still a very clear lack of balance on what is acceptable to tailor to or not (and for us, that includes tumblr). And trying to find fan-content while being sex-repulsed? Bruh, you'd better pray on your lucky stars and be ready to trudge through an ocean of stuff that's loaded with the very thing that makes you scared, uncomfortable or downright triggers a feeling of sickness in you, because a lot of it ain't tagged. An alarming amount of people don't bother, because why would people like you exist, right? There's only ever them, and puritan bigots. It's that black and white in a lot of people's heads.

Here's the difference though: we, too, want people to be able to vibe to whatever fan content they want. We just wish "people" included us properly in this case. As it stands now, trying to find fan content that won't give you an uncomfortable feeling as a sex-repulsed person feels kinda like this (I'll try to illustrate that to the best of my ability as a vague comparison, please no one take that as a clear parallel, I'm literally just trying to explain how it feels in a way people who have no idea how it feels might understand): you're not into gore at all, you don't wanna look at it, but your streaming platform keeps recommending you those series that are loaded with gore. You try to filter it out, but no matter where you go, you keep being recommended those series. And no one ever gets your discomfort and you're being branded as nothing but a wet blanket for not wanting to see gore. It's kinda like that.

At this point I admire sex-repulsed or romance-repulsed people who still TRY to find anything at all in fandom spaces. I've stopped reading fanfic altogether and I've largely stopped engaging with the large majority of fandom spaces for those reasons. And that wasn't an easy choice, or one that I find fun because it feels incredibly lonely, but it's the result of years of exhaustion and strain on my mental health trying to navigate something that's so hostile to me at its core, even if it's unintentional.

So... Yeah. We know the reasons, just like the content itself, they're kinda impossible to ignore. But we are largely being ignored in this, and it's not just something at an "ick" or "picky" level ; for a sex-repulsed person, being spammed with sex entails much more than that. It's not even frustration anymore at this point, it's downright despair a lot of the time. So... Yeah, like you said, everyone would benefit from stuff being more properly tagged. For us it'd be so huge to know our safety is taken into account – that we're taken into account at all. Thing is, we're not, and we're so invisible in this and most other things that at this point, I don't have much hope. Sex-related controversies allo people can understand would sooner create a change than anything done for our sake.

#vilevexedvixen #asexual #sex repulsed #fandom culture #inclusion #sorry i ended up ranting a while on this it's just a lot of it seems to be misunderstood at a core level #and i wanna emphasize the reality of it #definitely bracing for more “yeah but” from all around though that's how it goes #“we exist we experience this” “yeah but”#...aaaaanyway *sigh*

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artsymeeshee · 3 days

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Hello,

I was wondering if maybe you could help me by explaining something?

So i hear about aromantic and asexual and aroace. I thought aromantic means like no romantic feelings and asexual is no interest in s**. But is aroace just a short ning of the word or does that mean something else?

Also how did you know? Im in my begin twenties and i dont feel any interests for either, but i dont know if i just havent met the right person or if those feelings are just not there at all.

I do think in tv shows its cute (romance like toh or some ships from the gf fandom) but in the real world.. i couldnt really be bother with it.

Aroace is a combination of Aromantic and Asexual. It's what's used when people identify as being Aromantic and Asexual. Aro's and Ace's are usually clumped together because they share having none or a lack of attraction but there are people who solely identify as being Aromantic or only identify as Asexual.

It's been an ongoing thing for me personally. I knew I was Asexual before knowing I was Demiromantic (Though I identified as Demisexual before realizing the demi part was for the romance side.) It was around 2017 when I came across the terms Asexual and Aromantic and things slowly started to click in and make sense. Meeting the right person idea was always on my mind back then and it kind of ate me up because there was a pressure behind it to try and find someone but I've slowly began to appreciate being in my own company.

And a lot of Aroaces do like shipping in fandoms. For some, it's just the practice in real life that just doesn't interest them at all. It's perfectly fine to identify as being Aroace and then something else down the road. I would look up microlabels for Asexuality and Aromanticism because there might be something that you feel strongly about that fits you. And like I said, don't feel bad if one label doesn't fit after a certain amount of time. You'll always find something that works.

#ask #supernooblovers

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anonymousredactedconfessions · 3 days

Text

Let's have a talk, shall we?

Major Trigger Warning for rape, false accusations, and mentions of child sex crimes

I let you guys get away with a lot of shit. I let you be a little bitter, or mean spirited, or pissed off. I let you guys vent and let out grievances and complain for the sake of complaining. And i do all of this because it is important to have a space that you can do so without fear of judgement, it is unhealthy for you to bottle up negative emotions. I provide this in a public space because with the way this fandom is, if I didn't many of you would be pressured into not doing so at all. This fandom has a habit of ostracizing those who have differing opinions and interpretations, those who wish to critique the art they consume, those who have unpopular opinions, and all of it is done with the utmost aggression and vitriol. The things that have been said to some of the people in this fandom genuinely makes me lose faith in humanity if i think about it too hard.

This blog exists explicitly to counteract that. I refuse to encourage or enable it. What you are doing is actively dangerous, and I won't be having it in the space I curate within this fandom.

If you haven't noticed, this is one of my rules:

It means that you are not allowed to come in my inbox and accuse people of serious harm over this fiction.

You will not come and accuse people of something as egregious as rape apologia in my inbox. You will not accuse people of rape, abuse, assault, or child abuse/rape/exploitation in my inbox.

These are serious real world issues, and the reason they are bad is because they cause direct harm to real living people who can feel pain and can be violated. Your disgust holds absolutely no ethical weight. At All. You should have the mental, emotional, and intellectual capability to understand the ethical difference between allegories for rape, stories with/about rape, erotica of rape, and actual real life people being raped. Making accusations of this weight over make believe is abhorrent, and as a matter of fact, it shows that you don't treat these tragedies with the weight or gravity that they deserve. If you believe that it is appropriate to accuse someone of violating another person like so because of the creation of or opinions about art, then you have some serious learning and growing to do as a person if you wish to navigate these topics with any level of maturity or respect towards victims.

There is no good that comes out of accusations such as these. They only ever serve to:

Demonstrate to victims that the tragedy of their abuse is as trivial as fanfiction/art that you deem nasty (but is ultimately ethical), or even something as inconsequential as someones' love for a fictional character.

Shame those who love these characters, or this art, or creating, into hiding their opinions for fear of harassment and serious accusations when they have done zero harm by enjoying it.

Stifle creation and participation in fandoms.

Limit the spread of ideas, interpretations, critique/criticism, and general opinions in the fandom, which just turns fandoms into boring echo chambers devoid of variety and creativity.

Encourage actual censorship and moral policing. (More on that on this reblog by @escapedaudios on a post of mine. Thank you Escaped for your two cents, they are much appreciated 💖)

Spread the incredibly harmful idea that people are defined by the art they enjoy. You cannot accurately judge a person’s values or morals based on what tropes and themes they enjoy in fiction. You create an environment and culture incredibly dangerous for vulnerable individuals (like minors) when you tell them that they can know who is safe to trust based on whether they consume "the good kind" or "the bad kind" of fiction. This makes it so very easy for predators to virtue signal about fiction to lure in potential victims to abuse.

The majority of you are very good and well behaved when it comes to this, but the amount of people i have had come into my inbox and accuse others of being rapists with no evidence other than "they made X" or "they like Y" is not zero. And i will not be satisfied until it is.

This is all i have to say about the subject.

#the priest speaks #redacted asmr #redacted audio #I will see you all when i return

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moyazaika · 2 days

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could you imagine a rapper yandere that disses anyone that even MENTIONS their darling/"girlfriend" is a way that isn't worshipping. and he disses hard.

When I say "girlfriend" I mean, the rapper knows the name, address, occupation, phone number, email, etc, has a shrine full of photos that he hired people to take over someone that doesn't know anything about it.

reader is just another person who listens to music and knows his name in passing and his reputation for dissing anyone who talks "bad" about his girl. reader respects it, but doesn't really listen to rap so they move on with their life, completely unaware that THEY are the girl.

it's a complete coincidence that the features and traits that he raps about are the exact same as them. There are plenty of people with that trait.

and no one bats an eye that no photos of the "girlfriend" exists to the public. It's no surprise someone with his level of fame would want to keep their girl private.

"I saw you yesterday at your grandma's, it's a real shame what happened to your grandpops, I need some new fertilizer in my garden, been growing some bad crops, your girl Morgan so bad you're getting blowjobs from your grandma?"

*camera noises*

(I'm not a rapper, apologies for ✨cringe✨)

hey so please don’t apologise i actually fucking love this idea. 😭😭❤️‍🩹 this would be so so cute bonus points for being set in the early 2000’s so we’re in that era of pop and rap where it’s rlly just a few big names dominating the charts, the fun awards shows, cool fashion; y2k baby!

and in this new age of music you’ve got this chart topping rapper who (unlike the other guys in his genre) seems to be rapping not about his opps or his cars or his cash or his bitches but… how much he loves his gf. it’s incredibly endearing.

if only his gf actually knew she was dating him!

and when he stays on top of those charts, wins all those music awards; there’s bound to be jealousy and bitter envy. other artists complain. celebrity interviewers and journalists eat it up; “so what do you think of this mystery girl that seems to be the subject of all his music?”

his competitor rolls his eyes, “dumb as fuck, the both of them. always banging on about how lovely she is how pretty and smart she is… this bitch is a one hit wonder, you feel me?”

… he did not like that. drake vs kanye 2.0 ensues except this time there is no coming back for the poor soul who has the balls to say that. rapper ‘bf’ puts the poor guy’s life on blast.

‘industry plant? least i’m not a plant by the government / makin’ sure them anti bullying campaigns is working.”

okay, that’s not so bad right?

“your funny’s up, but your syndrome’s down, like your money after i put this out—but your dick stays up / when you drive ‘round and look for little boys to spend a night with in town.”

oh! well. looks like nobody’s going to mention this mysterious girl rapper bf adores so much ever again :’)

#ooooh the album cover being a single colour #and it’s like the colour of ur eyes #and i just know this man has a tattoo of ur name somewhere the cameras can’t see #not cus he’s shy (fuck no)#but because he can’t scare u off before he introduces himself to ya #ring ring #yandere x reader #yandere oc #yandere headcanons

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almostfoxglove · 6 hours

Text

THE PRETTIEST

written for @quinnnfabrgay-writes & @hauntedhowlett-writes' #MONSTERSMASH2024 challenge

RATING: Explicit (18+) | PAIRING: Max Phillips x f!Reader CREATURE: GHOST + MAX PHILLIPS WORD COUNT: 4.3k CW: Smut (piv), voyeurism/non-consensual voyeurism (he's invisible and reader doesn't know he's watching), Max is a bit of a creep okay he's doing his best here, protective!max, jealous!max, enough manager speak that I got tech startup flashbacks.

SUMMARY: After a restructuring at the company, Max finds himself dead—this time for good—and haunting his old duplex. Lucky for him, you move in.

read on ao3 | almostfoxglove masterlist

Of all the hell holes where one might waste eternity, Max is pretty sure his vacant duplex is the worst of them. Six rooms, two floors spined by a spiral staircase—all boring and hollow and dusty. Disgusting. How difficult would it have been to let him haunt the office? He could’ve leered over all those pathetic little office drones, driven them crazy forever. Fucked with their desk chairs, their hard drives, mixed up all their coffee mugs. Not that Max has mastered the art of affecting the material world yet, but he will.

Petty? Sure. But you can’t blame a guy for feeling a little owed after all management’s little reorganization. His relocation to the goddamn fucking afterlife—and to this prison of an apartment where there’s no one to subjugate or fuck, no less.

What a waste of his potential. His talents.

Who knows how long he spends stuck alone in this place until someone shows up, but eventually people do. The real estate agent—Doreen and her little beehive hairdo, her eyebrows always penciled on too thin—and, over what Max estimates to be about three weeks, a parade of nobodies she tours around, preaching godless, truthless sermons of the duplex’s good bones and the good life they could have in these dreary fucking rooms. He’d be proud of her sales pitch if he weren’t so goddamn pissed.

He tries, he really does. Yells often, I’m right here, Dor-een, honey, right fucking here! And waves his arms in front of her face, but he can scream as loud as he likes; nobody hears a thing.

For the first time in his many lives, people walk straight through him.

There might be, possibly, some karma in that.

Max doesn’t care for it.

It’s misery until the day Doreen brings him you.

Come on, Max whines, slouching lazily on your couch. Curled up with your bedsheets cloaked over your head, you rot on the cushions beside him, four hours deep in a Desperate Housewives marathon, oblivious to his company: your usual Sunday routine.

As usual you don’t hear him, don’t see him either. Sitting right beside you, making no dents in the pillows, his glossy dress shoes kicked up on the coffee table. Still he finds himself complaining, one hand gesticulating wildly at the screen, You’re killing me, baby. It’s obviously the fucking neighbor! Guy’s got a box of death under his pool!

Meanwhile you just sit there, enthralled as Eva Longoria struts about in her tiny skirts and tiny shoes. Max tells himself the only reason he stays in the room when you watch this garbage is for her and all the other pretty housewives or to leer at what bits of you peek out from your duvet each time you reach for your tea on the coffee table—a wrist, your elbow, and when you knock over the popcorn bowl and slip the sheets from your head, the lovely hollow of your perfect neck. Truth is, if you were to quiz him, he’d be able to cite the plot of the whole season beat for beat.

Not that he’s enjoying this, this—this garbage. Never.

No fucking way. He’s just perceptive. Has an excellent memory.

Plus this is the one way he gets to be close to you. Such a pretty little thing, taunting him without ever knowing it. That sweet mouth, those clever eyes. Showering with the bathroom door sometimes cracked like you know he’s here and dying to peek through the veil of your jasmine-laced steam. Chewing the ends of your pencils while you sketch out some masterpiece on looseleaf that you never get around to painting.

Sitting on your couch, at your dining table, at the foot of your bed while you brush out your hair after a long day—it’s the closest Max gets to feeling like being stuck here might not be hell, just purgatory: always a breath away from the thing he’d like to touch, but at least he’s not simmering in battery acid or being flogged. He’s had his share of blood-bag roommates—brief fascinations that drained so quickly—but you? You’ve lived in Max’s apartment for three months and he’s no less drunk on you than he was the day Doreen toured you around. Can’t quite put his finger on why. Maybe it’s the longing, the forest fire that sears through his ice-box chest every time your eyes skim his face by accident, never lingering.

What can he say? Max is a man, after all. Under all the blood and monster.

And you’re the prettiest creature he’s ever seen.

When the show cuts to commercial you mute the TV, immune to the serpent-tongued promises of liars like him. Lured by nothing, by nobody. Already slinking from your bedsheet cave, all bare legs and cute little ankles striding out of the room, leaving him with the ghost of you, the smell of your perfume kissed into the duvet.

What he wouldn’t give for the chance to sell himself to you. He’d charm you all the way to your perfect knees.

In a way, you and Max are the perfect couple. You’re free to do as you wish, and he’s free to watch you every second that you spend at home, miserable the moment you leave for work in those tight fucking pencil skirts. No better than a dog, he spends his vagrant hours of isolation alternating between puppy-eyed pouting and anxious pacing, tortured until your evening return.

How did he ever live here alone? Alive or otherwise. He can’t remember now. There are too many rooms, too few sounds, too few breaths, too few footsteps. He misses you. Your bedhead and pajamas, your blanket nest in front of the TV, the cute way you answer the phone.

Today, you don’t come home till eight fifteen—and Max has spent thirteen hours losing what’s left of his mind.

Baby, he sighs, rushing for the front room at the first turn of the lock, a grin stretched to dimples in his cheeks. Seems even if you can’t hear him, Max can’t help talking to you, perhaps childlike in his belief that someday you will. Where the hell have you—

His sentence hacks itself in half, drops to silence, because you’re blushing when you come in, eyes shyly downcast, one hand shaking the rain loose from your hair, tendrils clinging to your cheeks. “Here,” you say, and for a beat Max thinks you’re speaking to him. His mouth drops, stunned.

Is this it? Can you finally see him?

“Come in, come in,” you say.

Then a man steps in behind you, shuts the door behind his hulking form, and if there were any blood to speak of in his veins, Max is certain it’d boil at the sight of him. Tall and empty-headed, dopey as a dog, stomping his blocky, muddy shoes all over your hallway. Yours and Max’s. Getting goddamn filth on your hall carpet. Given just a few material cells, Max’d have this guy dead before he makes it to the living room, wouldn’t even bother drinking him. This breed of dumbass isn’t worth the mess.

But he’s useless. Less than a gnat. Sentenced to watch you trail this motherfucker who wouldn’t know Tom Ford from his Brioni into your kitchen, jackets shedding and small talk traded—boring, boring, boring, but you laugh when the guy makes a shitty joke about the weather.

This guy, this nobody, gets to make you laugh while Max never even gets a chance to try.

On second thought, maybe this is hell after all.

“S’a nice place,” the dumbass says, laying his knockoff blazer over the back of a barstool. Cheap stitching. Terrible, too-thin lapels.

You look about the room as if standing in it for the first time and for a moment your eyes pass right over Max, whose long-dead heart winces. Yelps. If you could see him, there’s no way you’d entertain this guy. This nameless little worker bee. Max would make you laugh properly, how you laugh when something funny happens on TV or when you get a letter in the mail from your brother. Sudden and twinkling, often ending in a snort. Adorable.

Shrugging, you turn into your fridge and say, “Yeah, I like it,” and exhume two slim cans of vodka seltzer to set on the kitchen island.

Thank you, Max says, his arms crossed over his chest.

The dumbass’ brows flicker up as he regards your offering. Idiot. What was he expecting from a girl like you, a PBR? These are delicious. Elegant. Calorie wise. Max understands. Max would drink that with a smile and a thank you.

Or maybe he’d skip right to drinking you.

Sensing his hesitation, you crack your can and take a sip. “They’re not as bad as they look,” you say, a nervous chuckle bittering your lips as you watch your date open his can and bring it to his nose to sniff. “Sorry. I don’t have anything else.”

You can do so much better, baby, Max sighs. You’ve got better right here.

Against his will, the hours pass. The evening goes on. You and the dumbass only drink half a can each—him with a half-snarled lip and you with a self-conscious twinge—but somehow by nightfall he’s got you scooching your barstool closer to him, allowing his slimy hand to rest on your thigh.

Max bristles. Seethes. Don’t do it, he pleads to you, unheard. He’s not gonna fuck you right, just look at him. Send this idiot home and watch TV with me. Do anything but this guy, baby, anything but him.

You bend in slow motion and it’s agonizing, the tilt of your head as you press your lips to his. The wet slurp of his mouth taking the second you meet. A terrible kiss, though you’re polite enough not to flinch. Breaking from the prod of his pink-slug tongue to offer your neck, his mouth immediately moving, and fuck baby, it’s like you’re trying to kill him all over again. Drive a stake straight through Max’s blackened heart by giving up what he longs to claim.

In an instant, anger births itself from the hollow of his chest. His hand shoots out in useless violence, swinging as if to strike a seltzer can from the countertop and knowing it won’t do a lick of good as ire devours him, igneous and fervid, searing hot as life in his icy hands.

The can jumps from the counter and clunks to the floor, its contents gluggluglug-ing across the tiles.

“The fuck?” Max hears the dumbass gasp as he leaps from his barstool, eyes bugged wide and child-like and weak. You freeze, lips pink and swollen, staring down at the emptying can.

It’s a shame neither of you can see the way Max smiles.

Now that’s what I’m talking about, he crows. Finally a little substance around here!

This is good. No, it’s better than good. This is the rush after a promotion, after the deal that closes out the quarter over target. The look on every sad sack’s face knowing they lost and he won.

This is the bite that finally breaks skin.

Maddening, burgeoning, addictive.

He’s real again. A goddamn Beetlejuice for you, baby. He’s gonna scare this fucknut out of here and have you to himself. First was the can, next is you, and he’s gonna kiss you so much better than that. In celebration, Max kicks one foot to send the can soaring across the kitchen floor and watches his shoe pass right through it, aluminum undisturbed on the floor. No, he mutters, kicking again. No, fucking—come on, you worthless piece of shit—

Your nervous laugh is too far away to comfort him. Distant too is your voice saying, “My room’s this way,” and the shuffling of your footsteps as Max loses his shit on the seltzer can that now refuses to budge no matter the swell of his outrage. By the time he snaps from his incensed trance, your barstools are empty. He blinks, breathless with muscle memory—his lungs wheezing because they remember wheezing, not out of need.

Baby? he calls out.

But you reply. A murmur too lusty to be a giggle—Max’s body coils up at the sound, taut and needy, and carries him toward the sound. He forgets, briefly, who you’re with. Believes he’ll find you in your bedroom alone beneath the covers, hands fluttering as you bring yourself to the edge of release. How beautiful you’d be, gasping in pleasure. He might close his eyes and pretend it’s him drawing out your every breathy, needy sound.

You’ve left the bedroom door cracked, and though in death he’s no longer bound by silly things like permission, Max has since you moved in found himself in the habit of respecting closed doors. Walls are chalk outlines over which he’s free to step, but he doesn’t, not if you’ve closed the gate. He’s not a monster. Or not a total monster—whatever, semantics. Point is that he only spies on your showers if you’ve cracked the door. Indulges in the soft moments of you sleeping only when you’ve left him that sliver of room.

Like the room you’ve left him now: slender and tempting, this stripe of your bedroom wall. A Degas print in a copper frame, the wooden post at the foot of your bed.

Your sweet voice cooing here, like this, and the creak of your mattress.

Something black and silty sinks in Max’s stomach when he steps inside. Not the rage from moments ago. Something darker, heavier. Jealousy. Half-sheeted by your duvet, the dumbass you’ve brought home rocks above you, his shirt gone, his beefcake arm blocking the view of your chest, and though you’re making all the right sounds it’s obvious this isn’t any good.

He’s not fucking you right.

Your hands clawing at his back are too stiff. Your yeses a beat too slow. As the idiot pants—thrusts choppy and graceless—Max watches your hand tap his shoulder blade as you breathe, “Flip over.”

“What?” bumbles the guy, his hips stalling. “Oh shit—fuck yeah. Okay.”

Another grunt, then he rolls off and Max gets a glimpse of you—your red bra lacy and see through, your nipples so pretty underneath. It just isn’t right, the awkwardness of this colossal douchebag as he settles on his back and you ruck back the covers to straddle him, not at all breathless, hardly even flushed, your hair all messy at the back from disappointing friction.

“Shit,” the guy gasps as you sink down on him, clamping those boorish hands onto your waist.

You don’t even whine, not even as you start to rock, though his breathing gallops beneath you. Guy looks two seconds from nutting while you look years away from anything even loosely resembling an orgasm—your rhythm changing often as you try and fail to find a pace that suits you. “Christ—oh my god, ” the guy groans.

Max sucks his front teeth, tongue soiled with venom.

“Touch me,” you sigh, bouncing now. The curtain of your hair shivering down your back.

This guy fucks like he’s never touched a woman before. At your request his knuckles only pale, fingers pinching you tighter. That’s not what she means, Max growls. Touch her fucking clit, you pin-dicked imbecile. Can’t fucking please a woman, should be fucking ashamed—

His pointless ranting is cut short by a sudden moan as the guy lifts you off him in time to come all over his stomach, chest rapid in its heaving, upper lip snarled in pleasure he doesn’t have the goddamn decency to return to you. For a long moment you hover above him, waiting, but his head just slumps back against the pillow, satisfied.

Done.

He’s actually done. Motherfucker.

When you crawl off him to sit back against your headboard—arms crossing over your stomach self-consciously—Max sees red. Sees fire. Sees the roiling magma at the center of the earth where someone oughta make this fucker take a nice hot bath.

He’d do this right. He’d fuck you properly, have you coming apart at the seams, go down on you until you beg for his cock and edge himself for as long as it takes to have you screaming his name. Can’t you see that? Can’t you feel him here, right now? Can’t you feel how bad he wants you? Can’t you imagine how much better he’d be? How good he’d make you feel?

Letting out an airy chuckle, the brute wipes the back of his hand across his sweaty brow and pushes himself to his feet. Redresses with a goddamn smirk on his face—not one of cruelty, but it might as well be. He thinks this is a job well done. Time to go home.

A peck to your lips, then he’s rattling on about calling you, seeing you again, maybe Thursday? Friday? While you just sit there, blinking up at him in disbelief. “Sure,” you say, dazed and not quite thinking. “I’ll call you.”

Yeah, she’s not calling you, Max snarls, following the guy out of the room. Watching as the jackass plucks his jacket from the back of your barstool, steps over the mess of seltzer without a thought to clean it up for you, and waltzes right out the door. Not a care in the goddamn world.

Though he hears you get up shortly after to use the bathroom, you don’t emerge from your bedroom and Max doesn’t disturb you. He spends that time in the kitchen, grabbing and grabbing and grabbing at the dish towel hung over the handle on the oven door, trying to pull it off.

For at least an hour, his hand glides through the towel as if it’s water, not a flutter or sway in the fabric. Not even a brush, a compromise. It just hangs there, indignant. Mocking him. Deaddeaddeaddeaddead. Maybe it’s the Senior Sales Manager in him, the apex predator at the top of the food chain—but Max can do this all night. He’s not backing down, not letting a stupid fucking towel get the better of him. That lazy curtain of terrycloth will disintegrate before he waves the white flag.

Beyond the picture frame windows that stare out into the barren, colorless street, the sun has shied to navy blue, letting out the round-mouthed moon, and you have not emerged from your bedroom for hours. He wants to check on you, ask if you’re okay. Frankly, baby, he’s getting a little worried. On the next sweep of his hand, the towel gives up the ghost; Max pulls it from the oven handle, marveling at the toothy fabric. He’s holding it, really holding it, all on his own.

Thank fuck he’s not haunting the office. If any of those bull-brained fucks saw him now, as he kneels on your kitchen floor, he’d have to die all over again. Somehow. The technicals aren’t important—what’s important is that no one’s here to see him on his fucking knees, mopping up the spilled drink. Something like joy burbles in his chest when he reaches for the can and seizes it, placing it safely on your counter. The floor dry and shining again, clean.

Max folds the towel carefully and returns it to the rack.

As if on cue, the bedroom door croaks down the hall and you emerge. A huge t-shirt slumps from your frame; you’ve tied your hair up, put your glasses back on. Dressed down for the last dregs of night, rubbing the back of your hand in one eye, tired.

You look so, so tired.

I’d rub your shoulders, baby, Max sighs quietly and though you won’t hear him, it still—after three whole months—doesn’t feel any less right to hope.

He steps out of your way as you round the corner into the kitchen with a yawn, hands clasped behind his back, cheek dimpled and eyes alight. Just like he wanted, just like he hoped, your eyes fall immediately to the floor where the can is missing, the spill wiped. Lashes flickering—the towel dark at the hem on its handle, the empty can on the counter. Your brows pinch low over your nose, curious.

Pretty good for a dead guy, Max grins.

How sweet, that lifting flinch at your mouth’s sharp, pink corner. The soft hm you make in reply. It’s not much, but this strange, fluttery feeling in the dark cavity one might wrongly call his heart? It doesn’t feel half bad.

Not bad at all.

He’s getting better at it. Not great, but the projections look good. Give him a little time, he’ll have this whole place dancing. Put on a big show, announce himself properly.

In the meantime he practices when you’re not looking. Small stuff—he opens cupboards. Shuts them. Hits start on the dryer when you forget to press it yourself. Some days he wastes reaching for things and coming up empty, but now again his luck sparkles. Things move. Bend to his will. Isn’t long until he can hold it for a while—gathering the matter to run the vacuum around, or reorganize your pantry. A tidy house makes a tidy mind, baby. No good living in a dump. You’re so busy, always cracking around like a ping pong ball, and hell, it’s not like Max can leave this place, get a little air in his idle lungs.

He likes being useful to you. Likes that tiny smirk on your lips when you find something fixed or organized for you, even though you likely chalk it up to having forgotten that you did it yourself. Doesn’t matter. He doesn’t need the credit. Isn’t that strange? How often he smiles at you? How perfect he finds the taste of your name.

Winter has arrived like a secret—whispered about for weeks and then suddenly let loose on the world. You come home from work in the evenings with icing sugar hair. Usually unbothered, far as Max can tell, but today you stagger in flushed from the cold and dark in the eyes.

Shit, baby, Max says when he sees you. Bad day?

Sniffling, you drop your coat right there in the hall, let it puddle over your shoes, and stalk off on a mission, barreling into the kitchen. The fridge door rips open, casting blue-white light over your face, and you must feel a hell of a lot worse than you feel because you don’t even blink at the contents inside. All the shelves wiped clean, the bottles arranged with the labels facing out, those wilted, bad greens deposited in the compost. You just reach in for the half-drunk bottle of Riesling that to Max smelled mostly like juice and swipe off the lid.

You chug on your way to the couch, leaving the fridge door open behind you.

Max closes it when you’ve gone, the TV already switched on in the living room, the lilting strings of the Desperate Housewives theme song swimming through the air. When he turns the corner he finds you wrapped in the throw blanket he now knows the texture of—supple and velvet, weighted and warm—with the wine bottle nestled in your lap.

A silver tear hangs on your cheek.

Really bad day, whatever it was.

He wants to ask. Wants to pull you into his arms and pet back your hair. Wants to lick that sadness from your skin.

Maybe this isn’t the show he’s imagined. Not much of a reveal—but you look so small right now, alone on your couch. Wine splashing in its bottle as you bring it to your lips, not bothering to wipe that tear away. If Max had a heart that beat, it’d stutter as he watches you. Helpless isn’t something he cares to feel.

No time like the present. Max sighs, scrubs a hand down his face as he ticks his jaw to one side, and nods. Alright, baby, he relents. Hang on.

On his way to the bathroom he cracks all the knuckles on his left hand, rolls his neck, swings his shoulders. Stretches himself long and limber like he’s about to run—but this is it. Curtain’s coming up. Time to find out if one glimpse of him sends you sprinting for the hills. Though he casts no reflection, Max stands before the mirror hanging over the sink and straightens his tie, corrects his lapels. Old habits, but it never hurts to look good.

Hand waggling, then, over the tissue box on the counter. He slaps himself hard, sending a delicious ripple of pain across his cheeks. Come on, he begs. Don’t play hard to get.

The box lifts.

Here he comes: tissue box in hand, stalking tall and proud down your hallway with his chin up, shoulders back. Gets the momentum rolling, doesn’t hesitate, just waltzes in.

Your head snaps in his direction, eyes round and brows rising. To you it must look like the tissues float through the air to your side. Max steps back with butterflies jittering in his bones.

Don’t be scared, he pleads. It’s just me.

With your head cocked to one side you consider this, though you’ve not heard his voice. Probably for the best. Came out a little softer than he meant it to, a little needy, and that’s just not becoming of a man like him. He has a reputation to uphold, even now.

After a long, bludgeoning pause you click your tongue, swiping one white tissue from the box to turn over in your hand. Deliberating. Then your face cracks, possessed by a slithering smirk. Your gaze flickering so close to him it’s almost as if you’ve looked him in the eye.

Deep in his chest, Max feels a strange throb—his stirring heart—as you say out loud,

“I knew someone was there.”

dividers by @saradika-graphics - tag list & some mutuals!

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#max phillips #max phillips x reader #max phillips x you #max phillips fanfiction #max phillips smut #pedro pascal #bloodsucking bastards #pedro pascal characters #myfics #almostfoxglove #fic: theprettiest #monstersmash2024 #fanfic #vampire fic

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