*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
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hello! i haven't seen anyone on my dash talk about Lebanon yet so i thought i'd bring it up in case there are those who don't know:
as of Sept 24th, more than 500 are killed and hundreds more are injured from airstrikes and bombings (CTV article linked here for further reading).
no doubt more info on how to help will come out (or probably already have) but for starters i've donated to Doctors Without Borders / Medicins Sans Frontieres (Canadian website linked but they're available in other countries as well) and hopefully anyone who is able can donate too.
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I think that the 2010's media landscape of Buzzfeed articles about plotholes in disney movies, Cinemasins critiques, and Watchmojo Top Ten scenes in movies that make no sense has truely ruined a lot of media. People are afraid that their work will be torn down if they dare leave a single thing up in the air, if they dare ask their audience to suspend their disbelief.
All too often nowadays I see stories (especially fantasy), take the time to explain how every small aspect of the world works and how it all logically makes sense. The constant time stopped to explain why an event happened, how this object works, or why this is important to the characters. It's just really not needed and it honestly makes a lot of stories worse.
I am of the opinion that the best stories truly just drop you into their world and explain nothing. They just take you through the story of this world and you just have to accept it and continue on. "When he became king, the land became barren." I don't want the story to stop and explain why this is, or how it happened, I want us to move on so we can just assume that the king has such rancid vibes that everything died.
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a little Welcome Home theory that's probably me looking entirely too much into a single line <3
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so i was clicking through the site for the thousandth time and this line caught my eye. maybe its 4 am and i haven't slept, maybe i'm onto something. who knows!
but this little thing... "and lively sets unlike anything seen before!". yeah, it could just be them propping up the show. OR maybe the puppets have been alive the whole time, fully autonomous but entirely unaware that they are puppets on a show. maybe to them, the neighborhood is real, and they simply cannot comprehend the presence of humans so their puppet minds don't register them. this could make for a "cosmic horror but for puppets" spin, which would be sick as fuck
their daytime is when the studio lights are on and people are around. idk how the people would teach them the scripts - maybe they did it at "night"? or maybe there was no script, and the puppets would automatically come up with their own shenanigans, dialogue, and segments that aligned with the show, bc that's what they were made for.
bc its not like the whrp team have physical puppets, or much other than art & reports, right? any information on the puppets - like Howdy being rotated between live-hand and walk-around - could've easily been a lie by the creators of the Welcome Home show. i mean, i don't think it would've gone down well if they came out and said "yeah the puppets are alive"
and now that i'm wondering how they could have living puppets, weren't the 60s/70s chock full of cults? could the WH creators have dipped into the occult to create living puppets for a ground breaking, popular, lucrative show, using minimal effort because "the show writes itself"? all they have to do is film and maybe change the puppets' costumes. if that - they could have set up hidden cameras or something.
and this is gonna sound even more far-fetched, but what if creating the puppets required human souls to power them? im not suggesting that the puppets have locked away memories from a "human life", bc that would be uh... a lot. but it's enough that given time and the right prompts, they could gain awareness, and maybe the soul does influence them in minor ways - in likes and dislikes etc.
and Wally being aware means that he fully saw the humans running the show. and maybe the occult thing is what's under Home - the source of black magic that brought the puppets to life seeping out. and he's aware because he looked into that source and it flipped a switch in his lil cotton brain
maybex2 this is what caused the show to not only shut down, but be wiped from existence. the magic seeped into Home, maybe killing someone in the process, and Wally was revealed as aware. maybe on live television. so the creators panicked and shut it all down, tried to destroy everything and gaslight the country into forgetting it ever existed. maybe in the hopes that once no one remembers the puppets, the magic will leech out of them and leave them lifeless
and that loops back into Wally being the only one referred to in present tense in the neighborhood bios. he's still aware, maybe trapped in the studio, alone. i mean, i sure hope he's not alone - i hope he has his friends with him. unless they're all decommissioned (dead)... maybe Wally is trying to bring them all back or "fix" them?
but then there's the case of all of this currently going down online. have the puppets' consciousness somehow been transferred to the internet? or has Wally gotten his little felt mittens on a computer? something else? and then there's the whrp team... could they be fake, and its really just Wally trying to cobble together the remains of his life/friends? i mean, the Question-Answerer sounds like a title a kid or naive puppet would come up with. people would've called them the Curator or somethin?
i have too many thoughts
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@dooplissss
meet ayumu nakagawa(中川歩夢, nakagawa ayumu), the second year art history teacher at ua and pro hero dreamer!
quirk: dreamwalk
dreamer can enter the dreams of others and interact with both the elements of the dream and the person dreaming themselves. with training in lucid dreaming, dreamer can summon some objects but is limited outside of his own dreams. any injuries inflicted on either party while the quirk is active will reflect on their physical bodies once they wake up.
the quirk active radius can vary, but average strength is around 25-30 meters.
dreamer typically works at night and works in finding missing persons and otherwise locating and/or apprehending hard to find villains. one of his students has expressed interest in joining his agency should he expand operations.
dreamer has a soft voice and appears to be rather tired some days, but tries his best to keep the class engaged anyway. he has been teaching at ua for about 4 years.
(submit a number from 1-30 to see one of my bnha ocs!)
here’s the one other time i drew him! (2021)
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Something I didn't really know until I got married (where "got married" really means, lived with someone, got sick while living with someone, supported someone else's career when it really cost me, spent a decade with my heart in someone's hands, took care of someone, dealt with someone else's parents even when I didn't want to, learned it was important to take someone to a concert they love even when it's music you hate actually, all the million things that being committed takes, but I just like saying "got married" because that WASN'T AN OPTION FOR MOST OF OUR LIVES) was how much loving someone can be about paying attention.
Just paying attention all the time. Noticing them. Thinking about their experience. Not opting out and blocking out parts of them and their life. Not analyzing or judging or projecting but the closer you can get to just... Being present, the more you find yourself loving someone. And I think when I was younger/lonelier/illegal/closeted, I used to feel so numb as a survival tactic that I wondered if I even had the capacity for passion and connection and it felt exhausting to contemplate. How could I maintain being IN LOVE, I was pretty sure I couldn't.
But in real life it's not exhausting at all because love comes so easily out of really knowing someone and really paying attention to their life. Sometimes I tell my wife that loving her is like gravity and I don't mean that I'm locked into it or is inevitable but just that it is the physics of my world, physics that we make together. And I didn't get that before I had it and I worried about all of that "love is a choice every day" because I was so TIRED so EXHAUSTED and the thought of "working hard" at being married, it just felt beyond my reach. But it's all just so different on that inside. I believe more than ever that love is a choice and behavior every day but it's also something that I always had in me and never should've worried about. Trying to really just be there with someone else in this life is all we have at the end of the day. And love is just such a small word to try to capture what that means.
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