#i know that most people like to ignore it but i also like to remind people about what winick did to talia

[disaster-j]

What really pisses me off is people insisting the break-up doesn't make sense as its own thing when it's so clearly in-character for both of them

Buck has been in a serious relationship with a man for six months but hasn't said the word bisexual. We only know that's His Label bc Oliver Stark calls him bisexual outside of the show. Buck has had what seemed to be a perfect fairytale relationship with Tommy bc Tommy made him feel so safe and comfortable and taken care of that he just let everything else about his coming out journey kinda simmer on the back burner.

And, hey, there's nothing wrong with taking your time with that. But considering the scene at dispatch where he still couldn't talk about his sexuality in concrete terms, clearly he hasn't processed it much, if at all. Buck is the guy who dives deep into research at the slightest opportunity, him knowing so little about queerness and queer culture six months into a serious same-sex relationship isn't just out of character but a clear sign that he simply hasn't done any work to explore his sexuality for himself outside of his relationship with Tommy. Whether the writers intended for it read like that or not doesn't matter very much, bc that's exactly what I'm seeing here.

And, again, that alone as a reason to break up with someone is extremely shitty but that's also not what happened.

Tommy clearly has a history of isolating. He's been hurt a lot in the past, we don't need to know the details to know he's a deeply wounded man who spent most of his life guarding his own heart from the world. He told Buck and the audience over and over again, "I look confident. I look sure. I am comfortable. But it took hard work. I wasn't like this before. This is new. This is good but this is scary. I'm working on it I'm working on it I'm working."

He can see that Buck views him as something more, something better, than he thinks he is. Buck loves Tommy, Buck was infatuated with Tommy. Tommy was this perfect guy in Buck's eyes. And that scared Tommy. It intimidated him. But he kept going bc it wasn't a big deal and he could always remind Buck that hey he's just a guy, a guy who had done things wrong for a long time. But Buck never fully grasped it either. Likely bc of how good Tommy made him feel, he struggled to fully grasp that things with Tommy couldn't always be so perfect and good and safe.

They don't talk about that but they keep going bc they like each other bc they're falling in love bc until that six month mark they were both still fairly distracted by how good it felt to be together to really, seriously consider the ramifications of ignoring those not-so-little things they didn't want to face right then.

And then suddenly it's been six months and they're clearly both in love and they're both clearly not ready to be acknowledging that at all. It's been six months and they're just trying to match each other's pace but have never talked about what that pace actually is and then suddenly they're talking about how Tommy used to be engaged to the woman who taught Buck what a real relationship meant and they still aren't even ready to acknowledge they're in love but Buck is already asking to move in together and talking about marriage and they haven't even said i love yous and Buck can't even utter the word bisexual out loud but he wants to jump into living together and fusing their lives together.

But he's not ready for that. As far as Tommy can see he's not ready for that. And if he's asking for something so big when he can't even say the word love then maybe, in Tommy's mind, he'll never truly be able to say it. Maybe they'll keep going like this. Living together and being together but Buck can't face his sexuality as its own thing and Tommy can't face how his trauma affects their relationship and eventually it'll be too much and maybe Buck still wouldn't want to say it and Tommy would push him away like he pushes everyone away and then they'll be right back to that moment, weeks or months or years later, with Buck wanting more but not able to say those words and with Tommy wishing he'd left before it hurt so much.

And sure it hurts to leave now but at least now he's early. Now, Buck hasn't wrapped himself around every piece of his life. Just his heart. At least now he'll hurt but he won't have to move just to get rid of the scent of Evan Buckley perpetually lingering in every corner of his home.

Buck loves Tommy so much he can't imagine a future without him. Tommy loves him so much he can't imagine a future where he gets to keep him.

The break-up makes all the sense in the world. It just doesn't make sense that the break-up wouldn't force them to work on their respective issues and bring them back together stronger in the future.

[phoenixremix69]

Sasuke, in my opinion, deserved to fuck off

and I don't mean that in a bad way. Sasuke and Team Taka as a whole were people who got firmly fucked over by the world and shinobi society and deserved to leave.

Juugo was born with an uncontrollable medical condition and the only one willing to "help" him was a genocidal madman that was allowed to do whatever atrocities he felt like because the hokage said to let him go that one time

Karin is a survivor of another genocide, and was only allowed to live because her mother and her were deemed useful enough to live as slaves, to the point where her mother was literally sucked dry of chakra and died. Only to be recruited by, oh my god, same crazy asshole. and that was somehow a step up for her

then Suigetsu, another genocide survivor over another uncontrollable medical condition. except in his case, the uncontrollable part was just him having extra powers with barely any downsides. and in fact, he was jazzed to be part of kiri. he was totally up for being a loyal shinobi and joining their most elite group. But fuck that, tube time

and finally, Sasuke Uchiha. another genocide survivor, except this time, the genocide was performed by the person he loved most in the world. a person who proceeded to torture him for a few days straight. and then got no consequences so for all Sasuke knows, he's been completely free to kill more people and ruin more lives. and the only comfort he has is that he's safe in the village, and that one day he'll be strong enough to kill him. except not. another round of torture and being reminded that he should be strong and the only way to be strong is to give up your bonds. so he does, he gives up on his friends and his village and goes to train with the guy promising him free magic powers. and he does it. he kills the man that's been haunting him for almost a decade. only to be told no, not only did that man love him more than anything, not only was he ordered to kill everyone by the village council, but that same council is still very much in power. In fact, one of them has been abducting orphans and brainwashing them into child soldiers for decades. and literally everyone knew. it's not like kakashi never told anyone, hell, he tried to kill the ninja dictator once. so sasuke goes to kill him, and the konoha council, and every leader who keeps perpetuating this bullshit system. and the whole time, his "friends" keep telling him. "Let it go! ignore the systematic oppression and subsequent slaughter your clan faced for decades. ignore all the atrocities the shinobi system has perpetuated and continues to perpetuate even now! come back to the village that's been fucking you over your entire life!"

Fuck that. at the end of the story, after naruto and sasuke's big final battle, and naruto tells sasuke to come bvack, he should've been like "fuck you. i might not have been right but you sure as shit aren't right either. so you know what i'm gonna do? i'm gonna take my actual team, and these chakra monsters that've also been oppressed and enslaved under the shinobi system, and i'm gonna jump in a dimension hole, and never come back. if you ever want me to reconsider, maybe try living up to your promises and start changing things for the better. i'd start with the actual slavery your girlfriend's "family practices

[nachoaveragejoe234]

Yes! To add to some points:

The Lumity thing. I knew they wanted them to be a couple when they went to grom (prom) together, but when they specifically made their dance a TANGO, a dance that is supposed to be ROMANTIC and SEDUCTIVE, after they hated each other, I was lie "yeah you're trying to make a new ship without actually putting effort into it".

Lagoona was literally described as spicy in her song, like in 3 different ways. And it's sus that when she was Australian she was sweet and gentle, and while she could be more passionate she wasn't violent and she never described herself as spicy or having a temper

Lagoona was also heavily implied to be Aboriginal. Latinos, sorry, but they have representation overall. In most modern media there will be a Latino who isn't just the "Tequila drinking, sombrero wearing mafioso named Carlos or Juan or Diego" or the "sexy attractive bombshell named Maria Teresa Jimena de los Santos" or some dumb thing like that (except Brazilians they only get portrayed as samba girls that American men go to Brazil to gawk at and make kinky remarks towards but that's another story). Name more than two Aboriginal characters in any media if you even KNOW ANY. You can't. You would think that with indigenous issues being big things in both North America and Australia, you wouldn't STRIP AN INDIGENOUS CHARACTER OF THEIR IDENTITY. Right? It wasn't canon but they could have made it canon! Think of the Aboriginal Australians who probably are begging to get roles in movies and TV. I literally have seen Aboriginal fans talk about how she reminded them of their lives and meant a lot to them. They were completely neglected. And worse, one Latina I interacted with on Reddit literally all but admitted she was racist towards Aboriginal people. She basically said "but Latinos don't get a lot of rep and it's not canon! What about us?".

Clankie doesn't work. Cleo was firstly already taken, but ignoring that she and Deuce were paired togther because of the Egyptian-Greek thing.

Nefera being good now... it's not a big deal but I think the sisterly dilemma was a big part of both of their characters. Not all family members get along and showing that is completely ok.

Cleo's voice is the worst. I can see her as an influencer, but why is she a VALLEY GIRL?

Fans call Toralei a punk. She's not. She doesn't wear punk clothing she just has a studded jacket. Her music is pop-rock not PUNK. Listen to her song Cool Cat, it's amazing but not even close to punk. If she was really punk she would look and sing more like the likes of the Clash, the Ramones, Green Day, or even edgier rock bands like the Stones, Nirvana, the Who, or Led Zeppelin. G1 Tora and the twins looked ironically way more punk, and G1 and G2 already had actual punk inspired characters like Venus, Deuce, sometimes Clawdeen and Frankie, and in G2 Silvi and Moanica.

Ghoulia being Canadian for no reason. As a Canadian it hurts. They literally had a concept art with a Canadian flag, she wears a toque (beanie for Americans), and was explicitly stated to be influenced by Scott Pilgrim by one of the designers, and she definitely looks like Ramona Flowers. Despite that they don't even MENTION her being Canadian. Couldn't even get a Canadian VA for her which.... Marieve Herington and Erin Fitzgerald from G1 are Canadians. Get one of them to voice her. Similarly Mr. Foxford has an Icelandic VA but they never acknowledge the fact that he's Icelandic. Even Bunny Earickson, the newest character. Shea basically confirmed she was Welsh. She said that werebunnies had connections to Celtic/Welsh mythology but... did she get a Welsh VA? No, she got a Latina. Why did you explicitly say she was Welsh but couldn't find a Welsh VA? Do Welsh people not deserve representation? Do you know most people know nothing about Wales? That the effects pof British colonization still take a toll on Wales? That one of the earlist British invasions was of Wales where along with Ireland and Scotland they tried HARD to strip them of their culture and language and then made measly apologies in the modern day but still harm the Celtic countries through a lot of crap the Tories do and by keeping their monarchy? Welsh people always get called sheepshaggers and their language is mocked as "smashing a keyboard" (it does look like that but I understand why many Welsh people would be offended and they have the right to be)

Monster high G3 rant

Watching the TV series and I’m kind of disappointed.

This will be my second watch of season 1, I’m rewatching after the current season 2 episodes.

the show feels very flat in my opinion. They’ve given the characters a lot of cool traits, but they’re used for like one episode and then never brought up, or they only use one specific trait 24/7. Like Frankie in this generation, they have the ability to electrocute, extend their body parts, and they get visions from the people they’re made out of. Specifically they get visions from this one recurring doctor/ scientist. The idea is cool, but the vision literally is there to give exposition about something conveniently. Like when they are trying to solve the puzzle of clawdeens mom, Frankie’s vision just conveniently tells them what to do and how to do it.

In that same episode, we see manny taur. A Minotaur character. And right away we are just told that he’s good at puzzle solving, and so is draculaura! They’re rivals! But this is the first time I’ve ever seen or heard about draculaura being into puzzles, let alone her one sided rivalry with manny. And as the episode ends, she’s like “well you can be the rightful puzzle master” but it feels so flat. There has been no build up to this moment.

Another example is lagoona. In her designated episode, she is rooting for torelai to win the fear-leading captain over draculaura (another thing that has no build up as to why it’s important to her) lagoona explains that torelai is holding a secret over her head, and if it gets out she will lose her status as the fiercest monster in school. But this is the first time we have heard this!! In previous episodes there’s no mention of her being scary or fierce. Or even her super fast swimming skills. It’s just brought up and glosses over with a “be who you are, it’s okay to like what you want! We all have secrets 🥹” but there’s no real character development.

My last example will be the way draculaura is presented in this series. From what she tells us, she has high standards to live up to as a vampire. She needs to look good for her day so she studies endlessly and is striving for perfection. But she also has a love for witchcraft, which is banned in monster high due to its connections to humans. This can be a cute premise, but they NEVER show draculaura compared to any other vampire to show how she’s supposed to act. They never give us episodes where she blows off her friend’s shenanigans because it makes her look bad, and they never really show her dad being so overbearing. They don’t show us WHY humans are hated. And even though witchcraft is banned, whenever anyone finds out about it they’re just cool with it? No push back or anything. The only character to challenge draculaura was torelai.

This all may be very nitpicky, but MH is a character driven franchise. Character relationships with each other and their surroundings are very important to me. I want to feel the so called pressure these characters are being put under. It doesn’t have to be ultra serious 24/7, but issues get resolved within one episode and then rehashed a few episodes later with no further development. Especially with characters like Cleo and lagoona. They have been benched as side characters in this show, and side characters get much worse treatment.

‘The general episode progression is like this - introduce an issue, introduce a high stakes situation that involves the school, have all or one of the main 3 engage in a sequence of fights against this issue(or rapid solving of said issue through convince) - issue is resolved and lesson is told to viewers-characters reset for the next episode.

I know this is a children’s show, but that doesn’t mean it needs to have bad writing, not all kids are high off cocomelon. Kids deserve good writing in their media!

My next rant will be about clawdeen and her story this generation

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[wonder-worker]

"[Elizabeth Woodville] was the only member of [Crown Prince Edward of Westminster's] original 1471 council not already on the king’s council and her name headed the list of those appointed as administrators in Wales during Edward’s minority. [She remained on the council after it was expanded in 1473 and granted significant new governing and judicial powers]."

"In 1478 Prince Richard [of Shrewsbury] married the Mowbray heiress. Like his elder brother he had a chancellor, seal, household and council to manage his estates. His council, like that of Prince Edward, comprised the queen [Elizabeth Woodville] and a group of magnates and bishops, few of whom were Woodville supporters [...] It was Elizabeth who mattered, for Richard resided with her and Rivers treated his affairs as their own."

-J.L. Laynesmith, The Last Medieval Queens: English Queenship 1445-1503 / Michael Hicks, Richard III and his Rivals: Magnates and their Motives in the Wars of the Roses

[tsaricides]

wanted to send this to boyfridged but I saw that you were shadow banned 🫡 but it's always so jarring seeing writers try and turn Jason into a "ladies man" or whatever, he's so clearly not interested and non equipped to be in a relationship and the way they handle it each time is so funny because there's clearly 0 effort put into it and it's a shame because when he first came back part of what made his character interesting was that he was almost a subversion of the gritty 90s antivillain without most of the macho hyper masculine aspects in short to me he's like a Ken doll ❤️

essentially! i think winick def did also allow himself to drift into the macho stereotype a bit, but jason's youth and sensitivity was a much more prominent theme at the time. the tears! the focus on his role as a child to a parent rather than any other kind of bond...

the thing for me is that i'm not even against him getting a romantic storyline in general. though that's in far, far future, because as you said yourself, i don't think this is something he is even interested in at all, and most def not at this point. but i don't think that it should be these fleeting romances? others have already expressed the sentiment, perhaps more precisely, but jason is not someone who takes love lightly. if there's anything he takes lightly at all. there's both the expectation of commitment and his own abandonment issues that would affect any relationship tremendously. but dc doesn't even afford the exploration of it in his friendships. we just get characters dropped at him (like steph and dana even...) with a couple of lines about how they are best friends and with them already knowing pretty much everything there is about jason... but as readers we know that this is the kind of vulnerability that he's been chasing for very long and was always denied. at times, by himself too. is this not something that deserves more than a stray panel dumping that info on us?

and speaking of stray weird panels, not sure if you've read rh: the hill #2 yet but i just wanted to confirm that the make out session panels did not, in fact, contribute anything to it!

[jessamine-rose]

*squeezes aine this time*

Read my Yandere! Dottore fics first (⁎⁍̴̆Ɛ⁍̴̆⁎)

Chemistry ๑ Magnum Opus

So @ainescribe decided to surprise me with more Darling fan art, this time of Dottore’s Assistant!! *sobs* I love it so much ｡ﾟ(ﾟ´ω`ﾟ)ﾟ｡

Once again, feedback will be in the tags. Thank you so much for enjoying my writing, Aine <3

[sammygender]

im new here- is dean abusive?

imo yeah. smarter people than me have written dissections of the way he treats sam & others (he’s also Awful to his psuedo-son jack, but i haven’t gotten to that season yet), i’ve probably reblogged a bunch of them.

he certainly doesn’t mean to be & i don’t say it to condemn him as a person or as a character & i’m still very attached to him & he loves sam very much (not that that makes a difference in whether u abuse someone or not) - but the way he treats sam a lot/some of the time is emotionally abusive and sam is clearly badly impacted. s4 and s8 come to mind as his worst moments also ofc moc era - after that there’s less interpersonal conflict (up to where i am at least) but that’s because sam mostly stops disagreeing with dean not because dean actually gets much better <3 spn is cycles of abuse show after all. family is hell. dean’s learnt pretty much everything about how to behave from his abusive father and as a result. well. cycle continues

[anarkhebringer]

I woke up to this and am really thinking about this

[angelthingy]

(this was written AFTER writing the tags, so reading those first might make more sense!)

wrote this on another post somewhere but since i ended up writing an essay in the tags forgetting to mention it i felt i should add that in now

as much as i think it’s important to have empathy to any side in queer discourse, the important thing to me is that the word discourse itself implies that there’s a debate

sometimes. there is not a debate

sometimes. they are just wrong

people saying “aro people aren’t queer” is NOT a debate, they’re just wrong. aro people are queer go away

people excluding trans people from communities isn’t a debate, they’re just wrong and possibly terfs/radfems!

just wanted to clear that up because i generally get kinda anxious whenever i talk extensively about a topic because!! i am not the best at using words to describe my thoughts!! because my thoughts often dont happen in words and instead in concepts which is a lot harder to explain!!!!

all queer discourse could be stopped if we all just remembered that in the eyes of conservative fascists we're all dirty queers polluting their kids minds who need to be eradicated at all costs

[weaselle]

i want to talk about real life villains

Not someone who mugs you, or kills someone while driving drunk, those are just criminals. I mean VILLAINS.

Not like trump or musk, who are... cartoonishly evil. And not sexy villains, not grandiose villains, not even satisfyingly two dimensional villains it is easy to hate unconditionally. The real villains.

I had a client who was a retired executive for one of the big oil companies, i think it was Shell or Chevron. Had a home just outside of San Francisco that was wall to wall floor to ceiling full of expensive art. Literally. I once accidentally knocked a painting off the wall because it was hanging at knee height at the corner of the stairs, and it had a little brass plaque on it, and i looked up the name of the artist and it was Monet's apprentice and son-in-law, who was apparently also a famous painter. He had an original Andy Warhol, which should have been a prize piece for anyone to showcase -- it was hanging in the bathroom. I swear to god this guy was using a Chihuly (famous glass sculptor) as a fruit bowl. And he was like, "idk my wife was the one who liked art"

I was intrigued by this guy, because in the circles i run this dude is The Enemy. right? Wealthy oil executive? But as my client, he was... like a sweet grandpa. A poor widower, a nice old man, anyone who knew him would have called him a sweetheart. He had a slightly bewildered air, a sort of gentle bumbling nature.

And the fact that he was both of these things, a Sweet Little Old Man and The Enemy, at the same time, seemed important and fascinating to me.

He reminded me of some antagonist from fiction, but i couldn't put my finger on who. And when i did it all made sense.

John Hammond.

probably one of the most realistic bad guys ever written.

If you've only ever seen the movie, this will need some explaining.

Michael Crichton wrote Jurassic Park in 1990, and i read it shortly thereafter. In the movie, the dinosaurs are the antagonists, which imo erases 50% of the point of the story.

book spoilers below.

In the book, John Hammond is the villain but it takes the reader like half the book to figure that out. Just like my client, John is a sweet old man who wants lovely things for people. He's a very sympathetic character. But as the book progresses, you start to see something about him.

He has an idea, and he's sure it's a good one. When someone else dies in pursuit of his dream, he doesn't think anything of it. When other people turn out to care about that, he brings in experts to evaluate the safety of his idea, and when they quickly tell him his idea is dangerous and needs to be put on hold, he ignores his own experts that he himself hired, because they are telling him that he is wrong, and he is sure he is right.

In his mind, he's a visionary, and nobody understands his vision. He is surrounded by naysayers. Several things have proven too difficult to do the best and safest way, so he has cut corners and taken shortcuts so he can keep moving forward with his plans, but he's sure it's fine. He refuses to hear any word of caution, because he believes he is being cautious enough, and he knows best, even though he has no background in any of the sciences or professions involved. He sends his own grandchildren out into a life-threatening situation because he is willfully ignorant of the danger he is creating.

THIS is like the real villains of the world. He doesn't want anyone to die. Far from it, he only wants good things for people! He's a sweet old man who loves his grandchildren. But he has money and power and refuses to hear that what he is doing is dangerous for everyone, even his own family.

I think he's possibly one of the most important villains ever written in popular fiction.

In the book, he is killed by a pack of the smallest, cutest, "least dangerous" dinosaurs, because a big part of why we read fiction is to see the villains face thematic justice. But like a cigarette CEO dying of lung cancer, his death does not stop his creation from spreading out into the world to continue to endanger everyone else.

I think it is really important to see and understand this kind of villainy in fiction, so you can recognize it in real life.

Sweetheart of a grandfather. Wanted the best for everyone. Right up until what was best for everyone inconvenienced the pursuit of his own interests.

And my client was like that too. His wife had died, and his dog was now the love of his life, and she was this little old dog with silky hair in a hair cut that left long wispy bits on her lower legs. Certain plant materials were easily entangled in this hair and impossible to get out without pulling her hair which clearly hurt her. When i suggested he ask his groomer to trim her lower leg hair short to avoid this, he refused, saying he really liked her usual hair cut.

I emphasized that she was in pain after every walk due to the plant debris getting caught in her leg hair, and a simple trim could put an end to her daily painful removal of it, and he just frowned like i'd recommended he take a bath in pig shit and said "But she'll be ugly" and refused to talk about it anymore.

Sweet old man though. Everyone loved him.

[thehmn]

I wanted to make this post because we don’t see a lot of asexual characters in western media and despite him being from a hugely popular show (Seaside Hotel) you’re unlikely to know of his existence if you’re not from Denmark.

His name is Hjalmar Aurland and he’s one of the more sympathetic and realistic asexual characters I’ve seen. He lives in a time and place where asexuality as a concept doesn’t exist yet so he’s never labeled as such but rewatching the show made me realize that he acts exactly like the asexual people I personally know. Asexuality can mean a lot of things but his specific brand isn’t naive to sex nor is he repulsed by sex, sexual desire or thoughts simply doesn’t come naturally to him.

He can be convinced to have sex with his wife Helene but only if she appeals to their emotional bond. Just so you don’t get the wrong idea, he’s not being forced or emotionally blackmailed to sleep with her. It’s simply that he understands sex is a way to show emotional love too and he wants to express that love for Helene when it’s important to her, and seeing as sex isn’t unpleasant to him, just kinda boring, he’s willing to do that for her.

Unfortunately that isn’t enough for Helene and despite her love for Hjalmar she starts an affair with the dramatic and emotional actor Edward Weyse. He has a string of relationships, marriages and divorces behind him because despite what it may look like from the outside Edward doesn’t really want shallow sexual relationships. He just can’t help himself and keep falling in love with women left and right, fully and wholeheartedly, only to be dumped or dump them once the initial excitement has passed.

So Helene and Edward’s affair that was only meant to satisfy their carnal desires quickly becomes romantic. Helene feels torn between him and Hjalmar who she still loves and Edward understands the difficult situation they’re both in while also feeling jealous of Hjalmar. And Hjalmar? He doesn’t catch on for years. He’s not stupid but his brain just doesn’t jump to sex. He just assumes they’re good friends and why shouldn’t his wife be allowed to have friends, even male ones? Things get really complicated when Helene gets pregnant and she has to have sex with Hjalmar so he won’t wonder how it happened. Edward even has to join in on the seduction, reminding Hjalmar how much Helene loves him, even though it breaks Edward’s heart to do so.

But like I’ve said Hjalmar isn’t stupid. He saw the signs but chose to ignore them until one night when Helene accidentally says Edward’s name. It breaks the dam in Hjalmar’s denial and he has to face that deep down he always knew. Overcome by sadness and betrayal he wanders off into the night in nothing but his nightgown and gets a room at a different hotel where he can think in peace. Eventually he agrees to return to the first hotel with Helene and Edward and decides to take control of the situation.

He sits them both down and tells them that he understands that the three of them share a bond and that there are things he can’t really do for Helene so from now on he wants their relationship to be open and honest. He wants Helene and Edward to keep seeing each other and Edward is welcome in their house, but Hjalmar wants to be allowed to call Edward by his first name and makes it very clear that Helene and Edward’s children “belong to him” because he still thinks of himself as their dad and loves them as his own children. Both Helene and Edward agrees to it, though the emotional Edward is very flustered and confused by the acceptance and love he’s being shown by Hjalmar.

This is obviously a very tv drama situation but I was so stuck by how much Hjalmar acts like my asexual friends. Having a lover for your partner isn’t the most common solution but it’s an idea I’ve heard a lot of asexual people be open to under the right circumstances and of course that’s the most dramatic solution for a romantic tv drama.

Hjalmar is defined by so much more than his sexuality though. His main characteristic is his passion for social justice and equality, and other than some early show weirdness before they really cemented the characters, Hjamler is the only character who floats freely between the men and women. He’s just as likely to sit with the men as he is the women, often appearing in otherwise entirely female spaces. It’s never questioned or even brought up, not because he’s a “safe asexual” but because he cares and think their worries are as important as the men’s. He’s often called a pessimist by the other men when in reality he is determined to be hopeful and compassionate and spread the love he feels the world is lacking as WWII draws closer.

So yeah, I just wanted to share this sweet ace guy with you because you probably wouldn’t have known about him otherwise.

[whumpster-fire]

Broke: Chilchuck Tims is child coded.

Woke: Chilchuck Tims isn't child coded, he's a middle-aged, divorced man with grown up children.

Bespoke: Chilchuck Tims cannot be accurately described as either "child coded" or "not child coded" because he is a deliberate commentary on the idea of "child coding" itself.

Chilchuck, and half-foots in Dungeon Meshi in general, are given significantly more neotenous proportions and appearances (e.g. larger heads and eyes, rounder faces) than the other races. This is not universal for depictions of hobbits / halflings in Tolkien / D&D inspired fantasy fiction. Compare Chilchuck relative to the "tallmen" (humans) in Dunmeshi to how small races are drawn in something like Legend of Vox Machina (many of those characters are gnomes but whatever) or in basically any official D&D art. It was an intentional artistic decision to make him look like that. This is reinforced when he's temporarily transformed into a tallman (human) and in addition to becoming much taller he gains features that make him look more visibly middle-aged (stubble, eye bags / wrinkles, a more oval face) that he doesn't have as a half-foot. See also Marcille's transformed form and supplemental drawings of what all of the main party would look like as other races. However they do NOT look indistinguishable from actual children as portrayed by Dunmeshi's artstyle and have distinguishing features e.g. larger ears.

Chilchuck is frequently mistaken for a child in-universe, or treated / perceived as one even by members of other races who know he's a half-foot, and he hates this. His infantilization and that of half-foots in general isn't just a running gag, it's a significant plot point and source of discrimination. Like when the party gets impersonated by shapeshifters copying everyone based on the others' memories of them, and most of the Chilchuck clones look and behave more childish than the real one, and they almost get away with it, even though his party should know better than to think of him as a kid.

The narrative consistently takes the position that the people infantilizing Chilchuck are wrong, and are being ignorant/racist.

Conclusion: Chilchuck is definitely not "child-coded" in the way that a 700 year old shapeshifter that looks and behaves indistinguishably from a little kid for contrived reasons. However, he is intentionally designed to make it seem plausible for people who know he's an adult to still not fully believe it and this can make the viewers fall for it too. Which I guess is "child-coding" in a sense. But the message the work is trying to send is very clearly "Don't decide that grown-ass adults are equivalent to children and treat them like children because they have physical characteristics that remind you of a child you dipshit."

While hobbits aren't real and Chilchuck's traits that get him mistaken for a child are exaggerated compared to the vast, vast majority of real people, infantilization of grown-ass adults due to ableism, racism, or just people being dumbasses who forget short people exist is a real issue, and if you start shit with people for shipping Divorced Dad Chilchuck Tims with other characters or whatever you are displaying the exact attitude that's being criticized.

[fmhobeus]

jjk men and their red flags

a/n: i'm feeling problematic :> tell me what u think (agree/disagree/add more?) this is all for shits n giggles !! non sorcerer au kinda

kento nanami — (over)protective

but like... to the point where it feels like he's treating you like a child! he doesnt like to see you sweat or even work at all for that matter. he loves it when you cook but has bought covers for all the knifes. if he sees a burn on your hand get ready for a 10 minute long lecture. if you accidentally fall he wont let you get up for atleast 3 days to help you ""heal."" it's almost like he doesnt trust you to take care of yourself :') he probably has like 3 separate first-aid kits everywhere.

suguru geto — emotionally unavailable

i feel like this is explainable to his character (sort of.) i dont think that he'd make you feel isolated at all, he's be an amazing listener and probably memorizes every word you say. he listens to you rant and even trauma dump with insane patience. but at some point it feels as though you hardly know him. he's talk to you a lot but very little of it is personal and you hardly know what he's thinking because his ass is not tell you. he also unintentionally distances himself from people from time to time. this applies to you too and you can feel him getting emotionally distant sometimes. it isnt something he does knowingly but it sure ass hell bothers you.

satoru gojo — very clingy and needy

this nigga. he is so utterly clingy. and at first it's perfectly fine, even appreciated by you. you still love him like crazy of course but it is just overwhelming. he is like a child most of the time, he need you around him and is always accompanying you wherever you go, and he expects you to do the same. he also doesn't believe in "me time" because why would you feel better when you're away from him: (? want to hang out with your friends? what do you need them for: (? he's right there. he is also physically incapable of listening but boy is he good at making up.

toji fushiguro — controlling

he is so controlling omfg. it's usually subtle but sometimes he will outright just say no to things he doesnt like, not caring if you like them. it gets to the point where he actually starts to change your personality. he is very caring and that's his justification for this typa stuff. it is usually harmless stuff but he gets paranoid often. he doesnt let you wear miniskirts out if you're not with him. he doesn't let you befriend people he thinks are into you. he barely lets you buy stuff on your own, he usually gifts you whatever it is youre into at that moment. borderline turned on by fear and you being dependent on him.

choso kamo — has no social life outside you

pretty self explanatory. he doesnt have many friends outside you and isn't interesting in making them either. total loser. so taking him out to events, he probably doesnt interact much and chooses to look at you the entire time, which annoys your friends. he answers their questions pretty bluntly. he's never down to have people over and lowkey hates when you are.

hiromi higuruma — workaholic

also self explanatory. he leaves early, comes home late. you barely see him on the weekdays. sometimes he goes as far as ignoring your calls when in between cases. he calls you periodically but has to have an alarm set to remind him. he loves you very very deeply but is just used to working non stop T_T

[interiorlulus]

Nothing more irritating than narrow-minded people who wish to pretend they are knowledgeable intellectuals.

[sirgawainofgalifrey]

Not to knock on Wrightworth or other Phoenix ships but people like to make most of Phoenix's actions have a romantic undertone and really miss out on the fact that he'll just about die for anyone he considers a friend.

Like he took on a clearcut murder case with zero experience (what's a cross-examination lol) because he was friends with Larry in school.

He STRAIGHT UP ATE GLASS AND METAL for the girl he was dating and was willing to ignore that she'd murdered someone.

He changed his whole ass career to get in contact with Edgeworth again just to make sure he was okay emotionally (and for other reasons that people like to ignore just for making it all about Edgeworth), even though they literally were like in 4th grade together for like half a year.

The first case he defended Maya was almost entirely because of Mia, because he didn't know Maya yet.

Literally EVERY CASE that he defends Maya in he's going above and beyond all reason and logic to prove that she's not guilty.

Him literally going against all reason and evidence and Edgeworth's own admission in the Edgeworth case to prove he's not guilty.

HIM LITERALLY ONLY TAKING ON THE SKYE CASE BECAUSE EMA AND LANA REMINDED HIM OF MAYA AND MIA.

Him literally in the Engarde case willing to compromise all his principles to get a murderer off the hook to save her (they give you the option of going with pleading that Engarde is innocent, even though it doesn't effect the outcome).

Him literally running across a burning bridge at night over a huge cliff to make sure she's alright.

All I'm saying is I think the writers more intended to characterize Phoenix as someone who is willing to do almost anything for people he cares about (even if he acts like a grumpy asshole most of the time), more than emphasizing any one romantic relationship.

(I also think that's why he took Edgeworth faking his death so hard, and was so pissed at him for it. Like he felt betrayed and helpless at Edgeworth commiting suicide, mad (at Edgeworth and himself) that Edgeworth thought he couldn't come to him for help, when he would do anything for him. And then he finds out he was deceived, and couldn't understand how anyone could do that to someone they care about, like it's not in his friendship vocabulary ((also the fact that Edgeworth had confided in Gumshoe and not him that he was still alive, meaning he trusts Gumshoe more than him as a friend.)) It all comes down to Phoenix being betrayed that he's not trusted and his devotion to his friends not returned.)

Anyway sorry this is so long I hope it makes sense.

(also I've only played the original trilogy)