#i know it would be a hell of a retcon

[prismjiinx]

Meeting again and catching up after so long

[pricemarshfield]

reading world of thedas for the dragon age au i’m writing and man. it has me yearning for a version of veilguard that didn’t come to pass…

[smile-files]

i continue to find ii3 baffling. why did they make it (this isn't to hate on the season, i'm genuinely curious)

[mastcrmarksman]

secret starter call - @ladyohdeath

❝ ... Look, Lady... You scare me a lot, but I kind of on a whole mission here, so you wanna go bug someone else? ❞ He says, with a hiss, as if he hadn't already gotten himself damned to much worse. Hellstorm's certain that Bobbi's soul was down here and he had to get her out of Hell, at least. Hopefully, the both of them alive, and whatever this woman was... he knows she's Death, but he can't back down. Already planned to tell the Devil to go fuck himself. ❝ There's gotta be like a million others. ❞

[reel-fear]

people who still make Joey the ink demon despite canon steering far away from that being the case this is for you I am sending u kisses XOXOXOXOXOXOXOXO <3

People who make Joey well-meaning, sympathetic, a lighter shade of morally grey than canon I am also sending u lots of love <3<3<3<3<3<3<3<3<3<3<3!!

And people who generally steer wildly from the direction Bendy takes with its characters and has fun with it I hope to see more from all of ur aus and rewrites!!

[time-like-tears-in-rain]

"he followed you home through the time vortex!"

[meatmensch]

*jenny slate voice* i had to stop reading the battle of the labyrinth cuz it made me too crazy!!

[gilfrespecter]

Doodle page from the last few days ft Emerson in that one Orville Peck outfit bc it's funny and so so much of the other cowboy and a concept for a thing I need to do a shitton of research to write that I don't want to so it will float in my head till I eventually cave and do it

[miquella-everywhere]

So I have been avoiding Fextralife, specifically the Miquella wiki, like the plague for a long while now because, 1. Spoilers, and 2. the Miquella Comment Section, because I was afraid about what everyone(non-tumblr oriented) had to say about Miquella....

But honestly, I am pleasantly surprised to see nearly everyone is in agreement that Shadow of the Erdtree's treatment of Miquella is a blatant Retcon of his character WHICH IS EXACTLY WHAT IT IS!

I feel like I've been driving myself absolutely crazy by screaming into the void about how the DLC treats both Miquella and the base game of ER like utter shit (there are some of you who agree and ily all 😭✌️), and now, all we are left with in the DLC is an utterly shameless retcon

I honestly thought I was holding myself together pretty well inspite of knowing what was going to happen at the end of the DLC, so I didn't think that the brawl against the Miquella followers would be the thing that would break me...

But boy did it break me and so here I am:

I HATE Shadow of the Erdtree

Shadow of the Erdtree is a disconnected shameless disgraceful Retcon and I will never hold it on par with Base Game Elden Ring

I am Elden Ring's #1 Fan

I am Miquella's #1 Fan

And I am Shadow of the Erdtrees #1 Hater

I will forever DIE MAD over Miyazakis braindead treatment of Miquella and the forsaken lore of Elden Ring

But for now, rage and despair aside, here are some of my favorite comments in Miquella's Fextralife comment section:

[roorreer]

Something something. Making Solas a liar in Veilguard actively brings back a problem they fixed working on Inquisition.

On December 20 2019 VGS posted an interview with Trick Weekes about their work on Solas. This whole sentence is a link so its large enough for mobile but also disclaimer this is before they changed their name so deadname warning.

Here's a transcription I found here which is where i took the screenshots above. Since I know not everyone has 40 minutes to listen to an online radio interview.

I however highlighted the main point since most of you are not reading the screenshots anyway but skimming through. Rant under Read-more. Also bc i try to not be too negative on people's dashs but also i wanna ramble some more.

"But he lied a lot more. And it really weakened his character."

You can tell this happened during the game. Solas lies only once within Inquisition. He says something he can't be vague about and you push him so he lies, badly. He usually tells the truth vaguely. Typically Solas lies no more than Blackwall.

I fully believe that if in Inquisition your inquisitor figured out that Solas was Fen’harel and asked him bluntly to his face he'd confess. He might even be impressed. But why would you ever start to think that. No one assumes that their coworker is actually Poseidon regardless of how much they love the beach and ocean.

He hides in your expectations.

You can't ask him about being an ancient elf or being Fen'harel of myth because those aren't very probable. They're astronomically low to be truth within that universe. And outside, no one finished DA2 and went i wonder if one of our next companions is the Dread Wolf. Sera said, impossible things can't be surprises. He doesn't have to lie so when the truth comes out it's becomes obvious on a second playthrough.

They then actively bring back a problem they fixed in Inquisitions development. That they were open about fixing. That having a character that outright lies to you makes you have no intention of even hearing out the character. It retroactively undercuts Inquisition bc i see people trying to find Solas' lies in it when they aren't going to find any beyond the court intrigue.

It undercuts any lore we do get from Solas bc people dismiss it outright as being a lie from Mr "I abhor blood magic". I feel like shaking people's shoulders like no, dont do it.

They retconned him guys i have proof from 2019.

And its like if you hate Solas is this even satisfying? Like that's not Solas. His motivations are gone (that's a whole other post) and so is his core personality trait. It's like they went here's the Dreadwolf but during the ten years they replaced the smug asshole who was insufferably right with a 20 yo senior chihuahua that doesnt have any teeth.

My favorite villains are those that tell the truth. Because nothing hurts more than the truth. Can you imagine if he told you the truth. If he told you horrible things that you dismissed as lies to only be true. Wouldn't Varric’s death have more weight if he told you Varric was dead only for you - for everyone - to see him in the Lighthouse. If it was a spirit who took his shape to help you or even because it saw something worth reflecting in your memories.

So you dismiss him until it's revealed near the end oh he was telling the truth and you have an oh shit maybe he was right about other things but its too late to try and stop any of the truths he told you which could be from allies/companions betraying to stuff about Ghilan'nain and Elgarnan.

Like the only way to redeem Solas was to listen to him and by going out of your way to address problems he sees and you can find the alternative to tearing down the Veil by a series a little puzzle pieces throughout the game.

Have it be he will only listen to you if you listen to him. That he'll reject your other solution bc why the hell would he trust you if you couldnt extend the same.

Like Solas couldve been a great villian and he should've been great for both the haters and those that liked him. Not only the romance but for those who became his friend. Like i keep coming back to if i hated Solas would i be satisfied with Veilguard.

And the answer is no because that isnt Solas.

Tricking him has no weight bc he's an idiot in Veilguard like not even in the ending bc doesn't notice you switch the dagger around like right in front of him but none of his actions make sense. Ppl have mentioned the regret prison makes no sense for Elgarnan and Ghilan'nain bc they don't have regrets.

Attacking Solas has no weight because he literally needs the shit kicked out of him by a dragon for it to even begin to work. They literally need him to be at deaths door before its realistic that Rook could take him in a fight.

Redeem has no weight bc of the massive retcons to his motivations. They had to retcon the post credits scene bc even if Flemythal went hey i don't want you to do this Dai Solas wouldve went okay but that doesnt solve my other problems with the veil including the corruption of spirits and the fact its in literal shambles so i guess is still coming down.

I'm just disappointed. By the end of Trespasser they had a great villian and they just tossed it to the side and reverted him and people are arguing about a character who's sole defining trait in Veilguard is a problem they solved before Inquisition launched.

Basically we can sum it up with a screenshot.

[strangestcase]

tomblr discourse in the monster high universe must be something else.

0 notes

💝​ lalalala Follow

What would I do without cherry smoothies... probably die again 💔​

🟥​ b3lfrypr3pz-deactivated09182022

Of freaking course the frilly daywalker is a vegan 😒​ bet you do witchcraft too you dirty hippie

💝​ lalalala Follow

🝢🜊🝣🝗🜚🝰

🟥​ b3lfrypr3pz-deactivated09182022

WTF is that lol

🟥​ b3lfrypr3pz-deactivated09182022

i t burns. wh at did you do to me .

💝​ lalalala Follow

^-^

17k notes

🧠​ msdeadfast Follow

Ok but Dead Fast: Night of the Living (2002) has no business being considered the worst Dead Fast movie when the MCU (Murder Cinematic Universe) not only retconned his origin story to make him a virus zombie rather than a curse zombie (which throws off his entire arc about being something more than his deeds!) AND made him be allied with B.L.I.G.H.T. of all organizations because Like say what you will about NOTL and the forced heterosexual romantic plot but at least 1) it gets what makes Dead Fast a hero and 2) GIVES HIS LOVE INTEREST A PERSONALITY AND SOMETHING TO DO

🕷️ 8legscomix Follow

Literally

Also they made the villain Dr. Igorable's motivations so laughable like..... so his wife got turned into a zombie and he wants to cure her? Ok? Did she ask for it? She doesn't even have any groaning lines. Im not even a zombie but that was offensive as hell. Like in the original comics he wants to straight up undo all forms of zombism forever

🧠​ msdeadfast Follow

NO FR LIKE....... so suddenly the eugenics obsessed human is tragic because being a zombie must be such a tragedy you guyyyysssss -_- and wanting to get rid of an entire monster type is ok. I swear that movie has turned monster attitudes towards zombies back into the 80s

⚠️ mentalhealth-hazard Follow

I am not sure if I'm overstepping here but, furthermore, the addition of Pendulum to the movie was unnecesary. Stereotyping shapeshifters as untrustworthy and traitorous is something of a past era. Either leave the character behind, or change it entirely.

🧠​ msdeadfast Follow

Jackson I love you and I love your takes. but you type like a Victorian in his deathbed ;-;

⚠️ mentalhealth-hazard Follow

The MCU is so dreadful, it's irrevocably turned me into one.

#It has also substracted years off my lives.

23 notes

🌊​ lacriatura Follow

🦈​🦐​🐠🪸​​🐡​🐟​

^ aquarium!

#lagoona's originals #ocean #sealife #ah-! so refreshing <- aesth tag

26k notes

🔥 666firepit666 Follow

Not to vague anyone but some of you have to shut the freak up about the ocean. You don't see me making little dioramas of the Malebolge because I'm not a little cringelet like you lmao

1 note

🌊​ lacriatura Follow

If you don't freaking love the ocean don't follow the ocean tag. Yes that goes for @666firepit666, square up and fight me if you're so brave Heath!!!!

#lagoona's originals #personal #more skulls for my skull collection!!!

10 notes

🌙​ wolf-in-chic-clothing Follow

Day 1 no toxic doomed yuri

🌙​ wolf-in-chic-clothing Follow

WRONG SIDEBLOG

#stop reblogging this

80k notes

🔩​ stitchez Follow

Got a new arm! Can't wait to try it out!

🐯 ninelives Follow

try it out how 🤨​

🔩​ stitchez Follow

Building a wretched creature out of corpses, of course!

🔩​ stitchez Follow

OH that was a double entendre! You should be ashamed of yourself!

🔩​ stitchez Follow

I would never use my arms for violent purposes!

54 notes

🔥 666firepit666 Follow

Lagoona dragged me into the pool and now my hair is out 😡​

🌙​ wolf-in-chic-clothing Follow

Skull issue.

🧠​ msdeadfast Follow

skull issue

👻​ ghostlygossip01 Follow

Skull issue. Take the L

💝​ lalalala Follow

Skull issue ^-^

🐯 ninelives Follow

skull issue lmao

🔩​ stitchez Follow

Skull issue! I dont know what that means but I'm sure it relates to your experience!

🎸​ innerdemon Follow

SKULL ISSUEEEEEEEEE !!!!!!!

🔥 666firepit666 Follow

Your own cousin 🥲​

🎸​ innerdemon Follow

I AM NOT RELATED TO ANY BALD PEOPLE

105 notes

💎​ scarab-g1rl Follow

Alright, who stole my sinister amulet?

[duskdog]

I've never been a huge fan of the retcon of Stephanie Brown's death.

Don't get me wrong -- she never should have been killed the way she was, and I'm overjoyed that she's alive. But... the retcon itself is just so, so boring and stupid and uninspired. "Whoops, she faked her death! LOL!"

On the bright side: It not only brought Steph back, but it gave her the chance to earn respect and redemption in a way that would have been impossible had she stayed dead (obviously). It gave her the chance to become something more than "that dumb kid who started a gang war".

Also on the bright side: It salvaged Leslie Thompkins, whose character had been absolutely butchered -- even worse than Steph -- by War Games. Her motivation for letting a child fucking die on her table was absolute bullshit that made no sense for Leslie whatsoever, and spoke of a profound lack of understanding of her as a character and her relationship with Bruce in particular. The retcon washes her hands of Steph's blood at least, even if "faking a teenager's death" isn't the greatest thing for a resume.

On the not-so-bright side: It further demonized Steph by instead making her "that dumb kid who not only started a gang war, but also selfishly put her friends and mother through absolute hell by making them think she was dead".

Also on the not-so-bright side: It erased her very real trauma in the eyes of both fandom and the characters themselves. Oh, she didn't die and stay dead? Guess that means she didn't actually suffer. Guess that means being tortured to the point of death didn't mean anything. Guess that means power drills and broken glass and being hung in a stress position for hours/days doesn't hurt or leave scars or anything. Guess that means being suddenly stolen away from her entire life, with no one that she loves or even knows (we have no reason to believe she was close to Leslie when War Games happened, contrary to popular belief), wasn't incredibly difficult. Guess that means that recovering from massive physical and psychological trauma in a foreign country you've never been to and don't speak the language of, fully dependent on somebody she barely knows, and without the love and emotional support of her mother was probably find, right? Guess that means she didn't learn anything from her mistakes, huh? Because you have to actually die and be dead and stay dead for a while in order to be sympathetic, I guess.

Also on the not-so-bright side: It absolved Bruce (and the writers) of the callousness of his treatment of Steph, and of not memorializing her in the Batcave or giving any other indication that he ever considered her a real Robin to anyone other than Steph herself, whom he believed was dying and wouldn't be around to tell it anyways. (You may consider this a "bright side" thing. I don't, because a large part of my issue with Batman as a character is that he's always Right even when he's Wrong, and the narrative often ends up supporting his blatant assholery. I dislike his bad behavior being vindicated by virtue of secret knowledge or deus ex machina.)

More importantly, however, I've always questioned exactly how much agency Steph had in the whole "faking her death" thing.

Originally, Bruce found that Steph had been "stable" and shouldn't have died, unless Leslie allowed her to. Being "stable" at one point in time absolutely doesn't mean you're not in any danger whatsoever. It's good, but it's no guarantee -- especially if she was in bad enough shape that simple lack of intervention on Leslie's behalf would have been enough to kill her (and within a relatively short amount of time, too).

So we know she was badly injured. Enough so that Batman thought she was dying, and wasn't surprised by that fact initially. (He's not exactly someone who doesn't have experience with estimating someone's condition in the field, too, remember.) Steph herself even seemed to believe that she was dying.

Additionally, Steph can't exactly demand that Leslie -- whom she barely knows, remember -- fold up her practice and run away to Africa to get her away from Gotham. Or plan everything that would be necessary to fake her death, right down to a substitute corpse and autopsy. Those were things that took some real intent and planning on Leslie's part, as well as some Big Ass Decisions for the good doctor.

So it seems almost certain that the idea itself was Leslie's. She made these decisions very quickly, but she had to have been the one to make them. Was Steph privy to this? Well, was she even conscious? And if she was conscious, was she heavily drugged, for pain if nothing else? Seems she would have been. Even if not drugged, was she mentally and emotionally capable of making such a decision, considering she had just suffered actual literal torture?

It seems very unlikely to me that Steph had any, or much, input into this decision whatsoever.

And once they were in Africa, how long and difficult was her recovery? Was she given access to ways to contact anyone? Or change her mind? I'm not suggesting that Leslie was holding her hostage; I'm questioning whether Steph was even physically capable of advocating for herself for a while, let alone mentally. Her only connection to her former life is the doctor who whisked her away here -- and that connection is also the person who's in charge of her care. If you're exhausted, in lots of pain, probably heavily medicated, in emotional distress, and have limited mobility, you're probably a lot more likely to take your doc's suggestion that you "just relax and don't worry about that right now".

Additionally, what kind of mental/emotional state was Steph even in? She knew she fucked up. She knew people had suffered and died because of what she did. You can call Steph a lot of things, but "uncaring" and "unempathetic" are not among them. It's easy to say she was selfishly hiding from the consequences of her actions, and maybe that's true to an extent, but consider what we know about Steph's self-esteem up to this point. I don't think it's a stretch to say that she probably thought that Gotham was better off without her. She probably thought that nobody wanted to see her. She may have even though they were glad she was "dead". (Even her mother, whom she loves dearly. I believe her relationship with her mom is actually quite complicated, thanks to Crystal's neglect during her substance abuse days, their differing feelings on Arthur surrounding his death, and Steph's occasional parentification. Steph believed she had to protect her mother, but probably didn't feel like she was very good at it, so is it really surprising that an emotionally-compromised, injured Stephanie Brown might think that her mother might actually be better off with her "dead"?)

And what about when she reached the point where she was both physically and mentally capable of facing what she had done, and the fact that she was letting her loved ones believe she was dead, and that it might be hurtful of her to do that?

Well, at that point, the damage was already done, wasn't it? Telling them after 3 months, 6 months, 9 months, or however long the bulk of her recovery took wouldn't matter that much, would it? The lie had already been told. They had already buried her. They had already grieved. Maybe, by that point, it even felt like it would be more cruel to suddenly tell the truth. And by that point, she had begun to heal, begun to gain perspective, begun to re-evaluate somethings about herself. She probably really did need the time away to get her shit together. She probably did, for a little while, think it might be best if she never set foot in Gotham again.

I'm not saying that makes it all okay. Her mother, in particular, deserved better than all that. Cass was devastated and clearly struggled with Steph's death, perhaps even moreso than Tim. It was a shitty thing to put people through.

But I'm suggesting that 1. it's not fair to place so much of the blame on Stephanie herself, because it's not logical to suggest that she's the one who planned any of this, and 2. it's at least somewhat understandable.

[wishful-thinking64]

Hazbin Hotel & Helluva Boss Rewrite Ideas #01

I truly believe that both shows have a lot of untapped potential that we'll unfortunately never get to see thanks to Viv refusing to take criticism and the fact that her writers are all yes men. However, that doesn't mean I can't give out rewrite ideas like they're candy to those who wish to tap into either show's said potential. With that being said, here are some rewrite ideas that you could use for Hazbin Hotel and Helluva Boss! ______ #01.) Have Mrs. Mayberry become one of the residents of the Hazbin Hotel. I promise you, this one writes itself. #02.) Have Glitz & Glam be Fizz's rival co-workers to parallel his time in the circus when he worked with the Buckzo twins who acted more like a family to him. #03.) Write some new workers for the Hazbin Hotel since they're still severely understaffed. You could make these new employees a Hellborn, a Sinner, an Overlord, or Goetia royalty if you wanted too. The possibilities for this one are endless! #04.) Let Heaven contrast with Hell based on how they operate. For example, in my rewrite for the Hellaverse, Heaven doesn't use currency at all. It quite literally doesn't exist up there. Instead, they use the Bartering System as they view it to be the most fair exchange of goods and services. #05.) Have there be a character who doesn't belong in Hell but got sent there anyway for whatever reason. I'd recommend using Valoris (my take on renaming Vaggie) if you don't mind keeping her as a fallen angel or using her original Sinner backstory however I feel like Amélie (I renamed Emily solely because her name is so common. It's not bad but you can tell that there was barely any thought put into it either.) could work just as well since she'd be a fallen Seraph. #06.) Make Lucifer and Stolas evil as they were originally intended to be before Viv scrapped the idea in favor of something worse. Stolitz is a toxic ship no matter how much damage control and retconning Helluva Boss tries to do and when initially asked about how Lucifer would act later in the series on an old livestream, Viv originally wanted to have his character be on par with that of Willy Wonka so do with that information what you will. #07.) Allow for Charlie's, "Anyone can be redeemed," mentality to constantly be challenged by those around her. Don't be afraid to have her be in the wrong because we all know that not everyone can be redeemed. Some people (Valentino) truly aren't deserving of it and others won't be accepting to change. You can lead a horse to water all you want but the horse has to decide to drink it. #08.) Create a proper foil ship for Fallen Star (I hate using the ship name Chaggie) cause if even Stolitz can have one in the form of Fizzmodeus then Fallen Star should have one too. Most people opt to use Emilute but I'm a damn GuitarSpear shipper so I opted for a crossover ship that has Emily and another character from Helluva Boss instead. Listen, if a rare pair and joke ship like CherriSnake can become canon over a ship like Sir Pentious x Rosie that actually makes sense when you consider they're from similar time periods, then a crossover ship being in my AU rewrite is the least of my problems.

For context, here's a screenshot for one of the HH mockup episodes before Viv and her team decided to scrap it. Like the majority of the HH mockup episodes. ______ Well, that's all I've got for now so happy writing and good luck!

[multiship-brainrot]

A lil rambling about the subtle perfection of Vaggie's design

I seriously can't stop thinking about how no other characters had any questions about Vaggie or her origin especially when you consider her design.

I know there have been some major retcons to her backstory, but she still is (arguably) the most human-looking citizen in all of Hell.

Like even the most human looking of sinners like Velvette or Camilla's daughters still have flat/no noses, horns, more prominent & sharper fangs/teeth, but Vaggie?? Nah, none of that. She's even a standard human height with most demons being way above or below average human height, except for lower ranking demons like succubus, imps or hellhounds. The other exception to this rule? Lucifer; the only other fallen angel that we know of.

I also feel like this really recontextualizes this line from Husk in episode 4:

As a former gambling overload, reading people would be a necessary skill for Husk, especially if he is only given a matter of one game to get to understand them. Luckily for him, sinner forms have a connection to the kind of lives they had on earth.

Seeing Vaggie's form, and her lack of more traditionally demonic features that most other demons have, it would have been safe to say that he assumed all she got was a palette swap & an eyepatch of all things because her opinion of herself was so low she already profoundly saw herself as a monster (which is technically true).

And I feel as though the deliberate choice to switch her old dress in place of a more uniform-like outfit speak volumes about her sense of self and how she feels she must have to serve someone or a greater purpose instead of existing to exist.

Just like it was mentioned in episode 3, who is she if she can't be of service? what's the point of her? And that honestly broke my heart.

Really hoping that the series will start to explore this aspect of her character and she'll be able to find out who she is outside of Charlie, it's what she deserves! Would also love to see her bond with the other members of the main cast more (especially Lucifer & Husk, call them the Alastor Hate Squad or the Wings Club or idk they have so much potential) 💜

[meraki-sunset]

so your crow strider au gave me inspiration for my own au, but i've built up the idea in my brain so much that now im scared to try to put it to paper (oops) did you ever deal with this while making crow strider? (and if you did, how you got over it would be much appreciated thanks fhdjks) also your art is cool :]

Hi, sure, i encountered a few blocks when writing CSAU and other projects. I think my method comes down to a couple rules

You need to know how the story ends from the start, so everything in the story leads to the end. Things can change about the contents of the story as you write it and you change your mind about the events that will transpire in it, but you need an end goal you can build your story towards. Most importantly, this is what allows you to add foreshadowing for said ending and structure the narrative in a clear direction. Otherwise, you might come up with a cool ending too late and regret some choices from past chapters that now don’t help this new ending you want

On that same note (and i’ll proceed to copy and paste from an old post) You need to have a Word document with a rough timeline of the events from start to finish. You need to know how it ends from the beginning and how they get there. It can be really, really vague, but it has to be there. It can go like

. They start the game, the trolls bother them.

.both games go to hell

.scratch

.trip, develop relationships

.new set of kids/teen drama

.old kids they get there

.to hell again

.John retcons everything

.new timeline

.they win

And that's homestuck simplified, Those are your Acts. With them, you will know where you're going and if you need to change something earlier. Everything will be constantly up to change of course, but you will be going from point A to point Z more easily.

From there, you go to every point in that list and create a Word document for all of them. I have them in different folders to have every act separated and in order.

A folder for each Doc for every Act, Numbered, and in each one make more lists like that one telling what happens, for example

WordDoc1 - ACT 1 "They start the game, the trolls bother them"=

.John needs to get his game

.introduce Rose

.introduce the trolls on pester chats

. John gets the game

.introduce Dave

.etc

And those are your chapters. Now you can know the extent of what you want to do and if it makes any sense.

I addition to that, every Folder can contain not only the Word document for the Act but also relevant texts and art that are connected to the Act, so evey folder is all about that specific act and any inspiration for it.

Another piece of advice I can give you is to hint at anything important. That's a rule of comedy; actually, the comedian usually closes the show with something related to the first things they said.

That works for everything, and makes people go, "Oh the thing! The meaningless thing they said earlier, it was a clue all along!"

Interconnect it like a web, and that web will stop the story from falling

Homestuck is so ridiculously interconnected that you lose track of the stuff and objects that repeat that have no way to be where they got to be, songs and people and events that are too similar to not be connected but nobody addresses, things like that make it feel like you're dealing with a universe and not just a line of events.

3. Yet another thing, it's something I'm still trying to assimilate, and is that less is more, sometimes things don't need to be said, specialy not bluntly, and an expression, a gesture, a flinch can summarize them. Backgrounds can be reduced, and ideas can be conveyed.

one example is, In homestuck, it's never said that Dave was raised with lack of food. He never sais it, but it's shown in how happy he was to find a warm bottle of juice in his closet, how there is only weapons on the kitchen and no sign of food, how he later sais he never learned what the purpose of a fridge was until he saw it on tv. If someone is lacking something, don't have them say, "i grew up without X thing" show what filled that space in the absence of X thing.

Instead of some character saying, "My dad was never there for christmas" have them say how they thrited for presents at the local goodwill, payed with their lawn mowing money and put the presents under the tree themselves for their siblings and mom.

4. Something that I always have in mind when writing the dialogs and sketching the scenes, is

"I have an idea; what's the easiest way for someone to get the idea, to get the feelings i want to transmit from the idea?" I made the art something I could handle drawing hundreds of times, simplified the coloring, the aspect symbols, the way I draw backgrounds, the way I write dialogs, etc.

That will save you time and work and could prevent you from getting stuck with a project too big to handle

5. This is the most important one: The first draft’s only purpose is to exist.

Writing is like playing darts sometimes; you only get closer to hitting the center by missing it and learning what not to do. That’s an actual rule on animation and a motto on the Disney office. “Get it wrong as quick as you can,” because when you learn what you’re doing wrong is when you start learnign what doing it right means.

If it helps, title your first draft “the dumb version,” because that’s what it is—the version to get the idea out of your head, and then you built over it.

On the same note, once you write "the dumb version" don’t correct it. Rewrite it. It’s annoying, I know, i know, but fixing and fixing a text only carries the mistakes from the first draft, and everything looks kind of disconnected, because it ends up being a Frankenstein text of all the versions of the story mixed together.

This also applies to art; that’s how I handle both writing and drawing; if it’s not working, hold onto the core idea, new page, restart.

Rewriting it puts it in perspective; it feels like a text of its own, with a clear intent in mind.

I think that’s all I have. Making a story is mostly about managing your strengths and weaknesses, organizing and not being scared of it not being perfect.

Hope this helps.