#i know it was IT related and was a play on words

[kinardsevan]

i wrote a whole ass psychology breakdown (for the first time in FOREVER) about the break-up. enjoy (if you so choose):

so I've been reading a lot in relation to Tommy's speech during the break-up (and have actually gotten through the scene several times now, mostly as a creative reference for these fix-it fics. I think one of the first things that I've seen completely tossed aside (that bothers the shit out of me as someone with over a decade of therapy treatment and a psychology degree) is whatever trauma Tommy carries.

We know that there are issues with his dad. We know Lou's lore behind him is that he spent a lot of his childhood alone. We don't know anything in relation to his mom, but she may or may not be the cause of more trauma. We know that his way of dealing with abuse of authority is to shut down and follow the leader, which is likely a mix of his military time and growing up in his father's household (and when I say this, I mean from what we saw of him under Gerrard's command). This is a person who has put years into getting himself into some version of okay after all that he's endured, and we know he still generally does it on his own.

To that end, here, have my breakdown of the break up (roughly right about the time Buck says "I want you to move in with me"). (with pictures!)

Prior to the offer, we watch Tommy process through Evan's explanation about his relationship with Abby, things being transformative for him, etc. We have to bare in mind that this is where we also start to get what I've dubbed "starry-eyed Buck". He's so in the throes of what he's saying that I don't think he's really considering the connotation of his words. At the same time, Tommy doesn't know what lore Evan is about to drop him about this prior relationship. Remember that he now has to contend with the fact that they both have strong opinions on their relations toward Abby, and Tommy can't know if their feelings toward her as a person will be the same. I think Lou played this beautifully, appearing anxious and apprehensive as Tommy listened to Evan explain that Abby was transformative for him. Then he shifts into how Tommy has been transformative for him (which, he has, and we as the audience know this, but we understand it from a bigger POV than what Evan is saying with his words.)

There have been posts about Evan putting Tommy up on a pedestal throughout this speech (and really, possibly even sooner, but this is where we really get it expressed). Tommy tries to rectify this to a degree by countering "I wasn't always that way".

To that end, we then get Evan telling him "I know, and it just makes me admire you more." Tommy gives a bashful smile, clearly heartened by the statement, and even opening his mouth as though he's going to respond to it in some form. It would be interesting to know what was on Lou's mind of what (if anything) he thought would've been said there. Are there lines that were removed in this scene? Was 'I love you' actually going to come up? We can't really know. However, there's this part of me that thinks that Tommy thought that they were having a discussion on the depth of their relationship which would've possibly brought those 7 letters to the equation. Either way, this entire bit of facial acting is SO important, because it speaks volumes about how Tommy feels about how Evan feels about him.

From there we get the "I want you to move in with me, and this, THIS, THIS is such an important point for this ENTIRE scene. It's two seconds, but it holds SO much for the narrative. This man, who seems to be on the verge of ...something, clearly (who knows if I Love You was on his mind, or if it was just the fact that Evan was expressing how much he cares about him.) The reason this is all so important is THIS REACTION:

Now again, we don't know Tommy's trauma, but the joy literally drops out of his expression and shifts to panic. Now, speaking solely from the standpoint that these two haven't even said "I love you" yet, his boyfriend steamrolled over him from a possible declaration of love straight to moving in together without discussing semantics. Further, it's not even "I want to live together", it's "move in with me". We don't know much about Tommy's house (because these shitheads haven't built him a set yet), but we know that he has a HOUSE. With a GARAGE. Buck lives in a LOFT. Regardless of how much of an asshole this makes me sound like, it's crawling with red flags. It comes across as "fit more into my life" instead of "lets do this thing together". Further, if that's not bad enough, mention of getting engaged and married is thrown at Tommy as well, which holds two major bits of information: One, these are on Evan's mind. We've NEVER heard him talk about getting engaged or married to anyone. This speaks to the importance of their relationship to him, but the lack of I Love You also speaks on his own trauma. If we truly are getting the rom-com trope, at some point there's likely to be a conversation about why he lept over it (*cough* Taylor, his parents *cough cough*). Meanwhile, as he's continued in his starry-eyed speech, this is what Tommy is giving:

Now for those who don't know how to spot it, this my friends is a PANIC RESPONSE. The shift forward, the move to get up, the literal deep breath. He's having a panic attack. Now, obviously we don't know what brought this on, but god-willing, we WILL get the answers.

Now, to his own point, Tommy doesn't just straight up pop Evan's pink bubble. He does express that it's a sweet sentiment, but that it's a bad idea. To which point we get:

"Evan, that is so sweet. But I can't move in with you." "And why not?" Because. I know how this ends." "Uh, what-what's that supposed to mean?"

At which point, we clearly get the qualities about Evan that Tommy likes. "Incredible guy. Big-hearted. Hot as hell. Impulsive." I don't feel that the expression here matters as much as his tone of voice, because we can see on his face that he's expressing these qualities from a good place. The next point of reference isn't until Tommy's next line, when he says that Evan's reaction is out of things being "new and exciting".

To that end, the way Evan is talking to him makes this statement valid. He's not talking to Tommy like they've been together for six months and have built a relationship that should be moving in this direction. (For the tenth time I will repeat, he couldn't even dignify whether he was in love with Tommy when Josh asked).

Furthermore, I think when you consider this part of the scene, you also have to consider the strain in Tommy's voice. Something about those concepts (living together, getting engaged, married) is terrifying. It definitely gives the impression that Tommy has been faced with some version of this before and he got burned. Why is this important? Because of this:

"I'm saying no matter how bad I want it to be, I'm not your last." Those 9 words are important on their own, but when you couple them with the expression on Tommy's face and what we've just seen him go through, there's a clear point to the fact that he's been through this before. I also think that there can't be enough importance placed on the way he intonates "how bad". This is not a man saying no because he doesn't want to. He's backpedaling because he's sure that he's going to get burned. We get this point further driven home with this exchange:

"I'm your first." "But hey, they can be the same thing." "But, they usually aren't."

See this doesn't read to me as someone who's scared because he knows Evan has never been with another man. They're both fully grown adults who have had multiple relationships. What this speaks to me (now) as, is someone who has let someone convince him before that he would be their forever, that they were all in, and then broke him. When you include his childhood trauma and whatever abandonment issues it's left him with in correlation with all of this, yes, it's still an extremely biphobic set of lines. But in the context of what he's expressing and why, it's not about telling Evan he needs more experience, it's about telling him that he doesn't believe that he'll want to stay settled down with him six months, a year, etc., down the road. And THAT my friends, is abandonment issues 101. "Everyone else has left, so it doesn't matter that I'm in love with you, because you will leave too, and I need to protect myself from that."

Following that, we get this: "if I were to move in with you, you wouldn't mean to, you wouldn't plan for it, but you'd end up breaking my heart."

This line is SO important, right next to Evan's exchange with Josh about his relationship with Tommy. Why? Because even though neither of them have said it, it spells out that these two are in fact in love with each other, even if they haven't said it.

"I don't think I could deal with that." Tommy is fucking GONE on him. He's expressing that if he gave himself fully over to what Evan's referring to, losing him would break him. Again, we don't have the full picture on his trauma, but we know there's a mountain there. It's also worth noting again, that the intonation he uses in these statements clearly come across as someone trying to reign in their emotions and keep it together. That says to me that we're dangeously close to touching his trauma.

I don't feel like I have to include the final few bits of the scene in gifs because they're all over the site now, but the next line gives over the fact that he hasn't really been open about his trauma to Evan, given that his immediate response to expressing all of this is "I should go". This kind of reaction is generally brought on as not being accepted for having certain feelings. Now, obviously Evan is caught off guard by the entire interaction, the same way Tommy was (but for different reasons), so we have to take all of that into account when we think about the fact that instead of countering Tommy's logic, he asks instead if Tommy is breaking up with him.

Body language is also so important here for Tommy. His shoulders are hunched in, we see him wipe his face (meaning there are likely tears), and when he turns around, he's so caught up in whatever wave has taken him over that it takes Evan asking him for Tommy to state "yeah, I guess I did" about breaking up. Further, there's the fact that he states that he didn't see the break-up coming, which goes back to my point at the top of this post, that he clearly thought the conversation was going one direction, and instead it goes the other. From this point, we have Evan reeling, because he wants to create more of a life with Tommy, while Tommy is shutting down because of whatever is holding him back.

Finally, as I've referenced before, we get this line:

"Should've known that parking spot was too good to be true."

That line makes zero sense out of context, but in consideration of someone trying to lighten the weight they're carrying (which you can literally see by the way he has his hand on his neck, which you generally only see people do as a stress response). You can also double entendre this statement that getting to be with Evan was too good to be true. We get that little inhale with the smile, and I swear to God the only time I've seen that kind of reaction is right before someone cracks.

And then in closing, we get the "I'll see you 'round, Buck," our closing gut punch. Evan is still reeling, clearly. His face is very "what the hell just happened". Tommy is clearly not okay. This entire scene has opened an entire can of worms on them without a whole lot of answers.

Now, I've owned the fact that basically from the end of 806, I felt like this had to be a swerve, and that there has to be more to the story. I've also pretty much owned the fact that if the writers did actually just do this for kicks and don't have a resolution for it, I may not keep watching. However, in the context of the fact that, for the moment, I'm choosing to put hope in some kind of resolution, these lines make so much more sense. It is worth noting though, most people in the fandom, let alone the general audience, aren't going to psychologically break this shit down line-by-line. They're not going to lean into whatever trauma Tommy has that we don't know about yet. Its why the internet has been a mess since Thursday night. But it's also why I talk about how, when this situation gets resolved (because right now I refuse to say if), Buck has to give up the loft and give more of himself. Tommy, by the nature of the show, has fully immersed himself in Evan's life, but we haven't seen or heard mention of Evan doing so at all in Tommy's life. That doesn't mean he hasn't, but we haven't gotten any version of that. So when I say Evan needs to give things up... it's about matching what he's asking Tommy to give up. Because at the end of the day, when this circles back around, he's effectively going to be asking Tommy to trust that he won't break his heart like others have, and when you have a lifetime of abandonment issues and have learned to cope by being hyper-independent and alone, moving in the opposite direction is more terrifying than anything else. ESPECIALLY when you love that person, which we saw Tommy spell out. Evan has the ability to break him (and probably already is via this cut-off-at-the-quick break up.)

So, I'm really gonna need these shit heads to figure out that they'll be more miserable apart than they'd ever be together.

That's all. Thanks for coming to my TED talk.

[slytherinboysvip]

hiiii, i love ur writing so much, u capture the slytherin boys perfectly chefs kiss 😘 and i was wondering if u could do 69 or ab/thigh riding with any of the boys?? heehee 🤭 if ur not comfortable with that that’s totally ok, js wanted to ask and see

thanks!!

Hide and seek- T.R

(tw: thigh riding, 69, ab riding, overstim, praise, slight degradation, prey+predator mindset)

first of all thank u smmm, annnd okay sooo how about both.. hehe >:)

you see, tom was a man who was into many things. some, usual, and some well.. deranged?

he wasn’t the type to immediately get into sexual relations upon getting together, but believe me once he’s there, there’s no going back. he watched over you constantly as if you were his prey, ready to be taken over by him, your main predator.

and when i say predator i mean it, once hes got you you’re his and there’s no getting out, he will literally eat you out the second he’s got you. he loves playing this special little game, one where you run, hide, and he seeks. now it seems easy, the castle is huge there’s no way he could catch you.

not to mention the fact that you two only play at night- prefect privileges.

you’re running, heart pounding against your chest at the thought that any given moment tom would snatch you up and you’d lose your game, though that’s what you really wanted. the adrenaline starts kicking in when you hear echoed footsteps from another hall, attempting to sprint away as quietly as possible failing miserably; hearing the footsteps getting louder and closer.

no thinking necessary you ran out of the castle and it was pitch black. peeking behind as you were running you caught a glimpse of tom chasing after you- this time you did think but only for a split second before running towards the forbidden forest not looking behind at all and rushing throughout different bushes and passing creatures.

finally stopping for a second to take a rest and catch your breath you slid down a tree and sat breathing heavily. you closed your eyes for a second and as you were getting up you heard a twig break. looking behind you there stood tom smirking. you had two options in this part of the game, surrender and have some mercy, or the fun option, run more and whatever happens.. happens.

obviously choosing the fun option you immediately ran for your life in the opposite direction of him and swerved around trees trying to offset him from your trail, to no avail you heard twigs breaking behind you after you’ve thought you’ve gotten away.

stopping for a moment you realized there were no more breaking twigs, or any noise at all for that matter. you looked around worried, there was not even the sound of a cricket. all you could hear was your breathing, until you felt warm sporadic breathing over your left shoulder. abruptly turning around you were stopped by strong arms. “caught you dove”

even though you knew it was tom, even though you knew he wouldn’t hurt you, your heart was practically beating through your chest. you could never imagine what he was going to do to you whenever you lost this specific game, even if you’ve never actually won.

“you know, running into the forest like that.. not very smart of you. i think someone might need a bit of a punishment”. his hand met your throat tightly wrapping around it, whispering a charm that brought you back to his dorm. “how the fuck” you breathed out suddenly dizzy. “watch your tone” he slapped your ass harshly pushing you on the bed.

“strip for me doll”, his voice was deep and seductive his words making you hypnotized doing exactly what you were told. removing your skirt slowly looking up at him with your fuck me eyes, followed by removing your shirt giving him a smile. “i have no problem ripping that shit off hurry up.” no hesitation you threw your underwear and bra across his room revealing yourself completely.

“mm you get hotter and sluttier everyday” he breathed out walking towards you unbuttoning his shirt. though your boyfriend didn’t look it, he was hiding a raging six pack underneath that white button down. absolutely toned to perfection you stared in awe, as you did everytime he took his shirt off. “can i touch” you looked up at him reaching for his stomach.

he smirked slapping your hand down “actually, you’re going to do something for me.” he laid on the bed and looked over at you, “you’re going to ride my abs, just like the slut you are doll” his smirk only growing wider at your visual embarrassment. “what’s wrong? i thought you loved them..” he chuckled mockingly in amusement.

your face was an indescribable color of crimson and you couldn’t even look him in the eyes as you straddled yourself over his stomach and brought yourself down onto his abs. “spit” he nodded towards your pussy not even looking back up at you, doing as you were told you spit down onto his abs lifting yourself slightly so it could roll down underneath you, lowering yourself back down.

his hands met your hips harshly and began grinding you back and forth onto his abs, to your surprise your clit was being perfectly stimulated dragging over his abs your wetness now mixing with the previous spit as low moans escape your mouth. “i knew you’d like this shit whore” he slapped your right breast causing a loud moan to leave your mouth “i need you tom” you cried out desperately for his dick.

“well dick is only for good girls who surrender for me, someone didn’t surrender.” he pushed you off of his stomach and shoved you on his thigh, “get yourself off for me, and maybe, just maybe i’ll let you have dick” his eyes darkened waiting for your next move, wanting any chance to fuck him you began moving your hips chasing your high just looking at him.

you desperately moved yourself back and forth leaving a slick spot of wetness on his school pants that he’d yet to remove. your eyes trailed up and down his body- scanning his abs admiring how shiny they look covered in your arousal. balancing yourself onto him your hand landed onto his raging boner. it felt like a complete fucking rock. and you absolutely needed it. just the thought of it alone made your immediately reach your high. moaning for him as he watched you carefully.

he reached his fingers down to your pussy sliding them under and pushing them inside the pleasure making you moan even more before he abruptly removed them taking them into his mouth “so delicious dove” he smirked. “i think overstimulation is the perfect punishment for your forbidden forest incident.” he pushed you off of him and onto the bed, getting off the bed and dragging your legs to the end. he bent down and his head dived into your pussy.

he shook his head back and fourth licking and twirling his tongue all over your clit you could feel another high coming and you didn’t want him to stop no matter how much the pleasure hurt. just when you were about to cum he shoved three fingers inside of you pumping them in and out at a harsh speed. you were unable to control your own reactions drool ready to spill from your mouth as you moaned like there was no tomorrow.

you tried to keep yourself from cumming, you didn’t want to give him the satisfaction of it. he sucked and twirled his tongue around your clit licking up and down all while fingering you expertly. he knew every spot that made you feel pleasure and had no problem finding new ones. everything finally took over and you couldn’t hold back.

even when you screamed “i’m cumming oh fuckkk”- he didn’t stop. tom curled his fingers up and began curling and un curling them all while pumping in and out of you, his long slender fingers hitting your g-spot perfectly. he suddenly stopped. removing all fingers and his face from your pussy. without any words he got back on the bed and smirked. “ever done six nine before, love” he winked dragging your ass to his face and immediately going back to eating your pussy.

through your moans and undeniable pleasure you tried your best to remove his throbbing boner from his pants, most of it springing out of his boxers you took what you could in your mouth and began bobbing your head. “fuckk” he took a break from your pussy leaning back and groaning lowly. you swirled your tongue around his tip multiple times before taking all of it and leaving it there for a second.

you were about to keep going when his mouth began to suck harshly on your swollen clit. your moan barley escaping over his dick in your mouth the vibration itself gave him pleasure, he continued abusing your clit, slapping your ass over and over before you bobbed your head more. you were a moaning mess gobbing on tom’s cock, spit was all over yours and tom’s body.

managing to get one arm to his dick you pumped the base of his shaft and sucked only the tip, attempting to give him a taste of his own medicine. you knew he wouldn’t last long if you did this. just then he began thrusting himself up into your throat fucking your face all while eating you out. at this point it wasn’t only a game of pleasure and overstimulation, but it was a game of you trying to breathe while he attempts to catch his own high.

his thrusts were harsh and your throat would surely be bruised by tomorrow but oh my god did it make you want to cum. and so you did, you came hard, loud, and well, you squirted all over his face. the noise that left your mouth was almost demonic-yet heavenly to him as the pleasure truly became too much. and with that you felt tom’s cum shooting down your throat making you gag at the harsh impact of his thick cum.

“good fucking girl.. fuck y/n” he sighed heavily pulling you off of him and bringing you on top of him, “i love this game” you sighed catching your breath.

this was so fun to write tbh not having to come up with my own ideas is great LMAO

[vettelsvee]

YOU'RE NOT HANNA, AND NEVER WILL BE HER | Sebastian Vettel

history series main masterlist | requests here!

red bull sebastian vettel x reader, nico rosberg x reader

word count: 6588

summary: 2010 german gp post race party has many things in store for seb and y/n, who finally do what they both been willing to do for a long time even they're dating hanna prater and nico rosberg

warnings: everything related to gender-based violence (main trigger warning to physical and mental abuse) from nico to y/n (reminder that everything you read on my blog is fiction), curse words, "cheating", mentions of suicide and cancer

a/n: i'm quite scared and happy at the same time to be posting this fic because it's one of my favourite parts ever on history series, but still has me so worried you might not like it because of all the topics (and because history series was originally posted on wattpad and not many people liked it but don't let anyone know that pls). anyways, let me know your thoughts on this one and request anything you might like if you want pls! i'll probably be posting tomorrow another part since my town is currently on high risk alert of floods and we've been told not to leave home. let me remind you that comments and reblogs are truly appreciated! thank you so much <3

© VETTELSVEE (2024). please, do not steal, copy or translate my works. thanks for reading!

2010 Hockenheim   German Grand Prix  

You paused for a moment in front of the bathroom mirror as Valentina finished your makeup. You leaned forward to get a better look, but the your woman followed your movements with perfect synchronization and, surprisingly, without messing it all up.

Your own reflection was completely unrecognizable to you. In front of you stood a beautiful, self-assured Y/N, looking like someone who possibly had a life that, while not perfect, seemed enviable.

You feared that a simple layer of makeup could make you feel completely different from reality. It was as if all your problems had suddenly vanished, and instead had in front of you a superwoman admired by everyone, not a twenty-something whose life was falling apart.

Valentina Martínez, the girl standing beside you with whom you’d had the opportunity to become closer, was one of the Mercedes catering managers and, also, exactly the complete opposite of you. Valentina had a beauty that everyone could admire and a confidence that many, including yourself, would love to have. She could lift others' spirits with just a smile and a few words that, while not wise, were good enough to make sense.

The Argentine radiated the kind of magic you felt you lacked.

So, when Valentina’s gaze fell on yours as you continued to admire how beautiful you felt.

“Come on, Y/N!” Valentina shouted, stepping away from you and starting to bounce on her feet. “I know this isn’t your thing, but I swear you look incredibly hot.”

“Valentina…”

“None of that,” she interrupted, “you need a bit more confidence. I don’t know how you don’t have it with Nico already. He’s totally worth it!”

As Valentina’s smile grew wider, you sighed and lowered your head. You thanked her as calmly as you could for trying to transfer some of her positivity, though you knew it was somewhat of a show Valentina put on for everyone and wasn’t doing anything particularly special for you.

That was what you liked least about her: Valentina was so well-liked and appreciated by everyone that, somehow, she always played the same role, regardless of who she was with.

“I don’t know why I’m going to a party I definitely don’t want to go to,” you confessed with honesty.

Today’s race had been quite tough, and although the strategies were solid, they didn’t seem to deliver the expected results when Seb only managed to get bronze in his home race. That’s why all you wanted to do at that moment was order a good room-service dinner and eat it under the bed sheets while watching some low-budget TV show before trying to get some sleep.

"You know that stepping out of our comfort zone is the best thing," Valentina said, moving closer to you and gently taking your hands. "Besides, you're doing this for Nico," she insisted. "Remember: he's your boyfriend, and it's your duty to make him happy."

You smiled shyly even though, deep down, you shivered a bit at the tone Valentina seemed to be using with you. It was as if she wanted those last words, it's your duty to make him happy, to penetrate your mind and stay there. You tried to ignore it, as it was probably your own insecurities taking over. And, in some way, you knew Valentina wasn’t wrong. She was aware that you needed to stop being so perfectionistic and rigid, and maybe start letting yourself go a little bit more.

"You're right, yeah," you finally said. "Thanks for everything."

Without saying anything else, you left Valentina’s room to head back to your own, just a couple of doors away, not without first gathering the clothes you had been wearing earlier while your friend continued getting ready.

As you took out your room card from the small purse hanging from your shoulder and swiped it to enter, you started feeling a mix of nerves and excitement. However, the moment Nico Rosberg, your boyfriend, came out to greet you and looked you up and down, hands on his hips, all of it disappeared.

"Are you seriously going out dressed like that?" he asked, completely incredulous, pointing at your dress. "You look like a slut."

You were speechless, though part of you wanted to say everything she was feeling. Once again, fear caused you to shrink back, cautious about your actions and the possible consequences. The tone he had used on you was filled with anger and, above all, disappointment. You knew that nothing good would come from answering, so instead you held back everything you wanted to say to him.

“Nico, it's just a dress…” you tried to explain as calmly as possible, not really knowing how to make him see reason without losing your composure.

He stepped closer, and his eyes filled you with nothing but fear. You could swear that, in his fury, the bluish hue of his eyes had turned an orange-red, like fire; his pupils, fully dilated, were what sent you into internal panic.

“I don’t give a damn fuck if it’s just a dress,” he mocked you. “I don’t want you going out like that. You know there’ll be consequences.”

Be careful how you act with me, he had told you one day when you said you weren't in the mood to go out to have dinner. Since then, though you had realized many things he did to you, you’d also started to act with caution and rationality, knowing that blows could come at any moment.

You’d even considered that there was a remote possibility that you might be the one to end things, especially every time you recalled every single insult he used to hurl at you whenever you misbehaved, which had only increased in frequency in recent weeks, following your father’s death and your trip with Seb to your hometown for the funeral.

But, most especially, when the Red Bull Racing driver stayed a few days with you because he was absolutely worried about your mental health getting worse.

A lump formed in you throat as a few tears began to fall freely down your face, ruining the makeup your friend had taken so much time to apply and had turned out so well.

“If you don’t change your clothes right now and put on something that makes you look like a decent person…” He threatened, moving closer with his hand raised. “Think carefully, Y/N: I don’t want to go crazy, but I think you're forcing me to.”

You couldn’t let fear paralyze you at least, not now, as you felt his hand inching closer to your body. Another physical mark that would eventually fade, but another one that would leave a psychological one permanently.

"Please, Nico, don’t do this…” you begged, completely desperate by this point, but trying not to show it. “You said you loved me just the way I am and…”

“I just can’t believe you’re so stubborn! Don’t you get that I don’t want you going out dressed like some desperate girl who clearly wants to fuck with everyone?!” he yelled, filled with rage.

You backed up as much as you could until your back hit one of the surrounding walls. You had encountered this version of Nico before: no matter how hard you tried to reason with him, he would manipulate you until you ended up thinking it was entirely your own fault.

“Please, Nico, don’t shout. I don’t want anyone to hear us…”

“They’ll hear us if that’s what you deserve for wanting to embarrass me,” he shouted again, even more furious.

You knew the tension had reached its peak and that, from there, things would only worsen. 

Nico kept yelling at you. With your eyes squeezed shut and your hands pressed over your ears, waited for the familiar sensation of one of his limbs landing on any part of your body he fancied at that moment.

“Oh, so now you have the nerve to ignore me?”

When you heard him clearly again and saw his hand raise, you somehow found the courage to turn away and quickly slip into the bathroom, forgetting to lock the door in your haste.

“Open up right now!” he screamed.

While he pounded on the door, his yelling relentless, you leaned against the farthest wall, as if he might burst in at any moment. 

It wouldn’t be the first time it had happened. 

You gasped for air in a place where there seemed to be none, your hand instinctively clutching your chest as if to shield your heart, which felt like it might burst out at any moment. You had learned to live with anxiety and panic, and both emotions had reached a point where they didn’t control each other but had fused, learning to coexist together with you.

“Nico… I’ll change my clothes,” you said, still crying, your voice choking. “I’m sorry, really,” you lied, trying to sound as convincingly as you could. “But please… don’t hurt me.”

Not again.

Your whispers seemed to have reached him because his pounding and labored breathing quieted. You hoped that the situation had calmed, and it seemed like it had.

He didn’t answer immediately, instead giving you enough time to remove the ruined makeup from your face and apply just a little mascara. A few minutes passed, enough time for you to relax and consider the possible outcomes of what might happen next, before he coldly demanded that you open the door.

You emerged and collided with his chest. Forcing yourself to look up at him, all you could see was contempt.

“Once again, you’ve disappointed me,” he stated without a hint of hesitation. “No wonder why lots of shit happens to you and people treat you so poorly. I was wrong to judge Vettel: he was right to treat you that way, and he should’ve done even more to you.”

All you could do was lower your gaze and head toward your suitcase on the floor, trying to pick something that would be ok with Rosberg’s dress code while reminding yourself that Seb did things quite bad, but he seemed to be truly sorry and apologized many times to you. The beautiful red dress, strapless and embellished across the chest, falling just above your knees, had to be replaced by another dress of the same color, but one that reached your ankles, with a much higher neckline and looser fit, so as not to highlight your nearly nonexistent curves.

“Happy now?” you asked, with as much disdain as you dared, even knowing he might match your face to her outfit.

“If you behaved like a responsible adult, yes,” he muttered as he opened the door and took your hand forcefully. “Sometimes I forget you’re only twenty-two and you have a lot to learn about life.”

Did he really know more about life than you did after all you had to go through?

That thought lingered in your mind throughout the journey, from their floor’s hallway to where the party was held, including the elevator ride where they encountered Mark Webber and a journalist from Sky Sports Germany, Eloise Schimdt. During the conversation between the four of them, though you remained silent, you had to pretend that everything was fine, even as your insides felt like they were shattering further.

As they entered the venue, the music, louder than she liked, started to throb in your ears. Your eyes opened wide to adjust to the dim lights from the spotlights, and, as you always did when in a public place with Nico, you began scanning the scene in detail.

There were more people than the space could comfortably hold. The dance floor was packed with people moving energetically, glasses in hand with the sole mission of keeping the alcohol from spilling. The bar was just as crowded, and in the center, across from shelves stocked with every type of liquor imaginable, she spotted Kimi, Fernando and Jenson with their respective partners, chatting animatedly.

But your eyes didn’t seem to waste any time and ended up settling on the guy standing a bit farther away from the others.

Sebastian was leaning back against the bar, tapping his left hand on it to match the rhythm of the song playing. In his other hand he held a glass of what she assumed was, possibly, a Jägerbomb, his favorite drink and, to him, a must-have for parties like this. He was wearing a white t-shirt and jeans with those Geox trainers he always wore, and his hair was completely tousled.

In that moment, you felt utterly captivated by him, and you were sure you would have dared to talk to him if his eyes hadn’t been fixed on Hanna. The blonde girl was a few steps in front of him, dancing seductively without caring where she was or who might be watching her.

You couldn’t help but wish, at that moment, to be her.

You shook off those conflicting thoughts as soon as Nico grabbed you by the wrist and pulled you, snapping you out of your trance, to head toward the bar.

"Give me a Martini," he said abruptly to the bartender, "and some water for her. She’s a bit dizzy," he lied to stop you from drinking, as he often did every time you went out.

"A Jägerbomb if you can, please," you ended up telling the guy behind the bar with your best smile.

You completely ignored the words and looks Nico was giving you. Instead, you just flashed your best smile at the bartender, who kept looking at you with concern, along with the rest of the people who weren’t too intoxicated yet and had overheard your boyfriend’s words.

"I can’t believe you’re drinking again… Can’t you control yourself or what?" he snapped.

He pulled you aggressively close, and you tried you best to ignore his words, spoken in a threatening tone directly into your ear, while you took your drink from the bar, along with his, and offered it to him.

Surrounded by people, you felt a bit safer than usual. He wouldn’t be able to hurt you, at least not physically, in front of everyone here… His reputation would be ruined, and Nico Rosberg was too proud to allow that.

So you didn’t stay silent.

"Nico, leave me alone for a few hours, please," you replied, ignoring his comments. "I’m here to enjoy the party you were so insistent on coming to, not to get scolded for wanting to have fun with you."

"Damn it, Y/N!" he expressed in frustration. "Do you always have to ruin everything or what?"

You just lifted your glass to avoid spilling your drink and walked towards the dance floor, leaving Rosberg behind, hurling insults you decided to ignore.

As soon as you found yourself among the crowd, greeting familiar faces with a friendly smile, you let yourself get carried away by the rhythm of the music. Tonight your shyness seemed nonexistent, and you could only thank the alcohol for giving you the confidence you had lost. You started to lose track of time as you danced, and though you didn’t know how, each move helped free you from the intrusive thoughts of loneliness and worthlessness, of feeling like nothing more than a mere object, which had crowded your mind at a dizzying speed.

You knew that mixing liquor with the energy drink that funded your lifestyle was only a temporary fix and that, once the effects wore off, your life would return to the completely chaotic state you had come to deserve.

Suddenly, the music stopped, as did the bodies moving on the dance floor. A spotlight focused on the stage, where Seb stood, microphone in hand and swaying. There was no doubt that he was drunk.

His swaying body made it clear that he had no idea what he was doing and that, at some point, he would end up regretting something.

"Sorry, sorry!" he said into the microphone. "But I feel like making a little pause in this party we’ve got going tonight because I want to sing a song to someone I care about a lot."

You began to feel terrible as Vettel gestured to the DJ for the music he wanted. A few seconds later, the first chords of Just the Way You Are by Bruno Mars was the only sound echoing in the room.

"Babe, this song is for you, and I want you to know how much you mean to me!"

You could see Hanna smiling broadly and shrugging. You wanted to leave to cry again at the beautiful scene unfolding in front of you, of which you definitely weren’t the main character.

Was it too soon to say that the boy you were in love with dedicating a song to his girlfriend hurt worse than any blow your current boyfriend had ever given you?

Yes, it was clear. Possibly, the alcohol had already taken too strong a hold, and you could no longer control what you said or thought.

You know I'd never ask you to change  

If perfect's what you're searching for  

Then just stay the same  

So don't even bother asking if you look okay

You felt confused and didn’t know what to do, but Sebastian’s voice, trembling and making his English accent sound more German than usual, had you completely captivated.

So did Prater's reaction when the German shifted his gaze from her to you.

“This is for you,” he said, sweeping his gaze across the crowd. “I know you know who you are, and I want you to know it’s all for you, and that you deserve the absolute best.”

When I see your face  

There is not a thing that I would change  

'Cause you're amazing  

Just the way you are  

And when you smile  

The whole world stops and stares for a while  

'Cause, girl, you're amazing  

Just the way you are

You noticed Hanna moving to your side, visibly confused and clearly uncomfortable with what was happening.

“Y/N…”

She couldn’t say anything else, nor could you to her. As much as you wished to be Hanna, you couldn’t help feeling sorry for her at the strong possibility that her boyfriend was confessing his feelings to another girl right in front of her.

Or, at least, that’s what the alcohol led you to believe.

“I want you to know that, from the first moment I saw you, you’ve been in my heart,” Seb admitted, his words drawn out, uncaring about the reactions of those around them, especially his girlfriend’s or yours. “Right now, I can’t have what I want most, but I want you to know that being with you is the only wish I’ve made, and the one I’ll keep making on my birthday, until we can finally be together.”

That was the last straw. As quickly as she could, trying in vain to hold back tears and avoid drawing attention, Hanna left, thoroughly embarrassed, muttering something you couldn’t catch. Seb's voice still echoed in your ears, but you tried to ignore it because you couldn’t believe what had just happened.

Lost in thoughts, you moved as far away as you could, trying not to stumble. Then, you made your way to the bar to order another drink, as if that might somehow make you forget what had just happened.

Just before you could exchange words with the bartender who had already served you so many drinks that night, you felt someone take your wrist, though this time much more gently. You knew it wouldn’t be Nico; when you turned around and saw Seb, however, you were even more surprised.

Your eyes met, and butterflies began to flutter in your stomach. Once again, you felt at home and safe, though deep down, you were only afraid.

Without saying a word, he took your face in his hands and pressed his lips to yours.

In that moment, you felt everything fade away. You let yourself go, unafraid of who might be watching or what might happen next. Your arms wrapped around his neck, and his hands moved to your waist, pulling you closer to deepen the kiss… your first kiss. 

Slowly, calmly, and, as you felt, full of affection, you stayed that way until you both needed air.

You felt that you had both been waiting for this moment for so long and, in a way, you deserved it, turning a simple gesture of affection into something unique and special, caring little about your partners or your sobriety.

Seb pulled back, his hands still resting on you, and your gazes shared in complicity about what had just happened. You knew he was happy but confused, just as you were. You didn’t know what to say, and knowing he didn’t either, you simply gave him a shy smile to let him know everything was okay, that he could do that a thousand times more from now on.

“Y/N…”

“What is it, Seb?”

You wanted him to tell you he loved you, that he’d left Hanna, and that he wanted you to be his new girlfriend, the love of his life.

But, instead, Seb looked at you and left you, once again, speechless:

“You’re not Hanna… and never will be her...”

After he said that, you felt nothing but your breath slipping away and the sensation of fainting.

You wanted to tell him everything you felt at that moment, but his words had hit you so hard that they only increased your confusion and pain.

All you could do was stare at him, likely making a fool of yourself with the amount of tears clouding your vision. Silence took over, and when you finally found the strength to speak, trying to hide the pain you knew your voice would show, he turned away without even saying goodbye.

"How the hell could you do that, Y/N?! You have no shame! You humiliated me in front of everyone. Kissing Sebastian like you don't care about your boyfriend... now I see what you're really up to."

You didn't have time to say anything or leave because Rosberg came running towards you, grabbing your arm with a force you'd never seen in him. It hurt, and your scream, which was more of a complaint from the pain than a surprise, was a way of expressing how much you were hurting, not just from the tight grip, but also from the shake he'd just given you.

"Nico, please, calm down..." you tried to calm him, not wanting to embarrass yourself. Some people were already looking at you, and you wished Earth would swallow you up. "It was just..."

"Don't play innocent!" he shouted too loudly. "You thought I wouldn't find out?! I saw you kissing that piece of shit who only wants to fuck you until he's bored of you," he said, referring to Seb. "Now everyone here knows what you really are: a whore! And I'm glad, Y/N… You have no idea how glad I am."

The music suddenly stopped blasting, but your boyfriend's anger didn’t.

"Nico... I love you, really," you tried to speak. "It was just a moment of weakness..."

The moment of weakness was exactly what you were feeling now, making him believe you were truly in love with him when, in fact, you were only staying in the relationship because you were afraid your reputation wouldn’t make it out alive. 

"You say you love me? Don't make me laugh! If you really loved me, you wouldn’t act like this."

You wanted to tell him that you thought the same about him, but you held back, paralyzed again by the fear that your mind was processing all the bad things that could happen.

"Nico, come on. You don’t have to act like this. We can talk about this civilly."

As you saw Edward, Vettel’s personal trainer, appear, and pull Nico a bit away from you, a little peace returned to your body. You gave him a grateful look, to which he just answered by nodding.

"You don’t have to get involved, Eddie!" your boyfriend shouted. "Stay out of our fucking business!"

"You know you don’t have to treat her like this," he said seriously.

"She’s a whore, can't you see it?" Nico spat, pointing at you. "Disgusting little girl..."

"Nico, I understand you're angry," Patterson spoke again, after the German’s words, "but neither of you is in a state to talk about this, and this is not the right place," he said, referring to the curious looks around them.

You could only constantly whisper for them not to fight anymore, while deep down you prayed to take you away from all of this and bring you back to the hotel.

"I don’t care what you say," Eddie started. "I'm taking Y/N. I don’t think being here is the best thing for her."

After saying that, he stood behind you and guided you, putting his hand on your back, toward his car. At that moment, your desperation was so great that you didn’t even think about whether he was in any condition to drive.

The way back to the hotel, less than ten minutes away, felt eternal.You hadn’t drunk much because you didn’t like it, but not being used to it was enough for a couple of curves and a badly taken roundabout to make you gag and feel like vomiting.

Slowly, the shock began to set in, and you started to act on autopilot mode, following the directions of the man accompanying you, except when he told you it would be best for you to sleep in his room that night.

You didn’t know why, but that set off alarms in your confused brain. The last thing you wanted was to add fuel to the fire by sleeping with another man who wasn’t your boyfriend just to protect you.

"Thanks for everything, Eddie, really, but I think it would be best if I went back to my room to sort things out with Nico."

The Brit didn’t seem to agree with you.

"Y/N, I know it’s hard, but I don’t think it’s best for you to share space with him tonight," he was honest.

"I just want to talk to him and try to put an end to this," you insisted, still knowing you weren't right.

"And I understand you, really, but right now everything is too fresh, and the best thing is for you to rest and let the drunkenness wear off," he said, placing one of your arms over his shoulders. "Come on, I’ll take you to my room."

You decided not to argue anymore because it would be in vain, so you let yourself be guided while he lectured you about how you shouldn’t be intimidated by Nico and how you deserved someone better than him after what had happened at the club that night.

"Edward, Y/N. Good night, guys."

You lifted your gaze and saw another Brit. Jenson was standing in front of you, coming out of the elevator you were about to take. You were greatly surprised that he wasn’t with his girlfriend, but didn’t want to get involved; your alcohol-soaked self, however, wanted to gossip.

"Where are you two going?" he asked, crossing his arms and blocking the elevator doors so they couldn’t pass.

"I’m... taking Y/N to my room," Eddie revealed, stammering a bit for no clear reason. "She’s had a rough time, and it’s best that she doesn’t see Nico’s face tonight."

"And you think the best thing is that you take her to your room?"

Button’s features went from relaxed to a kind of aggression you had never seen in him. It’s not like you had spent much time or had many conversations together, but you knew the situation you were now involved in wasn’t what you had thought it was.

Edward Patterson stayed completely silent.

"Do you want me to call someone to be with you?" Jenson asked you directly, giving you no other option. "Y/N," he insisted again, "who do you want me to call to stay with you tonight?"

"Britta… please," you said as best as you could despite your discomfort.

To your surprise, while Jenson dialed the phone number of the woman you now considered your friend, Eddie let go of you and reluctantly pushed the driver, still leaning against the elevator frame, to leave. He didn’t even take the time to say goodbye to you, something that seemed to upset Button quite a bit.

"Hello, is this Britta?" Jenson began, speaking into the phone. "Great, yes. It’s Jenson. I’m with Y/N, and she asked if you could help her," he started explaining. "I don’t know much about what happened, except that she’s not feeling well and needs help from someone she really trusts," he clarified.

After exchanging a few more words, Jenson led you back to the lobby, where Britta appeared just a few minutes later in a bathrobe, espadrilles, and her hair tied up in a completely unusual way. You had never seen Roeske like that, and all you could do was laugh.

"Come on, let’s go already," Britta said, linking her arm with yours as if you were two old ladies heading to bingo. "This is how I want to see you: laughing, not crying."

When Britta opened the door to her room, you immediately ran and threw yourself onto the bed. Your whole body hurt, and you weren’t sure if it was from the emotions of the night or because the alcohol was hitting its peak.

Whatever it was, you knew perfectly well that lying completely still, face up, and counting the total number of tiles on the ceiling, pointing at them one by one with one eye closed and your tongue sticking out was what was making your hostess laugh.

"Come on, Y/N, get up," Britta asked gently. "Do you mind if I help you get changed? It’s time to put on your pajamas."

You nodded as you sat up and moved to the foot of the bed.

Next, Britta unzipped the dress, and you noticed how she averted her gaze to give you some privacy while offering a nightgown.

"Right now, I’d love for Seb to be the one undressing me to fuck me. God... how I’d love Seb to make me scream now..."

Had you said that out loud?

"What did you just say?"

Britta’s muffled shout and the tone in which she asked, while turning her back without caring whether you had already put the garment on, making you realize that yes, you had said that out loud.

Your first time being drunk was going to be, definitely, a night to remember. Now, you just felt like saying those kinds of things, and you didn’t care at all about having a boyfriend… if he could even be called that.

"Oh…" you said, stretching the last syllable. "Didn’t you know it?"

"Know what?"

By the tone of voice, it seemed Britta thought it was related to the sudden thing you had said.

"Seb and I kissed," you told her, starting to laugh like a lovesick teen.

"This is the alcohol on you, I’m sure of it," Britta said, running to get a wet towel and starting to wipe it across your face. "You mean you and Nico kissed," she tried to correct you. "Seb is dating Hanna, and you’re dating Nico, remember?"

You started shaking your head constantly, about to collapse to the floor. A laugh started escaping you as you couldn’t control it.

"No, no, no, no," you denied while also wagging your finger. "Seb and I kissed. Nico’s an asshole."

"Y/N, you really should go to sleep, you’re not..."

"Of course I’m fine!" you said enthusiastically, getting up from the bed and standing in front of Britta.

The truth was that you only felt fine because of the effect alcohol was having on you. If it wasn’t for that, you would be crawling on the floor crying because you knew you had reached a point where you couldn’t pretend your life was perfect anymore.

"Do you really not believe me when I say that not only did Seb kiss me, but it was the best kiss of my life?"

You knew you were putting Britta in a tough spot, especially considering that the woman was probably closer friends with Hanna than with you.

"And Hanna?" Britta demanded to know. "Was she there, or had she left?"

"Oh, she was there?" you tried to pretend the best you could, using expressions that clearly showed otherwise. "I didn’t know..."

Before you could continue speaking, Britta ran to grab her phone and started making calls. You sat back down, crossing your legs and swaying while watching the blonde desperately cursing in German, since none of the contacts she called were answering.

It was possible that Seb and Hanna were busy, probably having sex. Your drunk self only wished she was in Hanna’s place.

"The only ones who tell the truth are kids and drunks, you know?"

Britta stared at you after those words. It seemed like you needed to say that phrase to make her believe you.

"Are you serious...?" Britta asked.

"What, Britta?" you insisted, urging her to speak.

"Did you really kiss Sebastian?"

You nodded.

"Yes," you confirmed. "Well, I mean, he was the one who took my face and kissed me," you corrected yourself. "Do I owe anyone something, like he owes Hanna?"

You were getting a bit defensive, and you knew it was making Britta nervous.

"Yes! You owe Nico, your boyfriend," Britta replied, giving you a harsh dose of reality.

"I don’t want Nico," you confessed. "At least, not in the way I think I should. He... I don’t know, Britta. I think he’s what I deserve. I try to understand why, but I know that his insults and those things he says to me make me a better person somehow."

You could see Britta go pale. Also, you were starting to feel worse; after all, it was the first time you had opened up about your feelings to someone since the journal Seb gifted you for your birthday last didn’t count as a personal therapist.

Britta usually had words for everything, but that day, you seemed to have left her speechless.

"Y/N..." Britta began, carefully choosing her words. "You’re a good person. You’re just scared."

"Maybe," you replied, trying not to make it a big deal. "And you, are you scared?"

"Of course. Everyone’s afraid of something."

"I’m afraid of being alone," you admitted, lowering your head because you were starting to cry again for the umpteenth time that day. "And I’m afraid of losing Nico. I know no one will ever love me, not better or worse, than he does."

Britta didn’t know what to say, and you felt bad for having to be in her room, drunk, sad, while your “friend” was putting up with you, possibly mediating between her client and her client’s partner.

That’s why you made a move to leave. Fortunately, Britta wouldn’t let you.

"Sit down, Y/N, and let it all out," Britta demanded.

And that’s exactly what you did. You told Britta everything, not just about what had happened since you started dating your current boyfriend, but about your entire life. Living with a mentally sick mother after her accident, her subsequent suicide, their move to Barcelona. Her father’s cancer and how it had worsened in less than two years. All the things Rosberg had said and done to you, even forcing you to do certain stuff you were clearly uncomfortable with.

You cried like you never had before when you told Britta about your first time, reluctantly, on a luxury yacht in Monaco’s seas, and how it gave you nightmares almost every night to the point where she was scared to fall asleep.

You could tell that Britta was truly worried when you started biting your lower lip, and a little tic appeared in your right eye.

"Have you talked to anyone about this?"

"Do you know I’m not Hanna, and I’ll never be her?"

You were fully aware that you had just avoided answering a crucial question, but you didn’t care at all. You were tired of talking about your burdens and your current life; from now on, you would focus entirely on your future and try to solve and finish once and for all all the problems that made your life a mess.

"But what are you saying, Y/N?" Britta asked, desperate.

"That’s exactly what I would have liked to ask Seb, but he left and Nico messed things up," you revealed, stretching your arms out and pointing to the marks, now red, that were the same shape and size as Mercedes’ driver’s fingers. "Great, yeah," you said ironically.

"But..."

"Do you think if I’m not Hanna, and I’ll never be her, I might have a chance to date Seb?"

Your question left Britta speechless again, unable to find the words. As Britta struggled to speak, you started playing with your fingers. Giving up, you laid on the bed, your back to Britta, clutching a pillow with the clear intention of falling asleep.

"Why are you telling me this?" Britta asked in a whisper, almost with... pity.

"Because I want Seb," you revealed, letting out a sob because, at last, you had been able to confront and reveal your confusing feelings for a guy who didn’t love you, and never would. "I’m in love with Seb, and it hurts knowing he’ll never love me back, and I know I’ll have to move on sooner or later."

Britta was about to speak, but you took the words from her before she could.

"Before you say anything else, take advantage of me and ask me anything you want: I’m a bit drunk because I’m not used to drinking."

You could tell Britta sighed, likely having lost all patience with you.

"You know... you know that Seb...?"

But then Britta stopped talking. You stood there for a while, staring at the red curtains that covered the window, waiting for the woman to continue. When she didn’t, you turned around:

"You know exactly what about Seb, Britta?" you asked, adjusting yourself on the bed, still hugging the pillow.

"Seb and you need to talk," Britta told you, leaving you speechless. "And when you do that, I’m convinced that you’re going to live the life you both deserve."

"But..."

Britta started to lie you down on the bed again, tucking you in under the linen sheets. Your yawns became more frequent, and after she kissed your forehead just like her mother used to do before your life was destroyed, your eyelids grew heavy.

"I know you won’t remember this tomorrow," Britta’s voice flooded your ears as you curled up into yourself. "But, to Seb, it’s more than obvious that you’re not Hanna and you’ll never be… And that’s exactly why that stupid, but incredible guy, has fallen truly, madly, deeply, in love with you."

You couldn’t tell if Britta’s words were already a dream, or if Morpheus was pulling you into his arms. 

"The day you stop doubting your worth, the world will be at your feet, Y/N. Sebastian has been telling me that and his closest people since you two spent the night together the day before his maiden win in Monza."

[velvetvexations]

you’ll see a trans boy be like “i dont personally have the power to oppress you” and then later the same day 3 of their little trans boy friends will start calling you out for making the first trans boy cry so hard he almost died (by disagreeing with him) and then all the cis women in the space will instantly side with the fragile little boys against the scary big [t-slur] who uses intimidating words like “transmisogyny” and thats how the whisper network against you starts, leading to far reaching professional and social consequences that never leave you

This didn’t happen.

Not this way, at least. All marginalized people are at all times at risk of being canceled unfairly. Their marginalization tends to play a major part in that, obviously. Trans women get hit with it a lot and that fucking sucks, and some transmascs are in TERF-y circles and can theoretically use that against transfems should they feel the need to.

This that I’m quoting, however, is a fantasy. It’s a page from a dream journal. People are giddily imagining things like this happening because they live in a world where trans women are feared and have their reputations ruined by lies, and they want to exploit that for their own benefit. The best way of doing this is putting themselves above other trans people, because cis people don’t give enough of a fuck to care or get involved with these bullshit arguments, but if you whine about other marganalized people they will actually be affected by it and forced into the conversation you created out of thin air. It’s not so much a victimization complex as it is a death cult fascination with the misery of transfemininity identical to the TERF obsession with fymyl suffering, defining ‘trans woman’ as 'the thing that feels pain always and forever.’

It’s disgusting and I can’t imagine identifying with such a sniveling and pathetic vision of what being a trans woman is like. It’s so undignified it makes my skin crawl. It’s embarrassing. There’s nothing in this crying little effigy covered in pins and needles I can relate to. I can’t tell if these people need more self-esteem or less. I’m so fucking tired of this wounded gazelle shit.

But for the TRF, transfemininity is all about the abuse. Just look at the beyond absurd assertion, made over and over again, that trans women are maliciously called the t-slur by other trans people. That’s just. No? No. But in claiming that the t-slur can only ever refer to trans women, and that transfeminine suffering takes priority above all else because everyone forever at all times hates trans women more than anyone else, it again becomes necessary to construct this false vision of intercommunity dynamics where “scary big t-slur” is a stereotype that exists within the community in the first place, and which trans men are constantly using against trans women.

It’s just so blatantly selfish for one to act like a transfeminist when all one does every single day is bitch about other trans people. We’re all about to get fucked harder than ever and there are people who profess to sincerely believe they’re fighting the revolution by making up lies about their siblings. I’m easily triggered by transphobia outside of the community and yet even I manage to engage with actual transphobes and make them considerably less transphobic, yet people who don’t even know enough about what TERFs believe to understand they hate men too will fritter the day away on how they could theoretically be canceled if they did something bad ,and wouldn’t that be the worst thing ever? Oh, what if I broke up with someone and our mutual friends believed I was the jerk, because that’s a situation that exclusively happens to poor helpwess twans women and the mere suggestion I could possibly be a jerk in the first place is unthinkable? Hate to keep saying this, but trans women are being actually murdered and this obsessive fixation on “social murder” within the trans community exists purely to spice things up with a feeling of danger because the spaces we’ve managed to carve out for ourselves are otherwise a little too safe and it feels more authentic to the Laura Palmer Ultimate Victim narrative. Massively popular transfems with over ten thousand followers will happily sic them on people for the most upsettingly asinine reasons and then cry-type about how they’re the underdogs in every possible social situation.

But most obnoxious of all is the implication here that, because this can only happen to trans women, gossip and slander does not happen to other trans people, or other marginalized people in general.

That’s fucked, considering how much this discourse has attacked specific targets. It’s most maddening to see that “the coiner of the word transandrophobia has dykebreaking+detransitioning-of-transfems kink” has evolved to “most people who believe in transandrophobia have those kinks” because I constantly see TERFs making huge compilations of transfem blogs engaging in cis dykebreaking kink from the dom perspective. Just transfem dom blog after transfem dom blog enthusiastically into cis dykebreaking, which TERFs use to paint us in a way that fits their narrative.

Literally the only example they can ever give of a transandrophobia-connected person* being a dom for dykebreaking with transfem subs is someone who was being paid by a transfem. Detrans kink is overwhelmingly non-transfems, but almost exclusively as subs to either transfems or cis men, and those transfems aren’t getting paid for it, they actually are just in it for the love of the game. There’s nothing wrong with that, but people want to act like there is when it’s anyone else, and that’s not only weird but also setting up a bear trap to step in later.

Which gets to the point that, hey, wow, I’ve noticed a lot of cis women in particular who self-identify as TME are super into anti-shipping. You cannot possibly imagine you’re safe for trans women if your big issue with trans men articulating their oppression is “they masturbate evilly.” Popular transfem blogs will talk at length about how you shouldn’t judge transfems for their kinks but cis women are so eager to kinkshame transmascs that they not only make shit up out of thin air, but specifically copy and paste kinks almost entirely made up of transfems onto transmascs. Someday very soon a TERF is going to show them it’s much more convenient to be a general transphobe and not make special exceptions for the ones that use the same pronouns as you. They’re going to show your anti-ship cis lesbian friend one of those transfem dykebreaking blog compilations and she’ll take Trans Rights Are Human Rights out of her bio within the hour.

Like, even if you didn’t care about being monstrously inhumane to others, all of this is so against transfem self-interests in the long run, but people who consider themselves the most transfeminist transfeminists there are, of a radical nature, one might say, care more about notes than helping anyone, least of all the transfems they’re feeding into a grinder of paranoia and isolation. Especially the isolation.

It’s a little hard to take it seriously when I get accused of calling all trans women groomers for thinking it’s bad when people talk about “curing” other trans women’s “comphet,” how “TMEs” are obligated to bottom for them to compensate for transmisogyny, and writing long treatises on why it’s one’s moral responsibility to throw forcefem kink at random men because they may like it. Like, am I saying trans women are groomers, or am I saying some people use being members of a marginalized community to be kinna gross? People somehow find it in them to be angry at gay men who cross boundaries in spite of the messaging that they’re all sex abusers for the past two hundred years. Especially since 90% of the concern is for other trans women.Like, sorry, but I care enough about trans women that I’m going to say something if I think you’re putting them in a bad situation, and someone being a trans woman doesn’t make them immune to that. But oh, it does if you assume that this is all just common sense transfeminism, and I am in fact making this accusation of most trans women instead of an extremely niche group.

Never mind that in the screencap people use to accuse me of calling trans women “rapists” I was saying something a self-identified TME said was coercive, and whose identity as a Not a Trans Woman I explicitly noted.** Never mind that I’m the not the one telling people to name their blogs after the original transbian separatist group that famously fell apart after resulting in heavy sexual abuse. Never mind that I have said over and over again that TRFs act no more entitled to people’s bodies than lesbian TERFs who treat people they perceive as women the same way.

But I’m supposed to believe that those cis anti-shippers who post things like “every time someone says kinks are fine they’re just protecting predators in the LGBT community” is a great ally and I’m a traitor because they hate men and I don’t?

Sorry, no, not a traitor. A “pickme begging to be beaten to death with hammers.” Who’s probably not even actually a trans woman. Great transfeminism, yall. You’re really fighting transmisogyny.

It’s especially galling now that TRFs have taken to calling transandrophobia “reactionary,” the most bullshit possible way to call a group that includes a huge number of PoC, who they constantly accuse of tokenization, a pack of Nazis. What is transandrophobia reacting to? Bigotry? Golly gee, I guess so! Or maybe it’s “reacting” to transmisogyny as part of the completely absurd idea that trasnmascs steal everything from transfems. Like, yeah, sure girliepop, and we stole misogyny from cis women, right? Sorry you failed to not sound exactly like a TERF yet again but maybe try again tomorrow and you’ll finally earn not being called a radfem.

But isn’t it sooooo mean of me to compare a small amount of trans women to radfems? Like their oppressors? Well, first of all, they regularly refer to Jewish people as Nazis, discourse aside that they do that is simply a true fact which shows they indeed think it’s possible to justify comparisons like that, although in their case it’s just because it feels like getting off a sick burn and rhetorical W to go “ah, but what if this Jewish person…was a Nazi? Checkmate, Zionists.”

Secondly, for as much as TRFs want to claim TERFs only hate them, that’s simply not true and I have conclusively proven this with basic use of Tumblr’s search function and the tag “radblr.” Twice. If you believe they love transmascs and only want what’s best for them, congratulations dipshit, you fell for their propaganda so hard I’m surprised they haven’t managed to convince you you’re not a woman. Or is it only an obvious lie when it’s about you?

Most annoyingly, just on a personal level, is the way TRFs get pissed off at non-transfem feminine AMAB people for daring to exist. The idea that femboy is a slur for trans women would be laughable if it weren’t grotesque in it’s ignorance. The things I’ve read people say about how transmisogynistic it is for an anime character to be a crossdressing man instead of a trans woman are just infuriatingly racist. Not everything is about you and it’s not actually a big deal if people talk about others once in blue moon.

The constant posts about how non-transfems are evil for not making more transfem headcanons, or for headcanoning the TRF’s favorite canonically male character wrong, are particularly childish. I can’t even go into MY favorite blorbo’s tag without seeing people call transmasc headcanons of him inferior literary analysis completely without irony, and every single time they shit like this, they do it while making up the most convoluted and nonsensical explanations for why the character can only be transfem instead, as though the hostility is defensiveness born out of their particular blorbo requiring a lot of creativity to headcanon that way, necessitating going to war to prove they can’t really be a man to assert it as The One Truth. Then they’ll complain until the fucking heat death of the universe about how everyone loves transmasc headcanons because of transmisogyny.

It’s the same unbearable on-sight hostility as when a TERF sees a child on the subway and goes home to type up a novel of a post on how he had the eyes of a future wife-beater, and it’s so irritating to see it spread from one corner to another. Literally, TRFs say that trans men will always turn on trans women and eventually detransition to wield their wymbnly power against us, and I’m expected to not see that as having severe hang-ups about people born into what they want to transition into and have denied to them by society’s transphobia?

What about the fact that they constantly mock AFAB trans people in ways specifically targeting that trait, calling non-binary people “theyfabs,” joking it’s easy to misgender trans men when they have large breasts, and reduce transmasc stereotypes to feminine “soft bois?” Like, yeah, okay, you’re not projecting any gaping insecurities you may have about assigned sex and gender roles when you say transmasc music is ukuleles and transfem music is heavy metal, next tell me about how transmascs all enjoy tea parties and transfems all go to football games.

But it’s not even mostly trans women who keep this shit alive in the first place. A higher percentage of total trans women on this site are into this framework, but the total number of non-transfem trans people and cis women so outweighs them in the first place that it cancels that out. Like, if x is higher than y, and x% of trans women on Tumblr agree but only y% of “TME” people do, that’s still a movement mostly consisting of “TME” people. The full separatist angle would very quickly reveal how little air it has to burn if trans women truly only had themselves to watch out for each other. Unfortunately, self-identified TMEs are much more likely to get TERFier rather than simply less TRF-y when the spell breaks and they realize how fucked up this shit is, while the people who’ve been batted at continue to exercise the patience of a saint and continue to fight for trans women anyway.

And that! Is what hurts! The most! The fact that people do not care about transmascs and in particular the ones who believe in transandrophobia are constantly tripping over themselves to defend and help trans women as much as they possibly can. I wish people saw that. I wish that mattered. It’s like watching a black hole suck up an endless font of goodwill and love. And then going “lol reactionary transandrobros hate trans women.”

That’s it, though, the great irony of it all is that if it were true, it’d never have become popular in the first place. It’s kept aloft by self-identified TMEs who are well-meaning if not especially good at critical thinking, except for the the contingent that are convinced trans men are all misogynistic because they personally are, or even outright seem to get gender euphoria from the idea they have male privilege. But for whatever reason, if “TME” folks didn’t care? The people making up elaborate tales of their potential (social) murder would have to find some other way to get attention.

I suggest throwing on a big red nose and joining a circus.

*and I specify “transandrophobia-connected” but you’d have a hard time rustling up transmasc doms in general from those scenes

**also, despite it being something I saw with my own eyes, I notably did not even feel it hit the level of needing to directly name someone as being who I was basing my assessment of sexual coercive behavior on as being sexually coercive, because I think it's much more a prevalent attitude of pressure in sexual contexts than individual behavior

[shantechni]

Related to your post about Mikey "accidentally delivering low blows when stressed" (Aug 2023) would you hc that it's related to his emotional awareness of his family? Like when he blamed Splinter for letting them go up to the surface, he would know Splinter was already questioning his decision to let them do that, or he calls Splinter out on not being affected by his mutated appearance (when Splinter looks uncomfortable being seen by humans/Shredder)? Basically, what are your further thoughts on it? Has he done this elsewhere?

The post in question for the curious cats

This compilation video as well because my big brain remembered me doing that and it's related to this topic and I meant to do a part 2

Oh, that behavior is 100% related to Mikey's emotional awareness. I'd hardly even call it a headcanon, it's just canon lol.

After not only botching their first fight above ground but failing to stop two kidnappings on their watch, the boys immediately start playing the blame game by pointing out each other's rash decisions and dumb mistakes that led to such an outcome. Obviously, the idea of Splinter's decision being yet another mistake of the sorts was hanging somewhere in the air waiting to be grabbed at, but no one readily went for it as something that needed to be acknowledged as mistake. That's why it's so fascinating to see the writers establish Mikey right out of the gate as someone who isn't afraid to comment on Splinter's decisions and his emotional state when he's making those decisions.

He was certainly aware of their father's doubts concerning them going above ground for the first time because a comment like that doesn't just come out of nowhere.

Granted, this instance was him speaking his mind in the heat of the moment and only realizing how much his words would sting after the fact (especially since they're the ones who convinced Splinter to send them off with their begging), but this becoming a continuous trend of his throughout the series further proves the fact of him being more aware of things than a lot of people pegged him to be.

In Mikey Gets Shellacne, his remark about Splinter telling him not to fret about his appearance when he could hardly bring himself to do the same can be interpreted as a more apparent example of him knowing more than he lets on. It's made rather obvious from the start of the series that Splinter wasn't keen on roaming the streets looking like a giant rat, but that's more of a show and tell deal where both the audience and the characters are left on their own to pick up on such an important yet minor detail. Splinter never tells anyone about his insecurity, nor does anyone in the series talk about it amongst each other, so a moment like this can be a bit jarring when it's framed as Mikey calling out Splinter's opinion on his own appearance.

Though the intent of his comment was to simply call Splinter old, the underlying insult is there and Mikey regrets saying something like that to their father of all people.

Other than letting his frustrations get the better of him and unintentionally plucking at Splinter's insecurities, Mikey is greatly in tuned with the emotions of those around him and will usually pick up on any changes rather quickly. Take these two moments with, funnily enough, him and Splinter near the start of Serpent Hunt.

I previously posted the first clip as a funny little observation, but the scene is more intriguing than my jestful sentence made it out to be. Mikey's attention is split between hanging his goofy pieces of artwork on the wooden boards and listening to April as she announces how the restaurant is starting to look like a makeshift home. It's not until he turns around to joke with her about his drawings that he finally has Splinter in his sights, and his attention evidently begins to drift to Splinter as April is responding to his question (you can literally see his head following Splinter's movements while April is speaking to him😭). And just look at how taken aback he is by Splinter's melancholic expression being on full display:

While Splinter answers Mikey by stating that he's concerned for Casey, Leo and Raph because they've been gone for a while, it's pretty obvious that's not all he's bothered by, and him not being subtle about his troubled mind like usual had enough flags raising in Mikey's mind for him to hop up from his spot. Once the scene transitions to the second clip, Mikey lingers with Splinter in the front of the restaurant while April ventures to the back in search of Donnie to check on his progress with the retro-mutagen, as well as to see if the others made it back yet. Mikey and Splinter decide to follow April as soon as Donnie utters Karai's name, and Mikey is visibly bracing himself for another look of heartbreak on their father's visage:

Splinter moments aside, Mikey recognizes when something is up with his brothers and friends, as well as whether or not he should step in. Of course the prominent moments of him demonstrating his ability to calm Leatherhead and Raph down count among the times when he steps in, but the times when he chooses not to step in shouldn't be understated either.

Take the pre-intro scene in The Cosmic Ocean for example, when April breaks the silence and questions where Leo ran off to. We understand where Raph is coming from when he says that it can't be healthy for Leo to confide in a simulated version of Splinter since it could just make him miss their father more than ever, but Mikey suddenly pops from his laid back position off-screen and joins the conversation:

He's knows as well as Raph that speaking with a simulation of their father isn't exactly ideal, but he also knows that Leo is used to coming home to confide in Splinter for advice whenever he feels his confidence as a leader beginning to waver. The whole gang knows all of this, but once again, Mikey's the only one to verbalize it. Sometimes people need to hear something so obvious outloud to really understand or remember its importance, and Mikey seems to know that best.

I don't really need to mention how his emotional awareness extends far beyond simply knowing when someone is down, or when he is or isn't in a position to help them, but it makes for a decent epilogue to this analysis so-

Him being the least (read: least) temperamental of his brothers automatically puts him in the position of a mediator when there's tension in the group, and it's common knowledge that he'd often go out of his way to ease that tension in his own ways. He sometimes makes jokes, both corny and intelligent, just to get everyone's minds off of the heaviness of a situation, even if that moment of reprieve only lasts for a minute. He attempts to break up fights before they get too far, which sometimes doesn't work because they're a stubborn bunch of turtles (literally the entire first five minutes of New Girl in Town lol), but his efforts are commendable and genuine.

He's exceptionally conscious of changes in the atmosphere and a swing in someone's mood, which could go hand in hand with his sixth sense for weird Kraang stuff if you think about it. But all of this comes together to paint an undeniably clear image of Mikey having a great amount of emotional awareness, and just all around being one of the most emotionally intelligent characters of the series.

[diangelodork]

OKAY HERE IT IS FOLKS!!! - thank you to @chaotically-gay and @paraphwrites for giving me permission to quote them :3

(i couldn’t figure out how to get the actual word doc in here without doxxing my email and real name so sorry for the shit formatting lmao 🧍- also let’s hope my prof doesn’t decide to look through my page and figure out who wrote this 😟😟)

also, the end is a bit EUGH bc i was nearing the deadline so pls pls don’t judge me too harshly 😬

also also, it was meant to be 2-3 pages… it’s 5 🧍 LMAO DONT ASK ME TO WRITE ABT MY POOKIES IF YOU DONT EXPECT THIS LEVEL OF COMMITMENT 😭😭

Sociological Concepts as They Relate to Netflix’s “Dead Boy Detectives”

Netflix and Steve Yockey’s Dead Boy Detectives is a TV show that effectively addresses several different sociological concepts such as sexuality and gender, race and ethnicity, and deviance, in a very refreshing and enlightening way. This program was released for streaming on April 25th, 2024, and its popularity skyrocketed among adolescents and young adults in particular, as it follows two boys who are eternally 16, living their afterlives as phantasmic detectives with a strong and diverse supporting cast. One of these protagonists, Edwin Payne (played by George Rexstrew), was alive in the mid-1910s whereas the other, Charles Rowland (played by Jayden Revri), lived in the late 1980s, yet they navigate the modern world as they interact with people from the current times, such as the primary supporting cast, Crystal Palace (played by Kassius Nelson), and Niko Sasaki (played by Yuyu Kitamura). 

This show not only has a supernatural aspect to it, but it details stories of love, loss, and goodness despite the bad that must be faced. These themes hold significant relevance to the current times as we actively witness human rights lying up for debate. This show helps to teach people to remain kind in spite of the evils of the world.

One such example of the use of sociological concepts is the majority of well-represented queer characters. Many fans have reported feeling a sense of accuracy in the queer representation within this show far surpassing that of other queer content in media, as Tumblr user @diangelodork states, “this show exemplifies queerness through a queer light, and it’s very clear who the intended audience is for dbda” (dbda being a shortened form of Dead Boy Detectives commonly used by fans). Another user, @chaotically-gay, added to the sentiment within the same thread, writing, “i don’t really know how to explain it, but it’s like hs and rwrb have QUEER characters, while dbda has queer CHARACTERS,” when discussing this sense of representation in comparison to shows in the same vein of queer stories (hs standing for Netflix’s Heartstopper, and rwrb referencing Amazon Prime’s Red, White and Royal Blue, being a rather popular queer show and movie, respectively). It is very evident that the fanbase feels strongly about the importance of this show. It represents several different queer relationships, attractions, and identities whilst also never labeling a single one. One of the primary protagonists, Edwin Payne, has several different love interests, all of them being men, and he very clearly struggles with the implications of that, having been born in a time that oppressed him so heavily that his cause of death was, undoubtedly, his queer identity. Edwin was sacrificed to a demon for his lack of conformity and is even called an offensive term from the time period whilst being sacrificed, even though his queer identity is not given an explicit label. The Cat King (Lukas Gage) is another character that effectively plays with both his sexuality and gender presentation, acting as a symbol of desire within the show and wearing a skirt in nearly every scene he appears in. It is important to note that we see him acting as a symbol of lust and desire for Edwin, despite also having a romantic subtext with the female antagonist Esther Finch (Jenn Lyon). The difference here, once again, is the way that the show never forces stereotypes or conformity onto these characters, providing a more genuine and honest feel to the queerness exhibited within this show. 

It also has a rather large focus on feminism, with a significant portion of the characters being strong and willful women who have explicit motivations that drive their characters rather than being considered flat supporting characters to the protagonists. There are several subplots that follow themes of female justice, power, and vengeance, especially within the character of Crystal Palace. In one episode of this show, episode 6, “The Case of the Creeping Forest,” Crystal enlists the help of all of the women in her bloodline, tapping into the feminine and mystical powers of all those women she descends from. Furthermore, the primary antagonist, Esther’s power, comes from a deal she made with a Goddess of wronged women to take vengeance upon those who harmed her in her past, harming young girls in her desire to maintain her power. She is then defeated in the name of justice for the young girls she took advantage of, which tells us that the focus on feminism is prevalent in both the motivation for the antagonist as well as in the protagonists and their eventual success.

Another sociological concept addressed within this show is the implications and mistreatment of individuals based on their race and ethnicity. One of the most prevalent characters, Charles Rowland, died because of his decision to stand up for a person who was part of a racial minority group. He saw a boy of Pakistani heritage being berated and physically assaulted and stepped in, the bullies redirecting their abuse onto him. He eventually died from his injuries. He himself states that it “Just didn’t seem right. Letting that kid get beat on ‘cause he’s from Pakistan. I mean, I’m half-Indian. Why am I so different?” To which Edwin replies that this is “…a fair point. They were the same country back when [he] was alive.” In this exchange, we see the boys break down the barriers of ethnicity and showcase how unimportant a thing like ethnicity is in relation to a person’s character when it can change in a matter of decades. Despite their generational gap, they can still connect and understand the lack of importance of their backgrounds. Furthermore, of the main four characters that we see, Niko, Crystal, Charles, and Edwin, only one of these is a Caucasian person; although, like how they treat the sexual and gender identities of the characters, they never play into any racial stereotypes. Their ethnicities make a small impact on their characters here, too, never shying away from the fact that Niko was born and raised in Japan, that Charles is half-Indian, or that Crystal is Black, but it never affects the plot in a significant or archetypal way. They are very clearly and adamantly racially diverse, but it is never made a spectacle or a show. Another Tumblr user, @paraphwrites, said, “he's lonely because he attends a boarding school [with] rich racist pricks. he's lonely because never once in his life has he admitted how the intersection of all his identities puts him in a situation where he is completely alone,” in reference to how Charles deals with the aspects of himself that isolate him. They touch on a very important aspect of his character, which is his intersectionality. The main topic of their original post was how this show caters to the lonely, discussing several instances in which the characters feel isolated and alienated from the world, Charles’ race and ethnicity are one of many reasons of this within his character in particular. They also discuss the parental abuse he faced and the subtext of his mother not doing anything to stop it. There is some subtext that the abuse he and his mother faced from his (White) father may have to do with his mother’s heritage and that they also faced suppression of expression of their culture by their father and husband, respectively. 

Finally, the concept of deviance is represented in just about every aspect of this show. Edwin was murdered for his deviance from the norms of masculinity the times forced onto him, further deviating when he escapes Hell not once but twice, defying the institution he is forced into and having to resocialize into society. Charles deviates not only from the racial norms of the school he is in but also in his style, wearing punk clothing and an earring and refusing to follow the rules placed onto him by the Afterlife institution. Crystal is a deviant because she is neglected and ignored by her parents, causing her to lash out and cause problems for herself and others. Niko is a deviant because of her interests and her more childlike and whimsical nature. Jenny Green (Briana Cuoco) is a deviant because of her style, donning a neck tattoo and dark clothing in this somewhat conservative town. 

All of these different concepts and ideas are well represented within this show. Marx’s conflict theory would have interpreted the show to be an indicator of the social change that happens through societal conflict. Had deviation in the same vein that the characters Charles and Edwin exhibited not occurred, society would be far more regressed than we see now through the more modern lens of characters like Niko and Crystal. Marx would say that all of these different characters, especially Charles and Edwin, experienced inequalities and that these inequalities gave power to the individuals who placed these boundaries on them, allowing for their groups to be pushed down even further. Postmodernist theory would likely have a stronger focus on the differences between Edwin and Charles in comparison to the characters like Niko and Crystal, looking at the way that they interact and especially at the way that they were/are treated in their respective time periods. Postmodernist theory would highlight the differences in the treatment and identities of the boys in comparison to the girls because of the times in which they were born, also looking at the differences between Edwin’s time period and Charles’ and how their different identities would have affected how they were raised. 

Overall, this show successfully represents several different sociological concepts and is reflective of both this time period and the ones represented by the characters in the show. This provides for a very sociologically active show.

References

holy shit guys.

my assignment in my sociology class is to fucking write an essay on the sociological aspects of a favorite piece of media of mine.

THATS LITERALLY WHAT I DO EVERY NIGHT. I GET TO WRITE ABOUT THE IMPACT AND WAY THAT HUMAN SEXUALITY, GENDER (the emphasis on the feminine characters being well-rounded and dynamic as well as tck’s gender non-conformity), THE WAY RACE AND ETHNICITY (mainly charles’ death/the bullying of the pakistani boy that he stood up for), AND DEVIANCE (edwin going to hell for his orientation and then escaping hell which is an institution and how he has to resocialize into society as well as the way that the antagonists are presented) ARE REPRESENTED WITHIN DBDA. FOR A GRADE. I DO THAT SHIT FOR FUN ALL THE TIME. THIS IS THE BEST ASSIGNMENT EVER I LOVE COLLEGE 🗣️🗣️🗣️‼️‼️‼️

[arley-ology]

I'm very normal about the Drawtectives season three trailer right now and I need to organize my thoughts about it or I will explode soooo putting that all into a tumblr post! This is less theorizing/analysis and more just me writing down things I noticed.

The beginning of the trailer is a slow zoom out on a box TV whose channels are being absent mindedley flicked through. I'm going to go through each of the broadcasts one by one

The first is an ad of some sort for a "Shimmer Park". The narrator for the ad is saying "Need a place to truly be yourself for awhile? Discover Shimmer Park!" This leads me to think that Shimmer Park is some sort of entertainment/play facility for children. Now it may just be my automatic distrust of any entertainment area geared towards kids that was spawned in me via reading Percy Jackson and the Lightning Theif too many times but something about the phrasing of "A place to truly be yourself" feels somewhat disquieting to me idk.

Next up is what appears to be a news broadcast of a local rally by MAPN. MAPN's logo is their abbreviation set over a clock face nkt unlike that on the clock tower we see later. In the middle of the news overlay is the name "Thomas Cornette" possibly the name of the reporter(?). The protesters signs are mostly obscured but the ones I can make out I'm 90% sure say "Not in our community (w/ a drawing of a rat)" and "Save our community". The horned protester in the front is yelling into the microphone, "Corperate overlords will never take our city!". We can assume the "MA" part of MAPN stands for Midnight Alley I'm not quite sure about the rest of it but if I had to guess it might be "Public News" don't quote me on that. To me just the way the clips are set up almost makes it seem like this protest against risk to Midnight Alley community is related to Shimmer Park in some way. The only thing we really know about the protest is it is somehow against corporations and (maybe) rats. There may be a link here to Papa's Pizza which we see later.

After that is the much calmer channel "Knitting with Janice". The woman knitting, assumedly Janice, says "It takes all kinds of threads to make a beautiful colorful tableau!". There's also a cat in a catbed in the background (adorable). Taking the dialoge metaphorically it's something to the effect of "It takes all different kinds of people and ideas to make a good and beautiful community." Now the use of the word tableau here is odd beacuse unless there's some secret knitting terminology I'm not aware of tableau is not usually a term used in fibre arts. A tableau is a still image of people/figures used to represent a more complex story (art/drawing connection??). Now maybe Janice is just knitting a tableau or smthing but the word choice here is interesting to me! Also the cat in the background caught my eye because of the rat themeing of this season. Cats are a major predators of mice. Maybe something like Art and Community beats the rat race???(we see rat race later) Also I'm getting big Bob Ross vibes from this lady please tell me yall see it too

Next we have a film noir (oooo!!). A woman is crying and she has just slapped a man in thr foreground. She says "I've never met a snake like you Jimmy." Snakes! Another predator of rats. But of course snake is meant metaphorically here as someone who is depictful and manipulative. Uhhhh I got nothing else on this one yall. I would say possible connection to the last channel like I did w/ Shimmer Park & The Protest but I refuse to believe that old lady Janice (both "J" names though) is capable of snake-like depict.

Another news broadcast! This seems to be from a news station other than MAPN as they have different overlays. The woman on screen says "In other news Midnight Alley is soon to throw their annual Rat Race". There's a poster for the Rat Race on screen (love a Juilia poster) that shows two rats w/ the numbers "8" and "4" on each of them respectively. I'm gonna ignore the place and date listed on there because in season two those details on posters never really came into play. There's more text on the poster saying "For more information and sign up please visit the M.A. [Midnight Alley] information center" and the bellow that it reads "Hosted by the Parks Department of Spire City". Literal Rat Race, interesting! Ofc in metaphor a rat race is used to describe and struggle of people for money and power that ultimately grants them no reward often used to describe competition in company/work environments #The Hustle. Now this is definitely connected in some way to the protest whether it be litteraly or metaphorically or both is yet to say. Also the Rat Race being sponsored by the Parks Department kinda makes me think of Shimmer Park having something to do w/ this. No matter what I feel like the Rat Race being sponsored by the Parks Department is going to be important somehow.

Papa's Pizza ad now! The guy w/ the Papa's Pizza uniform (owner?) is saying "Papa's Pizza has been here for generations, hand birthing high quality, cheaply priced slices for-". This is probably connected to the Corperation Protest we saw earlier. It seems like small business in Midnight Alley are probably being put at risk in sone way by larger corporations. Take note of how the Papa's Pizza guy's sentence cuts off here

A phone rings of screen in the static between channels.

This channel is a sitcom. A boy looks mischievously into the camera and says "RATS." before a laugh track plays. Someone off screen is holding a bowl of rats (?????) next to him. Now the way the last broadcast cuts off it makes it seem as if Pizza guy is saying "Papa's Pizza has been here for generations, hand birthing high quality, cheaply priced slices for rats." Its interesting how it makes it seem like Papa's Pizza guy - a person who's company would be effected by large corperation take over is in favor of rats - which are being used by the protesters to represent the corperations (kinda maybe?). This feels like it means Something but I can't peice together What.

All the TV programs are done now time to go over the rest of the trailer!

The TV is turned off now and we see Jancy's reflection in the black screen. Its an interesting shot makes it almost seemd like she's part of the programming. She answers the phone that is ringing, a rotary phone. Her tone drops as she revives news from the other end of the line and she tells them she'll send in the team (DRAWTECTIVES!!) right away.

Cut to black. "Children there's been a murder". (OUGH AAAAAAA IM GOING INSANE GOING RABID)

New design silhouettes!! I love them all already. I'm surprised by the lack of hat on Grandma (I like it!!) but other than that I don't really have any comments on them. York says "Do you think the house is capable of murder?". Grendan says "Unless... Murder Santa... I just write murder Santa down." These two might narrow down where at least part of this takes place somewhat. and finally Rosé says "Why are you so quiet daddy?"

Now we have what is most likely our setting, Midnight Alley! This season's logo appears on the background but I didn't grab a screen shot of that whoops. The clock tower here really stands out to me. Perhaps the spire of Spire City? Also this is just a very pleasing drawing!

The end scene of the trailer is of a rat jumping on to screen before menacing yellow eyes w/ slit pupils fade in behind it. I'm tempted to say cat for some reason.

Also Eugene is in the thumbnail but he isn't mentioned at all in the trailer. This might just be because the fans love Eugene and Julia couldn't figure out how to include him anywhere other than the thumbnail but it also makes me a little scared

I said I wasn't gonna therorize but I wanna put down my ideas about when this takes place and where this takes place.

Now Drawtectives is very time-nebulous in general but this season at least seems very 80s inspired to me. The box TV, rotary phone, neon aesthetic for the logo, upbeat disco-y theme music all seem to point towards us not being in the modern day at the very least. Ofc we're going to be in Midnight Alley but Midnight Alley also seems to be in Spire City from what the poster said. York and Grendan's lines also suggest we explore a house at some point, specifically w/ a chimney/fireplace being important.

Anywho that's it for my very nothingburger post about the Season three trailer hope that any of yall that read through alllll of that nonsense enjoyed :]

[kaliforniahigh]

Can you please write something about Noahs girlfriend trying the ‘dafuq’ trend that I’ve seen all over TikTok on Noah 😭 If you haven’t seen the trend you can probably check anywhere for it! xx

I went down a rabbit hole watching these videos. Couples trend are so funny when they're harmless!

You know what other trend would be funny as hell? Recording with a filter and seeing how long it takes for Noah to notice his eyes are too far apart LOL

From time to time, Noah agreed to do a video with you. You weren't super active on social media, but sometimes you posted food-related videos. This time, you invited him to taste the Crumbl flavors of the week.

You both left the store, and Noah was holding the large pink box full of cookies in his hands, and you reached in his pocket for the key to unlock the car. You both got in and he set the box on the center console, in between you two.

"Why do we have to eat in the car?", he asked you, a bit puzzled by the idea.

"Because it's the aesthetic, Noah", you explained, grabbing your phone and setting it on the holder stuck to the dashboard.

"Eating in the car is an aesthetic now?", he mumbled to himself and you just chuckled in response.

Noah thought you were just tasting the cookies in the video, but you had something else planned. You've seen this trend going around on TikTok, where girlfriends praked their boyfriends saying "dafuq" at the end of every sentence.

You decided that it would be a fun prank to pull on him, since it was harmless and there was finally a couples trend that didn't dimish the woman.

Since you didn't use many slangs while speaking, you had a feeling he would catch on pretty soon. But it was worth a try anyways.

"Ok, I'm gonna start recording", you told him and you saw him adjusting his hair out of the corner of your eye. You hit the record button and started speaking.

"Hey everyone, so we just left the Crumbl store, and we're sitting here with a big box full of cookies for us to try, dafuq", you said the last word a little lower, so it wasn't as obvious.

Noah rubbed his hands together, actually excited to try the sweet treats.

"So I was thinking we could split them in half, dafuq", you said, while opening the box and looking over the different flavors.

"What, did you find something strange in there?", he asked you, pering into the box, and you realized he was acknowledging the "dafuq" you added. Playing it cool, you replied.

"No, everything's fine", he only nodded in response. "Do you want to try the Confetti Milshake or the Snickerdoodle first, dafuq?"

You looked at him, trying to keep your composure. He was looking at you weird now, but didn't comment on it yet.

"We can try the Snickerdoodle first", he said and you went to grab the cookie and split it in half, handing one piece to Noah. You both clicnked your cookies together in a toast before eating, and you really hoped he wouldn't say cheers, because you couldn't imagine you saying "cheers dafuq".

You both took a bite out of the cookie, feeling the sweet flavor enter your mouth.

"This one is really nice. Simple and nice flavor", he gave his review.

"It is really nice. Not to sweet either, dafuq", you said, grabbing a napkin to clean your mouth.

"Ok, what is going on?", he finally asked you, now turning his body to fully face you.

"What do you mean, dafuq?", you said, looking at the box as if trying to decide the nest flavor.

"Nope, you're dodging the question. Why are you dafuq to the end of every sentence?", he grabbed your hand and you turned your head to look at him.

You couldn't help but break into laughter. His expression was actually serious, because he was actually concerned about you.

"Why are you laughing?", he asked, with a little indigination in your voice.

"Oh, this is so funny", you grabbed your stomach and tried to take some deep breaths. "It's just a prank I've seen on TikTok", you finally explained to him.

"Oh my God", he breathed a sigh of relief. "I thought your brain was malfunctioning for a moment", he put a hand on his chest.

"I'm fine, I promise", you put a comforting hand on his arm, and after finally calming down, he said.

"Can we try the Confetti Milkshake now?"

You stopped recording and grabbed the cookie from the box, splitting it in half and giving a piece to Noah.

[gingacat]

twisted from: Madame Adelaide Bonfamille

name: Asiel Douleure

birthday: September 20

age: 16

height: 167 cm

homeland: Shaftlands

grade: Freshman

club: Orchestral Music

hobbies: Playing with his cat

favorite food: Meringue

least favorite food: Caviar

talent: Composing

Personality

Asiel is an introverted boy who always seems to be lacking the energy to do anything and always presents a bored or apathetic face. He speaks in a tired but soft voice (i might make a voice claim for him later), and sometimes says words or expressions in French.

He doesn't seem to have any friends and most of the time he's alone, but honestly he is rarely seen in campus at all and only leaves his dorm to go to classes.

Asiel has difficulty in not only expressing his feelings or emotions, but also in identifying them. Most of the time, he doesn't really know what he is feeling, and when he is upset for example, he often doesn't know the reason behind it. The feeling he can identify with the most ease is anger, but it is rare to anger him, although when it happens it is very intense.

Behind his poker face lies a complicated boy with very complex feelings. Because he isn't really good with words and doesn't like talking, he expresses himself through playing the piano.

When he's feeling "weird" (anything that he can't identify, being negative or positive, especially anxious), Asiel plays the piano to either calm his heart or just let his frustration out. His compositions vary from sounding like "Clair de lune" by Debussy to this specific piano solo when he's feeling extra complicated. If it were for him to have a favorite piece, it would be "Lever du jour" from the symphony "Daphnis et Chloé", by Maurice Ravel.

There are a few times when he can be seen smiling or being genuinely happy, and that is when Asiel interacts with Duchess, his cat. He finds it very joyful to play the piano with her and even taught her how to play it (it sounds messy but Asiel is very proud of her pieces).

Background

Asiel is a genius composer and piano prodigy born into an aristocratic family. His family always provided him with everything he needed, to the point he grew up kind of sheltered, but even then, his family still wasn't close to him. His family is composed by his mother and his father, and everyone else were distant relatives that never really mattered in his life.

His parents were very emotionally distant from him: his mother would prefer to enjoy formal gatherings with her friends or to hang out with them, while his father was always working and never really established a deep connection with him. When his parents were home, they were barely interested in Asiel, though whatever Asiel asked for, his parents gave to him. The biggest treasure in Asiel's life happened when he was 7 years old, and it was when his mother brought home a kitten that would be known as Duchess.

Because of the constant pampering coming from fake people who were interested into the family's money and status, Asiel ended up becoming someone who doesn't like to talk or interact with people, and finds it very hard to connect or relate to them. Of course, while he dislikes interacting with others, he unfortunately still feels lonely (very lonely). Because of that, he developed an emotional dependency on his cat, the only companion he had since he was a kid. The only moment Asiel ever smiles is when he sees Duchess, and then his personality changes completely, otherwise he's just tired and apathetic towards everything.

Trivia

While it is allowed for students to bring their familiars to school, Asiel didn't take Duchess to RSA because he thought it would be dangerous and inadequate for her, so he's trusting on his parents to take care of her.

Asiel has an addiction to sugar and eating refined sweets or desserts always makes him happy.

Asiel hates caviar because it's something his parents are always eating, but it makes him disgusted.

His French slips out when he's angry and he refuses to speak at all when he's upset. He doesn't want to open up or to cry in front of anyone.

Asiel hates being forced to do anything, especially when he doesn't feel like it or if it conflicts with his moral compass, so he'll be stubborn enough to not do it no matter what.

He became the housewarden of his dorm solely for the purpose of not having to share his dorm room with anyone.

He loves cats the most, but he likes all animals, especially horses.

Asiel's dorm room would be like this: there's a painting of Duchess on the wall (his parents paid a professional artist for this), a very fancy piano, a luxurious bed and chandelier, and curtains that are always closed, since he dislikes the possibility of anyone invading his privacy.

[matt0044]

This is something I've often experienced with other shows be they stuff I have it bad for or stuff that I acknowledge is good but isn't for me. It's gotten to the point where when I see something getting dunked yet see that it's a fairly thriving series or even a full-on franchise, I start to scrutinize the scrutiny.

Especially when a lot of the popular talking points are either memes or passed around so often, they may as well be meme.

A while back, Netflix's 13 Reasons Why was bandied about Tumblr and YouTube as this most offensive thing for it's portrayal of suicide. I was aware of how this wasn't the sort of subject to take lightly lest I be eating my foot for a full course meal. As such, I took the outrage's word for it and steered clear.

I did start to get curious with a lot of specific scenes from Season 1 being passed around for the afformentioned dunking. Such as Hannah calling Clay a nerd for referencing Star Wars only for said post to show how much The Force Awakens grossed.

Said curiosity grew when I saw many video essays tackling 13 Reasons Why. Most were negative but what I footage saw didn't seem bad. Some of it was pretty... nice actually. But still, this was the show that gave suicide and poor mental health a bad name with how the female lead took her own life seemingly out of revenge.

So... I stayed away. That is, until I saw a billboard for Season 2 in NYC. Now this got me seeing that this show had a legit audience. Not just hatewatchers but those invested in the story of Hannah Baker and Clay Jensen. That's when I decided to add it to my watch list.

At best, it would be bad but maybe a fascinating kind of bad. The kind that RiffTrax would sink their teeth into. At worst, it would be a bore and I'd turn the other way. Then I started to watch it.

Twenty Six episodes later... I loved it. I felt that it... spoke to me emotionally on how life can be so messed up. I loved how no character was totally good or bad. How even Number 12 on the tapes had his depths despite being, well, the worst really.

When Hannah reached the end of her rope, I found myself begging her to not do what I knew she'd do. When Tyler Down tried to take matters into his own hands, I wished I could be there to talk him down. It takes a very special kind of story to invoke that kind of visceral dread.

Now if you've heard me out, how it relates to RWBY is that a lot of the dismissal and derision relies on a specific kind of media illiteracy: the active lack of curiosity.

Rather than be curious about people pitching a fit about "X show" and seeing for themselves what all the hubbub is about, they just stay away. They go with the crowd essentially.

And why wouldn't they? It's like how school bullies get away with picking on their victims even in front of others. Anyone else who doesn't want to play hero would keep their head down and not even be associated with the targeted kid.

I mean, we've got clickbait titles called "We Watch 'X' So You Don't Have To." That is literally ripping off the Nostalgia Critic AKA baby's first Angry Geek. It's not that looking into a show so you'd know if it's worth your time or not is bad. It's when it's from second hand sources like very leading Video Essays.

So many act autoritative and present themselves with the kind of confidence we so wish we had in ourselves. We trust that they're editing isn't being coy and that their assessment is legitimate or, if more emotionally, honest at the very least.

But what about the show itself? Why not find any clips online that highlight certain moments? Why not at least view some of the trailers? Why not go onto subreddits or Socials to ask, "Hey, why do some many seem to like this show?"

Because between James Somerton and Lily Orchard, it's become abundantly clear that there are many who are willing to abuse this this trust. And they are not isolated incidents. Even those who maybe are just giving their opinion may be twisting facts to suit their narrative. They also may be not.

But you won't know unless we let ourselves be curious. Is the show trash? Or is it just another punching bag for YouTubers to hit so money will fall out if they make a hard enough blow?

Is the show truly offensive? Or did it mishandled pre-warning those of its subject content?

Is the show bad... or just not for you?

Be curious. Find the answers for yourself. Nobody is ever immune from mob mentality.

@tumblingxelian @citadelofmythoughts @galaxy98

it is wild to me that the word of mouth on RWB/Y being 'bad' is like, secondhand

almost every time it's someone saying they've never watched the show but they got their opinion from a youtuber or reddit

the casual admittance that they outsource their thinking to other people, who they don't know, and they can't know are telling the truth, because they refuse to engage with the source material, and then proceed to go about their lives on pure confirmation bias, everyone who validates that opinion (regardless of whether they actually watched the show or are also regurgitating someone else's opinion as fact) is truthful and anyone who disagrees and says that the show is good, actually, is dismissed as either being a liar or stupid (because it's definitely smart and mature to make a mass value judgment on people you don't know, about a topic you know very little about)

and that's the thing, when you've got one group of people saying a piece of media is bad and the worst thing ever, and you've got another group who are saying it's good and fun, then a) it's clear there's some level of subjectivity involved here, which means the "objectively bad" claims you've been consuming should have immediate doubt cast on them (though really if anyone says anything is 'objectively bad' then they're conflating their opinion as fact and that's a red flag) and b) the smart thing to do would be to actually try to consume the media to see what it is that has appealed to people enough to contribute to its enduring popularity, even if it doesn't end up appealing to you, and not dismiss it out of hand

[burningdaybreak]

Happy birthday Akito!!

(Disclaimer: This post contains personal opinions, headcanons, and interpretations regarding Akito and content related to him, and is not particularly analytical. Also it may be a bit incoherent and unserious at times... it's a quite lighthearted post.) Hello everyone! Today I am not posting an essay, but rather, a regular post about my favorite character since it's his birthday today. He's a very special character to me, and I wanted to write something to show how much I love and appreciate him... despite how much he makes me suffer in gachas... you evil creature. *coughs* Anyways, let's get to it! Time to talk about my beloved ginger, Akito Shinonome.

0. Why Akito Shinonome?

(I've already talked plenty and very in-depth about him before in The Gay Akito Thesis™, and some things may be repeated here.) Akito is an extremely special character to me; I think I can safely say he's currently my favorite character ever. Back when I first saw him (in a picture with Touya), my first thought was "wow they're ugly"... unfortunately there's a funny trend where, whenever I call a character ugly, they're likely to become one of my favorites of that series. And, as expected, he did. Truthfully, I don't think he's ugly at all (neither is Touya)... but that was my first impression of them; I saw the picture was right after reading the Nocturne Touya's side story conversation, and I didn't expect those designs at all. Although I should say Akito is very much my type of character appearance-wise. Either way, the story was quite gay, and that was enough to get me a bit interested in them... though I wouldn't get into Sekai until around five months later. The first proper content I saw of them was actually Akito's 3✰ card from A Song of Vows For You, Dressed in Pure White! (Touya's first mixed event), and also Akito's line from Vivid BAD SQUAD's main story's chapter 19:

🥞 Oh, shut up already. Don’t go makin’ this complicated. I want to be with you, and you want to be with me as well. And after that, our dream will come true. … Isn’t that enough?

Unfortunately (or not?), this was enough to get me properly interested in him and the game, and shortly after I got into Project Sekai, then started playing the game itself around a month later despite not having ever played a rhythm game before. One thing I regret to admit is that I had a very different first impression of him from what he's really like: I was led to believe that he was a sort of dudebro "no homo" flirt / charmer character, with deep issues and homosexual tendencies... because that's sort of the type of character I often fall for, which makes me mad but that's not really important... Though, technically, I wouldn't say the description is really wrong; he kind of is a bit dudebro, in the way he acts like a teenage boy who tries so hard to be masculine, and also "no homo" for the aforementioned reason and also trying to hide his insecurities and "weaknesses"; he has a charming side, shown as his "good boy" mode, putting on a nice face in order to avoid unnecessary trouble; and both deep issues and, god, absolutely homosexual tendencies. As much as I dislike it, I understand why people mischaracterize him like this: this is more or less the first impression he gives, and I too fell for it (although in my case it was more word of mouth)... but I think people should learn to read and actually get to know Akito rather than to keep mischaracterizing him. But, Akito's writing is sort of poetic, since he gives one impression to people and they assume things about him, but he's actually a different way, and the fact that it happens both in-game and to actual players is funny. I quite like this. I believe he's more or less designed the way he is to appeal to people that like this kind of character, but what I like about Akito is that he subverts those tropes and becomes something much more interesting than a typical charming guy with issues. Upon reading stories, I realized Akito's not as shallow or simple as I was lead to believe... he's actually a pretty complex character and... with many issues. I found him quite fascinating. The fact that he's a character whose entire point is that there's a lot more to him than meets the eye — that he's actually someone who works very hard and is very passionate about what he does, and wants to prove everyone wrong and show that he can actually do and get past what he has set himself to do, is all so good. He will surpass everyone's expectations and show just how amazing he really is. Although I'm repeating myself here, it's very poetic that he has proven me wrong and surpassed my initial expectations... and not just my initial expectations, but he always surprises me with his new developments. He's a character that just keeps growing, with every new focus actually fleshing him out further, and showing just how complex he is. I love it a lot... I love Akito so much.

His character development is simply wonderful. Going from someone who had no skill or talent at all, but still trying his best because he suddenly found something he wants to dedicate his life to, not stopping at anything and always pushing forward, no matter what. In his events, he learns that it's okay to rely on others and how he doesn't have to rush ahead of the people that share his dream; later becoming more clear the power of working with others that share your goal, allowing to create something amazing together; that he is fine as he is and how everyone has gone through obstacles, even those he admires, letting him know that he is doing well; and, after all his hard work and improving so much, learning to trust his emotions and listening to his heart, he becomes someone that is respected by others and even becomes a source of inspiration, the same way that he was inspired by others in the past... therefore creating a chain of inspiration.

Now in his recent event, after finally accomplishing his dream and surpassing RAD WEEKEND, Akito has sort of burnt out; with the grand goal that he had set his eyes on finally achieved, his flame sort of extinguishes. Although he knows what he wants to do next (conquering the world, and singing alongside his partner and teammates), Akito doesn't have something that truly motivates him like surpassing RAD WEEKEND did. But, after a talk with KAITO, who tells Akito that the world is big and that he will eventually find something or someone that makes his heart beat again, like RAD WEEKEND did in the past; and then facing off one of two extremely talented twins and being talked down to for not giving it his all due to his lack of motivation — Akito regains his momentum, not willing to be stepped on by others, and realizing that, as KAITO said, there is so much world he hasn't seen, and his new "motivation" is to keep pushing ahead, in order to eventually find something that motivates him, once again — find a fuel to rekindle his flame, so to say. I mentioned it to a friend the other day when he said that Rekindle the flame is the epitome of Akito's character, but pretty much every event is the epitome of his character; all his development piles up with each new one.

It's just... so good. He has a very cohesive character, both in arc and development, and with each event you learn more and more of why Akito is the way he is. Such a wonderful and fascinating character. I really like how he doesn't give up and just pushes ahead, relying on his instincts and what he feels is right (although not thinking things through sometimes comes back to bite him in the ass), listening to his heart and his emotions. It's also fun how extreme he is, both in the way he thinks and the way he talks, always saying stuff along the lines of "I'll do this until my heart stops beating!"... boy don't be so dramatic. He's passionate, dedicated, true to himself, and loyal. He also has his bad side, such as being reckless, mainly keeping to himself and those he trusts (mainly his partner), and a bit foul-mouthed. His complexity is just so great, a character with a duality both within himself and also with his partner, as I talked about in my previous essay. Speaking of... I haven't even talked about a very important part of Akito's character yet: his partner, Touya. Touya is an extremely important person to Akito, the person that has been there for him from the beginning, always supporting him and walking by his side, no matter what; the one he shared his dream with and who he wanted to reach it with above anybody else; Touya's not just his best friend, but also the one and only partner he will ever have. Saying Akito is in love with Touya (whether platonic or romantic) wouldn't be an exaggeration — from the first moment he set his eyes on Touya, from the moment Akito first heard him sing, he knew he wanted to sing with Touya; then after singing with him, it became clear to Akito: Touya was the person he wanted to surpass his dream alongside with. Even though Akito wasn't actively looking for a partner, he ended up finding someone that he'd forever trust and cherish, until the end of time — always together.

I've already written about it a lot before, but Akito and Touya have an extremely sweet relationship, one of mutual love, trust, and support — with a very close bond and knowing each other the most, they have a connection deeper than with anybody else in the world; they know with just a simple look how the other's feeling or what's going through their head. Relying on one another and pushing each other forward both through mutual support but also a desire to surpass each other, they help each other grow... and that's what being partners is all about. They're the best partner they both could ask for. To say they are inseparable would be putting it lightly, they are pretty much together all the time and do everything together... they want to be together, with each other, no matter what. They're simply made for each other. I really enjoy their relationship a lot. Despite being "simple" and mostly established, they're just very sweet together and, even today, still manage to find ways to have their relationship grow even if it's subtle things. As they individually grow, so does their relationship, and I think that's so great. Have I said yet they're my favorite relationship in the game? Because it is. It's also very cute how Akito has such a soft spot for Touya; many of the things he normally wouldn't do, as he usually avoids contact with most people, are due to him giving in to Touya. And also how, lately, Akito lowkey tries to fish for praise from Touya (as seen in both the historical Let It Ring! Beautiful Sound!'s Touya card's side story, where he sets up a study date with Touya but doesn't need Touya's help at all and wanted to show off; and in Rekindle the flame Chapter 4, where he tells Touya unprompted that he already did his homework), but it backfires and he gets flustered when Touya gives a more genuine and embarrassing response than expected... Man. They're so cute. They make me lowkey mad.

☕️ Akito, you… You actually studied properly…!! 🥞 Whoa--?! 🎤 That smile on Touya's face, I've never seen anything like it… 🍷 He's smiling… 🍌 Wow! I've never seen Touya smile like that before! 🥞 …Well, after surpassing the legend, it'd be lame if I failed…

(^ This could kill a grown man.) Akito has his cute sides, like the aforementioned giving in to Touya's demands and also lowkey wanting to be praised by his partner for doing a good job; he also has "moe aspects", like his moe sleeves (the sleeves of his clothes covering his hands quite often), or how, despite his "scary" and cool appearance, he's afraid of dogs and also likes sweet food (with pancakes 🥞 being his defining food). To finish off, I like how hard he tries despite nothing going his way, and everyone rejecting him at first, and now becomes a source of inspiration for others; and just how much he grows as more time passes. I also like how much he cares about Touya and his other close ones, even if he's reluctant to show it often, especially towards the latter... and so on. In summary, I love him a lot. There's likely quite a few things I forgot to mention, but there's so much about him that I like... Akito is simply a wonderful and fascinating character.

Leaving that aside, I also wanted to talk a bit about headcanons... but my main headcanon for him is Akito being homosexual, and I have a whole thesis written for that. The gay Akito headcanon is just so special to me because, as a gay man myself, I normally view characters I like as gay, and sometimes the headcanon feels a bit forced... but Akito being gay just fits so well into his narrative and story, and I'd say even enhances it, which makes me very happy. He's just... so homosexual to me. It's definitely not canon (it is to me), and likely never will be (although you have to be blind to not notice just how utterly gay he acts), but it's a very important headcanon to me nonetheless. As I always say, his relationship with Touya is not inherently romantic, but goddamn if they don't act like a couple so often; it's just so easy to interpret it as romantic. It drives me crazy. Their extremely close and deep bond, and how much they love and support each other, and their already established relationship by the time main story starts, makes them seem like an old married couple that already knows each other so well and don't really need words to communicate or know how the other feels... and yet, they still have so much room to grow and learn about each other... it's just great. Besides that, I don't have too many headcanons, I'm a quite canonpilled person; but curiously, some of the few ones I have kind of... became actually canon?

Love at first sight Akito — I always believed Akito was the first one to fall for Touya (whether platonic or romantically), and that Touya "fell harder", in fandom terms; and Len's World Link chapter actually showed us the moment Akito first met Touya and, well. He genuinely fell for him on first sight. Again, it doesn't have to be necessarily romantic, but the way he was like "... I can't take my eyes off him." and kept visiting that one place where he met that cool guy that sings really well, looking for the perfect chance to chat with him (and then deliver his lame not-really-pick-up "Hey, you look interesting. Wanna sing together?" line)... very much feels like a lovestruck boy. I don't believe he actually realizes he's in love with Touya until much later, but this was still a very shocking revelation. Love at first sight Akito is real. Cat Akito — This one was mainly based on canon content, as ultimately "What animal would this character be?" isn't that serious, but cat Akito just makes the most sense for him for the many reasons I've explained in previous essays: the "default orange cat" appearance (orange hair with green eyes); the actual orange cat that always appears around Touya and is incredibly fond of it; canonically being afraid of dogs, a trait often associated with cats due to their "rivalry"; nekokaburi, meaning "to don a cat's mask", which has actually been used to describe Akito's "double-faced" nature and being similar to how cats act nice but may actually be mean, and so on. Akito "being a cat that acts like a dog / wants to be a dog" just makes so much sense for him. He lives in a world surrounded by dogs, and the people around him are often dog-like (like An, Ken-san, KAITO, the white boy twins, and arguably Touya), with Akito clashing with and/or respecting them. Despite being afraid of dogs, he respects them and would like to be as cool and strong as them, and so he often acts dog-like or even actually tries to be a dog (such as choosing a wolf avatar during close game/OFFLINE), with cards also showing him depicted as similar to a dog (his Kick it up a notch card's trained illustration). Anyways, sorry, I went on a little ramble: in Rekindle the flame (in one of Kohane's card stories), however, we actually get a character directly stating that Akito's very much like a cat, which is as close as we get to confirmation of Akito being meant to be a cat. (We also got animal assignments for An and Touya, those being dog and panda respectively; along with Kohane always having been a hamster, we now have official animal assignments for everyone in Vivid BAD SQUAD) Technically, the previous times Akito was assigned an animal (like wolf) were he himself choosing an animal, so him being perceived by others as a cat is probably more correct; however, I kind of believe that dog isn't wrong and may even be more appropriate. If Akito wants to be a dog and says he's a dog, even if he's a cat, then he's a dog!! So neither choice is wrong, after all. ... In short: cat Akito is kind of canon now! But it's really not that serious. It's fine to see him as a dog, and if that's what he wants to be, then he's a dog to me. Even if he's actually a cat? Yeah... you're crazy man. And then some minor headcanons, such as AuDHD Akito (people often see him as having ADHD, which very much makes sense, but I think this boy is also a bit autistic; him and his hyperfixation on RAD WEEKEND...), or being insomniac / has a hard time sleeping a whole night without waking up once, or even appearance headcanons like freckles. These are mostly projecting myself a bit onto him, but I believe (at least the first two) make sense for him and fit his character and personality. I mainly like headcanons that have a canon foundation, pretty much.

1. My favorite Akito cards

Next, I'd like to talk about my favorite Akito cards, and what I like about them:

4☆ Inheritance Flame

Wonderful card. The untrained illustration is so bright, and the scene it represents was so beautiful... Akito finally figuring everything out, and being so thankful to Ken-san for everything that he did for him. It's a very gorgeous and meaningful illustration. As for the trained illustration, even though it's not that special for what it looks like (although I still like it a lot), I really like it for the symbolism of "finding the exit" (with FIND THE EXIT being the name of the event gacha itself); Akito finding himself and figuring out that he has to let out his emotions and not be so harsh on himself, and also using how he truly feels to enhance his singing. Furthermore, it also represents how, in the event story, he's the one leading Vivid BAD SQUAD back to their path of surpassing RAD WEEKEND once again after Taiga previously defeated them, and taking the first step to finally holding their event, now that they have a proper plan of attack. The card also symbolizes how now Akito becomes a source of inspiration to others (such as Kotaro in the event itself), his endeavor and all his hard work being an inspiration to others to follow their dreams. Furthermore, I have my own interpretation of Akito's painted nails (which I often talk about, tbh), because it's the first card that depicts Akito wearing painted nails. Considering his relationship with his own masculinity and gender, and often acting stereotypically masculine, but painted nails commonly being considered "feminine" and a thing for girls, I like to use this as fuel for my gay Akito headcanon, and interpret it as Akito becoming more comfortable in how he presents himself and trying out new things, since in BURN MY SOUL he learns to not be so harsh on himself and trusting and showing his emotions more... therefore painting his nails to try being more comfortable and proud of the fact that he's gay, and not viewing it as a "weakness" or something to be ashamed of. (Also that random rainbow in the card kind of drives me crazy. Why is there a rainbow there? How is it forming? There is no water. What's it reflecting from. Just... huh??) Also the costume is great. I look at this outfit and think "Damn... that's a guy gay" (lighthearted, of course). Love the combination of black and orange; the orange really stands out with the fully black outfit. Also those boots are wonderful; between the orange nails (very bold and epic color choice) and the boots, this is peak gay fashion. So, yeah, it's a very beautiful card. I like it a lot.

4☆ A Terrifying Game of Tag

Not much to say about the untrained. Baby Akito is cute. The origin of his fear of dogs... fun scene. Anyways, the trained illustration is very good, I like it a lot. It's just... such a fun card. Akito in his cards has historically always looked "cool" or "handsome" or "intimidating", among other things, but this is the first time he gets a card where the main intention is looking cute... this is a very cute card...! Between the small blush... the fang... the moe sleeves... the puppy... Akito and his favorite food (pancakes), which is also a cute part of him... it's just so adorable. Also, as an extra detail, his choker being shaded blueish in the card. Yeah, why not? It can be a little gay too. Furthermore, there's the fun irony of turning the guy who's scared of dogs into one. Rise as ONE! is all about Akito facing his fear of dogs and interacting with the dog owners of the cast (Minori and Honami... and Rui with his robot dog, I suppose), and the card set turning all of them into dogs. Going on a brief tangent here: people often use this card as proof that Akito is "definitely a dog", but to me it feels more like a joke / funny set than anything. Rather than an actual dog, he's giving more "(cat)guy that has been turned into a dog as divine punishment". This guy is not pleased to be a dog...!! While he's very dog-coded, and it's fine to see him as a dog (as I explained earlier), it's not as simple as "he's a dog and nothing else". That's just wrong. He is more complex than that!!! Though, who cares... he can be a dog, it's not that serious. The only thing to take into account, though, is that if Akito's a dog, so is Touya. That's all. Anyways... costume-wise, it's so wonderful. The outfit itself is very cute, and the small dog tail is really cute. Unfortunately, considering the tail is orange, you can only really use this costume on Akito... that's perhaps the main issue of this card set's costumes. Regardless, I really like it. It pulls off mixing the adorable concept (with the oversized sweater and moe sleeves, and the doggy tail) and typical Akito things (rings and piercings) quite well. Also, the ears are so great; they're available as a common accessory too, so you can use them with any Akito hairstyle (although they'll lack the piercings that are only available with the exclusive hairstyle). Fun fact: Did you know the ears and tail wiggle in 3DMVs? It's so good... extremely cute. In short: amazing card, it quickly became one of my favorite Akito cards. He looks adorable. Puppy Akito I love you.

4☆ A Circle Signaling Our Determination

Well. That untrained illustration drives me crazy. It may not look like anything special, but Touya placing his hand on Akito's shoulder killed thousands. Akito is often (physically) leaning on Touya and touching him, so Touya reciprocating that touch, even if it's as simple as placing his hand on Akito's shoulder, is quite a big moment. Giving and receiving... that's what it's all about. Aun no Beats you're legendary. On the other hand, the trained is... well, genuinely... this is the gayest Akito has ever looked, in my humble and correct opinion. Even leaving aside the gay bar joke (which is quite fitting and makes me giggle), I just look at him and think "wow... that's a gay man". This is a gay man if I've ever seen one (and I have. I'm a gay man myself); I've seen gay guys that look like this before. In fact, I could even say I look like this... perhaps? (Up to debate) Between the fashion style, his (pardon my language) cuntiness, the setting, the details of the card (the partner gems), and, of course, Akito's one and only partner being by his side, this is simply the gayest Akito card ever (to me!) Thematically, it's a pretty good card, too. Celebrating their victory after working so hard, throwing a party at a gay bar, with the militaresque outfits representing how hard they've fought to reach this point, like they were waging a war on a legend, and came out on top?

When it comes to the costume... god, I like it a lot. Perhaps one of my favorite costumes in the game so far. Not trying to sound weird by saying this, but it's such a handsome and attractive outfit. I would totally wear something like it. I like the boldness of the deep pink pants, which look so good with the general dark colors of the rest of the outfit. Also the bright pink (which is Vivid BAD SQUAD's unit color) shoelaces on the black boots are so good. Really enjoy it!! The hairstyle is also really good. Even though most people seem to dislike it (although I understand the point of view of "boys mainly only get short haircuts"...), it's personally one of my favorite Akito hairstyles. It looks cute... also I've seen gay guys with this hairstyle, so bonus points for that. The one issue I have is... it's difficult to separate the hairstyle from the costume, especially the former — I feel the hairstyle doesn't look good with many costumes that aren't this card's costume... but it's okay, it's a great hairstyle regardless. In short, it's a very good card. As a gay man myself, I feel a lot of gay energy from this one (although I do from all his cards... but this one the most, so far!)

4☆ The Reason for the Words Given to Me

Oh, such a good card... the untrained represents a really nice moment from Find A Way Out, where Akito's so happy about learning Ken-san was like him, too, validating his feelings and all the effort he has poured so far, and making him feel better about himself... so good. I also enjoy how in the card he looks like he's on the verge of crying from happiness, and he actually cries over it; although it happens off-screen, and we only learn of it in the side story, where Ena comments on his red eyes (since Akito has a tendency to rub his eyes when crying because he dislikes it). Argh... so good. And the trained... if I were to say everything I want to say about it, this post would double in size. But, in short, I just. Love it. I like the red and blue theme of the card set representing the heart, with this being the overall theme of the event, and a pretty important theme for Akito's character, with Akito clutching the microphone's cord to his chest, where his heart is, to symbolize how music keeps his heart beating; the life and death theme from Kashika and this card, and using it as an analogy of the contradiction of wanting to keep singing but also wanting to give up ("wanting to live despite also wanting to die"); and, of course, Akito's big, genuine smile, feeling happiness as he falls, stopped mid-air... Suspended Animation being the translated name of the song is just so fitting. The outfit is also very good. I'm personally more commonly a fan of simpler and comfy outfits, and this one is just. Very good! One of my favorite costumes in the game; the simplicity of it makes it easy to cosplay / wear in real life, which is really nice. There really isn't much else to say about it, though, it's just very good. Anyways, it's just, genuinely, such a good card; how it symbolizes the event story and the song so well is amazing. Easily one of the best cards in the game.

4☆ The Thirsty Wanderer

Oh goodness. I'll begin talking about the trained illustration this time... it's an extremely pretty card. I'd rank it among the best cards in the game. I like it a lot. The setting is gorgeous (I enjoy desertic areas in games a lot), with gorgeous lighting and composition, and Akito's outfit is really nice... the theme is very good. I also quite like that tiny blue lizard... wonder what it represents, huh... The untrained, however? Genuinely (in my opinion), the best card in the game. The first time I saw this illutrastion, I lost my mind. Like... wow. Much like the previous card, seeing Akito's genuine smile just fills me with so much happiness; it was such a nice moment of the card story, too, where Rin and Len glomp Akito after he recovers his memories and he falls to the ground, and laughs wholeheartedly and is able to relax a bit after experiencing the horrors of his Fragment Sekai (memory loss and raging sandstorm in a deserted world? Wow). Although the illustration is kind of simple, it's just... such a nice card for Akito, someone who is always trying really hard, and pushing himself, and being so rough on himself. Depicting him relaxed for a second, laughing and genuinely smiling is so heartwarming. I also like the meaning of the dandelion, the flower that appears in both illustrations: these flowers are known for their ability to thrive in challenging conditions, pushing through concrete, and returning year after year. This resilience has made them a powerful symbol of strength, determination, and the ability to overcome adversity. This fits Akito so much, it's actually amazing. It's a very good flower choice for him, I really like it...

So, even though the trained illustration is among the best in the game, the untrained is the best, so it's a bit conflicting which to use in-game (it's the untrained 99% of the time though). Anyways, going back to the trained, in this case the costume: it's a very good costume. Even though I'm not too big of a fan of asymmetry, I think this outfit pulls it off well. It fits the theme of a desert wanderer that just wears whatever he's able to wear. Also his headband is really nice. Another nice detail is that Akito doesn't wear his earrings (even in-game, he takes them off if the headband accessory is used), which is really neat. It fits the theme of not being the usual Akito, but rather a wanderer that forgot himself, and is trying to find himself and his purpose once again, so he loses one of his main traits... Oh and don't get me started on the hairstyle... this is Akito's best hairstyle, by far. I have very heated opinions about Akito's hairstyles (not about the hairstyles themselves, but more about the lack of variety in colors despite being the only character in the game with dyed hair?! What the hell, really), and this one is great because it actually changes his hair color, giving it a darker, red-ish color. Sort of burnt hair after being exposed to the sun so long? Furthermore, it just looks really good in general... it fits with so many costumes. Very versatile. I love it (as you'll see soon). Anyways, I extended myself a bit here... it's an amazing card. Overall, possibly one of the best cards in the game (biased? But I'm also always right); great illustrations, great costume, great hairstyle, oh and a great skill... what else could you ask for?

1.1. My favorite costumes for Akito

Following up the favorite cards section, I wanted to show some of my favorite costume combinations for Akito. Yes, 3/4 of them use the FES hair + glasses combination... not my fault it looks so good on him? Either way:

Outfit: Witness of duel, Variant 3 (WTWG Touya MR5 Costume) Accessory: SEKAI UNIVERSITY, Variant 1 (September 2023 Premium Mission Pass) Hairstyle: Over the Wasteland (FES Akito Hairstyle) Really gorgeous. I admittedly only MR5'd WTWG Touya just for this costume color; it's just... so good. Perhaps my favorite combination for Akito. The red and black look so great on him, and the glasses look good on him in general but they really fit with this costume, especially the black variant. Not much else to say here, he's just very good looking in this one.

Outfit: Color the past, Variant 1 (Concerto Touya MR1 Costume) Accessory: SEKAI UNIVERSITY, Variant 1 (September 2023 Premium Mission Pass) Hairstyle: Over the Wasteland (FES Akito Hairstyle) Yet another Touya card that I MR'd just for the costume; I wanted him to match Touya, but I didn't like having them wear the same thing, and this variant is technically Akito's official one (the one that he uses in The first concerto's After-Live). He looks soooo good in this costume, and the glasses are excellent with it. He matches Touya this way. He looks extremely gorgeous with this combination. Lovely. Beautiful. Very gay (affectionate).

Outfit: Fleek vivid, Variant 3 (WL Akito MR5 Costume) Accessory: SEKAI UNIVERSITY, Variant 1 (September 2023 Premium Mission Pass) Hairstyle: Over the Wasteland (FES Akito Hairstyle) For the third time in a row, FES Akito's hairstyle + those glasses. Yeah, he looks so great in them. I personally like this costume a lot, even though people like to bully him for his big shoes. I think they're fine? Anyways, this is yet another combination where I put Akito in a red and black outfit. I think he rocks those colors, haha. He looks very cool in this one. Really like!

Outfit: Notice Suspenders, Default (FES Touya Costume) Accessory: Noble Paladin, Default (WD/Knight Akito Accessory) Hairstyle: Noble Paladin (WD/Knight Akito Hairstyle) Finally, something different! This combination always makes me laugh because a friend called it the "gay best friend Akito" and, it has sticked with me since. So I kinda stole it from them, sorry. I don't use it as often as the others, because I like the FES Akito hairstyle way too much, but it's probably my next most used combination after the previous ones. Always fun to use for the meme reasons. He looks good in a fun way. Though, to be fair, Akito looks good in anything I put him in. 🧡 (debatable, actually)

2. Akito events' commissioned songs

Next I want to give my thoughts on all of the Akito events' commissioned songs; I already talked about all of them (except the most recent one, Fuel) more in-depth in The Gay Akito Thesis™, and I plan to write an essay for Fuel eventually, so don't expect much of an analysis here!

🥞♪ la-dee-la-lee-la-la la-lee-la

CRaZY (CR詠ZY, CReiZY), Akito's fourth commissioned song. I'd say it's the "worst" of his commissioned songs... but that doesn't mean much when you're a 9/10 and the other four are 9.5/10 or 10/10. It's still a great song. All of Akito's commissioned songs are really good. Honestly I don't have that much to say about this one. I like it. The 2DMV is nice and the song has fun lyrics. The more relaxed and fun vibe of the song is quite fitting for the event it came with, as in BURN MY SOUL Akito learns to let loose and relax a bit, and to stop suppressing his emotions and accepting them, and himself. With the 詠 kanji meaning "singing / a song", this song pretty much is... a crazy song; it's basically about Akito letting loose and finding his own tune. It presents a nice contrast to Akito's previous commissioned song, Kashika, and its theme of "wanting to live despite also having wanted to die" — since in CRaZY, he is willing to give everything for music. He fully owns it now. But yeah, I don't have much to say about this song that I haven't said in the past; I like it, it's good, and I enjoy listening to it whenever it's chosen in Multi-Live Rooms.

🥞♪ After following the never ending dream 🥞♪ I’ll find my own light, all over

Gekkou (月光, Moonlight), Akito's second commissioned song. Gekkou is a fascinating song in how it's barely related to the concept of the event, with the event being about Akito learning about, well, the power of unity and how working together and communicating with other people that have the same dream and feelings as you leads to creating something great — while Gekkou is about subconsciously copying those you admire and accidentally becoming a copy of them; or, in other words, about imposter syndrome. It's a very interesting choice for this event considering it's not really related at all, but nonetheless a fitting song for Akito, who so badly wants to find his own light and be something that is admired and respected for what he is. It's also fitting for Vivid BAD SQUAD in general in how they're chasing after RAD WEEKEND and holding an event that surpasses it, but making it something different and memorable — that is, making it their own legend. Furthermore, I personally really enjoy the theme of the moon and the moonlight, and chasing after it, and using the moonlight as an analogy for something that consumes you whole and is always there; something you're chasing after but can't quite reach. As a bonus thing, even though the song is definitely not about Touya, it can sort of be related to him: Touya is very explicitly themed after the moon, and Akito's relationship with him is not simply one of singing together and being with each other, but also of pushing each other forward and surpassing the other, constantly chasing after each other in order to improve themselves — therefore, while Akito's moon is (or rather, was) absolutely RAD WEEKEND, Touya is also that one moon that Akito's chasing after, the moonlight that always shines on him and that he is attempting to reach, in order to be alongside him. Plus, with this song, its jacket, and the event cards being themed after Touya's theme (the moon), and the previous Touya focus (Same Dream,Same Colors) being themed after the sun and sunrise (both in its jacket, song, and event cards), and both songs having Akito and Touya Another Vocals, I feel it's kind of intentional. Anyways, got derailed a bit there — it's a great song! I enjoy it a lot. Oh also forgot to mention the 2DMV itself, it's pretty nice. Hidari's art is really good.

🥞♪ Just like a movie, this is my story.

Cinema (シネマ), Akito's first commissioned song. Quite a classic. I still like it. The, well, cinema and movie theme is really fun; the 2DMV is still great even today; on the other hand, the 3DMV has shown its age a bit but it's far from bad. There isn't much mystery to this song: it's about Akito's journey with music. I personally think the song kind of sounds like an ending or outro song, which is quite fitting for the song pretty much being Akito's story from the beginning, where he's pushing forward despite all the setbacks and everything that goes wrong because he has a dream he wants to achieve; to the end, where the becomes the leading star he has always wanted to be, reaching the top, and retelling his journey. Just like a movie, this is my story. It also fits Vivid BAD SQUAD as a whole, considering surpassing RAD WEEKEND is everyone's dream and they're all working together to reach that goal, and it also ties with the theme of the story of Akito leaning on his teammates because it's not just his dream and they have to work together to accomplish it, and they will always be there for him — but ultimately, the song is about Akito, and how he wants to be the protagonist. With his partner and teammates by his side, supporting him, Akito will become the leading star. It's a good song.

🥞♪ Beat, beat, o heart of mine! 🥞♪ It might be unsteady, but even so, this is my pulse.

Kashika (仮死化, Suspended Animation), Akito's third commissioned song. Oh boy. Kashika is a very interesting case for me because, back when it came out, I absolutely despised it. I just... didn't really like it musically? I'm not really sure why. Some parts sounded fine, but others I absolutely disliked? However, I felt really bad about this for a long while, because Akito's my favorite character, and even though I knew the song was special, I just... couldn't get myself to like it. But, some random day, I decided to read the lyrics... and my opinion on the song immediately changed. I felt so dumb. That was when I decided to start reading lyrics for songs (and then CYBER PUNK DEADBOY fully ingrained that into me... it has funny lyrics). Basically, even though Kashika wasn't my type of song at first, once I read the lyrics, and learned about all the emotion and feelings behind it and all the love that the producer put into it and his story with music... I started liking it, and it quickly became my favorite Akito commissioned song. I love not just what it represents and how it symbolizes Akito's character and story so well, but also the general message it gives and telling the producer's story with music... the desire to keep doing what you love, despite also wanting to give up... and pushing forward despite that... ultimately accepting your feelings and using them to fuel your passion... so good. So, Kashika went from a song I hated to my favorite Akito commissioned song, thanks to reading its lyrics. This is why I now believe it's really important to read everything. However, Kashika sort of got overtaken recently...

🥞♪ Burn more, that's what I was born for... 🥞♪ Burn more... 🥞♪ FUEL IS FOR GOING ON! 🥞♪ BURN! IT DOWN!! UNTIL IT FALLS OVER!!!

FUEL (フューエル), Akito's fifth and most recent commissioned song. This song quickly became my favorite Akito commissioned song. From the first listen, I thought it was amazing; however, it wasn't quite my favorite Akito commissioned song yet. But once I watched the 2DMV, and listened to the full version, everything changed... the 2DMV is simply amazing, I really enjoyed the plane and aviator theme. Furthermore, the 3DMV was really good, too; the lighting and visual effects were great. Although, even though I love the cards we got for the event, I'm lowkey sad that the cards weren't aviator themed after watching the 2DMV... it's like, why? It was a perfect chance to do something innovative with a Vivid BAD SQUAD card set, even if I like these cards. Sorry for the small rant... It's a great song, very Akito-like lyrics; always taking things so extremely and seriously. Burn more, that's what I was born for... he's extremely dedicated and always pushing forward; even if he has nothing currently motivating him, he will keep burning on, and eventually find that fuel that will rekindle his flame, once again (sorry, I'm cheesy). He's such a good character... I love his dedication. Except when he overworks himself. He's a bit self-destructive. But it's also part of his charm? Gotta love characters with issues. Regardless, it kind of overtook Kashika as my favorite Akito commissioned song due to how good FUEL sounds, with it being more of my genre of song, even if, objectively, it's not as deep or passionate as Kashika... but they're pretty close in my rankings, tbh. I love FUEL!

2.1. Favorite Akito Covers and Another Vocals

To finish off the songs section, I'll briefly mention some of my favorite Akito covers: Aun no Beats (阿吽のビーツ, Aun no Beats) — What can I even say... Read my Aun no Beats essay? This song is wonderful. Extremely representative of Akito and Touya and their relationship; I explain it quite in-depth in the aforementioned essay. Read the lyrics! I hope we get the full version eventually. Please. Nene5 is produced by Hanyuu Maigo so... there is HOPE! Never Give Up Coping! Fragile (フラジール) — Quite a classic. They were singing this stuff right from release?! They're insane. Second Akito and Touya-only cover (with no Virtual Singer), distinction shared with Aun no Beats. Truly a special song. Very similar to Aun no Beats in that it sort of represents the break-up period Akito and Touya went through during main story. Read the lyrics. Garando (ガランド, Airhead) — There is something deeply evil going on in this song. My jaw dropped while reading the lyrics. Have I mentioned it yet? Read the lyrics. Seriously. Very insane song. Grew on me a lot after reading the lyrics. I wanted to do only my top three covers but I have to give a special mention to Ame to Petra (雨とペトラ, Rain and Petra); quite a wonderful song too. I really like how it sounds, Akito and Touya sound really good in it. Yet again: read the lyrics. These covers really do something to your brain when you read the lyrics and think how they represent the characters. Also yes they're all Akito and Touya covers

And finally my favorite Another Vocals:

Shunran (春嵐) — Initially released as a full group cover, it got an Akito Another Vocal some time later. While I did like the original cover, the Akito Another Vocal is possibly one of the best in the game. It's just... wow. One of the best things we've gotten in a long time. This song was meant for Akito and I'm so glad he got this. I wish the original cover had been Akito and Touya only, even though Kohane and An sound pretty nice in it and it also fits them a bit, but the Akito Another Vocal is good. If you're a bit crazy like me, you can hear Touya a bit as the background vocal in some parts. I'm not sure if it's just the mental illness or he's genuinely there... but does it really matter? Living my own truth.

RAD DOGS — Touya's first commissioned event song; it got an Akito and Touya Another Vocal (along with an An and Kohane version) less than two months after its release. This is actually the only Akito and Touya shared Another Vocal, so it's extra special. The fact both partner pairs got shared Another Vocals for this song is great. The original version is already really good (RAD DOGS is in my top 3 songs in the game), but the Akito and Touya version is extremely good. The fact my favorite Vivid BAD SQUAD commissioned song has this alternate version is so great... Akito and Touya sound wonderful together.

Mirai (ミライ) — Touya's second commissioned event song; it got an Akito Another Vocal a few months later, along with a Touya Another Vocal. I already talked about both this song and Gekkou (which I'll also talk about in a bit) and what they mean for Akito and Touya in my previous essay, but the fact Akito and Touya got Another Vocals at the same time for this song is great. Truly inseparable. Anyways, this is a very nice song... very beautiful. I like it a lot. And the Another Vocals are so, so good. While I have a weak point for Akito and always use it, Touya's is also quite nice. It makes me so happy to listen to Akito's Another Vocal while thinking about the song's lyrics... ehehe... Read the lyrics by the way... Touya's such a wonderful character. Special mention to Gekkou (月光), Akito's second commissioned event song, which I talked about just earlier. (It gets no MP3 file because there's a limit of three per Tumblr post. Sorry!) Just like Mirai, it got Akito and Touya Another Vocals (at the same time too... inseparable, I'm telling you!). I like Gekkou a lot; it has interesting lyrics, and it sounds so great. Wonderful song. Akito's Another Vocal is amazing, I really like how he sounds in this one. He really slays the song... (?) Also, as an extra part, some songs that I would like to see them get Akito Another Vocals: CRaZY (CR詠ZY) — Please, please, please. He hasn't gotten an Another Vocal for one of his commissioned songs since Gekkou. I'd love this one, he'd sound so great. FUEL (フューエル) — Same as above; I really like this song so I'd kill for an Akito Another Vocal. Will wait (im)patiently for this one. Would add a third one but I don't have a particular one I truly want. Maybe Kinmokusei (金木犀), since Akito sounds really nice in that one. Not much else to say here.

3. Akito relationships

(Disclaimer: Harsh opinions ahead.) To finish off, I'll talk a bit about various Akito relationships:

I don't care that much tbh. ... Do I even need to say anything? I've written so many essays about them. Check them out by the way...! Unsurprisingly, Akito and Touya is my favorite Akito relationship. Although, as I always say, I like this pairing first and foremost platonically, since that's what is presented in canon; however, a romantic interpretation for them makes a lot of sense considering how they act with each other in canon, and I believe is the only romantic relationship that makes sense for either of them. It feels like a natural step of their relationship, something that will eventually happen. They have insane chemistry, pretty much being made for each other, fated to be together. But yeah, this is the only Akito pairing I truly like in a romantic sense. As a canonpilled person, along with my personal sexuality headcanons, it's just the most and pretty much only natural romantic relationship for either of them... to me! (But I'm always right.) Anyways, I'll try to not bring up the romance part much. They have a great dynamic and relationship, and I already talked about it in multiple of my past essays. Even though it's "simple", and some people may find a regular relationship boring, it's just... a very natural relationship, already formed and established by the time the game's story starts, with their most important development happening in the Vivid BAD SQUAD main story itself. They are partners, but they are also each other's best friends. While there is a distinction between partner and best friend (seen in how An considers Haruka her best friend even now, despite also being partners with Kohane; and how Arata was upset at Souma for being called his "best friend"), I would say Akito and Touya are also best friends. They are everything to each other, the most important person to each other, and so on. Blah blah... You're the best partner I could ask for; I want to stand shoulder to shoulder with him for years to come; I'm never gonna team up with anyone other than you!... all that jazz! They want to be together so badly; stay with each other forever. The one and only partner they want to be with; completely irreplaceable; forever together. Never separate. They're crazy.

(I'll take the chance to talk about both An and Ken-san here, since... Ken-san has no other card illustration that he appears in, lol.) Akito and An have a fun platonic dynamic, I really like when they interact. Their bickering and competitiveness and the silly situations they get into are quite fun; they're both dumb as bricks, and it leads to funny moments, like their English classes together. However, it's absolutely ass romantically. It's just not good. To me, that's a gay man and a lesbian. The best I can accept is them trying dating in middle school when they were still figuring themselves out, and breaking up immediately because they realized they're homosexual. It's canonically established that they wouldn't be partners; neither was interested in being each other's partner, they never tried to be partners because they really didn't want to; though they were fine with working together to surpass RAD WEEKEND, since their interests aligned. They simply aren't interested in each other beyond friends that work together, and they are both a lot more focused on their respective partner (and being gay about them). It's just not a logical relationship, honestly. Either way. In short, it's my favorite platonic Akito relationship after Akito and Touya, but I just can't view it romantically in any way ever. It's extremely forced, and you have to actively ignore parts of canon or making up things (whether it's AUs, mischaracterizing, or simply changing canon), to make it work. On the other hand, there's Ken-san. Akito's relationship with Ken-san is really good. He's a big inspiration to Akito, and the one who gave him the dream of surpassing RAD WEEKEND, and so Akito really admires him, and is so thankful for everything that Ken-san did for him and contributed to his life. He's pretty much like a father figure to Akito, the one he couldn't really find in his own father. It's a very sweet relationship... BURN MY SOUL is legendary, really recommend reading it.

(^ This is literally the only card that features only Akito and Kohane... and Akito isn't even shown in full... and this card's from July 2022... that's how bad the state of Akito and Kohane's content together is.) Akito and Kohane is... a relationship that is barely developed. They genuinely barely get content together. Their interactions are kept to a minimum, and there isn't any flavor to them. It's a pretty bland relationship... so a romantic relationship is simply unfathomable; it's utterly forced and unnatural, and most of the time out of character. This pairing relies on mischaracterization and making up content or ignoring canon to make it work. It thrives on delusions. It's very forced, honestly. When even An and Touya, who historically hardly interacted in any way, and didn't get a meaningful conversation until Whip the wimp girl!!, now have more content than you, it's just... so dire. There is nothing in this relationship. Even Mafuyu's aquarium has more content than them. They literally only have their confrontations during Vivid BAD SQUAD main story, Akito barking at her because he thought she was half-hearted, and then her later standing up for herself and proving her resolve during her performance. And perhaps throwaway lines in various events, like Kohane telling Akito that she considers him a friend and will keep working with him during Find A Way Out, or Akito praising her after her solo performance during Kick it up a notch. And that's pretty much it. That's their most meaningful interactions in event stories... but I suppose that is more than enough food for some people? ... However, extreme hate aside, I would like to see them get a meaningful interaction eventually, just like An and Touya did. I expected it to happen in Rekindle the flame, and yet... the most they got is three lines; a "blink and you'll miss it" interaction. Either way, I think their relationship has potential. It could be a fun dynamic, considering their characters and personalities. I would like to see them deepen their friendship... that's really all I can say about them. May you get actual, meaningful content together, one day.

Akito and KAITO have a pretty funny relationship. Akito barely respected KAITO at first when they met in STRAY BAD DOG, finding him to be a man that couldn't really be that good at music due to how carefree and unserious he was, but KAITO turned out to be very skilled, teaching Akito a lesson that he shouldn't judge people by their appearance... despite making that same mistake with Kohane previously... and even though he hates being judged, himself, too... this is what I mean when I say that Akito slowly learns with each event and interaction. KAITO also appears in both THE POWER OF UNITY and Rekindle the flame, where he gives advice to Akito and shows him that, sometimes, the simplest answer is the solution; contrasting with Akito usually missing the big picture due to focusing on something (he's a quite stubborn boy). Akito starts slowly warming up to KAITO with time, realizing that, even though KAITO annoys him, and is very carefree and quirky, he gives good advice... occasionally. KAITO's actually my favorite Virtual Singer, and the VBS version is especifically my favorite KAITO in Project Sekai, so I'm quite happy that he interacts with my favorite character often. As an extra note, the area conversation between KAITO and Akito that came with Rekindle the flame was hilarious; I recommend checking it out. Overbearing, cheerful dog trying to get that grumpy cat to go along with him... so fun.

Akito's relationship with the Kagamine twins is fun... they're like his little siblings. He plays soccer with them and teaches them things like a big brother would. It's pretty cute. I really like Akito's FES card story, where Akito gets thrown into his Fragment Sekai forcefully and loses his memories, and the Kagamines follow him while he recklessly pushes forward, despite not remembering anything about himself at all. When he finally recovers his memories after recalling the words his partner and teammates told him during STRAY BAD DOG, the sandstorm clears up, and the Kagamines jump at him, happy that he's back to normal. This makes him burst out laughing, genuinely smiling alongside them. It was a really cute moment. There's also BREAK DOWN THE WALL, Vivid BAD SQUAD's World Link event, where the Kagamines explore the new Street Sekai area alongside Akito. I liked how they kept praising him and telling him that he's so cool for how far he has come and everything he has accomplished, since it's not something that just anybody would be able to do. This makes Akito compliment himself, for once, now able to accept his feelings and be kinder to himself. He's a cool guy, truly. A fun fact I quite like is that, canonically, the Kagamines manifested in the Street Sekai after Akito and Touya met for the first time... they're pretty much the physical representation of Akito and Touya's partnership. They were so crazy about each other and felt such a deep connection right off the bat that they spawned the Virtual Singers whose very concept is being two halves of a whole and being inseparable and always together. Which is kind of insane. The Kagamines are pretty good and fun... I like them. They bring out the big brother side out of Akito.

Similar to KAITO, VBS Luka is a pretty carefree and airheaded character. Although she interacts with him less than KAITO does, her interactions with Akito are pretty fun. The fact the Virtual Singers that have been in his unit events so far have been the carefree ones is funny, since they're pretty much the opposite of him, who's so reckless and stubborn. They provide a contrast to his character and also show him that people shouldn't be judged by their personality and appearance, since they're both quite talented despite how they act. When it comes to her interactions with Akito... she's not very good with expressing her thoughts, as the advice she tried to give to Akito during BURN MY SOUL was quite incomprehensible; but through her singing she was able to give Akito the advice she wanted to give him, which I quite like. Communicating through music... so nice. Her advice was vital for Akito to release his emotions and accept himself, so I'm very glad about this. I also liked how worried she was about Akito when he got into a fight with others during Find A Way Out, immediately rushing to Touya to call for help. Like a worried big sister... Truthfully, I don't have that much to say about Akito and Luka's relationship, but I felt I should add her because she has been in two of his five unit event focuses (the other three being KAITO). I like her dynamic with him because of the opposite personalities, so I would enjoy if she gets more interactions with him in the future.

Finally, there is Akito's sister, Ena. They didn't have the best relationship at the start of the game, but it has since warmed up a bit... although they still bicker like any pair of siblings would. I feel like they're the most realistic and relatable depiction of siblings out of all of the ones in the game. I quite like them. Something I particularly like is that they're quite similar, something that they probably hate (haha): from their taste in food, with both of them liking cheesecakes and pancakes and hating carrots; to their resolve in achieving their dreams despite their lack of skill and talent. They both have something that they want to improve and excel at, inspired by their own family members: with Ena giving the push to Akito to actually try music, despite his own doubts on whether he could take it seriously and dedicate his life to it; while Ena was inspired by their father and his work to pursue art, too. The main difference, however, is that Akito found someone (Ken-san) that motivated him to not drop his dream, teaching him to listen to his heart and do what he wanted to do; while Ena did not have such a motivational figure, and the one that was supposed to lead and support her (her own father) instead told her to give up on it and act like a terrible father figure, effectively ruining her life for a handful of years. I find the Shinonome siblings' relationship quite interesting in how, despite their hardships and bickering, they still support and watch over each other — the support and care that they couldn't find in their own father, who was supposed to guide and protect them, and instead sort of neglected them and even made their life worse, especially in Ena's case. There's a lot more things I could say about them but, basically, I like them both a lot. They're both in my top 3 characters, and they have a very interesting relationship: with each other, with their parents, and with other people, too. It's very interesting to think about their similarities, and the parallels in their storylines... they both need therapy I think.

To finish off this section, I would like to talk about some minor Akito relationships that I feel didn't warrant their own section, but that I still quite like: Tsukasa Tenma — They have a pretty funny dynamic and there is always some situation going on when they are both involved. I enjoy when they are in events together (which is actually an unpopular opinion for... many reasons, though I understand why others don't like it). What I like about them is that they're actually very similar people; it's sort of like, their core is the same but the personality varies. And their personalities clash despite being quite similar. I would actually like for them to get a slightly more serious event together because of that, although their silly shenanigans are fun too. Mizuki Akiyama — Similar to Tsukasa, they have a funny dynamic, with Mizuki often teasing Akito and calling him "otouto-kun" (little bro). They don't interact in events as often as Akito does with Tsukasa, however, but they still get into fun situations, like in The Gentleman Thief's Thrilling White Day!? and their chocolate factory visit turning into helping Tsukasa with his acting role. As Ena's little brother, considering how close Mizuki and Ena are, they have a quite interesting relationship. Would enjoy seeing them in events more. Airi Momoi — Despite technically having been acquainted for a while now, since Airi and Ena have known each other since little, Akito and Airi don't interact that often? Which is a shame. They are actually very similar characters (with Chase my IDEAL IDOL! being for Airi very close to the development Akito got in BURN MY SOUL), and it would be nice to see their actual interactions together. Something like a cat event would be nice... (personal wish) Nene Kusanagi — Pretty fun; it's funny how Nene is intimidated by Akito and how he changes between good boy personality and his actual personality. They're classmates now so they'll probably get into situations together more often. I hope they get more events together; Close game/OFFLINE and The Best Picture Wrap! were both quite fun.

Also, here is some relationships that I'd like to see happen eventually and/or for them to get more content together with Akito: Shiho Hinomori — I think they'd make a pretty fun duo; the interactions Shiho has had with Akito so far were entertaining (such as teasing him for being afraid of the zombie wolf disguise during Scream!? Welcome to the Wolf Forest!), and seeing that they're similar people, it could make for a fun event. As a personal wish, I would like to see Akito try playing Shiho's bass... bassist Akito is a dream of mine. It will happen. I believe in it. Mafuyu Asahina — Technically they've already been in a few events together, but their interactions weren't that deep... Considering they both have the "good child" facade thing, it could be entertaining to see what would happen if they were put in an event together where they genuinely interact. It's fun to think about. She and Akito are my favorite characters, so I would like for them to get content together eventually...! Although I mention just these two, I would like for Akito to interact with pretty much everyone that he hasn't interacted with yet; let him make new friends! I want to see new and fun interactions!! The recent mixed event Work Out and FLY! Muscle Training! was pretty good, since he interacted with Haruka, who he hadn't really interacted with before; and also, before that, with Honami in Rise as ONE!, leading to fun interactions with dogs.

4. Showing off a bit

To end this post, I'd like to show off a bit my Akito stuff:

This is my favorite custom profile. It's actually animated but Tumblr posts only allow one video per post so... yeah. Oh well. I'm pretty bad at custom profiles, but I put a lot of effort into this one and I'm quite happy with how it looks!!

My current Akito Character Rank... he reached 90 right on his birthday. I'm very happy...!

My highest Akito Kizuna Rank. Is this any surprise? Hopefully they hit 55 by the end of the year. My goal is to get Touya to CR66 and then their Kizuna Rank to 66 for that sweet Akitouya stamp.

And finally, my Akito lim card collection. (It's all of them!!) Eventually I'll MR all his birthday cards to MR5, I promise... when I have lots of spare pink fragments.

5. Conclusion

And that's it for the post! I love you Akito. You're such a wonderful and special character. I would die for you. Stop being mean to me please. Happy birthday, my beautiful son!! : ) Anyways, thank you for reading! I hope you enjoyed this. It's a quite lighthearted post this time, to celebrate my favorite character's birthday. I will probably write an actual essay sometime soon, so look forward to that!!

[sunshinereddie]

help i can't remember what my queue tag is (everyone look away as sunny relearns how to use tumblr and remembers the theme of this blog.........)

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[nurm-says-hurm]

Reblogging to say I enjoy MCSM life way more when I don't pour negative energy into seeing a ship I don't like (Petra x Lukas, Axel x Olivia, anyone in that little OG treehouse trio really, they give solely platonic for me because that's my headcanon and my opinion. Just because I see Petra and Lukas as siblings/cousins dynamic, it doesn't mean everyone else will.)

When I see it on my feed I go "hm" and move on and my world looks like this when I do:

I know i said I wouldnt say anymore more of the matter but this was in my drafts and i thought i posted it

(Rambling below)

I think Romesse is a very interesting ship and can be explored in several dynamics and that's fun especially the fact that Romeo is fucking pathetic /lovingly

I like Axden, Aiden is a wide eyed wet cat and Axel is large dog that enjoyed the swim like you feel?

I'm also a multi shipper. I like Jesstra, I like Petra×Maya. Stella×Binta, Stella×Olivia, Stella×Jesse

I love Xaragaard, Xara×Binta, Xara×Romeo in the right circumstances, (XARA×ME/MY OC BC SHES MY WIFE AND I LOVE HER but that's besides the point.)

I like thinking about how they would play out. I like the stories, the scenes, the communication, the fights that either do or don't get worked through, everything that goes into a ship to make it special.

Other people might see a ship a certain way like how some people see Xara × Romeo dynamic as like "Im romeo im big boy pants grrr" and personally not my cup of tea for that ship (I also like exploring the idea of all 3 admins being a throuple just as much as I like exploring their friendship)

Also imagining Jesstra/Jetra starting out really rocky for a while but them working through it for a healthier relationship. The complexity makes daydreaming so much more fun and more personal. Some relationships can be near effortless but a lot of relationships can be rocky

Like Romesse is definitely A LOT of adjusting and communicating and working after all thats happened. A lot of Romeo making up and trying to get ahold of his feelings and mortality like ITS A LOT

It doesn't boil down to

Jesse: Haha boyfriend :)

Romeo: Eat shit im better than you, love me *spits*

Jesse: Haha okay :')

Ship is short for relationship. It doesn't = OTP (god i havent used that word in ages)

Anyway, I'm done now. Ships are complex and I just ignore the ones I don't like and if I feel so strongly about it I'll block the tag/the account. Like OP said MCSM doesn't really have proships. Age isn't a huge part of their reality like ours (they don't spawn as babies, they spawn as a person -a noob- and nobody is related. Nobody has parents or siblings or cousins)

THIS IS NOT TARGETTED!!! THIS IS A COMMON PROBLEM!!!

There are quite literally no proships in MCSM[except obvious ones like animal x human ajd arguably old order/builders x new order/blaze rods and competitors x old builders]

Yes... even Romesse

Why?: Because depending on context, ALL SHIPS CAN BE TOXIC!!!

JESSKAS CAN BE TOXIC BECAUSE IF WRRE GETTING CRITICAL, JESSE CAN LITERALLY BE A DICK TO LUKAS IN ALL THE CHOICES!!!

JESSTRA CAN BE TOXIC BECAUSE YOU CAN BE A DICK TO PETRA, IF WERE BEIBG CRITICAL!!!!!

ALMOST EVERY SHIP IN SOME SORT OF CONTEXT CAN BE TOXIC!!!

BESIDES; SOME CHOICES YOU CAN REDEEM CHARACTERS!!!! IT'S NOT HARD TO UNDERSTAND!!!! I DONT EVEN LIKE ROMESSE YET I STILL KNOW IT'S NOT A PROSHIP!!!

ALL SHIPS NEED CONTEXT. IF THE CONTEXT IS ONE CHARACTER IS REDEEMED, AND TGE CHARACTERS ARE FINE WITH EACH OTHER, AND IS LEGAL, ITS FINE!!!! SO MANY SHIP FALL INTO THIS CATAGORY, AND THAT'S OKAY!!!

LUKXEL, AXDEN, ROMESSE, JESSKAS, JESSTRA, AND IVORREN ARE REALLY GOOD EXAMPLES!!!

THE BEST PART IS: THEY CAN BE EXES TOO, AND IT WON’T MATTER!!!

IT'S YOUR AU!!!! THERE'S NO CANON CHOICES, THERE'S NO CANON SHIPS, IT'S ALL UP TO YOU!!!!

IT'S ALL UP TO INTERPERTATION!!!!

But remember; JUST BECAUSE YOU HEADCANON OR THINK IT DOESN'T MEAN IT'S CANON!!!!

I USE TO BE THOSE PEOPLE WHO WOULD BE HYPOCRITICAL ABOUT PEOPLE'S SHIPS, I'LL ADMIT!!! AND IT SUCKS!!!!

BUT; PEOPLE CAN CHANGE!!! And I hope it's what some people in this community do♡

[dykedvonte]

Can you talk about trans!Curly a little bit more? I'm curios if you have any headcanons and the like

-💀

It's just such a thing in my mind because it adds a truthful sadness and differing aspect to mouthwashing.

If Curly was trans it adds the horror of the horribly selfish thought he could have easily been in Anya's situation. It could've been him but it wasn't and he so conflicted on the pit it put in his stomach that brings and the shameful relief it wasn't. In this scenario he is friends with Jimmy for a long time still. Jimmy likely knew him pretransition. Maybe he gave Curly weird looks then, maybe they never stopped after, maybe they seemed meaner. They are guys now, bros, both of them are. He doesn't really have to worry what those looks mean anymore, Jimmy just has that face with him sometimes. It's recontextualizing a lot of things for him that he was in denial about or too ashamed to admit. How naive he was being and how he let that get another person hurt.

Specifically with Anya, it's he knows the dread and fear she's feeling. He can understand it because he had to live with it for a good portion of his life, he knows it cause he still does, just in a slightly different way. It makes him think of all the times he's been alone with Jimmy, all the times he's been way more drunk off his ass and not remember the night, Jimmy was always with him the next day. Makes him think of the comments he would laugh off both because that's what guys do but because that part of being a girl says to laugh so Jimmy doesn't do something. It's the selfish realization that he was never safe and he's uncertain now too. Mad at himself for forgeting that feeling, espcially since for a long time he would've been considered the only woman on a crew (with all that implies) for a long time.

He should've taken those blinders off, step back into that position for just a moment and it's so much more painful that Anya likely came to him because he should've gotten it. Those thoughts don't leave his mind after the crash when he's in an even more vulnerable position than she was...

[schmafs]

go grampa