#i know it can be interpreted in many ways

[evelynpr]

Genshin Official Relationships and Status

Something to take note off in character relationships is what their "official and known" relationships are. So, I decided to try to make a chart of one with the playable cast and some extras.

This is a draft though. If you have criticisms and comments, absolutely please do leave them because I don't think my interpretations of these government systems are that accurate.

Anyways, here they are! The higher the placement, the higher the authority. Distance does not apply, and the legend is in each of the pictures.

Mondstadt: That's a lotta knights

They can be split between the Church and Knights, but the Church is still under the Grand Master as far as I know.

Power is surprisingly concentrated to 1/2 individuals only for a nation of freedom...Mond you gotta work on that...

Jean, Diluc, Kaeya, and Lisa are arranged the way they are in reference to the Klee summer event where they passed on who was looking after Mond.

Diluc still retains his high position because he has so many high credentials and connections (The Darknight Hero, Mond's richest man, high status in an intelligence network), despite being the Ex-Cavalry Captain.

Rosaria is an official recognized nun, but her vigilante works are by her own accord, hence the colors.

I am not sure whatsoever where Jean and Barbara's father, the Cardinal, should really be placed, or if he even still holds the position.

Poor Noelle does so much more Mond, but is lowest in status...please just make her a knight already T__T

Liyue: Zhongli and his powerful lesbians

I really am not sure if Ningguang is who Liyue's closest "leader", but that is how I felt during most of Liyues events

I'm assuming that the adepti now have a lesser status in Liyue because of the shift in power to the humans during the archon quest

How high Beidou's status is is, completely informal. She's right beside Ningguang because they do find each other to be equal competitors in their own way.

Those directly connected to Zhongli are those I assumed to have taken direct orders from him, hence why Beidou and Keqing are not included although they do respect him as their archon (Keqing in her own way)

I feel like I'm missing people here, compared to Mond, so uh, help me out here-

Inazuma: They just had a civil war...woops

I am reallyyy unsure how to label Sangonomiya island's status. Are they under the shogun? Are they their own separate territory?

Otherwise, Inazuma is pretty straightforward with its 3 factions and families

Sumeru: The whole government was just overthrown

Are there like, genuinely so sages right now, or replacement Grand Sage??? Nahida you need to do something asap-

Scara doesn't exactly have equal status to Alhaitham as Acting Grand Sage, but I felt it was more important to show that Scara is working directly under Nahida

Speaking of which, the title "shadow" is used because it's the same role that Ei served to Makoto, which I find poetic. If there is an official or better title tho, I'd love to hear it.

Hopefully, as time passes, there will be more representatives from the desert with high status. Poor Candace is carrying the desert's status on her back-

Should I have included the Corps of Thirty even if there are no playable characters...?

Fontaine: Fancy Schmancy Titles

I honestly reallyyyy wished that Neuv and Wrio were on equal standing, but in the eyes of Fontaine, that probably just isn't true.

Even so, absolute do not underestimate how important Wrio's role is in Fontaine's justice system, because without the Fortress functioning as it is, so much of Fontaine's justice would fall apart.

Despite Furina's death penalty and retirement, I still believe she deserves the title of archon with the highest status. No matter what happens, she is still Fontaine's idol and savior. (Besides, if she wanted/needed anything, Neuv would give it to her.)

How high Navia, Clorinde, and Chevy's statuses are in relation to each other in reality is...not explicit?

Really, Clorinde is just another employee under Fontaine's justice system, and isn't a head in anyway, while Chevy and Navia are actual leaders. But, Clorinde is the best Champion Duelist, so does that make them cancel out...?

Anyways that's all from me! It's pretty interesting to me just how much of the cast are part of their respective nation's government, which only makes sense given the kind of ruckus the traveler causes. Have a good day!

[anonymousredactedconfessions]

Let's have a talk, shall we?

Major Trigger Warning for rape, false accusations, and mentions of child sex crimes

I let you guys get away with a lot of shit. I let you be a little bitter, or mean spirited, or pissed off. I let you guys vent and let out grievances and complain for the sake of complaining. And i do all of this because it is important to have a space that you can do so without fear of judgement, it is unhealthy for you to bottle up negative emotions. I provide this in a public space because with the way this fandom is, if I didn't many of you would be pressured into not doing so at all. This fandom has a habit of ostracizing those who have differing opinions and interpretations, those who wish to critique the art they consume, those who have unpopular opinions, and all of it is done with the utmost aggression and vitriol. The things that have been said to some of the people in this fandom genuinely makes me lose faith in humanity if i think about it too hard.

This blog exists explicitly to counteract that. I refuse to encourage or enable it. What you are doing is actively dangerous, and I won't be having it in the space I curate within this fandom.

If you haven't noticed, this is one of my rules:

It means that you are not allowed to come in my inbox and accuse people of serious harm over this fiction.

You will not come and accuse people of something as egregious as rape apologia in my inbox. You will not accuse people of rape, abuse, assault, or child abuse/rape/exploitation in my inbox.

These are serious real world issues, and the reason they are bad is because they cause direct harm to real living people who can feel pain and can be violated. Your disgust holds absolutely no ethical weight. At All. You should have the mental, emotional, and intellectual capability to understand the ethical difference between allegories for rape, stories with/about rape, erotica of rape, and actual real life people being raped. Making accusations of this weight over make believe is abhorrent, and as a matter of fact, it shows that you don't treat these tragedies with the weight or gravity that they deserve. If you believe that it is appropriate to accuse someone of violating another person like so because of the creation of or opinions about art, then you have some serious learning and growing to do as a person if you wish to navigate these topics with any level of maturity or respect towards victims.

There is no good that comes out of accusations such as these. They only ever serve to:

Demonstrate to victims that the tragedy of their abuse is as trivial as fanfiction/art that you deem nasty (but is ultimately ethical), or even something as inconsequential as someones' love for a fictional character.

Shame those who love these characters, or this art, or creating, into hiding their opinions for fear of harassment and serious accusations when they have done zero harm by enjoying it.

Stifle creation and participation in fandoms.

Limit the spread of ideas, interpretations, critique/criticism, and general opinions in the fandom, which just turns fandoms into boring echo chambers devoid of variety and creativity.

Encourage actual censorship and moral policing. (More on that on this reblog by @escapedaudios on a post of mine. Thank you Escaped for your two cents, they are much appreciated 💖)

Spread the incredibly harmful idea that people are defined by the art they enjoy. You cannot accurately judge a person’s values or morals based on what tropes and themes they enjoy in fiction. You create an environment and culture incredibly dangerous for vulnerable individuals (like minors) when you tell them that they can know who is safe to trust based on whether they consume "the good kind" or "the bad kind" of fiction. This makes it so very easy for predators to virtue signal about fiction to lure in potential victims to abuse.

The majority of you are very good and well behaved when it comes to this, but the amount of people i have had come into my inbox and accuse others of being rapists with no evidence other than "they made X" or "they like Y" is not zero. And i will not be satisfied until it is.

This is all i have to say about the subject.

[wesleysniperking]

Usopp, Representation, and the Black Experience: My Perspective (maybe TL;DR)

Disclaimer: This post reflects my personal interpretation and connection with Usopp's character. I understand that not everyone may share the same perspective, and that's okay. This is just my own take based on my experiences and thoughts about identity and representation.

When it comes to Black characters, I’ve noticed a recurring theme where they often distance themselves from their non-Black friends or take time away due to personal struggles. It’s a reflection of the weight they carry, and sometimes there’s even some regret for doing so. I can think of plenty of shows that have touched on this, and honestly, I get it. A lot of Black people, myself included, feel the need to face things alone, likely because of deep-rooted issues tied to our history, upbringing, and the challenges of navigating predominantly non-Black spaces—especially when tokenism is involved.

I’ve been that person, and in many ways, I still am. My sister and mom often joke that Usopp feels like a Black guy with a lot of “white” friends. They also mention how Black men, especially those in subcultures like the hipster scene, often juggle two social circles. My cousin, a big One Piece fan, is the perfect example of this. Even Jacob Gibson, who plays Usopp in the live-action series, gives off a similar vibe.

I know this might come off as blunt or even as a generalization, but to me, Usopp reflects a part of the Black experience. He’s like the Lando (or Finn) in Star Wars, Link Hayes in The Mod Squad, Noah in Young Riders, and Marcellus in The Originals. He’s the Renee in Ally McBeal, Tucker in Danny Phantom, Black Panther in Avengers, Cyborg in Teen Titans, Gerald in Hey Arnold, James Rhodes in Iron Man, Chris Washington in Get Out, Ben in Night of the Living Dead, and Christopher in Scrubs. He’s that Black guy.

Maybe One Piece could show Usopp as more than just his race, but it’s hard to ignore the connection. And that’s okay. It’s something I’ve been reflecting on for a while, and I wanted to share it.

GIF credit

[curioscurio]

Why we have to start being nicer to eachother:

I know it sucks and is hard, but I think we really do need to start treating techbros and incels and our fellow humans with a bit more compassion, empathy, and understanding before we jump to bad faith interpretation. Especially when seeing a bad take online used as bait for arguments. We have to give other people the opportunity and knowledge to think for themselves, and make the choice to become a better person on their own.

"Hold on! Why should I be nice to people like that? THEY'RE the ones who are being bigoted to US!"

Well, I'll try and answer that question below! I ended up writing a lot, so check out the "read more" if you're curious. At the end of the day, I'm not an expert or a professional on human behavior, so keep that in mind. This is just something I've been thinking about based on my own past experiences.

Conspiracy theorists, the far right, gun enthusiasts, and even MAGA's all operate on the belief that modern society hates them for who they are. They think the entire world is against them.

And, looking at the kind of hate rhetoric and harmful ideologies they talk about; the cruel acts of casual and extremist violence that stem from that community, it easy to see why the world has turned its back on them. Right?

It makes you wonder: "Why are they like this?"

The easy way out is to simply hold on to the belief that they are behaving this way because they are bad people. Bad people do bad things, after all.

But when the world turns its back on a group of people, those people turn their backs on the world. They will naturally gravitate towards whichever group of accepting humans they come across first. Whoever validates their feelings and makes them feel accepted and safe instead of rejected and fearful.

The far right preys on young men who don't know know any better because they are never treated any better. They have influencers, exactly like Donald Trump, that make you feel safe. They also are lying to these people and using their fear of rejection to control them.

It's very similar to how the Church will help you out and feed you if you're homelss... as long as you join the church and donate 10% of your earnings to "God." (The churchs bank account. )

That is to say, people don't usually pop out of the womb with these prejudices and fears programed into their heads. It's something that has to be taught to them by somebody else. Their parents, the church, their school, their friends, youtubers, etc.

"So, what do we do? How do we save future and current generations from being sucked into this hateful spiral of far right bigotry?"

"How do we help our conservative parents, who we know love us but are absolutely convinced that they need guns to keep their families safe? How do we help our Trump Train family members who used to be loving, compassionate, people?"

Well, you're not gonna like the answer. We have to start being nicer to everyone. We have to be nicer to incels, dude bros, techbros, Karen's, and yes, even your average Republican voters. We have to show them compassion and empathy when they're expressing their fears, without immediately attacking them for it. We have got to prove to them that there's a place for them to come back to.

Their fears are being taken advantage of by a system that benefits from pitting the general population against each other. If we're too busy fighting eachother, we can never join forces and fight the system.

And so it turns into a self-sustaining system of fear and reactive lashing out. They start believing that everybody is against them, except the few people who understand. Until the only safe place left for them is the Q Anon message boards. Quite literally an orobourous of hate.

"But Curio! They literally want us dead! These people are violent and irredeemable!"

Many of them are. So many of these people are groomed into believing that the only way they can keep themselves safe is by killing anything they think has caused them harm. It's an intentional system maintained by those in power to control those who are not.

Some of them, however, are just normal people who got in with the wrong crowd or are too young to know better. Some people were never given the chance to be better.

"So, what SHOULD we do? Be nice to our oppressors? Let them get away with hate crimes and bigotry?"

No. But we DO need to stop thinking of "them" as this massive malevolent demographic who have no souls and are inherently evil. The majority of these people were lied to and manipulated and groomed into these beliefs.

We have to try harder to stop ourselves before we start calling them names and attack them, regardless of if they deserve it or not. We have to engage with them on good faith. Learn about WHY they believe conspiracy theories and why it stems from fear.

"Why? What will this help?"

Because you're quite literally showing them that there's another option available for them to take. You're showing them that, if they do change their minds and want to change their behavior, that you are a safe person to approach with these thoughts. You have the power to create a space for them where they're allowed to think for themselves without punishing them for it.

Once you create that connection, it's like you're showing them another road in life they can explore. They now can see a new future for themselves. A future where their kids start talking to them again. A future where they're not terrified of being humiliated for being soft. A future where they feel listened to.

And that's all. You just have to give them that chance. It's not your job to change their mind, or to tell them that they're wrong for thinking thoughts. In fact, trying to do just that will usually encourage them to double down.

But what you CAN do is build an environment where they have the OPPORTUNITY to change their mind. You can be kind, empathetic, and educational. Be patient and listen and have a respectful conversation with them.

It is especially important for people with privilege to step up and be those kinds of diplomats. People who are able and willing to look past the surface bigotry to address the scared humans underneath. People who can do this without endangering themselves or their community. This may be other cis straight white people who can get away with bringing these topics up gently, without triggering reflexive defensiveness. Who then have the patience to gently educate them and steer them towards a better path.

"But Curio, I can't do this. I've been hurt too many times by these people, and doing this would cause me significant mental distress."

Then don't. You're not obligated to be the better person for every situation and circumstance. Nuance must be taken into account. You don't have to be nice to every troll or ragebait Twitter post. I certainly don't want you to put yourself in a situation that causes you emotional, physical, or mental harm. Hell, you don't even have to give them the time of day. It's your own responsibility to make the judgment call regarding your health.

But people simply won't change if there's no room for them to change. And some people have the power to make that room for them little by little.

"I've tried everything. I've begged, cried, been nice, and shown them that we won't reject them. They won't change their minds no matter what."

And that's also ok! It can happen. When you give people the opportunity to make choices for themselves, there will always be people who still choose to believe the system they were groomed on. They can do that because thats free will, baby. There will still be people who will not change their minds and who will actively choose to become more radicalized.

And it's sad to see. But you also have to respect that sometimes people aren't ready to change at the same time that you're ready to help them change.

But you should try to do it for all the young men and children who are being taught by their parents that White Genocide is real. You should do it for the parents who love their kid so much, but are so terrified when they say they're transgender because they don't know what to do. Because they know the world will not treat them fairly or are afraid of ruining everything.

You should do it for your 10 year old nephew who watches Andrew Tate because their mother doesn't give a damn enough to check what kind of YouTube videos their kid is watching. You should do it for the depressed and hurting teenager who thinks they have no option left but to buy a gun and shoot up their school, because no ones listening to them. You should do it for the tradwife who's alone and hurting after her conservative husband cheated on her and left her with nothing; because she thought she would be the exception.

"...How do you know this will work? What if you're wrong, and nothing changes?"

I don't! I'm just a random person on the internet. I dont know who might read this. It's just my opinion.

But at least, at the end of the day, you tried your best to be a good person to another human being, and I don't think that's such very a bad thing. For me, I'm going to try because I don't want to lose my father to that kind of environment. I want to be able to have a normal conversation with him again.

There's some good in this world, Mr. Frodo, and it's worth fighting for.

[cardboardheartss]

NEWJEANS Overall Reading

⚠️DISCLAIMER! TAROT CARDS ARE NOT 100% ACCURATE! TAKE EVERYTHING WITH A GRAIN OF SALT! IF MY INTERPRETATIONS ARE INCORRECT FEEL FREE TO CORRECT ME!⚠️

*NWJNS current thoughts*

Minji : 7oC rx

In all honesty, from my cards, it seems as if Minji still wants to continue fighting. She is aware of the consequences that she’ll be facing but she honestly wants to fight. It seems like she will continue to demand change within the company, she only demands change for the sake of maintaining NWJNS creativity and image.

Hyein : 2oC rx

Hyein is completely tired. She wants to end her contract with HYBE, she is aware of the issues that HYBE and Fraudor will put her through and for her own sanity, she really wants to leave.

Haerin : 3oW rx, 9oP rx, The World

Haerin honestly wants a break! She is tired, and is literally on the brink of losing her mind atp. Haerin is also aware that HYBE will sabotage the girls careers on purpose, and she honestly does not want that for herself. She just wants to possibly go on a world tour and continue her career as NWJNS before April.

Hanni : AoW, 3oC rx

Poor Pham Pham, this situation has really made her question herself A LOT! She probably sits in her room and asks herself, “Why am I here?” “Why did I choose the fame life?” “Should I even continue being in NWJNS at this point?” Many thoughts surrounding her current situation as a member of NWJNS.

Danielle : Judgement rx, The Sun rx, 6oS, KoC rx, KNoP

The hate comments are hitting Dan Dan really hard, she has had the most difficult time. Since I watch NWJNS content, I can tell that she is honestly outraged and depressed too. Her whole vibe and personality has just become so closed off, it’s actually quite sad to witness. She really hates BSH too, many many negative thoughts about that man. Just views him as a money hungry coward tbh.

*thoughts on Jungkook’s support post*

Minji : QoC rx, WoF, KoS rx

“Oh no.”😤 She knew what was coming, the fans. She just knew that it will bring them more bad luck, because of the hate comments they’ll be receiving (which is happening as I type this). She’s thankful for the post, in a way but she knew that the fans will downplay this post and cause a ruckus.

Hyein : 3oC rx

She was worried about his fans turning against him. She is also worried about how the higher ups will react towards Jungkook after the post had been made.

Haerin : 5oW rx

She’s so glad someone with so much power finally stood up for her group. In the back of her mind, she’s probably thinking about how other groups could be envious about this moment that took place. Overall, she’s honestly really really grateful to have Jungkook on their side because she really thinks the group needed that one person to just shake things up a bit.

Hanni : 6oC

*do y’all know the “that’s a real black king right there🤪” sound from TikTok?*

Hanni in all honesty said, “that’s a real sunbaenim right there.🙂‍↕️” Wouldn’t be surprised if Hanni actually cried a bit after seeing that post and statement. She is soooo grateful, she honestly is so relieved to actually see someone with so much power and influence in the industry stand up for her group. She honestly is so grateful! My gut tells me that she probably saved that post as her Lock Screen or just looks at it every night for motivation.

Danielle : 8oW rx, Devil rx, The Empress

Initially, I don’t even think Dani was aware of the post. Poor Dani probably has her phone off or has deleted her social media for the sake of her peace. After she was aware of the post, she was quite taken aback because she doesn’t believe how Jungkook, actually had the guts to stand for NWJNS while being aware of the situation her group has with HYBE. She really respects him and applauds him for what he did.

*overall HYBE groups thoughts on this situation*

5oC rx, 2oP

Seems like these groups really be avoiding each other like a PLAGUE! These groups are completely and totally aware of the support NWJNS has, and I could say it kinda rubs them off the wrong way because they’re going through similar situations but they’re not getting the support from the rest of the industry and majority of the population of Korea (before y’all come for me, yes, support from this population matters the most, I’m sorry… I don’t make the rules!) It seems like they’ll try avoid thinking of this, and focus on support they receive from their own fandoms and promotions.

*will NWJNS stay in HYBE?*

5oP

No, the girls will eventually be leaving HYBE for good. In all honesty once again, these girls will have to leave this company for the sake of their own peace. They’re going to have many financial difficulties as they depart from this company but they’re going to have to either way.

*outcome of HYBE, once NWJNS leave*

AoP rx, The Lovers, 4oP, 10oS

lol. they’re going to be broker than ever! they will attempt to reconcile with their stock brokers or brands, to jump start their stock market value again, but it seems like all these businesses will stay clear from them to protect their own money because they’re aware, they’ll not be benefiting themselves with working with HYBE. HYBE will have to work really hard for positive public support again but it’s going to take a while.

*publics perception of NWJNS departure from HYBE*

6oW rx, Justice rx, Strength

the public will be divided ; Token/HYBE stans & Bunnies/K-Industry/Public & Rest of the public. The first group of people will be dissatisfied and angered by NWJNS leaving and claim that they’re ungrateful and stupid. The rest of the public will feel remorseful and encourage NEWJEANS to not give up but at the same time, should take a break!

OR!

the public will hate HYBE even more, and question their motives as a company overall. many people will not support HYBE any longer and believe they need their names tarnished as much as well. Would not be surprised if HYBE releases a media play article that day, in a celebratory manner about NWJNS departure but the public will remind them that they (HYBE) has not won in this situation, and will in fact be weak in terms of revenue.

*NWJNS careers once they depart from HYBE*

everybody say this with me : “NEWJEANS NEVER DIE!”📢

Pregnancy, Open Up Your Heart, Communicate, Manifest, Caution rx

*while shuffling the cards, the words NEWJEANS entertainment, came out my mouth lol! I would not be surprised if NWJNS establish their own company or they could possibly be moving to a different company, depending on their financial positions*

Anyways, the girls will come back better than ever! They will be expressing their gratitude to all the people who were on their side from the very beginning til the position they’ll be in once they’ve departed from HYBE. It seems as if the members 11:11 wishes will come true, and they’ll be a bit more stable and peaceful but it also seems like the girls will overwork themselves a bit too much because they want to prove to HYBE or the public that’s against them, that’s NWJNS as 5 shouldn’t be underestimated.

*individual messages from my cards for NWJNS members during this situation*

>this is so random lol but my gut is telling me to do this so I guess why not.🤷🏽‍♀️

Minji (Divorce) : my cards are telling her to consider canceling her contract with HYBE.

Hyein (Moving) : my cards are also telling her to consider canceling her contract with HYBE.

Haerin (Commitment rx) : my cards are also telling her to also just end her contract with HYBE.

Hanni (Health) : my cards are telling her to watch out for her physical and mental health! urgently so!💢

Danielle (Mercury Retrograde) : my cards are telling Ms Aries Mercury to hold herself back because people on social media will continue to attack her for what she says and supports.

That’s all for NWJNS today! The cards came out a bit better-ish than I had anticipated. I’m just relieved and touched to see how NWJNS will be okay after this situation. It will take some time for them to get back on their feet but they’re honestly going to kill it!

nwjns never die!🩷💛💚💜💙👏🏽

[dyaz-stories]

Yuta, Gojo, Geto, and does the end justify the means?

[spoilers up until JJK 269]

I've seen a post floating around about what the point of Yuta overtaking Gojo's body was, and since I haven't seen many people interpret it the way I have, I wanted to take a minute to talk about it.

First of all, I do think Gege had several reasons to do it, one of them being to give the answer to the "are you Gojo Satoru because you're the strongest or are you the strongest because you're Gojo Satoru". However, while many people tend to center that idea, it's only one aspect of it for me.

I'm also of the mind that part of it was telling the fans that nah, he really really wasn't coming back (don't necessarily assign malice to it, but yeah I think it was part of the point). That being said, there is an argument to be made that it was foreshadowed in chapter 90 by Kenjaku, so I don't think that was solely the point and Gege might have had this planned for a lot longer.

However, for me, it's not so much about the battle or about the plot, but rather about the themes it sets in place for the story, and these themes have been present for a while in Jujutsu Kaisen.

At the heart of it is, essentially, "does the end justify the means?"

That's a big theme in the manga as a whole, I'd argue. It's at the heart of the Geto thing ("does saving the lives of sorcerers justify killing every single non-sorcerer") in particular. It's behind most of the higher-ups' actions, though their 'ends' don't appear to be altruistic. It's also a question Gojo usually refuses to answer, or tentatively says "no" to — in refusing to kill Yuuji, Yuta, in protecting Hakari, and probably plenty of people before them. He does end up playing in that game, though, when he kills the higher-ups — deciding that the end might justify the means, a gamble he hadn't always thought worth taking until then. [This is my read on Gojo, but it's open to interpretation]

(I can't be brief to save my life so I'm putting the rest of this Very Long Post under the cut)

We see this not so much with the fight, but mostly in the conversations we see Yuta having in chapter 261, before taking Gojo's body. That's the whole point of the debate they're all having. Yuta is arguing that you have to do whatever to win against Sukuna,

while others, Kusakabe and Maki in particular, have their reservations. [Which is interesting considering Kusakabe does think that killing Yuuji to kill Sukuna was warranted, shows that values are complicated things]

Yuta's whole speech is about, really, the fact that you have to do whatever you can do, no matter what that is, to win. No matter whether or not you destroy yourself as a person, no matter how heinous it is, if it gets a win, it needs to be done.

There's something a little self-sacrificial, self-martyrdom, lowkey suicidal about it too imo but that's besides the point (not necessarily a criticism of Yuta btw, think it makes him more interesting and gives him a lot of depth).

Anyway, back to the point: Yuta is emphatically saying, yes, the end justifies the means. That was also what the fandom was saying when the chapter was coming out, actually. I saw a lot of the argument that it was 'not realistic' for them not to do that, and that 'this was a war and yes, it's horrible, but war is horrible', etc, etc.

Now at that point, I was seething in my small corner of the Internet because from the moment that conversation was had, I needed Yuta to lose, because I fucking hated the message it would give if he won. This is, admittedly, a deeply subjective thing — it's a personal and political opinion, and everyone's going to have their own, but as far as I'm concerned, it would have been awful. At that point I was still really worried that the story was going to go full grimdark and I would have hated it if the last message we got was that renouncing all your values is justified in war if it gets you a win.

Anyway, we all know this by now, but that's not what happened.

Geto, who ended up renouncing even his own values by attacking sorcerers in the name of building his perfect world, loses to the love that Yuta has for Maki and Rika in particular, two non-sorcerers.

And Sukuna loses, not to a Kamo, a Zen'in or a Gojo, not even to the descendant of the big three vengeful spirits, all of whom have sacrificed so much of their values to get to the level of power they have, but to a no-name kid who doesn't even have a cursed technique armed with the power of love and friendship. (Not mocking this btw, thrilled about it) Just as importantly, Yuuji has done the very opposite of abandoning his values: he's fought to keep them until the very end. Even at the very end, he offers Sukuna a hand, because his main value is not to kill people, unless absolutely necessary.

Meanwhile, Yuta going into Gojo's body gets him nothing. He's committed the abominable, and it's not a decisive move against Sukuna. He's gone against some very general human values — anyone can see why what he's done is fucked up (and I can't pinpoint it precisely but I'd argue that there's a parallel between that and him cursing Rika) — and it gets him nothing. Even if it had gotten him somewhere, there was another way. A way that didn't involve that.

So that, to me, is the point of Yuta taking over Gojo's body: no, you can't just do anything to win a battle, and yes, you can refuse to do certain sacrifices and succeed. Don't abandon the things you hold dear. You can lose, but you can also still prevail, Jujutsu Kaisen says in the end.

Now for the more critical part of this broadcast, while I do think this aspect is why Gege chose to have that happen, I 100% find that chapter 269 and the complete lack of consequences the action ends up carrying really really cheapens it. Everyone was up in arms about it at first, and then Yuta comes back and we act like nothing's happened? I mean it's a theme of the chapter for sure, acting like nothing's happened that is, but it still sucks.

I think that's partly why Maki is mad at Yuta in chapter 269, considering she was the one who was most strongly against the idea, but it's not brought up explicitly. It's completely incomprehensible to me that Gege thought the chapter would be better used talking about how they could have acted differently and that whole New Shadow Style school thing than dealing with the consequences of the characters' actions that he'd prepared earlier, but whatever.

So in the end, while it was an interesting point to bring to the story, it was not used to its full potential. In a story that's all about breaking cycles, it's a shame that there wasn't more light shed on how people kept repeating the same mistake.

[solisaureus]

Seeing people compare Will and Nico to Achilles and Patroclus is always weird for me because like. First off, Clarisse and Silena are the obvious intentional parallel. Secondly, there is a very specific reason why Riordan actively chooses NOT to compare Will and Nico to Achilles and Patroclus- way too much bad blood between Apollo and Achilles. I feel like most people are only familiar with Achilles through TSOA and the Hades game, and as such often understate WHY Apollo killed him. And why likening him and Patroclus to Will and Nico is in bad taste.

(Hint: Achilles had been warned in advance by his mother that he would die at the hands of Apollo if he killed Apollo's son. He didn't listen and killed TWO of them: Tenes because he intervened when Achilles tried to rape his sister, and Troilus was a twelve year old who Achilles tried to rape, chased into a sanctuary of Apollo, and beheaded/mutilated him at the altar- it's widely regarded as the worst crime Achilles ever committed. So Apollo killed both Patroclus and Achilles, to avenge both of the deaths. I don't think Will is a fan of Achilles, guys.)

ive never been a fan of fans comparing solangelo to patroclus and achilles either, mostly because it just kind of smacks of....idk, reductionism? just the fact that both couples are greek and gay? beyond that their parallels are incredibly limited and usually kind of a reach. and yeah, skimming over the fact that silena and clarisse are the canon patrochilles parallel never sits right with me either.

disclaimer that i did compare will to patroclus in my fic Solace, as a way to illustrate the role of healers in a conflict, not because it has anything to do with his romance with achilles.

the bad blood between apollo and achilles is also a factor. while i do like the song of achilles as a piece of fiction, it does irk me that it's become defining to many young peoples' understanding of achilles and the iliad. I know it's because it's a lot more readable and accessible than classical texts or academic analyses, so i'm not trying to come off as elitist or condescending. but it does bother me that most young people have this one specific view of achilles as a figure (that he's a sensitive lover who met a tragic fate) when there are eons of history and propaganda surrounding him. I believe that in writing tsoa, Madeline Miller wanted to humanize Achilles by expanding on his love for Patroclus in the Iliad, which is a bit ironic considering that that's now become the dominant view of his story. But tsoa is just one interpretation of the myth of achilles, and it's become regarded as the true, canonical one in pop culture.

I think that what bothers me most is that the popular conception of achilles now is as a fictional character, when what he is is a mythical figure. the difference being that a fictional character is sourced from one canon story and is written by only a few people who determine their canonical traits. a mythical figure is sourced from a culture, and in this case the whole world, and cultural portrayals and interpretations of that figure evolve and change over time to reflect the values of the culture telling their story.

For example, achilles was vilified (and hector glorified) by the ancient romans, because achilles was a young soldier who refused to obey his commander and fight because it conflicted with his ideals. this is something that the romans detested and found dangerous (territory can only be conquered with loyal legions). similar discussions about achilles are had in modern militaristic societies like the united states.

I'm going off on a huge tangent here. I guess what I mean to say is that it bothers me too when solangelo fans make this comparison, because i think it is not fitting with will and nico's characters, and because i have a lot of complaints with the fandomization of mythology. And I know that's rich coming from a percy jackson fan, but there it is.

On the other hand, I recognize that the historical and academic texts written about greek myth and achilles specifically are not nearly as accessible as highly-readable fiction books like tsoa and percy jackson. so while this does personally irk me, I don't think the people who do it are stupid or wrong, because like...realistically, I can't expect the average 14 year old solangelo fan to know about the murder of troilus.

[kylieswift31]

Hey Stephen

The ‘Hey Stephen’ interview is gaining traction again now because it was a pre-sent Easter egg designed to be understood at a later date. And the key to understanding it now is to view the interview through the lens of the Truman show…

Just after Truman’s escape ‘fails’, the director grows complacent as we begin to view Truman’s life through his point of view and this begins with interviews and clips of the fans watching along at home. This is designed to be a show of support on first watch, but the deeper you get into the themes of the movie the more you understand how many seem to be stuck in the shallow end of interpretation.

All of the positive endorsement of Truman’s popularity and the success of the show is a setup to highlight the director’s ‘good’ intentions by painting Sylvia’s character in a bad light. She’s the one that got (taken) away in Truman’s love triangle and is now seen as the face of the ‘free Truman’ movement. In his eyes she’s the anti hero and the reason why Truman began trying to escape after she left.

Everyone else watching from home had adopted a similar point of view to the director because they were viewing Truman’s life through his point of view. Understanding the director’s role in scripting the narrative slowly increased the support for the side that could see the cracks forming in the facade.

This is where ‘the tortoise and the hare’ reflects the moral of the story being told in the Truman show. The director is betting on the hare based on his view of Truman™ and Sylvia is betting on the tortoise because she can see the hidden side of Truman underneath the facade of Truman™.

The director was so sure he’d won the race after Truman’s ‘failed’ escape that he didn’t realise it was a purposeful ‘loss’ in a game of checkers. The director saw each round as a win without realising progress was being made until Truman had crossed the finish line.

This is why the movie ending with Truman stepping through the door is so powerful. It’s Truman revealing that they had been playing chess all along. Stepping through the door was Truman saying checkmate without giving the director a second thought.

Just like the tortoise’s slow progress towards the finish line, the never ending references to the Truman show stem from Taylor reenacting Truman’s strategy of slowly turning up the heat. Doing all of this as a one woman band allows each small step forwards (or breadcrumb left behind) to go unnoticed, as the connections between each clue are undetectable at first glance.

In the ‘Hey Stephen’ interview Taylor repeats “shockingly specific” details about Stephen’s personal life because she sees how some of her own fans are bordering on a stalker level of obsession while refusing to put the same level of investigation into her lyrics. For example we’ve seen the tracking of her private plane flights, knowing the names of her bodyguards and tracking her fertility cycle in the hopes she’s getting married and having children with Travis any day now.

I go back and forth on who I think the director in Taylor’s story could be, but I’m beginning to see that it’s this specific subset of the swiftie fanbase that might fulfil this role. It’s the ones that continue to overstep as they demand to see a palatable version of Taylor™ who will be the ones hanging on to the facade right up to the very end. And it’s their predictability that’s allowed Taylor to plan out future references like this so far in advance.

The Stephen Colbert poster is a classic example of how Taylor has created a cycle of leaving a trail of Easter eggs, red herrings and breadcrumbs along the way. It’s saying look over here at the pizza, but whatever you do don’t look over here to see the golden egg being pointed to with the other hand. Seeing the one piece of evidence on its own and not considering the bigger story it connects to is how the hare lost the race he didn’t realise was progressing towards the finish line when he wasn’t paying attention.

Highlighting the use of homonyms (and homographs, homophones etc) by referencing names such as Stephen and Lucy feels like a nod towards the meaning of Truman’s name. Truman is pretending to be the ‘True Man’ in the form of Truman™ because this is who the director wants him to be. In the same way Taylor is pretending to be Taylor™. This is essentially a combination of the ‘good girl’ persona and the pop star persona. Combining all of this with the manuscript also meaning ‘the man you script’ and you create the foundation for the ongoing performance art.

The golden egg is likely a reference to the Aesop fable ‘the goose and the golden egg’. It’s about a countryman who got rich from selling the golden eggs the goose had laid. Over time he became impatient and greedy waiting for the goose to lay one egg a day. He came up with the idea to kill the goose and cut it open. As he did so he discovered that there were no more eggs to be found and that it was the process the goose went through laying one a day that created the golden egg.

Another example of this story is seen in the Willy Wonka stories. In this case it’s used as a test to sift out the bad eggs from the good ones. In the end the moral of the story is “those who have plenty want more and so lose all they have”. This is what lead Truman to reach a breaking point and it’s what we’re seeing play out with Taylor’s story too. “All the pieces of me shattered as the crowd was chanting “more!”” And ‘the goose and the golden egg’ is listed as number 87 in the Perry index of Aesop fables. 🫠

On that note… the only orange colour on the poster is the TnT, a common nickname for Taylor and Travis. What if karma orange is actually a reference to something they were working on together? Stephen Colbert emphasised the music played to transition into the interview as a ‘liaison’, this word is usually used to describe someone acting as a bridge between two people. And Travis is the key to highlighting the contrast between Taylor and Taylor™.

The performance of Taylor™ as the ‘good girl’ and Truman™ as the ‘true man’ is designed to break down the facade so that we can see who they really are underneath. “You never had a camera inside my head”. If we’re not willing to look past the facade of Taylor™ we won’t see what inside her heart.

We’ve all reached the point where we agree that Taylor is queer in some form after viewing her story through a queer lens. I know many are frustrated that the story isn’t over yet, but we have to remember that we’ve already crossed the finish line. Taylor is now repeating the race to help explain her story to a larger audience in a way that they can understand it. All that’s left now is to filter out the good eggs so that we can leave the bad eggs behind.

“When you watch a film or you read a book and there’s a character that you identify with, you most of the time identify with them because they’re targeting something in you that feels like you’ve been there. That’s why we relate to characters.” -Taylor Swift

This applies to swifties too ❤️💛

A tortured poet,

Kylie x

[yellosnacc]

What about uniima/Fueem’s religion causes them to see Neal as a sloman?

This ask is probably a reaction to this post where I share some of Fueems thoughts if anyone wants to read it.

Here's a post about small aspect of the wider ueemic religion here.

But shrimply! Fueem's regional variant of this faith is pretty close to the one considered the "base" ueemic type. They are a follower of the heads and their rules and are knowledgeable in the ways of soul right.

In more recent years (like 30) the Eye has declared a soul right for every alien (any sophont found in the world so far) with some distinct rules for each but still similar to how uniima souls work.

Because this addition to the base religion is pretty recent, there are many versions of how this works for different people-species but nothing is fully agreed on. There's also the problem of most uniima never seeing a live sloman or knowing their biology/reproduction. So lot of the existing interpretations are based on accounts of a few ueema. Now if those guys weren't good drawers, someone else had to visually interpret their interpretation and welp. The farther from the Heads (the religion central) the weirder looking and weirder working other aliens are in art and literature.

So a recap. When a uniima dies (according to ueema belief) they release a soul. This soul in some way (depending on subculture etc.) gets attached to a person who was close to the dead person. At a point, the soul will jump to a baby at the right point in its development. This baby can be the new child of the soul wearer or just close to them. Usually, the wearer has to meet the "body" at least once. There are a lot more rules and stuff but this is long enough!

So anyway, this is probably what Fueem imagines happened to Neal spiritually.

Making Neal have the soul of once-sloman and thus being one too.

[jasmineandcedar]

“I won’t be using it today—so I want you to.”

I was re-reading ACOWAR and a thought hit me as I once again saw Azriel give Elain Truth-Teller.

What hit me, perhaps harder than before, is the difference between Cassian and Azriel’s offers. What is it to offer someone your wants? That is what I’ll explore in this post.

[Just before the great battle, Cassian hands Elain a knife] She refused the knife Cassian handed her, though. Went white as death at the sight of it. Azriel, still limping, merely nudged aside Cassian and extended another option. “This is Truth-Teller,” he told her softly. “I won’t be using it today—so I want you to.”

(I know there are some very interesting theories about this event, and I am sure it will be revisited in Elain’s book. There are many unanswered questions about how Elain managed to get to the King of Hybern, whether she can wield Truth-Teller, and all that. But in this post, I will simply be assessing what is happening here in quite a literal sense. So, without going into more overarching theorizing, I want to explore the choice to depict Elain as being given two options, and to depict her giving very different responses to them. How can this be interpreted?)

There are two material options presented to Elain - the two knives.

There are two different gifters offering their knives to Elain - Cassian and Azriel.

There are two different ways in which the knives are gifted. One knife is “handed” to Elain. The other – Azriel extends her the knife and softly says: “This is Truth-Teller, I won’t be using it today—so I want you to.” Azriel, who never expresses a want of his, offers her his wants.

What is it to gift someone something and say “I want you to use this” as opposed to hand someone something. It's an added layer of vulnerability. If the gift is rejected, it is a rejection not only of the knife itself, but a rejection of the gifter’s wants. It is to not acknowledge the gifter’s wants as wants you care to fulfil.

Remember, Elain has also already rejected to use a knife. Going “white as death” as she rejected it. Azriel is not offering her anything new in a material sense. It is true that Truth-Teller has magical abilities, but as Elain states – she doesn’t know how to use it (at least she doesn’t think she knows at this moment). It is in a material sense only another knife. And another gifter. And the difference in Azriel’s offer is him offering his wants.

By now they have spent a lot of time together. In ACOWAR, Azriel probably spends more time with Elain than any other member of the Inner Circle. He saw her when everyone thought her mad.

[Azriel discovers Elain is a seer] “She doesn’t need anything,” Azriel answered without so much as looking at Lucien. Elain was staring at the spymaster now—unblinkingly. “We’re the ones who need …” Azriel trailed off. “A seer,” he said, more to himself than us. “The Cauldron made you a seer.”

He took her to the garden, when what she wanted was sunshine.

[Azriel flies Elain to the town house] Azriel arrived first, no shadows to be seen, my sister a pale, golden mass in his arms. He, too, wore his Illyrian armor, Elain’s golden-brown hair snagging in some of the black scales across his chest and shoulders. He set her down gently on the foyer carpet, having carried her in through the front door. Elain peered up at his patient, solemn face. Azriel smiled faintly. “Would you like me to show you the garden?” She seemed so small before him, so fragile compared to the scales of his fighting leathers, the breadth of his shoulders. The wings peeking over them. But Elain did not balk from him, did not shy away as she nodded—just once. Azriel, graceful as any courtier, offered her an arm. I couldn’t tell if she was looking at his blue Siphon or at his scarred skin beneath as she breathed, “Beautiful.” Color bloomed high on Azriel’s golden-brown cheeks, but he inclined his head in thanks and led my sister toward the back doors into the garden, sunlight bathing them (ACOWAR).

[Azriel takes Elain to the garden again] Cassian’s dark brows narrowed. I dragged a hand over my face before going to Elain and touching her too-bony shoulder. “Can I set you up in the garden? The herbs you planted are coming in nicely.” “I can help her,” said Azriel, stepping to the table as Elain silently rose. No shadows at his ear, no darkness ringing his fingers as he extended a hand. Nesta monitored him like a hawk, but kept silent as Elain took his hand, and out they went. (ACOWAR)

He came for her when she was taken to the Hybern camp.

[Elain’s rescue] Azriel’s power gave out on the outskirts of our camp. The girl, despite the burns and lashings on her moon-white skin, was able to walk. The gray light of morning had broken over the world, mist clinging to our ankles as we headed into that camp, Azriel still cradling Elain to his chest. He dripped blood behind him the entire time—a trickle compared to the torrent that should be leaking out. Contained only by the patches of power he’d slapped on it. Help—he needed a healer immediately. […] Rhys lunged for Azriel, taking Elain from him and gently setting my sister down. Azriel rasped, swaying on his feet, “We need Helion to get these chains off her.” Yet Elain didn’t seem to notice them as she rose up on her toes and kissed the shadowsinger’s cheek.

He’s been gentle, attentive, and caring towards her. And Elain, she’s never shied away from him and has been equally gentle and kind towards him.

We know that by now they both have romantic feelings for each other.

But what, already then, had developed between them that made Azriel sure enough to assume that Elain would not reject him when he offered her his wants, after she had already rejected the use of a knife once? Again, going "white as death" as she rejected it. Perhaps he must have known there was something in him telling her he wants her to have it, that for her would weigh heavier than her refusal to wield a knife.

Oh, how badly I want access to their inner worlds…

[hyun3hk3y]

Symbolism in "Portrait of Lady Edelgard Von Hresvelg"

This is something that I’ve usually never really felt comfortable doing. If you ever wonder why some artists are a bit more reluctant to actually *talk* about the “meaning” of their work, its because it strikes the same tenor as having to explain why a joke is funny.  If I have to actually lay it out for the viewer why certain decisions were made in the execution of a work of art, the magic of the whole experience may be lost.  Moreover, many artists avoid making definitive statements on their work because they do not wish to deprive viewers the opportunity to derive their own unique explanation. 

While I chiefly view myself as a fine artist, most of my artistic training was as an illustrator.  As an artist, this can lead to an interesting dichotomy when it comes to creating paintings.  During my studies, I was told that the job of an illustrator is to solve pictorial problems for people often by making pictures that tell a story or convey an idea.  Fine art’s definition, in contrast, tends to be more nebulous.  But I digress, on to the painting…

A number of people on reddit and Tumblr have remarked on the candle with the snuffed-out flame.  No interpretations on it have been offered, the mere presence of a candle with a smoldering wick is a strong enough implication.  However, this is one instance where I drew inspiration from art history so I believe it is worth elaborating on.  The animus for the candle originates in the Arnolfini Portrait by Jan Van Eyck.  Below is an image of the painting with the pertinent candle circled.

Art history scholars have a number of different readings about the candle’s presence, but the one I was taught in Art History is that the lit candle indicates the presence of the holy ghost or the watchful eye of God.  Three Houses draws from a number of religions for its world building, in the case of The Church of Serios, the developers took the majority of their cues from The Catholic Church.  If a lit candle would suggest Edelgard’s faith in the Goddess, then an extinguished one must imply Edelgard’s *loss* of faith. 

In addition to the extinguished candle, I would also like to direct viewers to the reflection of the candle in the polished wood table surface. In the reflection the candle is still burning very brightly, almost down to the base of the candelabra.

The purpose of this image is to recall a saying from old Taoism Philosophy in China: “The candle that burns twice as bright burns half as long.”  Those who are familiar with Edelgard’s back story in Three Houses will find its relevance obvious.  I doubt I am the only one to make the allusion.

This brings me to the next major piece of symbolism I employed in the painting, the dagger and the drapery on the table.  The dagger’s significance should go without saying, but its application as a device will become more apparent after I explain the table cloth.  To put it succinctly, the majority of the dark shadow shapes made by the tablecloth are arranged to evoke the shape of the crest of flames.  Below is another visual to help illuminate this detail. 

The immediate implication here is the detail of Edelgard possessing the crest of flames.  As for why I decided to depict it in a more concealed way…When I first got the idea for this painting, the whole concept was that if a person saw this painting in a gallery, they would be looking at an actual artifact from Fodlan, one that created by an artist who actually lived there.  This is why the second row of the inscription reads “In the Imperial Year” on the left side and “1179” on the right.  This means the painting would have been completed just before Edelgard starts attending Gareg Mach, and long before the greater public would know she has the crest of flames.  How the artist came to know this would remain a mystery.  I like to imagine it as a detail that Fodlan’s historians would debate over for years after the game’s narrative.

There is also a second message that I have intended with the dagger’s placement cutting (heh) across the crest…Gripping the dagger over the crest of flames is a statement about what the path is that Edelgard will take, especially when the crest is examined as representing the Goddess Sothis.  In fact, there are two (technically three) lines of dialogue from Three Houses I had in mind for this symbolism.

That about sums it up!  I may do a couple more posts in the future where I show how the painting evolved from thumbnails, to studies to the finished image if theres interest in that sort of thing.

[honeygrahambitch]

Hi, I'm new to the fandom and unsure who to ask my questions. I recently joined Tumblr and came across your posts while browsing the Hannibal meta tag. I have a few questions: What are Hannibal's feelings towards Bedelia and Alana? I remember Mads once said that Hannibal is in love with everyone on the show to some extent, so what exactly does love mean to him? Also, I'm having trouble understanding the line by Will: "You will only do that if I rejected you" (sorry, I paraphrased). I apologize if these are too many questions. Thanks in advance!

Hi anon! I am in a yapping mood so here we go.

1. What are Hannibal's feelings towards Bedelia and Alana?

They are absolutely women that he appreciates and respects to some extent. Hannibal does not engage with people he doesn't respect. Bedelia is his colleague and...friend? Depends who you ask cause Hannibal did say that he considered her his friend. He doesn't love her, but she matches his freak to some extent. She is a beautiful woman and she is intelligent and most importantly, she probably knows him better than anyone (up until the point he meets Will at least).

He was also very genuine towards Alana. He did use her as an alibi but I stand my ground when I say that he offered her to run away genuinely because he cared about her. She is also intelligent and beautiful, what's not to like about her? (i won't start ranting about Alana now, I have many thoughts ahhhhh). Tbh his feelings towards Bedelia are deeper. Alana did not see him for who he was. She didn't know him intimately enough. He has never wanted to eat her. Hannibal wants to eat people if 1) they are rude and 2) they mean the world to him (because how else to express your adoration). Bedelia did end up for dinner in the end. What he had with Alana was not that deep but it was enjoyable for sure. Alana is more submissive than Bedelia.

So I guess to sum up, both Bedelia and Alana were very convenient both as partners and as pawns for the bigger picture. But his feelings toward them are nothing compared to what he feels for Will.

2. What does love mean to Hannibal?

My take on what Mads said is that Hannibal is an individual who is genuinely in love with life. With every aspect. Life gets complicated? That's entertaining to him. Will did something unpredictable? Entertaining too. Rude people or people he loves are having dinner with him? Wonderful. Murder? Mesmerizing. He loves suits, he composes, he draws, he cooks, he is so full of life all the time. He is a little bit in love with everyone because he finds everyone a source of entertainment and that's really important to him.

Will actually making him suffer is however something he did not find so entertaining. Even if he did find some beauty in all that pain, I am sure he wasn't very entertained. It was a rare occasion where he was really in pain. He is not the same as in the first two seasons. He is more reckless, more impulsive. His little happy narrative was shattered because of a situation where he had no control over. Part of his life satisfaction and entertainment are explained by his need to control how all the subplots develop.

3. What did Will mean when he said "you'd only do that if I rejected you"?

Honestly this is one that I struggled with for a long time and I guess you can interpret it in many nuances. It's meant to be interpretable.

You can either see it as a) "I manipulated you to surrender and you fell for it. I knew which buttons to push. You can't handle rejection. You did exactly what I expected you to do" or b) (my favorite) "I had to say all those things because it was the only way to make you surrender. I knew that you wanted me to know where to find you. While what I said back then does not reflect my true feelings, I had to make you surrender."

[tyresw]

I've seen a few posts being real scared of what is going to happen with Taravangian given the recent interlude but I think most people, myself, aren't taking one very important thing into consideration. Renarin (and now Rlain). We already know that their special access to presumably Fortune interferes with the ability for the futuresight of a Shard to be accurate. Seeing the future is already a best-guess type thing in the cosmere but when an Enlightened Truthwatcher throws out what are effectively atium shadows, the Shard has to suddenly make many more assumptions about how people will act. So when we see Death Rattles from Moelach, we can no longer be sure if something like:

"Three of sixteen ruled, but now the Broken One reigns"

we have to take it with a grain of salt. Will the end result likely be CLOSE to this? Yeah, I bet. Does it mean that we are doomed to Odium being the sole Shard of Roshar? Not necessarily. In some ways this can open some really fun twists and interpretations of the Death Rattles based on how their trajectory could be nudged in a different direction.

Maybe the actions of the Radiants can't stop Odium from winning the Contest but they force him into a situation where he is strangled by his own Intent, shattering the shard into the "Broken One" whose splinters cause even greater cataclysm on Roshar.

[island-in-the-shadows]

I absolutely get the takes that Oliver never really knew Felix. Just knew some sort of idealised version of him. And there is credence to it. However, I think it's a little bit more complex.

I think Oliver did know Felix. I think that Felix probably told him things he hadn't told anyone else. It's easier to open up to people you've just met about some things than it is to open up to someone you've known a long time. You don't want relatives to know certain things or you don't want them to judge you. We see conversations that they have but we don't hear them. We're not privy to what they say to each other. Why is that? Simple. Oliver doesn't want us to know.

Everything is coloured by Oliver being an unreliable narrator. Felix, in particular, is inexorably coloured by the deep and complicated love Oliver has for him, by his nostalgia, and by his anger and frustration. But it's also coloured by Oliver's perceived possession of Felix.

As much as, from what we see (if we take it at face value), Felix is clearly possessive of Oliver, so to Oliver is possessive of Felix. We see it again and again. Hell, (imo) the ending of the film is not so much about possessing Saltburn as just real estate and social status, etc. as it is about possessing Saltburn as an extension of Felix. And this possession colours the narrative. Even if he's telling this to a comatose Elspeth. In Oliver's mind, his claim over Felix supersedes Elspeth's even though she is Felix's mother.

So it's not that he didn't know Felix. It's that we don't know Felix. We never really do. We see bits of him. But it's because we are not allowed to know him. Oliver does not want us to know him. His Felix--God and human, perfection and foible alike--is not for us. He never could be. Oliver would never allow it.

[goldensunset]

when people refer to canon story-relevant kingdom hearts games as ‘spinoffs’ it makes me sad not only for the obvious reasons i always say but also bc like man i WISH this series had spinoffs. imagine what they could do if they had permission from nomura to truly go off the rails and ignore the greater canon for a second and just do some fun whimsical plotless thing in an alternate universe. imagine a fishing/boating game on destiny islands. kh fighting game. it is an injustice that we have been deprived of kingdom karts. can anyone hear me

[strawlessandbraless]

Honestly if I want to clown over destiel, it’s my god given right. Like I appreciate your concern, but no thank you. Choosing hope and love just like my boy castiel, this is where I live now