#i know I already have a bunch of things posted
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gethoce · 2 days ago
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I know it has been a while but I've been very stressed out and still am but I really wanna wrap this up somehow regardless.
First of all WOW to think that Valfrey would be number 2 in total propaganda! Sure, a lot was just me, but bunch of other people came in and ended up drawing her and making me feel included despite me struggling to socialise!
I was hoping I could draw the characters of everyone who showed their support at one point or another to celebrate, but as things stand I can not realistically tackle such a task. Just know that I am very grateful and have not forgotten. Maybe I'll be able to pay back your kindness someday. </3
(My honest recap of the tournament as a whole under the cut)
As some may know, I didn't join the first tournament. I was way too worried it'd just stress me out to be put into a competitive situation. So why did I join the second tournament? Mostly to finally participate in one of these Kirby community events. Put myself out there for once, jump over my shadow and attempt to socialise a little. So how did it go?
Uuuuuraaaargh…??
Trouble started already when I posted my character intro. I chose Valfrey because she is my favourite OC even though she isn't even my own most popular character. I didn't expect her to do well given how most posts that included her largely flopped. Since I didn't have much time and felt pressured to post my intro quickly I used existing art and quickly wrote some summed up information about her. Perhaps I could have done one of these cool intros some people drew up but I felt like I'd not be able to do that without ending up even more stressed. While I didn't expect the post to do well it was… still a little disappointing that it didn't really get attention. Panicked I drew up the icon featured in this post which also flopped so I stopped using it as my icon not too long after. Curse this insecurity.
The next hurdle showed itself when I noticed that my intro post didn't get reblogged by the tournament blog either. I was on the list of participants but the reblog didn't come. I decided to just wait and hope that it's just stuck in the queue somewhere. … so I waited. And waited…and waited… until it was clear that my post could not have been in the queue. I was frankly too nervous about contacting the mods, but thanks to the help of an amazin friend they were contacted and my post was finally reblogged.
That was also when people finally began to interact with Valfrey in my inbox too. It may have been a coincidence but I felt like the reblog might have helped.
ROUND 1 …
I fully expected to lose immediately. There was little hope in my heart in that regard. What I wanted to do was have a good time sharing my work and interacting with others. I did not have a good time during round 1. First of all I was too nervous to even look at the poll initially. I just didn't want to see it. It was pretty late for me when it was uploaded anyway (I live in Europe, that is public knowledge) so I decided to go to bed after posting some art.
The next morning I checked the tournament discord server. I was told people have said nice things there about me and Valfrey before and I thought maybe there is something new to improve my mood a little. Things were pretty tough irl as well so I was looking forward to a little pick me up. … There was… certainly talk about me and Valfrey. But not the kind that would bring me any joy.
First of all I want to be clear here… DO NOT HARASS THE PEOPLE I AM GOING TO TALK ABOUT. I'll just call them A and B. I just want to talk about my experience and hope that people will be more mindful in the future.
So, that not so beautiful Monday morning I stumbled across this conversation on the very much public discord server between A and B. A was apparently nervous because I had not yet responded to a message they sent me. Again, I live in Europe. It was night time for me. On a Sunday. For some reason neither of these two even considered time zones. One speculated that I was probably “getting flooded by asks” because they thought I have “a huge following” while the other thought I might be sick. The latter seems a bit more charitable at least but come on… I have things to do. Like sleeping at night. Just so you know the message A sent me was the only one I got that night. I have a niche blog within a niche fandom. I do not have a huge following, especially not the kind of following that would “flood me with asks”.
And then… oh, and then… B decided to hype up my opponent's OC… and tear down Valfrey afterwards. They basically called my work uncreative. This is something I do have absolutely no tolerance for. I dont even care which OC you are talking about, mine or anyone else's, this is unacceptable behaviour. Even if you do not like an OC, not all thoughts need to be expressed. You won't ever catch me badmouth anyone's OC even in DMs. You can compliment one OC without tearing down another.
I couldn't bring myself to answer that message for a few days and then finally told them that I am uncomfortable with what was said on the server and didn't want to continue interacting and blocked both A and B.
The next three rounds thankfully went rather smoothly. There was Artfight in between so I had less time to work on tournament stuff. Mostly narrow wins for Valfrey! Good fights and all. I even became comfortable enough to look at the polls sometimes. Not enough to look at the notes but still.
And then round 4 came around and you all know what happened. Some third party scumbag botted trying to get Valfrey to lose for unknown reason ruining the whole thing for both me and my opponent, who dropped out not long after and honestly I kinda wished I had too given what was waiting for me at round 5. I mostly kept quiet at the time believing in the ability of the mods to handle the situation. A lot of drama happened that I merely observed, not all related to the sabotage. I didn't think me chiming in too much would improve the situation so I didn't. It was very unpleasant overall and without going into too much detail I wished it could have been different. I honestly thought my opponent could have won against Valfrey naturally and was looking forward to it so I could catch a break but it wasn't meant to be.
Round 5… oh boy round 5… I really admired my opponent so I made sure to do some art after missing out the last few times! It was a tough battle and I was amazed to see Valfrey holding her own against such an incredible OC. I was certain her opponent would win in the end, they were leading by just a few percent and I was fine with that. (I had been ready to call it a day for a while, really just wanted to get past round 3 so I could avoid the second chance bracket.) 
And then it happened again. Another sabotage against Valfrey. I still don't know why that happened and don't think that speculating based on nothing is helpful in any way, but part of me at least wanted to give it a good try to make it through the replacement poll out of spite towards the scumbag who attacked me twice. I still fully expected my opponent to win, that OC is just that great and very much rightfully popular, but we managed to win in the end!
I kind of wished I had just dropped out, however. My opponent hasn't interacted with me since and I'm afraid that event may have soured their view of me, which deeply saddens me. I don't know if there was anything I could have done to prevent this from happening after the sabotage occurred, but this wasn't a victory I could really celebrate. 
Now to the grand finale… This time things went smoothly with the new system. Valfrey was actually leading at the very beginning much to my surprise. I predicted my opponent would win the tournament from the start so seeing Valfrey do decently meant a lot. Of course we lost in the end. A win would have been pretty cool but I was always fine with losing. Burnout hit me hard at the time though so I went into hiatus for a bit to recover.
The whole tournament was immensely stressful for me a lot of the time. At least some instances didn't need to happen. One thing I haven't brought up yet that bothered me was the mischaracterisation of Valfrey. Early on most of the time she was paired with Sir Uther as his “Sleep Paralysis Demon”, her actual lore being brushed aside. They actually hardly knew each other and the demon thing was supposed to be a one time joke. It felt like she was merely an accessory to this other OC which kinda hurt to see.
Then there were the times she was referred to as a “reaper” and towards the end as the creator of the suns… I don't really use the term reaper in my lore at all. A few times I did say it in response to others using the term though so maybe that's where that came from. Then the sun thing… Perhaps I didn't do a good enough job explaining her lore, but she only created a few suns, not all of them. For the record, she is considered a valkyrie and the primary focuses of her character are: warrior poet, samurai, duality, souls and most importantly she is the Underworld (Yomi) personified. The sun thing is like a thing she did a long time ago and doesn't really think about much anymore.
Also a few times people thought she was a man which, considering her lore, was more funny to me than anything.
Anyway, in conclusion… things didn't quite go as well as I was hoping but other things positively surprised me! Largely a mixed bag. If I ever get to participate in another community event I hope it'll go more smoothly!
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Hello again all! After the riveting finale of last year's tournament, we've spent a few months collecting a selection of fun stats into our final 2024 Tournament Review!
From which participant had the most propaganda posted, to the total number of votes cast across the event, to which canon Kirby species was most represented, we hope you'll enjoy this send-off for the 2024 tourney!!
. · ͙ * ̩̩͙˚ ̩̥̩̥ * ̩̩̥͙ ✩ * ̩̩̥͙ ˚ ̩̥̩̥ * ̩̩͙ ‧ ͙ . . · ͙ * ̩̩͙˚ ̩̥̩̥ * ̩̩̥͙ ✩ * ̩̩̥͙ ˚ ̩̥̩̥ * ̩̩͙ ‧ ͙ .
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★ POLLS WITH THE HIGHEST NUMBER OF VOTES a selection of the highest performing polls that attracted the most public attention
Mama D vs J: 848 votes
★ Dawn vs Starry Dee: 749 votes ★ Fylass vs Clark: 741 votes ★ Astro vs Noir Fontaine vs Techie: 592 votes ★ Sir Meteor vs Life: 554 votes
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★ CHARACTERS WITH THE MOST PROPAGANDA characters who had the most propaganda posts for them, either from their own creator or from other artists
Fecto Flora 155 posts
★ Valfrey 112 posts ★ Sir Uther 108 posts ★ Noir Fontaine 98 posts ★ Dotty 95 posts
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After applications closed at the end of April, the tournament ran from May 10th, 2024 to October 28th, 2024, just a few days shy of six months! During this time...
★ 143 competitors joined the tournament and made friends ★ 1,813 Propaganda posts were made by the community supporting those competitors, and reblogged to the @kirbyoctournament blog ★ 202 polls were made pitting your favorites against each other ★ across those polls, 43,165 votes were cast ★ and of all these, winners starstruck dee and Rope MF received 1179 votes and 699 votes respectively over the course of the event
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★ RANDOM STATS
★ 36% (52) of entered OCs were of the "orb" species, with 33 of those taking up the mantle of "knight" specifically. far and away the most represented species ★ Waddle dees were the next most common entrant, with 17 OCs. ★ Ripple Fairies were the least showcased non common-enemy/custom species type, with only a single representative! ★ Of all OC names, "S" was the most common initial at 16 OCs, a statistic we do feel is influenced by the frequency of "sir" before names. Removing those, it was the letter "A", with 13. ★ The least successful initial was the letter "J", with all but one of their 4 representatives (75%) falling in the first round.
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★ PROPAGANDA WITH THE MOST CHARACTERS INCLUDED most tournament characters included in a single piece (or single series) of propaganda
★ Tournament OCs Part One and Part Two by @ivynajspyder with a total of 60 competitors
★ 55 competitors Havent You Noticed I'm A Star? by @giantchasm ★ 29 competitors and 2 non competitors (total 31 characters) Congrats To Fecto Flora! by @ceoofmetagala ★ And an honorable mention with 13 competitors and 15 non competitors (total 28 characters), Stargate Commemorative Piece, by @moonverc3x
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During the tournament, creators and fans of all kinds arrived to showcase their best skills in support of their own ocs, their friends, and even brand new favorite characters they had found. While it's of course impossible to pick just one stand out piece -and we strongly recommend you check our full propaganda tag to see many more of these incredible works- here are some notable and unique highlights suggested by the Kirby OC Tourney community!
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★ Propaganda Hijack; Music cover by @boa35 ★ Vote Dotty; by @cauliarty ★ Vote Flora; by @metagalacafe ★ Valfrey icon; by @gethoce ★ Friendly Talk; by @sacrificecage
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★ Dont Stop Rope MF Now; Animated music video by @mint-termsandconditions ★ Just another Astral; by @aseuki ★ Tea Time; by @quanblovk ★ Nighty Knight Mod; by @windstriker427 ★ Tournament armours; by @rosiegardenlove
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★ Havent You Noticed I'm A Star; Animated music video by @giantchasm ★ Motifs and Symbols; by @kirbybecomesastarwarrior ★ Surprise propaganda; by @poppybros-jr ★ Go Life!; by @shippyo ★ Not In The Lead; by @hnm-tech-support
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★ Noir's Field Trip; Masterpost of art, comics and asks by @desultory-novice ★ Space battle; by @pinkestmenace ★ Only In Passing; by @what-is-love-babey-dont-hurt-me ★ Wolfbell's Illustrated Roleplays; by @zombiecicada ★ Not Over yet; by @a-stardusted-sky
. · ͙ * ̩̩͙˚ ̩̥̩̥ * ̩̩̥͙ ✩ * ̩̩̥͙ ˚ ̩̥̩̥ * ̩̩͙ ‧ ͙ . . · ͙ * ̩̩͙˚ ̩̥̩̥ * ̩̩̥͙ ✩ * ̩̩̥͙ ˚ ̩̥̩̥ * ̩̩͙ ‧ ͙ .
And with this, we officially conclude the 2024 Kirby OC Tournament event!
Over the next few days we will reblog a few final propaganda posts we received notifications for since October. We also have a new pinned post with an FAQ regarding the tournament and when things may be picked up next!
Thank you for coming along on the ride with us, for sharing your creativity and supporting OCs, and for helping us to make this into a wonderful and enriching community event!
See you around!
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maxknightley · 2 days ago
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Now you've got me thinking... Do you think that the things which are associated with Normieness are, like, a reflection *of* the nature of that numinous Normieness, or is is just the nature of Normieness to latch onto the things which already have that sort of exposure/cultural cachet regardless of their actual content? Or is it like the chicken and the egg?
I think it's a bit of both, but definitely more the latter...
there is Normie Shit created and marketed specifically for mass appeal, and that typically means sanding down the edges. on the other hand, mass culture as it actually exists can and does latch onto weird shit sometimes! it's my understanding that twin peaks was Fucking Huge when it was first airing, for example. and while the beatles started out as a talented but lyrically unremarkable proto-boy band, they maintained a vast popular following even after they pivoted to stranger and more experimental shit... stephen king is one of the most successful authors Ever and he's constantly writing self-indulgent metafiction where nobody talks like a human being. arguably his most successful stuff is the most "conceptually approachable" but idk I feel like the Steve-ness probably still comes through u know. in all these cases, momentum probably made a big difference.
actually fuck all those examples. star wars. the original trilogy is fuckin bizarre if you really think about it. A New Hope is a movie about magical space samurai, directed by an auteur who can't write dialogue to save his life & whose only prior feature films were a dystopian flick no one gave a shit about & a non-fantastical coming-of-age film. then the sequel added a fucked up little gnome muppet. and they were both Huge!
also alice in wonderland. it's a story about 1. a bunch of crazy crap happening and 2. some math jokes or whatever. now one of the most famous children's books ever. also the office, which is now the Ultimate Symbol of Normieness, had a very unique framing device at the time. anyway the post ends here bc I don't know if any of this is anything but you get what I'm driving at.
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riding-the-sunset-bird · 1 day ago
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Hey!
Since I started playing August last year I'd been lurking on the reddit (since I don't have an account) and always found the posts of the person who was writing "what choices determine Cove's X" so insightful and loved reading them
recently, i played the baxter DLC (still am not over it, it's my most favourite thing ever; i just love our pepe le pew) so I spent a lot of time on the reddit just reading up about him and what others thought bcs i LOVE deep analysis on characters that I've liked and I stumbled upon a bunch of your comments (which again, loved reading!) and I put a name to the comment
found the same username on tumblr and simultaneously found out you were the one who goes into the games files and wrote those posts I loved so, AH! Hi!
hahah my 'fangirling' and backstory aside, right after I played Baxter's DLC I felt like I didn't understand the reasons behind his actions? I know everyone talks about how he has self-worth issues and wanted to just be a memory but I don't get how that all correlated to completely detatching and not wanting to be a part of MC's life? Like did he care at all? If he didn't, why keep your number and the gift you gave him in one of the memories (Sightseeing?). But if he did care, how did he so easily at the beginning distance himself professionally? AND THEN REMINISCE ON ALL OUR MEMORIES TOGETHER BUT GO BACK TO PROFESSIONAL; LIKE WHAT WAS THE INTENTION
I feel like it is such a stupid question since it seems like everyone else gets it and the game explains it so many times but I just did not get it 😭
so if you could! could you help me understand it a little better? (and if you have talked about it before, no pressure to rewrite it all here I'd happily read another post of yours about it if you could kindly link it!)
i hope that makes sense haha, hope you have a lovely day and genuienly THANK YOU for what you do with your blog! its so great and even if you don't answer this ask i will LOVE reading everything you still put out!
-jaycee <3
*ahem*
Firstly--AAAAAAA >//////<
Thank you so much!! I do my best to help out so people can understand the code, and at times I just see it as something fun for me. So, when people enjoy them as well, it makes me so happy~
Also, I'd be delighted to answer your questions about Baxter! His DLC is absolutely packed so I get that sometimes it's hard to absorb it all. You asking someone for "help" and wanting to understand (rather than simply giving up or writing the DLC off) is admirable, honestly, not something to feel stupid about!
For me personally, I do believe that there are layers to it, and I'll try to do things in a different enough way/simplify them linearly in case that might help. Included will be quotes from the game to help things flow best.
All that said, let us now go on this journey into Baxter's mind together! ᕕ(ᐛ)ᕗ
(note that this got so long that I put a TL;DR/summarized version at the end, I just thought it was important to go into as much as possible; I also have a Reddit comment here that has a smaller/quoteless explanation)
Childhood and Early-to-Mid Teens
Let's take this chronologically. Picture a young Baxter Alexander Ward all the way back in Golden Grove. He's a rich boy with rich parents, and by rich, we're talking really rich. What already is so much to an adult is virtually limitless in the mind of a child, and it earns him a certain reputation amongst the population. Everyone knows the name of the Mr. and Mrs. Ward's only child, and it makes him extremely popular.
However, that doesn't mean he has true company, especially as his neighborhood situation is quite the opposite from the MC of either Our Life version, who are given one or two easily-accessible friends depending on the game.
"The land my family home was built on… I suppose you could call it somewhat remote. It's a fair-sized estate, situated a little ways off from the rest of the town. So, until I moved into college dorms, I'd go as far as to say that I'd never had neighbors before."
In other words, there's no one around his age nor does he have a sibling to play with. This isn't a big deal at first, given that he's young, innocent, and raised where anything he wanted was in his parents' budget. He's expected to act a certain way, certainly, but he can't understand the idea of needing anymore than what he has: he's the cute rich boy that has "everything" and that every kid wants to be close to.
So much so that it gives him an ego about it.
"What I do distinctly recall is that as a child I unequivocally thought I was better than other people. That those who met me were lucky, and I could pick anyone I wanted as company. The onus was on everyone else to impress. "If someone was boring or maybe I just didn't like the colors they were wearing that day, I could find a new playmate, easily. After all, I had the most to offer. "Naturally, what I was 'offering' was what my parents had. A big, cool house, exciting outings, the best toys. It wasn't until I was eleven or so when I developed my first stable friends. They might not have been rich like me, but they had their own charms. Those ties couldn't be replaced."
"I loved it when they would come and visit; there was scarcely anything better. They never got over their sense of awe, and I ate it up."
"Becoming attached to other people, especially those people, made me realize what I'd believed wasn't true. And it was so obvious. They were wonderful. I felt things I never had before. "All it took was being who they were. It didn't matter what their parents did. No fancy venue could top genuine comradery with their company. "And for whatever reason, I was in the club, and I was happy. The person who was lucky to be there was me. "I had wanted my friends to feel the same way towards me. To have that kind of incredible effect on another person for no reason other than that I was Baxter."
Thus, the confident boy Baxter sees in the mirror everyday, like a framed painting of the kind of person everyone wants to be, becomes distorted. Kids didn't flock to him because he was "Baxter," but because he was a rich boy who could wow them. He felt that even the friends he did manage to acquire only hung out with him because they were lovely people, because they also were not immune to being awed by his rich boy things, and because he got lucky.
Qiu - who's part of his friend group - being his first crush likely doesn't help matters. It's no longer about his own personal satisfaction, where he shows off and the kids involved do little more than stroke his ego; now there are kids who are the ones offering him something, and it's something he didn't even know he was missing.
This begins the initial spark of self-worth issues for Baxter, and it's a spark that snowballs as time goes on. He doubts himself, he doubts his ability to make his friends happy in the way that they make him happy, and he - when he's fourteen - goes so far as to doubt the impression something as simple as his hair gives off.
"The generous might say I could count it as black, or that it was 'black in the right light' as my parents placatingly put it. "The fact of the matter is that it's a dusty gray."
"Who would notice a color that wasn't exactly black? And why would they care, even if they did? "Me. I noticed. I noticed and it bothered me, so I dyed it. "Was it something I wanted only for my own preference, or was it because I believed if I saw it as an imperfection then that meant everyone else did? "Probably the latter."
(note that this is around the time that an MC might meet him in Soiree and potentially become his second crush)
So now you have a double-edged sword of sorts where Baxter wants to be good enough as he is, yet is actively covering up the parts of himself that he deems as flaws to be corrected.
In trying to craft this "perfect/better" version of himself, he's created a scenario in which he cannot win. Even if said version could make people happy, he is still not the real version of himself and goes on believing that any amount of joy he does create isn't even "him" doing it anyway.
This is already excluding the fact that his parents are *:・゚✧ garbage ✧・゚:* who always wanted him to act a particular way, and he knew they'd take issue with him if they didn't raise him personally.
"They understand care through the lens of control and protection. That's been their way ever since I was young. In that sense, they treat me no different from a child. "But, of course, they are quiet, educated, esteemed, and a tad old. As is their company, most days. That's not the environment to act as a kid. "That meant I've always been expected to behave with the maturity of someone their own age, or perhaps even older, somehow. "A bit of a paradox, isn't it? Do everything as an adult would while getting the respect an infant does."
"They're family and I'm their son. That is what matters at the end of the day, blood related or not. "I'm thankful for that as well. "Now, if I wasn't the boy they raised together in any capacity, then there would be problems."
Even the air of sophistication he has comes from his upbringing (though he's at least made that his own). There's the Baxter he actually is, the Baxter his parents expect him to be, and the Baxter he's trying to build up for himself to be someone he thinks can make those he cares for happy, all things that he tries to deal with himself as if that's at all manageable or healthy for him.
To the surprise of no one, things still aren't perfect. Without a trust that his friends like him simply because they like him, he doesn't realize - or refuses to contend with - the truth of the situation, and the age gap between them starts causing difficulties.
"I was older than all of them. As sheltered as I was, I got along better with kids not quite my own age. Immature as always, hm? "Life changed fast then, and the years between us became more noticeable with every day. I never reached a point where I felt like I knew what I was doing before suddenly, it was as if I didn't belong with them anymore. "That they didn't have time to keep me around with the differences in our schedules and priorities. And I accepted that. So, the friendships ended. We stopped talking as young teens, and I haven't even seen them since I left for college in 2015. "I thought they mattered to me, but when have I done anything for them? Why did I deserve to be liked and included when all I did was want that to happen and abandon them when it didn't?"
Now we're getting closer to the white-and-black-haired Baxter we know as, at the time he leaves Golden Grove, he's just one year away from his visit to Sunset Bird and simultaneously no closer to knowing what he's doing. He's broken off from his old, cherished, and only significant friend group, and now he's all the way on the other side of the country in Virginia by himself.
He's still chaotic, still kindhearted, yet has no clue that he deserves to have the kind of companionship he longs for. In the year of him being at college, he fails to make those kinds of connections, whether intentionally or otherwise.
"Instead, you could say I don't have many friends. I spend the majority of my time on my own, though I do attend parties and other gatherings when I am able. "I do not have anything quite similar waiting for me there. Don't feel bad about that. "It is only to be expected. I did move across the country. It is a fairly common phenomenon for those of us who do. I'm a regular fish out of water, if you will."
"It hasn't been easy to find anyone to reminisce with, not for a while. But then again, I only developed a sentimentality once I'd gone off to college. "I was too young and proud for that sort of matter before then. There wasn't anything in my life to harbor much sentimentality for. I suppose leaving was the catalyst. Isn't it always? "But once that part of my mind had developed, there wasn't anyone around to share the emotions with. My classmates and I… we don't have that kind of relationship."
His parents are also just as controlling as ever, only allowing him to enjoy his semester off from college under their rules and in a place they personally chose and are comfortable with. Baxter, who had no interest in going home to Golden Grove and thus agrees to the terms, can only make himself comfortable by finding his own ways of having fun, such as renting a car despite being underage.
"At a minimum, I can honestly say that I wish that I missed it, if that makes sense. I don't know how you feel about your hometown particularly, but you should at least be able to appreciate that I spent all of my youth there. "I'm not so jaded as to totally discount the place, far from it. But anything I liked about my home wasn't exactly exclusive to that locale. The US is a big country, and there are plenty of beautiful things to see wherever you go. "I've experienced enough to know that much, at least. So no, I don't miss it. And I won't be going back. "If my parents wish to see me, they'll have to be the ones visiting where I am.
"Mother and Father agreed to me vacationing on my own, but under the condition that they would have the choice of where I stayed. "California being fairly close by, and Sunset Bird being so quaint, not to mention our prior excursions to the area, they concluded that this was the easiest way to keep me out of trouble."
Basically, it's all going back to his line about expecting him to behave as an adult whilst treating him like a child. He's permitted to vacation by himself but only in a town as "boring" as Sunset Bird where there would naturally be very few teenagers around his age. His streak for being a bit of a rebel reflects that.
What he doesn't expect is to meet a new group of people and the MC in particular, who unintentionally challenges his negative view on himself.
Step 3
From the very beginning, Baxter takes immediate interest in the MC and Cove, wanting to make one of those "blissful, temporary relationships" that will last the summer. Already, we have something of note, which is the 50/50 success rate he ended up having: MC and Terry were all for the absurdly friendly monochrome man that swooped into town, whereas Cove and Miranda were more hesitant (and thus didn't spend as much time with him) because his directness tended to put them off.
"I care a great deal about what I say and that it makes the correct impression. Yet I am not always successful. My approach is off, really."
"Now, this may be a complete shock to you, but… I've been told that I can come across as a bit too forward. I know. It can be hard to believe. My intent is to be open with people so we can connect. It almost never works out that way, though. I've had to come to terms with the fact that I don't possess a knack for making friends. "It was obnoxiously easy when I was a child. Especially due to that aforementioned big, cool house. But now I keep finding myself at a loss for how to do it. With the hit-or-miss endeavor, the vast majority of the time I come up with a miss."
"And I've never been in a stable, long-term relationship. They've all been brief, and varying levels of disastrous."
Put more simply, Baxter knows what he wants but doesn't understand what people want out of him (believing more that they don't want him at all). On some level, he's flying blind and simply does what he can to put his best foot forward, not wanting to miss opportunities when they present themselves to him. He's someone who likes seeing people thrive and enjoy themselves, and it's even better if he knows that he caused it.
"I live for approval."
Thus, as the "perfect summer tourist" who wants to vacation and have a fun time with those that he can, he seeks to do everything possible to make it memorable. That doesn't mean that he goes out of his way to do things he doesn't want to or portray himself as this person who doesn't even resemble who he actually is, but he puts on an air of not having any flaws that would cause him to be any form of burden to others.
This is even excluding the parallel of a group of four friends that he's involved with yet feels distant from or like he doesn't belong in at the same time; history repeating itself and what not, though in his case it's more like a self-fulfilling prophecy, emphasized by the possibility of him asking the MC out on a summer fling.
"I don't care about what label you'd choose to put to it. I could be your boyfriend, or nothing at all. "And you can also change your mind without consequence, if you find out it's not what you imagined further down the line."
Baxter gives the MC every out he can to make things as convenient as possible for them, not only so that the relationship isn't serious and they don't have to worry about it, but so they can break it off whenever they wish. He knows full well that even the person he's presenting himself as won't please everyone and sets everything up so he can almost anticipate the ending if the MC gets bored with him because he fails to impress.
He's interested in them, attracted to them, and feels that he'll enjoy their company, but he only thinks he can do the same on the short-term; that small amount of time where people are still learning about one another where little else is hoped for beyond good things.
Another way of looking at it is based on Baxter's view of control.
"It might not surprise you to know that I can be a touch… particular. I know the importance of coherence, with individuals acting in a well-coordinated fashion. And I like things to function well-for systems to operate smoothly. "I confess, you could call me controlling, at times. Not with people, but with processes. Especially when it comes to enacting plans. I'd much rather act under my own steam than follow someone else's lead. "I'm only flexible with the personal, not the business, aspects of life."
His relationship with the MC is, on some level, a process. It's something for him to carefully plan out and calculate to make it the best he can for them. Getting more personal would involve him revealing the parts of himself that he finds distasteful and believes the MC will as well.
Of course, he doesn't anticipate growing attached to them, which brings in the "risk versus reward" aspect. This can be seen when Baxter initially agrees to have drinks with the MC in the morning that he hates so much, where the safe option would be to simply postpone until another day, except he wants to spend time with them as soon as possible.
In that respect, it's not unlike him struggling to decide on the type of ice cream he'd like.
"My problem is this: I'm unsure if I should get a dessert that's to my usual taste. If I do, I'd be certain to enjoy what comes from the ice cream truck. That would be nice. "But, on the other hand, this may happen only once. Perhaps it'd be more rewarding to get something new, an option that would be challenging to find in a common store. "Which will add more to the experience? Indulgence or novelty? I want to make the right choice."
However, his risks don't end up panning out well in his mind because he's unable to get past something so minor as forgetting his wallet, when all he and the MC had planned to do was have a nice time at a cafe in Drinks. In his mind, the Baxter he's trying to present had failed, and what else can he do at that point (under his perceived logic) but do what he remembers worked from childhood?
"It's a question of knowing the right people who know the right people. We could have even had full backstage access with the main cast if I'd asked. "I do try not to lean on that kind of thing too much, if you can believe me. I appreciate it might not look like it now. You could say it's a means for me to preserve my sense of independence. It's easy to be popular if you can foot the bill, and I don't want that to be what draws others to me. "But after all that, here I am, leaning on the same old crutch. Nothing has changed since I was six."
"I suppose that was part of the issue. I didn't consider myself appealing enough as a person to be worth the time. So, I wanted the support of an exciting or interesting backdrop for meetups. "But… it shouldn't matter that much where you are if you enjoy who you're with."
Baxter expects perfection out of himself in the same way that his parents expected things out of him, and the limitations follow accordingly. He wants little more than the MC's presence and it is up to him to "repay them" for it. When he was a child, he was the one everyone else had to impress, and now it's the other way around: he has to impress those he wants to be around.
Except he's only human, and aiming to be the perfect person for the MC all summer simply isn't feasible, which he takes with every ounce of criticism one can imagine.
"This whole situation… it's asinine. I haven't known you long enough to be causing this kind of trouble. I'm quite literally a stranger. And I won't even be here long enough for that to change. As welcoming as you all are here, that can't be forgotten. "This was-I was-only ever supposed to be a part of the fun. A worthwhile piece of summer scenery. Someone who added to the experience, not held it back. You shouldn't have to baby me! To sit there and spend your time making me feel better when I don't keep it together. "The mess I am in the mornings, the drama I cause in the evenings: the person I am when the show is over. Those aspects shouldn't be any of your concern. I don't provide that support to you, do I? And how could I when I don't know you? "No. It's not fair to make you worried or, worse, guilty over what happens to me. What matters is that when we're together it's for the pleasant parts of existence. The less ideal shades of life can be managed separately. "That's all I wanted."
Two things to note as well is that he'll say all of the same dialog even if he and the MC have experienced Hang or Planning (where Baxter can comfort them), and there's a dialog path in Sightseeing (i.e: the moment most players will play first) where he'll openly say that he hopes they count for "more than strangers."
(He's additionally rejected the idea that he knows the MC despite relishing every given opportunity to listen to the MC babble about even the most mundane things.)
So not only will he deny to himself that comforting the MC was worth enough to count (or unintentionally block it from his mind), but when it comes to things becoming more personal, suddenly he's "just a stranger/near-stranger." The MC can be comforted when they need it but not him, and he's just some nobody tourist when it comes time to put any value on himself...
whether that be the simple things like driving everyone around, to the stuff that takes effort to notice like him seeing that the MC wanted to ride in the passenger seat, to the more complex like literally saving Miranda's entire birthday party.
"I couldn't have devised a more pleasant way to spend my time here, even if I tried. And to be frank, I have tried. I didn't come to Sunset Bird totally devoid of any plans or ideas. "You and your friends have invited me to participate in an event with great significance to you. It's a profound gesture to show to a relative stranger. "When it's over, and I'm long gone from here, I hope you can all look back on this party for years to come-maybe for the rest of your lives-and treasure the memory. "And if I am a part of that memory, then that is satisfaction enough. Though perhaps I'm in danger of giving my contribution too much credit."
A hypocrite (I say this affectionately, I swear) of the highest order; there are rules for himself and no other rules for everybody else. The things he does are never enough whereas everyone else does plenty by simply existing and giving him the time of day.
Leaving the way he does with no contact and little hope of seeing each other again is the inevitable result of the process he'd put together for his time with the MC and his summer at Sunset Bird. From the beginning, he's had a time frame to keep to, an intent to not get attached, an expectation that no one would get attached to him, and an idea that he would leave as little more than a memory.
"Only lately it's been different. Incredibly different. I almost worry my luck won't last. It will all be over soon. "I wish… I could stay."
Except he does get attached, just as the MC gets attached to him (in what he can admit in Step 4 is the most stable relationship he's ever been in), and now all the control he feels he had goes out the window. That's why he has the potential to get upset if the MC keeps pushing his buttons by questioning him.
"I would've preferred it to have been an enjoyable time having my company while I happened to be here, that was the intention. It seems I've ruined that on the whole. I accept the blame for that. If I had behaved better this wouldn't have come to a close on such an abhorrent note. "However, I am not an irreplaceable part of your life. I was a tourist, a novelty. And now I'm not even that. So don't bother with this."
To him, everything is so obvious: he got "lucky" getting to hang out with his Golden Grove friends, who were simply so nice that they continued bothering with him at all despite his flaws. Considering how that ended, he expected the same where no one would bat an eye if he left.
The MC trying to hang onto what they have isn't a sign that he had done anything right, but that the MC is being their sweet, considerate self in thinking about him. He's had at least five years of criticizing himself, of trying to make people happy yet downplaying it when he does, that everything the MC says goes in one ear and out the other.
"I heard you then and each reasonable suggestion to salvage the situation, but I brushed you off as if you were the one being dramatic. Or that you were lying."
At some point between having his Golden Grove friend group to now, his priorities had changed. He'd given up on having true value to people and instead focuses on creating moments (an appropriate word to use given how the game works) with them. It's a natural progression from not believing he's important to not believing he could ever possibly be.
Even basic traits he does have that one will likely see as something to adore, he won't attribute to himself.
"Now, I do admit, though, that isn't what one might call a grand love story. It's simplicity itself. "I'm not the most romantic or sentimental person in the world. I know that can be at odds with my formality, yet it's the way I am."
He'll say he's not romantic nor sentimental while being one of the most romantic and sentimental people in the game, so either he's unaware of it or refuses to associate positive words like those with himself. On the flip side, he can falsely associate others with credit for things they've done without acknowledging the finer details that might negate his point.
For example, in the Wedding DLC, Baxter gives so much credit to Cove for "staying" and "trying" without understanding that Cove didn't have a choice on whether to stay or leave the MC initially due to still being a child (who absolutely would have left and in fact did try to leave in the Step 1 DLC). He's also one of the few characters who doesn't consider Cove "clingy," probably because he's just as clingy if not more so.
By unknowingly projecting his self-hatred onto the MC's view of him, he's come to the idea that the MC has already gotten as much out of the relationship with him as possible without things completely falling apart, and daring to want anything further is his own self-interest/ego getting to him.
It's even to the point of deciding that everything is his fault if the MC kissed him in Planning when they weren't dating.
"I must apologize for that. I shouldn't have done it. Even at the time I knew I shouldn't have. That was a bad idea. One that only managed to complicate our relationship further. "I shouldn't have involved you in more of my selfishness."
So his conclusion in the Step 3 ending is that he's lost no matter what and genuinely cannot comprehend the idea that he had done anything right for the MC to want to stay in contact with him.
If the MC contently accepts separating from him, then that proves to him that he isn't someone worth sticking around for. If they instead get upset or want to stay in touch, then he has somehow done something wrong in the way he went about things and presented himself. It all goes back to being a scenario he's set himself up not to win.
"In short, what I'm saying is that I'm a fraud in all regards. You can't take any of it seriously, including what color my hair is."
"I don't deserve to have that kind of relationship with another person. That's why. I don't contribute anything. "Maybe I can impress others for a time, but how do you go beyond that? I can't say what it means to be significant as a person, to be irreplaceable. "And since I don't have the answer, I certainly wasn't going to assume I'd do it by accident. What does it take to add value to someone simply just by being there? I tried, but I never knew. "In my eyes there's a world of humans living freely among one another, while every connection I create is so fragile. If I make the wrong step I might hurt them, or be hurt myself, and if it's strained at all it will break entirely."
The sad part of it is that it makes sense, in a way. The things he did for the MC - baring perhaps that damned chocolate fountain - were almost effortless to him. He wanted to do them, so why would he think he did anything special?
One of the very few times he's willing to talk in any way bad about another is only if the MC uses Jude and Scott's relationship as a reason for why they could keep in touch. That's when his cynical side comes out.
"Of course, my rather reasonable prediction is that it will not last. Most relationships don't."
As things were that summer, Baxter viewed the MC as someone he would love to know, but not someone who wanted to know him because he doesn't think he's likable; that the slightest inconvenience to them - to anyone - would make him not worth keeping in touch with any longer. The MC also has friends who have been around longer than him, and he's never considered that he could have any role amongst them.
Tempting fate was never his intention, yet that's exactly what he does in believing they'll never meet again, drawn together as if the longing makes them magnetic to each other.
Step 4
As is standard with the inevitable passage of time and growing older, Baxter is slowly finding himself and improving as a person over the five years that he and the MC are apart. Some things change and others stay the same, whether for better or worse.
Though, any positives aren't particularly noteworthy to Baxter himself.
"I can say that I've improved some talents over the years and found a less eye-catching sense of style, but for anything meaningful there's been no growth."
Due to his self-worth issues, he never thinks what he does is good enough and is wholly focused on where he's yet to improve upon, even though he is fully aware about the parts of himself he has worked on.
"You don't need to worry. I'm not quite as sensitive as I used to be about mistakes. I will survive this, pride as wounded as it may be from these trials and tribulations."
"Part of the tragedy of adult life is learning to roll with the punches, so to speak. I suppose I should be proud of the fact that I can at least handle it much better than when I was younger. "Thinking about what kind of panic a younger Baxter would have been thrown into at the prospect of a missing shirt on an important day-"
Under that lens, it doesn't matter what he does or how he deals with the issues he feels are a burden to himself and/or others; there's always an asterisk - that he's attached to them - to act as a "yes, but..."
"I'm fortunate that thanks to my upbringing I happen to be well acquainted with formality and what it takes to authentically achieve it for an event. It's a unique kind of direct experience to wield. "Additionally, I deal well with the high level of control and detail-work one must take in a stressful event. "When it comes to work, I absolutely can make decisions. It's only in my personal life where I lack conviction. "And that's most suited in bursts with different people rather than a long-term position in a consistent group. You can easily get sick of someone who needs everything to be 'just so'."
Similar to the weddings he involves himself with as he graduates and gets a career as a wedding planner, there is an ideal final product to work towards, but one he could never conceivably be happy with because he's already starting from a place of seeing himself as someone worthless as an individual. It shapes said final product into something entirely unrealistic, never mind completely unachievable.
As for figuring out a life for himself, that goes hand-in-hand with where he ultimately chooses as his first place to live: Prism Vista City, which Mr. "Definitely Not Sentimental" ends up getting attached to.
"This, ahem, particular location was intended to be only a starting point. I was coming from the complete other side of the country, and I at least knew I enjoyed the area. "I expected to relocate once I had my bearings. It wasn't my intention to linger where I might not be welcomed. "But who could've guessed it was harder to pack up and leave everything behind once you had silly things such as an 'actual apartment in your own name' and a 'real career' tying you down? "Weeks passed, then months, and then, perhaps inevitably, I came face to face with one of the reasons I developed such a positive outlook on this state to begin with. "You know, it never ceases to amaze me. California is directly beside Oregon. I could practically walk there if I was industrious, and stupid, enough. "Despite that, being here is a wholly different experience than what I had being raised in the neighboring state. "Sometimes it seems as if I'm still a tourist. That I don't belong here, and everyone who passes by can smell the otherness on me. "Other days, I have the confidence to think I've found my own place in the world…"
That's one thing that never changes about Baxter in virtually all of his life: the desire to simply belong somewhere. What does change is how he approaches that want.
He wanted to belong with his Golden Grove friends, but fell out with them due to the circumstances and chalked it up to a failure on his part. When he wanted to belong with his Sunset Bird ones, he'd already decided himself that it would never happen to save him from any potential disappointment, and that simply being there for a summer would be enough.
In adulthood, he's given up on such things entirely. No more friends, no more flings, and even his most consistent contact - his parents - have been cut out of his life (though in the latter case, it's for the better).
"What happened, I do exactly… that to everyone who unfortunately crosses my path. "The acquaintances I made at college, dancing partners, the friends I had since childhood; my parents, though, that is an entirely different story. "The point of the matter is, excluding those I interact with regularly due to work, I have no relations whatsoever. That's simply the way it goes."
"To start, I haven't spoken to my parents in, mm, a few years now. That's what I meant when I included them in the list of relationships I haven't maintained. "Don't worry. It isn't a painful topic for me, exactly. Mostly I find it… disappointing. Frustrating? Certainly awkward. "Before I cause too much concern, they've never done anything to intentionally hurt me; my parents have always cared for my well-being. "And I can't deny how much they have done for me - all the opportunities and advantages I had because they provided them. They gave me the best they knew how and- "This is not as nuanced as I might be making it sound. "What a novelty it would be if I could speak favorably of my own family. Can you imagine? "That's not the case, however. "What I am trying to say is that my parents are, on the whole, good to me. And they do love me as their child whom they raised for nearly two decades. "Just as I still feel compelled to give them credit for the minimum, I'm certain they're telling their acquaintances endless excuses for why I'm so distant and unagreeable with them. "They haven't given up on me, in their own way. "But all that does not make them good people. "I can assure you that because they are not good people. I'm merely a rare exception to the unpleasantness. "My parents are selfish- they're sheltered. Even as adults."
"Imagining myself as not their son and not someone they loved seemed meaningless at the time. They did love me and that's what mattered. "Of course, it's not always enough, is it? "If I wasn't theirs, either through birth or adoption, if I was someone else's son, they… would hate me. "I know I'm foolish, on many counts. It took me a long time to realize that them being hypocritical shouldn't reassure me the way it did. "Baxter Ward could have as many 'shortcomings' or 'problems' as he did and it'd be fine because it was 'different' in that case. There were reasons, can't you see? "But they couldn't see that other people deserved the same kind of understanding. "And that some things weren't 'problems' in the first place…"
The true tragedy of it being that it's heavily implied that Baxter's parents did attempt to teach him or at least act in a way that would lead him towards a life without any meaningful relationships, which is what he got when he became an adult but not ever what he truly wanted.
"And their nonsense priorities and concerns are what my parents expected from me! "How ironic that I can finally see the silver lining of my lifelong struggles thanks to them. "If I never realized how poor my connections were, or if I never cared that my relationships were nothing more than associations based on conveniences, maybe I'd have been who they wanted."
Arguably, Baxter is at the most "successful" place in his life: he might not be rich anymore, but he's making his own money with a job that suits him, he has a nice apartment, and he's living comfortably.
Except he's not happy, and convinces himself that it's as good as he's ever going to get. It's both the highest and lowest point of his life.
"Of course, I wouldn't be able to understand the viewpoint of someone willing to commit themselves to another person for the rest of their life. "It's what makes for a good planner. I can get invested just enough in the premise to truly create something special, but I'm not attached to the real relationship. "And I'm not disappointed when it's over. "It's been years since I was careless enough to be hurt by anything. "I'd given up on trying for more than what I already had. Then I told others, and myself, that meant I was always content. But honestly, it made me bitter. "I didn't become the person I wanted to be. I didn't achieve the kind of life I'd hoped for."
He couldn't even maintain his relationship with dance, something he'd adored since he was young and now limits to lessons given to wedding couples.
"In a way, I fell out of love with that passion. "It became tedious and unsatisfying to do it with complete strangers, and I didn't have enough hours in a day to dedicate to a long-term competitive partner any longer. "But perhaps I should've tried harder not to give it up entirely. "How embarrassing… even my choice of hobby revolved around having a serious and understanding relationship with someone else. "The precise matter I've had a lifelong struggle to obtain."
As for the MC, Baxter misses them desperately, but goes about his life as though he doesn't. He's committed to viewing himself as someone who doesn't deserve them and that what he did was the right thing to do.
It would seemingly be "easy" then to let go of anything that reminds him of them, in hopes of either limiting the times that he finds himself thinking back to those moments or steering himself towards moving on, but he can't.
The MC's souvenir (if they gave him one)...
"I am fond of it even now. I've never been able to part with it. But isn't that what souvenirs are for? Keeping for the long term? "I'm being entirely reasonable for holding onto that after thoroughly leaving everything in Sunset Bird behind."
Their number...
"I had your number all along. "Of course, I never looked at it over the years we were apart, but didn't have it in me to delete it either."
Even the khaki shirt he wore during Mountain (if he and the MC were dating at the time and they invited him up to their room)...
"It remains my stolen property to this day."
He keeps all of them, unable to let go of the feelings the MC caused within himself but locking them deep inside rather than addressing them. He has the very method for contacting the MC at any time to reconnect, to explain himself, to apologize, to confirm or reject his own doubts over what happened, but he doesn't out of fear.
"I said it before- my concern was protecting my own feelings. Anything I did to that end felt justified. "The more time and experience let me reflect on my actions, I only became more convinced I should stick to my word and not trouble you further."
"I've also missed you over those five years. "And Terry and Miranda and Cove and that summer in Sunset Bird, but mostly, it was you who I thought of. "During that trip, I did feel wanted. "You made me feel wanted. And… important. "It was exciting and amazing, and felt impossible it could last. The shine would wear off eventually, as always. I didn't want to see it happen. "What if I seemed pathetic for being attached to people I met on a short vacation? You had your real group of friends who lived with you there already. "Or what if you stopped responding to me after realizing I wasn't that interesting? Or why would I have even assumed there'd be a reason to talk to me at all once it was no longer convenient? "I'm aware that's not a kind way to view you, but it wasn't that you'd done something to make me believe it would happen. It's my viewpoint for every situation."
Baxter never once thinks that the MC is a bad person, simply that he is the problem and even the best of people will "understandably" lose interest in him if there's any interest to begin with. As someone who likes control and has been conditioned to stray away from more personal relationships, it's advantageous to him to remain in his self-sabotaging mindset.
It's what he's used to.
"I can't afford to flitter off on vacations whenever the mood strikes the way my parents can, but I have a very comfortable existence. "It's nice, if lonely. "Of course, let's not pretend I have anyone to blame for that other than myself. I ended every relationship I had with my own actions. "It's the story of my life. I want to be liked, but I don't want to be important. "A suitor for a season, the planner at a wedding- it's that kind of role I'm comfortable in. "Perhaps that's why I'm drawn to people who are wanted by everyone else. They don't need me. I can be someone, I can't be 'the one'."
So when his Step 4 begins and the MC unexpectedly shows up back in his life, five years after Baxter expressed confidence that they would never meet again, he can barely handle it. Without his say so, he's being confronted with feelings that haven't faded, and ones he already thinks are ridiculous of him to have considering how short of a time he'd known the MC.
The best he can think to do is to put on an air of professionalism and brush the rest off. He'd already left, not contacted the MC for so long, and had remained determined to never see them again, so he doubles down on it.
"I'm merely an employee of your friends. Please feel free to ignore me entirely."
However, it's not tenable, because Baxter has never been someone with the impulse control to keep him in check. Even in the few days he knows that the MC will be around and then leave afterwards, holding himself back from doing what he wants isn't something he can keep up for that long.
In front of people like Jude and Scott who he doesn't know, it's at least easier, but around someone like Xavier who he has some form of friendlier relationship with (only a day after he'd conveyed to himself and the others that he's nothing more than the wedding planner), he's already dropping stories about the past.
"As soon as it comes to you it appears my reason goes out the window. Along with much of my dignity. "But that is how it is."
"Enjoying myself in your presence is the most natural thing in the world. Frustratingly so, at times. I find myself letting go of more than I intended to."
It's also not that Baxter doesn't want to talk to the MC because, if the MC tries to get him to talk during the ride back from the bakery, he deliberately makes it a game of rock-paper-scissors that they'd be guaranteed to win if they wanted to. He could've shut them down entirely if he didn't care, but he finds a middle ground of technically not agreeing outright while still letting the MC talk to him.
"The petty types of decisions that were best suited to be decided with randomness mattered little to me. "It was far more amusing to see who would use the advantage they had to win and who would be willing to take the loss, and why they seemed to do so. "At the bare minimum I'm not that much of a brat any longer. "As an adult, I use it mainly to get away with not making decisions of my own. Whoever is playing with me has the responsibility to win or lose because what they're up against is preordained. "I don't even need to choose which symbol my hand takes. It's easier that way."
Not that it means he's alright with it either. Baxter is already under the stress of planning a wedding in a matter of days and now has to deal with seeing the MC again, sometimes one-on-one. He doesn't want to be cruel to them, doesn't want things to be so difficult, nor did he want the MC to be "forced" to go with him to the bakery (on a suggestion he couldn't have known would lead to it), but that's what ends up happening.
"I'm not any less immature than I was five years ago, it seems. I've been incredibly rude to you, and that is inexcusable. "You're not unwelcome near me. Of course not. "However, I'm here to plan Jude and Scott's wedding. My priority is that only, and I don't want to get caught up in anything else. "There's no need to reminisce. I hope that's not insulting, it's honestly not meant to be a strike against your character. "You are a lovely person and have many wonderful friends. You don't need me to be an active part of your life."
"I apologize for what happened between us, I honestly do regret it. "I am sorry I hurt you. I am sorry I was unable to keep my word and have bothered you yet again. "I'm thoroughly humiliated and have attempted to get in your way as little as possible. Though I'm unable to quit outright; I couldn't do that to Jude and Scott. "We are both aware that I am fully incapable of making you happy. But in four days you'll return to your life blissfully free of my presence in it. "Please tell me, what can I do for you? I simply don't know…"
It feels terrible for him, but this is the cycle he's gotten himself into: wanting to stick to what he'd done in Step 3 under the belief that the MC would be better off without him, feeling nostalgic for the past to the point where it ends up coming out, behaving distantly as a result and hating himself for it, then apologizing just to do it all over again because he's constantly going against what he actually wants.
"Every time I'm arrogant enough to believe I know what I'm doing and that I'm in control- I don't and I'm not."
"From the moment you walked into that restaurant, my actions were nothing but self-preservation and damage control and, occasionally, reminiscing to an extent I was pleased with. "Yes, I had a 'professional commitment' not to let personal matters impede the work that needed to be done, but my distancing went far beyond that. "In the end, I was using their marriage as an excuse. "If not for that, then there would have been something else. Some trivial reason for keeping you at arm's length. That likely doesn't shock you."
Baxter is essentially shielding his heart from the very thing that would protect him from his own attacks on it. He goes so far that he considers texting the MC directly to be overstepping boundaries (even if it's for work), all after continuing to let go the most whenever he's reminded of times with the MC.
He's aware that he's attached and readily admits as much when it comes time to.
"Even I can admit I wouldn't do this for every client. "And somehow, that makes this worse. It's painfully obvious I have some personal investment, enough to merit this. "More than I intended to be. More than I ought to have. "I wouldn't have done this if you weren't here… "Even though Miranda was the client's sister- "I wouldn't have offered. It'd be overreaching, to do as much as I have. "I've gone beyond the line of pure professionalism more than once already. The cake is the icing on top."
"Well, naturally, it's against my better judgment to make anyone uncomfortable. "Of course, in such a tight spot Jude wouldn't have questioned any help he was offered. "But what would Miranda have thought? And Terry as well? If some strange man they knew long ago was getting that personally involved in their situation? "I wouldn't have crossed that line, no matter how much sympathy I had for Jude's position. "So, where did my confidence come from? Very simply- I thought you would understand. "That I had good intentions, that the odd lengths I went to was merely how I am, that it was okay to let me be involved. And if you did understand, everyone else would as well."
Deep down, he knows that he is not a stranger; that he knows the MC and trusts them on a level deeper than he thought possible before meeting them. The MC brings out the best in him while simultaneously revealing the most vulnerable parts of himself to himself, which gives him all forms of conflicting emotions.
"I… "It's odd, really. I'm the one who left. "And yet I haven't stopped seeing you as someone important to me. Important in my life. "It truly does seem as though everything I did was for no reason at all."
"It's been hard not to feel nostalgic, this past week. We've had quite a stroll down memory lane. Sometimes by happenstance, sometimes because I went out of my way to do so. "I have… fond memories of those days in Sunset Bird. Treasured memories. "Like most treasures, they're things to be taken out and admired from time to time, and then put away again. "Though, some are too delicate for even that. They should never be touched. "This evening is a reprise of something I never wished to relive."
To put it in another way, though Baxter cherishes the time he spent with the MC, anything that brings him back to such times confront him with everything he's tried to avoid.
Yearning for the things he'd tried to put behind him, the what ifs of things going differently, and the doubts of all he's done thus far based on his own conclusions...
"Back then, during my tourist phase, we took that brief trip to the mountains. On a hike, we passed a tree that had fallen across a stream. "If you can picture that, it was as if we were on opposite sides, and I couldn't take the path to you because it looked risky."
Not unlike his fear of the ocean, Baxter's biggest hurdle is that final step past the point of no return: taking the plunge and trusting in his ability to survive.
"It seems endlessly deep and unpredictable, with powerful waves and rapid currents. "And there are creatures lurking in there. Some of them are larger than me. It's unfathomable. You don't play with something like that. "If I enter that water, I'll never return from it. The ocean will swallow me whole. That's what I think."
It's only by the end of the wedding reception that he finally crosses that line and has the epiphany necessary to deal with everything that had happened: the opening of the oven to check the result of a baked cake rather than leaving it a mystery, the flick of the switch to look at a room he'd always kept in darkness prior, and the throwing of himself into deep water and realizing he can still breathe.
"In the past, I spent every moment around other people thinking of the limited span of our acquaintance. As if I wasn't seeing them at all, only the imminent departure. "Our arrangements fell in line with that. A clear timeframe, limited from the outset; predetermined rules set in stone. "It was that way five years ago. It was that way now. "We'd cooperate for a short period in service of Scott and Jude's wedding, and that would be that. I've said as much myself. More than once. "The problem is, as I only recently realized… "I forgot about that. "You see, I thought, completely and earnestly, that I didn't need to speak with you now, here, when I was feeling so… sensitive. "We could simply pick up where we left off later tonight or tomorrow. The fact that we no longer had a 'reason' to interact didn't come up as part of the consideration."
When he wasn't the one setting the rules, when he was the one caught off guard by someone he cared so much about reappearing into his life, when he was forced back into reliving past regrets and under the pressure of facing them all over again when their second/third time together was over, that ended up being when he found what he needed to talk to the MC. That was when he finally had to listen to what his heart was saying rather than constantly denying himself.
Perhaps even most importantly, that was when he had to face the fact that what he did - the suffering he put himself through for five years - had achieved nothing of value, and it's only through acknowledging it that he can keep it from happening again.
"When I left five years ago, that didn't make me happy. When I kept you at arm's length after meeting again, I was unhappy still. "If it doesn't need to be that way, if I was wrong, then… I don't know, honestly. I've never considered it a viable option until moments ago."
"It had been so long since I'd known what it was like to be included, to be around people who'll refuse to let you be left out, no matter how hard you try to weasel out of it. "Terry, Miranda, and Cove were too kind, but it was your gestures specifically that are at the heart of this matter. "Here's the truth: if you didn't ask me to dance again, in the afterhours of another event we helped create like you did then, it would have broken my heart. "That would mean definitively that I lost what we had. "But… if you did ask it would be more painful. Because that would mean- "It would mean even after everything, you hadn't let me go. That you accepted me still. "That you always would have, that I should've believed that all along, that the only thing I've done was hurt you and myself of my own accord. "It's horrible. I didn't want to know one way or the other."
The uncomfortable truth, a placating lie, or the blissful void of not knowing anything at all: those were the choices he had and he finally chose the uncomfortable truth, all for the closure the MC deserves and the potential prospect of a better future if he can only make it past the obstacles he'd set up for himself.
"But I can see now that I'm also wrong for making another decision for you. Even if the conversation went disastrously, you were owed a better explanation and an apology. "You had never asked me to leave you alone, I created that fiction. "I hope you can accept that I did care for you then- I care now. Of course, as ever, none of it counts for much if it's kept entirely to oneself."
"It's… a little hard to approach what I've sowed over the years. So many mistakes. "And even now, when I hope to make things right, to make things last, I'm forced to admit that I'm ignoring the reality of the situation. "This doesn't come down to what I want at all. I don't have the right to put myself before you. I never did."
"I suppose that is the true story of my life: me not understanding a thing and getting it all wrong at every turn. "But rather than dancing around this, I'll say it directly: not trying to stay in touch with you is something I've regretted for a long time. "I will always regret the days I lost, even now that we've reconnected."
That doesn't mean everything is magically fixed, nor that he won't fall into some old habits. He has to catch himself when he automatically excludes himself from the MC's meeting with their moms, and he'll still be apologizing and criticizing himself long after the MC has forgiven him.
"You've never allowed me to wallow in my misery, except for when you had to. When I made you have to because you couldn't get a hold of me. "But when I see you, I'm reminded of what it is like to be seen. "How it feels to have someone who knows you, cares about you, has memories with you, who wants to make more memories together. "And I tried to undo that- "Twice. By keeping you as far away from me as I could."
"Unfortunately, I've yet to think of a good reason why this admission isn't another of my patently bad ideas. It isn't as though I've been thoughtful in return. "I can't stand doing anything in the morning, even if I can pretend to, for my clients. As you know, I can't afford elaborate trips these days. "My only remaining social contacts are limited to the wedding industry, not performative theatre or owners of fancy cars or the like. "I've never been a good partner, even a good friend, to anyone who has crossed my path."
"My few victories were hollow and I'm still sorry I took that out on you at the start of this."
Nevertheless, he has no desire to run away from the MC now, because he never had a desire to run in the first place. He just needed to understand that it was okay to want, and that he wasn't the worthless person he thought he was so he could stop projecting how he felt about himself onto how people feel about him.
This makes way for Baxter to experience a lot of things that most people would have long since had at that point in their lives: he gets excited simply by having a person hanging out at his house, is incredibly pleased to have someone he can be (dance) with, and he's so amazed that he can have these things in his life that he's actively eager to prove to the MC how much he'll be sticking around, to the point of being ready to visit them at the soonest time possible.
"Hallelujah. Admittedly, a part of me was convinced I wouldn't go through with it. What if you thought I had lost my mind to follow you right after we barely reestablished a connection? "But having this last day together, knowing it was the last, was the final push to pursue what I actually wanted."
His story, essentially, is about a fall from issues of self-centeredness just to pendulum swing into ones of self-worth instead. It's about balancing on a tightrope of bringing short bursts of happiness to others while trying not to let his ego take hold of him again. It's about denying himself what he wants and refusing to hear otherwise before finally recognizing that he deserves to be happy.
That's Baxter Ward.
TL;DR:
Baxter starts as an egotistical child - encouraged by his rich parents and the kids constantly impressed by his showing off - but that changes when he obtains genuine friends and learns the value of real relationships.
Realizing that he'd relied only on what his parents had to make connections with people, Baxter doubts his own worth as a person and is unable to imagine that people would feel differently about him than he feels about himself.
Baxter falls out with his friends due to the age gap and not having time for each other, coming to the conclusion that he'd not done anything for them.
Under the belief that he has no inherent long-term value, Baxter goes on flings and seeks to create fun moments with people rather than anything that would require revealing more of himself than he feels is attractive to others; this has the side effect of making him highly critical of himself over even minor mistakes.
Baxter goes to Sunset Bird meets the MC, who (along with the MC's friends) makes him feel a sense that he might actually be someone important to others, which he then actively tries to convince himself out of due to fear of risks/the unknown.
After leaving the MC on no contact, Baxter continues to miss them, but feels like he would only bother them further if he saw them again even if it were just to apologize.
Baxter ends up seeing the MC again in his Step 4 and is confronted thusly by his unfading feelings. This leads him to try and maintain the distance he'd created in an attempt to protect himself, yet he's unable to keep himself from letting loose every now and then because it goes against what his heart wants to push the MC away.
Though horrified by the idea that what he'd done in the past might have been a mistake and preferring (at the start) to go on without knowing, Baxter ultimately reflects on his actions and acknowledges to himself why he's been doing what he's been doing, and that he doesn't want to let the MC go again without laying everything on the table.
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ultimatepeter-man · 1 year ago
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Whats this???? Me posting more USM content in the year 2023???
It’s more likely than you think!
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sldlovescartoons · 1 day ago
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…Ah, what the hell, it’s been a minute since I’ve been intentionally cruel, I might as well give myself a little treat by being an asshole on purpose. Don’t worry, I’ll put MY thoughts in a numbered list, maybe that will help out your comprehension.
1. Let’s get this out of the way first, I am the original replier. You’d think someone with an English degree would have a high enough reading comprehension level to catch that.
2. While there are contexts that ‘but’ would mean two things true at once, that is not what you did in the instances I indicated to, as I specified the occurrence of compound sentences
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Since I’ve decided I’m in my asshole bag, I went ahead and clearly marked out the incidence so you can’t miss it. When ‘but’ is used like this, it’s generally considered negatory language. I’m surprised they didn’t teach you that in college, I only got a measly degree in computer graphic design, and they still bothered to teach me this.
3. If you didn’t want to come off as thinking that people salty about the prominence if VM and M9 in the finale/campaign as silly or otherwise ignorant, starting out the top of the post with “I know some folks are going to be upset about the amount of time Vox Machina and the Mighty Nein took up during this finale” and spend one whole bullet point dedicated to reminding people that it’s not other people’s fault if you only watched c3 or if c3 is your favorite. That’s definitely not indicative of a pattern of thought/belief about certain parts of the fandom. Oh wait, it is! It also risks people of that group not wanting to have discourse with you, especially when everything you say on the matter indicates that you’ve already made up your mind and won’t be any fun to talk to because you’re going to pull out the shows nature as some sort of gotcha card to dismiss their feelings/thoughts on the matter.
4. You’ve yet to point out in any meaningful way why it being a DnD actual play would interfere or make narrative satisfaction different than any other type of story telling. Since you have an English degree, I’m sure you know that conflict, cause and effect, and consequence are core to good storytelling and narrative satisfaction. There is a long storied history of people being mad that stories don’t have proper consequences for choices. Most complaints about I’ve seen about the show’s consequences or lack thereof have been pretty legit. Some kooks, like always, but mostly pretty grounded. I’d maybe give your opinion on it being for the cast more weight if the other campaigns didn’t have lots of consequences with narratives that actually affected the world/events because of the characters choices. Fjord was chased down by sea monsters everytime he was on the ocean until the first Reunited Ep where they took on his former patron, but Orym? Nah. Vax got indebted to the raven queen to save his sisters life and that resulted in him being a revenant and Champion of the Raven Queen, taken away for 30 years, but the Bells can just do Ludinus’s plan for him and get bailed out by the previous parties because why would choosing to turn the gods mortal result in things like consequences from all the religious people on the planet? It being an actual play doesn’t negate people’s biggest actual complaint: lack of consequences! A thing that actually happened prominently, though not always and not always perfectly, in previous campaigns. It’s always nice to see the cast have a good time, but that doesn’t unexist flaws in a narrative. Being happy for a character being happy doesn’t stop me or anyone else from being critical of that ending if it doesn’t feel narratively satisfying.
5. Not gently, as mean as possible: you should either get a refund or go back to school because it appears you have trouble with reading comprehension, abstract thinking, and complex reasoning. You didn’t get your money’s worth, I’m afraid.
6. Looking at a bunch of people upset with how one of their favorite “live” shows has played out and basically saying “um, actually, this isn’t about YOU.” Is both dismissive and a massive dick move. And while you were likely targeting a certain brand of Entitled Crazy Fan, the way you went about it originally was just disjointed and vague enough to be easily read as a slide against large chunks of different opinions.
I’ll probably delete this later, I don’t relish in crashing out as much I like to think I would, but I already spent so much time typing so might as well send
i know some people are going to be upset by how much time vox machina and the mighty nein took up during this finale, so i want to say a couple of things
these campaigns have always been and will always be for the entertainment and enjoyment of matt and his players, first and foremost. their good time has always been and will always been more important than that of the audience, which has been invited in to watch something that existed before we even knew about it. we are of course entitled to our opinions about what we watch, but it's important to remember that those opinions will never, ever matter as much as those of the people around the table.
it is an unspeakable feat of storytelling, collaboration, creativity, and friendship for these people to have done what they just did. over ten years (well over, including the time they played pre-stream) of building a narrative that spanned decades and continents and planes and celestials bodies, of making decisions and seeing their consequences out to the fullest, of bringing to life characters that felt more genuine and real than anything one can find on the silver screen—this is the kind of expansive storytelling that marvel thought it was doing with the mcu. to be able to tell a story so powerful that it cannot reasonably contained within the confines of distinct d&d campaigns is a staggering accomplishment, and we're all lucky to bear witness to it.
it is no one else's fault if you only watched c3, or weren't caught up on c1/2 when you watched the finale, or if you didn't like c1/2 but did like c3. again, you're entitled to your opinions and to how you spend your time, but this story did not begin in jrusar, so it is unreasonable to expect it to end there.
no one, including you, benefits by being salty that these people were having fun. no one, including you, is made better by your dissatisfaction with how these people chose together to tell this story. i have read countless books and watched countless tv shows and films in my life, and none of the stories therein have been told exactly the way i would have told them, and that's what i love so much about being human. if i'd been at that table, of course i would have made different decisions, and of course you would have too. but we got to see these decisions, and these consequences, and the ephemeralness of that is so beautiful i could cry.
as i have i said eight billion times before, and will probably have to say eight billion times again, critical role is not a tv show. critical role is not a novel. critical role does not have a writer's room or a five-year plan. (well, matt might, but not in the moment.) critical role is a story that happens in the moment, a story built on matt's careful planning and the players' in-the-moment decisions and, of course, the rolls of the dice. if you are holding this kind of story to the narrative standards of something crafted for the sole purpose of entertaining an audience, you are always, always going to be disappointed.
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yrael · 7 months ago
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finished isat and had to make some memes about it
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harbingersecho · 11 months ago
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READY AIM FIRE
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supercantaloupe · 3 months ago
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saw a post last night complaining that the sound of music film and its popularity contribute to the "universalization of the holocaust" and that by depicting an austrian catholic gentile family's opposition to the nazi regime instead of being about jews, it paints some kind of false picture of who the nazis' real targets were. and i'm sorry but that is such a narrow minded, externally motivated reading of the film/musical. and i say this as a jew who broadly agrees that holocaust universalization and the sidelining of "the jewish problem" (as it was known in that era) in film and media is a genuine and pervasive problem. the sound of music...that is really not the right target for your ire, my friend
#sasha speaks#like yeah it is annoying when people spam reblog that gif of georg ripping up the nazi flag right after posting antisemitism#that sucks and i wish it wasn't do prevalent. i also wish antisemitism in general were not so prevalent but yknow.#baby steps or whatever.#but anyway it's not the sound of music's fault that people are using that gif a bunch but misunderstanding nazism#and its specific primary targeting of jews (and romani)#A. i actually don't think it's invalid or bad to show stories about gentiles being threatened by/opposing nazism.#that Was a real thing that happened. the trapp family were in fact real people even if their story is somewhat fictionalized#in the musical#it takes place in 1938. therefore before the holocaust proper had begun#(not that persecution of jews wasn't already a huge thing. the november pogrom was the same year of course.)#but even while racial hatred of jews and romani Was the primary characteristic of nazism and should be recognized and depicted as such#it is not misleading or distracting to also depict the real experience of white gentiles who were threatened by nazism#like. one drop in the bucket. two cakes. whateved#also. and this feels so blatantly obvious to me i shouldnt need to spell it out but.#B. the sound of music was written by two jews in the late 1950s.#it's...it's just not. it's not an example. of a bad faith depiction of wwii/its lead up#sometimes stories are about other things. even when the authors could have made it about more personal subjects to themselves#and the era in which it was created had a very different attitude towards and contrxt for depictions of wwii (& preceding) in media#if you want to get mad at people misinterpreting a musical about the rise of nazism go look on twitter or tiktok for cabaret discourse...#now that's an audience that knows how to miss the gddamn point
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morgenstern16 · 1 year ago
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Man, I went into the Trails series with a WAY different idea of what they were like then what they actually were. Trails: "Welcome to Zemuria. Here, an industrial revolution based around the use of orbal energy is completely changing society. You can even use orbal energy to enhance your physical abilities via portable devices called orbments! They also allow you to use magical abilities called Arts." Me: "Oh, so this is how people are going to do crazy anime shit. Via fancy Arts and Orbments power. I can easily see how this system can be used for a clear and consistent power system, in an otherwise realistic and grounded setting." Trails: "Uhhhh" Me: "So this guy who uses the Shadow Clone no Jutsu is using a really fancy Art, right?" Trails: "No, he can just do that." Me: "Oh, o-okay" Trails: "One of your party members is a twelve-year-old girl with a gatling gun." Me: "What" Trails: "Your dad has a DBZ-esque power-up move and can go hand-to-hand with a giant robot. It's completely unrelated to any kind of Orbal enhancement." Me: "WHAT" Trails: "I haven't even mentioned the guy who's just The Joker With Superpowers yet"
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numbuh424 · 3 months ago
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in my defense, I did not think I would get this far
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tangledinink · 2 years ago
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Today I was gifted with a series of gems from my therapist, including but not limited to "the thoughts are thotting," "chase your inner Raphael," and "when you were a kid, things were hard, so you built a shell to protect yourself............. like.... teenage mutant ninja turtle."
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gibbearish · 1 year ago
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kinda frustrating how we've spent the last few months acknowledging how a lot of well intentioned but guilt trippy social justice posts are like specifically designed to worm into ocd ppls brains and then now every single post abt palestine is "i dont care how bad your mental health is, i dont care how bad looking at all this makes you feel, if you don't read every single post you see on this topic in full you are a horrible person and directly contributing to their deaths. 'waaaah my mental health' well at least youre not being bombed, did you think about that??" and its like. i absolutely get where youre coming from but you dont get to complain that guilt tripping is bad then turn around and use it anyways because you think the cause youre using it for is worthwhile. like. everyone thinks the cause theyre using it for is worthwhile, thats why theyre using it. but its still a shit way to do it
#like when you make a tumblr post to your tumblr blog youre not guilt tripping people who disagree with you#youre guilt tripping your followers who if theyre still following you probably already agree with what youre saying#and esp on a topic with so much brutality involved like. yeah OBVIOUSLY theres people who have to look away#like. yall know a bunch of these posts and articles and videos show graphic injuries in them right?#like i physically cant watch news videos abt this bc i will spend days with my brain making me imagine#peoples deaths in graphic detail specifically because it knows that will upset me. and i would prefer not to do that#in fact me doing that helps palestinians exactly as much as finishing my brussel sprouts helps starving kids#by which i mean none. its just a cheap guilt trip to get you to do something you don't want to#which when it's brussel sprouts thats whatever but when its 'deliberately expose yourself to extremely triggering#things otherwise youre a bad person'. not so much#idk i feel like maybe its due to ppl feeling. agitated abt not being able to do anything abt it#like the government isnt listening and we're a world away so physically /all/ we can do really is sit and watch#so i can understand a) wanting to find someone to lash out at to alleviate that feeling#like if you cant stop the actual problem at the very least you can shout down the people supporting it right?#and b) seeing 'not watching' or even just 'not watching as closely as i am' as a transgression#bc well its all we can do so if youre not even doing that you must be bad#and its like. i really do get it. but the whole world is watching right now‚ like this is THE big news thing happening rn#so a few people choosing to avoid to subject will not make a single iota of difference#idk. i guess what im saying is if youre feeling the urge to yell at someone for not looking close enough#just donate some money to a support fund instead itll do a lot more
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take-ya-to-the-ghey-bar · 2 months ago
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Okay, so~... i've been thinking on it for a little while now, and i think sometime soon(-ish), i'm gonna go ahead and make another multi-muse blog-- like as a side blog to my hub blog, since i did mainly make that blog to host these muses anyways lmao-- but it would feature muses from a few visual novels i've played/spectated, and enjoyed~♡
Added rambling and muse list under the cut, to save the dash from my yapping if anyone isn't interested--
Originally i was going to give most of these muses their own side blogs, as i had been working on a few of their blogs in the past-- and even had one or two up and running-- but thanks to poor detail management, i lost access to those blogs a while back XP
So, for the sake of making things less stressful on myself-- i've decided to just lump them all into one blog, and hopefully i can figure out a way to theme it that i'll be happy with--
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Current planned muses are:
Impey Barbicane {Code: Realize}
Saint-Germain {Code: Realize}
Kageyuki Shiraishi {Collar x Malice}
Yasuhiro Isshiki {Collar x Malice}
Shui/The Poet {Lamento -Beyond the Void-}
Current considered additions are:
Konoe {Lamento -Beyond the Void-}
Asato {Lamento -Beyond the Void-}
Cardia Beckford {Code: Realize}
Ib {from the game of the same name--}
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I'd also like to note that when this blog gets made, it'll most likely be fairly low activity wise-- and/or run mainly via a queue-- Since i would still like to try and focus my attention toward blogs i have at current LOL
also also, while i have given some consideration to adding Ukyo from Amnesia as well... for now, he'll remain outside either list-- both because that's a series i haven't touched in ages, and because at current i lack confidence in how well i could portray him.
there's also a chance i may expand the blog to include an oc or two... (likely either for Lamento, or maybe DMMd--) but at current, my plan is to focus on canon muses-- after i revisit their respective games.
lastly, yes i know Ib isn't really a VN, but~... in the event i do decide to pick up writing her again-- i feel like she'd still fit in well enough lol
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akascow · 4 months ago
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watching playthroughs of a couple new indie horror games people are raving about rn and just sitting there after like oh thats it ?
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joshuamj · 1 month ago
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guhoghgjj i have so many art ideas but so little time;;; the eternal curse
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lieutenantselnia · 3 months ago
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Actually I think it's a bit unfair that I can't be an astrophysicist and a historian and a game developer and a marine biologist and an archaeologist and an author and a seamstress at the same time
#I think I have a quarter-life crisis /hj#like I want to make space discoveries but I also want to analyse ww2 battles and I want to-#study the behaviour of whales and I want to create fictional worlds and I want to sew costumes and and and#there's so much knowledge out there to be learned and things to try out how are you supposed to do this all in one lifetime?#when you're expected to start working a fulltime job and stay in that line for the rest of your life??#though my problem isn't necessarily that I don't wanna be doing that job - it's more that I don't *only* wanna be doing that job#I just wish I could just try different job fields and see what they're like for like 2-3 years before trying out something else#but since they're all so different I'd have to start from the bottom again every time which probably also means worse payment etc#and I just don't have the time for that because I'd also like to build a stable life and maybe have a family later on#plus some of these jobs are just don't pay very well to begin with#I swear if I was rich and didn't have to worry about regular income I'd probably just be a forever student and study a whole bunch of stuff#just because I want to#unless I win the lottery I'll probably just start working fulltime though once I hopefully finish my master's#however I've already been thinking about signing up for studying history afterwards regardless - just for fun without pressure#I love the topic and then I wouldn't have the pressure of *needing* to find a job in the field afterwards#bc it's hard to find something unless you go for the teacher (or maybe professor) route plus pay seems kinda meh either way#but we'll see#I don't even know what this post is supposed to be. like not really a vent but. still complaining? idk#I don't know how to tag this#selnia talks
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