#i just want people to notice my characters exist?

[leresq]

Finally watched Deadpool and Wolverine. First of all I was not coming into this with high hopes because even though everyone was talking about how good this movie is I've never found the Deadpool movies funny. To me they're just different variations of "You haven't seen this in an Iron Man movie" stretched into two now three feature length films. But honestly I liked it at the end.

- Why are Logan's ears and one of his eyes not decayed when no other part of his body is intact? Why does he have a beard on his jawbone?

- I'll bite, the Bye Bye Bye is a fun idea. The wintery forest setting is cool.

- I can't enjoy that opening fight scene because it's not how anything works. You don't get bludgeoned with a dull object, have your body armour completely give way, and have a pint of blood splash out. I understand the whole point of Deadpool is that it's over the top, but this is just so overly gratuitous it's insane. I feel like Marvel Studios felt like they had to make it so unrealistically violent to try and separate it from the mainline MCU to get the people who have Deadpool funko pops to guffaw in the theatre. It's "You haven't seen this in an Iron Man movie" with zero words spoken. Honestly incredible.

- The CGI is better than it's been recently but it's still noticeably bad

- Peter Parker's Iron Man mask is on the desk in the background! How did that even get there.

- Why is Tony's ARC reactor on the table, I thought that was pushed into the river at the funeral

- The timeline is just so incredibly fucked. I still don't understand how the X Men timeline reboot works, or how Logan fits into it; if Logan dying means Deadpool's universe collapses, that implies the Logan movie is in the X Men reboot franchise, but Patrick Stewart is in that and James McAvoy plays him in the reboot making me think it's a one off... Augh my head...

- Something looks up with John Favraeu. I don't know if his wearing a wig is supposed to be obvious, I don't know if he's just under a lot of makeup or it's CGI, it's just weird.

- Deadpool is never going to be an Avenger because Marvel Studios would rather execute everyone working for them than give up the licencing deals from making PG13 movies, and Deadpool wouldn't feel the same in a PG13 movie.

- I think any brand would let Ryan Reynolds walk all over them in muddy boots, for some reason he gets the pass to slander anyone he wants to and he gets paid by the companies to do it.

- 'I don't have a lot of v*ginal sex' 🤨 that has numerous connotations. Also can we not do sex jokes in front of 12 year olds

- I was not expecting a Deadpool movie to contain any hints of character development because the previous two instalments seemed to be hellbent on making sure I understood nothing of emotional value would ever be allowed to appear without being undercut by a sex joke.

- "I've never been a natural bottom" 🤨🤨 I thought Poolverine was just the average two male leads naturally gets shipped together thing but no they're sowing the fields

- If that Thor crying over Deadpool never comes back I will say something about it

- If they didn't want me to know Paradox was going to be a villain why would they make him British

- The 'Suck it Fox' cut to nothing being there is the only time I will accept something raising more questions than answering them at this level as funny

- "Your tailor is a predator" caught me so off guard I started coughing

- Wow I wasn't expecting them to pull the Paradox is actually evil card not even a third into the movie. Honestly a good subversion of expectations.

- How is Deadpool's universe going to evaporate in 74 hours, I thought time doesn't exist at the TVA?

- Are they going to explain why Deadpool's suit can just fix itself now. It used to keep its holes.

- Finally, I think the first time we ever hear Deadpool is from Canada in the movies! I wonder if Ryan Reynolds only wanted to play him in the first place because they're both Canadian...

- "You two gonna fuck or fight?" 🤨🤨🤨

- I actually understood the Honey Badger reference

- the FF floating platform thingy is another reference I'm surprised I got

- The Human Torch CGI is actually really cool

- "Not all of you was asleep" after waking up on his shoulder 🤨🤨🤨🤨

- Too many cameos in Cassandra's little alcove so I'm not even going to bother looking for them all

- I'm not sure if Johnny Storm's death was supposed to be played for laughs or just shock value, either way I'm not laughing I loved those movies ;(

- How does Cassandra know she's Xavier's sister if she was sent to the Void before she could walk?

- Wolvie being nice to Johnny post mortem is cool

- Nicepool having a stronger Canadian accent is a good joke, and Deadpool looking on in disgust as Nicepool talks about his dog's 'G-spot' is good. At least that's not played off as just a normal thing to say even if it is a joke

- "I identify as a feminist" could easily be misconstrued as an 'anti-woke' joke but all of the jokes of a similar calibre in this movie seem to be made ironically. Example: Nicepool is a creep

- "Where's your mask" and Nicepool points to his face actually implying his nice guy attitude is a facade for being a shitty person is actually really good

- Why is Nicepool's car surrounded by untrampled corn, how did it get there? Who grew the corn?

- Deadpool includes Colossus in his world 🥺

- Wolverine is nothing if not an excellent shit talker, and it's actually very out of character for Deadpool to actually get affected by insults

- I wish The Greatest Showman soundtrack was incorporated for more than just a third of a second

- 'Close up magic' ant man reference?

- 'There's only ever gonna be one Blade' about that...

- I think that's Apocalypse's throne in Cassandra's room? Or Thanos's

- I never thought about how both Cassandra and Xavier's powers radiate from their heads until the Juggernaut helmet scene

- Finally some real actual genuine character development that's not thrown away for a joke!!! The best part of the movie to me was Cassandra's redemptio-. Oh. Nevermind. Anyway I like it better than if it were just shoved away for a joke then she died

- Deadpool waiting for the 'extras' to clear was, to me, a good indication that he's a hero now. Caring about civilians is #1 on my makes you a good guy requirements

- "You smell something?" "Yeah you" 🤨🤨🤨🤨🤨

- And there it is. Nicepool's death is probably the most predictable death I've ever seen on film.

- Eastside Pharmacy?! Agatha All Along reference???

- Wolverine's helmet looks like a rubber playground ball

- Will Marvel Jesus come back in three days however?

- Staring at Hugh's abs? Same, but 🤨🤨🤨🤨🤨🤨

- That hand holding ending was actually impressive, I wasn't sure what was going to happen and it actually kicked ass

- Is the guy with the mug who stared at Deadpool in the beginning Marvel's first gay character

- The introducing Logan to Blind Al is so unbelievably 'the parents meeting the boyfriend' I could die there's no fucking way that wasn't on purpose

[atopvisenyashill]

WHERE HAVE ALL THE STARK WIVES GONE AND WHERE ARE ALL THE COZ'S

aka i made the stark family tree from torrhen, the king who knelt all the way to the starklings & filled in some gaps too just for funsies. behold my magnum opus because i am a visual learner. some notes on the tree:

at the start of the tree, you’ll notice some lines are purple. those are not technically canon relations - we know those people existed but we aren’t told how they’re related or who their wives were. similar to my dornish timeline, i filled in a few gaps here based on the information we have to go off, some leaps in logic when it comes to the politics of the time, and some math.

similarly, you’ll notice some names in {brackets}. those are characters that we know exist but we don’t know their name (ie, we know alaric had two sons, we don’t know their names). i picked their names from other stark names.

the kids aren’t always in age order. i couldn’t get the graphic to line up in places bc of the cousin marriages and still keep everyone in age order, so i just gave up aksjd.

all the ones with the book sigil were Lords of Winterfell. all the ones with the show sigil were just born into the stark house.

alright now we got some explaining & rambling below the cut

george give the wives names. george at least give them a house. george pls you don't have to give her a personality just give her a freaking name george.

anyways!!! first things first, let's go into the names and houses i invented for everyone, starting from Torrhen's wife on the left and moving to the right:

Lady Manderly, the last Queen in the North - i think given the Manderlys are the #2 house, it was thematically fitting that the last Queen in the North was a Manderly! I also think it would make sense, given how common Iron Islander raiding was in this time, that Torrhen would want to strengthen his alliance with the house that owns his fleet. We also know the North’s fleet was pretty damn impressive at this time - Aegon uses them to fight several times after Visenya destroys the Vale’s fleet during the conquest.

Lady Dustin, wife to Brandon the Boisterous - Torrhen’s sons hate the Iron Throne and they’re all really pissed at the Stark Maiden-Ronnel Arryn marriage, so I figured Torrhen’s sons would want very fierce, very Northern wives (no offense to the Manderlys). Given Barrowton is one of the only true cities in the North, I thought marrying a family familiar with travelers, maybe a richer house even, might be seen as a benefit to staying strong against the Iron Throne.

Lady Flint, wife to Brandon the Boastful - Similar to Lady Dustin, I thought a strong Northern match would be what the sons of Torrhen would continue to go for. The Flints of Widow's Watch are considered the most powerful of the Flint houses so I thought that made a good match.

Lady Norrey, wife to Edwyn Stark - this one was fun & required some math and analysis. Basically, we know none of Alaric’s sons are married when Alysanne comes to visit, and Alaric is succeeded by his grandson, because both of his sons die before him. It means his grandson could be at the oldest 14 when he inherits. We also have Gyldayn say that some “Stark brothers” looked into seeing if Alysanne giving the New Goft was legal. I thought if Alaric & his sons were so annoyed by this, wouldn’t it make sense to marry into a house near the New Gift, who perhaps will be impacted by the decision and have the knowledge of the area and its history? Since the Norreys are right on the border, I thought that would be a good fit. I also thought it would be a good fit because Cregan married Arra Norrey just a bit later - and one pattern I noticed is that when a family marries into the Stark line once, they tend to remarry each other within a few generations again. They do this with the Blackwoods, the Lockes, AND the Royces - it’s likely the mothers & grandmothers influencing the matches, and I thought it was a fun pattern to repeat.

Lady Reed, wife to Artos Stark - So one thing we know is that Lynara Stark, Cregan's third wife, is not descended from the uncle who attempted to usurp Cregan but from a younger son of Brandon the Boisterous. I also noticed Lynara's son, Brandon, has an affair with a Fenn. The Fenns are sworn to House Reed, so I thought it made sense that this branch of the Starks has perhaps lived in the Neck, and brought a small household with her that included a Fenn or two that her son later has an affair with.

Lady Glover, wife to Ellard Stark - this is another “marry & remarry” match up but there I chose the Glovers also because I noticed the Starks tend to marry into the same few houses over and over again. These are likely their richest vassals and closest allies, so I thought again it would make sense that Ellard would pick a woman from a wealthy or important background as the succession crisis under Jaehaerys starts to kick off (in preparation for a fight, even if it's just a war of words). Since you have Gilliane Glover just a bit down, and I thought that would match up nicely with the "marry and remarry" trend as well.

NOW SOME ANALYSIS

Obviously there's been a lot said about the Sansa-Jonnel and Serena-Edric marriages that I don't really need to repeat at length but - I think the choice to have a Sansa and a Jonnel One-Eye marry is kind of sus, I think the "One-Eye" thing is sus, I think the niece-uncle connection here is kind of sus, and I think the fact that their mother was a Manderly is also sus.

There's also the fact that Serena has several sons and we have no idea what happened to them. That one stands out to me because of the Cregan-Lynara match; as stated above, Lynara is not, as some people assume, the daughter or granddaughter of Arnolf, the uncle that attempted to overthrow Cregan. Her Stark name comes all the way from a younger brother of Brandon the Boisterous. That's quite a few generations back that a Stark line has survived to remarry into the main line and we don't even know if she was an only child or had brothers and sisters. So Brandon's brothers' weren't just mysteriously offed/died out, but just two generations after Lynara, all of Serena's descendants just mysteriously die off? Nah, there's a story here that's hiding. The obvious suspect here is The She-Wolves of Winterfell story with Dunk & Egg. COMMA BUT. It's crazy that there are no Stark cousins in the modern day, no cadet House the way we have the Arryns of Gulltown, the Green Apple Fossoways, the Lannisters of Lannisport, etc., and also equally weird that Lynara's Stark line isn't a named cadet branch.

But let's get into the cadet/cousin branches in the modern day as well - one thing I noticed about the lack of Stark cousins in recent history (ie first and second cousins rather than like, seventh and eighth) is that a lot of them are female line cousins. Catelyn and Robb point this out in the book when Catelyn brings up the Vale Starks in the Templetons, the Royces, and the Waynwoods. I think the fact that Sansa is in direct contact with a host of those same families will come into play; perhaps when she unmasks herself as Sansa, someone will comment on her resemblance to Jocelyn, or maybe that familial connection will prompt a bit more loyalty out of one of Jocelyn's descendants if she has to make a mad dash out of the Vale.

And this is the same with Lyarra; she had a sister, Branda, who married a Rogers, which is a very minor Stormlands house. That stuck out in my head because I think this all really sets up the North to be ruled by Sansa; there are no male cousins or even female line male cousins (shout out Targaryen cousin Robert Baratheon) to step in and say "Well wouldn't you prefer a man as the Stark in Winterfell?" It's just Bran, Rickon, and Jon Snow that could possibly threaten her rule. It seems like she's very set up to echo her predecessor here but instead of Jonnel marrying her to steal her claim, Jon is likely to back up her claim, same as Bran.

And since I'm talking about namesakes here, let's dig into Arya Flint. There's two big associations here for Arya - Brave Danny Flint and the Wandering Wolf, Rodrik Stark. I think it's interesting that he served with the Second Sons, given that Arya is a Second Daughter, rather than the Stormbreakers, which was started by Oscar Tully. The moniker itself, Wandering Wolf, also makes me a bit excited for Arya's future; I've said before but I want Arya to do everything she wants to do and being so closely associated with a "Wandering Wolf" makes me think she will. The Danny Flint connection is also interesting here - there's the fact that Jon Snow, the sibling she's closest to, joins the Night's Watch (and even makes reference to Danny Flint), the fact that Danny dressed as a man and fought with a sword. Similar to the "Wandering" epithet potentially spelling out a happy ending for Arya, I am hopeful she'll have a happier ending than Danny Flint. But I do wonder if perhaps Arya will have some involvement with the Night's Watch, however it exists in the endgame.

Lastly - I'm so curious about Harrold Rogers. Did he help facilitate the friendship between Ned and Robert? Are the Rogers' still kicking around looking Starkish as hell? George where are all the cousins!!

[holybasementdweller]

wanted to add my two cents because shipping discourse is just all over recently. Forgive me rambling a bit here. I have a lot of thoughts on this topic and would like to get them out there in some form.

Stop harassing CC's about their boundaries.

Would you go up to a random person whom you've never met before in your life, who has never met you either, and likely has no idea who you are, purely to ask them if you can draw/write/ship them with one of their co-workers?

No! It's a wildly uncomfortable question to a lot of people, it puts them on the spot, and some CC's may not care as long as they never see it. Now that the concept has been shoved in their face, they're forced to view the idea.

I feel like a large part of the issue is the divide between younger, newer fandom members and older, traditional ones. Primarily the concept that fan content is not intended for CCs, but for fans specifically. Most 'traditional' and older fandom participants follow this view because that's what fandom is. You get to make cool things, and ramble about different head cannons and ideas with your friends and maybe find other fans who become your friends along the way. Maybe you want to throw these characters you really like into this elaborate superhero AU, or draw them in costume, or explore relationship dynamics because it's fun and you get to ramble with fellow fans. It's called a fandom for a reason!

I'd like to clarify here that this post is not meant to target anyone in particular; it's going off a general trend I've noticed.

There's been an influx of people who create fan works or fanart that seems to be aimed more to gain clout or to be noticed by CCs. It's something they wanted to make, but is leaving the realm of "by fans, for fans," in a sense that it seems to have lost more of that "for fans." The work is then shoved at the CC more aggressively than if it was just for friends.

There's a reason that spaces like AO3 and Tumblr exist with such large fan communities- because the communities are meant for fans. It's all well and good when CC's decide to take a peek or participate in said fan spaces of their own volition. They're the ones making the choice to engage. It's NOT all well and good when someone, as a fan, is trying to make that choice FOR them by shoving fanworks at the CC begging for clarification on what is okay with them. You're not going to help anyone in that way. Fan spaces exist separately from the CC spaces for a reason. The CC is a person behind the screen who you don't know. The character or role they play in the series you watch? You might know just about everything there is to know about them!

If a CC has laid out a boundary that they aren't comfortable with X Y Z, then there's a really, really simple solution here. Don't show it to them.

Don't put it in main tags, don't tag them in the post, hell, block the CC so you know they won't be able to view something that makes them uncomfortable.

There's a lot of what comes across as almost puritanical virtue signaling I've seen lately, where people are talking about CC boundaries everywhere and trying to police fanwork. I will again refer you to the point above. The fanwork is not made for the CC. It is made for fans, and if it is something the CC isn't comfortable with, then don't go posting it where they might regularly look at things (such as main fanart/fanwork tags.)

Yes, there are CCs who are over here. Yes, they look through fan works. This app is primarily a fan-oriented space and it has tags that CC's (or anyone else!!) can block to avoid things they are uncomfortable with. Though at this point the few that are over here either were already gay dot com natives or have basically become one.

I may have gone a bit off my original topic but TL;DR:

KEEP FAN WORKS TO FAN SPACES, AND STOP HARASSING THE CC'S PLEASE. LET THEM EXIST IN PEACE.

[stitchwraith-stingers]

i dont have a problem w devzel in general since its generally harmless and i just have the most boring character taste ever, but it gets SO tiring how people will only bring her up, im not surprised people are making content of the duo clearly ment to be a duo and the fact that dev is generally a well written character, but the fact that ive seen the triple amount of content on him alone compared to hazel, hell ive seen more dale aus - guy that appeared for 3 episodes (4 if you count the minute he was shown in the lemonade shtick) - compared to The Litteral Protagonist

and keep in mind, ive counted 8 different episodes out of the 37 that are specifically centered around those two, which makes it slightly more bizzare for me, i dont even know the general opinions on each episode cuz posts about them are almost non existant or would only focus on the one scene dev is in (multiverse of jenkins showing how hazel over worries and while wanting the problem to be gone holds on to it more then it should, and then people turning around and going "OMGGGGGG DEVZEL MOMENTTT" like ok . whatever. kicks rock) the fact that people cant seem to name ANYTHING about her is what shocks me. ok maybe not anything, a wee bit exadgeration, but it really DOES feel that way, they go omg shes autistic and then just, dont do anything else specific to that for excample

ive only seen ONE analysis to stuck in my head (good post btw) and the fact that the most consistent discussion ive seen that IS about her is "she told dev lightheartibly that he kinda did deserve , i wish people discussed more episodes, the scene where she and antony yell at eachother in rattleconda racers i think was done really well personally

and whats more interesting is that from what ive noticed, its like people have a hard time seperating her from dev, but can easily do so the other way around (points at ao3 tags), like shes a little accessory to his angst, or only there to be his girlfriend depending on the post

im not really surprised that this happened, i call this the hunter effect personally (character that is well written and you cant be mad at anyone who likes them, but is hogging rhe attention compaired to someone else thats important a weeee bit more then youd like), and i DO agree that hazels other relations arent, explored, like at all, HOWEVER if people can make 2 million in-between scenarios with irep and dev, like i garente if you havent watched the show and went onto the tag you would assume that peri and irep and the dimmadomes played a MUCH bigger role, like if you can make up so much more about them and expand apon them then you can take scraps of what the other characters have and build on them i pormise you

like looking at the fop tag is litterly liek this V

you deserve so much better then what people give you

[destiny-in-the-universe]

i really hate being that person but it's kind of bumming me out when content for my original characters doesn't seem to gain as much of an... outreach? apologies for my soddy english, brain isn't brain'ing atm which is also frustrating, but in comparison to content for the canons- i just... don't know if people truly want me to continue writing for those oc's or even the shipping i do between canon x oc

and this isn't about anyone in particular. on the contrary! i'm happy that people still interact with my messy blog of the latest hyperfixation- it's just the oc's are thrown into the background, and i don't know if that's got something to do with changing views on them. honestly, i'm not- mad per se, just wish they got recognition.

also i felt venting into the void, since probably no one's to read this, might ease me out of that frustration because i'll continue writing about said original characters- no matter how many people watch it tbh

[spacedlexi]

Kenny and Violet anon here YES.

Violet is upset because someone she defended against her found family of 8 years let her get taken by brainwashing adults for 2 seconds and everyone flips their lid.

But Kenny refuses to stop a train, and gets into a whole fight with Lee over it (AND REFUSES TO HELP YOU FIND A LOST LITTLE GIRL WHILE YOU’RE FIGHTING OFF AN INFECTION, where as Violet always defends you in Episode 1 regardless of whether you ignored and/or antagonized her or not), and gets mad at an 11 year old for not being able to handle helping someone in labor by herself and everybody’s like “Nah it’s okay, his family died years ago so he gets to do whatever he wants.” as if Violet didn’t witness one of the only consistent family members in her life die in front of her 💀

There’s so many comparisons I could make and one day I’ll make a Venn Diagram about all of their similarities but for now I’m glad someone pointed this out.

there are some things kenny does that have No excuse (like refusing to help bitten lee look for missing clem all because hes mad you didnt side with him enough. leaving lee to singlehandedly save himself in the pharmacy because he got scared. threatening to slap clem for blaming herself for lees death. off the top of my head). but his behavior on the train is annoying yet understandable. he doesnt want to admit his son is dying and he feels like duck dying in the first place is his fault for not saving shawn. you can convince him to stop without things getting physical

the Problem comes in when people can understand and sympathize with kennys annoying/shitty actions, but when it comes to violet (who has the same "my family is dead and its made me bitter and closed off" backstory (and her whole arc is about learning to love and care again)), suddenly all understanding goes out the window. even tho shes not even a FRACTION as annoying and shitty as kenny can get 😭😭

violet is mean to clem for the One scene where youre introduced to her (ignoring your first moment with her in the courtyard where shes smiling at clem so you already know her shitty attitude later is a lie. louis even defends her. wingman lol. and depending on what you say in response to her you can Immediately see the regret on her face LOL). but before the scene even Ends shes complimenting clem and clem loves it. then youre forced to talk to her and tenn about the twins, you have a nice card game where you can joke around with her, then she shows up at the dorm and they have a nice heart to heart about how theyre BOTH struggling with the loss of people theyve loved, and they can sympathize about both being harsher than they intend (THEY GET EACH OTHER CANONICALLY)

and vi not being "a people person" is a huge part of her arc?? she doesnt like that shes like this 😭 but shes also better with people than she gives herself credit for and its why she makes a good leader. (and even if you pick the "came off strong" option clem is OBVIOUSLY teasing about it but vi cant tell and gets defensive ("its not like im trying to be bffs or whatever. sorry" is so "you want to kiss me so bad it makes you look stupid" of her)

and then after this shes never mean to clem again?? (unless you antagonize her but even then its mostly just about her standing her ground and not taking shit she doesnt deserve. which is fair). shes only mean to brody while fishing (and shes mean to brody because deep down she blames HERSELF) and the whole POINT of that scene is to try and mend their broken relationship which immediately makes vi a happier/nicer person if you do (also interesting how louis doesnt get any shit for His behavior while hunting 🤨 no hes just cool and fun). violet also apologizes for being "weird" in the dorms the previous night as well (bby girl why are you afraid that everything you do is weird 😭 she says that word a lot)

violet will Always have clems back (in EP1 and 2!!) No Matter What you do or say to her. i think people take her loyalty for granted. so if you dont save her in EP2 and expect to continue to have her unwavering loyalty in EP3? thats a You problem. she is Fucked Up mentally on that boat by lilly and her not-exactly-ex, and then gets caught in the explosion she didnt want anything to do with. AND THEN SHE APOLOGIZES because she recognizes she was WRONG

(not her literally trying to make a joke about it to ease the tension 😭 people dont give her credit for also having a sense of humor. like louis is the only one who cracks jokes around here) but again when it comes to kenny his actions are understandable and defendable even without an apology 🙄 i literally side with kenny on Everything except the larry thing and if you dont make the right dialogue choice with him? he will not help you look for clem. because of larry 😐 i killed your son for you bro and then took care of his walker doppelganger so you didnt have to. and this isnt even touching his behavior in S2. and yet despite everything he does hes still one of the most beloved characters in the fandom 🤨

i just have to remind myself sometimes that all vi options were made 53-61% and the vi haters are a loud minority. her always being above 50% is so interesting to me because i love when choices are split perfectly 50/50. but the way the fandom talks about her (and the women in general) you wouldnt think shes technically the more popular option (and i Hate playing the popularity card its so annoying, but im only doing it bc people also say shit like "maybe if vi wasnt so mean more people would pick her" they DO pick her!!! you just got mad she was mean for 5 seconds, never payed attention to her again, and used her determinate reaction on the boat as justification for not liking her 😑) (also ignores how mean louis gets in EP2 regardless of choice?? but like kenny His actions are defendable and sympathetic and hers arent 🙄)

[rapha-reads]

To those of you wondering (aka no one), I finished both The Vampire Armand and Merrick and I have a lot of thoughts and feels. I'm skipping Blood and Gold for now to go directly to Blackwood Farm (I'll read B&G later), but first I'm going to read something else, just to take a break.

TVA thoughts: man, Armand is messed up. And extremely compelling. But so messed up. As always, the theme of faith crisis, which seriously reaches new heights with these bitchy vampires, is not something I can fully immerse myself in, but it was fascinating to see his numerous metamorphosis. I liked how he bridges Western and Eastern Christianisme, especially through art. Now I'm thinking that if Rolin Jones makes him originally Muslim in the show, that could expand even more the conversation on how faith, and especially Abrahamic faith, has been in conversation for thousands of years and could be such a rich, diverse and spiritual, intellectual and artistic theme. I can already imagine some fascinating discussions comparing (not in a superior way but in a complementary way) coming from Muslim faith to Roman Catholic faith, the way book!Armand talks about the richness of his life in Kiev Rus despite the poverty and ascetism, and the richness of his life in Venecia despite the luxury and abundance.

As for Benamin and Sybille... I don't have much thoughts about them. Sybille is one of those female characters AR seemingly favors, not so much human as a nymph or a dryad, "perfectly splendid". And Benji is a caricature of an Arab child. Nuance? 401 not found.

Merrick thoughts: David for the love if everything, shut. The. Fuck. Up. Holy moly. I like David, I do, but damn the entire recollection of his history with Merrick was looooooong. I'm here to see Louis haunted by Claudia and haunting Lestat's coma, not how hard you're pining for the kid you practically raised! Also. ALSO. You're just going to leave that whole thing with the Olmec or possibly another more ancient Mesoamerican civilisation without ever giving us more? That was the most interesting part of it all! The vodoo history, the connection between Louisiana and Caribbean vodoo and old Native South-American religions! More about this, less about Merrick's perfect breasts, I am begging you. (It is at this point that the reader of this post realises OP is 100% definitely ace and more interested in books and witchcraft than breasts and whether a 70yo man can still get it up - also, hey, Anne Rice's vampires are practically asexual and their lust and pleasure is mostly derivated from blood, with some notable exceptions like Armand and Marius, and a love relationship between two vampires is then based on romantic love and blood sharing, so can I hear a hell yeah for some ace representation or are we still conflating eroticism with sex)

Another thing I kept thinking about throughout the book is how Louis is perceived by his fellow vampires. Since basically the second book, since we've lost his own POV, everybody who's ever said anything about him (so Lestat, Armand and David) have insisted on two points: how very weak and meek Louis is, and also how irresistible, beautiful and charming. Granted, I've known Louis first through his portrayal on the show (hi Jacob you're so fiiiiiiine), and then through his own narration in the first book, but I've never had the impression that he was weak. Beautiful and seductive, yes. Weak? I see a human man going through tragedies and still enduring, going through vampiric transformation and then suffering for decades the loss of his humanity, struggling with reconciliating both sides of himself, but mostly I see a vampire who rebuilt himself after losing everything without sacrificing his sense of self. I see Louis as very strong actually (up to the point where resilience breaks, because resilience cannot be sustained on a long term, but that's another debate). He knows who he is, and don't you know how hard that is? He doesn't cling to faith or pride. He knows he's doomed, he knows he's monstrous, he knows there's nothing he can do to change that, and instead of railing against his fate, he goes on about his undead life. He gets his books and he reads them, he surrounds himself with literature and what little comforts he thinks in his shattered self-esteem he deserves (his ragged sweaters and soft trousers); let's not lie to ourselves tho, Louis doesn't like himself, or more exactly he doesn't care about his corporeal body - what matters to him is his mind, and once again, this author is extremely ace and also very aro and very nonbinary, so Louis to me is very much ace and agender coded, though really not aro, because his love for Lestat (and sometimes his fondness, shall we say, for Armand) is the only thing that can rouse him up from his literary slumber.

...

Oh, man, I have a lot to say about Louis, for how little he appears in the books so far. Still have BF, BC and the PL trilogy to devour. So I guess you can say, for as much as Lestat is occupying my entire brain, very much like him, my favorite is Louis? Yeah, that tracks. Melancholy, quiet, dark-haired green-eyed monster with more humanity than humans, preferring his solitude and the company of books to anyone else, hopelessly and helplessly devoted to one person, expert in brooding and grieving, literature specialist, not very attached to his physical self. Yeah. I'm not surprised.

[fiona-fififi]

The way people sometimes refuse to acknowledge that writing choices that clearly go against established canon should mean something is endlessly frustrating to me. We don't have to agree on the interpretation, but these writing choices SHOULD mean something.

Otherwise, it's shitty writing.

[paperbackfable]

Ark: Survival Ascended (1? More some day?)

And last but not least, we have Ark! All of these are from The Center, the first one from the day it came out on ASA, I'm pretty sure. Couldn't tell you about the other ones, though? I think they're from the same day...

hehe. daylight to sunset to midnight. also that last one is modded; it's draconis glaucus. admittedly i mostly just run around and do whatever in creative so i don't know how good they are normally, but i think they're neat and i like them so. they're here. hehe

Bonus lighting thing they added that wasn't in Evolved because I think it's really cool looking:

[prhvlbop]

watching people slowly minimize karin to a one-dimensional 'angry woman' trope so they can make her tsundere and bitchy for shipping and falling to my knees and crying because she's actually good and interesting in ways outside of this that i'm seeing brought up less and less. like i'm no longer getting the vibe that people collectively think of her as a standalone character as often as they focus on her in supporting or romantic roles to other characters

[moe-broey]

Jacket!!!! Ye olde varsity I got at the very beginning of my transition thinking "Oh fuck yes I am going to pass so hard in this" and. Well. It never worked I just have never passed a day in my life I don't think 😔 Eventually it just became a beloved test subject and has since gone through a bit of a transition itself LMFAOO

Some Notes:

> A lot of the decorations are taken from old backpacks I loved dearly that got absolutely fucking destroyed by the weight of all the shit I'd lug around in highschool LMFAO (sketchbook, diary, all kinds of notebooks...). Never had the heart to get rid of them. Specifically: The pink zippers, the holographic pockets, the glow in the dark stars, and the holo angel wings!

> The pink/blue checkers are from a small decorative quilt I thrifted years ago, I wouldn't be surprised if it was handmade (it's super soft material, btw! Important LMAO). I only took out one line of squares, I plan on stitching the rest of it back together (haven't done it yet though LMFAO). The reason for this was to upsize the jacket, so I can button it without it clinging. The pockets were added for funsies ESP cause it lined up very well and aren't really practical LMFAO (BUT YOU CAN PUT THINGS IN THEM! If you want!! 🎉🎉🎉)

> The patches (esp the name/pronouns one) were the first additions actually. Eventually more and more things were added, but I will say all the pins on the opposite side of the patches were haphazardly placed for a concert I VERY BADLY wanted to look good for LMFAOO (that's when the stars were added too! Fighting for my life on the car ride over speedrunning sewing and trying not to throw up about it AHAKHSKSHDK)

> Spike placement may be odd and I'd like to add more, but also I do frequently still carry around big heavy backpacks so I have to take that into consideration. Which is also why the wings have been bolted on. Those motherfuckers are NOT going anywhere LMFAO (has a really cool visual effect too!!)

> The material of the jacket itself (sort of a swishy windbreaker fabric) IS ABSOLUTE ASS TO WORK WITH. BY THE FUCKING WAY. IN CASE YOU WERE WONDERING. I would NOT recommend it to anybody ESPECIALLY someone who is just starting to fuck around and find out. I literally am just sticking it out bc of the sentimental value this fucker has to me 😭😭😭

This jacket was my first plunge into customization and punk fashion, I didn't have a plan and still don't have one (and I think it kind of shows lmfao). I do worry that it's too soft and cutesy. Kind of the whole point for me, when it came to leaning heavy into punk, was to feel sharper, like I had some bite to me. I might be getting closer, but I think I'm still just kind of a silly guy LMAO. But, I do think in a way, esp as my first project, it represents me well -- where I started, what I loved before the beginning, what I tried desperately to be, what I still wish for, reuniting with the things I loved and embracing them in a brand new context. It's still an ongoing project too! So maybe as I keep growing, it'll grow alongside me, maybe finding that grit I've been striving for along the way.

[stuck-in-the-ghost-zone]

MACCC!! for the fanfic ask game thing. ummm i don't know a specific word 2 send but i am intrigued. eyes emoji. (<<on computer and do not want 2 look up emojis just to copy/paste one) what r u writing!!! what's ur fav passage in it so far!!!! i wanna hear abt ur writing!!!!

omg whiskey i forgot we were not mutuals while i was in my fanfic writing arc. omg. i have not written a fic since we became mutuals holy shit !!!!!! absolutelyly insane . ANYWAY i write about my ocs all the time and also silly little self indulgent stories that i dont share bc theyre just for me. BUT. CURRENLTY. i missed writing fics so i am in a months long hiatus of a fic for mission to zyxx which is a silly improv comedy podcast that i was super into right before i got into trigun !!!!!!!! its my beloved ever. however the trigun brain worms overtook me before i finished my fic and i have not gone back to work on it much :( i WANT to finish it tho bc the fandom is very small annnd i literally read every single fic in the ao3 tag in the span of like a week. i need 2 add to it.

ANYWAY basics of the fic (spoilers for mission to zyxx incoming !!) :

the main character has a bug egg laid in his eye and throughout all of season 2 it just grows in his eye and makes it look all fucked up until the s2 finale where the egg hatches and another character pulls his eye out before the bug makes his head explode. << its not as fucked up as it sounds bc this is a full comedy podcast so everything is played for goofs and this moment only lasts a total of like 6 seconds but i am a sucker for body horror especially when it involves gross bugs so !!! i am judt rewriting that scene with my own headcanons ans making it scary and emotional 😌 hi my names mac ghostiezone and i love horror and gay people.

I HAVE TO REREAD MY ENTIRE WIP TO FIND A PART TO POST i cant believe ur making me do this (<< THANK U I HAVE NOT LOOKED AT IT IN WEEKS) apologies in advance for my setup i like 2 write on my phone in the middle of the night so my google docs is in perma-darkmode:

<< we love an alien mind contrrol parasite that makes a usually cowardly docile character behave like a monster 😌😌😌😌

[bloomingdead]

You label yourself as a ship hater. Why waste your energy on negativity in a fandom that’s meant to be fun about virtual people who don’t really exist? Go do something positive with your life; hating on other people’s fun is sad.

the fun in question: lesbophobia

[dragonfyre-creations]

I don't think I've ever poured so many of my physical attributes and so much of my heart and soul into a character design before in such a personal way before so fuck it whenever I finish the final design for Faeng and whatever I come up with I'm making her into my sona (dragonsona? Persona? Idk how this works lmfao)

(long dump in the tags and under the cut)

The last time I was even remotely connected this much to a character was when I designed Jaxsu, but honestly never truly made her my sona/main character, she was just the one I used most often in art pieces. I never really actually liked her lore and backstory enough because she was what I wanted to be instead of what I am/was. Jax isnt perfect either, but her parents love her and otherwise has friends and is loved unconditionally. She has a healthy relationship with everyone and everything. This is where the disconnect happened and where I actually started to dislike her despite her being my otherwise favorite character for awhile. Both Faeng and Jaxsu have ADHD and Autism but Jaxsu was able to put that towards a job and becoming a ship captain and winning a colosseum tournament. She's done all of these great things so even if she didn't have a healthy relationship with her parents they'd still love her because she's done something impressive and useful.

Faeng on the other hand, has to fight for everything. Her parents are important and have important jobs, and place all of these unreachable and unrealistic expectations on her and expect her to reach them with minimal effort and be perfect, but she can't no matter how hard she tries. She needs someone to explain it and break it down for her in steps so she understands what do to and how to do it so she doesn't mess it up. She's both strong and smart but it's not in practical "normal" ways or subjects. It's convoluted, It's not in the ways everyone wants her to be, she has no teachers to help her understand how to channel that strength and intelligence into something "useful" so she puts it towards the things she likes and wants to do, and thus struggles in a world that would otherwise be easy to navigate and conquer if she were "normal". Those that do understand her and try to help her are alienated by other people in an attempt to either punish both of them or force her to adapt to be somewhat passing as normal, if not then at least listen to what she's told to do. She does eventually make acquaintances but find that her twisted speech and weird explanations aren't worth trying to decipher and understand so they leave, they don't put in the effort to meet her halfway even though she's struggling and doing her best to speak in a way they'll understand.

Her parents acknowledge her differences but in a way that frames it as flawed and wrong, something that needs to be corrected, and push her to figure out her problems by herself, tearing down any support network she tries to build. She tries her damned hardest but it's not enough, it never is and never will be for them because she's not the perfect child they wanted. She showed promise in her younger years being a "gifted child" so she knows what love and acceptance lies in wait and what could be if she could just be normal and perfect. Her achievements and promise come and show in waves. She burns and fizzles out in one of the most virulent, painful ways possible after getting hurt trying to prove her worth yet again. She holds nothing but criticism, vitriol and contempt for herself because she can't claw her way back to where she was before, this time something happened and something is terribly, horribly wrong this time but she doesn't know that it is and can't figure it out, nor will anyone tell her. Whatever it is, left a mental and several physical injuries and it does nothing but deepen her self hatred and her parent's waning belief in her. She listens to false promises and praise of other people who do nothing but wish to manipulate and harm her but she stays because any form of praise is deemed good, she hungers for more and does worsening things.

She ignores the people who tell her that what she's doing is dangerous and will only end in disaster, because she doesn't believe them. If the people who are saying they're her friends are telling her that the people she hurts deserve it and that what she's doing is good, then surely she needs to believe them over strangers, right? Everything comes to a breaking point and shatters around her leaving her with quite literally nothing but her own self hatred, newfound rage and overbearing mental issues she needs to navigate once again to find out what hell it is and what's wrong with her now. She's scared of everyone and everything with the added bonus of now being hyper-aware and perceptive of people's mannerisms and behaviors, especially those who want to manipulate or harm her again. She wraps every vulnerable part of herself in metaphorical thorns and teeth to bite and maim whoever pries and digs into what she truly is, even people who want to understand her. She suffers at more than her own hand, forcing herself to deal with everything alone, until she finally meets someone that could be considered a true friend. She slowly opens up and helps them as much as they help her before everything comes crashing back down once again upon the reveal that they've been lying to her the entire time about very serious issues, and she's been used as nothing more than an attack dog once again. She burns every bridge and everyone around her in one final breakdown of rage before shutting down completely. One of the groups of friends she's shoved stay comes back and asks if she's ok. She doesn't understand why they're being kind, why they're concerned it why they care and tries to shove them away again. Every single day they still ask, talking even if there's no response from her, until she finally relents and breaks.

She's finally loved and accepted despite every fault and every flaw she has, and every time she tries to pull away out of fear of being an inconvenience they pull back twice as hard and remind her that she's able to just exist, she doesn't need to constantly be useful and that they care. She finally, finally is comfortable enough to let herself be accepted and then becomes the most clingy little shit, just as they do with her. But yeah, my own life has been very much of the same, especially the last part. Every time I go on another self-hatred spiral and drop off the face of the earth my MonHun bros give me a metaphorical slap to the face and remind me that I don't need to constantly prove my worth to everyone and prove that I'm useful, and that existing every once in awhile is more than enough. If that doesn't work then it's "you need to get your ass back over here because we're failing the Safi siege without the absolutely ridiculous amount of DPS your build Switchaxe does". I was not intending for her to be so much like me but goddamnit she's wormed her way into being my favorite now and I guess Mirage is no longer my impromptu sona

[astro-g0re]

tempted to make a story that'd cause so much discourse on this app and would probably get me doxxed if it got noticed

[creatingblackcharacters]

No, That’s Not ‘How Color Works’. - Whitewashing

Whitewashing, as defined by Merriam-Webster:

"to alter (something) in a way that favors, features, or caters to white people: such as a) to portray (the past) in a way that increases the prominence, relevance, or impact of white people and minimizes or misrepresents that of nonwhite people and B) to alter (an original story) by casting a white performer in a role based on a nonwhite person or fictional character"

In fandom context, we know it to include:

Making someone’s skin lighter

Making someone’s hair a thinner texture

Changing someone’s nose to be thinner

Shrinking their lips

Changing the character in their entirety to be someone else

The Normalization of Whitewashing

Remember how I mentioned last lesson that despite the nature of poorly drawn Black characters, most audiences are not turned off enough to discourage the action in professional works? Similar idea with whitewashing. Not the same- unlike the Ambiguously Brown Character, which claims to have plausible deniability, overt whitewashing is usually enough to make fans speak up! But that’s the key word here- overt! It has to be “bad enough” to make enough people speak up, but as we’ve seen many a time, “bad enough” seems to have a much higher threshold for nonblack viewership (sometimes the limit doesn’t exist!)

Some visual examples

This is a link to my personal thread on a Netflix show I was watching- Worst Ex Ever. Now, while the show itself was quite enlightening, there was something I could not get over. I thought I was going crazy. And that was that no matter how dark the person of color would be in real life, the animated portions would draw this light pinkish-brown. Every. Single. Time. It's like they couldn't fathom scrolling down the color wheel. And this is a Netflix original! Netflix has plenty of money for someone to have caught this in creation. But... it was produced. And put out. And they're making more of it.

I asked all of the Dragon Age fans about the series, and uh… I didn’t know things were this bad, guys! Apparently this is a man of color, but it doesn't seem like the creators want you to know that 🤣. Jokes aside, as I’ve discussed before, the noticeable whitewashing- and that was one of many racist things I was told- was not enough to prevent sales... so why would they stop? I can only hope this new game, with all the updates, is enough to turn the tide. But the series has gone on for a while now, that if they’d chosen to do ye same olde… there clearly would not be a lack of financial support to prevent it.

Colorism as a Tool

Even when actors of color are cast, colorism often plays a role in normalizing whitewashing to audiences, even to Black audiences! People think “oh well at least they’re Black!” as if that is the only important part. It is not.

While Aaron Pierre, the actor cast for John Stewart of Green Lantern fame, is a GORGEOUS, STUNNING man, he is not the dark-skinned man that John Stewart is supposed to be and should not have been cast! To me, this is overt colorism, but clearly for many people this is not “enough” to warrant concern or even prevent the casting itself- including the studio behind the movie! Black fans have plead for years for the character of Storm to be played by a dark-skinned, preferably African, woman, and it has never happened.

It naturally happens in fan spaces as well, which is another indicator that colorism as a tool for whitewashing is quite effective for audiences. If I see one more Zendaya fan cast for Kida from Atlantis, I will scream. It’s been happening for years, and I don’t think any of the people who just want to see her and Tom on screen either understand or care that Kida is a dark-skinned character. Zendaya doesn’t look anything like Kida- it doesn’t matter if she’s Black too! Just because someone is Black does not mean they can play every single Black character! I’ve even seen people fancast Emilia Clarke of Game of Thrones fame, to which… I don’t have the words. I can’t fathom what would cause these decisions other than racism.

The Common Excuses

I must be honest. I don’t really feel like re-iterating how certain things are not okay and how to fix them, because I’ve already discussed these things in massive detail. So I’m just going to direct the excuses I regularly hear to my lessons, where you can read up on them.

“Their hair/eyes are like that because they’re biracial so-”

Relevant Lessons: 2.1, 2.2, 2.3, 8, 9, 10

There is nothing wrong with having biracial characters with a range of features. I am not saying that! Because yeah, genetics do happen!

But I mentioned this in my last lesson, and I will re-emphasize here, that using biracial identity as a way to whitewash is a sinister form of racism. The intention here- the real intention- is the issue here! The idea that somehow this character can only look the way you want them to look by "diluting" their Blackness… I don’t know how you can explain yourselves out of that one.

You don’t get to use us as an excuse for diversity while still trying to maintain your preference for Eurocentric beauty standards. Black biracial people don’t always look light skinned, thin-haired and ambiguous, and even the ones that do don’t deserve to be treated as your fetish for pretend antiracism. If you just want to draw a white person with a tan, do that. But don’t change a character’s entire look just so you can work in some whiteness. If you want to claim that canon Black character’s mother was white, then I guess they inherited some of her personality because their features should not change.

“It’s my style/It’s the color-”

Relevant Lessons: 3, 4, 10

I hate all excuses for whitewashing, but I’ve grown to despise, hate, abhor and loathe this one the most as I’ve become an artist. I wish there were stronger words to describe just how much I hate the “style” and “color” excuse.

Are style and use of color oft intertwined? Absolutely. I’m not saying they aren’t. But out of everything, there are two things I want artists to understand:

1. Style does not cancel out racism! No style forces you to choose ashy greys and to change peoples’ features. That’s you! If you look at something, and it looks offensive, you change the style. You grow as an artist!

2. “Everyone who is brown will look ashy so I just-” if you recognize that your Black characters look strange in comparison to your nonblack characters, then it’s time to try something else! I don’t understand this sudden need for “realism” when it comes to color and lighting, but not when it comes to hair, for example. No one cares about realism when giving every and all Black characters wavy tresses they probably wouldn’t have, but suddenly milquetoast watercolor attempts at brown and off-putting lighting is “how it works”. That’s not fair.

The color picker is an available tool! I use it often!

Dead giveaway of purposeful whitewashing: if someone gets the outfit color palette right via color picking, but the skin color is multiple shades lighter. That means they were looking at that character and chose not to proceed.

Dead giveaway of purposeful whitewashing: if the white characters in the show are completely correct in their palettes. Again, that means they cared enough to look at everyone else… and not the Black characters.

If you use the color picker and the color picked is… disrespectful, you do not have to use that! You can simply choose a better color that is still similar to the brown that ought to be depicted!

“It’s the lighting-”

Relevant Lessons: 4, 5

If your white characters do not shine like snow in the sunlight because of your lighting, then your lighting does not make your Black characters suddenly light tan.

If your Black characters look bad in your lighting of choice- for example, putting a very dark-skinned character in electric white lighting can be ghastly- try changing the intensity or the color of the lighting. DON’T change your character’s skin color!

I'm going to show you some pictures of South Sudanese model Nyakim Gatwech. Pay attention to the choices of light, color, and makeup.

Look how BEAUTIFUL she is! Look at the choices of intensity and color of light, and how they make her look different in each image.

Now look at this image in comparison:

In this image, whoever did her makeup and took this picture did not take into consideration her skin tone. She's also under this really intense lighting. This is an example of "increasing the lighting does NOT make an image "better"". She didn't need to have lighter skin or "more lighting" to look good. She needed BETTER lighting, lighting that worked with HER.

To see this as an example in drawn art, @dsm7 makes an excellent argument for proper lighting and color, why it is an issue to use it as an excuse, and how to solve that problem.

‼️DISCLAIMER FOR NEXT EXAMPLE‼️

Okay. I am about to show y’all a fan-created example from my personal experience. It is a TEACHING EXPERIENCE ONLY. I am not including the artist’s name in this image. It happened a couple years ago, and it’s over- they’ve chosen to be who they are despite me kindly confronting them about it. The only reason I’m including it at all is because I feel like it would be remiss to have such a clear-cut, multi-level example, and not teach with it. That said, no, I am not telling anyone to act out towards them. Again, that is not what I’m telling you to do. The last thing I need is a literal lynch mob of angry nonblack viewership for trying to teach you all, and y’all sitting there watching it happen to me. Every example of whitewashing is not going to be so obvious, but I hope you learn how to spot the examples in the art you see and share.

I'm obviously a Hades fan, particularly of Patroclus- despite my disdain for the lack of effort in his canon character design. So I've seen a lot of things. That said:

“Well it’s just MY design of them-”

Relevant Lessons: ALL

The sepia coloring did not do this. The lighting did not do this. The design is the exact same as the Hades version, even down to the shape of the hair curling in the back. The only thing that is different… is the man himself.

Y'all. Y'all! You CANNOT take a pre-existing Black character and say “oh well this is my design of them” …and the design is of a whole white person. Because if the rest of the fit is the same, and the only thing that changed is the Blackness… Racism. If you’re going to “make up your own design”, then do that!

“Blackwashing”

Speaking of: I’m sure someone edgy out there thinks they’re so smart as they retort to the screen: “but if that’s not okay, then why is Blackwashing okay?” To which I say- shut up. 😐

The “definition” by fandom: making a nonblack character Black, usually an anime character, but characters in general.

Funny enough, the actual definition in the dictionary (or closest to) is “to defame”, in contrast with whitewash (as in whitewashing history). Maybe racist fans ARE using it correctly when they say you’re blackwashing their characters, when they mean you’re making them “less likable because they’re Black now”. 🤔

Anyway: Blackwashing is not real for the same reason reverse racism is not real.

Me painting these characters brown is not going to take away from the fact that there are far more of you in media than there is of me. Me saying that I ‘headcanon a character as Black with 4C hair’ is not going to make the studio go “oh! Well they must be Black with 4C hair now!” Me saying “oh I think I’d like this character better if they were Black” as a beta tester (less overtly, obviously, because I’m not racist!) will never make a studio change that character. Black viewers have minimal value in comparison to the power of the white viewer’s dollar. I could draw white characters Black every single day of every single game media… and they would still produce majority white characters. There has not been centuries- if not millennia, when we consider Jesus Christ himself, even- of purposeful “Blackwashing” with the intent of removing the original ethnicity- and thus importance- of white people. No one has ever been allowed to forget when someone is white. No one has ever been allowed to forget or not acknowledge white people.

How it could be "solved"

Personally, I love Black edits and I welcome them here. I find them creative and fun. But if you really, REALLY didn’t want us to make those edits, then naturally, we need more Black characters in all of our media!

I wouldn’t have to make edits if I saw more of me to begin with in the things I like to watch- but when we have those characters, racists act an ass about them. We’re not allowed to even be present! I’ve seen too many gamer bros mocking the existence of Yasuke in Assassin’s Creed, and he was a real ass man. But if we made a game about African peoples in African societies, how many of the gamer bros would actually play those games? Do you think there’d be as much support, when we hear so much about Black characters that are treated so abhorrently? How many games do we have where people would love their faves just as much if they were Black? I even learned that Solas was apparently supposed to be a man of color. IMAGINE how many people would not have liked that man, with the same exact plot and characterization.

Something I’ve noticed recently: apparently "Blackwashing" is not a thing when White fans “allow” it. Take this recent trend with Miku. International Miku was beloved! But if you draw any other character as Black on any other day, there will be people that are horrid about it. Ask any artist, Black artists and Black cosplayers especially, who’s ever done it what their comments are like. I’ve read entire missives akin to white supremacist drivel on how it’s somehow morally wrong to make characters Black. Meanwhile no amount of “hey maybe you shouldn’t do this” prevented the movie Gods of Egypt from being created, with a cast full of British White people.

Solutions to Avoiding Whitewashing!

1) Using References!!

Do I think you should know what Black people look like? Yes. We’re humans. It’s 2024. Everyone knows what we look like when it’s time to hate and discriminate against us, so you know what we look like when it’s time to love and depict us. If you’re on Tumblr, you have access to the Internet. ESPECIALLY if you’re in the U.S., as Black people are the source of damn near every piece of online pop culture. If you can find my dialect to make my jokes, you can find pictures of me.

Would I rather you use a reference every single time so that you can only strengthen your depiction of my people? ABSOLUTELY.

Anyone on the Internet telling you not to use a reference or that you shouldn’t need a reference? Unfollow them. You don’t need that negativity in your life. Why would you deprive yourself of a tool to create? The greatest portrait painters in history had to look at their subjects! You are not getting paid nearly as much to do this as Hans Holbein, and he had to stare at Henry VIII correct else lose his head- you can pull up multiple references. I’d far rather be judged for using hella references than be judged for being a racist!

Part of the issue is people draw what they’re used to, what they’re comfortable with (thus last lesson). But if what you’re used to is not what someone will look like… That’s not okay. Their features are not the issue, your skills are the issue. Learn! Practice! There is no rush. No one is rushing you to be perfect at drawing Black characters, and no one is rushing you to post them. You can just practice! If you’re not a professional, you can take as long as you need to draw! If you need to draw that piece of hair over and over until you feel like you have down the shape, you do that! If you need to use a tool that would draw the hair for you, you get that tool!

If you want to post, you can say you are practicing! If you make clear you are practicing, then be willing to accept that people may have feedback. I’d far rather deal with someone saying they’re unconfident and practicing, than someone posting a whitewashed caricature and closing their ears because “well at least I’m trying!”

2) Empathize! Care about actual Black people when you create a Black character!

Imagine, if you will, in the Twilight Zone: you went to an artist, and you asked for a white character (I typed in “regular looking white dude” on google). There’s hardly ever any white characters, you’re so super excited about this one! You paid good money, because you’ve seen just how amazing this artist creates! They’re so good at drawing characters of color! But no matter how many times you ask, they send you back an image of… Assad Zaman.

That man might be fine as hell! Gorgeous! Beautifully done! Chef’s kiss. Stunning! But… He’s not white. That’s not what you asked or paid for. You can’t even fathom how they mixed this up, they don’t even look alike! And when you confront them, they gaslight you, they call YOU the issue for not understanding how you can’t tell that this is a white man! They would never get this wrong! They have white friends, you’re the racist! But you’re not stupid, and you have functioning eyes- you can SEE what this drawing looks like! And… It’s not you.

It’s dehumanizing. It’s being told that there’s a “better way” to look like you, and that’s by… Not looking like you. You, as you exist, are what’s incorrect. Your identity is incorrect, not their drawing. It’s better to have thinner hair instead of an afro or locs, it’s better to have lighter skin, it’s better to have a straighter, thinner nose over a round one, and smaller lips.

And what makes it worse is knowing that people who don’t look like you? Probably won’t care. They won’t be willing to see- not unable, but unwilling- that playing with this caricature is harmful, that they’re propagating harm by not acknowledging it. They’re letting you know that your humanity means less to them than the clout received with a whitewashed or half-assed Black character, and that people will applaud them for that ‘attempt at inclusion’. And people will applaud! They will be entertained by the mere performance! And that hurts.

I’m going to say this, and it’s awkward and I try not to say it directly on here, but… Having Black friends and/or being around actual, real life Black people would help. I can tell from some of the questions I receive that Black characters and their traits- especially things like our hair and our cultures- are being treated as… alien concepts. But even if, for whatever reason, you legitimately don’t know any Black people, you do not need to know us individually to care about our humanity as a whole! Even if you do not know we’re there, we are, and we could possibly see your work!

By acknowledging Blackness and making room to understand what it means- and that includes how we can look- you are doing the bare minimum of acknowledging our personhood. If you cannot do even that, you don’t need to be drawing us.

Conclusion

Here’s the thing: if you want to draw a white man with tanned skin, do that. Just do it! You do NOT have to erase me to have more of you! There is not a single fandom where the majority of the white fans ever said “gee, not another white guy!” It simply doesn’t happen. God knows we wish it did sometimes. You will always have an audience for white characters. There’s no danger to any of you of “being erased”.

(Without putting on my political hat, I will say that a lot of white people who consider themselves to be far from white supremacist will express beliefs in line with great replacement theory if you push them hard enough. It is unfortunately not as uncommon an idea as you might think. I would do some self-evaluation.)

People are going to notice that you only ever draw white people, but… To be frank, that has never stopped anybody from being successful. Again, Jen Zee, at Supergiant with the terrible dark-skinned characters… Still has a job. at Supergiant. A professional studio. Dragon Age. Multiple games of consistent whitewashing and racist writing. Still going. If racism prevented creation and popularity, I wouldn’t have to have this blog. Alas, that is the society we currently live in.

But if you ACTUALLY want to depict Black characters, if you ACTUALLY want to do right and be respectful- not because you want the clout, but because it’s the right damn thing to do- then you need to commit! This means drawing them as they are meant to be! Accept that you’ll likely lose some fan base, who was there (whether they were aware of it or not) for the white and lighter skinned characters. Accept that this means that trying to appeal to those people by whitewashing characters is 1) wrong, 2) racist, which is 3) something you chose to do when you could simply have just… Drawn more white people.

I’ll say it again: antiracism is hard. It’s hard doing the right thing in a society that rewards racism so easily. It’s really hard knowing that people will stop supporting you or caring as much about your work when you start including Black characters as actively as you do white ones, especially if you start talking about the importance of it. But in my honest opinion, I’d far rather be someone that cared about others, with genuine fans, than someone that was racist for the fleeting internet clout of strangers. And that may be less ‘hopeful’ than I normally am in these lessons, but… People make choices. And people who have been informed- as you are now- are aware of the choices they are making. It’s the thought that counts, but the action that delivers- let’s choose better actions.