#i just hope i find it along the way'

[kindred-spirit-93]

I imagine the story that follows Hera during her self care retreat away from Olympus takes place within the modern day.

The main conflict are - Hera figuring her shit out, Zeus looking for his wife, Athena freaking out about the sudden spike and rise of monsters... Which isn't a lot now that I really think about it lol. I have an idea for a "plot" some scraps and blobs but I've realised when developing a project on my own it feels like an echo chamber of my own thoughts with ideas and tropes that are all from my little box of limited ideas and experiences.

I feel like a lot of retellings are also just repeating the same thing over and over, and Im scared that I'll make a story that'll drown within all of em. Which is why I'm going with more niche traditions and regional variations of the myths.

But I really suck at making a nice long fully thought out plot especially when it focuses on multiple storylines happening at once.

ASTRAL TRAIN MY BELOVED!! rotating hera in my mind like a rotisserie chicken omg >_<

--

i hear ya. well my friend theres a first time for everything, and as with everything in life theres much to be done and learned down the road, especially through trial and error. worry not ill bring snacks and well figure it out lol ^-^

WHOOP!!!!!! i havent read much to be honest but it seems to me retellings and stuff tend to use figures from the mythos as vessels for tropes (since theyre typically established already) to appease the masses, instead of fleshing them out and giving them conflicts and stuff, which is fine whatever, but astral train has so much potential it literally deserves to shine through

so yes having nicher (?) and more diverse material to work with is really brilliant i liek it and youre doing insanely well! curating myths and sources cant be an easy task much less weave them together :D

--

hera doodle (attempt!)

dont focus on the anatomy too hard please and thank u

reference (also i got tired shoosh)

credits to sara faber on x :)

[ruporas]

asking and receiving (bonus below readmore)

[ID: A black and white, digital Trigun comic of Vash and Wolfwood. In the first panel is a close up of Wolfwood's mouth as he says, "Vash". Accompanying it is a close up shot of Vash's eye, widen and cheeks flushed. Wolfwood presses a knee against the open space between Vash's legs and says, "Tell me everything you want from me." Wolfwood's face is equally as flushed. He continues to say, "I'll give it to you. Everything." As he talks, a wide shot shows the both of them in white space. Vash is sitting, leaning a little back with both hands pressed against the surface he's sitting on. Wolfwood is in his white dress shirt, stripped of the blazer. He's still leaning in with one knee in between Vash's spread legs, his right hand touching Vash's lips and his left hand behind his back.

The shot closes in on Vash's mouth and Wolfwood's hand against it, pressing down on the lower lip as he says, "You have to ask though. Go on." His hand moves down to Vash's chin, gently holding it. With a shy and uncertain expression, Vash hesitantly asks, "Um... K... Kiss... Please?" Wolfwood, without wasting a second, leans in and kisses him and indulges by pressing deeper, eliciting a small noise of surprise from Vash.

Wolfwood moves away from Vash first and with a smile, asks, "What else?" Vash tugs on Wolfwood's left sleeve, wordlessly budging Wolfwood to give him his hand that was still behind his back. In the next panel, Vash utters, "Hold me..?" He's holding Wolfwood's left hand with his own while his right hand is reaching for his waist. Wolfwood complies, moving his left hand to Vash's shoulder and his right hand continues to touch Vash's cheek. Wolfwood asks again, "What else?"

More comfortable now, Vash leans in to kiss Wolfwood. Wolfwood catches him immediately, pressing his thumb against Vash's lips to stop him before demanding, "Hey. Ask." Vash looks back in surprise and Wolfwood meets his eye with a quiet, insistent look. They're quiet for a moment before Vash leans in again and curtly requests, "Kiss. Me." Wolfwood says "Good", smiling as he lifts his hand away, and meets Vash's lips. In the next shot, Wolfwood had adjusted his position, sitting on Vash's thigh. The hand that was once on Vash's cheek has moved its way to Vash's nape, pushing away the collar of his jacket with his pinky. His other hand continues to grip on Vash's shoulder. Still kissing, Wolfwood asks again, "What else?"

In the next shot, Vash is starting to turn, moving Wolfwood with him. Vash asks, "Let me on top of you?" Wolfwood says, "Mhm" before asking again, "What else?" The next panel shows a close look of Vash's face. He's looking down, flushed and shy just as he had been at the beginning, but now, more decisive. Vash asks, "Wolfwood... Let me have you..?" A panel of Wolfwood taking Vash's hand into his, pulling it towards his chest. The next panel shows Wolfwood lying down where Vash had laid him. Vash's hand is on Wolfwood's chest, covering the cross of his rosary while Wolfwood's hand lingers against his, loosely pressing Vash's hand in place. He looks up at Vash with a shy smile of his own, flushed cheeks. He says, "All yours."

A panel shows a close up of Vash's tender gaze before he leans down to be closer to Wolfwood. The final shot is a front view of their positions, Vash's face turned away from the viewer; Vash is leaning over Wolfwood who's lying down with his right leg draped over Vash's legs. Wolfwood's left hand holds onto Vash's left arm. With finality, Vash says, "...Mine." End ID]

[ID: A follow up bonus comic in a looser, sketchier style. They're laying comfortably in bed when Vash asks, "What was that earlier?" referecing to the start of the previous comic. Wolfwood glances away and says, "To get you used to it. Asking. And getting what you ask for. Since you're alwasy hesitant about it." Vash's eyes widen, tight lipped. Wolfwood continues, "Knowing you, it'll be a tough habit to break..." When he says this, Vash can't help but laugh, unable to deny it. Wolfwood slowly brings a hand to Vash's cheek and continues to say, "So I'll keep trying -- whatever ways I can... to get it through your thick skull." Vash takes Wolfwood's hand with his, kissing the the palm gently. Wolfwood's eyes soften and holding onto Vash's cheek, he leans in to try for a kiss. Vash says, "Hey..." before stopping Wolfwood's lips with the back of his hand, a smug look on his face, "Ask." Wolfwood's embarrassed and with little irritation, asks, "Really?" Vash smiles, saying, "You're in need of practice too." They pause for a moment, Wolfwood looking contemplatively, before he's leaning in again, asking, "May I please kiss you?" Vash looks him in the eyes and says, "Yes." The comic ends with a "chu", indicating an off-panel kiss. End ID]

[skunkes]

[benjinoff13]

maybe im dumb but rio did absolutely nothing wrong in my eyes

as far as i know death just takes, she doesn’t kill, she doesn’t decide who dies and who doesn’t, it’s fate and all she does is come get them when the time comes

she didn’t kill nicky, she was just doing what so has to do, i don’t think it’s up to her, this job was bestowed on her by the universe

[magicpiano]

AU where Tucker Foley (Danny Phantom) and Richie Foley (Static Shock) are cousins.

[castielsprostate]

genuinely though if they continue venom without tom hardy, or without eddie brock, i will blow myself up and not in a good way

[whimsyfemme]

unfortunately, i do have my life planned out—

[blushedfemmes]

… hm

[shutupineedtothink]

I have a wild “how Nicky died” theory that accounts for a bunch of loose ends (including the “what you were doing was important” line) and keeps the Billy’s Road theory and my ‘making Agatha the villain’ theory in mind and I absolutely do not want to be right about it because my brain really said what if it’s tragic in Every Single Way.

[miraculousbumbble]

Training

Kolivan: Having the will of a Galra is not enough to defeat a Galra. Get back up and do it again.

Keith: I'm trying

Kolivan: Trying never solved anything, doing is the only way to survive. Again.

[du-hjarta-skulblaka]

Some mild existential dread in the house today

[katierosefun]

actually as much as i love mike and harvey together. i feel so sad for rachel zane because imagine falling in love with your coworker and then you learn that your coworker is a fake lawyer but not only that, your coworker is a fake lawyer who would literally do anything for his boss. he'll literally leave you at the altar to go to prison for his boss. he'll try to quit his job multiple times but keep coming back because his boss asked him to come back. he'll move to seattle with you, and you'll breathe a sigh of relief because it means that it can finally just be the two of you, but then you learn that he's inviting his stupid former boss to join them. and his stupid former boss agrees. you smile because your husband is so stupid happy at the idea of working with his former boss again, but you've seen this film one too many times before, and you are going to be subject to watching your husband choose his stupid former boss-slash-friend over you again and again and again and again and again and ag

[mulletmitsuya]

random tokrev rant ahead !!

when i first started this blog it was going to be for random shitposts, groupchats once in a while, and mostly tokrev analysis but i was so scared of discourse that i just chose to do the funnier stuff 😭. when tokrev was at it's peak i'd be reading 20k+ words of analysis and it was so fun!! but i felt like i couldn't word what i wanted to say properly so that discouraged me but i wish i'd ignored that because there would have been at least one person who understood what i was saying yk?

[infizero]

any time u say ralsei is cute or sweet or whatever ur playing right into his trap btw. not ralsei’s trap, toby’s

[needmorekimch1]

I feel like i'm starting to understand my relationship to my art is not the same as a lot of my friends, and that's okay. I don't really get cravings to draw, and I don't really feel serotonin from sketching/doodling.

All of my art's gotta have some kinda purpose, including when starting a new illustration or just designing characters. I wish I could just draw and create with abandon, but that doesn't really come naturally to me. That's why I end up mulling over ideas more then actually sketching/writing things down.

It sort of depresses me that i can't just be happy drawing for drawing's sake, and sometimes I think the creative field just isn't for me. Maybe art will never be anything more then a hobby for me, and that's okay. But damn is my inner child dying at me admitting this, lol.

[martyrbat]

world's finest (1990) #1

[ID: two in-universe drawings from two different orphan children talking about their heros. The first one is by Ann Gray, who's eight years old. She drew a surprisingly decent photo of Batman in front of a yellow background and wrote, ‘My hero — Batman. He is strong and fierce and he can beat anyone. He is very tall. He wears a cool suit with a bat on. He is not afrade of bullits and he saved my life (true). No one nows his reel name or address. the biggist crinminel in all the world could not make him sorender. Batman keeps gothum city safe for everyone and pets.’

The second drawing is by Zachary Sikes who's 12 and a half years old. He drew a photo of Superman using his heat vision as he flies. He wrote, ‘My Hero — Superman. My hero is Superman. He is able to fly and I have seen him lift up a car (with 2 peeple in it). If you hit him in the face then he will just laff. Every one likes him and he saved my life once. The big S on his shirt is for his name (Superman). He lives in Metroplis (where I used to life also). He keeps everything there in law and order.’ END ID]