#i just have a solid amount of experience being someone who likes making art and makes it and talks to people about it | Explore Tumblr posts and blogs

lokilysolbitch · 2 years ago

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so i wasn't done bc while we're at it i think sometimes readers, including poetry readers get the idea that authors have to (or do) go somewhere to sit down and formally learn all the writing techniques and then meticulously employ these techniques. as in maybe a writer wants to create a character and they want them to be the foil character to the hero, so they think of every possible way to make the character contrast the hero, down to favorite color and shoe size. like every choice is intentional. and this is probably true for some writers.

but from my experience, i've been writing stories since I was six. i was in advanced english classes for middle and most of high school. and i didn't understand how to pick out symbolism and meaning from texts. The teacher would explain what an antihero was and I still didn't know how that was supposed to affect my work or help me interpret others.

and still when i turned in my writing (of stories, essays definitely do not count dear god) to teachers or showed friends and family it would get compliments. the same english teacher from before recommended I send my historical fiction short story in to a writing competition and i didn't even think it was my best work (i still don't).

since the beginning my focus has been writing what I felt like writing and creating the characters I felt like creating. and the depth and symbolism makes itself. maybe i wanted to write about a shy crab like creature who has a sunlight allergy. so i write a little story and read it back and...huh thats kinda funny how he lives deep underground it really represents how shy he is. its kind of like the sunlight represents friendship and-- it represents warmth! wait a minute--aren't crabs known for having shells to hide in? and isnt there a type of crab called a hermit crab?

the stuff I learned in school is only just starting to make sense now, (especially since being in a spiritual-ish practice that involves reading into meanings of plants, wax, colours, etc and having to find my own meanings as well for less researched materials), but so much of it seems built into humans. and this isnt to say that i dont intentionally insert meaning into my work because i do about 40% of the time, but the rest happens on its own. even those meaningless diary entries you wrote on bad days have something being said between the lines

i will say intention is more important when it comes to songs and shorter poems, just because there is such a small amount of space available. you actually do need to sit and consider if you want to say blue or azure since you may need to consider rhyme, syllable count, how it feels to say, what letters it starts with, where the emphasis fits rhythmically, etc. But still every time i write a song i find another layer or different interpretation in there after writing it.

so, while it could help, you dont need to plan every piece of detail in your art. and while we're here someone let english teachers know that while it's still meaningful sometimes there is a solid chance the author did not do that on purpose

i forgot the TL;DR: sometimes writers make it meaningful on accident and you can too

My new fixation is bad poetry

and its making me think about how to define art and poetry and what makes poetry good etc but I can't go back and find my sophomore english teacher and rant about it so I'm making it yalls problem. but mr c if ur in here pls read also what do you mean thats one way to skin a hamster. thats not how it goes what are you talking abou

first of all, ive finally figured out my current definition of art: records of the human experience or just experience in general. so yes paintings and poetry but ALSO tiktoks or a decorated room. idc if you think its stupid there are remnants and references to human experiences ALL OVER those. so basically if it left a mark at any point, its art. maybe not always "good" or skilled, deep, etc but it is art (to me)

secondly, what is poetry? the same sophomore english teacher asked this at the beginning of a unit and the class was struggling. every time we listed a requirement for poetry he went "is that necessary though?". "it has to rhyme" "does it?" "it has to be deep" "does it" "it needs to have words!" ".....does it?" man idk i was 15 and sleep deprived

but now im less sleep deprived and i have an answer. I would consider poetry a spectrum (but not necessarily flexible. i wouldn't say you have to bend it's meaning to make something fit) but also playing with language, to be playful with it and have fun with it, to use it as a toy in a way. using language in a way different from its intended use. so writing a personal narrative about a deep topic? not poetry. maybe you had fun with it but thats still its main use. to make words rhyme, to alliterate, to use words just plain wrong? probably poetry. its still a spectrum. and im aware this means that saying something like "yew nork/glass fork" would count as a shitpost and poetry while "Ill love you and ill never stop loving you" doesnt and um i dont care i said what i said--

this would also mean most books and speeches would have little bits of poetry in there and i stand by that too. maybe the entire thing isnt poetry but bits of it could count. i came to this conclusion on the meaning of poetry because i saw too many "aesthetic" free verse poems that were just. tweets. you coulda just made it a sentence and posted it for free. there was no attempt to play with language. you just used it the way you were supposed to. its just a quote.

im definitely going to add more onto this about what i think poetry critics miss sometimes and why formal teaching of poetry is flawed but not all in one post bc its a lot. However i have one last concept to attempt to define. this one has always made me the angriest

GOOD VS BAD POETRY/ART

where do i even start. maybe we should just get rid of these terms completely and make people say what they mean. is it good or did he just use literary devices correctly. is it good or is it genuine. is it good or is it deep. is it good or is it entertaining. is it good or do you like it. is it good or is it popular. is it good or is it complex. is it good or is it creative.

ive been saying since i was i was maybe 12-13 that even though good does not have a solid stable meaning, there is still a sense of what good is. We know what its supposed to be. classical music, Edgar Allen Poe, Da Vinci are good. sure most people barely know or understand or care about these things other than one piece of work they can recall because they had to look at it in highschool that time and the teacher seemed to appreciate it. and we know that reality tv, messily hand drawn animals, and half assed near unintelligible tiktok skits are bad.

but....wait we like those though

ive come to the conclusion that while still shifting, "good"'s meaning in scholarly settings tends to come down to whatever those somethingth century european dudes and what the modern smart looking guys deemed intelligent. and in colloquial settings, what everyone likes.

many pretentious types will say rap is bad and the subject matter is crude and the same way im sure some old european guy would have said or has said traditional african music is too weird and primitive to be respectable.

now. i dont really listen to rap intentionally. if its in there its in there. I used to be pretentious and after changing i just never got too deep into it BUT. i listened to a Nicki Minaj song one time just to see and yeah it was not family friendly but dear god was it clever. the way she'd drop the most genius alliteration-personification-allegory-englishvocabword and then just keep it moving like im not gonna have to stop and ponder the seven layer reference to bedtime hanky panky. its smart. its creative. its complex. and so many rappers can write about the same topics over and over and still come back with a new way of phrasing it. its genuinely impressive

but so many still wouldn't consider it good.

the term good when it comes to art, while having somewhat of a meaning is still useless. make your own personal standards for what is important for you to see in art. its kind of silly for us to collectively decide "okay this art? we like it. this is good" and then go to a different community (age group, culture, race) and go "were going to show you the new gold standard for good! its what we liked! you dont do it like this?? then yours is bad!". historically thats never been a good move

what i find important with poetry (and by poetry i mostly mean song writing bc i dont even read poetry like that) tends to be "is it a poem? or a sentence/paragraph". everything other than that just has to do with my taste and what I prefer in the moment. and it goes the same for everyone else. there's no universal good or bad with art. its just what a dominant or culturally respected group of people said was important.

limericks are bad tho jesus told me/j

TL;DR: i think anything that records an experience is art. i think toying with language mostly makes it poetry, and i think its weird people create little boxes for good and bad and make everyone else adhere to it

#fiction #literary analysis #short stories #authors #i actually did kinda proofread this time #apollo #poems #handmadeorganicpost

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kitsuvil · 3 years ago

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Velvet Cigarettes

Y/N's Friends (sapphics ft. the ally)

his friends | masterlist

▪︎ Y/N

They've had a relatively uninteresting life, minus the family problems that eat at their brain until there's nothing left. They were born on a beautiful farm, living with a family that sells fruits for money on the side, but the moment they started college they left straight for the dorms and hardly ever visit home due to their manipulative parents. They were able to make a solid amount of friends in the beginning of college and they've stuck with them since. Currently, they act just like your average depressed but trying to make the most of it college student and in terms of majors they've been messing around and trying everything, at the moment they're going through an art major era, which has been very pleasant for the most part. They've been a fan of Velvet Cigarettes since their debut days, since high school, but they never knew they'd land into the same college as the whole band.

▪︎ Yoimiya

Yoimiya tends to be the friend who drags the others into her shenanigans, whether they like it or not. She also majors in fashion and more often than not makes her friends wear the clothes she creates. She rarely studies but is somehow passing her classes, though most of her time is dedicated to either her friends, making lifelong memories, or her clothes. She's a big fan of the night time life, goes out at night constantly, especially when there's fireworks involved. She doesn't hesitate to invite others and be kind to everyone, but the moment something really upsets her, she won't hesitate to call them out on their bs either. She's the type of friend to say, "Hey don't make it obvious, but there's a REALLY hot girl on your right," bcs her gay is very obvious and she'll never be the type to hide it. Dorm roomies w/ YN and Lumine.

▪︎ Lumine

Lumine is hard working, but only when it counts. If you catch her slacking on a simple assignment, no you didn't, but she will hyperfocus on the interesting and complex assignments. She's usually the one who everyone visits because she owns an apartment near the college with her brother, Aether. If the group gets together, it's normally at Lumine's apartment. She works on the side at a clothing store for her money, where she can show her strangely insanely good customer service. She also carries around anything and everything you'd need in case of an emergency and she's known for it in the college halls. Majors in cultural studies. Dorm roomie with YN and Yoimiya.

▪︎ Beidou

Marine science major, I had to. Beidou is a model who pops up in certain magazines often and has a good amount of fans for her early modeling era, but she still makes sure to take college seriously. But she won't hesitate to have fun, usually the one to buy drinks for the group. You would think she's the mother friend at first glance, but it's actually the gay aunt friend, all a facade. She has lots of money from modeling so she loves treating her friends with gifts, one of those gifts being taking them out to eat after a large paycheck. She has the money to buy her own apartment, but she says rooming in the college dorms is a lot more exciting and a better life experience overall, she's rooming with Kokomi.

▪︎ Kokomi

Kokomi is honestly the one who studies the most in the friend group but she heavily values her free time especially when spent on creativity or her friends. She's into photography and self-studying her hobbies. She likes going to parades and also protesting for whatever is going on at the moment and she drags the others along with her. Every morning she’d post an inspirational quote as a joke but eventually it ended up becoming her daily self care motivation. You can consider her the mom friend except for when she goes on dates with girls she meets and then it doesn’t go well. She might have a crush on someone in her classes named Sara but the GC keeps it on the downlow. She’s rooming with Beidou and they share their marine science major so you can find them studying together on occasion.

▪︎ Thoma

Thoma lives at a decently sized house with his rich friends that he grew up with. Said rich friends are Kamisato Ayato and Kamisato Ayaka. Thoma was juggling many jobs at first so he could make the money to pay off everything that was actively going on in his life, but the siblings convinced him to start college so he could have something in his life other than work. He shared classes with Yoimiya and she got to know him, eventually dragging him into the friend group and it’s been like that since. They hang out at Thoma’s place occasionally as well because the house is pretty big. Thoma majors in psychology, studying often, especially while blasting music and not having to worry about any dorm neighbors yelling at him. He also supports lgbtq and goes to parades with Kokomi… As an ally.

▪︎ Yunjin

Yunjin majors in musical theater, studying everything she learns diligently so it can benefit her in the long run, especially with the singer performer career she is striving for. She happens to be roommates with Xinyan, which was the cause of their meeting and eventually, friendship. She’s happy to be anywhere with her friends and tends to run away from her responsibilities when it comes to things she’s not entirely interested in, might have a bit of an ADHD problem, but she’s trying her best in the things that she knows are important to her. She became friends with the friend group through Lumine, who complimented her in the hallways and quickly became friends. Will not hesitate to join in on the pride parades either, it’s just a sapphic friend group type of thing.

#genshin #hoyoverse #genshin impact #kazuha #kazuha x reader #genshin fluff #fluff #genshin impact fluff #band au #band #modern au #modern #smau #genshin smau #genshin impact smau #kazuha kaedehara #kazuha fluff

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uomo-accattivante · 3 years ago

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Excellent article about bringing a re-make of Ingmar Bergman’s Scenes from a Marriage to fruition, and the twenty-year friendship that Oscar Isaac and Jessica Chastain share:

There were days on the shoot for “Scenes From a Marriage,” a five-episode limited series that premieres Sept. 12 on HBO, when Oscar Isaac resented the crew.

The problem wasn’t the crew members themselves, he told me on a video call in March. But the work required of him and his co-star, Jessica Chastain, was so unsparingly intimate — “And difficult!” Chastain added from a neighboring Zoom window — that every time a camera operator or a makeup artist appeared, it felt like an intrusion.

On his other projects, Isaac had felt comfortably distant from the characters and their circumstances — interplanetary intrigue, rogue A.I. But “Scenes” surveys monogamy and parenthood, familiar territory. Sometimes Isaac would film a bedtime scene with his onscreen child (Lily Jane) and then go home and tuck his own child into the same model of bed as the one used onset, accessorized with the same bunny lamp, and not know exactly where art ended and life began.

“It was just a lot,” he said.

Chastain agreed, though she put it more strongly. “I mean, I cried every day for four months,” she said.

Isaac, 42, and Chastain, 44, have known each other since their days at the Juilliard School. And they have channeled two decades of friendship, admiration and a shared and obsessional devotion to craft into what Michael Ellenberg, one of the series’s executive producers, called “five hours of naked, raw performance.” (That nudity is metaphorical, mostly.)

“For me it definitely felt incredibly personal,” Chastain said on the call in the spring, about a month after filming had ended. “That’s why I don’t know if I have another one like this in me. Yeah, I can’t decide that. I can’t even talk about it without. …” She turned away from the screen. (It was one of several times during the call that I felt as if I were intruding, too.)

The original “Scenes From a Marriage,” created by Ingmar Bergman, debuted on Swedish television in 1973. Bergman’s first television series, its six episodes trace the dissolution of a middle-class marriage. Starring Liv Ullmann, Bergman’s ex, it drew on his own past relationships, though not always directly.

“When it comes to Bergman, the relationship between autobiography and fiction is extremely complicated,” said Jan Holmberg, the chief executive of the Ingmar Bergman Foundation.

A sensation in Sweden, it was seen by most of the adult population. And yes, sure, correlation does not imply causation, but after its debut, Swedish divorce were rumored to have doubled. Holmberg remembers watching a rerun as a 10-year-old.

“It was a rude awakening to adult life,” he said.

The writer and director Hagai Levi saw it as a teenager, on Israeli public television, during a stint on a kibbutz. “I was shocked,” he said. The series taught him that a television series could be radical, that it could be art. When he created “BeTipul,” the Israeli precursor to “In Treatment,” he used “Scenes” as proof of the concept “that two people can talk for an hour and it can work,” Levi said. (Strangely, “Scenes” also inspired the prime-time soap “Dallas.”)

So when Daniel Bergman, Ingmar Bergman’s youngest son, approached Levi about a remake, he was immediately interested.

But the project languished, in part because loving a show isn’t reason enough to adapt it. Divorce is common now — in Sweden, and elsewhere — and the relationship politics of the original series, in which the male character deserts his wife and young children for an academic post, haven’t aged particularly well.

Then about two years ago, Levi had a revelation. He would swap the gender roles. A woman who leaves her marriage and child in pursuit of freedom (with a very hot Israeli entrepreneur in place of a visiting professorship) might still provoke conversation and interest.

So the Marianne and Johan of the original became Mira and Jonathan, with a Boston suburb (re-created in a warehouse just north of New York City), stepping in for the Stockholm of the original. Jonathan remains an academic though Mira, a lawyer in the original, is now a businesswoman who out-earns him.

Casting began in early 2020. After Isaac met with Levi, he wrote to Chastain to tell her about the project. She wasn’t available. The producers cast Michelle Williams. But the pandemic reshuffled everyone’s schedules. When production was ready to resume, Williams was no longer free. Chastain was. “That was for me the most amazing miracle,” Levi said.

Isaac and Chastain met in the early 2000s at Juilliard. He was in his first year; she, in her third. He first saw her in a scene from a classical tragedy, slapping men in the face as Helen of Troy. He was friendly with her then-boyfriend, and they soon became friends themselves, bonding through the shared trauma of an acting curriculum designed to break its students down and then build them back up again. Isaac remembered her as “a real force of nature and solid, completely solid, with an incredible amount of integrity,” he said.

In the next window, Chastain blushed. “He was super talented,” she said. “But talented in a way that wasn’t expected, that’s challenging and pushing against constructs and ideas.” She introduced him to her manager, and they celebrated each other’s early successes and went to each other’s premieres. (A few of those photos are used in “Scenes From a Marriage” as set dressing.)

In 2013, Chastain was cast in J.C. Chandor’s “A Most Violent Year,”opposite Javier Bardem. When Bardem dropped out, Chastain campaigned for Isaac to have the role. Weeks before shooting, they began to meet, fleshing out the back story of their characters — a husband and wife trying to corner the heating oil market in 1981 New York — the details of the marriage, business, life.

It was their first time working together, and each felt a bond that went deeper than a parallel education and approach. “Something connects us that’s stronger than any ideas of character or story or any of that,” Isaac said. “There’s something else that’s more about like, a shared existence.”

Chandor noticed how they would support each other on set, and challenge each other, too, giving each other the freedom to take the characters’ relationship to dark and dangerous places. “They have this innate trust with each other,” Chandor said.

That trust eliminated the need for actorly tricks or shortcuts, in part because they know each other’s tricks too well. Their motto, Isaac said, was, “Let’s figure this [expletive] out together and see what’s the most honest thing we can do.”

Moni Yakim, Juilliard’s celebrated movement instructor, has followed their careers closely and he noted what he called the “magnetism and spiritual connection” that they suggested onscreen in the film.

“It’s a kind of chemistry,” Yakim said. “They can read each other’s mind and you as an audience, you can sense it.”

Telepathy takes work. When they knew that shooting “Scenes From a Marriage” could begin, Chastain bought a copy of “All About Us,” a guided journal for couples, and filled in her sections in character as Mira. Isaac brought it home and showed it to his wife, the filmmaker Elvira Lind.

“She was like, ‘You finally found your match,’” Isaac recalled. “’Someone that is as big of a nerd as you are.’”

The actors rehearsed, with Levi and on their own, talking their way through each long scene, helping each other through the anguished parts. When production had to halt for two weeks, they rehearsed then, too.

Watching these actors work reminded Amy Herzog, a writer and executive producer on the series, of race horses in full gallop. “These are two people who have so much training and skill,” she said. “Because it’s an athletic feat, what they were being asked to do.”

But training and skill and the “All About Us” book hadn’t really prepared them for the emotional impact of actually shooting “Scenes From a Marriage.” Both actors normally compartmentalize when they work, putting up psychic partitions between their roles and themselves. But this time, the partitions weren’t up to code.

“I knew I was in trouble the very first week,” Chastain said.

She couldn’t hide how the scripts affected her, especially from someone who knows her as well as Isaac does. “I just felt so exposed,” she said. “This to me, more than anything I’ve ever worked on, was definitely the most open I’ve ever been.”

“It felt so dangerous,” she said.

I visited the set in February (after multiple Covid-19 tests and health screenings) during a final day of filming. It was the quietest set I had ever seen: The atmosphere was subdued, reverent almost, a crew and a studio space stripped down to only what two actors would need to do the most passionate and demanding work of their careers.

Isaac didn’t know if he would watch the completed series. “It really is the first time ever, where I’ve done something where I’m totally fine never seeing this thing,” he said. “Because I’ve really lived through it. And in some ways I don’t want whatever they decide to put together to change my experience of it, which was just so intense.”

The cameras captured that intensity. Though Chastain isn’t Mira and Isaac isn’t Jonathan, each drew on personal experience — their parents’ marriages, past relationships — in ways they never had. Sometimes work on the show felt like acting, and sometimes the work wasn’t even conscious. There’s a scene in the harrowing fourth episode in which they both lie crumpled on the floor, an identical stress vein bulging in each forehead.

“It’s my go-to move, the throbbing forehead vein,” Isaac said on a follow-up video call last month. Chastain riffed on the joke: “That was our third year at Juilliard, the throb.”

By then, it had been five months since the shoot wrapped. Life had returned to something like normal. Jokes were possible again. Both of them seemed looser, more relaxed. (Isaac had already poured himself one tequila shot and was ready for another.) No one cried.

Chastain had watched the show with her husband. And Isaac, despite his initial reluctance, had watched it, too. It didn’t seem to have changed his experience.

“I’ve never done anything like it,” he said. “And I can’t imagine doing anything like it again.”

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#oscar isaac #jessica chastain #scenes from a marriage #hagai levi #michelle williams #elvira lind #behind the scenes #article

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kr1llz · 2 years ago

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i dont know how to ask questions. but i now need to know everything about this au. any little scrap will do i just NEEDDDDD INFORMATIONNNNN

[sharp inhale] hi. fucking beams you

okay quick note: this is literally something thats been in my head for like 2 or 3 days if you see consistency issues ignore them bless. also for consistency purposes shadow has a higher concentration of chaos energy (bc i dont think this is ever said in any games but is just kinda implied)

the basic premise is that maria and shadow both survived the raid on the ARK and survived the fall to earth

Maria does still get injured and, in an attempt to heal her injuries, is able to use his own chaos energy to not only heal her, but more or less reverse the effects of NIDS at the cost of keeping his black arms traits completely at bay

additionally this extreme concentration effectively ruins his regulators, causing his issues with his black arms traits to be worse than they couldve been

With the reversal of her disease, Maria's lifespan and aging process is uh. kinda messed up, extending it by a pretty significant amount by making her aging process much slower

they go into hiding best they can and the 50 year timeskip that takes place in sa2 instead becomes time where they try and figure out 1. how the world works and 2. more about their past bc they were both kept in the dark about things while on the ARK (basically wtf was going on with shadows creation and why did GUN attack in the first place)

on the other hand, shadow experiences some mutations (third eye, sharper claws, increased amount of red quills/fur) and is more prone to violent episodes

these episodes are especially bad during their first few years on mobius but after awhile hes able to keep these episodes at bay much much better

i also lied when i said i wouldnt post the art this entire post is the entire au as of right now so heres their (still kinda wip) modern designs

this is where i havent thought things out as well but uhh BASICALLY maria hears about tails and how hes a genius and goes "huh. maybe this guy can help us but i have no clue on how to contact him"

this is also where things are very muddy but more or less shadow and sonic accidentally meet, maria finds them about to beat the shit out of eachother and offers sonic a meal as an apology

during this she tells shadow about tails and sonic goes "oh hey thats my brother :D" and there is no way to describe how they react in text so heres a doodle

as an agent for GUN, rouge is more or less the only true key they have to figuring everything out, so they have tails contact her (sonic and tails arent friends with her but its tails he has his ways) and she agrees to help them and uncover their past through some good ol spy work against gun, but says that theres a hefty price behind this work, that price being the chaos emeralds (this is her idea of being absurd and telling them that theres no way in hell she would do the job without being payed shittons of money) but they go "ok lol"

sonic tells tails about shadow and maria and how they want his help, and tails agrees

he does scans on the both of them and tells them exactly what happened to them all that time ago (marias disease being reversed, shadows glorified hormone imbalance) but says that he cant help with much else because he just. doesnt know enough about either of their conditions to really give any solid insight or advice but knows someone who might . this is where rouge comes in :}

this is where things kinda leave off bc like i said i thought of this like. three days ago LOL

right around this time the black arms invasion starts and through a series of events that i also havent thought out yet shadow gets like. partially assimilated into the hivemind

he still has his own conscious thoughts but cant control his actions, making him a threat

#if you read all of that i love you forever and ever btw #this is suuuuper self indulgent #normally i dont like my favs suffering #but shadow is a bit of an exception #mostly bc #me 🤝 shadow #extreme mental issues #and sometimes u just gotta have fun with the little guys that have the same illnesses as u<3 #but yeaaah it started as #what if shadow was in the hivemind but could still think #and then evolved into um #this #my art

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boeing747 · 2 years ago

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Since you really went through a lot of effort to engage with this post and write a lengthy reply, I want to give my best shot at explaining this post more than I have in the replies and whatnot because honestly as an artist this is something i really really care about.

Yes, of course it's fundamental to many people's identities as artists that their art gets recognized and enjoyed by people and in this day and age often the (if not best) easiest way to achieve this is to post your art on social media. And yes, i am in fact aware that for many artists social media is their primary way of making an income off of their art. I'm not denying this fact in the post, even. Although i can admit the wording comes off particularly preachy I don't think its a far leap of inference that someone posting on social media isn't specifically trying to tell you that posting on social media makes you some kind of bad or inferior artist. And if you think that's what i said, I am here to clear it up. I didn't. I don't think there's anything wrong with posting art on social media, or even wanting for it to get attention! I do it all the time, every day even.

What I am calling for is for people to try and separate (hence using the word divorce) themselves from social media likes and engagement as a way of determining their self worth as an artist, and to focus on more tangible things which you CAN reliably achieve for yourself such as: having more fun making art and finding self fulfillment through you art. You are never ever guaranteed or owed social media attention, no matter how technically good you are or how interesting your art is or how popular or not the things you draw are.

The core philosophy of the social media business model (creating engagement with their platform through any means possible) is INHERENTLY hostile to artists finding the kind fulfillment they seek in having an online platform because what social media is made to do is to keep people scrolling or engaging with the platform for the longest time possible and they create algorithms that prioritize content that does that. Not content that makes you think, not content that spiritually fulfills the viewer, not even "good" art whatever the fuck that means, just whatever content makes you stay on the website looking at ads the longest. This is something you have to realize or else youre going to drive yourself crazy!!!! This is why even if you go on ArtStation, the touted "industry standard" portfolio website or whatever the shit, most of the front page stuff is either from developers and artists of already popular franchises or (admittedly beautifully rendered at times) anime girls with their fucking tits out. That's what the majority people just feel compelled to click on and engage with and look at more ads to pursue.

In your reply, seem to have a problem with my post as a whole because you assume (though you say this is conjecture, and let me tell you, it is) that a) im independently wealthy enough not to need to make an income off my art b) that i am popular enough that i get enough engagement regardless of what i make so i have zero perspective on the issue and c) that i have some kind of magical brain juice other people have no access to that makes me happy making an oil painting and hanging it in my room and not letting anyone see it. none of which are true. I, in fact, have a non art related day job that I go to like the vast majority of people in this world, and create art for my own fulfillment in my free time outside of that. Most of my original art gets sub 100 notes on tumblr and less than like 3 retweets and 20 likes on twitter. I create art because I want to, I've been creating art for a very long time fundamentally, because I'm drawn to making art.

And I don't think its cynical or somehow privileged to assume that most people who make somewhere deep down feel the same way, right? That's inside every artist. You can't tell me that people spend grueling difficult years learning to draw just for retweets or reblogs? It's because they want to express something and because they want to create.

So if you want the real tangible advice that I could give people in terms of being artists online and artists in general that i've learned through the years then it is as follows:

It's not wrong to want engagement or appreciation for your art. In fact it is quite normal, I am an artist, I understand how spending so so much time on your craft (possibly to the detriment of your social life or other hobbies or even physical health) makes it difficult to divorce the way people receive your art and the value they ascribe to it (monetarily or in the form of attention) as the way they perceive you and the value they ascribe to you. But you have to understand that this is just not a healthy idea to have the potential internet attention and money you're going to get dominate your art process. especially if you want to grow and have fun as an artist! It's not easy, and I can't tell you that I don't struggle with it, because I do. I also want my original art to get a bunch of retweets and nice tags and for people to like it. But you have to understand that not everyone likes your art, not everyone is going to want to retweet it or find it interesting enough to comment on. And that's okay. Art is not a tangible thing, you simply cannot assign universal value to it. It doesn't mean your art is valueless or that you, as the artist, are valueless.

You have to try and find fulfillment in your art in ways that don't involve direct praise or money from random strangers on the internet, otherwise you are going to, i reiterate, drive yourself crazy. And the way to do that is to make art separate from your online existence and drive for engagement. My post isn't physical tangible instructions of what you have to do. It's not advice on how to be a popular artist or how to be a successful money making artist, i'm not any of those things and I can't give you advice on that. It's advice on an mindset that I personally find really valuable and that has helped me, in my opinion, become a far better artist than I was before.

It's a process that takes time and kindness to yourself and is different for everyone, and it's not easy! I never said it was easy!

Try a medium that youre not comfortable with, do something totally different for a change, try to make abstract art, just stop posting on social media for two months and see what that brings you or don't you know. Keep a sketchbook in that you draw once a week and never show anyone, thats good enough too!!! Try it, I think you'll find you make different art when it's not driven by a desire for more social media engagement or attention and instead when it's driven by what you actually really want to draw. It's important to learn what you want outside of wanting social media attention, for your confidence, for your artistic growth and just for your like, fulfillment as a human being.

In the end, the only fucking thing you can control about your life as an artist is how much it fulfills you personally. The only thing you can 100% achieve in this life and I guarantee this, is that you will eventually make art that you are personally happier with than you are today. Not everyone is going to make it as a freelance artist or a social media art influencerr, and that's fine. That doesn't say anything about their art or identity as an artist! In fact social media is specific and difficult and unless the things that make you happy to make align with the thin sliver of things that people love to click on, which is mostly unlikely, youre just not going to get the fulfillment you want out of social media, ever. If you are happy with what you make which you can achieve by finding out what you like to make for yourself, and have the confidence that comes from enjoying it that originates outside of external validation, you are always going to make meaningful and valuable art, because it means something to you.

And no, it's not easy or fun or always the dopamine creating process that you want it to be, and it doesn't come naturally to most people. Hell it very much doesn't come naturally to me, but isn't it worth it to try instead of despairing about capitalism and money and outside influence or whatever? To make art just for the sake of making art? To acknowledge that just like perspective and color and technique, the process of knowing what you want to make and what you like to make for yourself and how to do that is a vital and fundamental part of one's identity and growth as an artist?

artists please divorce yourself from the internet attention machine and focus on becoming weirder and having more fun instead of creating more engagement for corporate social media giants

#sorry for the essay but the replies have been driving me insane. why does everyone assume im some kind art bourgouise i am #just some fuckin guy #my art isnt even that good #or that popular #i just have a solid amount of experience being someone who likes making art and makes it and talks to people about it

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kenmaskitten10 · 4 years ago

Text

Dilf Deku Headcanons

Midoriya Izuku x GN!Reader

warnings: swearing, NSFW themes (nothing graphic just briefly mentioned),brief mention of bullying/scars, idk this is pretty tame nothing is really described... if u don't like dilfs then don't read this :)

a/n: okay! this is my first time writing/publishing anything on Tumblr so please go easy on me haha... I've had ridiculous Deku brain rot lately and I decided I had to jot a few thoughts down. I'm playing with the idea of turning this into a writing blog, but I am undecided! If anyone wants to thirst for one Izuku Midoriya please come talk to me please anyway without further ado here are some Dilf!Deku hcs.... I'm playing around with doing a NSFW version after this so if you would like to see that let me know!

w/c: 1,498

Okay everyone today I want to talk about Dilf!Izuku

This may be controversial but I personally believe that he has the most Dilf potential out of any of the class 1A boys and no I will not be taking criticism at this time

Sorry but even when he’s younger he has Dilf energy - he’s caring, considerate, takes your feelings into account like a dad he just wants to take care of his baby

oh fuck this man no no no

And listen, here me out on this one….. he has more dilf potential than Bakugo and allow me to tell you why

We can all agree that Bakugo has been confident his entire life, so of course he’s going to be confident when he’s older?? duh

But IZUKU is a different story altogether, he’s never felt confident in his life

His whole childhood he was looked down on for being quirkless, and bullied by someone he thought was his friend kachaan

THEN he got a quirk but oh every time he uses it it breaks all his fucking bones and leaves him with all these scars, and he appreciates them because of what they represent but also he’s young when he gets them, he’s already prone to insecurity and when he’s younger ESPECIALLY i think they just remind him of previous failures

He only started to gain a little bit of confidence in his UA days, but it takes time to rebuild yourself after you’ve been torn down for so long, so I honestly imagine he doesn’t even feel an inkling of confidence until his third year or later and even then, it’s new, it’s unfamiliar, he doesn’t totally know how to act

Because yes, by his third year, he’s starting to realize, oh wow okay, I have an incredible quirk and all these new abilities that I can control better, and wow people are paying attention for good reasons , because he’s tall and attractive, probably cuts his hair undercut Izuku supremacy and he’s made some solid friends who help boost his confidence too

But despite all this, deep down he still feels like that quirkless little kid who has to work three times as hard as anyone else and still doesn’t get the recognition he deserves

But OH BOY

DILF IZUKU??? This man is dripping with confidence

he’s older now. he’s overcome a lot. he’s gone to therapy, and worked his way through the pro hero ranks until he earned his number one spot fair and square, that’s something no one can take away from him

He’s loaded now (see below because I go on a whole tangent), he has nice tasteful style that can only come with age and experience

He knows he’s hot now, because its simply no longer something that can be denied, anyone with eyes can see how attractive he is

If he catches you staring at him, he doesn’t shy away. His cheeks might tint slightly, but he stares right back with the biggest smirk on his face. “See something you like, angel?”

Probably finds reasons to show off slightly but he’s Dilf!Izuku so it’s subtle, it’s meant just for you and god does it drive you crazy

The way he’ll reach for and grab at things when he’s around you because he knows you like his hands (he wants to hold your bags and please let him he just wants to feel needed)

They way he stands behind you while you cook, or work, or read…. He sees you sitting or standing so peacefully and he’ll come up behind you to check out what it is you’re doing. He’ll lean down slowly, quietly, stopping when his breath is on your neck and your nose is filled with his scent, and take a quick peek at whatever it is you’re working on. It takes you a moment to turn around, your heart starting to beat faster in your chest due to his looming presence behind you (I DON’T KNOW WHY THIS IS HOT TO ME IT JUST IS OKAY). When you finally turn to face him, his face breaks into a small smile of victory as his strong hand catches your jaw in a gentle grip and he places an achingly soft kiss to your lips before saying “You look so cute when you’re concentrating,”. As you’re about to go in for another, he lets you go and stands up again, his eyes twinkling. “No no, you’re working so hard baby, don’t let me distract you,” WHEN ALL HE WANTED WAS TO DISTRACT YOU and he succeeded and now you’re all hot and bothered, with no hope of resuming what you were doing

Dilf Deku is a tease I know he is but it’s okay he’ll make it up to you later ;)

He’s got shorter, slightly more cropped hair with grey mixed in with the green, his face more lean and angular… not to mention years of pro hero work have toned his body into an absolute work of art I’m gonna pass out just thinking about it

Freckles splashed across his skin like hundreds of little constellations, accented by scars and marks from old wounds (which he’s come to appreciate - they show how hard he’s worked, how much he’s sacrificed to get to where he is now) he’s muscular but I don’t think he’s quite as big as All Might (his fighting style is a lot different so of course he would build muscle in different places) so this means LEGS LEGS LEGS

LEG MUSCLES FOR DAYS

THICK FUCKING THIGHS oh my god

And holy shit his back muscles too WHEW sometimes in the morning when he gets up before you, you watch him sit on the edge of the bed and flex his shoulders and arms to stretch out in the hazy morning light and Jesus Christ

Dilf Deku is older now, he’s spent his entire life working himself too hard and he missed out on a lot of the fun, impulsive, chaotic things young people do, so I think he wants to let loose a little in his older age, have some fun for once

And what’s more perfect than sweet, youthful, tantalizing little you to indulge in ?

He’s so doting, just wants to make you feel special and cared for

And on that note, if you will indulge me for a moment

he’s fucking RICH like

He’s the number one pro hero, he has brand deals on brand deals on brand deals

And I don’t mean to slander All Might and Endeavor, but in terms of a hot, fuckable number one pro hero, Deku has them beat by a landslide so I imagine he has a wider range of brand deals too, because he can sell the sex appeal angle

I mean can you imagine him in interviews? Interacting with fans? Confident yes, but still soft spoken and kind, almost gentle but anyone can tell he’s completely in control, of himself, of the interview, of the audience, this man has the entire country world wrapped around his little finger

All this to say he’s DRIPPING WITH MONEY

he’s like the guy that overtips an OBSCENE amount like if the waiter is really nice he’ll tip like $300 dollars and won’t even blink (I know they don’t tip at restaurants in Japan but this is more for vibes yk)

sugar daddy deku isn’t a stretch it’s a REALITY

Y’all can be officially together or not, either way Deku loves to spoil his precious little y/n

All you have to do is smile sweetly and ask, and he’s absolute putty in your hands

Complies with even the most egregious of your demands, because hey, he has the money to spare, and how could he say no when you look so cute asking so politely?

GOOD TASTE too like he has a lot of money but he knows how to spend it 😏

Additionally he’s, ya know, him, so he’s insanely charitable and donates to charities, go fund me, personal Venmo accounts of fans that need it

if a fan has like a go fund me for some reason that catches his eye, he’s going to donate and he’s going to donate a lot (A LOT)

he doesn’t even do it for the press, he does it bc he’s a good person but my GOD the press eats it up and so do the fans

These hc’s are so self indulgent but all this to say

Dilf!Deku gets what he wants when he wants it and no one is standing in his way

So when he decides it’s you he wants? Well then it’s you he’s going to get!

#bnha #bnha x reader #bnha headcanons #bnha x y/n #mha hcs #mha x reader #dilf izuku #izuku midoriya headcanons #deku #dilf deku #deku x reader #deku x y/n #mha #mha x y/n #izuku midoriya x reader #izuku midoriya x y/n #izuku

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thechekhov · 5 years ago

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Hi Chekhov! Really enjoying your white diamond au! I had a quick art question: How do you start comissions? I've been improving my drawing skills and thinking about drawing for others after having fun in artfight, but I don't know where to start? How much to charge, how to get paid, etc. Do you have any tips? Hope you're doing well! :)

Alright, since a few people have asked, I’ve decided to put together a few things about how to get started on commissions - what you need, what you should make, and how to keep things organized.

This will get a little long, so I’ll divide it into 4 main sections:

1) Draw Art - Getting started

2) Get Commissioned - Making a commission sheet, Advertising

3) ??? - Communicating, Setting Limits, Running the Business

4) Profit - Pricing Yourself and Getting Paid

* Disclaimer: I’m an artist, so this How-To will be illustration-focused. I’m sure many of these tips can apply to ANY types of commissions, but I will be focusing on the type I know best. If you are proficient in other types of commissions for other types of art - music commissions, photography, etc - feel free to chime in and leave a comment or make your own tutorial!

1) Draw Art

I think this is probably the most obvious part, but it needs to be said:

Before you start making art for other people, you must first be comfortable making art in general.

I’m not saying your art has to be Disney-quality, or industry-level! Not at all.

BUT! You must be comfortable creating what you sell. If you try to sell something you have little confidence in, you will stress yourself out and possibly end up losing time AND money.

Don’t shoot for the moon if you haven’t landed on it even once. Sell what you know you’re good at. Your commissions don’t HAVE to include full-body illustrations if you don’t know how to draw feet/solid stances. Limit yourself to what you can do.

Things you need to should probably have before starting commissions:

1. Access to art materials or a fully downloaded art program

DO NOT - Use a free tutorial version that will expire in a month and leave you without a way to draw! If you are having trouble finding a program, try free ones like MediBang Paint Pro.

2. Free time to complete the amount of commissions you want to take.

DO NOT - Take on or offer commissions if you KNOW you’re going to be overwhelmed with school or personal life for the next 2+ months. Pace yourself, otherwise you’ll burn out, get stressed, and get discouraged.

3. A reliable way to communicate with your customers like a commissions-only email

DO NOT - Use your friend/family/college email. It’s hard to keep track of things as it is, and creating new emails is easy and free. And keep it professional if you can! Not many people will reach out to dong-wiggles20434 to ask for a design. Ideally, your email should be close to your brand - however you want to brand yourself. Usernames are fine!)

DO NOT - Use Instagram/Twitter/Tumblr to collect commission info unless you are ready to do the organizing yourself. Some people make it work, but in my experience, if you use these SNS sites to communicate with friends and network... you’re going to be losing commission inquiries right and left and accidentally ignoring people. Email is much easier to organize and sort into folders.

4. A portfolio or at least 2-3 pieces of each type of art you’re planning to sell.

DO NOT - Advertise commissions without having any examples of the art you plan to sell. People will find it difficult to trust you if you can’t even give them a vague idea of what sort of drawing they’ll be getting.

Disclaimer: These are not hard ‘do not’s. If you have had a different experience, I respect that. I’m simplifying for the sake of streamlining this advice.

2) Get Commissioned

So - you have your art, you have your art program, and you’ve got all the time in the world. That means.... that’s right! It’s time to let the world know you’re taking commissions.

One of the most common ways artists signal to their audience that they can do commissions is by creating a commissions sheet. There are MANY ways to make this - and they range from simple and doodly ones to VERY complex designs. For example, here’s mine!

There are many ways to organize a commission sheet. At its core, a commission sheet should display the types of art you WANT to be commissioned to make. Let’s go over a few ways they can be done!

#1.... Body Portion Dividers!

This sheet is most common with those who want to capitalize on drawing people and characters. If you want to draw lots of characters, this is a great way to offer several tiers of pricing based on how much of their character your customers want to see.

#2... Complexity Scale

If you’re open to drawing many things but want to base your pricing off of how complex something is, you can split your tiers into done-ness. This type of commission is popular with those that draw characters AND animals, furries, etc.

#3.... Style and Type

If you’re more on the design side of things, or if you have various niche art styles that you can’t quite lump together, display a variety of your skills alongside each other! It helps if all the ones you have can be organized under a common customer - like those looking to advance their own business and get logos, websites, or mascots made for them!

3) ???

You got your first commission... what happens now???

Well, ideally you have the time, tools and motivation to make things happen! Now all you have to do is... sit down and... draw.......

I’m going to say something that may be a little controversial:

Commissions aren’t fun.

No, no, hear me out: I have fun doing commissions! I genuinely enjoy drawing characters and coming up with designs. But even with all that said, commissions are, first and foremost: WORK

I’m not saying this to discourage you, I’m saying this to keep things realistic. When I first began commissions, I thought it would be just like any other type of drawing. I would sit down, imagine a thing, draw it... it would be fun!

But then I realized that I couldn’t just draw what I wanted - another person had an idea in mind and had asked me to do it. I stressed over getting the design correct from descriptions. I stressed over not having the right reference for the pose the commissioner wanted. I stressed over not being able to draw the leg right in the way I had promised I would do. I stressed about billing. I stressed about digital money transfers. It was difficult, and time-consuming, and I did not enjoy it. At all.

And a part of that is definitely on the commissioner - we, as artists, NEED to demand proper references or descriptions. We, as artists, NEED to limit the amount of changes we’re going to make at the flick of a finger. We NEED to demand clear instructions and set boundaries. That’s also super important.

But also - don’t be discouraged if you find yourself exhausted drawing your first commission. MANY artists go through this. Adjust your rules, fix up your limits, practice putting your foot down on finicky commissioners who expect you to read their mind! It does get easier, but you have to communicate and put in the effort and act as your own manager AND your own customer service AND your own accountant. That’s what you’re looking at.

Good limits and boundaries to set:

Limit the amount of changes a person can ask to make. “I want blue hair.” Next email: “No wait, yeah, make it red.” Next email: “Actually I changed my mind, can I get the blue but like, lighter?” Next email: “No, not that light.” ... At some point, we have to stop. I personally allow 2-3 changes on the final stages of a commission before I start refusing or start asking for extra money.

Demand clear instructions and/or references. If something isn’t described, you have to take artistic liberty and design it, but that’s difficult! And if the customer is not happy with it but can’t tell you more? That’s not your problem - the burden of reference is on THEM. You cannot read their mind, and that’s not your fault.

Get at least half the payment up front! This is a good balance between the ‘pay before art’ and the ‘pay after art’ conundrum that will limit the amount of woes between artist and customer. (I’ll touch upon this a little more in the Profit section.)

Organization:

Where possible, create good habits! Tag your emails and organize your folders. I have a tag on my emails for active and finished commissions. I also keep my emails on Unread until I have time to sit down and properly look at/reply to them.

My Commissions in the folder are also organized chronologically and I mark down which ones are paid and which ones are not.

(I understand not everyone can do this, but if you want to give it a try, it does make things easier in the long run. Again, this advice is just what I have found personally helps.)

One last thing - I do not want to shame ANYONE for taking their time with commissions! Commissions are complex, and they take time and work. You can draw in 8 hours, but some things take research, materials, etc. Some illustrations realistically take up to half a year, or, depending on what’s involved, several years!!

THAT BEING SAID - it’s good manners to be upfront with your customers about how long you expect the commission to take. If you think you’re busy, just say that! Explain that you have a lot going on, and you will probably take (insert time period here).

And if your commissioners are worried, work out a system to keep them updated! I send my commissioners updates when I finish the lineart/flat colors/etc and I try to be clear about how long everything will take. I try to estimate with a +3-5 days buffer to give myself extra time... and recently I’ve been using it. Always say a bigger number than you think you’ll need.

If someone wants a rushed commission... make them pay more. If ANYONE wants a commission done ‘by the end of the week’ - that’s an automatic rush-job for me because I’m juggling an irl job and several commissions at once. I WILL charge a rush fee and I won’t feel bad about it.

If someone wants a commission within 24 hours...... Well, they better be paying you 3x your normal amount, or more. And remember - you CAN refuse! It’s perfectly reasonable to say ‘No, sorry, that sort of turnaround time is not realistic for me.’

Food For Thought - Invoicing

Many artists I’ve commissioned in the past have not used Invoicing, but I’ve recently begun to fill out invoices and file them in my Commissions folder just to keep track of things. It’s not necessary until you start getting into the Small Business side of Freelancing, but it’s not a bad idea to get into the habit early in case you might need to do it later for tax purposes.

Here’s what my Invoice looks like, for example.

I’ve optimized it to help me remember who, what, and how much is involved! It also contains important info for my customers like where to send the money.

Which brings us to...

4) Profit

One of the hardest things for artists is pricing themselves. I’m not going to tell you which way is BEST - there is no BEST way, only the best way for YOU.

One of the options available to you is pricing by the hour. It includes averaging out how long it takes you to draw a specific type of art (whatever you’re offering as a commission) and multiplying that by an hourly wage you’ve decided on.

When you do this, I stress - do NOT price yourself below minimum wage if you can help it. When you first start out, aim for the $15/hour mark and adjust accordingly.

Other ways to price your art:

- Per complexity: Portraits vs full body should be scaled based on how difficult you find one vs. the other. You can also easily decide on a price for a sketch and double it for lineart, triple it for full color, etc.

- Per type: Look up for industry prices for website design and logo design. They may surprise you! You don’t have to charge that much, but it helps to keep things in perspective.

It’s okay to change your prices! Keep your commission sheet image handy so you can update the amounts as you grow. :)

Payment up front or after completion?

Some artist take full payment up front. Some only demand payment after they’ve finished and sent out the piece. I personally think these are both risky for everyone involved.

I recommend doing at least HALF of the payment BEFORE you start the commission. Calculate your full price and ask for half before you start working on it in earnest, to make sure the person can actually pay you. Then, when they receive the full piece and are satisfied, they can complete the payment.

I personally work in this structure:

> Someone emails me with their idea/reference

> I send back a rough draft sketch that shows the idea/pose (only takes me 10-20 minutes so not a huge loss if they ghost) and quote them a price

> They can pay the full thing upfront OR pay half

> I finish the commission and send updates when I do the lineart/colors to double check anything so they have multiple chances to spot any errors

> If the person paid only half on completion, I send them a low-res version of the finished thing, they finish up their payment and THEN I send them the full-res version plus any other filetypes/CYMK proofs, etc.

Many of the people who commission me pay me up front even though I offer they pay half - and I’m really flattered that they trust me that much! Because of that, I feel encouraged to update them frequently and ask for their input as I work, so they have the peace of mind knowing I’m actually doing their commission.

Great, but how do I get PAID????

There are NUMEROUS ways - these days money is relatively easy to transfer over digital means, and you have a few options.

Paypal is perhaps one of the oldest digital wallets and is geared towards businesses. By setting up a PayPal and connecting it to your debit card of bank account, you can tunnel a pathway from your online business directly into your hands in a matter of days.

Paypal also offers Invoicing - you make an invoice, price it and send it to the person’s email and they can pay whatever way they need! (It also allows partial payments.)

Pros: transfers from PayPal to bank account are free, and take a couple of business days. It also has no upper limit to the amount of money you can move in/out each month. It can force refunds due to the nature of its business-oriented payment system.

Cons: Because it’s used by businesses for larger transactions, PayPal may demand a more rigorous proof of your identity. It may also take longer to set up and be harder to get used to. I’ve also heard that they can be a hassle when it comes to closing your account.

Venmo is another type of digital wallet that acts much like paypal, except for a few key differences - it is NOT made for businesses (so depending on whether you’re officially registered as a freelancer, you may not be able to use it). I personally don’t use venmo, so I cannot speak to its usefulness, but I know a few people that use it for casual transactions. It’s easy and quick! :)

Keep in mind that you cannot force a refund over venmo! The transactions are final.

There’s also CashApp, GooglePay (which could load gift cards but also allows peer-to-peer transactions) and I’ve heard good things about Due, though I’ve never personally used it.

Other ways to pay: I’ve had people pay me over Patreon by upping their pledge, and I’ve had people pay me over Ko-Fi by donating a specific amount.

Many people even use Etsy - the website specialized for independent small businesses selling art - by listing their commission sheet and offering up several ‘slots’ of commissions, which allows you to track taxes AND allows your clients to pay using whatever they feel comfortable with.

If you’re in Canada, you can even pay by emailing money directly from bank account to bank account - check whether your country offers this type of service! There’s no shortage of ways to move money in the digital world.

Just like everything else, there’s no singular ‘Best’ way. It just depends on what works for you.

I think that just about wraps it up! I can’t quite think of what else to put here - but I’m sure other artists will chime in with their own advice. :) I’m very sorry this became so long but I hope it was helpful!

Obligatory Disclaimer: I’m not qualified to give legal or accounting counsel. Please double-check the laws in your own country/state in regards to taxation of freelancing work and do your own research. If you are underage, DEFINITELY get an adult’s permission before you start doing commissions, and have the adult help you through the process.

. . . . . . . . . . . .

OTHER POSTS YOU MAY FIND USEFUL:

An Extended Post on Pricing Yourself for Commissions

Dealing with Imposter Syndrome/Feeling ‘Not Good Enough’

Growing Your Audience

Advice for Starting Digital Art

#Anonymous #long post #commissions #how to #infograph #how to do commissions #arting #art tutorial

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pascalpanic · 4 years ago

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Pilot’s Hands (Frankie Morales x f!reader)

Summary: Frankie takes you up flying in his helicopter. You can’t help but focus on those goddamn hands of his.

W/C: 2.4K

Warnings: SMUT (18+), finger penetration/fingering, language, lots of dirty talk and innuendos, please forgive the multiple puns I made, a singular smack to the ass. afab reader. talk of flying in helicopters and being rlly high above the ground. reader is nervous about heights.

A/N: Frankie smut is the best smut. This was requested by @notabotiswear!! I hope it’s what you were feeling, love!

Your hands grip the chair as the helicopter slowly lifts from the ground. There’s an urge deep inside of you to jump from it now, while you’re low, so that nothing can happen, that you can’t be lifted up. You want to scream and shout and rip these headphones from your ears and make it all stop, but you don’t. You grip the seat even harder and squeeze your eyes shut as you feel the pressure in your ears start popping and changing.

The anxiety eases instantly as you look to your left. There sits Frankie, guiding the helicopter. He looks absolutely fucking gorgeous, as usual. Today he wears a warm flannel over a t-shirt with his favorite beer’s logo. On top of his brown waves, which were extra unmanageable this morning, sits his favorite ball cap. He’d spent an unhealthy amount of time picking out just the right outfit today, since it was technically a date.

You smile a little at how focused he is. There are lines of concentration between his two thick eyebrows, his stubbly jaw clenched in concentration. His large hands navigate around the dashboard, controlling the massive machine as it pushes you up into the sky. It’s soothing when he’s the one doing it.

Frankie has always talked to you about his love of flying. It’s something you’ve never quite understood. He talks about it like it’s beyond any other experience. Flying is his happy place. He’s never more content than when he can control the big machine and soar through the sky. You’re the opposite. Flights usually required you to take an anxiety med and pass out. The feeling of being so far above the ground makes you panic and fills your brain with the worst possible scenarios.

There’s something better about it when the man you’d trust with your life- are trusting with your life- is the one piloting the machine. He sneaks you a smile as he notices you staring, but in an instant is back at the controls. You giggle and lean back in your chair, enjoying the view. Frankie’s got you.

The ascent continues. You’re still gripping the sides of the chair with all of the force your hands can create, and the anxiety seeps in. You close your eyes and force yourself to focus on your breathing. Even this high in the air, Frankie is your solid ground. You reach over and grab his thigh, knowing his hands are too busy to hold. Your fingers dig into his leg, but it’s no distraction.

Finally, Frankie slips one hand beneath yours and laces your fingers together. “Open those eyes, baby,” he asks, pressing a kiss to your knuckles. “We’re at the cruising altitude.”

Your eyes open and are filled with nothing but blue sky surrounding you. Looking to the sides, you can see your city surrounding the two of you. Everything looks so small. You’re unconsciously beaming, and when you turn to look at Frankie, he’s grinning back. “Cool, right?” He asks with an equally big smile.

“The coolest,” you nod in agreement and laugh. It’s astounding, really.

“Just one second, babe,” he tells you and drops your hands, pressing some buttons and flipping some switches. His hands are skilled, flying across the controls with practiced ease. His voice is smooth and even in tone as he talks to someone in his headset. He continues even as he talks to the controller, reaching over you to hit a far button.

He’s good to just steer now, you can tell, and you wrap both of your arms around one of his. He signs off from the call and looks over at you, then down at the arms on your hands. “You need something to hold onto?” He asks, leaning over and kissing your head briefly.

“You look sexy flying,” you chuckle and slide your hands down to his, holding it happily as you look around. “You’re just… so good at it,” you shrug and look around the cockpit.

He laughs softly. “I wonder how it happened,” he teases, pulling his hand back to he can use it to navigate. “Are you okay? Sure you’re not too anxious?” He asks. His eyes aren’t on you- they can’t afford to be right now, while you’re in the air- but his words are sincere.

You nod, beaming. “I trust the pilot more than I ever have.”

He shakes his head and smiles, adjusting his cap before flipping a few more switches. “You just keep telling me, okay? Let me know if you wanna be done early.”

“I think I can handle thirty minutes in the air, watching you be all cute and smart.”

“Smart? I don’t know about that one, baby,” he shakes his head but smiles down at the gauges he checks.

For a few minutes, it’s silent between the two of you. The hum of the engine and the spinning blades fills the space between you. You’re content to look around while Frankie pilots the two of you, snapping photos. At one point, you sneak a few photos of him, giggling at how cute he looks. You lean over and kiss his jaw through the stubble, which makes him grin and blush slightly. “Babe, I’m working,” he whines, but it’s all teasing, you both know. Frankie loves nothing more than some physical affirmation.

You chat quietly when he has the time to do so, when the machine doesn’t require as much of his attention. He’s fantastically skilled at multitasking, you notice, which makes you smirk a little. He’s so fucking good at what he does, those calloused hands dancing around the dash like a skilled piano player reciting a sonata, like an artist creating a masterpiece. And you suppose, to Frankie, flying is like an art.

“Do you know any tricks?” You ask at one point.

Frankie nods. “I can do barrel rolls and shit. I don’t think you’d want to feel that,” he chuckles, his hand resting on top of yours, which sits on his thigh.

“Oh fuck, not now,” you laugh softly. “But that’s really cool.” And hot, your primal brain, the one that seeks the best mate, tells you.

As the time in the air dwindles down to a stop, Frankie once again has to pay full attention. You return to your previous position: gripping your chair. Your hands aren’t as forceful now, far more trusting of Frankie and his skills. You can even look around as the world grows bigger and bigger as you approach it. Not long after, the helicopter lands, and you let out a deep sigh of relief. “Wow,” you laugh, a little bit of anxiety still in your voice. “Now I can tell you everything that I wanted to say in the air.”

Frankie looks over at you, tilting his head in confusion. “And what was that, exactly?”

“That you look so fucking hot,” you grin at him. “You do, really. You know what the fuck you’re doing, and that’s hot. And your hands, you’re so good with them,” you muse as you pick one up and play with the thick fingers attached.

This time, Frankie’s smiling. “Oh yeah?”

You nod happily. “Mhm. Just look so good when you’re using them. Makes me think of other things they’re good at.”

He’s a little red, but he grins. “Really?”

“You know that. I’m never quiet about how good you are with them, am I?” You tease and laugh.

Frankie’s face tinges with red, and his Adam’s apple bobs hard with a gulp. “Don’t do this to me yet, baby,” he chuckles and shakes his head. He removes your headphones once the blades have stopped rotating, then his own, and unstraps the both of you.

Frankie gets out then helps you down from the chopper. One of the other men who works at the field comes over to say hello, and he snaps a photo of you and Frankie for you.

The picture is perfect: the blue skies in the background contrast the dark metal of Frankie’s helicopter. He has both arms around you, and you have one hand pressed to his chest. You’re both grinning, both wearing flannels and each in one of his ball caps: you stole one this morning before you left his house.

He walks away after you both thank him, and Frankie leans in close. “Gotta get some shit done in the hangar. Won’t be more than ten minutes. Go wait for me in the car, baby girl,” he murmurs in your ear. He gives you a little smack on the ass, which makes you start to scamper off.

You grab his keys from his pocket, then toss a flirty smile over your shoulder as you walk to the parking garage.

Twenty minutes later, you’re sitting shotgun in Frankie’s truck. He removes his cap and runs a hand through those curls before putting it back. You watch it, noticing the way the knuckles bend and fold. He looks over at you and notices the expression on your face. “You still thinking about them, baby girl?” He asks with a growing smirk.

You nod, the wetness in your panties growing. “Mhm. Think you could pilot me?”

Frankie rests a hand on your thigh, tracing circles into the skin. “Unzip those jeans for me, baby. Let’s find out.”

You’re in a parking garage, and no one else is around. It’s early on a Saturday morning, but the risk is just as exciting. You do as he says, and Frankie slides his fingers beneath your panties.

The pads of his ring and middle fingers start at the top of your folds, tracing down the damp skin until they reach your entrance. “Fuck,” he groans at how wet you already feel. His fingers swirl around just millimeters inside of you, taking the wetness and removing his hand, bringing it up to your mouth. “Gotta get them ready for me first, honey. You’re already plenty wet, but I wanna make it good for you.”

You oblige and take his fingers in your mouth, sucking on them dutifully and moaning around them. They’re so thick and strong, and the thought makes you spread your legs wider. “Good girl,” Frankie almost growls before bringing his fingers back down to your entrance and slipping them inside of you.

You cry out, your hand gripping the side of your seat once more; this time, it isn’t from anxiety, but from pleasure. They scissor you open slowly, those thick digits reaching deep inside to that spot you can never quite reach with your own. “Ah, fuck,” you whimper as the heel of his palm grinds against your clit. “I was thinking about this the whole time we were flying, Frankie. Your fingers and how good they feel inside me.”

He bites his lip, curling his toes in effort to not get hard right here and now. As much as he loves doing this, loves the risk, this is all the two of you can afford. It’s too late: he’s already got a semi tenting in his jeans.

“Yeah? That’s what you were thinking, dirty girl?” He almost purrs, his voice deep and desperate. “I’m trying to keep us from falling and dying, and all you could think about was how good it feels when I do this?”

As he says this, his fingers curl deep inside you and brush against your g-spot. “Fuck, yeah,” you nod, panting now. You’re sweating, probably through your t-shirt, but you don’t care. It feels too good. One hand of yours grips his wrist, as if it could keep him from pulling away. As if he ever would in the first place.

“Such a good girl, so wet for me,” he groans as he forces himself to stop his hips from bucking into the air, against nothing. “I could do whatever the fuck I wanted to you and you’d let me, couldn’t I?” He murmurs. “You’d even let me fuck you in that helicopter. No anxiety when you got my dick inside you, huh?”

You nod. “You could, yeah,” you groan, your other hand digging into the leather seat. “Anything you want, you got it,” you nod. “Feels so good, anything you do does.”

He smirks. “Maybe I’ll have to try that sometime, huh? Have you keep my cock warm while I fly?”

“Anything,” you repeat breathless, shuddering beneath him. The heel of his palm grinds harder into your clit and it’s all too much. “Frankie, baby, gonna cum, almost there.”

“That’s it, baby girl,” he nods, working his fingers harder. “Cum for me,” he demands, and who are you to disobey such a wonderful order?

Your walls clamp down hard on his thick fingers, the pleasure overwhelming you. “Frankie!” You cry out, head falling into the headrest of the seat.

Everything in your body is pulsing, desperate, pumping red-hot blood that feels like it’s infused with some kind of illicit drug to produce such a high. You whine his name again and again until it’s all too much, and you squeeze his wrist gently, asking him to be done.

He complies, tracing his fingers through your folds before they press against your lips again. “Clean me off, baby.”

You nod and take them in your mouth, lavishing them with your tongue the way you would with his cock, which you’re now growing more and more desperate for.

He pulls them out with a pop and dries them on his flannel, smirking over at you. “Goddamn, honey,” he murmurs as he looks at how wrecked you are just from his fingers. Before you can say anything, Frankie whips the truck into drive and peels out of the parking spot.

The sound of squealing rubber startles you, making you jump and squeal as you button your jeans and zip them. “Frankie!” You gasp and smack his arm. “What the fuck was that?”

His eyes are dead-set on the road, determined not to look at you, not to detract from his mission. “I’m getting us home as soon as I physically can so I can feel that around my dick,” he says, teeth grit in concentration.

He’s rock hard, you can see, and you offer a soft rub into his crotch. “Oh, baby,” you chuckle excitedly, staring at the road ahead of you. It’s going to be a long ride home for the two of you.

It’s safe to say that your anxiety over flying has lessened.

taglist:

@remmysbounty @mishasminion360 @softly-sad @blo0dangel @luxurybeskar @binarydanvvers @sleep-tight1 @apascalrascal @randomness501 @spideysimpossiblegirl @notabotiswear @pedro-pastel @sanchosammy @lv7867

#frankie catfish morales x reader #frankie morales x reader #frankie morales #frankie catfish morales #catfish morales x reader #catfish morales #triple frontier fanfiction #triple frontier #pedro pascal #jose pedro balmaceda pascal #pedro pascal fanfiction #pedro pascal x reader #pascalpanic

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lockhartism · 4 years ago

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Aerith and Tifa as Sephiroth’s Foils

There are a lot of moving pieces to Final Fantasy 7--something that has historically contributed to its infamous reputation of being confusing. But one consistent thematic pattern that FF7 utilizes is duality. Life and death. Meetings and partings. Loneliness and togetherness. Many of the main themes presented in FF7 fall into this same format. Even the characters can be considered dualities in and of themselves. One of the most obvious dualities in the game is that of Aerith and Sephiroth. However, in varying degrees, all of the main characters are in some way antithetical to Sephiroth.

Like in many other classic hero vs. villain tales, you’d think that Cloud is the perfect foil to Sephiroth--after all, they’re at odds, so it would make sense that they’d be opposites. However, what makes Cloud and Sephiroth’s conflict so fascinating is that they actually have a good amount in common. Both Cloud and Sephiroth struggle with their identities. They also experienced trauma and loneliness in the past, and tended to isolate themselves from others. It’s this commonality that actually makes them compelling rivals, as Cloud not only has to battle Sephiroth, but also the aspects of Sephiroth that Cloud himself struggles with.

The real foils of Sephiroth are Aerith and Tifa. While there is some debate as to whether Aerith or Tifa is the real heroine of FF7 (mostly spear-headed by weird LTD-pushers), the big-brained answer is that they’re both the heroines. This is evident in concept art from an older FF7 Ultimania, pictured below:

As you can see, the concept for the story’s heroine started out as a hybrid of Tifa and Aerith. The character’s design resembles Tifa, and the name below the sketch reads “ティファ”, or Tifa. However, the character’s role was very different. She was intended to be both the childhood friend of Cloud Strife and a Cetra, the sister of Sephiroth (who originally looked more like Vincent). Eventually, the idea to kill off one of the main characters was introduced, and the role of the heroine was split in two: the Cetra, Aerith, and the childhood friend, Tifa. There is some evidence of the original concept still present in the series; Tifa’s iconic red eyes match Vincent’s, because originally, the two characters were designed to be siblings before eventually going to separate roles.

Based on this evidence, it would seem logical that both Aerith and Tifa retained their dualities with Sephiroth. And, indeed, even in the final product, both characters provide a foil for Sephiroth to balance the scales.

To exemplify the dynamic that Cloud, Tifa, Aerith, and Sephiroth have with one another, I’ve drawn a (crude) spectrum:

Obviously, Aerith and Tifa play different roles and have different importance to the story. Aerith’s role is more “big picture”, so to speak. She is responsible for the Planet and for protecting it from Sephiroth after discovering his plans to destroy it. Tifa’s role is more fine-tuned and detailed. She is the rock and the only stable element of the Nibelheim story, a key part of Cloud, Zack, and Sephiroth’s backstories. To understand how each of them foils Sephiroth, we have to look at them individually and analyze how they interact with both Sephiroth and Cloud.

Part I: Aerith as Sephiroth’s Foil

As stated above, Aerith’s role as foil is a little more obvious. Sephiroth and Aerith are both “Cetra”--or, at the very least, they both claim to be. For Sephiroth, his identity as a Cetra is tied to his belief that Jenova, his “mother”, was a Cetra who was betrayed by humanity when humans left the traditional Cetra nomadic lifestyle in order to colonize the land and the Planet.

However, Jenova was not a Cetra at all--she was actually a “calamity from the skies” that crashed down and created the Northern Crater two thousand years before the events of FF7. After encountering the Cetra, the creature known as Jenova began infecting and killing the Cetra one by one. These killings only stopped when the Cetra banded together to seal Jenova in the Northern Crater; but, by the time it was done, the Cetra were dying off.

So how did Jenova become known as a Cetra? That seems like more than a clerical error to me. It was actually Aerith’s father, Professor Gast, who uncovered Jenova from the Northern Crater and mistakenly identified her as a Cetra. The Shinra Corporation, desperate to find the Cetra’s “Promised Land” thinking that it would be rich in Mako energy, enlisted the professor to find a way to create a Cetra from a human specimen. Using the cells extracted from Jenova, Sephiroth was created, and after reading Shinra’s archives, he discovered his relationship to Jenova and embraced his identity as “Cetra”.

Aerith, on the other hand, really is a Cetra. Her mother, Ifalna, was the last Cetra--making Aerith, by relation, half-Cetra. Her connection to the Cetra race is real, unlike Sephiroth’s.

This give her declaration in the final chapter of FF7 Remake all the more important:

There’s a duality between Aerith and Sephiroth in truth versus lies. Aerith’s heritage as a Cetra is founded in truth. She is connected to the Planet in a way that is real. She is a Cetra, in covenant with the Planet to protect it that was passed down to her by her mother. In contrast, Sephiroth’s claims to be a Cetra are lies--whether he’s aware of it or not. Jenova, Sephiroth’s “mother”, is not a Cetra. She is not even from the Planet, but rather from somewhere beyond it. Jenova acted as a parasite of the Planet and is actually responsible for sending it into chaos and draining it of its life. He has no real obligation to protect the Planet, and he is not truly connected to it the way that Aerith is.

Aerith and Sephiroth also represent the original duality between the Cetra and Jenova, with both parties continuing to be at odds with one another even two thousand years later.

Tying in a more overarching FF7 theme, Aerith and Sephiroth also personify the duality of life and death, respectively. With Aerith, her “domain” of sorts, the Sector 5 church, is bursting with life. It is the only place in Midgar where flowers will grow. Even gameplay-wise, she is a healer, and is constantly giving life to other characters in the party. Sephiroth, on the other hand, only destroys. He set fire to Nibelheim and killed the townspeople, including Cloud’s mother and Tifa’s father. Cloud even notes his strength while recounting his version of the events in Nibelheim.

Cloud: “Sephiroth's strength is unreal. He is far stronger in reality than any story you might have heard about him.”

Therefore, Aerith and Sephiroth represent two different dualities: life versus death, and truth versus lies.

Part II: Tifa as Sephiroth’s Foil

Tifa’s role as foil to Sephiroth is more understated but nevertheless important, especially in the latter half of the story. Tifa, Cloud, and Sephiroth are the only survivors of the Nibelheim incident, wherein Sephiroth burned the town of Nibelheim to the ground and killed the townspeople after discovering his “Cetra” heritage. However, Cloud’s memories are clouded due to his trauma and the Mako poisoning he endured during the five-year gap between the Nibelheim incident and the start of FF7; and Sephiroth purposefully twists the truth in order to weaken Cloud’s already-fragile mental state. Therefore, the only one who can decipher what’s true and what’s not is Tifa.

Like Aerith, Tifa also represents the truth, while Sephiroth represents lies and deceit. This is very evident in this scene that takes place in the Northern Crater, and again in a scene during Tifa’s journey into Cloud’s mind. In the Northern Crater, Sephiroth tries to convince Cloud that he was never real, and that all of his childhood memories, even the ones he shared with Tifa, were fabricated.

Sephiroth: “You are just a puppet... You have no heart... and cannot feel any pain... How can there be any meaning in the memory of such a being? What I have shown you is reality. What you remember, that is the illusion. [...] Five years ago you were... constructed by Hojo, piece by piece, right after Nibelheim was burnt. A puppet made up of vibrant Jenova cells, her knowledge, and the power of Mako. An incomplete Sephiroth-clone. Not even given a number. ...That is your reality.”

Sephiroth, at first, succeeds in convincing Cloud that he is not the “real” Cloud but rather someone who never existed, who never grew up in Nibelheim, and who clung on to fake memories as a means to cope with that fact. However, later in the Lifestream, Tifa expresses a different sentiment:

Tifa: “Sephiroth once said... Cloud made up his memories by listening to my stories... Did you imagine this sky? No, you remembered it. That night the stars were gorgeous. It was just Cloud and I. We talked at the well... That's why I continued to believe that you were the real Cloud. I still believe you're the Cloud from Nibelheim...”

By reminding Cloud of a memory they both share--a true memory--she is able to provide a solid ground, wherein Cloud can begin to rebuild his true self after falling for Sephiroth’s deception.

Obviously, Tifa’s relationship with the truth is complicated, and she herself suffers from her own self doubt throughout the story. But in this defining moment, Tifa finally realizes without a doubt what the truth is, and together both Cloud and Tifa are able to reconstruct what really happened in Nibelheim and solve the mystery once and for all.

But this duality isn’t simply about truth versus lies. It’s also about hope versus despair. In deceiving Cloud, Sephiroth strips him of all his hope. Cloud is filled with such fundamental despair that he can’t see the truth and believe that he is indeed an experiment created by Hojo. Tifa, in contrast, provides him with hope when she affirms his memories with her own. Separately, Tifa’s resolve to continue the team’s journey without Cloud is another example of her hope in the face of Sephiroth’s despair.

The idea of hope versus despair in Sephiroth and Tifa is exemplified in Kingdom Hearts (although KH is not canonically related to FF7, I think it’s a neat little call back):

Tifa: “Cloud, you can have my light.”

In Kingdom Hearts II, Sephiroth represents Cloud’s darkness, while Tifa represents Cloud’s light. This is a similar dichotomy to truth versus lies, metaphorically, where Sephiroth is “casting shadows” on the truth, and Tifa is “shedding light” on what really happened. (Okay, sorry for the puns!)

Another duality that Tifa and Sephiroth represent is the dual meaning of reunion in the context of FF7. It’s common knowledge among FFVII fans at this point, but to everyone who’s playing for the first time or who has recently picked up the franchise and not gotten all caught up yet, Sephiroth talks a lot about “the Reunion”. Like, a lot. Sephiroth’s “reunion” is a reference to the Reunion Theory, a scientific theory posited by Professor Hojo that states that Jenova’s cells--once separated from their host, i.e. Jenova--will seek out the main body. This makes everyone who has ever been injected with Jenova’s cells essentially part of a massive Jenova hive mind, with the primary goal to eventually reunite with Jenova.

Obviously, this is a bad thing for Cloud, who was exposed to Jenova cells and is thus connected to Sephiroth.

However, Cloud and Tifa also have a reunion at the beginning of the story--a reunion between friends who haven’t seen each other in a long time. Unlike Sephiroth’s reunion, this is a positive thing. Cloud and Tifa, on multiple occasions, discuss “meeting again” and “finding each other” after so many years apart. Even after they reconstruct Cloud’s memories, he says:

Cloud: “Yeah...... Tifa...... We finally...... meet again......”

Sephiroth’s reunion with Cloud leads him astray from the path; Tifa’s reunion with Cloud sets thing right again. One reunion destroys Cloud’s perception of what’s real, and the other helps him to find the truth once again. Reunion changes meaning with Sephiroth and Tifa, and these opposing definitions of what “reunion” is make Tifa and Sephiroth perfect foils.

Part III: Final Thoughts

Part of what makes Sephiroth such a compelling villain are the striking similarities he shares with the protagonist Cloud Strife. In the original storyboard for FF7, Tifa and Aerith shared a role as the main heroine and the perfect foil for Sephiroth. But even after the role was separated into two distinct characters, the characteristics that made each one of them a foil to Sephiroth remained. For unique reasons, they balance the scales, providing an anchor of “good” to counteract the badness of the story’s main antagonist.

That’s all I have to say about it! I’ve been thinking a lot about Tifa and Aerith’s unique roles in the story as deuteragonists, or dual heroines, and how they both represent antitheses to Sephiroth. I figured I share my thoughts!

#final fantasy #final fantasy 7 #final fantasy vii #ff7 #ffvii #final fantasy vii remake #ff7 remake #ffvii remake #remake #tifa #aerith #sephiroth #cloud #tifa lockhart #cloud strife #aerith gainsborough #theories #mine

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hermitcraftheadcanons · 4 years ago

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Hermitopia AU Masterpost 1 [COMPLETE]

This is a gathering place for the events of the Hermitopia AU, as well as art and writing resulting from it (art and writing listed at the bottom). Please read the AU introduction and rules here before submitting! Feel free to join the discussions on the HCHC discord server!

(Disclaimer/PSA: All points are asks contributed by the community, the mods take no credit for the ideas within them)

If you would like specific credit in the masterpost, please sign within the text of the ask! (A dash and a signature at the end should do.) Asks not signed will be treated as anonymous.

Summary posts:

Not all elements of plot and character will be summarized, but here are a few basic things you may want to be familiar with before submitting an ask! (Unless you are purposely aiming to create an [ALTERNATE] idea for a Hermit)

1 - Starting positions and each Hermit's powers (based on the submissions from Day 1)

Summary post 2 - Interpersonal connections (based on Day 1 and 2 submissions)

Make sure to check out the second masterpost here for more up to date information, including newer art and writing!

Asks:

- (copied ask) [summarized mod comment]

- Hermitopia | Scar was experimented on by Cub. He gained dangerous powers and wings that resemble a dragon’s, but he keeps both hidden. Unless someone makes him angry. He has no idea who gave him his powers. Eventually he and Cub decided that they wanted to control things beyond their corporation, so Scar ran for mayor. (there are things to fill in but im lazy) [Scar assumes he got the powers in an accident during research. He enjoys having them but has no idea that they were intentional.]

- Hermitopia AU team ZIT is a superpowered crime-fighting trio!

- owing to a very particular set of guidelines he put in place, Joe can now copy powers if he sees them in use and can reverse-engineer how those powers are used. needless to say, this is massively overpowered in the right hands.but it got worse. at some point, there was an... incident... on ConCorp grounds, something to do with a mass amount of entities causing time dilation -- and Joe was caught in the thick of it, unable to be rescued for a while.the problem is, he got out by piecing together how the time dilation worked.needless to say, Joe... has a ridiculous powerset. so he chooses largely not to use his powers anymore unless it's absolutely dire or petty enough to shrug off as a random occurrence. nobody needs to know that one of the most powerful Unaffiliated in the city is standing right in front of them... especially not ConCorp.

- doc was a former high ranking employee of concorp before he volunteered for an experiment and it went horribly wrong. since then, the company has tried to erase any evidence of his existence. doc is now seeking revenge for all that the company did to him and is determined to tear it apart

- HI ok follow up asks will be sent later when my thoughts are coherent but concept: cleo has like super messed up healing powers where she can make healing go Too Far. also i pin her as unbound, considering, like, everything - shovel-shuffle

- So, his power was meant to be super-regen, right? except things don't always quite go to plan. Someone volunteered for the powers surgeries and is arguably dead. Etho is a name shared by the many many clones that developed themselves out of the leftovers. They're not quite individuals, not quite a hivemind. Any one of them has no fear of death because the others will continue, but they all act independently around their overarching goal. (which I won't snitch about) - DragonKay

- Bdubs was a hero. Key word? Was. He climbed the ranks through the government, he was a loyal and dutiful member of society, and he used his plant manipulation powers to subdue evil-doers without hurting them. But he’s always been a friendly guy, and he couldn’t help himself—talking to the Unrestrained, especially those in custody, was interesting! ...but it’s a slippery slope to walk, being friendly with the enemy and not sympathizing to their cause. Nobody knows where he is now, but there are rumours of a vigilante with similar abilities, and his three compatriots, two of whom he helped escape from ConCorp... They call themselves the nHo. - slimetek [Bdubs deserted Concorp while helping Doc escape after his experiment went wrong]

- Concorp managed to make a device that allows animals to speak or translate their thoughts into writing. This means that the good old mayor Scar has a certain cat giving some advice on how to run the city.

- Iskall is an assasin/mercenary against their own volition. An accident they'd rather forget almost killed them, and in exchange for their freedom and free will they got to live as a cyborg. Though its hard to forget with the implant that covers their eye and the limb of cool metal hanging at their side - @ghastly-ghostie [Iskall works for Concorp off-books, bound by the debt owed to them for the life saving experimental modifications]

- so I think grians original powers could be like cloning, but something goes wrong and the clones are different people. as a result of the duplication process, some funky magic rocks are made. the clones decide to take most of the funky rocks and run off, leaving grian with one rock that gives him some new abilities and the clones' rocks give him others. also uhh mechanical wings bc yes. so grians plot is him trying to find them while also causing problems on purpose. infinity stones. update to my grian ask from earlier, I had better ideas: the rocks are old like magic things that grian finds before the cloning and ends up collecting, but his clones snatch them - simplyskipper [some of the alternate Grians are aligned with different factions in Hermitopia, while the locations of others are farther or unknown]

- Hermitopia- Impulse has solid-light powers. He has golden crystals implanted in his hands, which he can reflect light through to solidify it into all sorts of shapes. This can be used to make barriers, projectiles, and much more, though more detailed constructs take more time.- @mleemwyvern

- Hermitopia AU Poultry man is a well-known chaotic neutral leaning towards good, as a one of the unrestrained.

- I think Team ZIT should be a little be wild card-y, that's how they act after all! [they are employed by the government for standard crimefighting, but they don't always take Scar's word at its intended meaning and often play a bit on the chaotic side when given instructions]

- [Hermitopia AU] False is an antihero/vigilante type who's specialty is not defined by powers or the such, but just... the absolute skill of being able to dual wield two (more sci-fi era) short swords. Maybe someone upgrades them to be "enchanted" (electrical, fire, etc. something that tech could do well probably). She's willing to be paid-for-hire, but if you go past her moral line she's also willin' to backstab you. -- @cheshire-vex [she's a free agent who sort of drifts between Concorp, the government, and whoever else will pay her on a job-by-job basis]

- Hermitopia impulse has more connections then one may think. He has ties to people pretty much everywhere, for reasons unknown. There is a 100% someone will come and greet him wherever he goes. [the greetings are usually friendly]

- Hermitopia Au! Keralis is a hero who most people wouldn't expect to be too skilled at fighting. His power is similar to hypnosis so he has no need to get very physical. Yeah, that changed when some bastard villain decided to attack his friends shop. [that incident caused his employer Scar to realize his untapped potential for protecting people and assign him to a few more high-stakes jobs]

- Hermittopia!TFC was one of ConCorp’s first experiments and as such his powers are a bit less...refined then the others. He has geokinetic powers, allowing him to psychically control rocks and other earthen materials. He used to be one of the VEX programs top graduates, but has since parted ways with them for unknown reasons and now operates his own plans of keep crime in Hermitopia under control. -lechairpourriedegrianri [he is considered Unaffiliated and both Concorp and the government largely leave him to his own devices, since he is helping to keep the city together]

-Wels doesn't have powers. He does have a super-suit made of fire and heat resistant carbon fibre (like the material used for the space shuttle) and has a built in hologram projector. One time, he used the hologram projector to project an image of himself, which everyone thought was a clone. He didn't have the heart to tell them otherwise. (AKA everyone thinks Wels has powers but he doesn't) -Silverwolf53 [he got the suit in Project VEX]

- To follow up on the Impulse ask- Team ZIT are a space-themed superhero team. Government-aligned, at least for now.Tango has meteor-like powers, he can shoot fire from his hands and feet and often uses this to propel himself at high speeds. Zed has gravity powers! He can increase or decrease the density of any object, to the point of making small black holes. They all have space-themed costumes, and it was probably Zed's idea. - @mleemwyvern

- TFC was the first participant in project VEX

- Grian was an attempted success. It fixed some problems with Etho's unintended cloning, but at the same time created some problems of its own, seeing as the clones appeared to have a life of their own.It's fine, though. It's probably fine

- I would say Grian is unrestrained, a bit like Etho, Chaotic in his own way. Does not activily Try to hurt people, but does mostly what he wants for fun.-Ciara

- Xisuma is a civilian- he has hero friends, but despite all their teasing he’s never wanted to go through VEX training. But in the night, the unrestrained Void walks the streets [Void is a symbiotic creature made of nothingness that uses Xisuma's body as a substitute physical form]

- Bdubs was such a good man... he could be trusted to look after Doc, couldn’t he? Somebody had to oversee him, somebody who was reliable and would never, ever consider betraying the mayor and ConCorp...They let their guard down, and Bdubs got curious. Bdubs made a friend.And then they lost him.- Slimetek

- The hels hermits are considered evil by default. How do you spot these clones, how could you protect yourself? Well in the past it was a lot easier, just look for their red eyesNowadays contacts exist but that doesn't stop people trying to call the police on tango, calling him a hels. Hes netherian, they have unnatural eye colours and their iris fills the entire eye, hes not evil but if people keep doing this hes gonna be!

- Beef woke up from his brain surgery to receive telepathy powers, took one look into the mind of the overseer, and noped put of there as fast as he could go.He's on very public record. After all, the mind control he may be capable of is a very convenient explanation for anyone who turns against concorp... ~DragonKay

- Hypno can’t control minds.They say he does. It’s why he’s named Hypno, after all.In reality, he can’t control people like that... but he can control what they see.Your best friend might look like your greatest enemy. A pit of lava might look like solid ground. A 100-foot drop might look like a step down.It’s a good thing he’s a hero, and a good thing he keeps his true powers hidden beneath a guise of low-level hypnotism. There’s no telling what he could do if they let him go. [he works for Concorp, helping to protect VEX trainees from people trying to harm them before they get a chance to finish the program, as well as keeping other resources safe]

- The 9th Street Incident [referring to an earlier Impulse comment] was a friendly greeting. That particular version of Etho just thought that drawing weapons would be a friendly greeting for Impulse, but Tango and Zed seem to disagree

- They still don’t trust Bdubs. He was with the government for a long time, and things are hard out there on the run. Besides, they don’t know what he got up to there. ConCorp could have any sort of information on him, something that might scare him back.Bdubs understands this. He doesn’t want to go back. He’d hate to go back....but they think he will, and maybe there’s something he’s not telling them. An ace that ConCorp has yet to play.- Slimetek

- Mumbo works for concorp as an engineer specialising in robotics, most recently taking on the task of maintaining Iskall's cybernetics that somehow they just keep damaging. Iskall assures him they're just.. very clumsy. So far Mumbo hasn't caught on.

- Ren's power is that hes a werewolf, but he only found out when he was in his late teens with his childhood friend Iskall. He still feels guilty about it, he did kill his best friend afterall. Or so he thinks.He's lived off grid ever since, too overwhelmed with grief and guilt to rejoin society. Most assume he's dead too - @ghastly-ghostie [Ren dropped Iskall off to Concorp as a last ditch effort, running away before he could see whether they took his friend in or not. They did, starting Iskall's plotline. Iskall told Concorp about Ren's abilities, triggering a panic in the Concorp ranks at the fact that Ren is a superhuman being created by some force other than their own project]

- Where does Void come from? The same place all powers come from.Little did they know, something survived the crash and has taken a human host. Maybe it's not the only one...No, that place is not Concorp. Concorp's original goal was to develop technology by reverse-engineering from a crashed alien spaceship. These aliens did gene-editing the way some people do nose jobs, so they adapted that technology, too.~DragonKay

- i've already said a bit about it in the discord but i have hermitopia cleo brainrot. joe being there was able to save her by giving her the regen powers along with her puppeteering telekinesis power. anyways cleo is presumed dead, sent by concorp into a mission as fodder basically until zit could arrive. but now there's is one (1) bitter undead vigilante against concorp that is presumed dead

- Stress’s name has a few meanings in relation to her. Whenever she gets too angry or /stressed/, she transforms into the StressMonster, a monster that feeds off of other people’s stress to become more powerful. Luckily, the monster is rarely seen, but does terrible things when she is. She’s one of the most feared creatures in Hermitopia. Stress hates her and tries her best to hide her from her friends, but it can backfire sometimes. - @guster-animations

- to follow-up on Joe being presumed dead: remember the time dilation incident he was stuck in? ConCorp figured it was best to cut their losses and not try to send anyone in to rescue him -- it would be a pointless mission. so they abandoned him, quietly announced that he had died in the line of duty, and put the affected area under high security clearance in order to prevent any future accidents. they figured he was already dead. and Joe figures, given that they up and abandoned him, maybe it's for the best that they continue to figure just that. he changed his last name to "Hills" -- a joke about the biome containing the time anomaly -- and otherwise proceeded to stay under the radar. he still uses the time dilation area as a base of operations, sometimes; it's very useful to have a hideout that people physically cannot get into/out of without his direct assistance. is he nursing a grudge, coming up with some convoluted scheme to get back at the paramilitary group for abandoning him? or does he just want to live a relatively normal life off the grid? who knows. that's the Joe [REDACTED] Hills difference. -@betweenlands

- False has some big scary power that is almost Eldritch she just happens to prefer a sword and doesn’t really care for who she works for as long as they’re paying... (they don’t need to know of the power that had harmed the ones she loves the most)

- Keralis once encountered Void sulking around where Xisuma worked. So fearful for his friend’s safety, he used his power on Void and told him to go away. Apparently the charm is still active, because if Void spots Keralis anywhere, he’ll turn tail and run. No, it’s not because he’s scared. Absolutely not.

- Grumbot serves as a sentient supercomputer created by Mumbo for Grian. Grian is using Grumbot for... various activities, all of which harmless, but a certain evil clone [Helsknight] has reverse engineered the technology. Concorp would like for Mumbo to give them the tech, but mumbo stuck some eyes to the computer, got emotionally attached, and refuses to give up his baby boy.

- When Impulse hears his friend/colleague Bdubs has been "taken over" by the mind-controller [Beef], he wants to go on an off-the-books mission to rescue him! Just giving up like they were told to isn't in his nature.Of course the rest of ZIT are with him. Heroes save people! It's what they do!~DragonKay

- Hermitopia is a mixture of sleek futuristic and cyberpunk in terms of style. It really depends on where you live and work (ik this doesnt include any hermits but whatever) - @ghastly-ghostie

- I wonder if Cleo's overactive healing powers affect herself and if any injuries she receives immediately heal over like wolverine or deadpool

- Ren used to be friends with Cleo too, but then she died. Strangely enough, she died on the same day that Ren killed Iskall. Ren’s lost all his friends. It’s hard living in isolation when there’s no one left that even cares about you. (Unless— no, that’s impossible.)

- I was thinking about Biffa, like you do. And Biffa would totally be some robot that was created by Project VEX in its early stages, however they realised fast that it was easier to use humans and give them powers, maybe its not their strong suit with robots. But Biff went sentient and glitched and was scrapped so hes just out there doing his thing. Hes a wildcard and plays for which side he wants at the time, sometimes he'll help or sometimes hes the one causing trouble. He looks pretty similar to a android like in Detroit:Become human but hes a bit uncanny and eerie, maybe its the eyes or the blood red armour. Powerwise, he's got more strength than a human does, mainly because he isn't limited like others are. try not to get punched by him, it'll hurt! [He's convinced Concorp will destroy him if they find out he's alive and Unaffiliated] -lucodak

- Going off of my thing about hermotopia impulse having friends everywhere....this may include the nho. Okay, they beat him to a pulp on one of his solo patrols once, but theey felt bad n patched him up! He has to keep it a secret. He brings them dinner alot. And checks in on them.

- Beef is the perfect cover-up for Bdubs’ desertion. ConCorp doesn’t want any other employees getting bright ideas, now, do they? Nor do they want employees getting nosy and trying to figure out where Bdubs went. They don’t have to tell people what Beef’s powers are. They just release that he developed powers after brain surgery, and a rumour that he was spotted lurking around before Bdubs suddenly betrayed ConCorp... and people draw their own conclusions. -Slimetek

- xB is pretty sure he’s supposed to be evil.I mean, that’s what sentient AIs usually end up being, according to a quick internet search. And yet he’s... not. Or maybe he’s just on the wrong side. - Slimetek

- Yes impulse is friends with the nho....what he doesn't know? He's....easily susceptible to hypnosis. Very easily.......Of course, after impulse is basically a very tired n warm cuddle bug, so, cuddle piles tend to happen after all information is spilled. He must've fallen asleep at their apartment again! Whoops! But it's okay.....they take good care of him if he does! [Beef is using his mind reading ability on Impulse without his knowledge, to make sure that he hasn't spilled their location and to predict the government's next moves. He feels slightly bad about it but feels that it is necessary for the nHo's survival.]

- So far, Grian has only ever encountered two of his clones, NPC Grian and Robot Grian. Technically three, if one were to count Ariana Griande. Grian doesn't really, but some do. [Ariana Griande is a popular musician in Hermitopia who is building a career using the magical stone of voice enhancement she recieved through the cloning process]

- To handle the two Grumbot issue: the one working with Helsknight can be Jrumbot, a legion of robot drones meant to work as Grumbot’s physical form that ended up being hijacked by Helsknight and turned against ConCorp

- There...aren’t a lot of “normal” animals left in Hermittopia. ConCorp took one look at the animals populating the city and decided that, hey, they could make some improvements. Species after species, they modified their behavior, appearance, internal structure, whatever they could fix, tweak, or add. They were just improving their lives and the lives of the citizens of Hermittopia, after all, but the new animals quickly outcompeted the old for resources and habitats. And if it makes it easier for ConCorp to stick a camera in one or two of them, or set up robotic animals to keep a better eye on the city, no harm, no foul, right?(Bonus: there is one (1) singular cat left in Hermittopia, resulting in a spy movie-style heist where two teams of Hermits attempt to “rescue” the cat simultaneously. The cat keeps wandering away from both teams. Shenanigans ensue)- Adonis [the cat is Jellie, who orchestrated the competition between Team ZIT and Cleo and Joe for her own entertainment, getting away from both parties in the end]

- The Leak:Not all mutations are the result of controlled experiments! If some alien tech got away from the crash site, concorp never would have picked it up. It might have got into nature, not as refined as they made it in the labs but causing little changes here and there. Ren may have become a werewolf from being bitten by a mutant wolf~DragonKay

- Impulse is able to use his powers to create illusions or male things appear invisible! Sort of. After all, light dictates what we see. It takes a lot of focus, though, so it's not that practical. -@rayveewrites

- The one thing Hels wasn't able to steal was the cloning technology, hence his hostility with Concorp -- he needs the cloning device, because how else is the void going to get a body of their own? - SilverWolf53

- *glances at the hermitopia werewolf ask* okay but what if the same mystery people who made ren into a werewolf also created jevin, and maybe Etho? idk if either of them have been given any hermitopia headcanons yet lol. but im sure the same people who made a werewolf could make a sentient slime (or perhaps rescue one) or make... whatever etho is. [Since the "second organization" is an incorrect assumption believed by Concorp, Jevin was created when he came in contact with a waterway contaminated by The Leak. Concorp assumes he was created by an opposing organization and not by accident, and therefore would like to bring him in along with Ren.]

- hermitopia - mumbo and grian were friends back when cloning experiments were still happening (or . as friendly as you can be with someone who's treating you like a lab rat), but after everything went wrong and grian escaped, mumbo has his memories wiped nd thats why he's trusted w iskall's stuff? bc he inherently remembers working on high-level things without knowing where he learnt it - muscle memory, yk?anyway massive angst with grian maybe recognising mumbo, but not the other way round, and trying to rekindle their friendship? and that's where grumbot comes in? -gin [Mumbo's memory was wiped so that he would forget the deadly purpose of Iskall's cybernetics, which he was working on at the same time as the Grian project in the background. Mumbo does not remember creating Grian's mechanical wings or Iskall's arm and eye, and he has no memory of either individual previous to "meeting" Iskall as the person assigned to his repair and upkeep.]

- Etho doesn't so much have powers as he is powers. All the powers the ‘original’ had went into creating him; now he just exists, as whatever sort of being he is. Not a human one, that much is obvious. ~DragonKay [Etho has no powers beyond the hivemind and his training, due to the error in the experiment that caused the clones]

- Mumbo started the button as a joke. A nonsense social expirement to see how much people want worthless signs of status. Unfortunately things got out of hand, and violent too. But hey! It's not his fault that the five special anomalous stones were misplaced into the prize dispenser! It was just chance that they fell into the hands of the clone of the worst gremlin in the city! Don't fire him! [He was not fired, but Cub was Decidedly Unhappy with him for a good long while]

- Void mostly trashes ConCorp facilities- trying to figure out if any of his siblings survived the spaceship crash, but occasionally he’ll pilfer from a bakery, because X is a health nut and Void just wants a gods damned cookie [Void very much dislikes unseasoned chicken]

- If the Stress Monster gets too big, too dangerous, Cleo is sworn under oath to Stress to zap her with her healing powers. Cleo doesn’t like to do it, overhealing a stressed Stress makes her so calm she gets knocked out for a couple of days, but Stress can take a small comfort in the fact that at least one person out there can stop her

- Ooh with the self healing Cleo she'd be able to develop a small amount of super strength, with how the mind keeps from going full throttle because it would destroy the body once she gets over it it's hysterical strength whenever she wants [it is quite painful, but a good backup plan]

- Being a hive mind of disposable clones that can spawn new copies at will, it can sometimes be hard for the Etho Entity to remember that it is indeed a big deal for other people when they get hurt. This can make him come off as callous to those around him, placing him firmly in the "villain" category in most citizen's books, but he really doesn't intend any harm!

- Grian used to be tall, but then the cloning happened. With each clone they stole a little bit of his height making him the short man he is today. He needs to capture those clones and get his height back. [Grian isn't entirely sure how to accomplish this, but he's dead set on trying! He misses being tall!]

- While Grian was perfectly fine with Ariana Griande living her own life, he did insist on one thing.Her "older brother" getting backstage access whenever she was on tour. He's very proud and supportive of her and her music career.

- Mumbo is perfectly content working in tech, watching the other hermits get up to crazy shenanigans. Except of course, there was that one time he was out testing some new gear and accidentally saved a crowd from some villains... and there were all those times after too...But hey! It’s not his fault that people like him, and he certainly isn’t going to get caught by Concorp during his after hours activities. [Mumbo considers himself an accidental hobbyist, not thinking he has the nerve or the skill for proper hero work. Time will tell if he's right about that or not...but unfortunately, he probably is. This should be fun.]

- There’s still some people overseeing VEX, even over Cub. They’re the ones that push Cub to do certain experiments or to scrap one. They’re the ones to give Cub the decision for Iskall’s life debt. Scar was under them too for the longest time, but eventually he wanted out. Cub still wanted in. They were still in the right, right? That’s what they tell him. He’s starting to doubt it. [Cub is way too invested in everything he's built to even think about going rogue now, but he does resent and occasionally question the judgement of his superiors increasingly as his project begins to fail more and more often. He also fears that Scar's shift in career will be seen as a betrayal, rather than as a tactical attempt to gain the company influence in the government.]

- Been thinking about the impulse + nho asks and just,,, what would happen if concorp/the government found out? It cant be good with interrogation/hypnosis on both sides (incase you cant tell,, the brainrot got me as well) (apologies if this is a mess im excited) [Hypno is assigned to set up an illusionary conversation to make Impulse reveal nHo location to Concorp and government agents while thinking that he's actually talking to the nHo in a random encounter]

- The one mind Beef can't read is Etho's. Their hivemind is just too weird for him to comprehend. If he ever tries to listen in, it sounds like just a bunch of static from an old TV.

- for hermitopia au!: Out of most of the heros, the most reckless may be team zit. sure they tell themselves they'll plan out missions but it's hard when they share a braincell and tango just runs in. impulse and zed share a look everytime and have to run after him to make sure he doesn't get too hurt or overwhelmed by the enemy. in their defence its hard to plan ahead against an enemy when you dont know what they are thinking.-lucodak ["You might not have known what they were thinking, Tango, but we'd generally like you to know what you're thinking!"]

- i bet ConCorp really wants to make it out like theres some secret shady organization creating all these people with mutations, rather than their own operatives deserting and their own failure to contain dangerous chemicals... whether its malicious coverups or just ignorance to the fact they messed up, wonder what would happen if that sort of thing came to light...? [If they found out that the unintentional superhumans were a result of the poorly-contained crash site? Cub would lose his job...maybe worse. If Cub found out (and he hasn't, yet) he would do everything in his power to keep that information from his superiors.]

- (paraphrased) Impulse accidentally walks in on heroes and agents breaking down the doors of the nHo's hideout and confronting them. Scar claims that they did so on information Impulse himself provided and thanks him for his service. Impulse, feeling confused and betrayed, resists Hypno's attempts to illusion him back to Scar's side and flees the scene with the nHo, knowing very little other than the fact that he doesn't want to be manipulated by the government any more (and still not knowing that Beef has been reading his mind)

- Impulse may have been labeled a traitor. But do you really think that Impulse, secret rebel, starting to learn how dangerous and corrupted Concorp really is, wouldn't let his best friends know about the danger they might be in? I think Team ZIT is more loyal to each other than to the government. - @mleemwyvern [ Impulse's first stop after escaping with the nHo is to find a place to secretly meet Tango and Zedaph and tell them about the way he was tricked. It takes a lot of explaining and a lot of trust, but they eventually decide to believe his claims and are left with a choice: will they openly go rogue and become a target along with Impulse and the rest of the nHo, or are they better off using their established image and reputation to keep an eye on the government heros' movements from the inside?]

- (two asks combined, paraphrased) Ren runs out of supplies and decides to head back into the city, confident in his ability to stay off the grid after so many years of experience and such a long time away. Once there, he runs into Doc, and they hit it off quite quickly. However, the more Ren talks the more Doc realizes - with his ex-Concorp knowledge - that Ren matches the description of Iskall's main target exactly. He warns Ren, who is then faced with the knowledge that Iskall is alive and assigned to kill him...so many questions and so many tears to follow...

- Why did Hermitopia start needing heroes? When the Unrestrained started to appear, if course. Why did the Unrestrained start to appear? A question asked a little less. When did the VEX program start? When did they start taking more risks? When did they stop caring about certainty and safety and shift towards trying to push boundaries they weren't ready to? People can be so enamoured with the concept of superhuman abilities, something bright and glorious and good- and perhaps they could have that too- they don't ask all the right questions. It's all an elaborate game of damage control, don't let the flashy heroics fool you, they've made mistakes, terrible, terrible mistakes, and now there are villains running loose with powers they fooled ConCorp into giving them. Are they villains? Are they victims? Does it matter? They're causing problems. [Project VEX has developed into a solution to its own problems, a self perpetuating cycle...one that Cub, as a businessman, is very familiar with. It's what keeps the wheels of industry turning. It's what keeps innovation creeping forward. It wasn't intentional, not this time...but if it keeps his project alive, he'll take it.]

- One time, Jevin had narrowly dodged being captured by Concorp. He was laying low in the forest out of town, when he had a run-in with some sort of wolf creature. Thankfully, claws and teeth couldn't exactly hurt him anymore, so he just played dead until it gave up.When the moon set, the wolf-thing slowly transformed into a human being. Ren was horrified at the thought he'd lost control and hurt someone- again- but Jevin assured him he was fine. Jevin got the feeling that the werewolf needed a friend, and Jevin himself needed a place to stay for a while... -RayveeWrites [Ren and Jevin are not currently in the same location, but they each have a means of contacting each other for help if needed]

- Worm Man wasn't a well- known super, but plenty of people have noticed that he seemed to vanish at the same time Team ZIT first started active duty. Those people have also noticed that one of the members has a very similar power set to WM.Officially, that's just a coincidence. Officially.-RayveeWrites [Zedaph was trying to get some unofficial practice while still in training in the VEX program]

- A common misconception is that Bdubs conjures up his vines from nowhere. He can't.Like any plant, his vines grow from seeds. They grow unnaturally fast, when Bdubs wills it, but they have to come from seeds. Where do these seeds come from, you may ask?Well, a long time ago, Bdubs ingested some strange fruits. Somehow, in wild defiance of human biology, the seeds contained in those fruits worked their way into his muscles and germinated. Some of the roots worked their way into his brain and fused into it; the rest spread through his muscles, grew beneath his skin, coiled around his bones. Thanks to the way the vines connected to his brain, Bdubs is able to command the vines, and their magic, at will.The vines produce seeds; some stay in his body to replace the old ones when they die, and most work their way into a pair of 'seed pods' in his wrists. Bdubs provides the nutrients, the energy; the vines provide the seeds, the magic. As an extra bonus: if the vines were to be totally removed from Bdubs' body, he would be at best extremely weak, and at worst dead. The vines have grown into his muscles, to the point where they've essentially replaced them in some areas. It's fortunate that they connected with his mind so early on, otherwise he'd be dead. -RayveeWrites [Concorp developed the fruit, and the fact that Bdubs is evidence of the unlikely success of that experiment makes them all the more angry at his betrayal]

- A lot of excellent xB information (it's too long to copy but please read it it's very good)

- Iskall has exactly one (1) failed assignment. That assignment? The kill or capture of Stress. Stress and Iskall have been, or should it be were now, friends for a very long time, since before Iskall even met Ren. So one can imagine the stress this causes Iskall, to be told to kill his one remaining friend that he knows is alive. Of course, this stress is quite enough to to Stress's Stress Monster into one it's strongest yet seen forms, allowing for Stress to then get away. (1/2)(2/2) Of course, Con Corp doesn't- and can never- know the true reason that Iskall cannot kill or capture Stress. If they knew, if they subjected Stress to the same hell he's in- no, that cannot happen. So Iskall hires False to protect Stress, to interfere whenever they send him on a mission for her. Luckily, False is good at keeping secrets when she wants to, and this one she'll keep. But as far as Con Corp knows, Iskall has severe stress and trauma from being a cyborg, and that's why he fails. [This all adds up to a monumental waste of Concorp's time and money, which also results in False getting payed, so all parties involved are happy except for Concorp >:)]

- Impulse would take a bullet for his teammates, and he knows they might be about to take one for him, keeping him updated on what's going on government side of this... slander. Still, Tango and Zed are great actors, and if he didn't know better, he might be a little worried they would *actually* be hunting him down in the name of justice [Tango and Zed are now being sent on missions to retrieve Impulse, which they must pretend to lose believably. They occasionally overestimate their friend's abilities and give him a few more close calls than he'd like, but overall the ruse is holding up.]

Writing:

- Wels, Hels, TFC, and Grumbot

- Bdubs Concorp promotion and desertion

- Joe Hills in his time dilation hideout

- Etho clones, ZIT, and the nHo

- Keralis and Void

- [ALTERNATE] Reveal of Impulse's situation with the nHo

Art:

- Impulse suit design

#hermitcraft #hermitblr #hcraft #Hermitopia AU #masterpost #long post #mod Shade

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