#i just dunno what to write

[brine-in-my-eyes]

i promise i will not freak out (freaking out)

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[aslyran]

Visions

[moongothic]

Crocodad AU where immidiately after having left Dragon and his baby boy Crocodile finds an 11 year old Robin. And while he's 100% only recruiting her so they can make a beeline for the Poneglyph and Pluton in Alabasta by the two of them... Crocodile accidentally sorta kinda adopts Robin.

At this point Robin's been running for her life from the Government for three years so her deep trust issues and fear of betrayal are starting to take root in her little heart. Like perhaps they haven't taken fully over yet, and being still a child I'm sure Robin might've still had that genuine hope that she could find a safe place to stay in. But I'm sure the though of "what'll he'll do with me once he gets what he wants?" would be nagging at her at the back of her mind. Meanwhile Crocodile's struggling between the pain and hurt he's already gone through and given him his trademark trust issues, as well as the aftermath of The Dragodile Divorce. But he also has his Fresh Paternal Instincts and probably misses his baby. So when given a small, scared child who is running for her life, being chased by the very same Government that'll want his son dead if they ever find out about him... Yeah that might fuck with your brain a little

You know this post was supposed to be just that first paragraph and just a few footnotes from the following two paragraphs. And then I kept on Having Thoughts. And I kept on writing them down. And oh no what happened when did this post get so long (Look I was going to either kept on writing my Additional Thoughts in the tags or I just put them in the actual fucking post)

Like considder this: based on this one SBS, we can kinda tell that if Crocodile was given a chance to raise a child, that child would be a spoiled little shit, right

So in this scenario, where Crocodile's looking after lil Robin, would he be kind of torn? Unsure how to feel about her?

Because on one hand, this strange child would have the potential to not only ruin his plans, strip him of his Shichibukai Privileges by outing him and his plans to the World Government, but also put his son in grave danger by extension (if she found out about him having been involved with the Revolutionaries and/or having a child). But on the other hand, his paternal instincts could make him want to spoil this poor little girl rotten. But only because he needs to (perhaps literally) buy her trust so she'll behave. No other reason, he doesn't feel sorry for her one bit, no sirree. (But maybe he did feel sorry for her, since his son could very well end up exactly like her. Poor little thing) (Which is why he needs to nuke Marijoa out of orbit as soon as possible, no matter the cost, and this child can't get in the way of Crocodile protecting his son) (But also this is a child. Like how bad could she be. Besides all he really needs to do to win her trust is be nice and make her feel safe, right?)

Of course, while I'm suggesting Crocodile could have some parental instincts, realistically, he hasn't actually spent any time being, you know, a father to a child (looking after his newborn for an unknown though short amount of time aside), so it's possible he wouldn't even know how to parent Robin even if he wanted to, would he? (Like taking care of a newborn and an 11 year old kid aren't the same either) So if he was kind of just emotionally flipflopping between No Trusting Ever and It's Just A Kid for God's Sake, Crocodile trying to be nice to Robin to make her feel safe and then telling himself to stop being so soft and vunerable... Yeah that would make for an absolute mess of a relationship. (Not to mention, let's be real, dude's a scary motherfucker too, and a bloody giant compared to itty bitty baby Robin. He could keep on accidentally scaring the shit out of Robin (who would be On Fucking Edge To Begin With) by just Being Himself. Like for example, can you fucking imagine if he caught Robin trying to cheer herself up with a little "dereshishishi" only to tell her to stop because "it was stupid"? 'Cause I can imagine him doing that, and boy howdy would that make Robin feel bad)

Or who knows, maybe Crocodile was just Born To Be A Dad, maybe he just Fucking Gets It. Like Crocodile is canonically pretty good at manipulating people to do what he wants them to do (see: how he played Vivi like a fiddle), so knowing Robin's position and understanding how she feels, maybe he COULD completely nail how she needed to be treated. Not being too familiar but still making her feel safe and happy, knowing exactly when to be stern and when to spoil her, etc. Dude just goes off and wins the Dad of the Year Award while being a deadbeat dad himself. The only thing Crocodile would have to worry about then would be making sure HE doesn't get too fond of her. And certainly that could never happen, he's so in-touch with his own feelings and so grounded, he's not a softie, get outta here. Or maybe he does but never realizes until it's too late and good luck backpedalling on those emotions now dumbass

Alright so, the reason I went on that whole rmble is just that like. I'm so interested in the relationship Robin and Crocodile already have in canon. I'm so facinated and curious about how the two feel about each other, considdering they did spend 4 whole years of their lives together as criminal business partners, though neither ever trusted the other. A partnership that was only ended because Robin betrayed Crocodile, out of her own trauma. (God, I want to see these two "reunite" so bad, I want to know how they feel about each other now after the timeskip and Robin joining the idiot in flipflops who foiled Croc's plans)

My question here is just that... if they had met 13 years earlier, would things have been different? Especially if Crocodad Real? Because as I mentioned in the begining, Robin would've been on the run for only 3 years by this point, as opposed to 16 years before running into Crocodile. Simultaneously, this would be before Crocodile went onto spend an entire decade all alone, slowly losing his marbles in his emotional solitude. They'd both be emotionally traumatized, yes, but would it have been as bad in this scenario? Like I did start this post kind of joking about Crocodile adopting Robin, and for clarity's sake I don't think they'd have like a father-daughter relationship nececarily. But it would be a strange relationship still, because we'd have two broken people, both struggling to trust anyone. One who had lost her mother and her only friends, leaving her all alone and afraid while running for her life. The other a father who had just given up his son whom he probably missed dearly. Both having these holes in their hearts from loss of family, holes that could not be filled with replacements. But could they find comfort in each other anyway, because they still as people occupy similar roles to their respective loved ones? If they both could just get over those trust issues?

Okay I've been going off on the Emotional Side Of Things for this AU Concept, THERE'S PLOT TOO

So if Crocodile did pick Robin up like 19 years ago, that should be before he set up base in Alabasta, long before he had built is homebase and financial empire etc.

Now the thing is, while we don't know when, where and how Crocodile learned about the Ancient Weapons, Pluton specifically and how the lead on it would be in Alabasta... Considdering Crocodile did once upon a time aim to become Pirate King, it would make perfect sense if he had learned about Poneglyphs during his past adventures, as he would have needed to get the Road Poneglyphs to find One Piece. And while the World Government did bury the truth about why Ohara had been burned down and why Robin had been given her bounty (remember, the WG claimed it was because she had sunken a fleet of battleships, which she had not, it was because she could read the Poneglyphs), considdering this is a Crocodad AU specifically, you could totally make an argument Crocodile could've learned about what actually happened to Ohara from Dragon and co. So, just to make this AU work, you could just assume Crocodile learned about the concept of the Ancient Weapons from Dragon. And who knows, maybe he overheard the truth about why Robin had been given her bounty from Dragon too (maybe Dragon was able to get intel from Garp in secret) or while going to Marijoa himself to attend a Shichibukai meeting or something IDK.

Maybe he learned about Pluton being in Alabasta before finding Robin by accident, and maybe they made a beeline for Alabasta the second Croc recruited Robin. Travelling takes time and the guy would've most likely had to find an Eternal Pose to Alabasta just to get there (also canonically Robin didn't enter the Grand Line until her 20s so they should've met in West Blue probably, since that's where Ohara was) Or maybe Crocodile had to haul Robin around for a few months while looking for That Missing Piece of Information that would lead him to Alabasta. (Imagine the two travelling from like island to island, library to library, Crocodile trying to find that leads while Robin's just so excited about ALL THESE BOOKS (she's helping too with the research) (but to her, research is playtime, so she's just having the time of her life) (Also, notice how Crocodile's Theoretical Child is a fucking loser ass nerd? Yeah Crocodile would encourage Robin reading and studying, surely. And that would be fucking cute))

But like, once they set sail to Alabasta...

Sure, Crocodile could try to do it The Slow Way that we know he tried in canon, building trust and creating his little empire etc. But also, in canon, Crocodile couldn't have jumped into action head first because without Robin, even if he had found the Poneglyph he couldn't have read it and found the location of Pluton. Crocodile choosing to do it the slow way may have been partially because he didn't have much of a choise and it could've felt like the smarter move long-term.

But in this scenario, he already has Robin. Yes, he could do it the slow, secure way.

But what'd be there stopping him from infiltrating Cobra's palace and kidnapping him (in the night, when nobody suspects a thing), demanding Cobra to spill the beans lest Crocodile kills him and/or his pregnant wife* (*Vivi was born 10 months after Luffy so depending on how long it's been between Crocodad leaving Luffy behind and this scenario... Yeah either the wife is there, still pregnant, or there's a newborn Baby Vivi)

Like it'd be a risky move but depending on how ballsy Croc's feeling and how confident he feels in being able to kidnap the king without being noticed... Yeah he could probably do it. And I'm sure he'd have no problem killing Cobra either, if anything it'd be required if he didn't want the Government to find out he was out to find Pluton, and god knows Cobra would tell on Crocodile if left alive. I could see Crocodad being maybe a little iffy about killing Baby Vivi though (it's not like the newborn baby could report him to the WG anyways), but if nothing else, he just needs to be able to pull off the bluff of his life to convince Cobra to do as he's told. And we all know Crocodile's good at convincing people.

The only question is, how would Robin take that?

Watching Crocodile go into Full Murder Mode, hearing him say he'd kill a pregnant woman/a newborn baby if he didn't get what he wanted? Like yeah, I'm sure 11 year old Robin would be fine with that, that wouldn't make any alarm bells go off in her head at all, it'd be fiiiine. IT WOULD NOT BE FINE, SHE'D BE SCARED SHITLESS. That fear of "what will he do with me when he gets what he wants"? Well, Robin may not have found the answer to that question in particular, but she certainly found the answer to the opposite question, and it's not good

So say Cobra, kidnapped (perhaps with Baby Vivi) by Crocodile in the night, guides the two to the Poneglyph under the tombs. Crocodile puts Cobra out of his misery because he's not needed anymore. And he asks Robin to read the Poneglyph for him.

Robin, who has spent the last little while, be it weeks or months with Crocodile, him having become her "guardian", the thing keeping her safe. Crocodile, who has now shown how cold blooded and cruel he can be. Robin, who might be scared out of her mind. Of him.

And the Poneglyph says Pluton, the thing Crocodile wants, isn't there. It's in Wano.

What's she going to do?

EDIT: I wrote a sequel post, enjoy

[foldingfittedsheets]

One sunny day when I was in high school I was walking home alone. The sun was shining, gentle wind rustled the treetops. I was just starting to be able to see that beauty again. I had been depressed for a long time, but that mundane walk home felt magical to me.

On the sidewalk I saw something unusual. I was in love with life in that moment and fascinated to know more. I crouched down to observe and saw the most enchanting bug. I’d never seen anything like it. To this day I can’t remember what it looked like, only that it was as beautiful as the sun shining on the green world below.

My attention was rapt on this tiny magical creature living in such a massive and wondrous world, wondering what it was and marveling that I’d never seen anything like it.

I didn’t hear the girls come up behind me on the sidewalk. But suddenly there was a leg beside me. I wasn’t embarrassed to be caught looking at a bug. I was glad someone else might come observe this tiny wonder with me.

Her foot shot up and stomped down abruptly, crushing the object of my interest. I looked up at her.

I didn’t know either of the girls standing above me. They had seen a stranger and decided to punish her for behaving in a way they considered unacceptable. I looked up at the face of the girl who had killed my bug, trying to understand her thoughtless malice.

I think she had expected me to be upset or visibly shaken by her destruction. When I stared unblinkingly up at her she seemed to feel a brief moment of shame, shifting uneasily.

Then she and her friend turned and walked away without a word spoken.

[radiance1]

"May I help you, mister...?"

Pariah Dark paused, slowly looking the old (by human standards) butler up and down before slowly sheathing his sword and crossing his arms. He looked the butler up and down once more, before glancing at the mansion and back at him.

Hm.

Hm.

"May I come in?" The king asked calmly, voice kept carefully lower than he would usually speak with. He was aware that his normal tone of voice was 'loud' in human standards. The butler stared at him for a moment, before slowly stepping to the side. "Of course, sir. Though I am certain I have not yet gotten your name."

He pushed his foot forward, soon passing through the threshold as fire wrapped around his body as he shrunk. Armor being exchanged for more 'comfortable' clothing besides his cape as he stepped through the doorway and grunted. "You may refer to me as War."

The butler nodded, not batting an eye as the sudden shift in clothing or size. "You came at quite the convenient time. Would you like to join us for dinner, sir War?"

Him?

Eat mortal food?

Perposterous.

"If you would have me and it's no further effort on your part, I could make such an arrangement." He fell in step easily behind the butler, hands folding behind his back in a similar if not a bit more extra way as his cape and hair swayed behind him with his every step.

"I believe I can arrange something to your liking," There was a sliver of mischief in the butler's tone as he led the king to what he assumed to be the dining room. "So far, all of my guests had only good things to say about my hospitality. I do so hope you're among them as well, words of praise from one of your station is quite hard to come by."

"I trust that your hospitality be nothing but kind." The king said, coming to a stop at a door the butler soon held open.

"Please, make yourself comfortable while I go inform those who will join you and make something more..." There was a slight twinkle in the butler's eyes. "Attuned, to your pallet."

The king chuckled. "I look forward to it." Then stepped inside.

[psychotic-nonsense]

"I'm sorry."

It's the first thing Steve says after everything.

After getting Vecna Cursed. After nearly dying. After a hallucination of Eddie saved him. After running through a looped forest. After finding sanctuary in Steve's memory of that Starcourt bathroom. After Eddie reveals himself as Eddie.

It's the only thing he can think of. It's not big enough to fit everything, but it's the only thing that fits in his mouth.

"Don't be."

Maybe that's the only thing Eddie can think of too. The only thing Eddie can bear to say.

Because don't be can't stop Steve's eyes from watering when he sees the vest in his closet. Don't be can't stop Steve's feet from dragging him to the cemetery every evening to clean Eddie's graffiti-covered tombstone. Don't be can't stop Steve from sitting beside Wayne and listening to him talk about the Eddie he remembers. Don't be can't stop Eddie's body from showing up in Steve's dreams, nor Eddie's corpse from his nightmares. Don't be couldn't keep the pain away enough, didn't stop Vecna from latching onto it while Steve was walking alone in the woods.

Don't be isn't enough for what Steve wants to hear. But even stuck here waiting, hoping, for someone to get Steve out, there just isn't enough time.

"I miss you."

"...Why?"

Eddie says it back so quickly, so quietly, like it's just unfathomable to him. Maybe it is, considering their last memories. But their eyes meet and he looks just as sad, just as longing, as Steve.

"You were my friend."

Steve can't help but say it like that. Like they were friends for years instead of days. Like Eddie was that important to him in their final moments. Like his heart really aches for Eddie every second of the apocalypse.

Can't help but say it like he means it.

"I wish we could've had more time..."

Steve's voice cracks a little there as he turns away, hiding. It's all he wants. It's all Vecna used to entice him with. It's all that's keeping him going, to finally fulfill the last request Eddie made. It's all he has left to feel close to Eddie.

The Eddie that's sitting right next to him, silent, his sight weighing on Steve's skin. Conscious and aware and the real Eddie. Trapped in Vecna's head as a backup power source, yet who still risked everything to come save Steve. Who Steve will never see again because killing Vecna means killing Eddie for good, and his heart doesn't want it, is begging for another solution...

But for once, his broken head overpowers his shattered heart.

"Maybe we did."

Eddie takes Steve's hand. Meets Steve's surprised look with his own small smile of hope. They're both suddenly tearing up, eyes glistening with life in this gray stall.

"Maybe in another world, we got a second first chance. A first second chance. Maybe even a third, or fourth. Maybe in a different life, we had everything we wanted. Because you, Steve Harrington, are too good for me to be doomed to meet just once."

And for a moment, Steve sees it. Feels it. Versions of them connected through the universe.

Little kids playing in the lake. One with bruised skin and shaved hair, loud but unfathomably lonely. One with a bruised heart and soft eyes, timid but stubbornly hopeful.

A rockstar with glittering chains, center stage in the spotlight. A set of eyes in the crowd or behind the curtain, watching only him.

A werewolf and a vampire, two cryptids of horror, meeting in the dead of a full moon night to feel safe with the only other one who understands.

A future where they won, where the only death was the one that mattered. A process of healing and learning, coming home to a family every single day.

A world without pain, without their hell, where two high schoolers found freedom from their shackles and company in each other. Hiding away together in the dark corners of the town.

Steve even sees other versions of them. Versions that he knows were originally never supposed to meet, yet forces so much greater than them pulled them together.

A metalhead drug dealer, constantly getting into trouble with one nail-bat-weilding cop.

A criminal's fugitive nature leading him to a rugged trailer park, and the dangerous owner within one such home.

An eccentric king in an old coliseum, always choosing one particular warrior as his champion.

A young programmer being pulled away from his work by sobs above his apartment, running upstairs to check on the law student that recently moved in.

Two actors, finding an easy friendship in the months of filming one season of a show that would change their lives.

In that moment, Steve's overwhelmed by the closeness he suddenly feels with the soul beside him. Falling into tears, he pulls Eddie into a tight hug, holding him so so close to convey everything he can't say. Feeling Eddie hold him back, hearing everything Eddie can't say in return.

Familiar music comes on outside the stall. Robin's voice calls out to him, telling him to come home.

And when he does leave, Steve hopes that someone out there will understand that he never can. Because here in Eddie's arms is the only place that will ever truly feel like home.

"Thank you... for everything, Eddie."

Thank you, Steve. For everything and more..."

--------------------

- List of AUs, in order, after, "Versions of them connected through the universe": Childhood Friends / Rockstar!Eddie / Werewolf!Steve & Vampire!Eddie / Eddie Survives / No Upside Down & High School

- List of Multiverse Steddie AUs, in order, after, "...yet forces so much greater than them pulled them together": Eddie x Gator / Baron x Michael / Geta x Sean / Keys x Eric / Quinn and Keery

[stevebabey]

no one asked but this is the post that inspired this! thank u immensely for the luv <3 number 1 comment was wondering what steve’s bids were & from his pov, so without further ado...enjoy — part one here!

—

Begrudgingly, Eddie has to admit that Robin might be right.

It’s impossible not to be looking for the bids since he brought them up to her. Even though Eddie was fully expecting to tell Robin to suck it, maybe even wager what little money he had against this working out, Eddie can’t help but watch for them in every interaction. And fuck, she’s right.

They’re little, but they’re there.

The first one Eddie would’ve missed if he wasn’t looking for it. Actually, that’s a lie; Eddie does miss it, until Robin points it out, the nosy bitch. It’s minuscule and honestly, it just seems like Steve asking his opinion — which friends do all the time! It’s why Eddie brushes right over it.

“Okay, be honest,“ Steve had said, walking and talking as he entered the living room where Robin and Eddie were sprawled across the couches. They were both waiting on him, the three of them set on heading out to the drive-in to catch a film.

Eddie can’t fathom why Steve felt the need to change his outfit for it, but when he returns, he gets it. It’s not quite the usual polo Eddie had grown to like on Steve, this one hanging a little looser, the colour a bit darker than Steve’s usual choice, the sleeves a little shorter — almost midway to a muscle tee.

Steve’s fingers fiddle with the distressed collar of the shirt, smoothing invisible wrinkles and fussing over nothing. He swishes back his floppy hair with a flick of his head. “It’s a new shirt, I know it’s a little different - but what do we think?”

He says we but he’s looking at Eddie.

Eddie, who has taken to trying to reel in his gawp because what the fuck Steve? It’s like he’s well aware of what drives Eddie insane and has specifically leaned into it. Some evil goblin in Eddie’s brain whispers think how good he’d look in your shirt and he squashes it, giving a visible twitch to shut down that train of thought.

From the other couch, Robin clears her throat loudly and smiles sweetly at her best friend. “It looks great, Steve.”

It’s sincere and Steve’s mouth tugs up, nearly a smile but his gaze fast-tracks back to Eddie. Eddie nods in agreement, a bit sluggish from his distracting thoughts and god dammit, the extra exposed skin of Steve’s arms are so not helping. “Yeah, looks... looks good, man.”

Steve smiles, lips pressed together but his shoulders curl in just a bit, deflating just a tad. From where Steve can’t see her, Robin waves her hands wildly and catches Eddie’s attention. He watches as she gestures wildly and it takes a moment to realise what’s she mouthing — ‘A bid! That’s a bid, you idiot!’

Oh fuck, Eddie thinks. Cos it totally was; the question, the focus on Eddie. He doesn’t even think about the logistics of it, of the fact Robin was right, just jumps right into picking up the bid.

“You trying a new style?” Eddie asks and then thanks whatever god invented the whole fake-it-to-you-make-it schtick because he’s feeling so far from casual or confident. “Going metal on me, big boy?”

Eddie just manages to catch the grin that breaks across Steve’s face as he turns away, giving a scoff — it comes out too soft though, giving away his complete lack of annoyance. He pulls that usual Steve Harrington pose, hands sliding onto his hips, and screws his face into some melted smiley-grimace. “Shut up, Munson.”

Eddie grins and goads on the blush that’s beginning on Steve’s neck, a glorious tinged pink colour. “If this shirt is any indication, you’d pull it off just fine.”

Eddie watches the blush climb higher as Steve ignores the comment, his smile still giving him away. He grabs his coat and pats down his jeans — ridiculous tight acid wash jeans that Eddie hates he’s somehow become attracted to — ensuring he has his keys and wallet. Once assured, he looks up at his two friends again, brows raised, and says, “Ready to rock and roll?”

That comment alone has Eddie seriously reconsidering his type in men.

There’s only a brief moment to talk about it when Eddie and Robin cajole Steve into going and getting them both popcorn to get a moment alone. Steve had scoffed, face twitching in the way it did whenever he tried to hold back a bitchy comment, but he still stomped off in the direction of the snack stand.

The moment he’s out of earshot, both voices explode in the back of Eddie’s van.

“What did I say—”

“Jesus H Christ, you were right—”

“Literally how many times do I have—”

“Oh my god, you were right—”

“ —before you realise I’m always—”

“Robin.” He cuts her off, hands landing on her shoulders. Robin eyes them warily, lips still parted from how her rant had been cut off. “Robin, I’m gonna kill you.”

“What?” Robin’s nose scrunches up. “What the hell are you—”

“Oh Christ, I can’t believe- how long have you noticed those bids?” Eddie’s aware he sounds a bit estranged, eyes probably wide and it doesn’t help when he softly shakes Robin back and forth. She lets herself be shaken, hair flying back in forth. “I can’t believe you didn’t tell me! You are such a bad gay friend!”

Robin smacks his hands off her shoulders with a frown, her freckly face perturbed at Eddie’s outburst. “Dude, it’s not my fault! May I remind you that until very very recently you were seeing someone else? What difference would it have made?”

Eddie waves his hand, disregarding the point with a shake of his head. His unkempt curls cover his face and Eddie sweeps them back in one motion, “What difference would it have made? Oh my, Jesus—“

Whatever long-winded sentence Eddie was about to spit out is lost by the sound of Steve’s approaching footsteps, effectively shutting both of them up.

Eddie flings himself to the other side of the van, putting an unusual amount of distance between Robin and him like they were being caught doing something they shouldn’t.

Robin frowns at him and gestures wildly with her hands in a way that means what the fuck man? Eddie gestures back, though he’s not entirely sure what his fast hand motions are supposed to mean when Steve rounds the door.

He’s got two buckets of popcorn tucked under each arm and Eddie quickly crosses his arms, tucking his hands into his armpits like his stupid hand motions will somehow give him away. 

Steve looks up, stopping just a way from the edge of the van, and looks at the pair of them. His eyes track from Robin still sitting on one of the old cushions and looking two seconds from burying her face in her hands, across to Eddie. He huffs a laugh and kneels on the edge of the van.

“I know he’s gross Robin,” He begins, tone light, as he holds out one of the buckets for Robin to take. “But c’mon, is the distance really necessary?”

Robin snickers as Eddie makes an appalled noise, both of which make Steve smirk. He holds out the other for Eddie to take and Eddie snatches it, glaring at him over the buttery rim for his comment. Then takes a handful and shovels it in because he can’t think of a witty comment to retaliate. Steve crawls into the van and plops himself between them with a content sigh.

“See? Gross.” He teases, shoving his hand into Eddie’s popcorn bucket to grab a handful. Eddie scowls and chews a little faster when the flavour on his tongue seems to register in his brain.

His eyes stare at the popcorn bucket as he chews, then swallows — up the front of the van, the radio that’s tuned into the correct frequency begins playing the opening credits song as the screen changes. Silence sweeps across the drive-in but despite the sudden hush, Eddie has no qualms about breaking it.

“Sweet n’ salty flavour?” He asks Steve, only half attempting a whisper. Robin shushes him instantly, her focus already on the movie that’s beginning. Steve smiles, looking a bit sheepish beneath the glow of the drive-in screen, but he nods.

“I know you like it.” He whispers with a small shrug of his shoulders. Like it wasn’t a big deal. Fuck, Eddie thinks again and hastily feeds himself another handful of popcorn before he says anything majorly stupid in response to that, like: Oh, amazing- have you noticed the big fat crush I have on you as well?

He doesn’t even need to look at Robin to know she’s smiling, smug as ever.

—

Steve, God bless his oblivious little heart, doesn’t even realise he’s doing it.

Steve likes Eddie. Eddie is— god, Eddie is different but he’s good.

He’s this strange amalgamation of traits that Steve can’t comprehend how they fit together in one body or how Eddie manages to pull it all off completely charmingly.

He’s loud, he says rude things, he’s fucking dorky, and far too sweet on the kids — he likes to tease Steve, and yet somehow, when Eddie calls him ‘pretty boy’, Steve knows he’s not actually making fun of him.

Steve likes Eddie, likes his boyishly endearing charm, likes his touchiness towards Steve that no other boy his age is like, likes his messy curls and his ‘holier than thou’ attitude about metal music even though Steve doesn’t get it, like at all. And fuck, Steve really wants Eddie to like him.

It reminds him faintly of when he first started working alongside Robin at Scoops. That thought tickles in the back of his mind, something along the lines of how he had wanted Robin to like him for other reasons, but he doesn’t delve into it.

To Steve, it’s simple: he just wants Eddie to like him.

After the night at the drive-in, between Eddie acting strangely skittish and Robin giving more amused snorts than usual, Steve knows something is up.

He knows they must have discussed something when they sent him on popcorn duty, the bastards. He tries his best to not feel left out; god knows Robin and he have more than a dozen secrets they’ve sworn not to tell anyone but each other.

Besides, Steve trusts Robin to come and tell him if he really needs to know, even if it does worry him a bit. He bites down his anxious thoughts, even trying for a moment to see if there’s a pattern he’s been missing.

That train of thought gets derailed when Steve recalls instead Eddie’s delightful reaction to his new shirt — that Steve definitely hadn’t bought for that specific reason.

Even though Robin had given him that look when he’d first shown it to her — her bright eyes had narrowed, her smile turning a little more coy, and Steve had felt his ears get a little hotter. She hadn’t said anything though, just suggested that he should wear it tomorrow night when they were going out with Eddie.

God, he was glad she suggested it.

Rewinding over Eddie’s parted lips, the way his brown eyes had drank in the details as they trailed up his body and lingered on his arms— Steve had the sudden thought to flex the muscle, just to elicit some reaction, but it had gone out the window at Eddie’s original dismal reaction.

‘Yeah, looks... looks good, man’. Said all aloof, like he hadn’t really thought it. It was like bursting a balloon hidden behind Steve’s ribs, one he wasn’t even aware was there until it was deflating pathetically, making his shoulders sag.

Then— ‘You trying a new style? Going metal on me, big boy?’ And dammit, it’s like Eddie had clocked exactly what calling him ‘big boy’ had done the first time in the Winnebago.

Eddie had then grinned, done another once over of the new shirt, even as Steve pretended to search for his keys and wallet while saying something snarky to try to cover up the heat crawling up his neck. Yet, Steve found himself smiling too because, fuck yes, Eddie liked it too.

But, apparently, whatever Eddie and Robin had discussed wasn’t considered important enough because Robin never brought it up.

The thought and worry about it melt away in Steve’s mind until the memory of that night is about Eddie’s compliment, about his cat-like grin over the popcorn bucket, and how he had leaned over to whisper every bad joke into Steve’s ear all through the movie.

Some of them had been down-right filthy jokes which Eddie only seemed to enjoy more when Steve screwed his face up and nudged Eddie in the ribs, yet unable to hide his smile.

After the third vulgar joke and subsequent nudge, Steve had chided ‘dude’ with a poorly hidden grin. Eddie, smile all cheeky, had nudged him back with a ‘dude’ of his own.

Which, of course, ensued a nudge competition til Robin had given a shush that librarians all over the world would be jealous of. But Steve didn’t even care because he and Eddie were arm to arm, pressed close together and Eddie…didn’t move. Stayed close, like he wanted the closeness the same way Steve did.

Steve only remembers the strange drive-in moment when Robin brings it up finally, on one interesting Saturday night.

It’s not the usual routine; it’s not very often that the whole group gets together to share drinks and get rowdy.

But it was for Robin’s birthday and she’d been persuasive enough to get even the introverts, like Jonathan, to come along. Though, she was aware he’d probably spend the night on a pool lounger, stoned to high heaven. Whatever floats your boat, she’d said, happy for the company in any form.

There’s enough of them there that it almost resembles some sort of party— and makes Steve try not to think about the last small party he threw here. He can tell Nancy notices it too, eyeing the pool a bit too long in a way he’s very familiar with, then taking a swig of beer.

So, Steve heckles them inside — doing a fantastic mothering impression as he waves the group indoors with a promise of pizza, and that has both Jonathan and Argyle perking up and beginning a fast discussion on the best pizza toppings.

Eddie makes a fuss, because of course he does, and moans terribly when Steve tries to roll him off the pool lounger he’s on. He’s had a bit of a joint and some beer, and Steve’s learned that he gets adorably stubborn after some substances.

“Stevie, this is mean,” he had pouted, gripping the edges of the lounger and staring up at Steve with those big brown eyes. “You telling me I did all that bonding with you for nothing? Can’t even lounge by the pool! I’ve got a couch at homeeeee.”

Steve had sent him an amused look of disbelief, hands on his hips after his first round of flicks against Eddie’s arm were apparently fruitless to get him to move. “Really? Didn’t peg you for a gold-digger, Eds.”

Eddie had snorted at that, one hand coming to slap over his mouth. Steve couldn’t quite hear what he had said but the words pegging and anytime slipped through and Steve thinks he could get the gist of that.

“Oh for Christ’s sake,” Steve muttered, feeling the tips of his ears turn warm. He didn’t know how Eddie could be such a menace— or why he enjoyed it so much when he was. Steve waved a hand in the direction of the doors, ignoring Eddie’s delighted snickering. “If you go inside now, you can be on music, alright?”

And that had finally got them all indoors, Eddie whooping and skedaddling through the doors in an instant, with a call of ‘no take backsies!’ echoing behind him.

Inside was much cozier, the whole group a little more connected when squished up on the couches together. Eddie had taken Steve’s word and was jamming a cassette into one of the speakers when Steve made it back inside after scouting around the pool for leftover cans and butts to throw out.

He’s just been thinking about what playful jab he could make at Eddie’s music, like Eddie always did to him when Robin hollered at him from the kitchen.

“Steve!” She’d yelled excitedly and he come to find her quick, brows raised as he entered the kitchen. She was grinning, already a bit jumpy as she got when she had a bit of liquor — but apparently not enough because when Steve saw what she’d called him in for, she’d announced, “Tequila shots!”

Which lead to now. A hazy combination of beer, tequila, and a bit of weed, and Steve is feeling good. Robin had managed to hijack the music not too long ago, with a hiccup of ‘it’s my birthday’ that had Eddie surrendering with a pout.

She’d since put on a bit of everything: some Blondie for Nance, Talking Heads for Jonathan, and some Bowie, just so she and Steve could dance along to ‘Magic Dance’ and she could do all the silly little goblin voices that made them both cackle.

Steve realised at some point that Robin was playing their mixtape, the one she’d made for driving in the morning, and nearly tripped stumbling over to her in his excitement. He grabbed her shoulders, not too hard, and squeezed.

“Is it- is this our mixtape?” Steve asked, words slurring only a bit. Robin gleamed, hair bouncing with her excited nod.

“Yes!” She was already dancing, even though the tape was between songs — because she knew what song was coming. “It’s Springsteen time, Steve!”

Right as the drums to Born to Run filtered out the speaker.

And oh, Steve loves Robin so much. He loves having a best friend that knows his favourite song and gets jittery and excited because she knows it’s about to play— that she put it on this mix for him.

“You’re my best friend!” Steve says, the words bursting out like he can’t control them. He doesn’t even feel embarrassed, just happy, just drunk, and overwhelming happy to be able to have this.

And even though Robin knows this, she still beams, feet dancing along and just begins to sing along with the song, “In the days, we sweat it out on the streets of a runaway American dream…”

It’s a brazen drunken performance from the both of them. Steve’s chest is heaving after just one chorus that he’s pretty sure he put his whole soul into and he’s so fucking happy —and it feels like pure instinct to seek out Eddie, his eyes scouring the room for him.

Eddie’s leaned up against the wall, hiding his smile behind a can and Steve doesn’t think twice about it— doesn’t think about why he’s so drawn to Eddie, why he wants to include him in this happiness — just extends his hand out and grins.

Eddie sees the bid coming this time.

Part Three.

— 

yes i saw all ur lovely tags and MAYBE cried about it. but thats none of ur business.

@orangeandthefairroadkill @swimmingbirdrunningrock @sadcanadianwinter @phantypurple @omg-elledubs-things @henderdads @farfaras @mixsethaddams @prismandblue @kerlypride @bushbees @legitcookie @temporalcoffin @callmesirkay @beautifully-useless @millyditty @cinnamon-mushroomabomination @ninjapirateunicorns @darkwitchoferie @vi-the-best-you-can @psychosnowfox @desert-fern @scarletzgo @cr0w-culture @softpink-candlelight @livingforfictionalcharacters @makewavesandwar @kozuuji @rhapsodyinalto @eddiethesexy @cassaloopa @lightwoodbanethings @qu33rcommunist @moonlitkilljoy @starkdusk @theysherobinbuckley @sanguineterrain @loganwright @sillysparrow @hotcocoaharrington @eddie-munson-is-my-wife @she-is-tim @steddiehearts @sideblogofthcentury @sidebarre @corrodedcoughin @stevieclaus

[goodfish-bowl]

Bunker in White

Danny Phantom x Supernatural Crossover

Masterpost

DP Crossover Angst Week Day 1 - GIW Experimentation

Summary: Sam and Dean take up a job to go investigate a government base that had been attacked by vampires.

Warnings: vague descriptions of blood and gore

Notes: hmmm, I have never written anything for Supernatural before, but I've seen a good portion of it (years ago). Probably takes place earlier in the show.

Word Count: 2044

AO3 Link

Sam and Dean had gotten this particular lead from Bobby, who in turn got it passed onto him from someone else, so it wasn’t a surprise this particular job was a mess. 

Apparently, a group of vampire’s had decided a weird, underground, government bunker would be the perfect hideout, resulting in a bloodbath between the government goons and the vamps. It was a large group too, which was a point of concern among the hunter’s who turned down the job. No one really knew who’d won inside between the vampires and the government, but Dean had placed his money on the vampires. He honestly doubted that some government agency with an obsession for the color white had any idea what they were up against, much less the correct tools for the job. Dean got proved wrong when they came across the first dead vampire. 

The bunker’s fluorescent lights were harsh against the darkness outside. The entire base still seemed to have power despite not being connected to any sort of power grid or system. It had made it an absolute pain in the ass to find, but at least that meant Sam and Dean didn’t have to wander around in the dark. The harsh lighting and bleached interior revealed a slaughter inside, staining the white walls with both vampire and human blood, leaving very little to imagination. The humans, all agents in once-white suits, looked to have been mauled by the vamps, while the dead vampires had holes blasted through them and were covered in green-tinged burns. Dean kicked one, trying to make sure it was actually dead. Yep, dead vamp, the whole place unfortunately smelled like it too. 

Sam had found one of the more physically intact agents with a large bazooka-like weapon next to him at the back of the hallway. Rummaging through the agency's pocket’s Sam tossed the ID card over for Dean to read over, while Sam picked up the weapon. 

Dean flipped open the wallet, and huffed when the agent was only referred to by a letter and position. No personal information whatsoever. 

“This asshole is apparently ‘Agent B, senior heavy weapon specialist of the Ghost Investigation Ward’, which means shit to me,” Dean complained. 

“‘Ghost Investigation Ward’? Is that supposed to be some sort of knockoff hunter’s group? Because points for vampire killing, less points for dying,” Sam added. “Either way, they were messing around with something supernatural, and had weapons that could blast straight through a vampire. Think we could find something here?”

Dean shrugged, “I’m down to take their weapons at the least. New tactics are always appreciated.”

Sam took the bazooka, and Dean picked up any other weapons of interest, from weighted nets, to more guns, storing them in piles to collect and ferry to the car later. The ID got them access to a couple more rooms, including a security camera and file room, which Sam said he was going back to later. The deeper they descended into the base, the more spaced out the bodies were, and the more violently the agents had seemed to fight, like they were protecting something. 

“Do you think they actually managed to catch a ghost here?” Sam tossed out. 

Dean snorted, “Doubt it. Sure, you can blast a hole through a vamp, but you can’t blast a hole through a ghost. Just trapping one is a pain, let alone moving it to the middle of bumfuck nowhere, Illinois.” 

Hydraulic doors hissed as the brothers entered the next level, only to pause from the sudden change in pattern. This one opened up into a laboratory, partitioned off by thick glass walls, rather than the collection of offices and storage the upper floors had been.  

Dean’s eyes narrowed at the carnage inside the laboratories. 

“What the hell were they taking apart that bleed fucking green?” Dean cursed.

Dean completely ignored the bodies of who he assumed had been the scientists. There were tons of vials of various liquids, most of them being that same saturated, radioactive green. There were also jars, lots of jars, of what he assumed were the bits and pieces of whatever creature bled green. 

“Doesn’t look like whatever they were dissecting was dead while they were taking apart,” Sam commented, pointing out the restraints on the bloodied autopsy table. 

“Fuck, that’s sick. At least kill whatever you're taking apart first.” 

Dean watched as Sam went over to a stack of papers, filing through them quickly with a grimace on his face.

 “Well, they seem to believe they caught a ghost, at least. They definitely caught something before the vampires wiped them out. The reports refer to it as Subject P-1.”

“Think it’s still here?” Dean asked. 

“Maybe. This report is a few days old, and we know the vampires attacked within that same time frame, so it’s possible that ‘P-1’ is either still here, dead here, or managed to escape in the crossfire,” Sam guessed.

“I suppose we’ll find out. We only got one more level to go.”

Dean left the lab, going down the elevator to the last level. There was nothing there, except for a singular glass cell with what looked like a blast door as its entrance, all shining with some sort of green energy. There seemed to be automated weapons and cameras all pointing at the cell, and Dean considered it a bit extreme. But also down there was the biggest collection of dead vampires they had found so far. 

The weapons in the room had obviously activated for whatever reason, considering the number of vampires with holes blown through them compared to the agents, of which there only seemed to be two, who looked more like they had also been caught in the crossfire of the weapons, rather than becoming vampire food like most of the guys upstairs.  

“Dean…” Sam shoved him, and pointed to the cell. There was…something inside. 

Dean walked over, shoving bodies out of the way with his foot to stand in front of the cell. The green… whatever it was, shone along the glass and hummed with energy, reminding Dean vaguely of an electrified fence. The inside of the cell was a mess but in a different way than outside. It reminded Dean of a few of the cells he had seen monsters hold people in before. It was dirty, and covered in blood, both red and that unknown green. There was no cot, or toilet, or any other sort of accommodation. 

The only thing in the cell was a small figure, dressed in nothing but tattered scrubs, and covered in its own blood balled up in the corner, head between its legs. Dean could only make out pale, emancipated legs and feet, and a mess of matted, black hair. 

“Is it alive?” Dean asked, tapping on the glass, which surprisingly didn’t zapped him.

Sam had a grimace on his face. “I…think.”

“Hey!” Dean shouted. 

No reaction. 

Dean pounded more heavily on the glass with his fist, “Hey! Are you alive?”

No reaction. 

“Are you P-1?” Sam asked instead. 

This got a reaction. The figure picked up their head, placing empty, hollow, and frighteningly blue eyes on Sam. They seemed to be a young boy, face pale and thin, deep bags under his eyes. His eyes were glassy and distant, looking through Sam rather than at him. 

“Well, that’s unnerving,” Dean muttered, giving Sam a look before shoving his shoulder. “Tell him to do something else.”

Sam frowned, thinking for a moment before saying anything. “P-1, state your status,” Sam commanded. 

The boy, P-1, remained silent.

“I don’t think it talks, Sammy,” Dean snorted. 

Sam sputtered indignantly. “What do you want me to do then? We know he’s P-1 now, and that he’s still somehow alive.”

“Well, we know he ain’t human, and that he’s whatever these goons have been picking apart. No clue what he is, but in that state, I doubt he can do much. The lights are one but no one seems to be home, Sammy,” Dean said. 

It was a harsh suggestion but, “We could just put him down and be done with it. The vamps are all dead, there’s nothing here except braindead P-1 over there.”

Sam, apparently, very much disagreed with that idea. “He’s a kid, Dean! And he’s been tortured for who knows how long. We’re not putting him down!”

Dean groaned. “Do you want to take him with us or something?!” Dean asked incredulously. 

Sam was silent, apparently thinking over the idea like it was a legitimate suggestion. 

“No,” Dean immediately denied. “Nope, no way, Sammy. We’re not adopting whatever-the-fuck that kid is. He’s not a dog. We have no idea what he’s capable of, let alone if he’s dangerous!” 

 “Then we keep an eye on him! You said it yourself, in that state, I doubt he can barely move. We could even put him in Bobby’s panic room if he acts up, but honestly,” Sam glanced over to the boy, “I doubt he would even notice.”

Dean hated the idea. He didn’t want the kid to potentially go ballistic, and there had to be some reason he was locked up in the first place. But he couldn’t think of any other reasons to leave the kid there. If anything, they could figure out what the kid was so that they knew how to defeat anything like him in the future. 

“Fine!” Dean relented. “But you’re taking care of him.”

Sam seemed to untense and turned back to the boy. “P-1, move to the door,” he ordered, before more quietly adding, “We’re getting you out of here, kid.”

The boy stood up, swaying on his legs, before approaching the door, standing just outside of it. Dean watched as Sam fidgeted with the door, before eventually having to pull another ID from one of the nearby agents to get the door open. Sam led the kid out, who didn’t have much of a reaction at all. Dean frowned at how small the kid was, now that he could get a better estimate literally standing next to him. He couldn’t be older than 12. 

“Okay, we’re leaving. We got some cool things and you’ve adopted a weird kid. We can confirm the vampires all died here too. Anything else we need to grab before we go back?” Dean huffed. 

“I’m going to see what I can pull from the record room on the way back. Could you take him back to the car?” Sam asked. 

Dean looked at the kid again. Yep. No one home at all. He doubted the kid even knew what was going on. At least he wouldn’t complain about Dean’s music choices. 

“Fine, but you take too long and I’m leaving your ass here,” Dean stated. “Come-on, P-1.”

Dean took the elevator back up the entrance, still careful to check around if they had missed anything still-alive, only to have silence. The kid barely made any noise as he moved, Dean decided he didn’t like that after the third time he jumped at the kid standing directly behind him. 

“I’m getting you a bell,” he grumbled. 

Back at the car, Dean tossed his looted weapons into the trunk, glancing at the kid before rummaging into his and Sam’s duffles for some spare clothes. It looked really suspicious to have a bloodied kid in a medical gown walking around. It would be oversized, but Dean grabbed a flannel, jeans, and a belt. Bobby would probably have something from when he and Sam were that small. 

“Hey, kid, P-1, put these on,” Dean held the clothes out to the kid, who didn’t react. 

Dean groaned. “Oh come on! This is why Sam’s your caretaker. I don’t know how to dress a kid!” 

Dean approached. “Gotta fucking command him like a dog,” he muttered. “P-1, arms up.”

The boy raised his arms, and Dean untied the medical gown letting it fall to the ground. Dean froze, bile building in the back of his throat, fighting the urge to throw up. Images of the jars and vials passed behind his eyes. No wonder the kid was mentally gone, Dean couldn’t see anyone surviving, let alone living long enough to walk out.

God, they needed to get the kid to Bobby. 

[basilpaste]

actually this is a thing i want to write a post about.

there is a clear and obvious double standard with how people react to fanart vs how they react to fanfic. i am not talking about random youtubers reacting to fanfic to make a quick buck, im specifically talking about fan spaces.

it is incredibly common, in my experience, for people to leave unsolicited critique on fanfic. be it little things like correcting typos or more major things like saying that a fic did a bad job delivering on what it set out to do (that is a real thing ive been told!!!).

on the flip side, it is MUCH less common to get comments like this on fanart. even things the artists recognize as mistakes get glossed over in favor of looking at the cool art someone made! because someone made that! for free!!!!

people who write fic are very rarely writers my trade. they make mistakes. pointing out those mistakes is a very good way to make someone feel bad about their work. people will ask for critique or help with editing if they want it. giving unsolicited advice is often more harmful than helpful. and one or two things being spelled wrong or phrased weirdly isnt going to ruin the experience.

[misc-obeyme]

Hello hello!!! I just saw your kink/flufftober post and wondered if I could request “biting” with barbatos? It can be either fluff of nsfw, whichever gets the creative juices flowing more! As always, love the work you do here, thank you!!!!

Hello and thank you I'm so glad you're enjoying my writing! <3

I was doing so well keeping within my word count limit until now. I can't act like I'm surprised, it's Barbatos we're talking about lol. And I decided to use this as a kink prompt because ooooof I love biting. So you know, having two things I very much enjoy as a prompt ended up with something slightly longer than perhaps intended. But I think it turned out okay still!

Thank you for submitting a prompt!

KINKTOBER 2023

GN!MC x Barbatos

NSFW MDNI

Warnings: biting, a little bit of blood, oral and penetration (both reader receiving)

You were in the kitchen at the Demon Lord's Castle, helping Barbatos make red velvet cupcakes. Since it was a flavor from the human world, you had agreed to help out with making them, passing final judgment on how they turned out. You were currently mixing the red food coloring into the batter. While the recipe you had used was a classic red velvet recipe, the bright color of the cake still needed that extra vibrancy from the food coloring.

Barbatos was beside you, mixing vanilla into the frosting.

Normally, Barbatos entered a sort of flow when baking. It was almost meditative, the way he moved around the kitchen so easily. But at that moment, you noticed that he seemed a little distracted. Certainly the frosting was looking delicious, but he seemed to be focused elsewhere.

You stopped what you were doing and looked over at him. He froze, meeting your eyes for a moment before flicking his gaze down to your fingers.

You looked down at your hands and saw that they were covered in red food coloring.

You laughed a little. "Sorry," you said. "I'm making a mess, huh? Is that why you're so distracted?"

Barbatos closed his eyes and frowned. "You needn't apologize, MC. I'm afraid seeing that brilliant red on your skin has made me think of things I shouldn't."

You were puzzled by this response. You cocked your head curiously. "Such as…?"

Barbatos opened his eyes and the hunger you saw there made heat run through you. Barbatos put down the spatula he'd been using to mix the vanilla into the frosting and took one of your hands instead. He brought it to his lips and kissed away some of the red. The way it painted his lips was so sensual your knees went weak.

You let out a little gasp as Barbatos circled behind you, putting his red stained lips to your neck. You had to grip the kitchen counter for support as he sucked for a moment, his arms going around your waist.

Barbatos let his teeth scrape gently across your skin as he pulled his lips away. "Forgive me, MC. I am not sure what has come over me."

His arms moved as if he was about to move away from you, but you put both of your hands on them. You didn't care that you were likely getting red food coloring on him. You just wanted to hold him in place. "Don't stop."

Barbatos pressed himself into you and there was no mistaking the erection you felt against you as he put his lips back on your neck.

You moaned as he bit down gently, as though he couldn't resist but he also didn't want to hurt you too much.

You deliberately pushed yourself back against him, making it clear that you knew how turned on he already was.

Barbatos laughed softly against your neck. "What is it you would like from me, MC?"

"I want you to bite harder," you said.

Barbatos put his lips on your ear. "As you wish."

A tingle ran up your spine at the sound of his voice in your ear. He turned you around in his arms, then lifted you bodily. He set you down on the kitchen counter, on a spot that was far away from where you had been attempting to make red velvet cupcakes.

In moments, Barbatos had removed your clothes and put his lips on your inner thighs. Your hands flew to his head, fingers running through his hair. You gasped and tried desperately not to pull when he bit down on the sensitive skin there, harder than before just as you had asked. He worked his way up your thigh, biting the whole time, making you gasp and whine as he did.

When he finally put his tongue between your legs, you cried out his name, your legs squeezing around his head involuntarily. He stayed there for a long time, but he never let you get too close to orgasming.

Barbatos finally stood up, causing you to whine and grip at his arms unhappily. You squirmed on the counter top as you tried to pull him closer to you. He obliged, moving closer to stand between your knees.

Barbatos reached out and put his fingertips to your neck where he had been biting it earlier. He wasn't wearing his gloves, of course, he had taken them off long before you even started baking. Now his fingers were covered in the red food coloring.

"Barbatos," you said as you pulled on his pants, unzipping them and pulling out his cock. You rubbed it in your hands for a moment before looking at him. "Please."

"Normally I would not allow such a mess to occur on my kitchen counter," Barbatos said quietly, putting his hands on either side of you and leaning in to your neck once again. "But I'm afraid you've awakened something in me, MC."

You wrapped your arms around his shoulders in an attempt to pull him closer. You realized that the counter here was a bit lower than it was in most of the other places in the kitchen. Which meant that you were at the perfect height. You smirked a little when you realized that Barbatos knew exactly what he was doing when he placed you here.

The smirk was gone in an instant as Barbatos pressed his cock into you, his teeth leaving marks on your neck at the same time, his hands gripping your hips. You had to hold on because as soon as he was inside you, Barbatos did not hold back. You felt your entire body heat up as he thrust fast and hard, his teeth continuing down your neck. He reached up to pull your top out of the way so he could bite down your shoulder.

The sweetness of his cock inside you mixed with the pleasurable pain of his teeth was almost too much sensation. You couldn't hold still and you couldn't keep quiet. You were already close from when he was using his tongue and it wasn't long before you were crying out, clamping hard around him. You felt his cum inside you only moments later.

When Barbatos pulled away to look at you, the red of the food coloring was still bright against his lips, but there was a slightly darker red next to it now. He leaned back in and kissed the bite marks he had left.

"Your blood is much prettier than this food coloring," he said softly in your ear. "I do hope I did not hurt you too much by drawing it."

You sighed against him, leaning your head on his shoulder. "Next time you can add the food coloring to the batter."

Barbatos chuckled, taking your face in his hands and kissing you. Later you would need to wash the red off your hands as well as your lips, cheeks, neck, and thighs.

flufftober | kinktober | masterlist | Thank you for reading!

taglist: @anxious-chick @t0tallycoolname @libidinous-weeb

[stop-breaking-my-heart-telltale]

Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.

Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.

I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.

However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.

You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.

Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!

That's always the conclusion, right? One good, one bad.

This is incredibly limiting and it drives me nuts.

They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.

One is not good and the other bad, they're different, and I think that's worth exploring.

Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.

Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.

However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.

Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.

Marlon and Minerva are also reflective of Clementine's worst outcomes.

Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.

After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."

When she chooses Louis, he does for her what he never did for Marlon: he steps up.

Clementine proves she won't become Marlon just as she proves she won't become Minerva.

After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.

When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.

They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.

Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.

What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.

Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?

So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.

Actually, let's talk about that a little more.

In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.

An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.

On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.

These are interesting to me because I get where they're coming from... but they ultimately miss the point.

The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side… and something occurred to me. 

Louis is about challenging Clementine's perception of survival, and Violet is about validating it.

Louis challenges Clementine from the very moment we meet him—he’s playing music. His initial philosophy on survival butts heads with Clementine’s. The fact that hunting with him and Aasim challenges your perception of “your choices have consequences.” These games have conditioned the player to think along the lines of, “Yeah, Louis is more fun… but if I don’t hunt with Aasim, we won’t have any food.”

Except that’s just it. I hate to say it, Aasim, but in the grand scheme of things… hunting with you doesn’t matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It would’ve been more beneficial to spend time with Louis over hunting, hence how he challenges you.  

This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano… but that’s the point. If you’re going through with Louis’ full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isn’t entirely right about the way she’s gone about survival.

Oh, and do I even need to mention the vote? The debate over Louis’ vote is exhausting. Often times, people tell on themselves in how they talk about it. It’s not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar… and yet Louis is the one who takes all the blame as if he’s the only one personally kicking them out. 

Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement… or, you can double down and tell him to fuck off, AJ was justified. 

But here’s the thing… the vote adds to the appeal of Louis’ route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.

Except it’s really not.

Ever heard of a thing called tension? Because there’s a lot of it in ep2 between clouis + AJ and it’s fantastic.

Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship… only for that to seemingly be taken away from us the moment AJ shoots Marlon. 

Yes, Louis’ route is about being challenged, but it’s also about challenging him. That he’s able to forgive them, that he’s able to question his own survival philosophy and understand theirs, that he’s able to apologize and actually change for the better… that right there is what makes clouis so damn good. 

He becomes hardened whereas Clementine softens. By the end of the game, they’re on a similar level now without neglecting their differences, and they can move forward together. 

That’s what makes Louis’ route appealing… and it’s also what makes it unappealing to people who prefer Violet. 

By contrast, Violet’s already on Clementine’s level when it comes to this perception of survival. She validates that Clementine’s on the right path.

They have other similarities in the way that they’re both female, queer, they both have a kid they look after, they’re not always great with other people, etc. 

People who prefer Louis might consider this boring, but I think to Team Violet, it’s comforting. It’s comforting to have a partner who takes this as seriously as you do, who wants to get shit done. They’re playing Clementine with a similar attitude, and don’t believe it needs to be challenged. It’s comforting to feel validated on something you already firmly believe in. 

We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.

Violet’s prioritizing fishing because they need food. That’s what they’ve set out to do, so let’s do it. The game is letting you know that’s the case, and if you value that, continue pursuing her. 

While fishing, they discuss why things are weird with her and Brody. Violet doesn’t take well to Clementine’s blunt, “Because you make it weird. Brody tries and you just make fun of her."

That’s understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that it’s because Brody never said sorry for what happened to the twins. 

There’s also comfort and validation in the way Violet sides with Clementine and AJ after Marlon’s death. She votes for them to stay, vocalizing how much she disapproves of the results. There’s this feeling that I recognize from a lot of the sapphic romance I read; “it’s you and me against the world, I’ll always have your back, even if you’re in the wrong, I’ll fight for you.”

In our case, it’s violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them. 

The tension between violentine in ep2 is different because instead of one pushing the other away, they’re being forced apart by the vote and there’s nothing they can do about it. That tension is somewhat released when Clementine comes back and they’re reunited, working out a plan to best defend the school. 

It’s also why Violet’s presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses. 

All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. It’s up to the player to pick what path they prefer, but that doesn’t mean the other path isn’t worth acknowledging or analyzing. 

I should also mention that they’re not exclusive; there is overlap with validation being present in Louis’ route and challenges in Violet’s. They’re just more present in episodes 3 and 4 after we’ve made our decision. 

There are several more examples of how this all fits together, buuuuut–

Ya’ll wanna compare some allegories?

Those familiar with my content might already know where I’m going with this as I’ve made a post about Louis and the piano in the past. 

You see, I believe that there are allegories for Louis and Violet’s hearts present in their routes: Louis’ piano, and Violet’s pin. 

I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all I’ll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its wood…

And that makes me fucking feral. 

But I'm also so normal about it.

As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so she’ll always remember that night… but she doesn’t give it to her until after Clementine’s saved her, and that fascinates me in the context of it being allegory. 

Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if he’s the one who’s captured. Yes, yes, he’s also incredibly traumatized from having his tongue cut out and he’d be happy to see anyone, yada yada… but listen, if you romance Louis and he’s captured, his heart remains with her—that piano with their intitals is on full display. When he sees her, he’s still so devoted to her that he refuses to accept that it’s at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when they’re together in the end. From the moment Clementine puts knife to wood, he’s hers. 

Now, look… you might think I’m going somewhere not great with this but hear me out. 

I think after Clementine’s gone star gazing with her, Violet is fully ready to give her heart to her. Y’know, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment. 

I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementine’s the one. 

Louis gives her his heart prior to the raid because of everything that’s already gone down between them following Marlon’s death. Violet needs to know that Clementine’s willing to fight for her the way she fought before. When Clementine saves her from the raiders, it’s solidified. Even after she sees Minerva again, it changes nothing.

It’s also worth noting that the pin is something Clementine wears. Like the piano carving, it’s a piece on display for everyone to see, to let them know whose heart Clementine has.

Violet literally handed Clementine her heart as a means of saying, “I’m yours. I’m devoted to you.” 

This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead! 

If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayin’. 

Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burned—yes, yes, I know, her eyes are burned and Minerva messed with her head so of course now she’s not hostile, yada, yada. 

But I think it’s rather telling that you don’t get the pin in this route. Sure, Violet’s willing to forgive and possibly pursue this romance in the future… but she’s not ready to hand over her heart, not truly. Not after everything that’s happened. 

And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if she’s captured, it’s possibly still sitting somewhere, abandoned. 

Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.

Okay just let me talk about their reactions to Tenn's death and then I'll shut up.

This makes me want to gnaw my own foot off, I can barely handle it.

AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.

When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"

AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."

If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"

If Clementine says nothing, Louis says, "Tenn was just a little boy!"

The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!

When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"

AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"

If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"

And there it is.

Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.

This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.

Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"

Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."

As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."

"So you're mad, but sad."

"Can I be that for a while?"

And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.

Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.

Let me put it to you in simple terms... they react the same.

After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.

The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.

It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."

Do I need to say it again? I'm gonna say it again.

One is not good and the other bad. They're different.

There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!

That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."

Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh… hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.

There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.

I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!

I'm so done with The Debate™; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.

I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"

So yeah, that's my ramble for the night.

I'm gonna go replay TFS for further research.

[0m3n-0f-d3ath]

Test dialogue animation

[syrupfog]

AU where Sanji never actually left Germa, and Judge made him a test subject early on, successfully getting rid of his empathy after years of torture.

But like, he has those years of bullying from his brothers first, and his empathy’s gone but his anger’s still there. Also with no Zeff, he fights with his fists and doesn’t treat women Like That. Because Zeff’s the one who instilled in him to never hit a woman (and made it weird but that’s not the point).

He’s out on some mission in the Grand Line when he runs into the Straw Hats and he sees Zoro’s green hair and associates it with Yonji and he just haaaates him on sight.

The fight is super evenly matched and Zoro manages to knock him out eventually but he’s like what’s the guy’s DEAL. Wtf is his problem.

Maybe Law’s with them when it goes down and he recognizes that costume and fanboys…

Oh actually yeah— Law’s with them! And after Zoro knocks him out, Law goes into Creepy Surgeon Mode and is like for the love of god please let me get my fingers in that chest cavity

And everyone else (bar Robin ofc) is like Σ（ﾟдﾟlll）

But Law gets a room going and finds all sort of odd Germa technology literally implanted in him and starts pulling it out and messing with it and suddenly Sanji wakes UP and he’s— he’s scared. And overwhelmed. He’s in real time having to reckon with years of torturing people.

And Law’s like oh the emotional part of this is not in my pay grade this is not my job anymore and dips.

So Sanji’s there in the Sunny’s infirmary like “I’m a monster I need to be put down oh my god” and Luffy shows up like HEY you’re cool as hell join my crew.

Zoro is not a fan of this option and also it turns out neither is Sanji BUT sanji has nowhere to go so he makes a deal to sail with them until the next habitable island. So Zoro watches him like a hawk bc he’s like “you’re definitely faking this and are gonna turn evil and try to kill people again right”

But instead he just keeps finding Sanji being really pathetic and sad and looking longingly at the kitchen (Robin doubles as the cook and her food is damn near inedible but that’s just the life of a pirate innit)

Late one night Zoro comes off watch and he sees Sanji sneaking into the kitchen and he thinks OH he’s going to try to POISON US so he sneaks in after him and confronts him, swords and all. And Sanji, who knows what an awful person he’s been and knows he deserves death, just starts crying and is like “yeah you can kill me just let me cook one thing once I just want to remember what it feels like”

So Zoro lets him cook, and is like yeah I’m killing you after this, and Sanji spends a long time sniffling as he re-familiarizes himself with pots and pans and spices and knives and ends up making something garlic-y and delicious that smells strong enough to wake up the crew, and everyone traipses in enraptured by the smell. So Sanji serves them and Zoro tries it first because if it’s poisoned he’s not letting EVERYONE go down. But it’s not poisoned and it’s really good, and anyway Zoro can’t kill him now in front of everyone.

But three nights later the same thing happens— he sees Sanji sneaking into the kitchen and follows him and Sanji says “I know you should’ve killed me last time but you couldn’t, I get that, but I’m dangerous. So let me cook just one more time and then you can kill me.”

And it doesn’t happen of course. Everyone comes in and everyone eats and Zoro watches Sanji recover a little of himself.

And so it goes. At first every few nights and then every other night, and then every single night.

And whenever Zoro comes in, Sanji says, I know I deserve to die but let me cook just one more thing.

And at some point Zoro stops thinking about killing Sanji. He’s a part of the crew now. He’s proving himself, and anyway Zoro can beat him and hold him down and Law can reverse whatever it is again if needs be.

So it’s just a thing they do. Zoro lightly threatens him and Sanji begs for his life and they move on. It’s routine but it doesn’t actually MEAN anything anymore.

That is, until one really bad night where Sanji doesn’t show up in the kitchen like he always does, and Zoro goes looking and finally finds him deep in the steerage, and Sanji says, “I can’t keep living like this, please just kill me. I can’t keep living knowing I’m going to die the next day.”

And Zoro’s like ???? You’re not gonna die the next day wtf

And Sanji says, please, just get it over with.

Zoro realizes that Sanji has continued all this time assuming Zoro really is coming to kill him every night

But it’s been MONTHS at this point. Surely he wouldn’t still think—

But Sanji’s wracked with more than a decade’s worth of guilt, is so sure he deserves the worst the world possibly has to offer.

Too bad Zoro’s a little in love with him at this point. And says anyone who wants to kill Sanji will have to go through Zoro first.

Which Sanji DOESNT UNDERSTAND and he doesn’t understand the kiss Zoro follows it up with, but he returns it. Greedily.

Because as much as he knows he deserves death, he also relishes every moment of life, every chance to feel the emotions he wasn’t allowed. And Zoro goes from jailer to protector in his mind. Slowly. Hesitantly.

He spends years working through the trauma, decades really, but the simplicity with which Zoro sees the world helps. Zoro doesn’t blame him. Zoro loves him. Sanji doesn’t know much but he knows he’ll defend this ship that saved him with his life.

And he knows Zoro wouldn’t let Sanji defend HIM with his life, because Zoro views his life as precious and important.

Which is something Sanji is still learning.

He’ll get there.

[crow-caller]

Angel radio is 9 years old at this point since publication. I wrote it in 2013, over a decade ago, when I was 16. I think it'd be a really interesting essay/video to reread AR. "I was a teenage author: here's what happened next" but the answer is. It would probably hit a level of depressing real life rumination that would feel both indulgent and too personal. It's kind of hard to talk about being a teenager without it

But also. It's a fascinating subject I wish I was the kind of person to do a large project on— authors and 'failure' and what it is like years later. It's hard to publish a book/be published, and most of the time, it won't become a hot classic everyone recommends. A book is everything to you, but it will likely be forgotten. I know a lot of indie authors who published and then stopped, who published with high hopes and lost those. You just move on, life continues. But the hope you feel when a book comes out is a weighty feeling.

I also wonder a lot about mainstream authors, where this still fully applies. So many authors get one series, one book, and it just doesn't do well enough. And then what? I trawl about the 2010s YA section a lot, and there's so many series that were never finished by authors I've nor heard of, books from the Big 5 that simply didn't become Anything. And then what?

As a writer you need to accept what you have, and be proud, anyway. But the feeling of "this book will change everything, I'm an author! This is it!" Versus the years later "I'm an author. I've published some books. They exist." is.... well, it's something.

[triglycercule]

nightmare's gang but they're one of those youtube family channels that extorts the kids. HEAR ME OUT HEAR ME OUT

i mean cmon man managing his multiversal takeover scheme must take a lot of money. nightmare needs a source of income. so what better than to torture and extort his gang even more. he makes them behave and act entertaining for the camera because if not they get beat and punished. he has cameras everywhere in the castle for content and to monitor everyone. people online are worried about the "kids" on the channel because they are CLEARLY being abused and exploited. nightmare gets a feast of negativity from these peoples' worries. now do i think that he would be cruel enough to force his gang to act like children for this channel?? i dunno,,,,,,,, perchance (YOU CAN'T JUST SAY PERCHANCE)

idk there's definitely a lot more than could be done with this stupid idea. but i just think,,,,,, i just think it would be funny,,,,, think about it,,,,,,,,,,