#i just don't have much idea on what to draw

[alhaithams-malewife]

I remember getting into a heated argument with him over this issue, actually. (Adding a cut because this went on longer than I intended)

I was struggling with a very condescending and belittling client for about five or so months and eventually what he (client) said got to me more than usual. I don't remember the exact comment, but it was something along the lines of "you force yourself to be perfect and yet you're never good enough." Needless to say, I was pretty devastated.

So anyway, I went to Lambad's, probably gave myself liver problems during the... four hours I was there, I think? Per usual, Lambad had to call Alhaitham to come pick me up because according to him I had drank so much I was talking to the chair across from me thinking it was Cyno. Why him, I don't know. Maybe because it was around that time that he was, contrary to popular belief, the first person in our friend group to figure out that I had a massive crush on him (I hate using such childish terms, though.)

I woke up the next afternoon with a searing hangover, and if anyone knows me, they know I get really, really cranky when I'm like that. I walked over to my desk and... this is embarrassing, but I threw everything off the desk in a fit of rage directed at the client, my inability to please clients, and myself. Haitham walked in thinking I had fallen out of bed and instead saw me breaking down. The conversation went something like this:

Him, standing in the doorway: "So, are you still drunk, or are you just unable to control your emotions even when sober?"

Me, sitting at the now-empty desk with head in hands: "Shut up. What does it matter to you, anyway?"

🌱: "Because one, you interrupted my downtime. Two, I heard your tantrum through my soundproof earpieces. And three, I had to see if I needed to have you pay for damages to the house."

🏛️: "Oh, boohoo. All you ever have to worry about is money this, annoyance that." (Why did I ever say that?)

🌱: "As if your career isn't drawing boxes and lines. You're the most famous architect in Sumeru yet you don't own your own home. How sad."

Then, for some stupid reason, I threw a pen at him and yelled, "You have no idea how hard I work every single day and every single night just trying to make the clients happy. But no, they go and tell me no matter how hard I work, I'll never be good enough! Then there's you, who makes a huge salary without ever hardly moving from your desk! So of course I'm angry. Of course I'm going to let it slip!"

🌱: "Well, do you believe them?"

🏛️: "What do you think?!"

I don't remember what he said after that, I just slammed the door and left. Then it started raining hard and he pretty much dragged me home. I asked why he even cared, and he said to use my brain. ("...or are you that dense?") Those were pretty much the conclusions I came to, except for the one about my father. @ags-haitham You did what?! /lh

He probably meant what he said in the best way, though. Either way, I'd rather have petty arguments like this than be without him at all.

"but what does he REALLY want with me?" my brooo, kaveh, Alhaitham does care about you just trust me, i'm the bedside lamp 😭

inspired by daikyto9

[jetpackgeneratedcat]

It took literal months, but I finished it!!

Top left: linked universe logo

The jojo's lu logo is sooooo detailed. It is one of the things I love about Jojo's asethetic with linked universe. The detail she adds brings so much life and information about the world of Linked Universe. Great example is all the embroidery on the chain's clothing. Let's you know about civilization, that an item may be magical, etc. It is difficult to keep small details in watercolor, but I think I caught most of the main details in the painting.

Middle left: Soulful legend

This was the fourth of the images I did for the painting, and the first image I really started to get into the painting. I think legend is my favorite to paint because he makes composition so easy. The red tunic adds an easy focal point. I did learn from this that I do not like masking fluid and likely won't use it again. It added to many hard edges that I wasn't intending. Very happy with the sky!

Bottom left: Evening snack

In this image, I liked the idea that wind and sky don't know what Ramen is because their worlds don't have enough space to produce wheat. So sky and wind are super excited about this new food, while legend has no idea why they are so hyped for noodles. I also liked the idea that four found a green pepper in the ramen as a topping and is a hater (this is from a note that jojo left somewhere saying that the chain will eat anything but four in the Manga does not like green peppers, idk where this note is to link it though....). I didn't end up drawing the Ramen noodles as it was just getting too small of a scale for me to be comfortable drawing the thin lines for the noodles in.

Bottom right: Testudo

I am very hyped in the future when we see more collaborative fighting with the chain and them working together effectively. I absolutely love the scene in shifting shadows part 3 where lenged and hyrule work together with the beam and hookshot.

Middle: Legends storage

This is a reference to one of jojo's earliest works where the chain goes to legends storage for him to pick up some gear. I love that scene and I tried to put as many references as I could. The one thing I need to figure out is how I want twilight to look. I can't wrap my head around it. Need to sit down and just try out a bunch of different faces for him. My Pinterest inspo for twilight is all over the place. I want twilight to look different from time because when Malon was trying to guess who was the descendent, she did not consider twilight (she looked at wars and wind (so I typically draw time, wind, and wars looking similar). For my own personal headcannon, twilight and time are very similar in their manner (the way the walk, stand, etc) and personality (their stubbornness (as seen in sunset pt3)) but not necessarily in looks.

Middle right: Boat boys

The first image I did. I like how the water turned out, but I will not be using masking fluid for the same reasons I noted earlier. I did trace the boat (i think this is the reference [L240632 Hornet Class. J. Arthur Dixon Ltd. Beken and Son]). I do regret not doing anything creative with the boat, but I just wanted to get into painting and needed some confidence by working directly from a reference. I also forgot that legend might not be so keen to be on a boat again based on a comment jojo left in 2022 or something. I think she mentioned something in a discord event back then about legend not too willing to be on a boat again. But that doesn't really matter, I put that boy in a boat whether he likes it or not lol.

Top right: Winter storm

Second image I did for this painting. I did trace most of the horse because I do not care to learn horse anatomy (ref. [Winter Save By David Stoecklein]) Favorite part about this is the lighting on the rope from the lantern. I think it turn out well.

Top middle: Heavy armour

Third image I did for the painting and the one I realized I need to spend more time painting people in neutral or back lite lighting. But for my first time I think it is good. I really want to see what jojo does with the armour sets! I like the idea that war's armour is clean and pristine while wild's armour is rusted and beaten from the calamity. In this painting I played with adding pink to the golden armour and I liked it. In the middle picture of the collage (legends storage), you can see i added pink to time's armour.

That's everything! ❤️

[mistresscitrusslice]

The Season 2 Opening. We Must Discuss.

First of all, small beans. Instead of static, lifeless statues, this time we get moving humans. Mel features significantly more than I expected, so she'll probably be a much more major character than I expected for a non-champion character and I'm so happy for her. I believe the use of moving people instead of statues signifies that immense change will be happening. What we thought was literally set in stone in Season 1 will be turned on its head in Season 2.

Okay, on to the really concerning matters.

Yuhuh. Jinx moves too fast for me to get a good screenshot, but she gestures like this around her face a lot. I think we all already know about the Caitlyn-Jinx parallels, but my sister suggests it could be a red herring for the actual resemblances she has to Silco.

Sis gets credit for the following observation, but Caitlyn's daydream sequences about shooting Jinx are controlled and clearly separated from reality unlike Jinx's.

However, sis has not seen ep 2 yet, where Caitlyn does have that moment in the arcade where she shoots her vision of Jinx among the wooden dummies. Not only does this more closely resemble Jinx's hallucinations, it also parallels Jinx shooting the harmless crow in s1 e5. By the time the strike squad are about to leave, she can clearly tell that what she thought might be Jinx was really just a harmless wooden standee. Startling, but harmless. She shoots it anyway.

Caitlyn is totally gonna spiral more, and maybe she'll start losing her grip on reality too, but for now, she has more in common with Silco than she does with Jinx. Did anyone else get reminded of Silco's coat when Ambessa put the supervillain cape on Caitlyn? The collars don't look similar but they still eerily resemble each other, you get me?

Ok back to intro stuff

Vi wipes off her name from her face. That's two tattoos that are rendered impermanent in this opening theme. In the Fenty x Arcane video, they mention that Mel's golden freckles are tattoos. Later in the intro song, we also see her golden freckles gone. Change, impermanence. That seems to be a theme here.

Vi is literally erasing her name from her face. In any normal circumstance, I'd say that means she wants a change of identity, a desire to start over. However, I know that Vi's League lore involves amnesia. Does she really drink herself into that bad of a stupor? Jkjk. I assumed that her amnesia was replaced by the Stillwater imprisonment to explain how she got topside and with the enforcers, but perhaps I was wrong. Maybe they do still intend to go the amnesia or partial amnesia route with her.

The teasers implied that Vi shares the genetic trait that has Jinx predisposed to hallucinations. It's possible that this eventually contributes to her loss of memory, but I wouldn't call it quite yet. However, if this happens during her emo era when I'm assuming she has no support system, she'll be very vulnerable, unlike if it were to happen while she was still partnered with Caitlyn, in which case they could easily fill in most blanks in her memory.

I have no idea what to make of this. It's clear as day what they're paralleling, but why? Why the flashlight scene? My best guess is that they're trying to draw on déjà vu, implying a repetition of history, but why this particular moment? They could've easily chosen anything else in Jayce's s1 arc. He has many more memorable moments than this. Let's see, I'm literally making this up as I go.

This meeting was a pivotal moment for Jayce. Both his meeting with Viktor and his meeting with Mel changed his fate. The Viktor one is pretty self-explanatory, but without meeting Mel, they would've both just gotten exiled or locked up again. With Mel, they had someone in power who could vouch for them.

That begs the question, is Jayce meeting someone new? Or is this a reintroduction to someone he's already known before, a new meeting after a long time apart or after a significant change, maybe a change in them both. I believe it must be someone who was involved in the original hallway scene.

Jayce is either looking at Mel again or at Viktor. Given the amount of Viktor/Mel parallels in Season 1, I believe Jayce is looking at Viktor after he's undergone his likely final evolution. That'll obviously be another pivotal moment for him... but will it be a good one like it was with Mel? Viktor has power now. He's performing miracles. He's, like, two steps away from parting the Pilt River like it's the Red Sea. He seems to hold a grudge against Jayce, though, for *checks notes* saving his life? Jk I know he feels like he's losing autonomy and like Jayce didn't respect his wishes with the Hexcore and Jayce obviously couldn't let Viktor die when he'd fought so hard to stay alive before.

Anyway, I feel like this could easily be both a good omen and a bad omen for Jayce. More than anything, I feel like it'll be an epiphany. He is quite literally seeing the light. The light at the end of the dark tunnel? The light of the heavens at the end of his life? The light of a revelation sent by a god he once knew as a man?

Seeing Mel screaming bloody murder during the opening, this was the first place my mind went to. The pose doesn't match up exactly, and Jinx/Powder's screams are definitely wilder, but I feel like there's definitely something here. Is there anyone else who screams like this, thrusting their head forward and keeping their arms back?

We also see the shadow hands from this earlier shot:

I'm thinking of the Black Rose (is that their name?) kidnapping her in thin air, incorporeal hands reaching at her and snatching my joy the love of my life Mel away. It could also represent people grasping at the power Mel wields, both as the wealthiest Council member and as a Noxian princess, one of the closest people to Ambessa, the one wielding the most power right now.

Mel is really out of her depth right now. Her power and influence is up for grabs if she dares to blink and let her guard down. I'm also surprised that we don't see her fight back at all when there's danger around. I thought she might have more battle experience as she was raised by Ambessa. For those people wondering about her magical powers, I think she would've used them by now if she had them. Council attack aside, which could've been Viktor's magic, she wasn't able to do anything about the memorial attack or her own kidnapping. I think they're trying to show us that Mel is not as untouchable as she presents herself. Under the right circumstances, she's just as vulnerable as any civilian.

The sliver of light? My sister pointed out that it looks just like the crack of light between two double doors. Almost closed... or barely open? It appears in pretty much everyone's shot in the opening, but it's right down the center of Mel's face here. Is she torn between two sides? Is this about an impossible choice she has to make?

The spotlight is also on her. That's two sources of light. It looks like a red sun. All eyes on her as the surviving voice of the Council?

And her expression... shock, fear, horror. The heavy breathing, the look on her face... I feel eerily like I've seen it on someone else before. I can't place who, but I'm getting déjà vu from this. Does anyone else recognize this expression and these mannerisms?

[naamahdarling]

I'm probably going to piss some people off with this, but.

The use of AI and machine learning for harmful purposes is absolutely unacceptable.

But that isn't an innate part of what it does.

Apps or sites using AI to generate playlists or reading lists or a list of recipes based on a prompt you enter: absolutely fantastic, super helpful, so many new things to enjoy, takes jobs from no-one.

Apps or sites that use a biased algorithm (which is AI) which is not controllable by users or able to be turned off by them, to push some content and suppress others to maximize engagement and create compulsive behavior in users: unethical, bad, capitalism issue, human issue.

People employing genAI to create images for personal, non-profit use and amusement who would not have paid someone for the same service: neutral, (potential copyright and ethics issue if used for profit, which would be a human issue).

People incorporating genAI as part of their artistic process, where the medium of genAI is itself is a deliberate part of the artist's technique: valid, interesting.

Companies employing genAI to do the work of a graphic designer, and websites using genAI to replace the cost of stock photos: bad, shitty, no, capitalist and ethical human issue.

People attacking small artists who use it with death threats and unbelievable vitriol: bad, don't do that.

AI used for spell check and grammar assistance: really great.

AI employed by eBay sellers to cut down on the time it takes to make listings: good, very helpful, but might be a bad idea as it does make mistakes and that can cost them money, which would be a technical issue.

AI used to generate fake product photos: deceptive, lazy, bad, human ethical issue.

AI used to identify plagiarism: neutral; could be really helpful but the parameters are defined by unrealistic standards and not interrogated by those who employ it. Human ethical issue.

AI used to analyze data and draw up complex models allowing detection of things like cancer cells: good; humans doing this work take much longer, this gives results much faster and allows faster intervention, saving lives.

AI used to audit medical or criminal records and gatekeep coverage or profile people: straight-up evil. Societal issue, human ethical issue.

AI used to organize and classify your photos so you don't have to spend all that time doing it: helpful, good.

AI used to profile people or surveil people: bad and wrong. Societal issue, human issue, ethical issue.

I'm not going to cover the astonishingly bad misinformation that has been thrown out there about genAI, or break down thought distortions, or go into the dark side of copyright law, or dive into exactly how it uses the data it is fed to produce a result, or explain how it does have many valid uses in the arts if you have any imagination and curiosity, and I'm not holding anyone's hand and trying to walk them out of all the ableism and regurgitated capitalist arguments and the glorification of labor and suffering.

I just want to point out: you use machine learning (AI) all the time, you benefit from it all the time. You could probably identify many more examples that you use every day. Knee-jerk panicked hate reflects ignorance, not sound principles.

You don't have beef with AI, you have beef with human beings, how they train it, and how they use it. You have beef with capitalism and thoughtlessness. And so do I. I will ruthlessly mock or decry misuse or bad use of it. But there is literally nothing inherently bad in the technology.

I am aware of and hate its misuse just as much as you do. Possibly more, considering that I am aware of some pretty heinous ways it's being used that a lot of people are not. (APPRISS, which is with zero competition for the title the most evil use of machine learning I have ever seen, and which is probably being used on you right now.)

You need to stop and actually think about why people do bad things with it instead of falling for the red herring and going after the technology (as well as the weakest human target you can find) every time you see those two letters together.

You cannot protect yourself and other people against its misuse if you cannot separate that misuse against its neutral or helpful uses, or if you cannot even identify what AI and machine learning are.

[nragenn]

My rendition of Chloe and Max's designs post-LIS!! There are some bits that are inspired by other fellow artists because they're very creative :)

RANT ABOUT DETAILS BELOW:

Both of them have butterfly tattoos cuz I thought it would be adorable if they had matching tattoos - the monarch butterfly serves as a big fuck you to the Butterfly effect, yk?

I've seen some other really cool designs and loved the idea of purple haired Chloe so much I also added it here :]

They'd get a Siamese cat together and call it Bingo (to honor Bongo, Chloe's childhood cat). I can imagine Bingo being very silly and cuddly but only to Max and Chloe. If there are any guests Bingo would be very skittish and run off to the bedroom.

After the shitload of trauma that Max faced in the Dark Room (and Jeffershit), she's slowly worked up the courage to be more confident with her body, with Chloe encouraging her to wear crop tops and stuff like what she's wearing in the drawing.

Max has also taken up a hobby of taking apart broken jewelry and making new designs for her and her gf. While Max loves wearing this kind of stuff, Chloe likes to feel more free and only wears a spiral necklace.

The stars on Chloe's arm aren't tattoos, they're a product of Max getting bored sometimes and drawing on her arm just for funsies :>

Obviously this is just my headcannons so if you don't agree with these choices that's completely fair 🌀❤️

[aihoshiino]

chapter 166 thoughts

As of chapter 166, Oshi no Ko has finished a roughly four-and-a-half year run started back in 2020. While there's some speculation about an epilogue or some extra content in volume 16 when it drops, this is where the main story ends. And you know what that means!!!

OSHI NO KO HAS OFFICIALLY ENDED WITHOUT ADDRESSING OR ACKNOWLEDGING THE FACT THAT RUBY KISSED HER BROTHER IN CHAPTER 143

please understand that this is FUCKING BOGUS

I'll probably do a longer post on this subject specifically, but my main critique of 143 when the chapter dropped was that while I liked the individual beats in it and I was really glad to see Akasaka finally addressing this tension bubbling underneath Aqua and Ruby's relationship, the immediate swerve away from showing us the aftermath of that kiss felt to me like an admission that the story was going to needlessly draw this out even more. Now that the story has ended and we can see that moment had literally no impact on the plot or even the character dynamics, I'd like to revise that statement - it feels like an admission of compromise. It feels like crumbs thrown to AquRuby fans to tempt them to keep reading and to stir up the waters of the ship wars, so people would keep reading and stay invested in the manga right to the very end. But most of all, it feels deeply disrespectful to both Aqua and Ruby as characters. Rather than exploring their feelings and giving both of them interiority and complexity in relation to incest or even just fucking acknowledging that the kiss had happened and letting their dynamic evolve, the series just memory holes the entire event and asks that you do too. Rather than letting Ruby have any development whatsoever as pertains to that relationship or, god forbid, let a female character move on romantically from the male lead, the series ends with her feelings so up in the air that I literally could not tell you what she thinks of Aqua by the time he dies.

ANYWAY… FINAL CHAPTER. BREATHES OUT VERY HARD.

I really can't believe it's taken us until the final chapter to actually deal with Ruby's grief over Aqua lol. We got a snippet of it last chapter but it was so brief that it really just felt like a tease. I also just think it's kind of bizarre that we're spending this little time on Ruby having feelings about Aqua's death to the extent that I have no idea how or when she found out about it.

It's also kind of hard to feel particularly strongly about Ruby's grief when the chapter doesn't really bother to explore it all that much. It's just a montage of Ruby quite literally Screaming, Crying and Throwing Up while Akane dispassionately narrates it all. The art also doesn't really help in terms of connecting with the emotions at play - I usually really like Mengo's expression work and the way she depicts extreme emotions but this all just felt like of… I don't know how else to put it. Goofy??? Is that an insane thing to say about Ruby grieving her brother???

Idk, something about both the panelling and just the extreme on-the-noseness of Ruby, again, literally Screaming, Crying Throwing Up while she's wearing a Burning cosplay Just In Case You, The Audience, Didn't Get It only for her to abruptly be done crying with no exploration or insight as to what's going on in her head that allows her to move forward.

Honestly, this is kind of the issue with everyone in the cast. The resolution is just sort of "Aqua died and we were sad about it but then we stopped being sad". I know what the story is trying to go for here - it's trying to express that even when you're in pain, life goes on and so you have to find a way to go on with it. But the result is that we spend all this time oogling at their pain without spending equivalent or even meaningful time on their recovery process.

It feels both excessive and undercooked at the same time and I'm left with the same icky, voyeuristic feeling I got from Aqua's funeral last chapter. This should be the point in the story at which we empathize with Ruby the most, but she remains a frustratingly distant figure right to the final pages. Part of this is an unfortunate consequence of Akane's narration directing these final chapters meaning that we're hearing about Ruby from an outsider's perspective and thus don't really see what's going on in her head… but if I can be frank, this has been an issue of Aka's with Ruby in particular basically nonstop since chapter 123.

As others & myself have noted, despite the absolutely catastrophic downward spiral Ruby is in at that point, Aqua revealing himself as Gorou basically flips it all off like a switch. There's some mild lipservice paid to the idea that Ruby is just using her dependency on Gorou to prop herself up and it's pointed out that the issues that contributed to her breakdown haven't actually been resolved - but none of these issues are ever even acknowledged again, let alone resolved. So, functionally, that reveal does fix all Ruby's problems in the space of a single chapter and the result is, again, that we spend multiple chapters gourging on depictions of Ruby's absolute rock bottom only for her to ping back to normal like a lightswitch. As such, the depictions of her pain feel less like explorations of Ruby's interiority and more like voyeuristic oogling at Ruby's misery and trauma and the effect is that the resolution to it all is both unsatisfying and a little gross. The result is that it feels like Akasaka is just indulgently mining the imagery of cute girls suffering because it causes simple thoughts neuron activation but doesn't respect these girls enough as characters to build them back up.

It doesn't help that this is basically the in-universe excuse for Ruby's career further skyrocketing. Instead of Ruby becoming a star on her own merits as the story keeps insisting she was supposed to, she's artificially buoyed by the public's morbid fascination with her tragedy. If I was feeling charitable towards the story right now, I would say this is an avenue of intentional critique but… well, I don't feel super charitable about the story right now lol

I WILL say that the one part of this chapter I did just uncomplicatedly like was the beat of Mem trying to suspend activities (presumably in the wake of her grief for Aqua) only for Kana to basically immediately explode into her room and help her get back on her feet. It's a beat that would've been much more effective if we'd, you know, seen it, but I otherwise enjoyed it and I thought it was sweet.

But. pbbbbtttt. I guess I can't talk around it any longer… let's get into the Dome concert.

To start things off on the immediately worst note possible, Akane describes Ruby performing at the Dome as being 'everyone's dream', including Aqua's. I'm reminded once again of the strange turn the story took in insisting that um, actually, performing at the Dome was totes Ai's dream all along (even though she literally didn't give a shit even a week before she was due to perform there herself) so Ruby performing there is fulfilling that dream for her!!! and I can't help but wonder if this abrupt shift in focus is an attempt to make readers forget what Ai's actual dream was - to see her beloved children grow up happy and healthy. Hell, it wasn't even really Aqua's dream, until the story suddenly had to try and convince us that his entire purpose for existence was to kill himself so Ruby could be an idol for slightly longer than she would've otherwise. The only people whose dreams she's textually fulfilling are Ichigo and Miyako and Ruby herself, but…

Honestly, is this really Ruby's dream anymore?

Who is Hoshino Ruby? What does she want? Why does she want it? These should be the very least of what we can concretely say about not only a protagonist but a character who has become a central figure of the entire story as Ruby has, but with the way Oshi no Ko has warped and distorted her, I find myself increasingly unsure of what the story wants her to be or how I should answer those questions.What does Ruby feel about Aqua? Was she still in love with him? Had she moved on, romantically? Was she still waiting for a response to her confession? Did she finally realize it was probably kind of shitty to respond to her brother going "lowkey wanna kms" by sticking her tongue down his throat? I Guess We'll Never Know.

This extends to whatever the fuck Ruby's relationship with idols and being an idol is. Almost the entirety of Ruby's time in the story has been spent reiterating over and over that Ruby cannot just be an idol who imitates Ai and that to truly shine, she needs to step out of her mom's shadow and shine in her own way. Ruby even literally tells Kana in no uncertain terms in 137 - "I'll be a star in my own way. I won't be like Mama."

While this has always been the text of the story, as I've pointed out before, the actual art with which Ruby's idolhood depicts her basically just as Ai 2.0. It relies so heavily on mining the imagery of Ai's charisma and personality as an idol and using them as the measure of Ruby's success as an idol that Ruby essentially has no visual or conceptual identity of her own as an idol. She's just Ai, But Arbitrarily Better, For Reasons The Narrative Fails To Actually Establish But Hopes That You Just Accept Anyway. This was always kind of annoying, but now that friction seems to have been resolved by… just making her Ai 2.0, But Arbitrarily Better (etc, etc) in the text as well. The fact that we're given no further insight as to Ruby's feelings and continue to just have Akane Explain Ruby's Character Arc to the camera also doesn't help.

All this combines to make the Dome concert and the final few pages feel exceptionally cold in a way I really don't think was intended by Akasaka. Yes, that splash page was nice and flashy but… I just felt nothing. I have no idea if or why Ruby cares about this. And even though the Dome concert has been hyped up through the entire story as the peak of Ruby's achievements as an idol, I feel no sense of accomplishment in her finally being there - not just because her journey to it was basically sneezed at us across two panels, but because it just feels hollow as a victory lap for Ruby. Again, she feels so distant and abstracted as a character that I can't bring myself to feel very strongly about her good or bad.

I think the perfect encapsulation of this are the final four pages of the story. Ruby's words here are very clearly intended to be a callback to Ai's words to Gorou in chapter one but as @all-of-her-light pointed out in our initial discussions of the chapter, Ruby very much does not have an equivalent to Ai's conclusion that she nevertheless wants and values the opportunity to find personal happiness and fulfillment outside of being an idol. Are we supposed to believe that simply being an idol is all that Ruby needs to achieve a similar degree of happiness and fulfillment? Is there no more to her than that?

I've seen a lot of people interpret this ending as exceptionally bleak and, as usual, gleefully predicting Ruby's immanent suicide because her beloved oniichansensei isn't around but this is indulging in, if you'll allow me to be frank, some pretty transparently ship-motivated flanderization. Despite what certain sections of the fandom would like to believe, Aqua and Ruby's lives, past and current, have never revolved around each other to the exclusion of every other relationship in their life. Ruby has a massive support network of people who love and care for her and actively want her to get back on her feet. I can one hundred percent believe that she does not need Aqua in her life to be happy and content.

The issue is that we don't see enough of Ruby to understand that ourselves. Again, she has become such a distant figure with so little insight into what she's thinking and why that this ending is basically a Rorschach test in which you can interpret basically whatever the hell you want or assume because we have so little canon basis to support or debunk our assumptions.

and yes. don't think i didn't see them. it IS both grimly hilarious and weirdly tonally appropriate for this ending that ruby has a bunch of oshi goods of ai and aqua including their fucking autographs set up to say goodbye to every day.

AND…… WE'RE DONE!!! THAT'S OSHI NO KO, BABY!!!! well, technically, there's going to be a 20 page extra chapter in volume 16 but I don't see it being big or substantive enough to meaningfully change my feelings about the ending so… I guess we're leaving it here. Damn. Feels crazy to be done with it.

I'll probably do a bigger post down the line about my thoughts on the ending as a whole but in terms of just How This Chapter Made Me feel, I guess the word is just… meh! It's definitely not an ending I like and I think the execution is sloppy and rushed but I also just don't really have the energy to feel angry about it. Maybe that's sad in its own way but tbh… I still really love Oshi no Ko! I still find it engaging and I find the characters I enjoy rewarding to talk about. I like the artistry of the anime adaptation. I don't blame anybody else for being so turned off by this ending that they're done with the series but for me, I like what I like about OnK too much that this ending could retroactively ruin it for me. Whatever else happens with the OnK franchise, whatever directions the anime and live-action take, this will always be the series that gave me Ai and the Hoshino family and. look at me. look at what she's done to my brain. could I really ask for anything more than that?

That being said, I'm definitely not done with discussing the series! I have fics to write (including a VERY exciting large scale project lined up with some friends), my Ai analysis post to finish and I also want to do a re-read of the series and finish my anime rewatch. I'll be here to discuss Oshi no Ko as long as I have things to say about it and as long as you guys will have me! Despite how the series ended, I've had a genuinely wonderful experience in the fandom and I really don't want to let go of the little community we've built together just because the series is done. I'm Ai's fan for all eternity!!!

[starry-pierrot]

So I'm not one to usually come up with AU's let alone actually do anything with them, I work better with short stories and honestly I want to spend my time making my own ideas yet i fail to do that lmao

But an idea hit me. So Khan is an absent father right? Well what if he was actually over protective, like to a more grief ridden amount? Explanation under the cut!

Nori asking him as her final words to protect their daughter and he decides the colony isn't safe for her. But when he worked under humans he remembered another much smaller bunker, so he takes Uzi to the place and fixes it up. But...he puts her in a clear container. Or in this case 'These glass bullet proof doors will protect you!' sort of deal, idk I don't know how he'd do it or anything this all just jumbled into my head with no details. Anyway Uzi grows up with just her Dad and it honestly gets to her and pisses her off, she had no chance to make friends, she's alone here with just her Dad and her mom is gone. She misses Doll. But the bunker does have the one thing she hasn't seen in years, sunlight. Somehow her father missed the little beam of sun through a vent and every morning when he sleeps she stays up just a little longer just to look at it. Cue said Murder Drone cinnamon roll finding said weakness during a bad storm and finding Uzi. Her dad had been on a supply run, he's still in contact with the other bunker but refuses to stay with them. Yeva has taken over as leader and Khan refuses to tell her what happened to Uzi beyond 'She's fine! I'm keeping her safe!'. If she didn't have to run the Bunker she would go look herself, Doll on the other hand has a lot of time. ANyway-Uzi freaks out, N is curious about why she's trapped behind the glass and they of course become friends with N visiting on her dad's supply runs. He finds a packet of markers that surprisingly still work and with Uzi's own the two are drawing and coloring all over the clear container. Course she asks him to take her to the surface and he does much to the dismay of her father who tried to stop her and N but chaos and blah blah they get outside with Uzi now sporting her haircut from the show. I know from there it would sorta be canon compliant with the added bonus of V and J getting a new roommate that N has to smooth over with them, it would mostly follow the events while bringing back Doll's family. Tessa might be real Tessa. Love her. Probably continues on the camp episode right after the escape. Haven't decided if Nori told Khan about her solver and that Uzi might have it, sure with Nori she could handle it but with just him it would be hard to make sure she doesn't go feral. Might be a more concrete reason to lock her away. I don't know what I would call this, if I'm gonna continue working on it or what it will actually be. I could maybe write some one shots on it if I'm in the mood but if enough people like it I could try making a basic timeline? We'll see. And yes that one pic is a reference to draw with me.

[jesncin]

I absolutely love the way you've recreated some comic variant covers with your versions of Clark and Lois (the Jorge Jeremez homage and "Superman '78" recreations are my favorites). I was just wondering, have you ever considered doing a recreation of the iconic "kiss on the moon" from All-Star Superman?

Thank you so much! I have been asked about re-drawing the moon kiss from All-Star Superman, but I don't draw it because 1) it doesn't interest me, 2) while I've joked about Super Lois before for fun shenanigans, I don't personally like the idea of a super-powered Lois especially for my version. Lois Liando is meant to ground Superman's allegorical themes as an immigrant, and I find giving Lois powers detracts from what makes her relatable-y human. 3) I haven't drawn a Clois kiss yet and I want it to be iconic when it happens :p

I love drawing those redraws though!! If I bump into a comic or cover of Clark and Lois I like as much as the Jorge Jimenez and Jamal Campbell illustrations, I'd definitely be tempted to redraw it.

[worstdisastermaster]

The books and the shows aren't the same thing and?? That's okay?? It doesn't have to be??

Some of the artists haven't even seen the show yet, and maybe won't 🤷‍♀️ I know I've seen like. The 1st episode and that's it lol. And I really enjoyed it and I think it's really fun

But people tend to separate book fandoms from in screen fandoms, to an extent, at least, bc there ARE differences, and THATS OKAY

They are very connected but they are not the same and I don't understand why people find that so hard to accept?? Like. Genuinely I'm so confused lol

Like if someone was being disrespectful, or trying to whitewash Leah or something horrid then like. Defend her!!! (Do try to be polite tho bc people can and often do change, and they know what they have been taught until they learn more- like for example, a few years ago I had no idea ab anything lgtbq and I peob would have gotten myself canceled bc I had. No idea. Ab any of it. And despite having best intentions in heart i totally would have offended someone, and that would have crushed me, because *i didnt know*. I never would have hurt anyone on purpose, i just didnt realize what COULD hurt others on that specific topic, much less why. But now I identify with it and am learning new things ab jt every day and etc. And that's a super touchy topic for a lot of people and for good reason too! Just try to be kind first, then if they are jerks u can be a jerk back lol. Just give peopke a chnace to get better- and then PLEASE dont hold the past against them ubless they very clearly havent changed mk please please please let people grow and change and get better dont crush them before they can) anti Leah trash is. That. Trash

But why would you attack book Annabeth, just for existing? She was my childhood, and I identified a lot with her as I grew up. And guess what! I also identified with Hazel, and I do so even more now! No matter what race she will be casted as, I'm still going to imagine BOOK Hazel the way I always did. Doesn't mean I won't adore her actress, or appreciate art of the girl playing her role! But would you call me racist for drawing her as African American if her actress, was, say, Asian American? Or drawing Leo as Latino instead of Somoan? Because to me, u less I am being a jerk about it, all I'm doing is drawing the book instead of the show. Idk I'm too sleep deprived to put my thoughts into coherent words lol

I love the posts, where it's like, book Annabeth and show Annabeth holding hands. Those posts are my favorite, both because they are freaking adorable, but also. Because it's equal

They are different aspects of the same person

And

Thats

Okay

You know???

I quite literally grew up reading pjo. I read it at least once every year since I learned HOW to read, *partially on pjo*, until late middle school. I was raised on book Annabeth.

Show Annabeth is new and exciting and adorable and I'm so happy for it and I am very excited for all the people being introduced to it!!!!!!!! However, when I'm writing book pjo, I'm not swaping it out for show scenes, bc they are, in fact, different. Which, again, NOT A BAD THING. And you know what? When people from the show fandom write their scenes, they aren't going to be thinking ab the book scenes, and THATS OKAY TOO!!! And I could care less how my readers saw my characters when the read the story. I write them the way I imagine them, but it's their job as the reader to say 'no, actually :P' and swap out the appearance for one they liked better.

I did that plenty often as a kid, and i donf regeret it.

Which, ironically enough, was why my book Percy was blond until ab 6th grads XD I mixed up Luke and Percy's hair description ONCE and just. Never questioned it, though all the rereads, or looking at the covers of the books 💀 you can imagine my shock when I joined the fandom and found out Percy had black hair, instead of sandy hair like, you know, S A N D, like poseidon!!! And now show Percy is blond XD

That just proves people can imagine things how they want and jts okay- especially bc maybe, in an au, they're rifht!!! (Au being show Percy to me)

Anyways I lost my train of thought and it's almost 12 here lolll I hope I didn't say anything ill be embarrassed by come tomorrow~

Good night world :3

Hi guys, wanted to discuss something going on for a while now. What the hell is wrong with pjotwt? Like...whats wrong with this people? Do you see what they say? What they are even trying to do?

First of all, let me start by speaking about the cast. They are all wonderful children, Leah especially! She is doing an amazing job as Annabeth. But book Annabeth still exists yk? She is and she is literally white. It is not racist. But denying about a character being white in the books, even spreading hate like this...is racist. There are people out there related with Annabeth for years. People love her, every version, maybe book more maybe even the movie. How can you disrespect her like this? And most importantly, how can they attack an artist like this, with an art being so beautiful. What they are trying to do is not protecting Leah, it is spreading hate. It is awful. Making this fandom toxic, so so much.

Them trying to erase book Annabeth because she is white, trying to cover her by painting on her, shaming artists, calling people that loves her racist...What do we do about this in pjo fandom? This fandom used to be so beautiful, but now. This people are not part of the fandom in my eyes, because real fans, would respect every version of the characters, love them with their anything, even flaws. They would protect this characters because they love them, so much. And not to mention this characters are the ones Rick wrote 20 years ago, they were with us for so long.

What do tumblr think about this I wonder? Since pjo fandom is pretty active here :3

[gingerteawrites]

"I wanna be yours" - Gojo Satoru

A/N: Fellas, I have returned! Been wanting to post more often, so I'll try actually making a schedule for myself. Anyways, enjoy :)

Content: JJK sorcerer!reader, kind of canon, Gojo x reader, mostly fluff, teeny weeny angst

Gojo Satoru had always gotten everything he wanted in life. Many called him spoiled, but being a prodigy came with its perks. No one ever dared to stand in the way. And those who did never stood for long anyway.

So from the moment you were transferred to Jujutsu High and his crystal eyes laid on you, he knew he wanted you. He marveled at the way you treated your students and fellow staff members. The sweetness of your smile haunted his dreams. He had made up his mind, and nothing could get in the way.

Except you. You got in the way.

"Hey, sweetheart? Wanna grab desserts after classes are done today?" He asks, leaning against your desk as you finish grading your students' tests.

"Sorry Gojo," you look up from your paperwork, adjusting your frames on your nose. "I've got to finish up some lesson plans."

He sulked openly, lips pursed as he lifted his blindfold. Frustration gnawed at his insides. He'd been trying to go out with you one-on-one for months now. But you always found a way to turn him down.

"Can't spare me a little time?" He drew closer. You could feel the cursed energy radiate off of him. Even when he wasn't trying, the Strongest's aura was something that could not be ignored.

"Next time, okay?" Your eyes returned to your papers, and he sighed in defeat.

There was never a "next time".

------------------------------------------------------------------------------

The Kyoto sister-school exchange event had just concluded. Cursed energy flowed through you while you worked on healing the injured students. "Thank you ___-san." Itadori beamed at you, the worn out skin around his knuckles slowly repairing.

"You're welcome Yuuji-kun." You returned the smile, standing up to move towards Shoko who had just finished patching up Maki.

The students, fully healed started to part ways. You made sure everyone was set and after a small debrief with Yaga on the special grades' attacks, you walked outside the main building.

"Is Gojo still meeting with the higher-ups? I can't believe they managed to attack us here." You mused, sitting on one of the benches outside the classrooms with Shoko.

She took a long draw from her cigarette and lazily turned towards you.

"I promise you he would appear right this second if he could." Her smoky voice danced in the afternoon breeze. "Couldn't resist you being here." She spoke as if it was fact.

You shook your head to yourself, looking down at your lap with a chuckle. "Pfft, he's just flirty Ieiri. I don't think too much of it." The idea of having Satoru's attention was not unpleasant. His presence always made your heart beat a little faster, after all. But you would never give yourself false hopes. He could have anyone he wanted, and the prospect was more than enough to make you want to keep your distance.

Shoko just shook her head, the cloud of smoke hanging around her parting when she stood. "If thinking that is what helps you sleep at night," she waved with a turn "I'll see you."

------------------------------------------------------------------------------

Too many things had happened. Getting attacked by multiple special grades, half of the school destroyed, the kids hurt. The balance of the Jujutsu society felt like a wreck and you knew that October 31st spelt even more trouble.

You sat in one of your empty classrooms, head on the desk with your eyes fixed outside the window. You had to prepare for Shibuya. A deep sense of anxiety gnawed at your insides, causing you to close your eyes in hope of some respite.

However, the sound of doors sliding open prompted them open, turning your head to identify the intruder. There stood Gojo with his blindfold off, a rare occurrence.

"Hello, sweetheart." He approached your desk, pulling a chair to sit beside you.

"Hi, Gojo." You replied, tired voice barely carrying through the room. His azure eyes traced your features.

His hand slowly coming up to brush against your cheek. And you didn't pull away. The soothing touch was oh so welcome. It drew you out of the anxious hole your mind was digging.

"Before we go out there." He paused, voice uncharacteristically soft. Smooth. Not putting on a show, but deeply honest. "Before the fighting starts... I need to be sure."

"Sure of what?" You couldn't help but lean into his touch. He chuckled, almost humorlessly.

"I've been trying. In not so subtle ways." He spoke quietly. "I just want to hear you say it. That you truly don't want me."

Your eyes widened, body stilling. The wind blew in through the window, the chill of the outside filling the room.

"Satoru... I..." Your mouth gaped, in a desperate search for words.

"I wanna be yours." He assured, thumb brushing across your lower lip. "Even if it's the last thing I do." He took in a deep breath, drawing closer so that there were only a few inches left between you. "Will you let me?"

Your thoughts melded together into a hazy mush, breath taken away by his words. By his closeness. You weren't sure you could formulate the correct words. To express how much you wanted it too. How much you wanted to be his. How much you reveled in his closeness, despite the parts of your mind that screamed that it was hopeless. That he was too good for you. That this could end too soon for either of you.

So you pushed all thoughts away and acted on instinct. You closed the gap, plush lips meeting his in a tender embrace. Your hand rested along his jaw, pulling him closer and he responded to your invitation, gently slipping a hand around your neck. Your lips moved in a soft tango, rhythm dictated by your frantic hearts. Kissing until your lips were tinted red with passion.

You finally parted and rested your foreheads against each other, and Gojo let out a chuckle, a quiet thing, teeming with joy.

"That was the first time you've called me Satoru."

You smiled. "I want to be yours too, Satoru," he pressed a tender kiss on your cheek, his lips pulled into a wide smile.

The future had never seemed more uncertain, and the balance of the jujutsu world barely hung on by a thread. But in that moment all Gojo could feel was unbridled joy.

"Thank you, my love."

Comments and reblogs are much appreciated(❁´◡`❁)

[mellosdrawings]

I'm feeling like rambling about AI on main, ignore me if it's not your cup of tea.

So a while ago, I did check out those art prompts AI, because when I pester about something, I like to know what I'm rambling about. I like to do a minimum of research and, if possible, try the thing out before making my opinion. For AI art, my opinion was already pretty solid, but I still wanted to check it out.

I found a free prompt stuff online, asked it a super easy prompt, and asked for a handful of different images. Just to see.

The prompt was [character tripping]. Really. Super easy, right? I wanted the thing to have as much liberty as possible.

It's not just that though. I chose this prompt because it is something I did in art school. Our teacher would give us simple prompts, and we would have to draw doodles in 5 minutes or less. Imagine a class of 15 exhausted art students full of caffeine being told to draw someone tripping.

The 15 art students' results? Little boys tripping over tree roots, teenage girls falling while rollskating, business men tripping on their papers and burning themselves with coffee, old ladies cracking a hip, comical falls backwards with a leg up, realistic falls forward with pained expressions, etc etc.

See, our fast doodles weren't any better than AI anatomically speaking. We were missing hands and our faces were distorted and a foot was bigger than another, things that are also common with AI. But the DIVERSITY. I remember being flabbergasted by it. We all had the same prompt, but none of us drew the same thing. I remember drawing the good old banana peel slip from the old comics I read when I was a kid. My best friend drew a kid falling in mud.

We did several prompts like that as training, and I always loved to see what everybody was doing, because it was always so different.

Now, here was the AI result: 5 anime girls in a running position at an angle, making shocked pikachu faces. Every. Single. One. Of. Them. The angle and the running poses were the only things that changed, and even then just slightly.

The AI only did 5 times the same stuff. Art style changed a bit from one to the other, but always the same vibe, always the same composition, and always that godsdamned shocked pikachu face. It was very underwhelming.

I don't care about perfect anatomy and lighting. But I care about creativity. I love seeing things that I would never have thought to do myself. And the AI didn't provide that at all. Coz AI has no creativity whatsoever. If you don't further your prompt to be very specific, it will just reheat the same bland stuff again and again. It's just boring.

I have a lot of grievances about AI. Art theft, environmental blunder, artists being paid even less than they already were (as if people and companies suggesting to pay us in visibility wasn't bad enough). But even on an emotional level there's nothing. Yes, it's great to see one's character/idea brought to life when one cannot draw. But it'll be the blandest stuff ever. That's just a shame.

[arley-ology]

I'm very normal about the Drawtectives season three trailer right now and I need to organize my thoughts about it or I will explode soooo putting that all into a tumblr post! This is less theorizing/analysis and more just me writing down things I noticed.

The beginning of the trailer is a slow zoom out on a box TV whose channels are being absent mindedley flicked through. I'm going to go through each of the broadcasts one by one

The first is an ad of some sort for a "Shimmer Park". The narrator for the ad is saying "Need a place to truly be yourself for awhile? Discover Shimmer Park!" This leads me to think that Shimmer Park is some sort of entertainment/play facility for children. Now it may just be my automatic distrust of any entertainment area geared towards kids that was spawned in me via reading Percy Jackson and the Lightning Theif too many times but something about the phrasing of "A place to truly be yourself" feels somewhat disquieting to me idk.

Next up is what appears to be a news broadcast of a local rally by MAPN. MAPN's logo is their abbreviation set over a clock face nkt unlike that on the clock tower we see later. In the middle of the news overlay is the name "Thomas Cornette" possibly the name of the reporter(?). The protesters signs are mostly obscured but the ones I can make out I'm 90% sure say "Not in our community (w/ a drawing of a rat)" and "Save our community". The horned protester in the front is yelling into the microphone, "Corperate overlords will never take our city!". We can assume the "MA" part of MAPN stands for Midnight Alley I'm not quite sure about the rest of it but if I had to guess it might be "Public News" don't quote me on that. To me just the way the clips are set up almost makes it seem like this protest against risk to Midnight Alley community is related to Shimmer Park in some way. The only thing we really know about the protest is it is somehow against corporations and (maybe) rats. There may be a link here to Papa's Pizza which we see later.

After that is the much calmer channel "Knitting with Janice". The woman knitting, assumedly Janice, says "It takes all kinds of threads to make a beautiful colorful tableau!". There's also a cat in a catbed in the background (adorable). Taking the dialoge metaphorically it's something to the effect of "It takes all different kinds of people and ideas to make a good and beautiful community." Now the use of the word tableau here is odd beacuse unless there's some secret knitting terminology I'm not aware of tableau is not usually a term used in fibre arts. A tableau is a still image of people/figures used to represent a more complex story (art/drawing connection??). Now maybe Janice is just knitting a tableau or smthing but the word choice here is interesting to me! Also the cat in the background caught my eye because of the rat themeing of this season. Cats are a major predators of mice. Maybe something like Art and Community beats the rat race???(we see rat race later) Also I'm getting big Bob Ross vibes from this lady please tell me yall see it too

Next we have a film noir (oooo!!). A woman is crying and she has just slapped a man in thr foreground. She says "I've never met a snake like you Jimmy." Snakes! Another predator of rats. But of course snake is meant metaphorically here as someone who is depictful and manipulative. Uhhhh I got nothing else on this one yall. I would say possible connection to the last channel like I did w/ Shimmer Park & The Protest but I refuse to believe that old lady Janice (both "J" names though) is capable of snake-like depict.

Another news broadcast! This seems to be from a news station other than MAPN as they have different overlays. The woman on screen says "In other news Midnight Alley is soon to throw their annual Rat Race". There's a poster for the Rat Race on screen (love a Juilia poster) that shows two rats w/ the numbers "8" and "4" on each of them respectively. I'm gonna ignore the place and date listed on there because in season two those details on posters never really came into play. There's more text on the poster saying "For more information and sign up please visit the M.A. [Midnight Alley] information center" and the bellow that it reads "Hosted by the Parks Department of Spire City". Literal Rat Race, interesting! Ofc in metaphor a rat race is used to describe and struggle of people for money and power that ultimately grants them no reward often used to describe competition in company/work environments #The Hustle. Now this is definitely connected in some way to the protest whether it be litteraly or metaphorically or both is yet to say. Also the Rat Race being sponsored by the Parks Department kinda makes me think of Shimmer Park having something to do w/ this. No matter what I feel like the Rat Race being sponsored by the Parks Department is going to be important somehow.

Papa's Pizza ad now! The guy w/ the Papa's Pizza uniform (owner?) is saying "Papa's Pizza has been here for generations, hand birthing high quality, cheaply priced slices for-". This is probably connected to the Corperation Protest we saw earlier. It seems like small business in Midnight Alley are probably being put at risk in sone way by larger corporations. Take note of how the Papa's Pizza guy's sentence cuts off here

A phone rings of screen in the static between channels.

This channel is a sitcom. A boy looks mischievously into the camera and says "RATS." before a laugh track plays. Someone off screen is holding a bowl of rats (?????) next to him. Now the way the last broadcast cuts off it makes it seem as if Pizza guy is saying "Papa's Pizza has been here for generations, hand birthing high quality, cheaply priced slices for rats." Its interesting how it makes it seem like Papa's Pizza guy - a person who's company would be effected by large corperation take over is in favor of rats - which are being used by the protesters to represent the corperations (kinda maybe?). This feels like it means Something but I can't peice together What.

All the TV programs are done now time to go over the rest of the trailer!

The TV is turned off now and we see Jancy's reflection in the black screen. Its an interesting shot makes it almost seemd like she's part of the programming. She answers the phone that is ringing, a rotary phone. Her tone drops as she revives news from the other end of the line and she tells them she'll send in the team (DRAWTECTIVES!!) right away.

Cut to black. "Children there's been a murder". (OUGH AAAAAAA IM GOING INSANE GOING RABID)

New design silhouettes!! I love them all already. I'm surprised by the lack of hat on Grandma (I like it!!) but other than that I don't really have any comments on them. York says "Do you think the house is capable of murder?". Grendan says "Unless... Murder Santa... I just write murder Santa down." These two might narrow down where at least part of this takes place somewhat. and finally Rosé says "Why are you so quiet daddy?"

Now we have what is most likely our setting, Midnight Alley! This season's logo appears on the background but I didn't grab a screen shot of that whoops. The clock tower here really stands out to me. Perhaps the spire of Spire City? Also this is just a very pleasing drawing!

The end scene of the trailer is of a rat jumping on to screen before menacing yellow eyes w/ slit pupils fade in behind it. I'm tempted to say cat for some reason.

Also Eugene is in the thumbnail but he isn't mentioned at all in the trailer. This might just be because the fans love Eugene and Julia couldn't figure out how to include him anywhere other than the thumbnail but it also makes me a little scared

I said I wasn't gonna therorize but I wanna put down my ideas about when this takes place and where this takes place.

Now Drawtectives is very time-nebulous in general but this season at least seems very 80s inspired to me. The box TV, rotary phone, neon aesthetic for the logo, upbeat disco-y theme music all seem to point towards us not being in the modern day at the very least. Ofc we're going to be in Midnight Alley but Midnight Alley also seems to be in Spire City from what the poster said. York and Grendan's lines also suggest we explore a house at some point, specifically w/ a chimney/fireplace being important.

Anywho that's it for my very nothingburger post about the Season three trailer hope that any of yall that read through alllll of that nonsense enjoyed :]

[yanmuffins]

asks 3.

more asks i'm answering in a bulk about p&f! reader! there's two for vampire! reader at the end of the post, though.

@amethystjellyfish

jon better keep an eye out for selener.

ok, to be fair, damian knows the family's gotten pretty overbearing at this point. father was not at all pleased to discover the stunts they (damian included) pulled over the course of the summer. and he, too, knows that his sibling is feeling cooped up with all the excessive supervision. but.

but.

just who does jon think he is to try and take their sibling away from their home? he was supposed to be damian's friend, and it is for the sake of their friendship he'll overlook such an absurd suggestion and not tell his family on the condition jon never says anything like that again. let's just hope tim wasn't listening, else he would rat them all out since he (and everyone else in the family) has zero issues with kicking jon out the manor if he keeps putting those ideas in p&f! reader's mind. poor jon (╥ ω ╥)

@akatsukki677

the referenced scene!

one of my favorite candace moments.

also, why is this so in-character for them? i am begging someone please draw this.

NOT DAMIAN SECRETLY LIKING DUCKY MOMO!!! you are all so big-brained. you know, dick would ask p&f! reader about it next time they bumped into each other. and he will find out about damian's love for ducky momo one way or another (not that reader would snitch, but dick is dick. he would notice).

i don't much to add, but here are some more gems (jason being cute with perry, though, i love it sm):

i have a sinking feeling that if jason somehow came to know of perry's secret identity as agent p before everyone else he would have so much fun gaslighting tim. yeah. he's a platypus. just a platypus, tim. chill. go to sleep.

... then he fistbumps perry when tim's not looking.

p&f! reader and damian bringing in cryptids and magical creatures into the manor like it's another ordinary day seems like something that would absolutely happen, yes.

the horse with fins is just what they salvaged from their very succesful trip to atlantis, they'll find horsie a good home eventually. and for every unlikely creature and plant they stumble upon, they just blame it on damian. they're his thing, after all! i don't think it would happen often, but damian still wouldn't enjoy getting scolded for animals that aren't his. nevermind that he may or may not be connivent in finding those animals, sneaking them into the house and finding them proper homes. that's not relevant.

trying to blame it on reader will just get him incredulous looks from his family. no, reader did not find a dodo bird, that's impossible. there's no way they could do that.

@amethystjellyfish

not only is he trying to convince p&f! reader that their pet platypus is secretly evil and plotting tim's demise specifically, he's trying to convince the entire manor. he has a powerpoint presentation. he has flashcards. he has become damian 2.0 but instead of reader's, he's trying to bust the platypus. obviously, p&f! reader thinks it's silly. damian straight up laughs at tim. bruce is too tired to even sigh.

"it's just a platypus, tim, they don't do much", they say. fools, the lot of them. there's something off about that semiaquatic egg-laying mammal and HE'S GOING TO PROVE IT.

yup, he's p&f reader's isabella! and yes, i think besides damian and jon, they very much have a group of friends from metropolis. damian wouldn't get along with them too well, at least at first, but jon integrates fine into the friend group.

@randomlyappearingartist

good question! i guess we'll just have to chalk it up to p&f! reader's cartoonish luck that they haven't come across any actual evil villains who want to user their genius for their own nefarious purposes.

it would be interesting to just see a bunch of villains arguing and fighting between each other to offer p&f! reader an internship or kidnap them so they can build evil contraptions. but, in the end, reader never gets kidnapped, never becomes aware there are villains out there wanting to scout them, because the villains keep thwarting each other before they even reach p&f! reader. so something like this:

evil goon: hey kid, kid! i gotta talk...

evil goon from another villain: immediately tackles him to the ground and they start fighting. reader is none the wiser.

one of my favorite gags is people who shouldn't have guns pulling out guns at dramatically appropriate times. and it makes sense! i mean, p&f! reader is bruce's kid, so them being prepared for every possible situation just feels natural.

although... i reckon they'd be more creative than just straight up having a gun. probably a more creative non-lethal item of their own making that was meant as a weapon but could absolutely be used as such, which would also be so, so funny.

like this:

vampire! reader try to hide her vampirism (impossible)

the asks i've gotten about reader being terrible at hiding that she's a vampire in the manor (and the implications that her family is kinda brushing it off and accepting her excuses) are so great. yeah, sure, reader fell and that's why she's covered in copious amount of blood, stephen king's carrie-style. it does make them very suspicious but like.... what else would it be?

and honestly, tim and steph have no idea how relieved they should be that reader is staring at crime scene photos when there's two human beings full of blood right there with her. i'm surprised no one has sent in a bruce scenario where she's being completely erratic and he's just sitting there, perplexed, unsure on how to proceed

[metal-organic-au]

I've made the decision that I will do the ENTIRE Metal Organic story in one novel (attempt at a novel), before explaining why I made this decision finish reading this post.

My body is tired, I'm at a point where my body is asking me for time to rest from drawing, I barely had enough strength to do this drawing, this is not a hiatus since I still want to continue drawing, but I also don't want to continue putting too much pressure on my body, the cause of this is that I haven't slept very well and it has affected me (it's not serious).

I want to get better organized. By this I mean that things have accumulated in my personal life that have worn me down, so I plan to put a definitive order to all this. Social networks distract me too much, I don't even want to talk about drawing, it takes up my time. So until the end of the year I will be putting all this in order, apart from that I want to spend time with my family and have time for myself.

Doing this in novel format makes me continue with this project, I don't have enough time that I would like to do such a long comic, it takes me a long time to do a single vignette.

If in the future I have more time and I am better organized, I would like to transfer what I write from the novel to comic format. It is something I would love to do.

I don't want to abandon this project that I have put my heart and soul into, since this project that at first was a random, silly idea became something personal that I want to share.

All this that I have just written will not last long, possibly at the end of the new year I will draw again, perhaps before my birthday, until then I hope you like what I am going to write.

• English 🥀

• Español 🌷

[atlantis-just-drowned]

i'm back with another request favorite writer 😼, i was wondering if you could do Sun n Moon/Reader who's the daycare manager.

Essentially they help tidy, manage schedules, supplies, ect???

(sorry for not leaving more notes on your posts, tumblr doesn't show me ur stuff often 😭😭)

A/N: Hiii thank you so much for your kind words and patience?? My motivation has been on the floor but I'm trying to make it work somehow! Anyway, here is some mildly-annoying-coworkers to friends (to lovers) for your heart! :D

Sun & Moon x daycare manager!reader relationship headcanons

Please reblog this post! Likes make posts die :(

Masterlist

When you first got hired as the Daycare manager, you work was... Well.... Tough

To say the least.

Sun's sassy attitude and constant micro-aggressions were really getting to your nerves

And Moon.....

Well

Let's say you sometimes wondered if he saw you as his boss or his toy

He WILL jest around and stare at you while chuckling instead of following your commmands

Both of them don't really like the idea of having a human supervising them

I mean they're doing a super neat job on their own!! They don't need you!! Why would management send you here?!?

But surprisingly, instead of quitting

You actively try to work with them.

Unexpected I know.

You're not just bossing them around and yelling when they don't do what you want!!

You actually communicate with them to explain the goal of your missions and ask for their ideas when they refuse to do things your way!!

Okay to be honest how it ends up working out is truly a mystery to you

But after a while of almost constant bargaining

Welp the bargaining starts to lessen.

They do the activities you prepared instead of announcing a completely different unrelated thing to the kids

They don't argue as much about the schedule for naptimes

Hell, you can finally catch a fucking break

Of course you let them know how much you're thankful to them for agreeing with stuff (finally)

Sun also starts to get a little less mean, thankfully

You're greater at your job than he thought you'd be!! Different than the managers they had before, for sure, but it's a good thing!! You actually adapt your work and the schedule for them, and not despite them!!

He might start to take a liking for you

After a long while

I mean you truly are the first human handler to not treat them as objects

So of course it takes time for them to trust you

But Sun eventually does because he's just too much of a sweetheart

Moon just... Teases you a bit less. If that means anything.

(it does)

Or at least it's not mean teasing anymore

He's still a Creature™️ tho

Sun still acts confident and almost cocky at times, but it's not passive-agressive anymore

He can even appear charming at times, now that his jokes and remarks aren't meant to make you quit your job

And of course both argue from time to time

Or well, show their dislike of your commands in their own ways I guess

Their "own ways" being that Moon crawls up to the ceiling and sits in a corner upside-down to pout

And Sun just outright refuses to execute whatever you told him to do (and WILL get snappy if you insist)

The trips at Parts N Service are the worst, but you manage to get them down there two times out of three

But overall your relationship with the both of them is getting better and better everyday!

And you genuinely feel so glad the day they give you a friendship drawing!! You're officially their friend now!!

You almost teared up, but no one needs to know that

And then, they gave you another one

And another one

And MANY other ones

And plenty of them both holding your hands

Overtime, you became their bestest friend!!

Who could have thought you would end up being so close!!

Well you, at least, didn't expect it

Not that you're complaining!

You had to admit you grew VERY attached to them too

But oh boy was this development unexpected.

[rebeltigera]

Art tutorial for talentless souls like me? 🥺

I'm not one for tutorials tbh. I can't usually push my point across enough for people to understand sooo no tutorials from me. I could give you links to random Pinterest tutorials I never used and it would be good as much as I would give you one

I can try to help you understand art I guess. Give a little advice , but still it all would be just rambling from me . You do what you want with it

Learn that artwork is a combination of 2% of talent , 20% of happy accidents , 30% of being miserable in life and having enough of today's society, and another 90% is hard work and learning how stuff work . And fun.

And there's no really easy way about it. If you don't like learning stuff art ain't for ya ( yes , ya gotta train your muscle memory how to draw shapes. Yes you gotta practice)

Art is like math but in colors

Once you get a hold of it it sticks . Once you learn how to add one color to another you start to understand what are you doing

And then some random bullshit is happening on your canvas and you have no idea what's happening

If you are a beginner - do not compare yourself too much to others - I know it's hard and it might hurt seeing other artists be better than you. It makes you unmotivated and helpless.

Yeah, I too get like that sometimes

But

You gotta have an open mind and mindset ready for finding new ways of thinking. You see art you like? Try to understand it. How does it work? Why are you liking it so much? Is it colors? Composition? Complex /simple style?

Once you find the answer, give it a try .

Don't copy

Do your own thing . Take inspiration, let your inner self bleed onto canvas and just draw.

Oh and Do not discriminate a sketch. Most of us don't even finish those

Man I got poetic today ...