#i just don't get it and if things don't change which is likely then I'll be saying this for the next 4 years heavens help us

[nochepsicodelica]

You and Toji are sitting at a table at a bar, talking about different things that went on throughout your days over some drinks. Toji tells you about how Shiu's been a real asshole lately, because his marriage is hanging on by a thread and he hasn't gotten laid in almost a month. He gives you a look that you interpret as him saying 'thank fuck that's not us' to which you respond with a little smirk.

When it's your turn, you tell him about how the new hire broke the copy machine, knocked over and broke the water gallon for the water dispenser, and crashed into someone, spilling hot coffee all over their shirt, all in the course of one day.

"That poor fucker's cursed," Toji says, amusement riddling his expression as he brings his glass of whiskey to his lips.

"He looked like he really needed a hug by the end of the day," you add, biting back a smile, before you take a sip of your own drink.

"Tell me you didn't," Toji says, taking in the seemingly telling look on your face. "Ma."

"I'm kidding. It's jokes, baby. I have no interest in hugging someone I haven't spoken a single word to."

Toji flicks your forehead, watching with a grin as you bring a hand up to rub the sting away. "Gotta piss, be right back, doll. Want another drink before I come back?"

"I'll wait for you to finish yours," you say, to which he nods before standing up from his seat.

"Be right back," Toji repeats, affectionately setting a heavy hand on your head, before he heads off in the direction of the restrooms.

You pull your phone out of your pocket and scroll through your socials while you wait. Altogether, Toji was gone for no longer than four minutes, and yet somehow, that was enough time for a rando to pull a chair up to your little table and start a conversation with you.

"Hey," he starts. "Why are you sitting here looking all lonely?"

You turn your head to face the person with the unfamiliar voice, slightly widening your eyes as if to question if he's talking to you. He looks at you with raised eyebrows, awaiting your response. "Oh, i'm not here alone. My boyfriend is in the bathroom," you respond, with a polite smile, before returning your attention to your phone.

"Ah. What kind of man leaves a pretty thing like you by herself in a place like this?" The stranger says, in a tone that almost seems pitiful towards you.

You look at him again and attempt to keep your expression neutral. "He'll be back any second now. He's just taking a piss, i'll be fine. Unless you're here to make things troubling for me."

The man chuckles, entertained by your quick shift in tone. "With a feisty attitude like that and a pretty mouth to keep up, it seems like you want me to get you in trouble."

You furrow your eyebrows, blatantly offended by his inappropriate insinuation. It's disturbing to see how he turned your warning into something sexual.

"I already told you, I have a boyfriend. Try someone else," you respond, no longer hiding your irritation.

Toji scans the room for the table you're sitting at, locating you and who-the-fuck in three seconds. This man looks awfully cozy with you, leaning in close every time he speaks to you, so he doesn't stand around any longer and quickly makes his way back to you and this new "friend".

"You sure you don't want another drink, doll?" Toji asks, sitting down in front of you, again, his gaze darting between you and this pocket square looking man. There's a difference between your demeanor from before he left and now. You clearly aren't comfortable, anymore.

"That's it? That is your supposed boyfriend?" The man asks, attempting to minimize Toji by referring to him as if he's nothing in comparison to himself. "Oh, princess. You see this watch?" He asks, raising the cuff of his sleeve to fully reveal his golden watch. "Four thousand dollars, and that's chump change."

You look at Toji and pull his hand into your shaky one, giving him a forced smile. Toji keeps his eyes on yours as the stranger continues spewing arrogant sludge about how much money he makes a year and how even the luxury car he has parked outside didn't put the smallest dent in his wallet.

"You would have it so good with me, baby," he continues blabbering. His hand goes to your wrist, a gesture that Toji quickly puts an end to by aggressively shoving the man's hand away, your empty glass clattering on the table from the force. Toji would have snapped the man's wrist and twisted his hand off, but he didn't want to scare you with the bloodshed. He feels like he's buzzing from the anger bubbling inside, and surely it won't be long before he acts out.

"Don't fucking touch her," Toji spits, glaring at the man with an expression that would have put him six feet under, if looks could kill.

Your heartbeat is in your ears and your blood is boiling. This man is disgusting for being persistent towards someone who doesn't want him. It's masochism, at this point, with the amount of times that you've made it clear that you're not interested.

The man snorts, snobbishly. "He brought you here, of all places. Even just glancing at him, you can tell this cheap ass place is all he can afford. He'll never be able to give you everything you want, so just come with me, doll face."

You rip your hand out of Toji's grasp and stand from your chair, delivering a resounding blow to the man's already hideous face. Tables and chairs wobble as he tries to keep his balance, but when you quickly strike him again, hard enough to increase the pain you felt in your knuckles with that first hit, you manage to knock him onto the ground.

"Fuck you, you fucking asshole. You don't know shit!" You grit out, dropping down to try and land another hit to the man's bleeding face. By now, Toji is behind you, restraining your arms and pulling you back as a small crowd begins to form to observe the commotion.

"Ma, come on. Let's just go."

"Let me dent his fucking face in, Toji," you mutter, writhing in his grip.

The vile man manages to sit up, dabbing his fingertips against his busted lip. Though there is red blossoming on his face, his lips still form an amused, twisted smile. He laughs as he watches you get reeled back by Toji, seething as you are dragged away like a child having a meltdown in the middle of a store.

"Hey-- Hey, I said let's go," Toji says, his tone sharper when you continue to try to break out of his hold to fight the idiotic sociopath.

You take a deep breath and stop, willingly letting Toji take you away from this chaos you created in his defense. His hand rests on the nape of your neck, as he guides you through the stuffy bar and leads you outside to the car.

"Stop pacing," Toji says, watching as you threaten to make the asphalt beneath your feet waste away with every step you take in your heated state.

"Fucking asshole, dickhead, motherfucker." You groan, loudly, furiously, before covering your face with your hands. "It's fine, it's fine," you mumble to yourself.

"Then, stop pacing," he repeats, watching on as you walk the same steps, over and over, as if you're on autopilot. "Ma, eyes. Eyes." His hands go to your shoulders, manually forcing you to halt your movement. "Listen to me. I said eyes."

"I'm so... I can't stand still," you say, weakly.

"Stop looking around. Right here," Toji instructs, lifting one hand from your shoulder and pointing two fingers at his eyes. You release a shaky puff of air and hold his gaze as best as you can.

"Talk when you're ready," he says, following your eyes whenever they derail from his.

You aren't ready soon enough. You feel like your heart is trying to burst out of your chest and the adrenaline coursing through you isn't helping at all. Your hand hurts. Your knuckles feel bruised and they're bloody. The night might be ruined, but you felt your reaction was the only way to release the pain you felt when that nothing started talking the way he did about Toji. All you can think to do is hug Toji to prevent yourself from crying about your cause for attacking the gross man. It's all so much. You've never felt so strongly for someone, to the point where you hit a stranger for insulting them. It's scary how Toji brings that defensive, yet, offensive side out of you.

Strong, heavy arms reciprocate your embrace, keeping your tense body close. You feel warm and safe, his scent and the pressure of his hold managing to slowly calm your unsteady heartbeat. After a few seconds of quietness, you turn your head and rest the side of your face on him, finally prepared to speak.

"I didn't like how he was talking about you, Toji. He was talking shit even before you came back, and I hated it. I hated it so much, that I felt nauseous and if I hadn't done something, I would have been sick."

Toji sighs, not out of disappointment or feelings of that sort, but because you seeking out danger for his sake, was not something he ever wanted to see.

"Doll, you know how much I love you."

This sounds like a layer of sugar preceding a talking to. You're trying not to be nervous before the scolding even begins, but you feel the need to brace yourself, as well.

"I love you, too," you mumble.

Toji knows it. He's known it all along, and the events that transpired tonight were just another way of you proving your love and showing how much he matters to you.

"Want you to look at me," he says, lowering his arms on your back, allowing you to make the space necessary to give him your attention. He offers you a soft smile. "Don't get all fidgety on me after you just ripped a stranger's face open."

"I feel like you're about to yell at me," you say, lowly.

That makes him want to laugh, but he keeps his amusement to a minimum, since you're clearly anticipating something terrible.

"Nah. When have I ever raised my voice at you?"

"Never."

"Exactly. Never, and I won't start now, but I want you to get this through your pretty head... It's not your job to beat people up for me."

"I know, but-"

Toji shakes his head. "Hold on, mama. Let me finish talking, then it'll be your turn."

Your heart feels like it's in the depths of your stomach, but you nod, and allow him to continue talking.

"I'm not mad at you, i'm not gonna yell at you. Just wanna keep you safe, is all. That guy was already a fuckin' weirdo, harassing you like that and trying to get you to go with him while I was right there. I wouldn't be surprised if he was into hitting women, too, if he's so comfortable with making them uncomfortable."

It's quiet while you think of what to say. You don't want this to escalate into something that turns you against each other, when it started out as an act of love. You could argue about how you did this to defend him, but in the end, you know his own need to protect you, will stomp all over your arguments.

"I'm sorry we had to leave, but i'm not sorry for the reason behind it. I don't regret what I did."

"Ma..."

"No, Toji. He didn't even know you and yet he still said things that aren't fair." Your voice quiets down, the beginnings of stronger emotions threatening to outwardly reveal themselves. "He insulted you. He questioned your abilities as my boyfriend when he saw me alone— even after I told him you just went to the bathroom. He judged you superficially, he said you can't give me everything I want and--" you pause, interrupted by a shaky inhale and the painful lump in your throat. "Sorry," you mumble, when the first set of tears roll down your cheeks.

"No, you're alright," Toji says, in response, his warm hands coming up to cup your cheeks, thumbs wiping away your fleeing tears. There's a small pinch in his brows. Why are you crying? It's something he can't ask you, because he knows that if he makes a big spectacle out of it, you'll end up drowning in your tears and shutting down everything you have to say. He resorts to keeping your cheeks dry and encouraging you to keep talking.

"Go on, mama."

You sniff, before picking up where you left off. "I don't care about all that, Toji. I don't care where we go to spend time together, because we're together. I need you, not for you to buy me things or take me to fancy places. That's not what I'm with you for."

Your heart is beating fast, again, its rhythm no longer controlled by fear or nerves, but instead the focus that Toji has on you. He's good at holding eye contact with you, something that occasionally gets distracting if you become too aware of it. You notice that his expression is softer. Maybe it's your brief flash of tears or the way you are always subconsciously finding a way to indirectly recite some of the reasons for why you love him.

"I love you, Toji. That means I won't just sit around and let someone talk about you like you're worthless. And I know, I know you can handle things like this on your own and you don't need me, but it was hard to listen to that."

You pause, as if to give him a break from your bulldozing heart. Silence takes over the moment, both of you just looking at each other. Toji's speechlessness has you wondering if you spilled too much of your heart out to him. You know some things are better left to be figured out, such as the range of a person's love, and yet you just poured without measure. "You can call me crazy if you want to."

Toji's shit-eating grin is unexpected, but it's definitely a sight that lifts some of the heaviness you feel in your chest.

"You love me," Toji says, still smiling like a doofus. He knows your serious facade will crack if he looks at you like this for long enough. He can already see a shift in the expression of your eyes and the way your lips are pressing together just a little more. He tilts his head slightly, a gesture that pushes you even further towards that pretty smile he wants to see. When you finally crack and give into his charm, you do so with a mutter of 'you're so dumb.'

"I'm glad that's what you got out of my rambling," you say, wholeheartedly and in better spirits. Toji pulls you in, this time, his soothing warmth and familiar scent tangling around you, again. His chin rests on top of your head and his arms secure themselves around you, tightly.

"I'm not gonna call you crazy, ma. It's not what I think. Also, don't go saying things that aren't true. I do need you," Toji says, his voice level kept at an intimate volume, as if there are other people there in the parking lot with you. His words are solely meant for you to hear anyway and getting them to you in this manner ensures that you won't go home with your heart feeling heavy, after a talk that was meant to comfort you.

"You know, I don't care what other people think— and that's not to say I don't appreciate you throwing a few punches for my sake. You're a sweetheart and you care so much, but if it's a stranger saying some unimportant, dumb shit, it takes a lot for it to actually get to me. If it really bothered me, they'd be gone."

"Yeah... I know," you mumble, into his shirt, knowing you would do it again and again— countless times. You loosen your arms around Toji and he does the same, his hands dragging towards your waist after you separate.

"How's that hand?" Toji asks, picking your wrist up before you can even respond. He whistles at the sight of the slight swelling and the dry specks of crimson spotted over your knuckles.

"A little tender," you say, feeling a tinge of fear when his other hand lifts off your waist to feel the damage.

"Looks real good on your pretty hand," he says, dragging his index finger over the protruding bones of your hand.

"Does it?" You ask, your barely there smile falling when you wince at the little bit of pressure Toji applies.

"No," he responds, bringing it up to his lips and pressing a kiss to the sore area. You wince again when his thumb drags over your skin with slightly more pressure than before. "It doesn't. We'll ice it when we get home, alright?" He lets up on the torturous touching, but keeps your hand in his. The words aren't meant to hurt you. He doesn't mean them and he hopes he communicates that with the way he still opts to hold your hand. Your hands will always be pretty to him, he just can't say that to you, right now. Not if it serves as the smallest bit of encouragement for you to repeat what happened earlier, in the future.

"Okay." You nod.

"Gimme a kiss and we can go home or wherever, if you wanna stay out."

You tilt your head up and wait for his lips to meet yours. It's a gentle brush of lips, but the second Toji's hands start slipping under the back of your sweater and your shirt, you know it's going to be more than a single kiss. You can feel the night's cold wind nipping at your skin, as his hands go higher up, his fingertips reaching just below the hooks of your bra. To your surprise, he unhooks the garment, causing you to quickly press your hands to your chest when the cups loosen, to prevent them from fully sliding down.

"Toji," you manage to utter out during the wave of kisses. You turn your head, receiving a kiss that was meant for your lips, on your cheek.

"Yeah... I think we should go home," he murmurs, against your skin. "Maybe we can rock the car a little bit before we go, hm?" Toji smirks when you let out that flustered giggle he's so familiar with. He presses another kiss to your cheek before you turn to face him, again.

"Okay, but let's not blow it all here. We have a nice and comfortable bed at home. Let's add another good night to it."

You don't miss the way Toji's lustfully lidded, green eyes, keep glancing down at your hands on your chest, or how he's mindlessly caressing your bare waist, under your shirt.

"Alright, ma." He pulls out his car keys and with the press of a button, the car unlocks with a beep and the brief, dull sound of flipping locks. "Get inside."

[not-so-mundane-after-all]

I know plenty of people have already made a version of the "Jinx is alive" theory post but I've also seen so many of you mourn her death that I decided to gather all the evidence and make another post, turning this theory into a fact.

Because Jinx is alive. It's not a speculation. It's literally there.

The first thing I'm going to mention are the context clues Jinx gives herself. First, the last thing the ghost of Silco tells her. I think the cycle only ends when you find the will to walk away. Then, the realization she comes to when Vi hugs her in the cell. You're never gonna give up on me, are you? What she tells Vi after she leaves her in that cell. You don't need to worry about me anymore. [...] And yes, her initial plan is to kill herself, because she thinks the only way for Vi to move on is for her to be gone. And Ekko gets there just in time to stop her but it looks like he doesn't convince her to abandon her plan, just change it.

And later, when she joins Vi in the final fight. What does she tell her? Still don't get it, huh, sis? I'm always with you. Even when we're worlds apart.

Everything that happens after is constructed specifically to let us and Vi believe that Jinx died. Until we get to this scene:

Caitlyn is studying the Hexgates designs.

She's looking through the pages depicting the place where the final fight happened, specifically focusing on the air vent shafts, while toying with a monkey bomb head - the same monkey bomb that Jinx used in her supposed last monents.

She looks down at the monkey...

Watch the eyes. The realization hits her...

And she smirks, knowing. Jinx used one of the air vents to escape before the explosion.

I've studied the explosion frame by frame. First, a small yellow explosion goes off - Jinx sets off the monkey bomb.

As it becomes bigger, she shoots out of there

this is still the beginning of the blast when we can still see her, and the big boom that destroys everything starts 10 frames later

Last context clue is a reference to the very first episode, which is clearly depicted in this gifset here, so instead of explaining, I'll just send you there to check for yourselves.

One thing that is speculation here is, how exactly did Caitlyn come into possession of the monkey bomb head? I doubt she found it there because it would have been turned to dust. And I'm thinking, Jinx took it with her and left it for Cait to find as a clue. She didn't want Vi to know but maybe she wanted Cait to figure it out. I imagine her sneaking into her house and maybe leaving it somewhere for Cait to find, like her desk or something. It gives Cait an idea, a gut feeling she needs to check, and that allows her to figure it out. Just like we are supposed to figure it out on our own.

Bottom line, Jinx is alive. She escaped the explosion through the air vents, then boarded the airship and left the city, convinced that the only way to give her sister a happy ending is to take herself out of the equation. The glitching closing shot saying The End in Jinx's colorful handwriting is a sign that she is telling us that this is where this story ends, like she's saying "don't look for me. It's over." That's also probably why we aren't shown what Caitlyn does with the information she now possesses.

I hope this helps take away from the grief 💙

[loulovingho]

tags: violence (gay bashing), homophobic slurs, blood, hurt/comfort, angst, healing, heading toward getting back together, happy-enough ending

(ao3 link or read below)

Like Fine China

“Hey, I need you to keep your eyes open for me, okay? You hear me? Try to keep your eyes open.”

He recognized that voice. The last time he'd heard it was just a few weeks ago, at the hospital. Who was it for though? Why was he at the hospital that time?

His brain felt like a jumbled mess. His body felt even worse.

He just wanted to sleep.

“Tommy! Tommy, can you hear me?”

Athena! That's who was speaking to him.

He opened his mouth, cracked one eye open. God, it hurt!

“I- I'm,” the words felt foreign as they escaped him. His voice didn't sound like his own. His mouth was dry, and held a bad taste.

Whiskey and... and metal.

Blood.

“Tommy, paramedics are on their way, okay? I just need you to stay with me until they get here.”

It was dark, but something was shining bright in his face.

“Flash... Flashlight,” he managed to get out, squeezing his eye back shut.

“Eyes- Eye open, Tommy. I'll get the flashlight out of your face, but I need to know you're with me.”

Wait. Had she said paramedics? They couldn't. He couldn't let them- let him see.

“No, no, no,” he mumbled out, shaking his head a couple times until a sharp pain shot through it. “No, h- he can't. I don't-”

“They're not on shift, Tommy.”

He tried to push himself up, away from where she hovered over him. He didn't manage to get very far before she placed a hand on his chest.

“Tommy, you cannot get up. I need you to stay still, and stay conscious. Those two things are your only jobs. You hear me?”

“I can't,” his words were so garbled. He coughed up the blood that'd been dripping down his throat.

I can't let him see.”

“Listen to me, Tommy!” Athena exclaimed, getting right in Tommy's face. He could barely see her, but he could feel her breath on his face. “They're not coming. Buck isn't coming; it'll be someone else.”

In the distance, he heard the sound of sirens. He didn't feel relief. Didn't feel much of anything at all. He was fading, fast. It took all his energy to force out one last sentence before he lost consciousness. “Don't... Don't tell him.”

*****

He just wanted to go out for a drink. Something a little stronger than craft beer.

It'd been two weeks since he broke up with Evan- no, Buck. He was Buck now.

It'd been two weeks since he broke up with Buck and the ache in his chest felt the same way it did the second he walked out of the loft.

He'd thought he was saving himself from future heartbreak, and maybe he was, but it didn't quite make it hurt any less.

Georgie's wasn't exactly a gay bar, but Georgie was gay and the bar itself became a sort of unofficial hang out for older people in the lgbtq+ community. No loud music and everyone left each other alone. A perfect place to decompress while still allowing yourself to be free.

After a couple of whiskey sours, and yeah, a pitcher of craft beer, Tommy was ready to go.

He waited outside, near the alleyway, for his Uber. He found himself going to his messages, hovering over Evan's name. He hadn't had the heart to change it to Buck yet.

He'd been wanting to text him since the breakup. Talk about it some more. Actually give a reason for why it- why he- fell apart so fast. How Buck's words triggered some terrible memories for him. How he suddenly realized there was no way he could be everything he thought Buck needed. Everything Buck deserved. Not to mention they hadn't even exchanged I love you's. And it was insane to think all of Tommy's things could fit in Buck's loft. Buck's things could fit in his house so much easier!

He clicked on Evan's name, started to type something out, erased it, started again, erased it again.

He was usually so aware of his surroundings. His time in the military did that to him. It did a lot of things to him actually, many of which he wasn't very thankful for. However, he prided himself on not being oblivious.

Tonight he was oblivious.

He didn't expect five men to jump him at once. He was a strong guy. Had taken on three men about fifteen years earlier. Did it with ease too.

But not five men. Not when one had a bat, and one had brass knuckles, and one was at least 6'5 and three hundred pounds. Not when they dragged him to the ground and into the alley before he had a chance to react. Screaming slurs at him as they took turns using his body as a punching bag.

He tried to fight. At one point, he was sure he kicked one of the guy's in the face. Heard him yell something like, “The fag broke my tooth!”

It only made things worse.

He wasn't sure when he first lost consciousness, but he knew they were still on top of him. Still laughing as they hit and kicked. He heard the sounds of someone spitting at some point. Felt wet on his face.

Then there was nothing.

Until someone stepped out from somewhere, and maybe they heard him groan? Maybe it was his Uber driver wondering where he was? Maybe it was an employee taking out the trash? He wasn't sure. He could barely hear someone telling him they were calling the police. There was a ringing in his ears, and his lungs felt like they were on fire. Someone said something about wheezing, barely breathing. He wondered what that was about.

Then there was Athena. Then nothing again.

*****

The next time Tommy opened his eyes, he was in a dimly lit hospital room. He was confused. Could barely see out of one eye and everything was blurry out of the other.

His head felt like it was stuffed with cotton, and maybe some tiny humans hitting his brain with hammers.

“Are you... awake awake or not really awake?”

The sound of a man's voice startled him. He couldn't hardly move, but he was able to focus his eyes across the room at the figure in the corner.

“Ed- Eddie?”

God, his voice sounded weird. Why did it sound like that? Like he'd spent the last 30 years smoking a pack a day.

“Yeah, I'm here.”

He sounded hesitant. Maybe they'd had this conversation before? If they had, Tommy certainly didn't remember it.

“Wha- Why?”

Eddie stepped closer. “You're in the hospital, Man.”

Tommy wanted to roll his eyes. No duh.

He settled for clearing his throat, which turned into a burning sensation running down his chest. “Why're you... here?” he tried. Hoped Eddie understood that much.

“Tommy-”

“I t- told Athena-” he had to pause to take a breath. “Told her not to tell.”

“Actually, you told Athena not to tell him. And she assumed, correctly, I'm sure, that him was Buck. So she called me instead.”

Tommy closed his eyes. “Why?”

“Why'd she call me? Oh, maybe because you don't have anyone listed as an emergency contact and you were nearly beat to death so she figured you might need someone to be here when you woke up.”

Tommy's jaw clenched at Eddie's harsh words.

Nearly beat to death.

He was nearly beat to death.

Eddie either noticed Tommy's heart rate going up on the monitor, or his eyes filling with tears, because he was right beside his bed in two strides. “Sorry,” he said. “Sorry, I- I'm kinda pissed, Man.”

“S'okay,” Tommy replied, swallowing hard. “I deserve it.”

Eddie looked taken aback. “No, I'm not- Tommy, I'm not mad at you. I'm mad at this,” he said, gesturing over Tommy's body. “I've never seen...” Eddie's voice trailed off and, through Tommy's own blurry vision, he could see that Eddie was close to crying.

“What'd they do to me?” Tommy asked, barely able to take in all his injuries. His entire body hurt, no part any worse or less than the other. He could feel something on every limb, but he couldn't quite move his head around enough to see what it was.

Eddie took a deep breath. He wiped at his eyes with his fingers, sniffling before getting started. “You've got bruising on about seventy-five percent of your body. You had surgery for a busted kneecap on your right knee. Your left arm has a fracture, and your right one has thirty stitches, I think. They broke a few ribs, so it's gonna hurt like hell when you take a deep breath or cough. Um, you had some internal bleeding, but they got that under control pretty fast. You've got a fracture in your cheek, which may cause some extra pain when you talk. You've got a few broken fingers too, and lost a couple fingernails during your- when you were defending yourself.”

“Hm,” Tommy hummed once Eddie was done. “S'that all?”

Eddie shook his head, rolling his eyes. “I'm sure I missed a couple things, actually, jackass.”

Tommy let out a laugh, which quickly turned into a groan. “Thanks for coming, Eddie,” he said, trying and failing at moving himself into a slightly more comfortable position. “You don't have to stay though. I'll be fine.”

Eddie stared at him incredulously. “You're kidding me.”

Tommy shifted his eyes back in Eddie's direction. “No, I- I'll be okay. I've got it. Just,” he paused to take a breath, “don't let Buck know, please.”

Eddie raised a finger toward Tommy. “Well, see, about that. You only told Athena not to tell him before, and-”

“You didn't.”

“-and see he was already at my place when I got the call, so-”

“Please tell me you didn't.”

“I have one with cream and one with sugar and- Oh my God, you're awake!” The sound of Buck's voice had Tommy's head twisting toward the door so quickly that a pain shot from the bottom of his back all the way to the top of his head. “Ow!” he yelped, clenching his teeth and tossing his head against the pillow, squeezing his eyes shut.

“Oh my God. Has the nurse come in yet? Have they checked his vitals? Eddie, you said he'd be out for a while! Tommy, do you feel any nausea? Do you remember who we are? The nurses said you might have-”

“Buck!” Eddie exclaimed. “Stop. He's okay.” He glanced over at Tommy, “I did forget to mention the head trauma.”

Tommy groaned, giving him a glare.

Eddie walked over to Buck and took the drink carrier from his hands. “I'll go find a nurse, you stay with him.”

Tommy wanted to yell out to Eddie to please not go, and also screw you, and maybe throw a couple hand gestures in there too. He stayed silent instead.

Buck looked Tommy up and down, hesitating slightly before walking up to the side of the bed. “So, you're-”

“I want to see myself,” Tommy blurted.

“Oh, um, I... Tommy, I don't. It might be better to wait.”

Tommy managed to move his head enough to look up at Buck. He could see the fear- no, the panic- in Buck's eyes.

“I wanna see," he repeated.

“Tommy-”

“Buck!” It took a lot of strength to get his name out so forcefully, and he didn't quite mean it to sound as angry as it did, but this wasn't Buck's decision. It was his. And he wanted to see what he looked like.

Buck pulled his phone from his back pocket, his hands shaking slightly as he pulled up the camera.

Slowly, he lifted the phone up to Tommy's face.

The second it registered that he was looking at himself, Tommy sucked in a breath. He grimaced as pain radiated through his chest but, when Buck went to move the camera away he stopped him. “No,” he said. “Just. Just wait.”

He knew his eyes were swollen by how out of focus his vision was, but he had no idea just how bad they looked. The right was worse than the left, but both were an angry mixture of black, purple, and green. The bruise on the left side of his face ran down his cheek to his jaw, circling underneath his chin like a half moon and fading into his facial hair. There were marks on his neck. Looked like someone's hand. He could understand Eddie's hesitancy on mentioning that. He didn't remember anyone gripping him there, which was probably for the best.

His forehead had more bruises, and cuts too. There was dried blood at his hairline, some stitched up cuts. His curly hair was nearly matted to his head, his scalp a brutal crimson.

“I tried to wash the blood out of your hair with a washcloth,” Buck explained anxiously, “but you have some lacerations on your scalp and I didn't want to bother them until they healed a little more.”

It was all so overwhelming. There was a whirring sound in his ears that made him feel dizzy. His eyes burned as they filled with tears that he didn't have the strength to wipe away.

“Okay,” he said, his voice uneven. He cleared his throat. “Can you- You can go, please. I don't... You can go.”

“Tommy-”

“Ev- Buck, I'm awake, I'm fine, I don't need anyone here.” He stared straight ahead, unable to look Buck in the eyes. “Please.”

“No.”

Tommy really didn't feel like dealing with stubborn Evan right now. “I don't-”

“I don't really care, Tommy. I'm not leaving you here. I've been at this damn hospital for three days now and I'm staying until you go home. I don't care what-”

He was cut off by the sound of footsteps behind him.

“Got the nurse,” Eddie said, an awkward smile on his face. The nurse, to her credit, ignored all the tension in the room.

“Let me get some hand sanitizer and gloves and I'll be right with you, Mr. Kinard.”

Buck sighed. He stepped even closer to Tommy. “I'm gonna go into the hall long enough for the nurse to check you out,” he said, maneuvering himself until he was halfway leaning over the bed, his arm on the other side of Tommy to prop himself up as he forced him to make eye contact. “I will be back in a few minutes. You have people who care about you, Tommy, whether you like it or not.”

With that said, Buck stood back up and left the room.

*****

Tommy spent a few more days in the hospital before he was released. There were only two times that Buck left long enough to get a shower and get a little rest in a real bed. Both of those times, he made sure Eddie was there the entire time.

Athena had come in to get his statement. Asked him all sorts of questions, most of which Tommy couldn't answer. He hadn't really gotten a good look at them. Only had very basic descriptions. He remembered the slurs they had hurled at him, knew they attacked because he was gay. He couldn't really figure out how they knew though. Besides being outside of that bar, it wasn't like Tommy ever did anything that screamed gay. Not that it mattered.

She'd been honest with him. There were no cameras at that part of the street, or in the alleyway. No one got a good description of the attackers, and the person who called the police only saw their shadows as they disappeared into the night. She'd do everything she could, but it wasn't likely they'd find these men. At least, not until they did this again.

Bobby stopped by once with some homemade chicken noodle soup. Buck had to feed him every bite, which made Tommy feel like he was about to cry the entire time, but he managed half a bowl before he had to stop. It was a million times better than anything the hospital had been feeding him, and he was glad to know Bobby had put some in his freezer to give Tommy when he got home.

Chim and Maddie came one evening. He'd been asleep when they got there, woke up some time during their visit, but he kept his eyes shut until they left.

Honestly, every time someone walked through the doors he felt more and more like running out of the hospital and finding a hole to fall into. Then, if he were lucky, someone would just shovel some dirt over him and let him rest.

These weren't his people. They were Buck's people. They didn't need to be there for him. They needed to hate him. They needed to laugh at his bruises and tell him he deserved every last one. They needed to yell at him for breaking Buck's heart to try and save his own.

That'd be a lot easier than this.

Thankfully, Hen and Karen didn't come by. They did send flowers though, and a card that explained both kids had strep throat and they didn't want to risk bringing that to the hospital. They'd come by Tommy's place once he was home.

He and Buck didn't talk about anything that needed to be talked about. All the unsent messages that had swirled through Tommy's mind didn't matter right now. It was like an unspoken rule between the two of them. Right now was not the time to try and fix whatever happened between them. Right now was about Tommy healing.

*****

As soon as they got Tommy home, Buck left Eddie with him so he could go to the pharmacy and pick up his medications. When he got back, Eddie headed out to go home and rest, promising to come back later with a variety of foods that would be easy on Tommy to eat.

The silence felt more... silent at Tommy's house. It was different now that they were at home instead of a hospital with people coming in and out at all times.

Tommy needed to do something, say something, to break the silence.

“I wasn't on a date,” he muttered out as Buck organized his pain meds on his nightstand.

Buck paused briefly before getting right back to it. “Didn't think you were.”

Tommy nodded. “Okay. I just, I don't know, didn't want you to think that.”

“You go to Georgie's when your brain is working overtime and you need it to quiet down.”

Tommy's eyebrows furrowed. “I didn't know I ever told you that.”

“You didn't,” Buck replied, handing Tommy his pills and a glass of water. “I just know you.”

Tommy swallowed the pills, wincing slightly. His throat still felt scratchy even a week later. “I don't know how they knew,” he said as Buck took the water from him and set it on his nightstand.

“Who knew what?”

“Those guys that-” he stopped. “I don't know how they knew I was gay.”

“A lot of queer people hang out at Georgie's,” Buck answered. “They probably took a guess.”

The thought of it made Tommy's stomach lurch. “I've spent most of my life trying to make sure people couldn't guess.”

Buck watched him for a moment quizzically. “Tommy, you're not... You don't blame yourself for this, do you? You know this wasn't your fault, right?”

Tommy avoided eye contact with Buck. He felt so small right now. “I know I didn't do anything to provoke them.”

“That doesn't really answer my question.”

“I just... I don't know what I could have done differently. I know I wasn't paying attention to my surroundings. I... I should probably go to a different bar, maybe. I don't know.”

“You can't be serious right now.”

“This is everything I feared my entire life, Buck,” Tommy admitted and, God, he wished he could shut up right now. The pain pills were starting to make him a little loose lipped, mixed with him truly being alone with Buck for the first time since they broke up, mixed with an undeniable fear every time he thought about that night, seemed to make it impossible to close his mouth. “I did everything to make sure nothing like this would ever happen to me and it still did. I keep thinking about it and wondering how it could have been different. How I could have been different.”

“Tommy, can you look at me?”

Slowly, Tommy looked up at Buck, his eyes shining with tears.

“This was not your fault. There's nothing you could or should have done differently. You cannot let those five men shove you back into a closet.”

“I-” Tommy cleared his throat. “They're not. It's just... a lot right now.”

“I get that, I- I do. You look tired. Why don't you rest for a bit, okay? I'll be here when you wake up.”

“Buck, you don't-”

“If you tell me I don't need to stay I will force feed you bone broth when you wake up.”

Tommy shivered. “Ugh! I hate bone broth.”

“I know you do.” Buck gently pulled a pillow out from under Tommy, allowing him to lie back easier. “Close your eyes, get some rest. I'm here when you need me.”

*****

They were bound to fight sometime. Tommy had honestly expected it to happen sooner. Buck had been staying with him for three weeks now, only gone when he was working a shift. Bobby had let him work part time for now, with Carla caring for him when Buck was gone.

They'd managed to get past the initial awkwardness. Buck rambled about any and every subject he could think of. They'd watch movies together on the couch, with Tommy falling asleep halfway through due to his pain meds.

Buck would get Tommy tucked in bed, then set himself up on Tommy's floor in case he was needed during the night. Tommy had tried to insist he use the spare room, but Buck wouldn't hear of it. He knew Tommy wouldn't call for him if he needed him through the night.

Then Tommy tried to suggest he sleep in the bed. But that was a no go because, “I kick, Tommy, you know this. Do you really want another knee surgery?”

They'd been focused on Tommy getting better. And they'd been ignoring the many, many elephants in the room.

So, a fight was expected.

What wasn't expected was for the fight to start because Tommy needed to pee.

Buck had seemed a bit more on edge today, but Tommy chalked that up to a shift that ran longer than expected.

Tommy had grabbed his crutches, which he'd just been able to start using to go short distances. He still didn't quite trust himself to use them at night, but he was working toward relying on them more and relying on people less.

When he stood, Buck immediately stood with him.

“I'm fine, Buck. I just need to go to the bathroom.”

“I'll help you there.”

“I'm really fine. I can get there by myself.”

Tommy was sure he had kept his tone neutral. He definitely didn't want an argument tonight. But, before he could even make it two steps, he heard Buck scoff. “Not surprised.”

And maybe it was the full bladder making him extra bitchy, but Tommy couldn't help turning around and asking, “What's that mean?”

Buck shrugged, crossing his arms over his chest. “Nothing.”

“Obviously it's not nothing. If it were nothing you wouldn't have said anything in the first place. What doesn't surprise you?”

“Just you, ya know, pushing people away. It's what you do.”

“Ha!” Tommy laughed out. “If I'm pushing people away then I really suck at it because you haven't left my house in three weeks. I just need to pee.”

“I'm not talking about right now. I'm talking about me telling you that I loved you and you breaking up with me.”

How in the hell did they end up here?

“You didn't tell me you loved me, Evan!” Tommy exclaimed, unbelievably confused. The sudden change in tone caused Buck to take a step back.

He was only thrown off for a second, quick with a retort. “Of course I did!”

“No, you absolutely did not! You asked me to move in with you, but you did not tell me you loved me.”

“Wait. You asked him to move in with you?” Eddie's voice had them glaring in his direction. Both had forgotten he was even there in the first place. He raised his hands. “Sorry.”

“Well, I- it was obviously implied,” Buck argued. “I wouldn't have asked you to move in if I didn't love you.”

“How the hell was I supposed to know that?! You were making it sound like I was some gay hero that sewed the first pride flag! I don't even go to pride events, Evan! All the colors are far too bright and the glitter never leaves you.”

“Glitter is really annoying,” Eddie agreed.

Tommy pointed a crutch at him. “Thank you.”

“I was not trying to make you out to be some gay hero, Tommy! I was telling you that I was comfortable with you. I was telling you I wanted to spend all my time with you. I wanted us to be together!”

“You didn't even think it through, Evan!” Tommy motioned around the room. “I own a home. It comes with two bedrooms that have doors, a garage, a back yard, and two and a half bathrooms. You asked me to move into your loft.”

Eddie shook his head. “Oh, Buck.”

Buck's eyes shot over to him. “You're still here why?”

Eddie stood from his spot on the couch, grabbing his coat. “Yeah, I'm going. Later.”

They both stayed silent until they heard the door open and close.

Buck opened his mouth, closed it, then opened it again. “This is our first fight, isn't it?”

Tommy nodded. “It is.”

“Took us long enough.”

Tommy managed a small smile. “Probably should have fought you that night, honestly.”

“I think I would have felt better if you did.”

“Me too.” Tommy took a deep breath. “I actually really do have to pee,” he said, shifting from one crutch to the other. “Can we pause this until I'm done?”

Buck nodded. “I'll be here.”

They didn't actually fight anymore after that. It was time for Tommy to take his meds, which made him tired, and Buck was tired himself from his shift. Tommy laid in bed, Buck snoring on the floor beside him, thinking it all over. All the things he still felt like he needed to say. The unfinished business they had between them.

The fight wasn't much, but it was something.

It was enough.

For now.

*****

“Are you sure you're good on your own?” Buck asked as Tommy limped behind him toward the door.

“I'm sure. I can successfully do everything on my own now with minimal to no pain.”

Buck turned back to him quickly, eyes wide. “But there's still pain?”

Tommy smiled. “I'm fine, Evan.”

Buck didn't look so sure. “Okay, I... Okay.” Instinctively, he moved forward to wrap Tommy in a hug. He stopped himself before he got too close, but Tommy responded by opening his arms.

Buck's posture relaxed as he gently wrapped his arms around Tommy, careful not to squeeze too tightly. "I was so worried about you," he whispered in the space between them.

"I know."

“You'll call the number I gave you?” he asked.

“I already did yesterday,” Tommy admitted. “When you went out to pick up dinner. My first session is next Monday.”

“Good. That's... That's good.”

“Thank you, Evan. For everything you've done for me. You didn't have to do that.”

Reluctantly, Buck pulled himself away from Tommy.

“Did you realize you've been calling me Evan since our fight a couple weeks ago?” he asked, lips upturning into a smile.

“Oh, um,” Tommy shifted on his feet, taking the pressure off his bad knee. “Sorry. Habit.”

“Don't be sorry. I hate when you call me Buck.”

“You do?”

“Yeah. I'll always- I wanna be Evan, to you.”

Tommy nodded, staring into Evan's eyes. “Okay. That's. I'd like that too.”

Buck continued toward the door, stopping again as soon as his hand touched the handle. He looked back. “Hey, Tommy?”

“Yeah?”

“Next time you think about texting me... hit send, okay?”

Tommy had never mentioned that before. But he'd caught Buck's near-texts to him too, so it didn't quite catch him off guard. “I'm kinda a mess, Evan. I'm not as comfortable as you think I am. I'm not... I'm still figuring things out.”

“That's okay. I am too. Text me anyway.”

“Even if I'm asking you out for a coffee? So we can talk? Really talk?”

“Date and time, I'll be there.” Buck smiled softly at him as he opened the door to leave. “I'll get your order right this time.”

[shizunitis]

How do you think Shen Qingqiu would be affected if he had Xin Mo?

holy fuck i've been thinking about this for months and now that i've been asked i'm kind of lost. anon i love you prepare for a whole lotta yapping

the question is vague enough to both give me room to fuck around and to not know what to focus on. so i'll go with trying to figure out what the chain of events would be, mostly. i'm very sleepy though. that should be taken into consideration.

xin mo uses its masters' trauma and psychological issues against them. which means we just have to take shen qingqiu's issues and ramp them up enough to see what that would do to him. how that change would present itself is highly dependent on how he comes upon xin mo, as well.

first off, what does he want? shen qingqiu wants, in no particular order: to survive, to have luo binghe by his side and safe, and to protect his sect from a wrathful luo binghe.

he dislikes violence but doesn't shy away from it when it's expected of him to be unmoved by it. he's a deeply curious person and likes theorising, cultivation, and feeling powerful and respected. he thinks of himself as a "faker" but is proud of his moral stances, especially when they differ from the original goods'.

his biggest frustration throughout the novel is the fact that he cannot protect luo binghe from the plot and all the suffering that would bring him, and that he is under the control of something so opposed to his own goals as the system.

let's say shen qingqiu were to fall into the abyss and find xin mo himself, and therefore the system's control of him would be weakened, as it was when binghe was down there. this would mean he didn't betray binghe, maybe even took his place. this has to happen because he figures out the system is his biggest obstacle, before he gets to xin mo, or else my whole thing falls apart. maybe shang qinghua plays a part in this, maybe not.

it doesn't matter much how, but if he doesn't come to this realisation at some point, he would not place his target on the system, nor would he get the courage to try to change things according to his own wishes.

so. abyss -> revenge on the system -> find xin mo -> cultivate with it -> get out of the abyss.

first off, the sect wouldn't stand for him using a clearly harmful (to both himself and the world around him) demonic sword, or any sort of demonic cultivation at all, so he'd have to hide it if he were to make his way back. paranoia and fear would probably change him into an overprotective person, someone who slowly becomes less careful about what he has to do in order to protect his people, especially when we factor in how he'd had to, for years, live under the control and supervision of the system.

there is also the problem of getting close to the protagonist again. if he were to make contact, the system would re-activate, and his attempt to kill it would be useless.

he'd draw himself away from the people he cares about so he could watch over them. he would study and try to use the sword to change things in his favour, with the right incentive. the harm brought to his cultivation by the sword would probably force him to become more secretive so he isn't discovered.

he would probably seclude himself away from cang qiong, binghe and most of the world. whether he goes into the demon realm or not doesn't matter. he would rely on only himself, unless he can get shang qinghua involved in his plans. i imagine shang qinghua would be opposed to it, not only because the system would be against it, but because shen qingqiu's death or pain would spell his own destruction (by luo binghe's hand) if he didn't try to stop it.

the threat of huan hua palace and people discovering binghe's true nature would probably allow for the sword to take advantage of him more and more as he uses it to fight against them. i don't think the opm would not go after luo binghe, especially with shen qingqiu out of the picture, so i'm imagining the old fuck would offer luo binghe some sort of help just to get him close. shen qingqiu wouldn't stand for it, and we know that as he gets more desperate, shen qingqiu tends toward pragmatism. he would do what needs to get done, i guess.

"stuck between a rock and a hard place" pretty much describes shen qingqiu in svsss. having that not be the system's fault, for once, would probably push him to the edge enough that he does something extremely stupid and turns the entire cultivation world against him in an attempt to protect binghe from the opm's influence.

i don't think he would go too far, outwardly. he would probably bring more harm unto himself with xin mo than binghe had, and would probably suffer more than anyone else involved. him being so tight-lipped about his own motivations would get him scorned and named a traitor to the human realm. he'd have shen jiu's reputation post-trial, maybe. he would become colder, lifeless, honed-in on his goals.

this was an extremely long-winded way of saying that shen yuan, corrupted by xin mo, would become a husk of his former self. i imagine a moment where he tries to be warm again, that whole fond teacher shtick, and would find himself horrified at how much of an act that is now, rather than acting cold and heartless. i think he'd have turned his caring into caring too much to the point of leaving himself behind.

i had a wip of shen yuan transmigrating into luo binghe and having to lean into xin mo's influence so that he could get luo binghe reinstated into his own body that i put on the shelf at some point. he ended up baiting people into trying to assassinate him, and used their sacrifice as a way to power some sort of revival technique.

shen yuan needs plausible deniability for every action he does, especially ones he sees as morally reprehensible. so. add that to the whole thing above and that's the bulk of it, i think. maybe. god please tell me i make sense i need a shizun headpat

[lucy-mclean]

hi sole! your sharpening is always so soft and pretty, i was wondering if you would be open to share it? hope you are having a wonderful november so far <3

Hi, Anon! Thank you so much <3 Yeah, sure, tutorial under the cut:

What you'll need:

Photoshop (I use Photoshop 2023)

Basic knowledge on how to make gifs

Camera Raw filter installed

Okay so, first of all, I use two different methods depending on the size of the gif. Let's start with the one I use for most of my gifsets which are big gifs (examples: x x x x.)

METHOD #1: Smart Sharpen + Camera Raw

I started using the Camera Raw filter last year and let me tell you, I'm obsessed! It completely changes the game of sharpening. I use this method for all gifs with a 540px width.

We're going to work on timeline so get your gif ready and convert it for smart filters. I'm using this scene from my last set as a base:

Here's the gif after I color it (I usually sharpen my gifs before I color them but for the sake of the tutorial I'm showing you this so you guys can see the difference):

(1) Smart Sharpen Layer: Let's start by adding a Smart Sharpen layer (Filter > Sharpen > Smart Sharpen) with these settings:

Disclaimer: I didn't come up with these settings myself I got them from these sharpening actions forever ago so I don't know which one it is :/. I also wasn't able to find that person's new blog (if they even have one since they've been inactive since 2021) so if anyone knows please let me know and I'll give them proper credit!

Now we're going to go to the 'Layers' panel and click on this little thingy:

This window will pop up and we are going to change the Opacity to 50%.

(2) Camera Raw Filter: Here's where the fun begins. Go to Filter and click on Camera Raw Filter (you'll need to have the plugin installed for it to show up.) I don't know how the Camera Raw window will look like the first time you open it but good thing you only need to change a couple of things!

If it isn't opened yet click on 'Effects' and we're going to change the Texture and Clarity:

Depending on the scene/show/film I'm giffing, or if I want a stronger or softer sharpening, I'll use two different settings, but 99% of the time they are these:

First setting: Texture (+20) Clarity (+10)

Second setting: Texture (+40) Clarity (+20)

As you can see the difference isn't huge but the first setting gives a "softer" look. As I said I'll use one or the other depending on how I see the scene (it's almost always about the vibes yk.)

Feel free to experiment with these two and see what works best for you (although I wouldn't go higher than 40 on texture because the sharpening will look too fake imo.)

Also this filter is soooo good at making low quality videos look 1080p! Every time I've had to use 720p videos the Camera Raw filter has saved me 🫡

METHOD #2: Smart Sharpen

I use this method for smaller gifs. For example, 8 gifs of 268px x 180px sets (like these) or small-ish gifs in complex sets (like the second gifs in this set.)

This process is much simpler since it's the one I explained before but without adding the Camera Raw filter. That's it that's the method. Just a Smart Sharpen layer with the Opacity turned down to 50%.

As I said this method looks best on smaller gifs but to be honest it looks good on big gifs too? Depends on what you like most!

Anyway I hope this was easy to follow and if anyone has any questions please feel free to dm me or send an ask! ♡

[yellowssillysymphs]

ULTRAKILL character buttons are up on my shop now yayy!!!

you can get them here !

a month and a bit in the making! I loved doing character illustrations for my favorite guys n I'm so happy to put them on my bags forever :] I try my best to put their essence into one drawing for each of em

(fun fact V2 was supposed to be their second encounter design but I messed up which arm was the green one so I had to change it to their og design. The bg is the stained glass they jump out of in 1-4 just so that it doesn't look like I had to retcon everything + it's pretty)

If things go well I'll start making buttons of other charcters which I'd be super excited to do,, esp the ones that don't get quite as much merch

[3hks]

How to Write Emotional Dialogue Without Being "Cringy"

Did you ever want to write an emotional scene between characters but suddenly felt so conflicted because you're worried it might seem cringe? I, for one, have (and still do) worried about this! So today, I'll share some tips on how to make your dialogue LESS cringy and MORE emotional!

But for starters, what exactly makes something "cringe"?

Our media actually plays a big part in shaping what we find to be cringe, so certain words or phrases tend to stick out to us as "cringe". But when it comes to writing, it depends mainly on the context given.

So, with that being said, something that's meant to be emotional might seem cringy and awkward because the scene falls flat. Now that you understand the base cause of this, let's explore some ways to avoid it!

>>> OMIT, DON'T SAY

If you ever found yourself writing out a line that, no matter what, still seems awkward, then the problem may lie in the line itself. Sometimes it's unnecessary to say everything; your readers are smarter than you might think! There's a lot you can omit in dialogue while still maintaining a natural feel, whether it be through body language or hidden meanings behind certain words!

EX:

Prompt: "You're so fake, you think you can hide from the world, but you can't. What if someone finds out the real you?"

"I'll just put on another mask."

V.S

"What do you think?"

Regardless of whether you find the first response cringe or not, you can also see that the alternative response hints at a similar answer despite not confirming or denying anything!

>>> BE BRIEF

Unless your character is ranting or you're strategically elongating their dialogue, try to keep their lines concise. Many people will speak briefer as a result of uncomfortableness, sadness, and/or anger.

If a piece of longer dialogue looks odd to you in a certain situation, that might be because your character seems to be trying to explain something too much when it wasn't your intention to create that effect. Filler words (uh, um, oh,) are fine because they're a part of natural speech, but sometimes it's better to get straight to the point!

>>> FILLERS

Speaking of filler words, they can become really useful when writing emotional dialogue because they can portray a variety of emotions! (They can depict feelings of anxiousness, sadness, and more.) Additionally, stutters and ellipsis are helpful for the same reason! Overall, these incorporations really spice things up! Unnaturalness can be a cause for cringiness, and fillers assist in making dialogue feel more natural!

>>> ITALICS FOR RANTS

Okay, but what about rants and purposefully long dialogue? How do we make these more meaningful when essentially, we're just talking about big blobs of text?

Here, it's important to add dynamic to catch the reader's attention. When we read, it's like a voice is talking in our heads, and the voice is ultimately determined by subtleties like italics!

So, with that being said, use italics (I suggest incorporating them regularly, actually) when writing LONG texts! It creates a flow and rhythm for our reading, and most importantly, adds emotional weight to certain words/phrases, which highlights what your character prioritizes and cares about most!

EX: "I-I thought we promised! You said you wouldn't leave--so why are you leaving now? Was it my mistake? I'll change, I swear! (etc...)"

V.S

"I-I thought we promised! You said you wouldn't leave--so why are you leaving now? Was it my mistake? I'll change, I swear! (etc...)"

See? With just a few italicizes here and there (although you do want to be strategic about which ones you italicize), the simple dialogue quickly grew more weighted!

>>> DON'T RE-READ TOO SOON

In the end, the most effective way to tell whether something is cringy or not is to have someone else read it and tell you! But if you don't like the sound of that and prefer to check on your own, I suggest to not re-read your dialogue over and over. Instead, give it some time!

When we re-read our work too soon, we already know what to expect, which influences our decision making and opinions. By approaching it after you refreshed your brain, it'll feel more like you're reading it for the first time; and therefore, you'll form more effective ideas!

***

Still, it's also important to keep in mind that something that's cringe to you won't be cringe to someone else and vice versa! It's ultimately based on the readers, which we have no choice but to accept. However, if you were concerned about your writing because of such reasons, I hope this has helped!

Happy writing~

3hks <3

[gouraminnow]

Warmth

Yandere Shanks x gn reader drabble | AO3

Warnings: Not much, typical yandere. SFW. He's forcing you to cuddle. Vague, short.

Trying to practice writing something small without turning it into a multi-chapter ordeal lol

How? just... How? You think, as an arm wraps around your waist, stubble ghosting against the ticklish crook of your neck.

You had failed to get away once before. Packed what little was yours and sneaked off after the others had piled out. And on your brief jaunt ashore, you caught the attention of some Marines. And discovered you had a bounty.

As one of the Red-Haired Pirates.

But how? Why? Did they seriously think you were a crewmate, proper? You remember the cold look the Marine had given you, remembered the desperate tears welling up as you tried to tell him "no, it's a mistake sir, I'm not a pirate, please-"

-And then an unseen force crushed the air from your lungs, forcing you down and dunking you into the realm of unconsciousness.

You woke up back in his bed.

This time, you thought it would be different. You'd be smarter. You were despondent but obedient for a week, putting up with the increased affection, and staying in the cabin when they docked without being told to do so. Tonight, they were docked and partying- which meant they'd be blackout drunk. The island had no marine presence. So painfully early in the morning, you gathered your things once again, tip-toeing around the drunk, sleeping horde littered across the deck. You spotted Shanks quickly- sprawled out and snoring loudly. Good. You turn, and scurry for the gangway. You weren't sure what you would do, but you'd figure something out...

At least you thought so, until suddenly an arm shot out to pull you against the looming presence of your captor. "And just what are you doing..?" He murmurs into your neck, the air suddenly pulsing with a harsh, unrelenting weight.

"I-I..." You stutter out, but no explanation makes it out of your mouth. You sniffle, and he sighs, spinning you around to look at your face. "Please, Shanks..." your voice is thick in your throat, and you don't meet his eyes, your own downcast as you fidget with your bag.

He's quiet for a moment before hoisting you up and over his shoulder like it's nothing. And to him, you're sure it is. You lay there limply, knowing from experience that struggling against him will get you nowhere. "You must be awfully tired to attempt something so silly, hmm?" he chides softly, pushing open the deckhouse doorway with a swift hip-check. Your fingers find themselves entangled in the thick fabric of his cloak. "Let's go lie down together, then."

"Sorry..." You whisper.

"Oh, I know, honey. I just wish it was for the right reasons- but I'll take what I can get." You stiffen, tears beading in your eyes as he makes his way to his quarters.

Our quarters, as he frequently corrects you, but you'll never say it.

Another doorway, and you're there- the dim cabin with only a thin strip of early morning light peaking through the shuddered windows. He pads across the floor, pulling his boots off with his feet- toe pressed against heel, then pull up. He doesn't bother changing out of anything else, just dropping you onto the plush bedding without ceremony. He pats a bare strip of sheet between the pillows and blankets, and you know the gesture- you wordlessly scoot toward the headboard and curl up so he can pull up the blankets and slip underneath. You've only just stretched out again when his arm snakes over and around you, pulling you firmly against his toned chest. "Comfortable?" He asks, voice still with that little groggy burr to it. His hand finds where you've curled your arms in front of you, gently taking a wrist and sliding upward to lace his fingers between yours.

"Yeah..." you mutter, and it's true. Heat quickly seeps into the little cavern beneath the down-stuffed comforters, and you can feel the constant rhythm of his heartbeat where his chest presses against your back. The mattress itself is firm but soft, the smooth sheets and pillowcases almost magically cool despite the soothing warmth of everything else.

Shanks presses a kiss to the back of your head. "Mmm. That's good," he croons into your hair. "Must've been neglecting you, if you're trying to sneak away again, hmm?" You stiffen again. Neglecting? If anything, the man damn near smothers you. It's so hard to get a damn couple of minutes alone, outside the bathroom. "You've been so good for so long," he continues, voice dripping with condescension. "What's going on, sweetheart..?"

You shudder, the comforting warmth suddenly suffocating. His thumb rubs circles on the back of your hand. "I just..." A sniffle. A deep, trembling breath. Shanks squeezes your hand, gently- but the latent strength in his fingers alone is horribly apparent, and does little to soothe you. "... I didn't want... to just g-give up. Had to prove that I hadn't," you force out. "All this pirate talk about the strength of one's will, I just-"

"-Wanted to prove yourself," He finishes for you, voice low and... thoughtful, almost. "Not to me, but for yourself. I can hardly fault you for that." You blink. His fingers detangle themselves from yours, hand moving upwards to brush away your tears. "As much as I love you, and as much as I want you to want this, it's... admirable, from someone like you." You curl in on yourself. Someone weak, you think. Acts of aggression or defiance among pirates are rarely left unmet by violence. You knew Shanks was one to believe in the importance of sending a message- you'd seen the aftermath before. Your resistance is novel, endearing even, you think- because even if persistent it will never, ever pose a true challenge to him. It's a talent how he can praise you and gut you with his words in the same effortless breath.

"Oh," is all you say, before going quiet, and trying to find peace in the warmth again.

[memori662]

KIAN vs ALEXA (my two dear snipers...)

Spoiler: they end up as besties

And sorry if the P.O.V. is strange. Idk why sometimes they're written in first person and another times in third person.

Bang!

Alexa dogdes the bullet just by a hair.

Bang! Bang!

Now, what the fuck?

“Hey, to whoever is trying to kill me: I'm sure I have no debts. And if you're looking for any debts my parents might had...” She smoothly takes out her hand-gun. “I'll make sure you don't get your prize.”

Her eyes search for any strange movement. Any sound. Anything. And they land on a green fluffy ball (?) on one of the buildings.

The green fluffy ball (?) must've noticed her eyes on ‘itself’, as ‘it’ —in an abnormal velocity— changes placement.

“It's a solo sniper? Snipers don't usually attack alone. Or it's a very good sniper or there's more enemies.”

Shit. She has lost sight of ‘it’.

“Are you being a coward?” Maybe provokating whoever that might be lure ‘it’ out. “I mean, if you're a sniper that some dark organization hired to kill me, I'd feel honored to be such an important figure.” For fucks sake, I sounded just like Memori or Mimi...

It doesn't work. Bang!

Oh, they're good.

Alexa isn't one that works in dodging —unlike a particular blonde girl named Memori—, she's also a sniper. And she recognizes a good job done —thing that Memori definitely wouldn't...— Wait, don't think of her everytime??! Maybe those are things that happen when you're a competitive person and is paired with someone who enjoys remarking ‘how much better she is at everything’. But anyway, as I was saying— Bang!

“We're gonna be bad blood...” she mutters.

Her red eyes scan the place quickly, taking notes of anything she could use at her advantage and anywhere more enemies could been hiding. I should probably ask for help— Bang!

She would've been already dead if it wasn't for her quick thinking. She's been doing this practically since her birth.

I should confront them directly. Snipers usually don't have good hand-to-hand combat skills.

And with a quick and quiet running, she luckily makes it to the top of the —gladly not too tall— buildings without being shot.

She knows the green fluffy ball —that now takes the shape of a young adult probably with her same age, that wears a fancy mob-like suit that which would give off an intimidating aura if it wasn't for his puppy-like expression— allowed her to actually come closer, because he clearly isn't a normal human.

“Wow,” the puppy-looking boy speaks, “it's been a while since someone succesfully dodged my bullets.” His voice doesn't have any venom, just genuine interest. “You're good.” He smiles.

“I know I am good.” As she speaks she fires her gun. “No need to remember me.”

“If I shoot now, you cannot dodge.” The green-haired boy smiles slyly as he easily dodges the bullet. “Are you sure it's wise to keep attacking me?”

“Who said I couldn't dodge?”

“It's basic knowledge. You're so close to me that if I fire right now, you wouldn't have time to dodge.” he speaks lightly with a sing-song tone.

“Are you suggesting we chit-chat this over? Because I'm no diplomat.”

“Neither I am.” Even though his voice and overall appearance were so soft and puppy-like, the sniper in his hands right now says the contrary.

He probably isn't half bad in hand-to-hand neither. I need to be careful for any ambushes or hidden trap.

“Are you thinking about my skills right now, Alexia?”

“It's Alexa.” Oh no, this man is giving me déjà vu...

“I think Alexia sounds cuter, don't you think so?”

... Definitely déjà vu.

“Hehe, but I think Alexia suits you better, don't you think so, Ale~xia?”

Ugh, get out of my head, you fucking egocentric bitch—

“My name doesn't have anything to do with being ‘cute’. And how do you know my name?”

“Your name?” He widens his eyes —so fucking adorable—. “I thought you'd know me!”

Nope. This guy's on drugs.

“I'm Kian. K-I-A-N!” If he had a tail, it'd be swinging happily right now. “And you're Alexa. A-L-E-X-A.”

Why is he spelling the names again...?

“I asked you a question.”

“Memori is your Boss or something like that, right?”

Of course.

“You know her?”

The glimpse of sadness in his eyes disappears as quick as it appeared. “Yes.”

“What's she to you?”

“...” He seems to be struggling to find the correct words. “We- She was a close friend.”

... Is this some sort of pattern? Thinking of all the similarities...

Being unclear as fuck, acting as if everyone should know what you're talking about, being in your own world, switching personalities as a light switch, loud, child-like, asking how your name's spelled... There's definitely some patterns.

“Are you implying she hired you to kill me?”

“I'm not,” he whispers to himself. “It was just because.”

“Just because? Nobody hired you, no ‘a higher power demanded me to’? Nothing?”

He nods with apologetic eyes. “Memori seems to like you very much.”

Hell yeah she does and doesn't even try to hide it.

“You're asking why Alexa has to go with me?” She asks with a nonchalant expression. “Obviously because she's better than you all.” Her words are often impossible to understand if they're seriously or not. But it wasn't the first time that she admited a clear favoritism with Alexa.

“But Alexia, what do you man with a high—”

“Dude, did she reject you or what? You look so hopeless always talking 'bout her.”

“No?? I don't see it.”

“Ya sure?”

“Sure. She's like my sister.”

“... Really?”

“Really. She's like a black cat.”

What. Definitely no.

“Uh-huh,” I continue. “Why did you think it's a good idea to attack me?”

“Well, since Mori bullies you—”

“She doesn't.” Mori.

“—she must like you very much! And I wanted to see what it is that she likes about you so much!”

“You're nuts.”

“I'm not a nut- I'm not an aliment!”

“I know you're a real human.” He recoils just a bit when I call him a real human. “I meant you're crazy.”

“Ohh!” He has fangs. “That's what you meant!”

“Are you four or what?”

“I'm the same age as you!”

“Really? I don't think so. And how the fuck do you—”

“Ah, sorry for this,” he says as he lowers his sniper.

“No worries.” A total weirdo after another weirdo. “And where ya from? Your work, I mean. You look too fancy to be a normal sniper. Don't tell me you're a blue-blooded rich?”

“Ah, that is... Hm.”

“Very helpful,” irony fills my words. “So ya aren't a rich?”

“Ah, you could say... Kind of rich. My work pays me well.”

“Are riches becoming more and more common by the time?”

“People are getting better and better at finding suitable jobs!” He exclaims with optimism.

“I don't think Memori's your friend.”

“She's an angel! Who wouldn't be her friend?”

“An angel, you say?” She asks skeptically.

“She may be nicknamed sinner now, but I mean it as her personality—”

“She's nicknamed sinner now?! Since when?”

“Ah, between a circle of rumours,” he half-lies smoothly. “Nothing big, really. Some people simply resent her for her former job.”

“That chick was probably in some illegal trade. Tell me otherwise,” she rolls her eyes in exasperation.

“You don't know where she used to work?”

“At least me, no.” She looks at the sky. “She's a real mistery among us. Classic rich person behaviour. How delightful.”

“You don't have a very limited vocabulary!” He seems oddly excited about it. “I thought you wouldn't know words like ‘delightful’.”

“It's not a bad thing.”

“Why the hell wouldn't I.” No, this man right here? He's also a total fucker.

“Uh-huh.” Of course it is a compliment. Of course. Very obvious. Totally expected.

He suddenly grabs my hand and shakes it with both of his hands with a bright smile, but quickly stops after what seems like remembering etiquette. As if there is an etiquette for shaking hands. There isn't, right? ... Not that I would know, anyway.

A little late, no? “Alexa. Pleasure's mine. Is that what I'm supposed to reply?” I ask genuinelly this being the first decent handshake I've ever had.

“Excuse me,” he apologies with a smile as he lowers up his right-hand and looks at me expectanly.

??? What does he wants me to do?

“Uhm... What do I do?”

“Ah, nothing,” he dismisses.

Oh, a headshake.

I offer my left-hand to him. He stares at my hand, as if it was strange. Fuck, do headshakes have some etiquette I'm not aware of? “Am I doing something wrong?”

He focuses his attention back to my eyes as he accepts my headshake also with his left-hand. “It's not a big deal. Usually, handshakes are with the right-hands.”

So it does have an etiquette.

“Oh. I'm left-handed. I didn't know.”

“Don't worry your pretty little head about it.” He replies as he shakes his hand four times, completely different from how his behavior was a minute ago. “My name is Kian. A pleasure to meet you.”

“Mhm, maybe a little bit more formal, but yes,” he chuckles and nods. “You are cute. Like a mouse.”

Like a mouse. That's new.

“And you're like a dog.” It's an implied insult.

“Why, yes! I get told that often.”

“Figures.” I stare at this green-haired man with disbelief at his obliviousness.

“Welp, I need to go now.” He adds, “Boss expects me...”

Boss? So he does work for someone, huh?

“Bye-bye, Alexia! It was nice to meet you!” He waves his hands with excitement.

“... Nice to meet ya too, I guess.”

And with that, he jumps swiftly away.

Huh, what a strange man.

Randomly pick 2 OCs. Make them fight. How will it go?

[wings-of-ink]

Update Progress and Things to Look Forward to

Hello everyone! I hope you are safe and well.

Chapter 5 is coming right along. My goal is to still have it out by the end of November, but the way the last couple of weeks have been for me, we might hit a little delay into the first week of December.

And do not worry, because I know some of you will, I'm good. It's just been busy this month. I've had a friend going through a hard time who's needed a hand up, and I've also needed to work overtime at my daytime gig. My friend is doing better now and I won't need to do more overtime again until sometime in mid-December.

I will not say that the chapter will for sure be delayed, though. This coming week I have extra time off from work (and there was much rejoicing), and I am hoping to dedicate more of it to finishing the final segments of the chapter. And then, I just have to fuse all the individual segments together and do as much proofreading as I can before I deem it "good enough for now" and publish it.

This chapter is a big one, lol. But, I didn't want to cut it short since it is an important section where you learn a lot, grow a bit, and connect with your crew (and maaaaaybe get into some big trouble).

I still have a couple short scenes to flesh out, and then a bigger finale, which I am so excited to finally write!

I'll go ahead and note that saves will almost definitely be broken - again. I had a few things that I did not anticipate before and had to make some coding changes for the earlier chapters. On the plus side, I also figured out where I went wrong with the fonts, so that should be fixed at least.

I will be opening up the Patreon with the release of Chapter 5 if anyone is interested! We'll start out with a couple tiers and grow from there. Both main tiers will focus on extras and early chapter releases - so expect POVs, drabbles, and spicy things.

In December, I'd like to release a couple extras both publically and in the Patreon, but I won't spoil any of that now so I can tease you with it later.

In the more distant future, I plan to create a way to skip chapters so you don't need to speedrun to get to new content. I will take more time to get Chapter 6 out so I can fine-tune a few things for all the previous chapters as well. I'm hoping to get them more smoothed out with a good deal of copyediting.

Reaction-style asks are still paused, but if you have general questions/recommendations/comments, send them my way!

There are many adventures ahead, my friends!

Take care, everyone! Stay safe! ^_^

As a treat, there's a semi-spoilery (kinda not really???) sneak peek below!

Hmmm...who are you with and why is your friend watching you so close???

[shitposting-fox]

Personal head cannon: the reason Okarun gets depressed in his yokai form is due to the lingering effects of Turbo-granny and the location-bound spirit. Spoilers for the manga will be under the cut!

This is due to a few things:

1. The backstory of the tunnel, yokai, and spirit

2. "Dandadan" as a word's potential meaning (major manga spoilers at that point!)

First, the spirits. We've already seen with Momo her ability to view the past of a yokai (Arco Silky) and we know Seiko was aware of the ongoing history behind the tunnel both Turbo-granny and the location-bound spirit where in.

With a combination of the curse, it's not a far stretch that the lingering emotions from the deceased may be having a subtle effect on Okarun.

While it's not been very overt, we've seen how the origin of a yokai is important to how they act. Those who are more vengeful will be more likely to attack whereas those who are from grief may try to protect (albeit a violent way).

While Turbo-granny is in the maneki-neko and her powers are in Okarun, there's a chance that the feelings that helped form those powers may have a subconscious effect on him. Hence, the general depression but extreme protectiveness.

Spoilers from the manga below!!

We saw him literally get on all fours like a guard dog, and push his body to the breaking point repeatedly. Going with the assumption the deceased are subconsciously effecting him, it makes more sense why the protectiveness is amped up too.

Many of the girls were probably desperate for someone to save them, anyone, and that urgency could translate into the need to protect the others (especially Momo) as a result.

The second reason I have this theory is because of the potential meaning of "dandadan"!

This one is a lot more flimsy so bear with me here. While I've already wanted for manga spoilers I'm gonna mention again MAJOR SPOILERS for the manga.

Alright so! Dandadan as a word is similar to だんだん or "dandan" which often translates to "gradually".

I don't know very much about Japanese wordplay besides a few from songs (Love Ka, song based on the Japanese word for frilled shark and the English word love), so I could be completely wrong in this guess. But I feel like the word could be an original creation for implying the gradual change of an individual due to surrounding yokai and spirits

Before I get into the Shinto rambling, I'll mention the big point that got me thinking this was the effects after Okarun lost his powers. He still excelled is a lot of sport areas and, while it could be attributed to him working out consistently, there's also a possibility he has some... Influence, let's say, from a certain yokai.

We haven't seen much of him yet after all of this, so it could be very wrong, but the way it was brought up seemed to imply a greater importance than just normal athleticism.

Now for the Shinto rambling!!

To keep it pretty short: the body plays a major role in Shinto. We've seen it with the golden balls (strong life force amped up by a yokai) plus the give and take of various yokai forms (physicality for Okarun, hair treatment for Aira).

Shinto itself has the body on a pretty high importance. Most Asian religions tend to have more focus on the body, weather it be on asceticism (bodily denial) or purity

Dandadan has shown a lot of Shinto aspects already, from the existence of Yokai and Kami to the various interacts people have with the world.

Since the body is important, it's not too far a stretch to assume the continued themes of religion and the body are going to continue through the rest of the series.

While it may not be as overt as Okarun attempting to get the rest of his genitalia back, it's still likely to appear as a major plot point.

Hence, the potential implications of "dandadan"

I could be remembering wrong, but I believe at one point Count Saint Germain even asked someone if they knew the meaning of the word, which implies it may be crucial to his current purpose in the story

We already know there's a large group of aliens who want to steal the yokai and Kami abilities so they can take over Earth and colonize more planets, and many are looking into ways of stealing them.

With the introduction of Kouki and people's powers being able to be stolen from a direct injury, we can reason that the current goal is for the aliens to find a way to get more people's powers to be then transfered to themselves.

If we go under the assumption dandadan is the gradual bleeding over of powers and/or merging of aura to where it allows a human to gain more supernatural powers they wouldn't have otherwise, it makes sense that Count Saint Germain and/or the invading aliens are attempting to find a way to utilize this ability

Of course this could be completely wrong, but it's been rotating in my brain for a while. Wanted to get it out there somewhere lol

[thedouglastrap]

Something about this post is bugging me, but every time I to put my finger on it, I feel like the reason slips away. So I think I'll just try to sort through it here and see where that leads me.

Mechanical changes impacting play style makes sense, but I think I question the cause and effect here. Because the rules mentioned that "encouraged the GM to think of monsters as real living creatures", morale and reaction rolls, are things that seem (to me at least) less about making these monsters seem real and more about adding more angles to introduce randomness to random encounters. If a random aboleth shows up while you're walking from point A to point B, a reaction roll is a quick and dirty way to see how they view the players, but it doesn't account for what an aboleth is. Similarly, a morale roll is giving a method beyond the DM just making an arbitrary ruling sans dice. That's not to say that a good DM can't use the roll to breathe some life into an encounter, of course, but I don't know if I would say those rules being removed/put in the flavor rather than made a general rule was a primary contributor to a greater emphasis on combat, or if that was even an intentional design choice.

(as a side note: looking up what reaction rolls actually were were, I stumbled onto a blog about the whole OSR thing in ttrpgs, and decided to go down the rabbit hole for a bit. It seems like a lot of the conclusions being drawn in this post are close to issues raised over there, but they tend to include AD&D2e as a point where the shift happened, making it less a TSR/WotC difference)

Now, if there IS a greater focus on combat in that shift, I think it's probably due to the game getting crunchier over time during that shift. 2e seemed to start it off with a wide variety of optional rules, and 3.x cemented it. But notably, it did this for non-combat as well, which makes me think that it was less a design choice to make things more combat oriented and more to provide comprehensive rules, with combat being the most fleshed out part in service to the whole heroic adventure aesthetic.

I think one of the biggest issues I'm running into is the following point about how encounters have to be these justified forced combat encounters and the dissonance this can provide. I think part of that is because that conclusion just doesn't match up with the reality I was seeing playing 3.x or seeing other people talking about it. Not to say combat wasn't the focus, but plenty of non-combat encounters happened, enemies ran away, scenarios were derailed by roleplay rather than combat, etc. And sure, that's anecdotal, but I think it's relevant. The game does, after all, provide individual sections for monsters giving a basic rundown of what the creature is. Some are more bare-bones than other, but when Archons are listed as "never attacking first, but being easily provoked", that's a pretty clear indicator that forced combat should not be the default assumption. If players ignore that, sure, but that's no different than ignoring reaction rolls imo.

The real difference, I think, is the afforementioned shift from a focus on an open world where the party has more freedom to explore and do whatever they want while the world happens around them, to a focus on more structured narratives where the players are characters in a story that is unfolding around them. Its a shift away from "well the dice say there's an aggressive dragon swooping in, have fun with that" towards "I planned out the encounter you're gonna run into between startersville and plotlandia". That also kinda follows from the idea of encounter balance. Having a random dragon swoop in on a third level party isn't a balanced encounter unless the DM goes out of their way to make it one, but that takes more time and prep than rolling a few dice and opening to a statblock can account for. And yes, planned encounters like this can, if done poorly, just be a shooting gallery of forced fights with thin justifications. It could also be well crafted encounters where you could talk down the goblins instead of fighting by opening trade negotiations.

The play style that the difference in design encourages isn't so much "fight all the things vs treat your enemies like actual living things" as it is "how structured do you want this game to be", which is ultimately value-neutral. And the moral disconnect about what you're fighting seems like an entirely separate thing from that. Neither style inherently encourages or discourages that, and it feels uncharitable to say that WotC-era d&d is more skewed to be morally uncomplicated than TSR-era.

So there is a pretty clear shift in playstyle between TSR D&D and WotC D&D: for better and for worse, D&D 3e introduced the idea of encounter balance, de-emphasized mechanics that had previously encouraged the GM to think of the monsters as real living creatures (reaction rolls, morale, etc.), and it had the effect of making D&D a much more combat-focused game. D&D has always been a game that's opinionated about combat, it's basically the most expressive and detailed form of play regardless of edition, but combat in the TSR editions was not exactly zoomed in and tactical. The WotC editions purposefully made combat zoomed in, granular, and tactical.

And this has had an effect on playstyle: since combat is now the main form of player expression what players actually want is for their characters to get into combat. Because combat is the most fun part of the game. But the game has also changed from the largely amoral dungeon-crawling game into a game of fantasy heroics (even though a lot of the trappings of the amoral dungeon-crawling still remain, which contributes to the dissonance), so you can't just have the player characters going into combat for the sake of it. That would frame the player characters as kind of Fucked Up, and we can't have that in our supposedly heroic fantasy.

What you end up with is a variety of contrivances like "they're bandits," "they're cultists," or, my all-time favorite, "they attacked first" to make the action seem morally justifiable, even though gameplay is still motivated by a desire to fight. The monsters fight to the death and, importantly, can often not be reasoned and negotiated with, partly because combat is supposed to be the fun, engaging part everyone is here to do, but also because if they actually acted like reasonable people it could cause dissonance with the whole "the player characters are the goodest heroes."

As my friend @tenleaguesbeneath once called it: what is actually going on is that the player characters are hunting people and monsters who have been programmed to fight to the death and never negotiate for sport, while justifying it as self-defence.

It's a simple power fantasy, and I don't think there's anything wrong with it. Sometimes you want to play a morally uncomplicated game about killing guys with cool magic swords. But I think it's also fun to think about what the specific types of monsters players end up fighting reveals about Society the invisible, unexamined ideology lying under the surface that the designers of even modern D&D have failed to examine. And to me it often reads like a frontier justice fantasy. None of that is to detract from anyone's joy of the game, and for me it's just fun to think about and post about this stuff while Still Enjoying the Game, but if someone expressing that opinion makes you feel uncomfortable, why? That's pretty silly imo.

[lutiaskokopelli]

I have an issue with constantly getting distracted, so I got distracted from working by making a 100% customizable Pomodoro App to keep my future self from getting distracted. Have a Google Drive download link.

The Pomodoro technique, if you don't know it, is a discipline method for keeping track of when you are working and when you are taking breaks, notably through the use of a timer.

There are tons of apps centered around this, and yet after looking at so many of them, I somehow could not find one that would do the most basic thing I'd like to have for a study companion: change the background of the app so that yes, I do have a timer telling me to work harder, but I also have an image of my choice to cheer me up along with it.

So what did I do? Did I take the rational, reasonable path, to just suck it up and stick to one of the already existing apps even though it would mean saying no to having my adorable Hearthian OC sleep in a corner of my screen?

Or did I go the hyperfocused insane route of utter procrastination and learn a whole new programmation language from scratch just in order to get my frikkin baby to comfort me while I work?

Yeah, who could have guessed.

So! The Google Drive link I shared will let you download everything you need in order to run your own version of this little app, including a tutorial on how to customize it to suit your needs.

The first thing you will see after unzipping the archive is this:

The "ast" folder (standing for "assets") contains every image used by the app -- which means that you can change them as you please! I even gave you transparent versions of the buttons in the "Asset Creation Help" subfolder, in case you like the shapes but want to change the backgrounds.

You think that's cool? Oh, but the image assets are far from being the only thing you can change for this app's behavior! You can change EVERYTHING that this app is doing (which isn't much because it's literally just three different types of timers, and even then there are some trickier details with more coding than others (but I still give tips on how to handle those), but shush. Everything this app can do, you can customize to your heart's content).

How do you do that? Well, this is what you get when you right-click on the "Pomodoro.ps1" file:

The Pomodoro.ps1 file is the "app" itself, written in PowerShell code that I made as legible as I could make it. There is a whole tutorial in there, made easier to read if you right-click on this file's icon and choose the "Edit" option. Have a preview!

Through editing this file, you can then run a Pomodoro app from which you can have the window's appearance customized, from its size, opacity (if you want to still half-see what's sitting behind it), and start position on your screen (the window can be dragged around, but if you have a preferred position you can tell the app to always load it in that preferred spot right from the get go), to stuff like the custom messages you get whenever the timer progresses:

So, yeah. I made a little app meant to help with productivity. One out of many already out there, sure, and it's probably not as cool as many others (but I'll just remind you that three days ago I knew absolutely nothing about PowerShell as a whole, so- I guess that would be still a little impressive that I was able to make a working app like that at all? xD), but as far as I've looked, it's the only one that will let you have your favorite images keep you company while you use it.

I don't know whether anyone other than me will like it enough to use it, but just in case, it's here! Hope it's as easy(-ish) to customize as I made it out to be, or at least close enough.

PS: The version I use for my own personal choices uses some slightly different assets compared to the version I share in the .zip file on my Google Drive. This is because the version I share online solely uses official Outer Wilds art (while the version I made for myself notably uses one piece of OW fanart that I did not make myself, and it didn't sit right with me to share that piece uncredited, even in an edited form. If you are curious, this is the artwork in question).

[eurydicees]

Also, I just saw you’re 23, I am too! It’s rough out here. Another idea: any characters, what’s it like being 23? Where are they at this point? I feel like hq shows that as being sooo grown up but like I’m just a big teenager right?? Idk just rambling

being 23 is so rough sometimes lmfao. i've got friends from high school getting married and friends from college having early life crises. i'm working full time and living alone but tbh mostly feel like i'm playing at house rn more than i am living on my own. whatever. it's fine. early 20s is just a silly time of life. anyways i don't have a fic for u but i Do have a headcanon list.

in no particular order, haikyuu characters as stupid things i've done in my early twenties:

atsumu: having a brother who is a chef does not prevent him from forgetting to take the cheese packet out of the mac and cheese box and dumping that into boiling water with the pasta.

udai: does not remember the last time he ate a vegetable.

oikawa: friends all went to a party without him and his coping method was getting so so so wasted on white rum and falling asleep on the living room carpet immediately after giving another friend a tarot card reading saying their breakup is imminent (to be fair, it was. but it was still kinda rude).

iwaizumi: after class, was led to a private stairwell by a friend, jokes "haha are you taking me to a hidden location to kill me." and then received a love confession. proceeded to say "uh. i'll think about it." then did finger guns. and said "im just gonna. go" and then fucking. ran. like not exaggerating, ran.

kageyama: went on a date. did Not At All Know it was a date, despite the very very obvious flirting. yes this was the same person as in the previous bullet point. don't look at me like that.

akaashi: took a 100 level class senior year and did not pay attention to a single lecture. instead wrote thousands of words of fanfiction in the classroom every day.

atsumu (again): another cooking one. i just think he'd be a terrible cook. sorry. anyways. "it's been 20 min, why isn't this scallion pancake im pan frying cooking yet?" (<- did not turn on the stove burner.)

yachi: hm the light in this room doesn't work. guess i'll just learn to see in the dark instead of inconveniencing anyone by asking to fix it.

akaashi (again): completely fell in love at first sight, but fast forward five months and it actually somehow worked out? however the five months were filled with the most insufferable pining possible, which could have been resolved so so so easily. also started talking about marriage, like, six months in.

bokuto: got sad. went out into a raging snowstorm in socks and no jacket. laid down in the snow for a long time. somehow, miraculously, didn't get a cold afterwards?

akaashi and/or yachi: changed majors and career paths because a pretty upperclassman asked them to. (i am very happy in my chosen path but jesus christ THAT was why i did it?)

hinata: flew from coast to coast of the country, then drove halfway back to the midwest in the span of three days. started a new job on the fourth day. didn't sign a lease on an apartment until the fifth day.

semi: skipped a day of work to drive four hours there and four hours back for a fall out boy concert. totally worth it but driving at 4am after a concert wasn’t the smartest thing ever to be done.

kuroo: started reading homestuck in the year of our lord 2024. this is an attempt to remain in contact with long distance friendships (by doing a bookclub) but jesus fucking christ dude.

ok this is getting too long and i needed to be ready for work, like 15 min ago lol. maybe i'll write more of these later, but i hope you enjoy these and my silly disasters are a little comforting :)

[messrsrarchives]

i don't want to take up too much space or add negativity here by talking about it, but i do want to touch upon it.

this fandom is difficult. it's difficult in a way it never should have been, and it is nearly impossible to engage with it interactively in a way that doesn't cause you any harm.

and i think the thing i've been coming to terms with recently, is that i can't engage with it how i have been without causing harm in a general sense - especially over on tiktok.

there's a kind of complacency at the moment. complacency in fandom etiquette yes, but the main thing is JKR, and the complacency people have fallen into when it comes to her. when it comes to the tours, the merch, the REBOOT. there's a complacency.

and it's reached a point where,,, there isn't much to do about it.

because my account there has always been talkative - i started talking over there purely to talk about my thoughts and share my interests, and it gradually became more educational. which was fine when it started, but it's not anymore. it's not when it's no longer fun for me, and when it's turned from talking about fandom to defending my place in it. to educating people on why my life matters more than official HP content.

and most discourse? i'll talk about purely because i find it interesting, and then i'll move along. but i can't move along from the reboot and general jkr stuff because i'm trans outside of fandom as well as in it.

i can talk about how it feels to be trans in this fandom right now, and then i turn my phone off, and there's bills to pay. there's increasingly high hrt prices, there's routine blood tests that the nhs won't do for my heart condition, there's a road in my town i can't walk through because someone pulled a knife on me, there's law after law after law being debated, funded, and approved, there's opportunities i've been denied and necessities i've been denied because of my identity.

and i can't turn that off.

and it gets harder to separate the two. it gets harder to separate fandom and real life when i'm coming to a place that should be a form of escapism and hearing people talk about supporting JKR, so i counteract that and explain why we shouldn't, and then i'm directly impacted once the app is closed. i can't turn that off, and i can't feel right engaging in it.

and i think that's the sad thing. i know @sophsicle did a post on this recently, but once fandom and real life start mixing, it's so much harder to engage here because we are responsible. and i can't ethically (or healthily for myself) post about this fandom on tiktok when it's to blame for the complacency we're seeing. and it is to blame. it's the comments on fancasts videos, it's the promoting of jkr's universe in random comment sections just because people "look like" the marauders, it's the reposting of the reboot or official hp pages when they talk about marauders and it's so much more and it's just,,,, impossible.

and i sound like a broken record because for MONTHS i have been talking about this. for months i have been talking about the harm this will cause and a couple of months ago i said that if things don't start changing, you're going to see creators taking steps back.

and i think the most upsetting part, is that i explain this. i explain how important this space has been for my stability and my confidence, how it has been the biggest part of my life and i don't feel comfortable anymore and,,, the majority of the messages so far are "what's going to happen to the fic rec sheet?" "should i download all the fics on your account?" "what about xyz?" etc etc

and it's just,,, content over individual. whether that's the reboot over trans people, or videos over the person, it's always content.

idk man. i don't want this to be too negative but this space needs to work on its support. it needs to stand stronger against jkr, and it needs to stop calling itself inclusive in the meantime i think.

this has been overly negative but fandom isn't. a solid 90% of my time on tiktok has been lovely. i made 18k new friends, gained so much confidence (this is the only time i've ever been able to overcome my stammer and speech impediment and that's everything), raised 7.7k for my top surgery and just,,, it's overwhelmingly positive.

my bubble is good. and the space i have crafted is safe and lovely.

but i don't feel right posting on there anymore. not when wider fandom is a big part of why JKR is suddenly back in the picture, and we can "separate her from the reboot" (we can't).

this is very long so i'll end it with this:

it does not alleviate your guilt to engage with her in a "marauders way". if anything, it is worse to do that and post about it when this space prides itself on inclusivity.

you are not reclaiming this space, you are making it harder for those at risk to engage.

and you need to take "fuck jkr" out of your bio until your actions match your words, regardless of who is casted in a reboot that shouldn't be happening in the first place.

[cripplecharacters]

Hello, I'm writing a novel and I'm curious if you have any resources or mods that could answer on the topic of full term pregnancy for characters with physical and mental disabilities? The character I'm writing is an amputee (both legs lost to sepsis) who struggles with psychosis/BPD and takes plethora of medications.

Would she have to go cold turkey to carry to term? Would the pregnancy have any negative effect on her physical disability? Just want to get my facts gathered before I start writing something I'm entirely unfamiliar with

Hi asker,

Some medicines are never safe during pregnancy because they have a proven high risk of miscarriage or serious risk to the developing baby.

But many more medicines are taken during pregnancy even if they can carry risk to the pregnant person or the baby. That's because they help the person using them so much, that the risk of not taking them is higher. They may modify doses or monitor themselves or the baby more often. So no, she does not necessarily have to go cold turkey to carry to term.

Some sources for more information:

Medicine and Pregnancy: an Overview by the CDC (US site)

Medicines During Pregancy on MyAlberta (Canada site)

You specifically mention psychosis, so maybe your character takes antipsychotics. There has been a lot of fear that antipsychotics can cause birth defects/abnormalities or miscarriages, but more recently many people are encouraged to stay on them while pregnant.

I haven't read fully through these, but they should be informative:

Use of Antipsychotic Drugs During Pregnancy on NIH (US site)

Antipsychotics in Pregnancy and Breastfeeding on RC Psych (UK site)

Antipsychotic Use in Pregnancy on NIH (US site).

There is no BPD-specific medication, so I can't really specify anything else. Some amputees take medications, and some don't, so I can't specify there either. If you know what your character takes, you can google their specific medication types + pregnancy. People get pregnant all the time, so this is not an uncommon avenue of thought.

Either way, this varies depending on what your character specifically takes. But ultimately, there is no absolute requirement that she must go cold turkey to carry to term.

Hope this helps,

mod sparrow

Hi!

One issue she could experience as an amputee is related to prosthesis fitting - I'll assume that she uses them since you didn't mention her being a wheelchair user. During pregnancy she'd probably gain weight, which might mean she will need to visit her prosthetist to make sure it's comfortable for her to walk in. She might also experience more swelling in her residual limbs, which basically means the same thing - depending on how much changes her body goes through, she might have to make a few trips. This is especially true if she's an above the knee amputee rather than below.

Amputee Coalition has a page on pregnancy that you can check out, with some possible timelines that are currently recommended (especially helpful since it sounds like your story is set in modern times).

Hope this helps!

mod Sasza

Hello! I'm someone with diagnosed schizoaffective disorder in remission and BPD keeps getting thrown at as a possibility for a diagnosis for me, and medication for BPD can range from nothing to a combination of antidepressants and antipsychotics, antipsychotics being front line for any psychotic symptoms or disorder. I have had doctors plan with me as the antipsychotic I am on (vraylar) is unsafe for pregnancy however olanzapine is often considered safer. Generally for someone on heavy-duty medication there is a safer drug in the same class their doctor switches them to and closely monitors their progress and health from pregnancy to breastfeeding.

-Mod Bert