#i hope this a ramble that makes sense
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somnimagus · 1 year ago
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My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.
[id in alt text]
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ekko-idk · 6 months ago
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Laios: people are hard to understand... There's way too many social rules to follow, popular conversation topics, eye contact, etc. They also rarely say what they mean and often they say the opposite, so much so that misunderstandings happen regularly.. Monsters are predictable animals with a set of rules and precautions you can follow to either tame or defeat them. if you know what to do, they're very easy to deal with!
Kabru: monsters are wild creatures with jerky unpredictable movements.. Their attitude can change in a second and if you don't have an insane amount of knowledge about them they can be, and often are, very dangerous. Human cultures often have strict and easy to follow rules that depend on certain communication strategies that are somewhat agreed upon universally. People no matter of background also react the same to many things (smiling, frowning, pupil dilation, etc.). if you know what to do, they're very easy to deal with!
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calmlb · 2 months ago
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It’s been clear that the Tanizakis aren’t siblings from the very beginning
here’s some evidence now that it’s been confirmed canon…
everyone who’s read irl Tanizaki’s book knew that Junichiro & Naomi weren’t siblings as soon as they introduced themselves
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BUT just because the Tanizakis aren’t siblings doesn’t mean you can’t feel uncomfortable about them. if you feel uncomfortable, GOOD. that’s exactly what they want
the Tanizakis, Mori— they all use these disturbing ruses to disarm or distract people in order to protect themselves, or to accomplish their goals. this is a writing device that asagiri commonly employs as a way to parallel the irl literature (it’s actually ingenious)
there are 4 main indicators that have always made it clear to me that Junichiro & Naomi are not siblings:
1. most obviously— their character designs. Harukawa is extremely intentional with character designs, & she very intentionally made Naomi & Junichiro look nothing alike
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their eye shapes are purposely different
their color palettes are contrasting
even their differing styles of clothing have meaning
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this was all done so that the audience could PLAINLY see that they’re not related— so that WE know that they’re lying when they say they ARE related
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2. how the people around them respond to their act.
the general reaction is “don’t question it”— which is exactly what they want. “be distracted by how uncomfortable you feel so that you look away from what we’re hiding” (this is likely a protective measure)
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3. most importantly, this is meant to parallel irl Tanizaki’s book “Naomi,” where the main character Joji picks up Naomi to raise her into his ideal woman, but since she's so young (& a minor) they call each other cousins (Joji makes no sexual advances on young Naomi btw)
however, his plan backfires because when Naomi gets older & they get married, she flips the script on him & manipulates HIM so that he's under her thumb (which is why bsd Tanizaki is at a domineering Naomi's mercy). Joji let her have her way because of his masochistic tendencies
4. lastly is the emphasis that Asagiri and the Tanizakis themselves put on calling each other siblings.
over & over, it’s “my brother this” & “my sister that”
like they’re desperately trying to convince us that it’s true (“don’t let your lying eyes deceive you”)
here are just a few of many examples from the light novels…
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again, if you’ve read “Naomi” you knew that Junichiro & Naomi weren’t siblings as soon as they introduced themselves
just like if you’ve read irl Mori’s works, it’s clear that bsd Mori isn’t a pedophile
just like if you’ve read No Longer Human you know that Dazai’s an unreliable narrator. he makes you think he’s a bad person bc he believes he’s a bad person, but those around him see him differently (btw this doesn’t mean he’s never done anything “bad,” though bsd isn’t about morality— but that’s another discussion)
anyway, i’m so excited for the Tanizakis backstory to be revealed so that we can better understand why they use this defense!!
also let this be a reminder to READ THE LITERATURE if you’re able to!! even reading synopses & analyses of the coordinating books makes bsd make much more sense 🥹
reminder that this how you’re supposed to react while reading bsd:
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also, if you’re interested in a post explaining how Mori isn’t a pedo, i wrote this analysis on twt. OR you can read this document that one of my moots sent me (remember: analyzing a character does NOT mean you condone any actions they may or may not commit!)
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fox-guardian · 1 year ago
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hey guys did you know that um. did you know. first of all did you know i'm losing my mind, secondly, do y'all remember in tma how when someone reads a written statement, they don't really Stop unless they're interrupted? and they read the whole thing easy cheesy, no issues with reading whatever words are there? like. jon literally could read french for a whole statement and was Fine. granted, that's Jon, but like nobody else struggled with pronunciations and whatnot (that i can recall)
presumably, this is an eye thing. either as employees of the institute, or because everyone there is just also eye-aligned in some degree (melanie had the ghost hunting show, the eye is fond of martin, etc)
and then there's tim in season 3 ep 86
[Sigh] Statement of… uh, Benjamin Hatendi… Hateendi? Regarding a… [papers rustling] a blanket. Dead friend. Monster. Regarding his unavoidable and gruesome end. How he tried to hide. He couldn’t. Statement is from… 1983, March 2nd. And I guess… [long sigh] I guess I’m doing this one. Tim Stoker. Archival assistant… Archival prisoner at the Magnus Institute.
correct me if im wrong but i don't recall anyone struggling with pronunciations before this bit. but that's not even the biggest thing here, that's just a lil Taste, a lil Flavor.
note the phrasing there. "Regarding his unavoidable and gruesome end." why would he say this when the written text on the statement says this:
Uh, right. Benjamin Hatendi’s account of… [rustling pages] oh for… a, a strange encounter. Er, statement date, March 2nd, 1983. Melanie King recording. Apparently.
"a strange encounter". that's it. nothing about an unavoidable death, just a "strange encounter". Tim Why Did You Say That.
why would our dear timothy bimothy, who is being pushed to the brink, who is becoming rapidly more depressed and losing hope, say this?
this isn't the only time he's said some weirdly grim shit tho (ep 104)
There was never really any hope for me, though, was there? This was how it was always going to go.
and then there's this bit from elias apparently having Looked into tim (also 104)
TIM All right, hit me with your X-ray eyes then, boss. What do you see? ELIAS Disruption. An unpredictable, angry man with nothing left but the desire to feel in some way revenged. TIM [Sarcastic] Ooh, terrifying! Surely only magic could have let you see so deep inside my very soul.
"nothing left" but the desire to feel revenged. and tim doesn't dispute this, because it's true.
when he first joined the institute he did so in order to look for answers about danny, but then he stopped seriously looking. and now that the circus is back, this is all the drive he has left. not looking for answers, just wanting revenge. closure. an end, if you will.
this is Literally It For Him. a couple lines later he suggests elias kill him, he's At The Breaking Point.
he is so tired, he's lost all hope, and he's saying all this grim shit about "unavoidable death" and "this is how it was always going to go" like hmmmm sounds familiar doesn't it. DOESN'T IT (<- is going insane)
(ep 11) [....] despite the rapid response of the paramedics and how much of his medical history I had immediately to hand, there was nothing I could do to save him. (ep 11) I have no responsibility to try and prevent whatever fate is coming for you. Based on my previous experience, such a thing is likely impossible anyway,[....] (ep 121) There. That was it. That was our fate; where we would always be.
hmmmm sounds a bit like oliver huh? everyone's favorite ex-accountant avatar of the end?? right??
but then there's this last bit i have from ep 86.
why did he stop reading the statement
Statement. “My parents never let me have a nightlight. I was always afraid, but they were ju–” Ugh, this is stupid.
why did he do that. again, correct me if im wrong but when else has someone just Stopped Reading like that without someone or something else interrupting them? why could tim just stop himself?
my theory is this: at this point, tim is completely gone from being aligned with the eye. he no longer seeks to know what happened to danny, he just wants closure. he doesn't wanna do any statement work, and he keeps mentioning these tidbits about hopelessness and the inevitability of terrible events, specifically death.
the eye isn't compelling him to read the statements like it does the others, because it doesn't have as strong a hold anymore. the grip is slipping from him. and by the time the unknowing rolls around, maybe it's lost him for good. maybe he finally fell into a different power he never meant to serve, and yet, he does.
and maybe. just maybe. because i'm so not in denial. but MAYBE. he did die in the unknowing. but maybe he got better.
basically end!tim truthers rise up, this is how end!tim kayaking with his bf oliver banks can still win, etc etc I'm Going Feral <3
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shopwitchvamp · 4 months ago
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I mean this gently but I have to say somethin' here- I've been getting so much "make your skirts cheaper" "I love this but why are they soooo expensive" etc lately and like look, I know a lot of this is because times are hard.. (otherwise why would I be hearing this more & more this year when prices haven't changed compared to last year) but I just wanna say that one of the only ways I could lower prices (if I was ruthless and didn't care) would be to cut sizing options. Like idk how to word what I'm trying to say, but just know when you shout stuff like this at other brands & they decide they need to find a way to cut costs to lower prices, being size inclusive is gonna be one of the first things to go. I have no plans to do this myself, but for example, a D Size Skater costs me almost twice as much (talking about only the direct from the manu cost, there are other factors too such as that they weigh more so that adds more shipping costs as well) as an A Size Skater. Say I cut D Size altogether.. and many companies would have by now while also not even lowering the price.. I could increase my profit margins significantly right away. Now lets say I cut both C and D and become a shop that only offers the standard range of SM-XL. Wow! Suddenly profits are up so much!! Or maybe going not full corporate greed, I could handle lowering skater prices by like $10 (random number not based on real math idk what things would actually work out to because I'm not gonna do it). But now no one over a size XL can order from me. I fear none of what I'm trying to get across is getting across but I just mean to say, in order to offer what I offer, the prices need to be what they are. They aren't set arbitrarily high & lowering them would mean needing to make choices that I will not make (becoming less size inclusive or making my business unsustainable in the sense that it would not survive long).
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mac-tirs · 3 months ago
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the not-insignificant differences between the omen twins
so, i saw this picture posted by @amanaci which inspired me to write this rather lengthy piece on the contrasts between morgott and mohg. i decided that, instead of dumping this whole think-piece on their post, i'd make my own separate post and ramble here.
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this difference in their height really tracks for how their fighting styles and personalities are like, i feel. i always found it peculiar how different they are despite being twins; i feel like there's a rather stark resemblance between miquella and malenia in their soft-faced features, pale skin, and long flowing hair, and a close resemblance between the carian siblings with their red hair, but morgott and mohg are rather different from each other, only bearing similarities due to their omen nature. i looked a little bit into that and found that there's pretty good reasons behind why.
firstly, morgott is severely malnourished and unhealthy in comparison to mohg. you can see it in his body and how his skin sags, how his ribs and bones show, and how dry it looks. below is a comparison between his hands and mohg's hands.
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morgott's hands are dry, almost rubbed red and raw around the knuckles and fingers. it reminds me a little of psoriasis, or some kind of skin discolouration caused by his poor health. it's likely he isn't eating well, or at the very least, he isn't eating as well as mohg. his twin, on the other hand (ha!), has shiny, veiny skin with a healthy colour and gleam to them. it's like he wants to call to attention how well moisturised he is (which, in this case, compared to morgott, he is).
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above is a comparison between the twins' horns. the difference is extremely evident to me; morgott's horns are dry, almost seeming brittle, like sun-dried bone that hasn't seen rain or moisture in years. it reminds me of the horns of a very neglected ram, almost, but despite that, the horn growths seem more controlled, less like the wild growths all over the royal omens of the shunning grounds and more controlled as a sort of jutting crown from mainly one side of his head. meanwhile, mohg's horns are shiny, curling wildly to the point of injury, taking his eye in its path of growth. they grew wildly enough to replace his hair altogether, if he ever had any, and give him an even more imposing silhouette with a literal crown of horns (and a beard to boot). beyond this, his horns look healthy, with clearly defined rings to each growth that shine under the light, much like the rest of him. he's oiled leather to morgott's dry hide.
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another somewhat interesting detail of morgott is his tail. i know a lot of people see it as soft, and it certainly looks the part, but what i find interesting are two things: the first being that his fur looks quite matted in some lightings and angles but overall looks soft to the touch, and the second being that his tail's horns look much healthier than his own horns on his head. this is in clear contrast to the rest of his body, which looks dry and unassuming with smatterings of coarse white hair up and down his body, and i believe its a matter of the limits to his own self-care. he utilises his tail as another weapon in his arsenal, so he cares for it that it might serve him well in battle, unlike his head of horns, which only serve as a detriment to him with how they must obscure some of his vision, if not most of it. additionally, he likely could bear to look at his tail and care for it, but for an omen that hates his nature more than the average, he probably doesn't enjoy looking at his own face in the mirror enough to properly care for himself.
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which brings me back to the sheer differences between these two. morgott, unhealthy and self-loathing, neglects many visual aspects of himself likely because he sees vanity as a luxury not afforded to someone like him. mohg, healthy and self-obsessed, cares and grooms himself to appear very much so like the lord he claims to be, loving himself to a heretical extreme (in the eyes of the golden order). their statures reflect this too; morgott hunches low to the ground, ready to pounce at any given moment but also due to his own shame and humility, while mohg stands tall and proud, though not as tall as he could possibly be due to his upbringing being one of likely having to hunch low to fit beneath the ceilings of the smaller parts of the shunning grounds.
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above is a picture of an omen from stormveil, which bears resemblance to all the omen you see in the game. in terms of clothing, one of the big ways people set the omen twins apart, morgott is completely naked save for the ragged cloak of animal hides he wears, signifying he is not fit to even dress himself in a shirt or trousers as befits a king, much like the omen pictured. he wears even less than that, actually, since he lacks even the slightest adornment save for the rope that clasps his cloak together. on the other hand, mohg is entirely adorned in finery, wearing a beautifully embroidered, fashionable priest's robe with matching vestments, and beneath that (as seen in the first image) some underclothes, a plain black button up and some pants. mohg's entire silhouette changes with the removal of his robe, while morgott's barely makes an impact once you realise he has only taken off the one article of clothing he had.
then, of course, there are their fighting styles. there's this fantastic video on youtube that i recommend watching of the twins fighting every major boss in the game, and you can clearly tell them apart from their fighting styles alone. morgott is fast, his size making him look deceptively slow only for him to dart out and do sick flips and somersaults and pirouettes that rival even the most flexible dancers, and he fights with speed and almost animalistic ferocity, save for when he conjures his weapon incantations. mohg is slow but strong, capable of swinging that large trident around like it weighs nothing while hitting with the force to knock down most enemies in a few hits, and most tarnished in just one, but he fights with a steady gracefulness in his every move, walking slowly and carefully while casting spells that hurt a lot.
even their phase 2 transitions are markedly different, with morgott's being one where he drops to his knees, vomits, and releases his cursed blood(?) all over the battlefield, causing his weapon to become alight with his curse and for him to fight with more in-your-face aggression, and with mohg's being one where he simply ignores your attacks and begins stabbing his spear into the formless mother for power at your expense, gaining a majestic set of wings that put distance between you and him so he can cast more of his spells at safer distances. where morgott is pushed to his limit and forced to confront his nature, mohg has long since embraced it and enjoys the fruits of his bloody labour with the mother of truth's blessing.
speaking of the mother of truth, even their patron orders are at odds with each other. the golden order was built upon the foundation of a very carefully-guarded lie: that marika is the one true god, which she can't be, with the existence of radagon (as per goldmask, perhaps the number 1 fundamentalist we meet in game). the formless mother is known also as the mother of truth, existing in direct opposition of the golden order's lies and craving the honesty of one of the purest expressions of life: blood. these two ideals would war against each other, with one being dedicated to the upholding of a beautiful, corrupt lie and the other being dedicated to the instillation of a dynasty of raw, pure truths. as such, even morgott and mohg's own great runes reflect these contrasts in faith, though, remarkably, these two great runes are ones that fit perfectly over each other, with mohg's slightly elevated (seen below, taken from the fextralife wiki).
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so, where does this leave us? i don't know, exactly. i wasn't really writing this with any sort of ultimate conclusion. i just found it really interesting how different they were, and i wanted to talk about all the noticeable, significant differences between them here. thanks for coming to my ted talk.
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nachobsns · 4 days ago
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Hello - I was impressed and extremely relieved by what you wrote in the post about the cult mentality of the Left RE Israel and accusations of genocide. You mentioned that you bought into the mindset until recently. If it's all right for me to ask, what was it that helped you break out of it? (Please feel free to delete/ignore if you'd rather not answer!)
thank you!! and no worries about asking— i think i put something in my pinned post about how people are welcome to send asks about this stuff, although my story isn’t super interesting. i fell down the typical online rabbithole, a couple weeks after october 7; i knew what had happened, at least vaguely, but the posts trickling onto my dash were all about the (undeniably tragic) loss of life in gaza, with little to no acknowledgment of the hamas atrocities that had started the war, so my narrative was pretty one-sided from the beginning. it just continued to snowball as the months went on and people became more radicalized, calling into question the reality of the 10/7 attacks and the humanity of all israelis. i never went all the way down the pipeline to full-on endorsing hamas or justifying their attacks, at least on a personal level, thank god, but i would reblog other people’s posts referring to hamas as a “resistance movement” and calls to boycott starbucks and mcdonald’s and condemnation of the “zionist media” etc etc etc. what pulled me out of it wasn’t any one thing— if someone had directly called me on my flawed logic and antisemitic biases while i was in this mindset, i doubt it would have done much, just reinforced my belief that i was on the “right side of history” and zionists were aggressors who couldn’t be reasoned with. it was mostly just passive observance and a slow exposure to other perspectives. i’m pretty sure the first post that led me to question my thinking was an ask on jewish-vents, which popped up on my dash in like, late july. this led me down another rabbithole, first scouring every single post on jewish-vents, then moving on to more popular jewish blogs that i had seen on “zionist blocklists” (applesauce42069, xclowniex, and spacelazarwolf were probably some of the blogs that influenced me the most, though i told myself i was just hate-scrolling at first, lol). i felt incredibly guilty seeing all the harm the movement i was a part of had caused to random jews and israelis just trying to live their lives and i realized how it went against everything i believed about how minority groups should be treated. from there, the aspect of actually undoing my thinking and changing my behavior for the better still took several weeks. denial of jewish indigenity to the levant in the face of tantamount archeological and cultural evidence was the first to go, as well as any ambiguity in my feelings about hamas. after that, it’s mostly been a slow process of redefining the idf’s actions from a “genocide” to a “war.” i still believe that what’s happening in gaza is unconscionable and horrific, and that too many innocent civilians have died, but i also understand how difficult it is to fight against a terrorist group that systematically embeds itself in civilian populations, and that the ratio of militant to civilian deaths is incredibly low compared to most urban warfare. i quietly deleted my old blog in early august— if i had directly engaged in harassment against jews, i likely would have kept it to make amends to the harmed parties and put a face to my actions, but as was, i had just contributed to the larger atmosphere of antisemitism on this site, and i felt uncomfortable knowing that i had a blog full of sentiments that no longer matched my values and beliefs. i decided i would be better if i took my endorsement out of the equation entirely, because when you’re looking through the notes of a post, it obviously doesn’t matter if someone who’s reblogged it no longer agrees with what was said— their notes still count as tacit approval, and i did not want approval of this “activism” attached to my online presence. i still have unwanted kneejerk reactions that crop up sometimes, particularly around the fundraiser posts from people “in gaza”; even though i know logically that they have all the markers of scams, there is still a part of me that really wants to believe i could help.
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theendlesseyes · 10 months ago
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The canary statement in the first episode of TMAGP really reminds me of the role that the angler fish episode played in TMA. The angler fish served as the first warning and was in it of itself descriptive of its role; the statement was the lure, and the trap. It was its own warning of what was to come. The canary statement reminds me of the saying "canary in a coal mine" from when miners would bring canararies down into the mines to warn them of when oxygen became too low. The bird would run out of oxygen and stop singing, likely dying. Red Canary went underground and "sang" about what they found until it killed/injured them. They are the first warning and died as a sort of warning to others- to get above ground, to get away while it was still possible. Both statements are a warning and a descriptor of what's to come.
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hiyyihrts · 8 months ago
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The way he says “You are… Pen.” so casually, as if she’s of another category all together. Most people see this as something negative, but I like to think that he respects her so highly and uses the term friend just as a descriptive, but he holds her in an even higher regard than just a friend. She’s his Pen, not a stranger, but not just a friend, either. She’s something more and different at the same time.
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somnimagus · 1 year ago
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My page for @kairizine. It was such a huge honor to be part of this wonderful book with everyone, I had so much fun!
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#kingdom hearts#kh#kh kairi#kh xion#kh namine#i don't really feel proud of my own stuff usually but#i really think this is the drawing i'm most proud of from this past year!! it made me think 'oh maybe i can draw' haha#i'm still kinda bad with colors but something clicked with this one. and i feel like i got the sentimental feeling i wanted!#ooh but this project's about flower symbolism so ramble incoming:#protea symbolizes resilience transformation and diversity; hollyhock means 'please remember me.'#so my general theme was finding a sense of self.#these 3 have struggled with finding their own identity; they tend to get left behind both in-universe and in general plotwise#and naminé and xion both resemble kairi and were overshadowed by her memory. but i feel like all 3 have transformed into their own people#xion and naminé have their faces covered partially by hollyhock to show their wish to be remembered for who they are-#instead of the parts that they share with someone else#and the protea bouquets show how they each held on and resiliently grew into their own person despite it all#i put a little swervy path on the hill behind kairi to give that hopeful sense of growth and moving forward. it's a little hard to see#hopefully that makes sense! i really love symbolism but i think in visuals so i'm really bad with words#but gosh working with everyone on this project was so fun. it was like impossible not to get swept up by the team's hype for this zine#i need to hunt down everybody's work and rb it#ohh and everybody's flowers are so crisply drawn it's insane!! i think if i lined all these flowers and leaves i'd die haha#fan art#my art#project stuff
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lost-romantique · 2 months ago
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Blitz- Sex, Love, and Stolas
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In order to understand how Blitz has romantic feelings for Stolas, you have to understand Blitz's complicated relationship with sex in general.
Sex is a weapon
Sex is a tool
Sex is enjoyable and pleasurable
Sex is something he can get lost in when things are tough, and he doesn't want to be alone
Sex is a means of getting what he wants
Sex is what he's good at
Sex is one of the only things he finds value in himself in
Sex is a way he can get his feelings out
Sex is the only way he knows how to show love
Unlike Stolas, who fell for Blitz almost instantly and saw sex with him as a way of being close with him. Blitz isn't like that.
Yes, Blitz can automatically find someone sexually attractive, but finding someone sexually attractive isn't the same as falling in love with them.
For Blitz, it takes time for him to fall in love with people. It doesn't come easy to him because, for Blitz falling in love with someone is the same as showing weakness, and Blitz doesn't do weakness.
Blitz puts on this mask of bravado because he uses it as a defense mechanism to keep people at arm's length. For Blitz, he's had this mask on for so goddamn long that it just comes natural to him, it's the same as breathing.
As a result, sex in a way, became one of Blitz's only ways of getting his emotions out, without the need to talk and communicate his feelings. Blitz can't talk his feelings out because that's scary, but he knows how to fuck people, so he uses sex to show he cares.
That's why Blitz sought comfort in the 'transactional fucking' he had with Stolas because it was a way for him to be close with Stolas, and be in a relationship, BUT it was also an excuse Blitz could use to keep Stolas at arm's length.
Because of the nature of their relationship, Stolas ended up becoming one of Blitz's longer lasting relationships. And that is how Blitz was able to slowly, and subconsciously develop actual romantic feelings for him.
Through sex with Stolas, through the complicated nature of their relationship, Blitz was able to delude himself and get lost into his very own fantasy where he could have one thing he truly wants, but he doesn't think he deserves: a 'boring as fuck monogamy'.
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sparrowmoth · 1 year ago
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Does it ever make you a little crazy insane thinking about how Jesper and Wylan both have these gaping absences in their families, these needs that haven't been met for years, but as their stories become parallel, they find exactly what they need in each other's lives?
Because okay, hear me out, Jesper couldn't save his mom, nor can he ever bring her back, but he was able to help Wylan save his mom. His mom who was supposed to be dead. He was able to help bring her back in a way that he will never able to do for his own mom. And no, she'll never be Aditi, but I think she'll grow to love him as a son-in-law.
Wylan, meanwhile, lost his father's love at a young age. He will never be good enough for Jan, because Jan refuses to love or accept him as he is. But Colm, Jesper's father who loves him, who only wants the best for his son, meets Wylan when he's easily at his lowest point in life, when he's wrapped up in crime and scandal, and what does he say? "I think you’d be good for [Jesper]." And that means everything.
Jesper and Wylan don't just complement each other as a couple, their lives thread together like stitches closing long open wounds.
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arodabi · 10 months ago
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Just to say it one more time: I’m aro and that makes me queer!!!
I will never let that go. Back when the first round of ace discourse was kicking up, i remember the first debate i saw wasn’t “aces aren’t lgbt” or “aces aren’t oppressed” it was specifically that aros and aces couldn’t reclaim the slur word queer because it was never used against us. And i saw that argument used as a wedge to further and further separate aspecs from the queer community. Eventually they just came for the word itself, that’s how the “queer is a slur” bullshit popped up at the same time. “Queer was a horrible horrible slur that nobody, least of all weirdo straights aros/aces, could reclaim.”
And that showed that the people behind spreading ace discourse, namely terfs and all the other exclusionary assholes, were the same people trying to squeeze the freaks out of the lgbt community. We know terfs used as discourse as a gateway to get people to hate trans people and trans women specifically. If you can convince someone that one group of queer people are horrible straight invaders who only want to destroy gay culture, then you can convince them that another group is too. So many of the common arguments against aspec ppl at the time stemmed from old school homophobia even. “Ace people are just mentally ill and need to be fixed” “ace people are pedophiles who want to make the children like them” “ace is a new fad that popped up, not something with any history” who benefits from that except terfs and their alt right sympathizers.
If you really want the community safe then why the fuck are you fighting those ppls battles? The same people who would kick you to the curb as soon as they finish with their current targets?
We can’t do another aspec discourse. We need to remember that the last one wasn’t just “ace ppl are cringe” it was an attempt to silence and destroy a whole group of queer people. And if they do it to aspecs, they can do it to any other group.
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violynt-skies · 4 months ago
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we are the same you and i
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leo and krang are introduced to the audience in the same manner as they’re both shown to appear confident, cocky and arrogant.
leo’s ego coming from a place of recent victory from defeating the shredder and feeling on top of the world while krang’s is from a genuine belief that they are the superior being to all other life.
with this you have the overconfident defender and the prideful conqueror. neither able to see their flaws, with leo being lax about fighting and believing he’s in the right and the krang having a mindset that any mistake made was a rarity and impossible to repeat because the fact in their mind is that they’re better in every way.
in the beginning their motives are fairly similar, to win, to survive, to come out on top.
however after following defeat after defeat and experiencing pure loss of his family, the mindset that leo has changes and he realizes he’s been going about things wrong and and the goal isn’t to merely win, it is to protect his family and the innocent people around them.
and this mindset is what inevitably leads to the downfall of the krang because he repeatedly is unable to understand or the will that people have in protecting others and doing what it takes to survive and win out of love for family as they only strive to win for the desire to control and conquer, even going as far to think that their destruction of life is a gift and makes them a savior from weakness
which is why he mocks their idea of duty to protect others as he believes that all other beings should and will give up inevitably
“strength always prevails”
however he doesn’t take into account the turtle’s strength of will and their ability to use that ego and arrogance against him, which in turn, is what ends up being krang’s true weakness and leads to his defeat. bc he never would’ve thought that someone would’ve sacrificed themselves in order to win because such a concept never would’ve been considered by him in the first place.
because while both krang and leo strived to win and defeat, their ideas of it differed greatly. and because leo understood how his arrogance made him weak, he was able to discover how to make it into a strength by turning the krang’s own confidence against him.
“i missed on purpose.”
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midnight-soulless-system · 17 days ago
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"We need generative AI because disabled people! Think of the disabled people that I hate on and am always ableist to, and I use the r slur and call people crippled and schizos!!"
Disabled people are not your gotcha. I can barely write with a pencil, and paintings will take me weeks if not months, but I'd rather do that then use generative AI to mae fake art. Disabled people have to adapt every aspect of their life, and you think we don't adapt how we make art? Some people use their feet to draw, some people have to take breaks a LOT, some people use their mouth, some people create aids to help them draw, and there are so many other things that disabled people do to make art.
You'll catch me dead before I call ai generated shit actual art.
Also I'd like to add that while generative AI is shit, AI is really helpful in the medical field and such, and that not all AI is bad. /lh
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fryday · 6 months ago
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you know what i find really funny? the fact that with the way dnp have been acting in this new era, to anyone in the outside world (read: anyone not clued in on 15 years' worth of lore and subtext), they would literally seem like the most normal, uncomplicated, domestic picture of a romantic couple anyone could ever ask for - and dnp are okay with it. they're almost actively pushing the agenda atp. they KNOW that the only people who could be tormented by any of what they do anymore is US, the viewers, the people who have been conditioned and seasoned by years of complex, nuanced history and deep deep lore very few people would even reference anymore. you guys, they HAVE hard-launched. to literally everyone but us. and that is so objectively hilarious
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