#i hope she is not just a one off antagonist to you all but also the personification of eva's willingness to be the villain to protect ange

[jules-ln]

I've seen a lot of people say that Viktor was controlled/corrupted by the hexcore and that's why he did everything

But personally I don't think that's the case

Like maybe... getting convinced by it, like the friend that just keeps telling you "yes! That's a great idea", but not controlled. Viktor always had it in him to do that, even in s1

Let me explain

Viktor is this character that I don't think I get completely, so I keep thinking about him. But I see people say "Oh, he's getting controlled because Viktor isn't like this at all" or "that's not Viktor" and the thing is; I don't agree

I think Herald Viktor is the real Viktor, same as s1 Viktor, it has always been him 100%

First we don't actually know how Viktor is with most people. Most of the time we see him, he's interacting with Jayce, and I think we can admit that Viktor has a lot of affection for Jayce

But we see him interacting with Mel briefly And I always found funny how he reacts when she brings up the hextech weapons, all dramatic and offended, he's like "Absolutely not!" But then he "calms down" as soon as he sees that Jayce isn't supporting him, he even looks a bit sad

I'm mentioning this because of how different he acts with Ambessa later when she asks him for an immortal army; he agrees with everything she wants, of course he won't give her that, he just wants to trick her into helping him, but it does makes me think that had he been alone when Mel started asking about building weapons, or had he known that Jayce wouldn't support him, he probably would've acted in a similar way to how he was with Ambessa, agreed with everything Mel wanted to get her off his business while he thought of another solution

And my point with this is, I think a lot of people assume that Viktor is an innocent little angel that is always honest and just wants to do good; but we only see him being honest with Jayce (most of the time); because he truly trusts him (tbf he's also honest with Singed, but I think he probably has affection for him as well); with the rest of the world Viktor is more than able to lie and manipulate to get what he wants; he isn't necessary a 100% good perfect person

Now, let's looks at how Viktor acts in the commune, because I think everyone can agree independently of whether you think the hexcore was controlling Viktor, that at this moment Viktor is still pretty much in control of himself and his actions

There's this comic called "a perfect life" about LoL Ekko, where Viktor is the antagonist; it has an oddly similar plot to the second season of arcane, (apparently this comic is from 2023 and by that time Arcane s2 was probably on the last part of production, so Idk why it's similar, but anyway!) In the comic, there's a rich dude offering free prosthetics (augmentations? Let's be honest they are futuristic prosthetics) to the people of Zaun, and everyone goes to get one part of their bodies replaced with technology willingly. Then later it's revealed that Viktor is the one actually doing all the surgeries lmao

But that got me thinking, Viktor in LoL doesn't need better morals, he needs better PR!

Because, people want Viktor's help, the only part they don't like it's the losing humanity and free will, which, understandable

But then, why does everyone still go to Viktor in the series? Because he isn't saying the whole truth

When Ambessa asks him if he could inhabit his followers, Viktor simply says they all share one mind and that it was part of his glorious evolution. He doesn't act surprised, It doesn't seem like he didn't know, he simply shrugs and is like "Yes, this was part of what I wanted"

But he never said that to his followers? When Vi and Jinx are talking to Viktor about healing Vander, Viktor never says "oh, btw, if I do this, your dad is going to lose his individuality and become part of my hive mind, hope that's ok :)". No, he simply says that he'll do what he can to heal him.

And again, you could argue that he lied because the hexcore was controlling him, but I still think that lying was 100% Viktor's choice and the only thing the hexcore could do or did was suggest him to do so

Why am I so sure Viktor wasn't controlled in this moment?

Remember when Viktor first meets Vander, Sky; who is very heavily implied to be the Hexcore, tells him to not save him because it would be too taxing to do so for Viktor. And he says no, that he wants to help Vander, because he thinks Vander it's worth it.

And I think that's all the power the Hexcore has over Viktor, suggest certain things, but at the end Viktor it's still on control; because if Viktor is the Hexcore's host, then it would be very detrimental for both of them if Viktor lost all his energy, both of them could die if that happened; yet Viktor ignored it for Vander's sake

So the lying by omission he did with his commune, if it wasn't his idea, it was something he 100% agreed with. And again, Viktor isn't 100% innocent, he's an intelligent man that knows how to lie and manipulate and will do so if he thinks it's necessary

(Which makes it so old Viktor in LoL is more honest than Arcane Viktor and that's so funny to me lmao)

Now, I know people say that Herald Viktor it's a corrupted version of Viktor, but I don't think so. Not corrupted, but something Viktor always had the potential to be. Herald Viktor was the version of him with the most control over his actions and surrondings; he's the Viktor that was always inside him, the person he would've been if he didn't feel limited by his own body, by his social status, by where he was born, and this shows on how this parallels Jayce's arc

I've seen a lot of people saying that Jayce went through what Viktor had to suffer, having to climb up from the deepest parts of Zaun with a hurt leg to the top of Piltover, only that with Jayce it was literal. But I saw someone on tiktok (I don't remember the account and I can't find the video anymore, sorry :( ) pointing out that Viktor also had to go through what happened to Jayce in the first season

In the first season, Jayce was a scientist with a pretty face and charming personality that was seduced by power, he was suddenly given a lot of it, and instead of holding onto his ideals, he turned away from them. He became a corrupt politician and then used that power to betray Heimerdinger, someone who was very important to him. Later he thought himself judge, jury, and executioner and that resulted in a child from Zaun dying

Viktor finds himself in a similar position, a scientist with a healthy perfect body that was suddenly given a lot of power, he became the leader of a community, someone people looked up to for guidance and help. And then after Jayce rejected him he also thought he was judge, jury, and executioner with the right to do whatever he wanted because he was right and everyone else was wrong. The problem being that Viktor had way more power than Jayce ever did

So, if anything Viktor wasn't being corrupted by the Hexcore, the thing that seduced Viktor was power over other people

And you could say "Viktor during the first season wasn't like that at all" but it's easier to be a good person when you don't have the choice to harm others

Another point to add it's that Arcane is a series that uses a lot of visual storytelling, if you just hear the dialogue you are missing 50% percent of the story at the very least; it trusts you to see what's going on

Now, after Ekko throws the Z drive at him and breaks the mask of the Arcane Herald; we can see the real Viktor underneath

I think this is why a lot of people think the Hexcore was controlling Viktor because we see the Arcane Herald, then we see "real" Viktor underneath, but that's not necessarily the case. In that moment we see half of Viktor's face, but look at what we can exactly see; his whole mouth and one eye are visible

Viktor is seeing what's going on, he understands what is happening around him; but he isn't seeing the whole picture, hence why it's only 1 eye. But his mouth is completely uncovered, whatever he says, that is 100% Viktor no doubt

And if Viktor was truly being controlled by the Hexcore/arcane/void/whatever, that would be the perfect moment for Viktor to snap out of it. For Viktor to say "this isn't me" and fight to get away from the corrupting force

But that isn't what happens, what happens is that Viktor is confused by Jayce's insistence and he says "Why do you persist? After everything I've done" this isn't Viktor saying "oh, I'm being controlled, help" this is him saying "I've done horrible things, why don't you hate me?"

So, Viktor was 100% aware of what was happening, he understood that what he was doing was wrong, and he still did it anyway

To add to this, there's this meme about Arcane that said something like "when in Arcane somebody is robbing banks and killing people the songs will start saying "oh, I'm robbing banks and killing people"" and that's true, and sometimes it's funny; but other times it's useful because the songs say things we aren't seeing

The line is 100% Viktor's song; it's the song that's playing as he erases Vander's memories (and the memories of the rest of his followers as well probably) and decides to give in and transform into the Herald

Once again, if the Hexcore was controlling Viktor, I think the song would've said something like "there's demons in my head" or "I can't help myself"

But no, the line is about someone, in this case Viktor; thinking about the consequences of his actions and if he's ready to accept them

The part where it says

"Honestly

I thought I was fully prepared for

The threshold in store

Stay your pretty eyes on course

I guess I never really faced my fears before

So stay with me because"

For me it's Viktor basically saying "I thought I was ready for the world (Jayce) to hate me; but I'm not so sure if I can face my fears of being alone"

Again, it's not about him not being in control, it's about him knowing that what he's doing is wrong, and that there'll be consequences, but he isn't sure if he's ready to deal with them

Then later, when Jayce shows him what mage Viktor saw; I think for him it was like himself confirming what he already thought or had an idea of what was going to happen, the consequences aren't worth it

After that, when we see Viktor again, this time he is fully visible, with both eyes uncovered because he can finally see the whole picture

But now that I've said that I don't think he was being controlled the question remains, then why was he doing all of that?

And this is more my interpretation of Viktor's story more than anything that happens in the show

So, look at Viktor, he was born in Zaun, disabled, sick, poor; but he managed to climb out of the undercity to Piltover going beyond the social structures that held him back, and even then, he only ever managed to be an assistant to Heimerdinger. That wasn't what he wanted, he himself says it, he was capable of so much more. And I think that Heimerdinger made the mistake of not believing (maybe not on a conscious level) that Viktor could be more; then along comes Jayce; and listen, if Viktor was the only one who truly believed in Jayce, I think the opposite it's also true, Jayce was the only one who believed in Viktor's true potential

Now put yourself in Viktor's shoes, nobody has ever believed in you, you had to drag yourself to the top; then you died and were brought back to life by this monstrous thing that you created that killed an innocent bystander, so you decided to run away to try to make your dream of helping people come true and redeem yourself (because the commune was that for Viktor, his dream of the glorious evolution) just for the only person who truly believed in you, probably the most important person in your life, coming back and rejecting you? I too would want to tear apart the world piece by piece

And the funny part, it's that Viktor is 100% using logic to justify his very irrational decision; no he isn't doing it because he's hurt, he's doing it because he wants to help people! He wants to stop suffering and the best way to do that is to erase free will

That's why I think what Viktor said after being confronted with Jayce in the Astral plane is so important "Why do you persist? After everything I've done" in my mind, after Jayce's rejection, he decided to give up and to do the bad thing; he knew it was wrong, but he decided to do it because he was hurt and wanted to hurt back, then he justified it by saying it was what it was necessary to do

And the funny part is that Singed already explained Viktor's motivation during the series "Why does anyone commits acts others deem unspeakable? For love"

Also, my last point on why I don't think it was Viktor being controlled or corrupted by the hexcore; simply because it would be very boring to do so lmao

Like, if Viktor was being controlled, suddenly a lot of what makes him interesting and complex is gone. So I prefer to think it was Viktor all along, that he always had it in him to do horrible things

[jichanxo]

sometimes your old bitchy aunt isn't just your aunt but also a sadistic teenage girl with an annoying laugh and a stupid catchphrase

[prodkeiji]

ep 9 is a lot to process uhm

[msmk11]

Just Like All the Other Angry Boyfriends Before

James Potter x Hufflepuff!fem!reader

WC: 4.2k

CW: angst; hurt/comfort; fluff; idiots

Summary: Two idiots in love who don’t know how to handle their emotions properly- aka school dance drama

A/n: yall said you wanted this fic even tho I lowkey hate it, so here it is!

Shrill squeals echo through the stone corridor as you make your way to the Great Hall after class. You turn the corner to find a group of girls surrounding Alice Fortescue and Frank Longbottom. Alice is blushing profusely as you hear her declare, “yes I’ll go to the formal with you!”

Frank whoops excitedly and draws Alice into a warm embrace. There are more squeals from the girls, so high pitched you’re sure they’ve shattered your ear drums. As you pass the happy couple, you smile at them warmly and share your congratulations. On the inside, however, you grimace. You’re no antagonist to fun, really, but as the winter formal continues to approach closer and closer, and you are still without a date, you find yourself beginning to reject the idea of any formal at all. It’s not that you have a lack of options either- plenty of people have asked you- but rather, you’ve been holding off in hopes that a certain special someone will.

Begrudgingly, you accept that if you put things off much longer, you will be dateless. And while you’re not necessarily opposed to going alone, you’d rather not when nearly all your friends have dates. Lily has Mary, Marlene has Dorcas, Alice has Frank, and Remus has Sirius.

That leaves you and James.

Although you’re a Hufflepuff, you throw your stuff down onto the Gryffindor table and plop into a seat next to Lily. You huff dejectedly and rest your head on her shoulder, “Why does everyone have to be all happy and in love? It’s stupid.”

“It’s not stupid honey, you’re just bitter because P-“

You slap your hand over her mouth and glare at her, “SHH there’s people around.”

“Right, sorry,” she replies, prying your hand off her mouth.

“Also…” she pauses and sniffs your hand, “is that a new lotion? What scent is it?”

Before you can answer, you’re interrupted by Mary who sits down on the other side of Lily and kisses her on the cheek.

“Uh, babe, why are you sniffing her hand?”

“I’m not weird, I swear! She’s the one who shoved her hand in my face. I just wanted to know what lotion she was using.”

Mary gives the two of you questioning looks.

“Potter” Lily mouths.

Mary nods in understanding and smirks. She wiggles her eyebrows suggestively as she shifts her attention to the raven-haired boy a few seats down.

“Still waiting for him to ask you?”

“Mhmmm.”

“You know, it is the 20th century, you could try asking him for a change.”

“Excellent idea, love! Oi, Potter, come here,” Lily shouts.

You glare at them in panic and mumble, “I hate you both.”

James looks up from his conversation with his friends and slides down the bench towards you.

“We have a very important question for you,” Lily says.

You glare at her once again, “I think Lily here is actually far over exaggerating the importance of the question. I’m sure whatever discussion you were having with Remus, Peter, and Sirius was much more urgent.”

James chuckles, “It’s the opposite actually. Remus and Sirius were arguing over what they are wearing to the formal. So really, you saved me.”

You let out the most pitiful laugh, cursing your luck.

“So… what is this very important question you wanted to ask me?”

You attempt to act nonchalant as you ask him if he has a date for the formal yet.

“Oh, the formal? Not yet, though I have a few options in mind. But if you’re implying you want to go together, I’m totally down.”

You’re pretty sure your heart skips a beat.

“I mean, I don’t want you to go alone while everyone else in the friend group has a date.”

This time, your heart drops.

“Oh, so you don’t mind doing me a favor and taking me to the formal?” You ask, an accusing tone to your voice.

“Right, that’s what friends are for,” he says, innocently.

Nail in the coffin.

“So, let me get this straight. You’ll only go with me because you feel sorry for me and because you don’t think I can get a date to the formal?” you ask angrily.

“No I-“ he begins defensively.

“Well you should know, Potter, that I do have a date to the formal, and I was only asking if you had one because I was worried you were going to be the one going alone.”

“Wait! You’re going with someone?!” He says, shocked.

“Don’t act so surprised. Just because I’m ‘one of the guys’ to you doesn’t mean I’m not desirable to other people,” you retort.

Then, you stand up and snatch your books off the table. As you storm away you hear him yell, “Wait, but who are you going with?”

Great question.

*****

Back in the Hufflepuff dorms, you sit in one of the common room chairs stewing over your recent interaction with James. While your initial reaction was anger, time has led way to more intense feelings of hurt. While he didn’t outwardly reject you, the sting of the friend zone was just as painful. You needed to move on, but with who?

The universe seems to answer your question in the form of Amos Diggory.

Amos Diggory- an arrogant, handsome, girlfriend-stealer, with an intense fear of commitment. He would be perfect.

No foreigner to flirting, you put on your most charming smile and call out, “Hey Diggory…”

He looks in your direction and you motion for him to come sit. He smiles at his friends and shoos them away. As Amos comes and sits down next to you you know that, if this goes according to plan, you will royally piss James off. The two rival in looks and on the quidditch field, and James cannot stand Amos.

“Hey gorgeous,” he says, looking you up and down.

“So, you, uh, have a date to the formal yet?”

“No, I prefer to go alone. So my options are open.”

You smirk teasingly, “What if I can convince you to change your mind?”

Amos smiles at you seductively, “I’m listening.”

“Well, you like to go to these things alone so you can entertain the attentions of many girls. But, if you go with one girl, me, you’ll get even more attention. What is going to happen when all of the girls at Hogwarts think that the Amos Diggory is off the market?”

“You have me intrigued,” he says, “And how are you not in Slytherin with that devious little mind of yours?”

“I prefer to keep it my little secret.”

Then, you lean closer to him, “Though I guess it’s our little secret now.”

Amos is falling perfectly into your trap, and you know that he already wants to kiss you. You pull away before he even gets the chance.

“Before I agree, what’s in this for you?” He asks.

“Revenge on James Potter…”

If your flirting hadn’t fully won him over, this does.

*****

In the evening, you make your way to the Gryffindor common room where you always do homework with your friends. Though James, Peter, and Sirius consistently show up late, you make sure to leave extra early to avoid conversation with James at all costs.

You forget, however, that James sometimes knows you better than you know yourself. So when you arrive, he is already there on the couch, waiting for you. Lily and Remus are spread out on the floor, Mary is sprawled across a red chair, and Dorcas is lying in Marlene’s lap reading her textbook while Marlene writes a paper. James shoots up from his seat as you walk in.

“Hey! Can we talk?” He asks anxiously.

Although they pretend to hide it, you know your friends are secretly listening. Still, you don’t care.

“No, James, we can’t. Although it may be uncharted territory, you and I are in what people call a fight. So just let me be.”

“But shouldn’t we talk?”

“No, James. I don’t want to talk. Not right now.”

The fight leaves his body and he retreats, “fine. I’ll just leave you be.”

He grabs his stuff and goes up to his dorm as you settle yourself in his place.

“Don’t you think you’re being a little harsh?” Remus asks softly.

“Maybe,” you say, “But I’m sick of always downplaying my feelings to protect his. It’s not fair to me.”

Lily grabs your hand, “you’re right, it’s not fair. And I’m sorry for pushing all of this on you, it wasn’t my place.”

“Yeah, I’m sorry too,” Mary adds.

“Well, I’m not. This just encouraged me to get over my silly little crush and focus my attentions on someone who will actually take interest in me. There are plenty of people out there.”

“Hell yeah there are!” Marlene says encouragingly.

Dorcas smacks her arm, “Marlene! James is one of your best friends!”

“So is she! I love them both, but she’s right, she needs to do what’s best for her.”

“Just don’t push him away completely,” Dorcas tells you seriously.

“I won’t,” you sigh, “He‘s still so important to me. It just won’t be in the way that I hoped.”

Silence falls over the group.

“Who fucking died?”

Everyone jumps and turns to look in the direction of the voice. Behind you stands Sirius and Peter, both with perplexed looks on their faces.

“James, after she fucking tore him apart earlier,” Marlene replies, motioning to you.

Peter nods as he plops down by your feet, “Oh right! I heard about that.”

Sirius smacks you upside the head, “Yeah, what was that all about?”

“He basically called me a fucking unattractive loser. What else was I supposed to do?” You say, smacking him back.

“I think you’re over-exaggerating just a little bit,” Mary responds cautiously.

“I mean, I think he was just trying to be nice. Maybe it hurt because he essentially friendzoned you?” Lily adds.

“Wait, do you have a crush on James?” Sirius asks you.

“Sirius, have you really never noticed?” Remus responds disbelievingly.

Sirius only shrugs his shoulders.

“Okay, I get it, I get it. James is the perfect golden boy and I’m just another one of Potter’s stupid fangirls who follows him blindly and makes a fool of themselves.”

“Honey no,” Lily starts, “it’s not that it’s-“

“Can you not lecture me, please?” You interrupt, “Maybe I overreacted, but is it so wrong to be angry about being pitied. Especially by someone you really care about?”

“No, it’s not,” Peter tells you, “I get it.”

“Thank you,” you respond dejectedly.

It’s quiet for a moment and you’re stuck stewing in your own self-loathing.

Then, Lily speaks up again, “Uhm, I have one more question, and then I’ll drop the subject.”

You nod, encouraging her to continue.

“Who are you going to take to the formal? Because you told James you had a date, even though you didn’t.”

“Oh, yeah, uhmmm about that…” you say, laughing nervously.

“What rash thing did you do now?” Dorcas asks.

“I may or may not have asked Amos Diggory to be my date to the dance…. And he said yes.”

Marlene laughs loudly, “Oh shit!”

*****

To avoid conflict, you decide that it’s best for you to go to the formal with Amos and his friends rather than string him along with yours. Tension is already high between James and you, and you know Amos’ being there would only make things worse. You try to push it out of your mind, but you can’t help wondering who James is taking to the formal with him. You picture all the prettier, smarter, and better girls he could be going with, and your stomach begins to ache. You are also worried about what people will say in relation to you going with Amos.

Your thoughts start to spiral. Will people hate you? Will James hate you? Is your dress all wrong? Will you be the worst dressed there? The anxieties are endless and there seems to be no relief in sight.

Still, you push through and doll yourself up, masking your true feelings behind layers of hairspray, makeup, and itchy fabric. Your dress is light blue with a silvery sheer fabric over top, like fresh snow on a frozen lake. The top half is form-fitting with silvery straps, and the bottom spreads outward in a loose skirt. You twist back the front strands of your hair with silver clips and adorn your face with light makeup and shimmery eyeshadow. At promptly eight you drag yourself to the common room where Amos sits with his friends and their dates.

You put on a fake smile, “Amos, you look handsome.”

He looks you up and down, “I know. And you look hot.”

What a gentleman.

You say a polite thank you and avoid some of the stares you’re getting from the other girls. You can tell that some are jealous already, yet they maintain outward politeness, which you’re grateful for.

Amos, at least, extends his arm, which you grab, as you walk towards the Great Hall. Your walk is filled with polite conversation about simple things from quidditch, to class, and plans for the holidays. So far, it’s not as bad as you thought, though you wished you would have just gone dateless with your friends.

You cast these regrets aside, however, when you arrive at your destination. To no one’s surprise, the Hogwarts decorating committee has outdone themselves once again. The typical long, wooden tables are gone and in place is a magnificent white dance floor that seems to shimmer like the snow. Warm, golden globes of light hang from the sky and snowflakes fall from above, though never reaching the ground. The room is an explosion of silvers, whites, and blues, and you’re sure you’ve stepped into a winter wonderland.

“This is just-“ Amos begins.

“Wow” you finish, “Like a winter wonderland.”

“And you’re its queen,” he says.

You blush in spite of yourself.

“Compliments won’t get you a kiss so soon,” you tease, “It’s only eight.”

He bites his lip, “fine. But I can only restrain myself from a beautiful girl so long.”

You laugh lightly and swat him on the shoulder. Then, music begins to play.

Amos motions towards the dance floor, “shall we?”

*****

As James adjusts his tie in the mirror, he can’t help but think about what a pathetic loser he is. Although he’d had plenty of girls who he could have gone to the formal with, he continued to wait, assuming there would be someone better coming along. Who that person was, he wasn’t sure. But now, he was alone.

And then there was you. He doesn't know what happened. One second you two were fine, and then suddenly, you blew up. While he knows that he insulted you, he can’t understand why you are so angry. Sirius said not to overthink it, that girls are just complicated, but you are one of his best friends. He knows there is something else going on and it’s left a terrible pit in his stomach.

“Earth to James!”

“Huh?” He awakes from his trance and notices that Peter is waving his hand in front of his face.

“You ready to go?”

“Oh, yeah.”

They head downstairs and meet up with the rest of the group- Pete and his girl from Ravenclaw, Sirius and Remus, Marlene and Dorcas, Mary and Lily, and you-

Not present because he is an ass.

James wonders who you’re going with.

They all cheer loudly, “James, you look great!”

“Thanks, guys, but it’s you all that look great.”

“Hell yeah we do!” Sirius exclaims.

Everyone laughs and begins to file out the portrait hole down to the Great Hall. Despite being the only dateless friend, James’ spirits are lifted by their jokes and ramblings. When they reach the dance, everyone oohs and aahs over the shimmery decorations. Instantly, James cranes his neck, looking for you in the crowd as he walks with the group towards a table off to the left. As they all set their stuff down, the music begins to play and couples rush to the floor. His friends join them, excited to dance.

“James, you coming?” Sirius asks.

He shakes his head, “next song.”

Sirius shrugs and walks off with Remus. James continues to search the crowd, looking for you. He realizes he doesn’t know what you’re wearing- and he supposes he never asked. James wonders if best friends are supposed to do that sort of thing.

Probably.

It hits him, then. With everything that’s been going on lately- being head boy, quidditch captain, and taking ridiculously hard classes, he’d sort of ignored you. It’s no wonder you’re so angry with him.

James feels totally guilty until he sees you. It’s then, he realizes, that he has a reason to be angry too. There you are, after all his moping and worrying, with Amos fucking Diggory. James knows that he hasn’t been the best of friends lately, but Diggory? That was his rival! You were crossing a line.

But what really bothers him the most is the way you’re laughing at something Diggiry said. He is hardly funny, and has the personality of a piece of paper. And why are you leaning so close to him? He’s not even that attractive or charming.

As you swirl across the dance floor, he watches how your hands hold tightly to Diggory’s shoulders, like he’s your anchor. James also notices Diggory’s hands around your waist, far too close to your ass, and his blood boils. No way would he let his rival feel up his friend.

When the song ends, James begins to stalk towards you two, but is pushed backwards by Sirius and Remus.

“Not worth it mate,” Sirius warns.

“But Padfoot, this is unbelievable. She is unbelievable. How could she ever agree to go with him? She knows how much I hate him, and is just trying to get back at me.”

“Mate, it’s this type of thinking that pushed her into his arms,” Remus mumbles.

“What, what do you mean?”

“James, she asked him to the formal after you basically made her feel like shit. Whether she realized it or not, she turned to who she thought would hurt you the most. She wanted you to feel what she was feeling, even a little bit.”

“It’s not her best decision, but ignoring her wasn’t yours either,” Sirius adds.

James rubs his face tiredly, “God, I know.”

Sirius pats his back, “Just… take a few minutes and then come join us. Don’t let it ruin your night.”

“And while you’re sitting here, maybe reflect a little more on why you’re so upset,” Remus adds.

“Rem-” Sirius says with a warning tone.

He puts his hands up defensively, “I didn’t say anything. Let’s go.”

As they walk away James notices their slight bickering. He laughs at them in spite of himself. Secretly, he’s always been a little bit jealous of their relationship. Though they are far from perfect, they’re comfortable with each other in a way that he can only hope for. He thinks the fact that they were friends for five years before they dated helped. There’s this trust and friendship that is so necessary in order to support the love and passion that comes with romance.

As another song ends, James decides not to get up from his seat. He watches Amos and you some more. While his blood is still boiling, there is a twinge of something else.

“Maybe reflect a little more on why you’re upset.”

*****

Surprisingly, you’re having more fun with Amos than you thought you would. While you would never date him, you appreciate his company tonight. He’s been making you laugh all night, so you’re surprised when another song comes on and he suddenly gets serious.

“You know, gorgeous, I’m not one to waste my time on Potter, but he’s been glaring in our direction for the past fifteen minutes.”

“Just ignore him.”

“I would, but it’s kind of hard when he is burning holes into my head.”

You huff apologetically, “God, I’m so sorry. I hope it’s not ruining your night.”

“Eh, I’m used to Potter throwing temper tantrums when he doesn’t get what he wants. He’s clearly just mad he’s not dancing with the most beautiful girl in the room.”

“Pfft, yeah right. He’s just mad that I’m dancing with you. Otherwise, he wouldn’t give a shit.”

“Can I give you my honest opinion?”

You hum in agreement.

“As I’m sure you know, I have a reputation for girlfriend stealing.”

“Yes? And?” You say, confused.

“Well, with stealing girlfriends also comes a lot of angry boyfriends. And Potter over there, he looks exactly like all the angry boyfriends I’ve dealt with, who want to beat the shit out of me.”

“Which makes no sense, because he doesn’t act like a boyfriend whenever we’re together. It’s not fucking fair. He doesn’t want me, but it’s like he doesn’t want anyone else to have me either.”

“Listen to me. I may not know what the fuck is going on with you two, but it’s pretty clear to anyone that you guys both have feelings for each other. So, as your date, I think it's my duty to end ours early. We both achieved our goals- all the girls in the room want me, and Potter can’t take his eyes off of you.”

You release a shaky sigh, “Okay, fine.”

As the song ends he releases you and gives you a wink, “Well, for now, this is goodbye. Since I’m sure you’ll be Potter’s girlfriend by the end of the night, I imagine we are going to be mortal enemies from now on. Or until graduation at least.”

You chuckle a little as you straighten his tie one last time.

“Go get him,” he says.

You stand up on your tip toes and kiss him on the cheek, “Bye Diggory. Next time I speak to you, you better be settled down with a nice girl, at 9 ¾, with your rowdy kids for their first year of school.”

He laughs and you part ways for the night. Before you allow yourself to approach James, you walk outside to the courtyard nearby. You lean up against the railing and look out towards the stars. The cool breeze fills your lungs and is comfortable against your hot skin. It’s silent except for the soft notes of music drifting out from the Great Hall.

“So, you and Diggory huh?”

You jump at James’ voice and turn to him, “Yep, and you and the invisible girl. I thought you were Mr. Hotshot, with plenty of girls lined up as possible dates?”

“And I thought Hufflepuffs were supposed to be loyal.”

You scoff, “It wasn’t personal, James. Just a silly little date to a silly little formal.”

“Bullshit” he yells, “You were mad so you went and found a date that you knew I would hate!”

“God, you are so conceited! Not everything is about you. Maybe I just liked Amos’ company. He’s not all that bad, you know.”

“Oh, so now you’re defending him? Next thing I know there’ll be wedding bells.”

“Maybe there will be. He’s funny, attractive, and actually gives me the time of day!” you retort.

“Just so he can get you into his bed, fuck you, and then ignore you after,” James shouts back.

You stare at each other in silence for a moment.

“I mean, Merlin, is that really what you want? I know it's not my place to give my opinion about who you date or-”

“And that’s the whole problem,” you interrupt.

“What?”

“James, you're my best friend. I want your opinion about these things- even if I don’t always want to hear it. It at least shows you care about me. Lately, it’s like I don’t even exist.”

“I know, I know and I’m sorry. You deserve better. A better friend and…” he steps a little closer, “a better romantic interest?”

You let out a small laugh, “romantic interest?”

“What? If this night has shown me anything, I clearly don’t know what- or who- you’re looking for in romance. And that’s on me. But I want that to change from now on.”

You take a deep breath and step even closer to him. You look up into his hazel eyes, your faces so close your noses are almost touching.

“Well, in the name of change, I guess I have to confess, I do have a romantic interest… in you.”

“And as a part of my duties as your best friend, I believe it my responsibility to tell you that… you should go for it.”

Already so close together, you merely stand on your tip toes and lock lips with James. He kisses back and puts his hands around your waist. For a second, he pulls away.

You look up at him with questioning eyes.

His grip on your waist tightens, “I don’t ever want another man’s hands here ever again. It was driving me crazy tonight, the way Amos was touching you.”

You smirk at him, “Jealous are we?”

He grunts in affirmation and pulls you in again. The kiss lasts a few minutes with you up against the railing. At first it’s fast and passionate. But with time it becomes slower and more sweet. More loving.

Eventually, you slowly pull apart. You look at him softly and ask breathlessly, “So, do you have a date to the formal yet?”

[ew-selfish-art]

Dp x Dc AU: Jazz Fenton, after years of fixing her brother’s injuries, becomes a Doctor with an inclination towards behavioral health and psychology- In order to make the difference she wants to see in the world she joins Dr. Leslie Thompkin’s practice. 

Jazz Fenton, M.D. has spent years of her life doing research, doing the hard work and the emotional labor, and finally, finally, she’s joining a practice she can feel 100% confident in. She’s goddamn good doctor and she wants to make the biggest impact that she can. 

Dr. Thompkins (who insists that she call her Leslie as they’re colleagues now), is a kind woman, sharp as a tack and keeps her practice open at odd hours to help the most unfortunate. It took some time for them to bond and trust to be built, but now Jazz is being allotted a few night shifts here and there. 

It’s incredible. Jazz gets to spend time with the kids who come in and really talk to them (in addition to getting them antibiotics, heating pads and pokemon themed bandaids) to help equip them with a few coping skills. Her passion for psychology never disappeared after all, but the expansive knowledge of how to heal the human body has made her find a sense of fulfillment like no other.

Having proven herself and worn Leslie down, Jazz now takes up about 1/3 of all the night shifts in the month. She’s hoping to get to 50/50 by the end of the year but she’s content with what she has. Danny keeps odd hours anyway so calling him after work on her walk home can happen any time of day and he will always answer enthusiastically. 

It’s a particularly busy night before he comes in. The Red Hood. 

He was known for being an ally to Leslie, despite being on contentious terms with the Bats, but Jazz had never asked directly. Never one to turn away a patient with bullet hole wounds, she hops into action to get his wounds cleaned, sewed up and gauze wrapped. She’s handing him a sheet (an Infographic! Dani made it with her! Graphic design is her passion!) on how to care for his wounds when he first seems to recognize that she’s not Leslie. 

“No, Of course not. I’m Dr. Fenton. I can’t blame you for not remembering but I did introduce myself as you bled in the entry way. You’re Red Hood, right?” 

“Hm. Didn’t realize the practice was expanding. Where can I find-” He grumbles before pushing her hand aside from where she had still been supporting his shoulder.

“Hold on there, mister. You’re going home, you’re following this infographic and you’re going to get some sleep.” 

“Lady you don’t know-” His voice modulated ton came across antagonistically. As if he was trying to intimidate her. Ha, Jazz rolls her eyes at the inclination.

“Who I’m talking to? Who I’m dealing with? You’re hilarious. I can eat you vigilante’s hero complexes for breakfast. Tell me who I’m calling to pick you up and then you can say thank you.” Jazz snaps at him. It really had been a long night but his whole dialogue thus far is making her a bit batty. 

“Oh really Doc? You know Leslie’s tough shit, and from what I can tell you’ve got nothing on her-” 

“Trying to make me feel insufficient when I just saved your life? That’s cute. I’m sure a lifetime of abandonment by both of your parental figures gave you that. I’m also sure that you inherited this desire to prove you’re not going to be dependent on anyone who wants to help from whoever got you dressing up in tights to fight crime in the first place. Again, I’d love to talk at length about how predictable you-” 

“Bwah- wait- I’m Predictable? You’re probably some nepobaby who had parents who told her she could have the world-” But Jazz cuts him off with hysterical laughter- he couldn’t be further from the truth. Her parents loved her, but nepotism? With what, the ghosts? If anything she got that from Danny, but he doesn’t need to know about her ghostly titles. 

“You’re just some guy who came back from the dead and made his trauma everyone else’s issue. So shut it. And tell me how I’m getting you home from this clinic.” She seethes though her voice stays devastatingly level with each word. 

Speechless for a moment, he eventually relents to Jazz that he’s already called for help on the comms but it will be hours before they can come for a pick up. The sun had already come up and the night had been over for most of them before Hood had walked into trouble. She groans and the realizes the time for herself and the empty clinic around them.

“Fine. My shift just ended anyway. I’ll get you home in one piece and I swear to all the ancients that you’d better follow the directions on the infographic.” 

And that’s how Jazz ended up calling her brother while supporting the weight of a grown ass man (who no longer wanted to talk to her) on her walk home. 

The next time Red Hood appears in her clinic, he’s brought a dozen roses in addition to the cut on his neck that definitely needs to be pressurized like ASAP. Did he stop for the flowers on his way to the clinic? He’s going to pass out from blood loss! She doesn’t even like roses!

[starlightandfairies]

Hiii 🫶🏼 I hope you're still up for doing an Elijah request! 🤗 I can't get this man out of my head haha

Soo it would be an idea where they met somewhere in Mystic Falls and immediately felt some bond between them, so it happens that they start falling in love (she's human but knows about vampires) but she's too afraid to get hurt so she also tries not to get too close to Elijah. One night he sees some stranger following her home from the Grill and even starts attacking her, Elijah is immediately there saving her and taking her home with him to treat her wounds (mostly some scratches) and he's just super worried. There she realizes that Elijah would never be the one hurting her and they finally share their feelings with a lot of kissing and cuddles afterwards and he holds her, telling how much she means to him.

Oh I hope this is not too weird at all 🙈❤️

Description: Upon meeting Elijah Mikaelson, the feelings start to come but in fear of being hurt, the reader decides to keep her walls up to protect herself. This changes after Elijah protects her after being attacked.

Warnings: fluff, small angst, physical assault (mild), she/her pronouns, maybe swearing?

*Requests are open, please send through as many requests as you want, check my character list and requesting rules.*

Thanks so much for making this request! I can never get sick of Elijah, this man is always on my mind and please feel free to request again if you wish :) I really enjoyed writing this, thank you again :D

Key: Y/N = Your Name, POV = Point of view

Word Count: 2,125

First Person's POV

Tonight at the Grill was a ‘live acoustics’ night, some of the performers were good and others were quite frankly not that great. Bonnie, Elena and Caroline were off on the next big adventure for the vampiric save-the-day business and while I knew about all the vampires, witches, werewolves and all that extra fun stuff. Besides Matt, I was the only human in the group and somehow I was pushed aside to be kept ‘safe; despite Matt always being dragged into the whirlpool of drama even if he didn’t want to be. 

“The music is wonderful for the atmosphere tonight, don’t you agree?” That voice would haunt my dreams, haunt my every thought, I couldn’t fathom how gentle and warm a voice could sound. I glanced to the side, shooting a polite smile to the impeccably dressed man and nodded in agreement. 

“I do agree, I feel like I’m in like a cute little romance story, the warm lighting and the music-“ I cut myself short, realising I was babbling to a random stranger who more than likely did not care for my ideas and thoughts. 

“I can see how you would see that.” Oh, gosh- those eyes! That smile! This man would haunt me forever, picture perfect and everything I would want in a man. I continued to share a polite smile with the man, fiddling with the straw in my chocolate milkshake and turned myself slightly to face the man a little better. 

“It’s a pleasure to meet you…?” Realising that he was waiting for my name, I placed my drink down and took his hand. 

“Y/N L/N” He softly cupped my hand, shaking it and proceeded to share his name.

“Elijah Mikaelson.” I wish I could’ve hidden my reaction better, my eyes went wide, and my smile flattened for a moment before I quickly made sure to continue to be nice and polite. Elijah carefully rested my head on the bar, took a small sip of whatever his drink was and gazed at me with a quizzical look. 

“You know who I am…” His tone was neither harsh nor hurt, Elijah seemed to have suspected my knowledge of his name and he even seemed curious by the idea of my knowledge. 

“I know of your brother Niklaus… Elena told me about you, I think she might have exaggerated a bit. You don’t seem like the antagonist she kinda painted you out to be. From what I’ve heard, you’re the nicer brother… the noble one and I'm sure first glances can be deceiving but… I don’t know- you don’t seem like a bad man.”  He briefly licked his lips, eyes shooting up to the ceiling and seemed to be contemplating his next moves. 

“I suppose you know-“ 

“That you’re a…” I leaned closer to whisper so people passing by wouldn’t hear. 

“An Original.” 

“You don’t seem to be phased.”

“Team doppelgänger has built up my immunity to supernatural beings.” I let out a weak chuckle, cringing internally and turned my focus back on my drink. I wanted to keep speaking with him, I really did want to keep speaking with him but I knew the world that I happened to live in and I didn’t fancy the idea of being bait or hurt as collateral damage. 

“It was really nice to meet you Elijah but I have to go.” He nodded, that handsome smile appearing once more, his actions made me gush and brought butterflies into my belly as he grabbed my jacket and assisted in placing it back on. 

“I hope that you have a good evening, Y/N” 

“Same to you Elijah.” He seemed to have a thought pop into his head, I stopped in my tracks, allowing for him to have the benefit of the doubt and give him the chance to speak his mind. 

“May I have the pleasure of seeing you again?” 

“Maybe… There’s always tomorrow.” I knew I had given myself away, I could feel my heart skip a beat, I’m sure he could hear it, his facial expression didn’t change but I could feel that he knew what I was feeling. 

“Have a good evening,” I whispered, brushing past him to carry on my way. 

+++++++

I had seen Elijah a couple of times since our first meeting, we had small conversations and I tried my best to conceal my heart, I didn't want to get close to this man despite enjoying his presence, his voice and the true appearance of his gentlemanly ways made me fall into a daydream greater than any story or dream I could ever have or read. 

The next time I saw Elijah was three months after our first meeting, as I said we had multiple different meetings and they were all the greatest moments of my life despite how much I tried to protect my fragile heart. I had left my home for the park, I wanted to read outside of my home and get some fresh air away from the stuffiness of my bedroom. I rested the picnic blanket underneath a large tree, I read three chapters of my book before I felt a presence looming nearby, I placed the book to the side and stood up, surveying the area for a figure and jumped in my skin seeing Elijah approaching me. 

"I'm sorry, I didn't mean to frighten you, may I join you?" I nodded, smiling at the man, watching as he unbuttoned his shirt and sat down with me on the picnic blanket. He gently picked my book up, staring at the cover with intrigue, I observed him with butterflies growing in my stomach, a blush wanting to form on my cheeks as I continued to drown in what was possibly a huge crush for the Original Vampire. 

"Ignite Me by Tahereh Mafi... I'm not sure I've heard of this one before." 

"I doubt you would've, I don't exactly picture you reading a book like this?" He smiled, tilting his head slightly, a deep chuckle leaving his mouth and he handed me back the book. 

"Why is that?" 

"Well... I don't know, I picture you reading older books nothing from the late 20th century to the early 21st century." Elijah briefly nodded in agreement, I smiled proudly at my guess and fiddled with the tassels hanging off of my bookmark. The vampire took off his suit jacket and began rolling up the sleeves of his button-up, I bit the inside of my cheek, begging myself to remain calm and avoid giving away any kind of emotions being revealed. 

"Enlighten me, will you though, please? What's it about?" I cleared my throat, leaning closer to him with joy forming, giddy that he was showing interest in something that I liked and enjoyed. 

"It's the third book in the series, I've read it before, and this one is one of my favourites. Essentially the series is all about control some people have these powers and the leaders are trying to control these people. The relationship of the main characters is what I happen to enjoy the most about it, I love how Tahereh created their bond from..." 

"Why did you stop?" Elijah gently questioned, his face furrowing in concern, I wanted to cringe but I forced the words out before I could let that show. Taking a deep breath, I turned my gaze back to him, scrunching my face up briefly and proceeded to explain to Elijah what was going through my head. 

"Whenever I ramble on to the Salvatores and all that, it's clear that they don't care and I'm not wanting to force that onto you. I'm sorry." Elijah tutted, shaking his head and holding out his hand for me to take. Hesitating for a moment, I finally rested my hand in his, holding my breath for a moment and kept my eyes focused on him as he rested his other hand on top of mine. 

"You do that too often, Y/N, I can see you trying to protect your heart and you have a wide range of information waiting to come out and you shut yourself down because you expect everyone else to do that. I hope you find someone... someone who makes you realise you don't need to do that." 

"Could possibly end up being you, Elijah," I whispered.

+++++

When someone unknown came into Mystic Falls, it was always a concerning event, the vampires were always the most suspicious of strangers and most of the time they were typically right for not trusting the stranger. It was late when I left the grill tonight, Elijah was growing on my mind more and more, and I would be hit with a wave of memories at random moments. 

"Up ahead, there's an alley to your right, walk down it. Try anything-" 

"Okay... I understand." I whispered, complying as I walked a little quicker and turned down the alleyway. I cried out as I was instantly shoved against the wall, my head ached and the world spun around me, I bit back a sob as I hit the ground and hissed as the gravel bit into my skin. I kicked off my heels, not fancying a broken ankle and lept to my feet running towards the street but missed as the man tackled me to the ground and which resulted in blood slightly trickling down my forehead and more cuts forming against my skin. 

It felt like something out of a vampire movie, I heard a whoosh and then a light thud. Elijah appeared, holding the man against the wall effortlessly with one hand and easily compelled the man to walk off and not commit any sort of crime again. I let out a few sobs as the pain sunk in and the adrenaline started to fade away.

Elijah swooped me into his arms, effortlessly taking me to his mansion and rested me down on his obnoxiously large bed. He crouched down, gently cupping my face in his hands, observing my facial features and swiftly disappeared somewhere before running back. 

"Are you okay?" He questioned, focusing on grabbing the things from the first-aid kit to treat my wounds. 

"I'm okay..." I whispered, hissing as he wiped an alcohol wipe across the graze on my palm and watched as he apologised profusely for inflicting any added pain onto me. Elijah was so attentive to my needs, he cleaned the blood and dirt away from my cuts and grazes. Covering them with bandaids, doing what he could to assist in caring for me. It was as he was lingering for a moment, observing my form that I realised that Elijah Mikaelson would never hurt me. He would never cause any harm to me, Elijah Mikaelson would protect me and I knew that I wouldn't need to worry any longer. 

"You wouldn't hurt me..." I whispered, staring at the vampire as he grasped my face and held eye contact with me. 

"Y/N L/N I would never dream of hurting you, you... you're perfect... Y/N you are the epitome of perfect, I haven't met someone as intelligent, kind, sweet, and funny in a long time. Y/N I love you and I hope that you'll allow-" I pushed myself closer to him, carefully cupping his face to kiss the man who had possessed my dreams too often. 

"Elijah, please, never let me go, I can't keep guarding myself-" 

"Shhh, I've got you." He kissed my forehead, pulling me into his arms and pushing himself to lay against the headboard of his bed. I inhaled, holding onto the warm and mesmerising smell of his cologne, I curled into his chest and hummed gently as he rested another kiss on my forehead. 

I felt protected, Elijah was my guardian angel, and he made me feel warm and gooey. Made me giddy and the butterflies a constant swarm in my belly, I fiddled with his hands, staring at the family ring that rested on his finger and glanced to him as he pulled my face to meet his. I hummed as he rested a kiss against my lips, sucking in another deep breath and curling in closer as he strokes my hair, his touch comforting and loving. 

"Can I stay here? Just in your arms? Where I'm safe and with you, you Elijah who looks after me and takes the time to listen and know me?" Elijah's smile made the butterflies come to life, my cheeks flushed red and his simple words reassured me for an infinity of time. 

"Always and forever." 

[ittsybittsybunny]

ATLA Live Action Series Review:

The Good

Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!

Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.

Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!

Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.

Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.

Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!

Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.

Is the show perfect, no - but I wouldn't mind a season 2.

The Bad

Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?

Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.

Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.

Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.

Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.

Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.

Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.

Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.

Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.

Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.

Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.

The Ugly

Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.

Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!

The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.

-----

TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.

Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.

[the-colourful-witch]

🖤🐍Mr and Mrs Malfoy 🐍🖤

Talk about a POWER COUPLE! What is it about twisted characters in books that make me enjoy drawing them? I despise all they've done in the HP books/films, but man, are they an attractive pair :) Sometimes you just can't help but love a villain (or antagonist in this case) :)

The two of them complement each other very well. And Draco is the well-rounded combination of the pair of them. He's like his father in a lot of respects, but a bit of a mama's boy too <3 A Mommy and a Daddy issue both! What a catch!

I liked drawing the adult versions of Narcissa and Lucius because the teen versions were already so great to do. With a little help from her husband's fortune, Narcissa grew into her love for fashion and perfected her look. She's also a bit of a femme fatale with the sharp edges in her style, making her appealing and unapproachable at the same time. Lucius just fully embraced the aristocratic vibe. He has everything tailored to fit him just right, accessories subtly, but perfectly (with a little help from Narcissa) and he's one of the only people I've seen who can pull off the long hair. It reminds me a bit of Daemon Targaryen from House of the Dragon... I did get inspired by his hair in the first season :)

Now, I decided to play a bit more with their colours. You may be shocked to see RED AND GOLD on them in the middle illustration. I wanted to, not for any significant reason other than that I thought it would look good on them :) Sue me. Anyway, I love this. And I love you. I hope you enjoy! Love xxx Fleur

[tadc-harlequin-au]

Celebratory 1k+ post! (+Official Reveal of "Him.")

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First of all, before I start, I would just like to thanks everyone from the bottom of my heart. I cannot begin to emphasize just how much it means to me that more than 1,000 of you decided that this blog was follow worthy.

The fact that so many people engage with this blog, whether asking a lore-related question to know more about the world of the AU, to joking around and making me laugh makes my heart swell with pride and joy.

This AU's purpose was not only to tell a story, but to also destress myself from my problems so I can keep my head on my shoulders and keep on living. So to know that many people found this passion project interesting enough, well... All I could really say is...

Thank you.

Thank you so much for giving me the opportunity to share an incredibly canon-divergent story that is so far removed from the original source, it may as well be considered as a standalone project.

Thank you for sparing a little bit of your time and attention (as well as a few braincells) to learn about the characters, the story, the history, and the world of it.

... And most of all, thank you for continuously saving me from the darkness that attempts to consume me everyday.

No one really knows what happens to me behind the screen, and I'd rather keep it that way because I don't wanna be such a downer. Even here, I want to keep things lighthearted so I won't be delving into that.

Besides that, there's unfortunately something I haven't been entirely honest with you guys. Everyone knows about the B.O.S.S. (B.loodthirsty, O.verburdened S.corned S.ouls) roster, and how they serve as the AU's antagonists, but there is a secret character who doesn't exactly fall into that category.

Rather, he's not just a normal boss antagonist. HE'S THE OVERARCHING VILLAIN OF THIS AU, and has been teased since WAYYYY back to the early poster of the Harlequin AU.

You may know this guy as "???" from the roster list, or "HIM" from the answered lore-related asks. Well, for the sake of a celebratory 1k post that won't provide much strain for me, I've decided to reveal who this is.

Now, without further ado, I'd like you all to meet-

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"The Patriarch of Puppets" - Official design reveal!

"Adorned in silver and reds, The Patriarch of Puppets (or simply, "The Patriarch") is an untouchable and powerful entity who constantly chases Pomni after she finishes a battle with a Boss."

No one knows what the fuck his problem is, But one thing is for sure: he first shows up after Pomni defeats the Skirmish General, and seems to like tormenting the Combat Harlequin by attempting to separate her soul from her heart and inflicting burning agony.

Pomni, in tandem, feels GREAT DREAD even at her first encounter with The Patriarch; she doesn't know why, but whenever he's in her general presence, her entire soul, AND her fight-or-flight instincts screams TWO THINGS: "DANGEROUS. RUN."

Pomni CANNOT fight him to save her life. Her sword hands starts to tremble and she can't move if she's around him for too long. She knows from the very beginning that this is a fight that she cannot win no matter what. He is the Hunter, and she is the Prize.

Bubble also seems to power off instantly and just crash to the ground with no warning, an immediate telling sign that he's already in the general vicinity. He seems to not care about the blimp in the slightest.

His classification is a King Harlequin; 1) a reference to "king-size", 2) a literal one of a kind Puppet, and 3) the tallest of Harlequins that no one even knew existed in the first place.

Just how tall exactly? Well...... here's the updated lineup.

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I hope that this is a fitting celebratory 1k treat for all you hungry lore eaters and Harlequin AU enjoyers!

[meanbossart]

what i wanna know is where does the protectiveness of du drow stem from? like, is it just his personality, or was it something triggered within him to protect those around him that he deems in need of protection, whether growing up or in the temple?

did he think orin needed protection? anyone else from the temple?

in my own playthrough with my durge, he felt protective over children or child-like adults (like that one adult who he taught the ways of cannibalism) because he himself never got to have a childhood. so im just wondering if there was a reason for du drow to protect those he thought needed protection.

I'm not sure I would call it "over-protectiveness"! If that's ever the term I used, I hope I properly contextualized it. DU drow doesn't bend over backwards over every nick or scratch on his friend's and partner, nor does he think them incapable in battle... But he has a need to constantly prove that he is - well - needed. He wants to show off how capable and reliable he is so he isn't so easily disposable. DU drow's value lies in his habilities - if he can't provide in resources or physical prowess, he is useless, as he doesn't consider his personality to be a factor in what makes him likeable. This is not a "woe is me" thing for him - it's an extremely pragmatic belief he genuinely holds and accepts, even if it's harmful on the long-run.

Theoretically, if he were to go lone-wolf this would cease to be a problem since he wouldn't have anyone to prove himself to - but I also think that would eventually drive him into a profound depression. Despite all appearances, DU drow is a weird breed of extrovert who needs people he cares about and devotes himself to, otherwise there is absolutely nothing to keep him waking up in the morning. He does not do well entirely by himself at all; that's a situation he was in (more or less, save for Sceleritas' occasional visit) when he was younger, and even if only subconsciously, it may be something he fears ever experiencing again.

So - when he finds people that bring him a little joy, comfort, and peace as Shadowheart and Astarion do, he clamps down on them like a vice; and as he's always been taught, the best way to keep people from leaving is to make sure they need you. This also means he's horrified (hell, in utter denial of the possibility of-) of their deaths and will do whatever he must to keep it from happening unnaturally. I guess he would call that being protective, but it's kind of an excuse.

Pre-tadpole, he did not believe Orin needed protection - he believed she needed him, because he needed her. And I guess that perfectly summarizes how his head works and I didn't have to ramble for that long, LOL.

In regards to the soft-spot he has for mothers and children, that is nowhere near as intense, he's just softer and more understanding of them, and would probably be up to going a little bit out of his way to save a child's life, or provide them with some comfort. This is less of a notable feature and more an example of normality in his otherwise pretty antagonistic behavior, LOL.

Thank you for the question! this was an interesting one to try and parse.

[unpickled-olive]

Realizing that, while I like Destiny lore, what I love is Seth Dickinson's writing.

The Final Shape was a lovely story and the characters' archs were all emotional and satisfying. Maybe a nostalgic tear was shed for Cayde bonding with his reformed, resurrected killer.

But the things that have kept me coming back for 9 years were missing. I thought there'd be concrete answers about the Traveler, or some more thorough insights into the Witness, or even good lore on the Dread. I was hoping for another great lore book to join the ranks of Books of Sorrow, Unveiling, Mysterious Logbook, Marasenna, Last Days of Kraken Mare, etc. Some philosophy and horror, a genesis or exegesis or thorough backstory on a yet unexamined character/species.

Sadly, I didn't find those. The Dread's origin is that the Witness made them. Do they think and feel? TBD. The Traveler's conclusion was something like "you just have to have faith <3." Fine for the characters, but not for the readers/players of a 10-year-old mystery.

There's some nice things. The Micah-10 Traveler interpretations are cool, as is her origin story. And the foreshadowing still has me excited for the Dreadnaught, a yet unseen Disciple, etc. But I think key parts of what made Destiny lore so alluring for me are diminished.

Maybe it's the layoffs at Bungie. Maybe it's new writers going in a different direction. Either way, the aspects of sci-fi/space fantasy—ancient mysteries, metaphysical warfare, _____—have taken the back seat to personal drama that frankly isn't that interesting or fleshed out.

Maya could be an interesting antagonist, but she needed more backstory than "this simulation was evil or something" and more nuance than "the Vanguard are coercive, so I will coerce all of humanity." Why not explore what her presence means for the Vex, or the other simulations helping Praedyth escape the Vault?

The Witness trying to sway various characters was fine, but that has been covered so many times, especially in Beyond Light.

All that said, back to Seth: their absence in TFS made me realize how huge their presence in the lore was for my love of Destiny. I finally went and read their original works. What an incredible writer.

First, I read Exordia, the first/only entry into a dark mindfuck of a space opera. Its horrific in abstract ways: mysterious alien monoliths that poison reality around them. It's horrific in grounded ways, too: the alien invasion plays off of parallels with the Anfal campaign and the US involvement in Iraq. It's campy at times (with a villain who shouts "I love genocide!") but also profound. There's souls and date, but also math. There's also my favorite trope: mysterious, ancient architects.

After that, I read Baru Cormorant—all three books in a month. It's tragic and inspiring and genius. Originally I couldn't get through the first chapter because of the "fantasy" label. I've already read Earthsea and wasn't in the mood for wizards on boats. But I had the wrong impression. Understandable, because there is just no succinct way to label it.

Is it even fantasy? Honestly, I still don't know.

What it is is its own world. One that the inhabitants haven't fully mapped. One whose past is a must and whose future is uncertain. It's about hegemony. It's about purpose, obsession, and revenge. It's about revolution and community.

The colonizer culture is a kaleidoscope of different influences. Seafaring. Peri-industrial. Eugenic. It strikes me as something like 17th century Britain with a 20th century grasp of science. They don't have guns, but they do have both Greek fire and lobotomies. The story plays with different cultural views on indigenous rights, race, sexuality, and gender in ways that commentary real life while serving as interesting world building.

This story also weaves an insane amount of intellectual concepts into it. But rather than bog it down, they lift it up. The fate of the republic hinges on a myriad of different questions: is evolution Lamarckian or Darwinian? Can mathematical proofs usurp cultural hegemony? How do economics influence history? Most importantly, can you destroy the enemy from within before it destroys you?

It is not just cerebral, but tragic and heartbreaking. I saw the end of the first book coming, and yet I was devastated by the last chapter. Crushed like no ending has ever really crushed me. I didn't want it to happen.

There will likely be some time before the final book comes out, which is understandable. So much research goes into these. So many plot threads need to be woven together. So many mysteries not yet confronted.

This is all to say: if you like what I like about Destiny–thorough examinations of ancient mysteries, sci-fi takes on souls and magic, fantasy takes on science and technology, obsessive characters and vividly fucked up monsters, cancer and math as motifs, metaphors manifesting, and genius characters written by genius authors–give Seth Dickinson a chance.

[she-posts-nerdy-stuff]

It genuinely keeps me up at night that when Van Eck attempts to reveal to the Merchant Council that Wylan can’t read, they all react exactly as Wylan feared they would. (Spoilers ahead!) Of course since they don’t believe him and Wylan’s brilliant memory for Jesper’s words protects him we don’t see the full force of their response, but it is made PAINFULLY clear that they all would have responded the same way Van Eck did - “How could you say such things about your own blood?”. It’s an incredibly meaningful and arguably subtle detail that Bardugo implements to remind the reader that although Van Eck was our main antagonist in this case, there is no singular villain in this story because what the characters are fighting is an ultimately unbeatable source. The system is impossible to truly defeat because it is a hydra, we see that when Dryden’s father died he took on the role of the Council and acted the exact same way he did, and if Van Eck had raised Wylan to one day take over from him then he too would have been forcibly moulded into that shape by the poisonous environment of this governing body. The defeat of Van Eck, had Kaz not amended his will to name Wylan his inheritor, would have been only that: the downfall of a singular man, to be easily replaced by another with the same dangerously capitalistic values and crude methods of implementing them. It would not have been any change in the system that oppresses the main characters - I think it’s kind of similar to the Hunger Games (spoilers ahead) when Katniss chooses to kill Coin instead of Snow because she realises that killing Snow doesn’t actually change the system if someone else will simply step into his shoes. We also see this reflected in Kaz and his mission to destroy Rollins, since by doing so he too has taken the actions Rollins did. When Inej points out their similarities he denies it, saying “I don’t sell girls, I don’t con helpless kids out of their money”. Inej replies with the gentle, HEARTBREAKING sentence: “Look at the floor of the Crow Club, Kaz”. And this is so important because Kaz has no consideration for what happens to those people once they step outside his door. How do they fair after he scams them? How many of them have had no other money to fall back on? Did one of them sell their daughter to be able to pay off their debts to him? He’d never know, he just had the money and that’s all he thinks about. But if that girl survived long enough to want revenge, who would she blame? Say she didn’t want to blame her parents, like Kaz doesn’t want to blame Jordie, then who becomes the manifestation of all her hatred, the one thing she has decided that destroying will cure her? Kaz does. Just as Rollins has for him.

Every system of this city is a hydra, and there are so many beautifully written reminders of this without forcing it down our throats, but there is also the hope of genuine, real change. In Wylan, joining the Merchant Council as someone opposed to its views, as someone who has lived in both sides of this city and been abused by both of them, as someone who understands that real change is hard to implement. In Inej, as she journeys against the system that abused her not for revenge, but for the protection of all the children who have been hurt and killed, of all the children being hurt and killed, and of all the children who would have been hurt and killed if she didn’t stop the slavers who sought them, as someone who knows that real change is action. In Jesper, as someone raised far from the suffocating closed-minded atmosphere of the Merchant Council and who can support Wylan through it, as someone who knows that striving for real change is messy and chaotic, but that it’s where he thrives. In Matthias, who died believing that the world could truly change, who died believing in Nina, believing in himself, and believing that his death was a necessary sacrifice to real change, even though he wanted it to be peaceful. In Nina, as someone who had learned that real change cannot always be won with violence, as someone who will learn to use her new power to restructure a civilisation, as someone who will spend the rest of her life striving for change because nothing could ever be worse than her beloved having died in vain. And in Kaz, in the small ways, in the fear of what he could become that will hold him back from becoming the next head of the hydra, in his love for Inej shifting his perception of the world, and in his slow journey of healing, maybe one day killing Rollins will be enough. And if that doesn’t work, he’ll burn the world down and start it all again.

[samglyph]

Ok final thoughts and theories!

I really liked the murder mystery element, I think it was well done. It’s the classic clue “I’ve brought you all here for a reason” set up and I thought the suspects were laid out in an interesting way since I started off almost certain is was the friar but the revelations about barnabus have led me to change my mind (like Arthur in the scene itself). The introduction of a new colorful cast also helps. I’m hoping that the Frenchman doesn’t immediately die because I really want us to talk to him.

With the information about each of them belonging to a different cult, it does make me wonder what the original Warren worshipped. We might be able to get that information out of yorick, but if not I could see Arthur either claiming horig as his deity (which could help his illness) or potentially the kiy, considering John does have the ability to manifest, which could ‘prove’ Arthur’s allegiance if needed. My instincts are saying everard and his fathers deity is likely to be Azathoth (mention of fathers, far outer reaches, and the fact that the black stone is being kept hidden from kayne, not to mention the slightly antagonistic energy towards the fallen star)

I’m wondering if the witch is either everard’s daughter, another family member, or potentially a romantic entanglement, because there was a brief line where he spoke to her in a sort of gentle, kind way that made me think it wasn’t just a master/servant relationship. I think it would be interesting if she was a daughter, considering that would potentially add a layer of resentment to Arthur and his relationship— where Arthur despised Larson for willlingly sacrificing his daughter, Arthur might both resent everard for having his daughter do “unnatural” things/forcing her to work while also having trouble with the fact that she’s hale and whole, but I might be looking way too closely at one throwaway line and jumping the gun a bit. He could just be chill towards her.

[sourb0i]

Just got out of Beetlejuice 2! I'd give it a 4/10 overall

Pros:

All the original actors (Michael Keaton, Catherine O'Hara etc, Wynona Rider) reprised their roles really well; Catherine O'Hara in particular

The relationship between Lydia and Delia was nice; I enjoyed the whole 'you did it to me, now it's happening to you' between Celia, Lydia, and Astrid

Practical effects were good; honestly it was just refreshing to have any at all. I especially liked Charles' shark-bite effect

There were some genuinely funny parts, especially the (first part of) the wedding musical number

I thought Dolores was interesting as an antagonist, and I liked her character design (though I have gripes- see below)

Cons

The vibe just wasn't there. The plot didn't really feel committed to any one thing, and when the movie ended my first thought was "what the fuck was that about?"

There were also a lot of plot holes-- or at least, worldbuilding holes. Why was Beetlejuice working in the Afterlife office? Why is there a crime unit (and laundromat)? Why couldn't Lydia see her dead husband, even though he said he "checked up on [her and Astrid]" periodically?

I am honestly really pissed about how Barbara and Adam were written off. Obviously they can't have the original actors reprising their roles, but they deserved a better ending than a hand-waved one liner.

While Dolores had a lot of potential as an antagonist, she wasn't given nearly enough character. Her only lines (as far as I can remember) were "Where's Beetlejuice". Why is she so obsessed with him? What does she hope to gain by reuniting with him? What's the deal with her soul-sucking quest for immortality? So much wasted potential

The same was true of...the Murderous Boyfriend Who Was Such a Non-Character That I Forgot His Name As Soon As He Said it.

Seriously. They could've set up a great plot twist if they'd given him more character/more set-up with the parents. Instead the guy was a walking red flag.

I also wasn't a huge fan of Astrid's character. Like they set her up to be this girl who is ostracized bc of her mom (fair), but then instead of leaning into that they made her into this Gen Z Feminist/Eco-Warrior archetype, and it just felt like the writers were trying to make fun of that instead of actually making her into a whole person. Like, ok, she knows who Marie Curie is (even tho she got the nationality wrong), but what does she do for fun? What kind of music does she like? Does she have any hobbies outside of activism?

While I enjoyed some of the musical numbers (the wedding, and the soul train particularly) on their own merits, they just felt really out of place. The original had a solid musical theme, but this felt all over the place

Also! I wish we'd gotten to see more of Lydia interacting with ghosts in her day-to-day life! That seems like something that could be really traumatic and/or played up for comedic purposes. I loved the gag with her and the other actress in the bathroom! Give me more of that!

Overall, the movie felt like it didn't really know what to do with itself. There were so many out-of-place cameos (Burn Goreman, I'm looking at you), and stylistically and thematically it never really felt committed to one thing. It was an empty movie with nothing to say, and that's really disappointing, because it had a lot of potential to be something fun.

(Also. Produced by Brad Pitt?????)

[marithlizard]

More thoughts about "Mastermind", etc: 1) When you look at the "most viewed" part of a Youtube video it's almost always a sexy moment. But this time I think we all know _exactly_ what the most viewed moment is. Bryce and Brandon were born for these roles and Sam Haft is a fucking genius.

2) (looks up this Patrick Page guy) No wonder everyone swooned over Hadestown! The vocal talent in these shows is ridiculous.

3) Oh. As @hina-has-no-life pointed out, Blitz isn't being hailed as a hero because he survived the trial. It's because Satan livestreamed the whole thing, being too lazy and contemptuous to even think about editing, and all of Hell has now seen Blitz _successfully_ argue with Satan himself to defend his employees, to speak out for all imp-kind who are just "doing their jobs", and to use his final words to shout defiance at the unfair system. That's gotta be unheard of. It probably won't last, but for the moment, kid Blitzo has achieved his dream. He is the most famous imp ever.

4) We've seen Stolas gleefully tackle a huge pile of paperwork in "Oops". And in "Ghostfuckers", we saw Moxxie despairing over an even bigger pile. Was this all setup for Stolas's new career at IMP? 5) Prediction: It won't be until bedtime the next night that Stolas realizes Blitz doesn't have a bedroom. And he's just too tall for that sofa. He needs his own place, but how could he possibly afford one?

6) Prediction: Loona and Millie will each find a quiet moment to deliver a shovel talk to Stolas. Moxxie will be too busy showing Stolas the ropes and being so relieved to have someone competent to shove the accounting off on. But when Stolas asks in bewilderment how the finances got so bad, Moxxie will point at a downward-trending graph and say "See that? That's when you two broke up." 7) Hope for the future: someday Moxxie, Stolas and Vassago will go see musicals together while Blitz and Millie hang out and shoot pool (and the occasional bystander). Everyone will be happy with this arrangement. 8) Barbie saw that broadcast. So did Cash. So did Paimon. All of them will show up in S3. 9) Wait, Stolas began studying the grimoire to do his job as a young kid. We don't actually know what his job _is_, other than "finding prophecies", but Andrealphus won't have clue one about how to do it. Will he make Via do it for him? Will Paimon show up to tell him he's an incompetent asshat and take it away? Or will Stolas regain his position before it matters? 10) I still want to know about the legions! Is there literally an army division somewhere twiddling its thumbs waiting for a war? Does Stolas mentor officers and run war games? Or is this, like, a metaphorical sort of legions? Eldritch beings summoned from the void? It would be hilarious if Andrealphus visited "his" new legions and it's just three bored shark demons and an imp sitting around reading comic books. 11) I'm throwing my hat in the ring and betting that Stolas and Blitz will be a couple by Sinsmas morning. Of course it would be "sensible" for them to take time to work on their own stuff, but neither of them strikes me as that kind of person. Plus I'm sure Stolas has thought about how brief imp lifespans are compared to his own, and what a dangerous career Blitz has even by demon standards. What use is being sensible if it means giving up the limited time you have with the person you love? Also, I really thought Loona's antagonistic relationship with Moxxie and general feeling of inferiority was being built up as a significant part of her character arc, that she and M&M would have to work things out and come to a position of mutual respect. But "Ghostfuckers" showed them making progress in that direction, without anything needing to be said. That's not a criticism - but it did remind me that a show's creators aren't always going to make the same choices we would, or give things the same weight we would. If Stolitz mostly reaches their happy ending next episode, that doesn't make the story weak or problematic or whatever. It just means Viv and Brandon think they have reached a good place with each other, and it's time for the show to focus on other things for S3.

[inkdemonapologist]

My BatDR Take That Used To Be Hot But I Left It Out On The Windowsill To Cool So You Should Be Able to Eat It Now Without Burning Your Tongue

its not actually that hot, is what im saying

Anyway my BatDR hot take is that BatDR's story is not fundamentally worse than BatIM with one exception; an exception that, for BatIM, covers a multitude of sins:

BatIM has a theme.

I can't presume the intentions of the creators, but if I had to write an essay on the themes in BatIM, it wouldn't be hard to pick one out: the cost of obsession, or even just, the ruin Joey brought on the studio. In the very first chapter, Henry asks "Joey, what were you doing?" and every single thing in the rest of the game revolves around that central question: what WAS Joey doing? Each audiolog is a snippet of the studio's path to this messed up state; each character you meet is someone ruined by Joey. The major antagonists echo Joey's flaws -- obsession with Bendy as more than a cartoon, obsession with perfection, obsession with fame and greatness and legacy -- but even without that, they're also each a picture of how the lives of people caught in the path of Joey's dream were ruined by it. Bertrum, for example, doesn't match the concept of rubberhose cartoons, but as yet another person screwed over by Joey, he fits the central question of the story, so he feels like he belongs here. Ultimately, in a narrative sense, the Ink Demon isn't the story's monster -- Joey is; the Ink Demon is just the consequence of his reckless ambition.

But what's the theme or central question of BatDR?

You can... try to pick out a theme. There's some promising options, because it feels like the story WANTED a theme, stating its emotional intentions more overtly -- "there's always a choice" to leave the darkness and chose hope; family and the struggle of living in a heavy legacy's shadow; or even just good old mewtwo-brand The Circumstance's Of One's Birth Are Irrelevant, It Is What You Do With The Gift Of Life That Determines Who You Are.

I think, even WITH the clumsy execution of Joey's "arc" and Audrey's lack of real choices, any of those could work about as well as BatIM. But unlike BatIM, the majority of the game doesn't tie in. Joey's tour can be considered relevant -- a picture of the family legacy and the "darkness" that Audrey doesn't yet know she's inheriting -- but like, the audiologs and hints and environment of BatDR are mostly teasing the question of What Is Gent Up To, and the takeover of Gent is detached from Audrey's choices, her family, her legacy, and Gent never really becomes a relevant threat to those things in this game. The Cult of Amok and the Ghost Train have nothing to do with any of these ideas. It might've been neat if Audrey had ever considered, "Did my father really drive all these people insane?", a hint of actually having to wonder about the darkness in her past. Even Wilson only barely brushes against these concepts; he doesn't like Joey and he also is trying to escape his family's heavy legacy, but it doesn't really reflect on his actions and we don't find that last part out until he's about to be dead.

There's also the question Wilson poses of "real" people versus ink creations, and what counts as valid "life." It would be an interesting theme with a lot to build off of in this setting, it ties into Wilson more as Wilson seems to represent the opinion that Inky Things Aren't Really Alive, which could've tied to Audrey (as an ink-person who has yet to accept that part of herself) and maybe given Wilson a reason to think it's fine to sacrifice her, it could've even tied to Gent (who don't even seem to value human life) -- but after Wilson asks the question, it doesn't tie into the direction things go. He smooshes a little Bendy, we see hints of his disregard for Betty, and then everyone continues with their plan to destroy the Ink Demon without any further moral quandaries about inky life.

The thing is, when you compare an element like, say, audiologs, there's a lot of differences you can point to -- but I don't actually think Lacie Benton's audiolog is notably better, taken on its own, than Grace Conway's or Kitty Thompson's, and yet tons of people were intrigued enough to flesh out Lacie. None of them are big plot points or compelling characters on their own; Lacie and Grace both give us a little note on what it's like working in the Studio, and Kitty shares a little bit on how Gent's expansion is affecting people. But when Lacie talks about Bertrum trying to make a creepy animatronic, that ties back into Joey's ill-fated schemes that are the point of the whole story. The question we're asking through the whole game is "what happened here?" so the fandom is interested in who Lacie is and what her life was like and extrapolates a whole person out of a couple sentences. But that's not the question in BatDR -- what has Wilson done to the Cycle and the Demon? Why? Who is Audrey really, and why is she here? Telling us new things about the Studio's fate seems strangely irrelevant to those questions, just an attempt to create a Mystery To Speculate On like the previous game did... but what question you're asking and how it fits into your story's main theme, like, matters. I absolutely believe that one clock animator guy would've been in EVERYONE'S crew if he'd been introduced in BatIM, but the context makes a difference; fleshing him out feels less relevant here.

The explanations of how and why Wilson did everything he did are baffling and handwavey, but in and of itself that's not a worse problem than anything else in the franchise -- I STILL don't understand why the Ink Machine needs pipes in the walls or even how it works, there's no good reason for Sammy to believe the Ink Demon will "set him free," most of Alice's motives don't make sense, etc etc etc. But the thing is that in BatDR, the wibbly bit is the closest thing to a central question we have! Wilson, what were you doing? The theme doesn't really explore or connect to that question, so the explanations that are finally tossed our way feel lacking in a way that BatIM's handwaved elements don't. There's a lot about Joey's motivation in BatIM that we can't know, but the heart of it resonates -- Joey wanted something, he was willing to exploit people to get it, and he became obsessed and prioritised that dream at any cost. We'll weather a thousand logistical inconsistencies if it's got heart.

But all of that said.... to be honest, I don't think Lacie overtly fits that theme anyway. Even, like, Sammy is iffy -- we don't really know what happened to him, only that he didn't used to be made of ink and worship Bendy, and now he does. We assume Joey's nonsense had something to do with what happened to him (though the books later assert his influence was indirect at best), because when there's a pattern, we can fill in the blank. So many fan creators found a place for Lacie, Grant, and Shawn in the cycle as butcher clones or lost ones, so many people imagined that Wally must be the Boris we meet, because that would've fit the pattern, the idea that the point of what we're seeing is the downfall of the studio. It's not actually that BatIM did a great job tying everything together -- it's that BatIM gave us a compelling idea and that was all it took to make everything else SEEM like it could find a place to fit. This is what I mean when I say BatIM's theme covers a multitude of sins. There's a LOT of characters in BatIM that don't make sense. There's a lot of inconsistencies and things that just sort of happen without any real reason. Characters don't really have "arcs" so much as different states they happen to be in at different times. But because there's a central question and the story doesn't wander away from it, our pattern-loving human brains will slot in all the pieces and do all the work to make the story feel at least somewhat coherent.

The things that happened in BatDR aren't a whole lot less coherent than BatIM imo, they just don't tie into a bigger theme or any of the questions the story's asking, making "how do they fit into all this" feel irrelevant, making it easier to forget entire sections and harder to get invested in audiolog characters. I think a lot of the other criticisms people have for BatDR's story are very valid, but I also suspect that if BatDR had a more successful theme/central question, then a lot of its flaws would be easier to overlook -- just like BatIM.