#i hope i covered everything

[anameistoohard]

Hey all! We're opening commissions for the first time, to help out our friend @deadeyedfae

If you haven't heard, she's having some financial difficulties right now and we'd like to help out how we can. So we're making custom wallpapers. Since it's our first time doing commissions, we're going to limit it to 5 for now. If things go smoothly and we have the energy, we'll do another batch of 5.

They're £10, and you pay directly to her Ko-fi

Leave a comment if you're interested and we'll message you asking for a screenshot of your receipt and the specifics of your commission.

Here are some example wallpapers:

We're offering 18:9 or 19:9 aspect ratios as they're the most common. If you're not sure what your phone is or it's a different ratio, you can look at these examples to see which fits best:

We can fit at most 7 characters per line, though G, M,N, and W take up more space. And up to 8 lines.

Since it's our first time doing commissions, we did a test com for Fae :3 Hers is a little special, with a different aspect ratio and gradients which we're not offering. (did you know you can make gradients in MS Paint? We didn't until a year or two ago)

[exhaustedwriterartist]

Is this really a Masterpost?

Hello all! The name's May, but you can call me Exhausted. Like my names sake, I write and do art. The main things I post for this blog are TMNT related, but other fandoms peek through time to time.

More about me: 1- Sona + some fun facts / 2 / Who's my favorite turtle?

Account where I reblog a whole bunch of things: @exhaustedmay-reblogs

Playlist/Song sharing account: @exhaustedmusiclover

Leo Roleplay blog: @theoneandonlybabyblue

Mazie Roleplay blog: @oneandonlywhalesharklover

……….........

Commissions: A possibility...

CTIYS: HERE

Our Other Halves (another separated AU): Masterpost

🌊Mazie🌊(MY ROTTMNT OC): Masterpost

Random Rise! Comics: Coming Soon?

Fun Facts About Poisonous Plants: Here

There are other things I have planned, but this is all I'll share for now.

General art tag: #exhausted's art

Answers and half awake jumbles tags: #exhausted answers/#exhaustedanswers. #exhausted's half awake jumbles

D&D nonsense: #exhausted dnd player

……….........

There are some basic rules for the blog I need to lay out under the cut:

Do not repost my art ANYWHERE without permission! Please. I will lose even more sleep and sanity because of that. You can use my art for profile pics and banners but please make sure to credit me in a visible space.

I do not participate in T-CEST or PROSHIP, please respect that. Everyone is welcome to this blog, but do not ask me to do something I'm not comfortable with. Do not send/ask me stuff with these topics or NSFW stuff. Please just don't.

If you send an ask, pretty please, don't swear.

If you are under 15, please do not personal message me. (It's a personal reason, it's not you guys).

Please be nice to everyone on here. I want to have fun here. <3

Anyways, thank you for checking out my blog. I know there are hundreds (if not thousands) of blogs like mine, so I thank you for stumbling upon and stopping to look at my little nook of the internet. <3

Until next later then...

I shall continue to work on this nook of mine.

Have a great day or night!

[cepheusgalaxy]

Tips for writing black characters

Day-to-day practical and minor stuff, specially regarding hair

If you have curly/afro hair then you are only going to need to wash it one or twice a week

But it can take a while. When I had long hair it used to take me 2h in the bathroom to properly wash it. That's why I only did it once a week. But it really will depend of the thickness and lenght of their hair.

It can be a little harder to find products for their hair, because straight/wavy hair products don't work on ours

If you wash curly hair many times a week it will eventually lose its nutrients, differently from straigh hair

If your character originally had curly hair but straightened it, it's probably going to look a little drier than naturally straight hair. it's a case-case scenario, though

If they have a skin care routine or want one they'll also need products made specifically for black skin

Your character is not immune to sunburns. It's harder to see if it gets red depending on how dark their skin is, but it's there. The more melanin they have, the more protected from the sun they are, but it's not gonna 100% prevent them from getting sunburnt.

Oh, and it can be pretty hard to dye it because first, if your hair is very dark, you have to decolor it, and depending on how black it is it can take a while and a few tries to get in a tone good for dying.

If they have long hair they're probably going to take a while combing it because you have to apply the hair cream lock by lock

They may have a haircare routine every month or so. Not everybody does it but if your character is disciplined and wants their hair to be extra healthy and neat they'll probably have one

If they care a lot about their appearence they'll probably have a lot of hair brushes of different types because depending on your brush you can comb it in a variety of ways, making your hair look fuller, making the curls look defined, etc.

[gambeque]

masterpost of my favorite CSP brushes 🦖🦖 links below:

Jiwa pen

KaOs Brush  [ EDIT ] the og page for KaOs brushes is down, so I’ve uploaded them to a drive for yall

Obongbong’s Pen

Mameo Ink

Artemus Pencil

Wiggle Brush

[ferncloud]

the part that makes you evil

[six-demon-bag]

LAURENCE FISHBURNE as Captain Miller SAM NEILL as Dr. Weir EVENT HORIZON (1997)

[zorobae]

A message from Oda-sensei about season 2

[knighta3]

For context, I do digital art mostly as a hobby, and I like to think I'm pretty decent. I started with a cheap Wacom Bamboo and used that thing for about ten years(it still works now, actually) before switching to a Huion. I currently use a refurbished Huion Camvas Pro 21 display tablet.

Huion and Wacom are probably the most popular brands right now. Maybe XP-PEN too, but I've never used one of those. Huion is usually slightly cheaper than Wacom. But you could find used stuff on ebay or similar sites for pretty cheap(just be sure everything is included and in good condition, it can be risky). You can't really switch between brands without uninstalling one because I found that the Huion and Wacom drivers would fight with each other, and it was a chore to switch between them.

If you want something more multifunctional, you can get an iPad or whatever and use procreate. But if you want a dedicated art tablet to start with, I recommend a regular screenless one. Display tablets are only worth the investment if you plan to use it seriously. They also have way more little specs to consider, and it can get overwhelming(like screen resolution, color gamut, parallax, etc). The screenless ones do take some getting used to, but if your hand eye coordination works, then you should be fine with some practice.

My first art tablet had only around 800 levels of pressure sensitivity(for reference, closer to 8000 is pretty standard now, so 800 is absurdly low). You'd be hard pressed to even find any art tablets made that low now. My point being, don't be concerned about the sensitivity if you're just starting. Even something in the 1000s of sensitivity should serve a beginner fine. 8000 is usually overkill anyway, but it doesn't hurt to have more.

The size of the tablet is not a huge deal. It should be big enough to comfortably use, and bigger is usually easier on your wrist in the long term because it allows you to draw from your shoulder. But that's a bigger factor for people who draw a lot, and you'd probably just upgrade if you ever decided to do art more seriously anyway. Either way, you can still make good art with a smaller one.

You should be able to find a decent beginner tablet for less than $100.

For art programs, iPads have procreate, I believe. I don't use them, so I can't verify. But Clip Studio Paint is a fantastic program with a single purchase option. I used Paint Tool SAI before that. But there are some good free options too. I don't use them, but I've heard good things about Krita. Gimp and Fire Alpaca were popular for a while, but I can't vouch for those. Adobe Photoshop and such are based on a subscription model, which is a waste of money if you don't use it for your career.

Hey y'all, so I've mentioned that I want to get a drawing tablet to get back into that. But I have never gotten into digital art so I am kind of blind here. I know a lot of you are artists so I was wondering if you guys might have some recs on what tablet I should get.

I'm seeing tablets anywhere from $30 to $400, and I have...no idea where to ballpark myself in that. It's just going to be a hobby thing so I absolutely don't need a super expensive one with all the bells and whistles, but I do want something decent. Is around $100-$150 reasonable for a mid-low range tablet? It's not a hard limit, but that's kind of what I was expecting.

Also, do I need to buy a program on top of that, or do they usually come with one? I just need it for scribbles, I won't be doing anything fancy. Love you guys, I'll go back to writing now.

[runerapier]

With FS 2 finally out I wanted to share some of my thoughts, I think it would be fun to talk about the possible mental state Angeal is in around this time in his life and subsequently how it reflects Sephiroth, as well as the meaning behind Angeal's dream sequence.

Since a lot of the details of Angeal’s backstory are hidden in external material, I’m going to use it as a point of reference. Crisis Core has a lot of content they were not able to include at the time of it’s release, so it will be fun to see if they follow up on these things they wrote about but couldn’t include in game.

We already see from the get go that Angeal is serving as a contrast to Sephiroth’s outlook, demeanor, and manners. Angeal’s energy and passion he has for teamwork, his comrades, and genuine care he has for doing his job all directly contrast Sephiroth’s whatever attitude. Even small acts of chivalry are made to highlight this, showing Angeal going the extra mile to help Alissa across the bridge vs Sephiroth’s refusal to engage with anyone socially. Sephiroth was brought up to function independently, made to be a one man army, no use for friends, families, or allies. Especially with the recent loss of friends, he is going to be distant.

This is extremely important for contrast with Angeal, who has likely recently left home and is missing his family, not to mention he is someone he deeply values his connection to others. There is no set age for when Angeal left home, but it is likely within the last 2~ years. His sword in game is listed as type 90, this is comparable to Zack’s sword in CC which is type 99, the type number likely reflects the year the sword was created or the year of when that model was created. Assuming that it's updated every year, leans towards the fact they've been in SOLDIER since at least that year. Meaning Angeal likely left home at 14~, which is closer to around the age Zack and Cloud left home for SOLDIER anyways.

Angeal is someone very sentimental, he is very defensive of his home and his family. CC showed us he was quite nostalgic about Banora on several occasions. This is another contrast to Sephiroth, who doesn't have a hometown or a family. According to the CC ultimania, Genesis was one of the motivators for Angeal to leave and find a better way of living. The new chapter confirmed Angeal left home because he wanted to help pull his family out of poverty. In CC, Angeal's father was said to fall sick from overwork to pay off debt from the buster sword; however, the ultimania mentions an important detail: his father has always been weak and sickly. It’s partly due to his father being chronically ill/disabled that they aren’t able to make a lot of money. The buster sword isn’t the sole cause of his death but rather an extension of working in a system that likely exploits disabled people. Genesis might have been the push Angeal needed to leave far away from home rather than staying and trying to take care of his sick father.

Which gets us to Angeal’s dream, there is debate on how much of it is real because Sephiroth’s wasn’t real. In my personal opinion, the dream being real is a very important contrast to Sephiroth. We know that whatever Alissa is, she is preying on the desires of them. Especially in the case of her being Jenova, who uses memories of her victims to her advantage. Angeal doesn’t need to make up a scenario of his family loving him or being proud of him, because it’s already a reality, Sephiroth doesn’t have this luxury. Angeal's father pushed himself to the brink just so he could support his son in his endeavor, there is no doubt his family loved and supported him. So, what is Angeal's actual desire then? In CC it is never really specified when Angeal's father died, but in Gillian’s profile in the ultimania, it mentions his father died shortly after Angeal left for SOLDIER, even the dream is hinting towards something bad happening on the horizon. Angeal's dad is probably already dead and it is mirroring Sephiroth wanting to see his mother. Possibly reinforced by the fact he is already refusing to use the buster, while it's not confirmed if he didn’t use it all because of his cheapness, I think his father's death added significant value to the sword, making it irreplaceable. They are two kids who just want to be with their parents again, one's desire being entirely fictional and the other's being in the past. It is another contrast between them with their dreams: Sephiroth's being all he lacks, and Angeal's is all he had, but left behind. Both unattainable but in a different sense.

This dream is likely some of the last stability Angeal had before leaving home, along with possibly being one of the last times he saw his father alive which is probably why he is yearning for it. I think if the dream itself symbolized only wanting stability Angeal wouldn’t mention leaving for SOLDIER, I don’t think he wanted to leave home to provide for his family if given the choice. Instead "Jenova" is preying on something that is tangible. However, there is still a possibility it is exaggerated a bit with Angeal having the money for donations and plenty of food. I don't think this is true either, the dream implies Angeal was already working at this age to support his family, so it’s not entirely out of the question he uses what little he has to give back or that he helped with saving for Gillian's birthday party. In contrast nothing in Sephiroth's dream was real besides the fact he lives in the Shinra building, we know Angeal has loving parents, we know he is a hard worker, we know he left for soldier, and we know he loves his village and his family, more was real than just the setting. Also, I think there's a point that this is a special occasion, they could've opted to save up for her birthday. It really didn’t feel too wild to me that one day in particular they had extra food, especially considering they live in a farm village. When and the exact reason why Angeal stole when he was younger is honestly not clarified at all. He could have been afraid of asking for extra food, it could have been during droughts, or even when his father was too sick to work. It is very common for poor families in remote villages to grow their own crops, we even see people in Gongaga growing their own supply, so these things are not really out of the question. I think if any of these details were fake Angeal would be confused or surprised by having these things like how Sephiroth did to make it clear to us as the viewer, but that didn’t happen. The dream closes with remarking his desire to provide for his family so they live happy and healthy… and we know that didn’t happen, which is the point. I think it's also worth mentioning there are some small discrepancies in the localization. He isn't just giving out expensive equipment to multiple people individually, instead, it's a donation that is meant to be shared by everyone. Angeal is building community with farmers who might also be struggling, and I feel like this is an important detail that's missing.

(small disclaimer: I'm not fluent, I only know basics, but I did my best to break down the sentences to make sure these were accurate)

I think it’s clear Angeal isn’t yearning to be rich (or someone else that’s not even relevant in the current narrative… especially when their focus currently is to compare and contrast him with Sephiroth). If Angeal wanted to be rich or famous why isn't he chatting up the PR guy to hope it gets him more attention to the point of promotion? Instead Angeal cares about doing his job and making sure it’s done right, he even gets angry at Bachman and tells him his priority is the rescue mission. Angeal cares deeply about protecting and caring for the people around him, especially those important to him. The dream is only reinforcing this. They even made his gameplay reflect his narrative by being the one to provoke and tank damage for his team, which shows how he views his role as a leader. I want to preface this with there being nothing wrong if the dream ends up being exaggerated, I think regardless it is a good insight on Angeal's character. He loves his family and friends, he wants to support them and make them happy. It shows how they were a positive influence on his life and how they affected his motivations. I think narratively speaking though, Angeal having something that is at very least somewhat more real is another important contrast with Sephiroth, especially when a point of contention between them is how they grew up in different worlds. I think the turmoil of Angeal’s father being most likely dead is going to carry a lot of weight for this story and is meant to parallel Sephiroth's desires for wanting family, it possibly being how they find common ground. While Angeal did grow up in a loving household, he is going through a lot right now with his father's passing. The focus on the Buster sword is incredibly important since it is going to represent why Angeal fights. To protect and to care for what he couldn’t back home, for what his father wanted for him. A dream of a better future and to not lose sight of his morals.

In my personal opinion, it makes a lot of sense that Genesis might not be joining for this section of the story. It's shining a light on some of two most iconic swords in gaming history, and how Angeal’s outlook related to his struggles is going to shape Sephiroth. Angeal’s character and his trauma shape the foundation of the Buster sword and future wielders, and it shaping the Masamune too will be an extension of that. He is the heart of SOLDIER, and I am excited to see this story continue to reinforce that.

[puppyeared]

personal character design headcanons + brainrot

Note: the re-bound!au does NOT belong to me, it belongs to @chipper-smol I’m just not normal about it lol

[attleboy]

it was gonna happen eventually... it's pomni maiming time

as an artist you gotta cover your favs in blood at least once or twice. especially if they have a bear trap for a mouth :)

anyway uhhh not "canon" to the rest of my pomni art per se, i'm just playing around... i doubt regular red blood would even exist in the circus but that's a talk for another day

[sysig]

I think the world is so wonderful... (Patreon)

[iwritenarrativesandstuff]

The Agency's Older Brother: or, Ranpo's Character Development

I want to talk about Ranpo and the development he goes through in the series, because for as much as Ranpo is an important member of the Agency, his story is focused on in small chunks that may not always, at first read, seem to be overly significant. In fact, Ranpo’s arc is very consistent and I’m fascinated to know where it’s building to, because he’s done a lot of growing in the series. A lot of the themes of his story are to do with responsibility and faith in others.

The Ranpo we meet at the beginning of the story is not the Ranpo we see now. The biggest change is that he’s a lot more personally involved with the struggles of the Agency members, taking it on himself to be proactive and protective, while previously he had to be pushed and bribed into helping much of the time. When did this change?

Well...

[ID: Two screenshots from a scene in Poe's introductory episode of the Bungou Stray Dogs anime. In the first screenshot, Yosano lies on the carpeted ground, an axe embedded in her chest, blood pooling around her. Ranpo is crouched beside her, supporting her shoulders with one hand and clasping her hand with the other. The second screenshot is a close up of Ranpo's distressed face. End ID.]

The thing is, it's almost easy to overlook the effect this scene had on Ranpo, because Poe’s introductory chapter/episode is such a brief one. Moreover, afterwards, Poe becomes an ally and is a bit of a silly character, so it’s easy to forget sometimes that he was a legitimate threat here - and Yosano nearly died for it. This scene was incredibly significant to Ranpo for a few notable reasons.

It’s the first time someone in the Agency was in serious trouble/died without a backup plan.

It is, unfortunately, kind of on him. (Let me be real clear here: I am not blaming Ranpo. But he probably was blaming himself and that's something to keep in mind.)

To recap: Poe pulls Ranpo into his novel out of revenge, also trapping Yosano, who went with him. Ranpo realizes that they are in a world with no abilities, and importantly, he doesn't have the glasses Fukuzawa gave him.

We know those glasses mean a lot to him. When Ranpo was at his lowest, when he was convinced the world hated him, Fukuzawa gave him those glasses and told him he had a special ability. That he had a gift that no one else did that allowed him to see the truth that no one else could. Untold Origins makes it very clear that if Fukuzawa hadn't reached out to Ranpo when he did, Ranpo may have forever been outcasted. He was a kid kept in a bubble then suddenly and rudely shoved into a world he was unprepared to cope with, where he continued to get rejected and thrown out over and over - and all this on top of the grief he felt from his parents' passing. Ranpo was bitter and terrified of people, and thought everyone was pretending to be oblivious just to hurt him. Fukuzawa saved him the only way he could, in the only way Ranpo would hear him. It's not an exaggeration to say Fukuzawa saved Ranpo's life. And, while cute, it's also telling how quickly those glasses became an intrinsic part of his identity. Only maybe twenty minutes after he first received them, he was already making little doodles of himself wearing them.

Suddenly, the glasses are gone, and Ranpo goes into a funk because he "can't activate his ability without them". Obviously, we know that isn't true, and so does Yosano. Ranpo probably, deep down, knows this too, but to admit that would be to admit the president lied to him, and to uproot the very thing that gave him the means to perceive the world in a brighter light. The reason Fukuzawa had to lie in the first place was because the truth would be to tell Ranpo that his parents lied to him, something he angrily denies could ever be the case. And now, Fukuzawa is very plainly stated to be Ranpo's adoptive father. Ranpo's parents do not lie to him. He does not want to see it - and so he doesn't. This is a recurring thing with Ranpo. For as much as he sees the truth clearly, he also chooses not to see it at times when it would be uncomfortable/go against the intuition of someone he deeply trusts and respects.

And I think it's very easy to just leave it there, and say, "Oh, Ranpo realized at the end of this chapter/episode that he didn't need the glasses, that he doesn't have an ability, and that's a key turning point" but I don't feel that's the full picture or even the focus here, especially since Ranpo still hasn't reached the point where he can properly admit it aloud, even to Yosano.

The thing is, those glasses aren't just of use to Ranpo - they have sentimental value. A heck of a lot of it, for a character who is not very sentimental. The real turning point here is that Ranpo put on Yosano's glasses in order to save her.

[ID: A screenshot of a panel from the Bungou Stray Dogs manga. Ranpo puts on a pair of glasses. His hair is blown out of his face and he wears an intense expression. End ID.]

Shortly before this, we are informed by Yosano that not only was the Agency specifically formed for Ranpo to make use of his talents, but also that it was Ranpo who invited her to join - which we later learn was a pivotal moment for her to start over after she was completely broken by her experiences in the war. And now, he is watching her bleed out because she had to take over. Because he couldn't solve it. And that, to Ranpo, is unacceptable.

But again, there's more to it. Ranpo is fundamentally a self-centered character - this is not a judgement; I actually love that about him. He's the center of the Agency, the (ostensibly) good guys of the series; a narcissistic guy with little in the way of sensitivity who wants to use his skills to help others. Not for some higher ideal, or because it's "right" necessarily, but because he's good at it, and because he's supposed to protect all the "babies" who can't solve things for themselves. I love it because it highlights a major theme of BSD, which is good as something you do rather than something you are, and also because it explains something about Ranpo himself.

See, if everyone in the world is a "baby" who needs Ranpo's assistance, then the people in the Agency are a little different. They're people hand-picked by Fukuzawa to support him, both through praise and through backup. Remember that Ranpo trusts Fukuzawa's judgement more than anything - this means that he expects the Agency members can handle themselves. So, in chapter 10, when Ranpo doesn't really care that Atsushi has been taken, citing that it's a "personal problem" and he should handle it, I really think this was some odd form of "Atsushi will be fine" and "why should I worry or do anything when I know he'll be fine". And in the past, this has been true - the Agency members always pull through. None of them, up until that point, have been in a situation that they couldn't eventually fix. Ranpo has a bubble of safety in the Agency, that basically amounts to a "villain of the week" type beat from his perspective, where troubles gets fixed up pretty quickly. All in a day's work.

But then Yosano dies in Poe's book, someone he actually had some level of responsibility for when he invited her to join his safe little circle in a world that had no place for people like them. And it's a direct result of Ranpo's refusal/inability to act.

In order to fix this, Ranpo uses Yosano's glasses. The lens he's seeing through has changed. The people in the Agency were initially "his" in that they were meant to support Ranpo, the special one "chosen" by Fukuzawa's glasses, the reason for the Agency's existence in the first place. But now the people in the Agency are "his" in that they are his to protect. He's their big brother they all look up to in a way, and as the big brother, he's got to take responsibility for their safety.

Why did this not stand out in the moment? Well, we learn something about Ranpo from Untold Origins: he's very good at pretending he's doing okay and things aren't bothering him as much as they are. He's able to hold it together up until it all comes spilling out of him during the play. Also, I do think Ranpo cares about people a good deal more than he'd have you believe. A common fanon thing about Ranpo (from what I've seen) is that he tends to forget people, which, I can see how one would come to that conclusion, but I actually think it's completely wrong. I don't think Ranpo's forgotten a single person he's accused. I don't think he's forgotten a single person he's helped.

He lied about not remembering Poe, in fact, he remembered him pretty fondly as a real challenge. He remembers the information on a person from the Special Division he was asked to look into and gave the info to Mushitarou to allow him an in. He recognizes an officer he'd helped, and it's implied he recognizes every single officer who had been present while he was working on cases in the past. Does this mean he cares about all of them? ...eh. Probably not. But it does mean that Ranpo keeps a lot of his cards close to his chest. He's disarming with his intentional childishness. And so it can be difficult for the characters and readers both to notice that events like Yosano's almost-death... actually bothered him a lot more than he let on.

Because it was his fault. Because she was his responsibility. Because he's supposed to be invincible.

And unfortunately, the story from here on out does not get any kinder to Ranpo as his safe bubble that is the Agency is repeatedly targeted in ways that are increasingly hard to repair.

Fukuzawa falls ill and nearly dies in Cannibalism arc.

A girl gets blown up and Kunikida ends up in jail because Fyodor managed to manipulate Ranpo's intel.

Mushitarou is believed to have been shot and killed trying to warn Ranpo about the Decay of Angels plan.

Taneda bleeds out from a stab wound and falls into a coma. Ranpo can do nothing but listen and cannot get him help.

The amount of times Ranpo has seen people nearly die in front of him... bro it's almost as bad as Kunikida.

Much like Kunikida having extreme faith in his lofty ideals which make him fall just that much harder when he fails to uphold them, Ranpo has practically zero self-doubt and complete and utter confidence in his abilities... so when problems arise, Ranpo is very harsh on himself. He takes the blame because he's supposed to be better than that. Because he is the one with the powerful "ability" that should never fail.

In this sense, Ranpo's position in the Agency reminds me a lot of a certain person in the Port Mafia, someone who also has a powerful skill he puts towards protecting his own, someone who also received life changing words from the boss which earned him his loyalty, and someone who would do anything to defend the only place in the world he feels secure.

I think there's definitely a reason Cannibalism arc had Ranpo and Chuuya face off, I'm just saying. Both of them ostracized and thrown out as young teens by people who should've been looking out for them. Both the instigators of that arc, proactive and desperate to protect the person they are most loyal to who changed their perspectives. They've even got the same power stance, look. :P

[ID: Two panels from the Bungou Stray Dogs manga. The first is a panel of Ranpo with the silhouette of Fyodor behind him. He is standing with his hands in his pockets, facing front with his head tilted back and to the left a little, a fierce expression on his face and his cloak billowing outwards. The second is a panel of Chuuya standing in a similar manner, arms crossed, facing front with a fierce expression as his coat billows out around him. End ID.]

Of course, there's more interesting comparisons and contrasts to be drawn between them, but I'm focusing on Ranpo in this analysis, so I think I've made my point. Chuuya is the Port Mafia's best martial artist. Ranpo is the Agency's strongest man. And that places a burden of responsibility on them that they both believe they must uphold. They're both ready and willing to do whatever it takes.

The thing is though, is that Ranpo doesn't actually have an ability. When up against someone like Chuuya, he is at a distinct disadvantage, and he knows it. "Regular people can't defeat ability users". But he's still going to come up with a way to do it anyways, and why?

[ID: A screencap from the Bungou Stray Dogs anime. The members of the Agency all stand around Ranpo, who is seated at his desk with a smile, one hand holding his cap, the other held up in a casual gesture. The image is filtered in a soft light. End ID.]

Because his friends think he's invincible.

If Ranpo wants to maintain his safe place in a world of fear, then he has to step up to defend it, and he has to get creative about it. And that's exactly what he does. Ranpo becomes steadily more active throughout the story, which is a huge change from the start, where he had to be practically bribed to help at all. I see a lot of people point out his channeling of Fyodor's tactics to secure Kunikida's release, which is definitely a dark turn for his character, but it's not the only change.

Ranpo is now choosing to place his faith in others, the first obvious instance of this being his use of Poe's novels - which was how he defeated Chuuya. Ranpo knows that he is not going to succeed against people who drastically overpower him all alone, even if he does still take things on as personal burdens. He's also far more obvious about his protectiveness, going on the rescue himself to save the Agency members, driving a car (whereas before he needed someone to take transit with him - another indication of his increased proactivity since he's now literally driving instead of being driven), and bodily shoving Atsushi out of harm's way.

It all culminates in one of my favourite Ranpo scenes where he speaks at the conference to the police, who've worked with him before, where he asks if they will think for themselves - and tells everyone gathered there that anyone can be a detective if they think for themselves and look with their own eyes (!!!). He manages to get half the police force on his side, just through his words and his logic alone! Minoura assumes he somehow knew it would all work out, because, well, it's Ranpo. Ranpo knows everything.

But...

[ID: An image from the Bungou Stray Dogs manga. Ranpo sits in the passenger seat of a car with an honest, helpless smile. End ID.]

He reveals he didn't know if his ploy would work at all. He had to trust that it would with no solid proof. He had to trust these people would use their heads and look beyond the obvious. He respects these people enough that he thinks at least some of them will make the right call.

Fourteen year old Ranpo, bitter and estranged from other people, would never. For him to have come such a long way is testament to the security that the Agency provided him with. In a way, Fukuzawa forming the Agency allowed Ranpo to "complete" his childhood in relative safety, so that when the world became hostile once again and his family destabilized, Ranpo had matured enough to meet it and defend himself and those he has a responsibility towards head on. The Agency is his family, and Ranpo cares for them enough that he puts his faith, not just in them, but in the people they put their faith in too.

[ID: A panel from the Bungou Stray Dogs manga. Ranpo is kneeling in front of Fukuchi, who is sitting backwards on his chair to face him. End ID.]

...aaaaand then Fukuchi went and ruined it. Thanks, Fukuchi.

Ranpo again chooses to put his trust in someone without proof because Fukuzawa trusts him, only for that to have gotten thrown back into his face in the worst way possible. And it's in this regard, the trust aspect, that I think we'll see Ranpo develop as the story goes on.

Will he continue to show this tentative faith in people? Or will he begin to hyper-analyze, unwilling to trust again without proof?

If this arc gets resolved decently well, I think Ranpo will have no issue brushing this off as a one-time thing. However, if what I fear might happen does and Fukuzawa doesn't make it out of this arc... Ranpo will be destabilized.

I don't know that Ranpo would go "bad" per se. He likes the other Agency members. He cares about them - that's genuine. But if Fukuzawa dies, then Ranpo may begin to take darker actions in order to keep them safe, almost overprotective and harshly logical, with little room for blind trust or risks in the name of justice or honour. It may put him at odds with Kunikida, in that Ranpo may start to develop a strong "do what's necessary" mentality, even if that may be immoral. He may regress a little into his old trust issues.

However, I really don't think Ranpo will go too far down the path of darkness, even if the worst should happen. He's a lot tougher than he seems, and he has a good support system in the Agency. I guess it remains to be seen where Ranpo's story takes him next.

Until then...

[ID: A screencap from the Bungo Stray Dogs anime. Ranpo sits in his chair in a cuter art style, having taken a bite from the pastry he has in his left hand. End ID.]

I love one good boy. :)

[knightswaypoint]

Happy Sweet 16, BBC Merlin!

The next two book dustjackets for the BBC Merlin book series are now (still partially) done! I still plan to make a how-to for these, as well as upload all the files for them, buuut not right now.

First two books

Symbols:

For Mark of Nimueh: Centerpiece is the Afanc egg with Nimueh's mark front and center on it, the top symbols are the pouch that Merlin used to heal Tom. Then the bottom marks are the water the birthed the Afanc, and the fire and wind that defeated it.

Poisoined Chalice: Morteaus Flower, of course. (The symbol of which I did reuse from my DVD book because I love how it turned out). The top two symbols are the two different cups that Uther and Bayard use, and the bottom marks are the ball of light that Merlin sends to help Arthur in the cave.

[nothingenoughao3]

Why we wanna transition to Mad Scientist (or, revulsion and queerness in horror)

(Hi, @ash-eats-film! This is the thing I mentioned!)

Horror has a few baseline emotions it tries to inflict on the audience. This has been written about for decades, most famously by Stephen King, but the baseline elements most writers agree on are as follows.

Dread: Anxiety over what is about to happen

Terror: The fear of what is occurring right this second

Revulsion: Being forced to interact directly with what's happening right now

Black comedy: Being tricked into laughing at either the terror or the revulsion

Horror: The trauma response to what just happened

A great example of this can be seen in The Evil Dead II (YT link that doesn't include the full context, but does have the, uh, money shot). There's the dread of realizing there's something in the root cellar; the terror of when the Deadite pops up in the trapdoor; the combined revulsion and black comedy of Ash jumping on the Deadite's skull/the door, popping out its eyeball which shoots into Bobby Joe's mouth, and then the horror of what just went down rolling over Ash and his current companions.

Often, revulsion and black comedy go hand in hand. That's because they're tension relievers. The revolting thing becomes ridiculous, and you laugh at how ridiculous it is. This lets you settle down in the midst of the gore and death, just slightly, just enough to get through it... so the horror can fully set in for you, too, once it's over.

You also, often, question your own stability if you laugh in the middle of a gross-out horror scene: "Am I sick? Is there something wrong with me for laughing at X?" This is even worse if the villain starts laughing--now you're questioning whether you're IDing with the monster. Are you okay? Is something wrong with you?

Revulsion is often framed as the slutty member of the good, proper, morally-upright brigade of horror. We have a name for folks who seek out gross-out horror--they're gore-hounds, a term that is virtually always pejorative when applied to other people. We call certain types of horror "torture porn" or "gore porn", as though it is inherently sleazy and sexual to rely on this specific emotional reaction. (Note that we don't have "black comedy-porn", or "dread hounds", even though a dread hound sounds really fucking cool.)

Not to go off on a huge tangent, but I think the issue with media that overly relies on revulsion is that it's unbalanced, not that it's bad. A movie that's nothing but dread never has any emotional payoff. A movie that's nothing but terror never lets the audience relax back into their seats and, paradoxically, will become boring (imagine two hours of jumpscares).

So forth and so on: all aspects of horror rely on each other to survive. That includes scenes that make you go "Awww, sick" while nervously cackling.

Here's the thing: in previous generations, revulsion was similarly understood to be an essential part of horror, but what led to a revolted reaction was very different.

Lovecraft (boo this man! BOOOOO) understood the power of revulsion, which was the source of a lot of his strangest and most vivid descriptions. It was also the source of some of his most bigoted ideas working into his stories. The undercurrent of "non-WASPs are evil because they are repulsive" is as pervasive in his work as "the universe is incomprehensibly vast". You kind of can't get around that.

But there's another thing Lovecraft did to generate revulsion. He wrote a number of stories where an unhealthy focus on corpses, graveyards, graverobbing, and the like is, indirectly or directly, associated with sexual perversion. 

How many, you may ask? Off the top of my head, there's "The Loved Dead", "In the Vault", "The Disinterment", "Pickman's Model", The Dream-Quest of Unknown Kadath, "The Hound" and "Herbert West: Re-Animator". All of these tales share certain themes, which don't repeat beat-for-beat in each tale but do overlap:

Male character becomes obsessed with dead bodies--whether that's stealing them, having sex with them, desecrating them, or resurrecting them.

He is comfortable around death and the dead to a degree that is unusual, sometimes explicitly stating that he prefers the smells/sights of death to those of life.

Terms like "fiendish", "hellish", "abnormal" and "perverse" are used to describe him; his gaze towards dead bodies or to experiments may be framed as "leering" or "speculative".

He is frequently a twink; often described as being frail, if not noticeably beautiful; he may recall being mocked for being "bookish" or "weak" as a child.

He is superficially charming in a way that gets him by in polite society, but not long-term nor in-depth.

He often ensnares an otherwise "normal" man to share his obsessions, effectively recruiting him as an assistant... until the "normal" guy realizes he's about to go on the chopping block (or, in at least one story, already was on the chopping block).

Their crimes involve a lot of sneaking around late at night, locked doors, whispering so they don't get caught (or they'll be killed), secretiveness, glee at getting away with it, and frequently, sharing the same living space.

The Unrepentant Evil Dude is often killed at the end of his tale in a way that implies vigilante/mob justice is at hand. 

The other may be allowed to live if he's very sorry and frames the whole story as being the fault of the other guy, or he may die too while affirming his horrible demise as just, even if it terrifies him.

(One could make an argument that Wilbur Whateley fits into some of these tropes. It's me I'm one)

If this all sounds very gay, Lovecraft probably would have agreed. He had as dim a view of homosexuality as he did on most other things that were Outside The Norm. In other words, we were supposed to see Richard Upton Pickman with his ghouls and think, "Ah, yes, this is a metaphor for queerness", only we were supposed to be revolted by that revelation.

This same attempt at revulsion can be easily read into Victor Frankenstein, and probably more Mad Scientists than I can name offhand (but feel free to in reblogs). Frankenstein's "crimes against nature" were connected to dead bodies as well, and likewise involved a lot of sneaking around, locked doors, and worry about what would happen were he caught with this naked man-thing he's keeping in his dorm. His crime, as with his parody character Herbert West, is creating life outside the bounds of heterosexual cisgender sex. This was meant to revolt readers' sensibilities as much as the whole cutting-up-corpses-and-stitching-them-back-together thing would.

This is why, if we're being honest, "Re-Animator" and "Bride of Re-Animator" are not necessarily gay… they're homophobic. This might be controversial, but stick with me.

I feel like Gordon and Yuzna were tapping into that old-fashioned Revulsion Handbook, including from the source material, which thematically linked Herbert West with queerness. (I'm using "queer" a lot here, but I would personally include trans-friendly readings under that rubric; I'm using "queer" in the analytical sense and not solely in the identity sense.) This means that, ironically, a lot of what we could point to as queer subtext is actually homophobic text.

This is reinforced by the novelization of the first film, written by a homophobe who got Trumpist brainworms later in life. He wanted to make West repulsive to the reader, and therefore, he tried to make West more gay. And IT WORKED. 

To be clear, I'm not accusing anybody, other than the novelist, of being a homophobe. There's a difference between possessing internalized bigoted beliefs which express themselves in writing, versus utilizing tropes originating in bigotry because That's What's Done Around Here. (I can understand why others might not perceive a meaningful difference.) Like the Cuzco lizards, this queerness-as-villainy is definitely a stupid thing ported in from the source material.

I do think that this is why everybody but Our Queen Barbara Crampton seems embarrassed or nonplussed by all the transfags pestering them about fellatio tapes. It's because they don't get why this thing appeals so much to us. It shouldn't. If anything, they should be canceled for having yet another queer-coded villain, along with a number of other plot choices of questionable taste (I'm looking at you, The Head Scene, and I don't like what I see).

Only, uh, it didn't work out that way long-term, did it?

I thank Cronenberg and venereal horror for this, in part. Brutally queer despite not being explicitly gay, venereal horror is what happens when the characters should be revolted, but aren't. 

This kind of thing is horrifying for crossing the line twice: first by being disgusting, then by having characters respond as though it is exciting, or sexually stimulating, or if nothing else, normal. They are perverse. They leer at the dead and the subjects of their experiments. And the disgusting monsters at the center of these narratives are celebrated. Their twisted sexualities are explored with the same brave frankness other filmmakers give to milquetoast cishet missionary nonsense. Their political views are given life and air, and usually, they're right. Their deaths, if they come at all, are framed as tragedies brought on by society's sick rejection of the flesh their brave experimentation.

Cronenberg's the dude who unironically thinks that Shivers (trigger warning for literally everything) has a happy ending. My man David's got subscriptions where others have issues.

Venereal horror has given us a new metaframework for looking at the repulsive, the monstrous, and the problematic and responding to it… differently.

Now here's another thing: Lovecraft likewise provided a structure for embracing the grotesque and the queer.

Pickman, the Decadent artist, paints photorealistic, enormous portraits of ghouls. Literal flesh-eaters. He is fascinated by them, comfortable with them. "Model" heavily implies that Pickman is a ghoul changeling--switched at birth with a human child. This leans into Lovecraft's ideas about heritability being a major source of horror, of course, and seems run of the mill until you get to The Dream-Quest of Unknown Kadath.

In there, Pickman appears again, but this time as a ghoul. He has cast off his human social shackles and joined the beings he loves, beings who understand him and support him. Kadath is notable in that the ghouls are actually... like... reliable, loyal, and morally good? Carter's opinion pretty much is, "They do eat human corpses and they smell awful, but they're all very nice and want to help me on my quest, so maybe they're not so bad (if not as good as the cat army)".

This feels like Lovecraft acknowledging that his entire approach of linking queerness, death, and revulsion is fundamentally flawed. Once you become familiar with the repulsive, it becomes not-really-that-repulsive-at-all. You can find beauty in it, and amusement, and love. Pickman embracing his ghoulish nature isn't all that different from Seth Brundle's overall lack of revulsion at his body's transformation. And it's not that different from what a lot of transmasculine folks go through, either.

It's not that transmascs, trans men, and/or transfags don't see what West does as crimes against nature. It's that we're all very fucking tired of being accused of crimes against nature. We're tired of not being able to look at socmed without finding accusations that we're disgusting perverts who sneak around behind closed doors to corrupt innocent, promising people to be our lackeys and partners in crime.

Hell, I refer to my wife as "my partner in crime" not because it's a cute way of acknowledging how well and how much we work together both in life and creativity. It's also because we could have been arrested for our relationship when we got together.

We were illegal.

There was a lot of sneaking around and whispering and trying not to get caught and "what if they call the cops on us if we're clocked". Can I tell my friends about this? Will they reject me or rat me out? Where am I safe? Nowhere. Best to lock the door and then check it again to be sure. Best to be very quiet.

Best to act like a graverobber trying to get their grisly wares back home before good, decent, Christian folk see them.

So when I hear "Blasphemy? Before what God?!", I read it as (whether he's ace or aro, gay or achillean, trans man or transmasc or genderfucked) a queer slogan of defiance, instead of a defense of graverobbing, corpse desecration, and non-consensual resurrection.

We're told we and our bodies are repulsive, so being told that Herbert is also repulsive makes him more relatable. Instead of wondering what the hell's wrong with him for shooting up reagent, we all theorize that it's actually T or has similar effects--because we're all told that T is a toxin that will horribly change and disfigure our bodies. He dresses in a three-piece suit for school, and instead of reading him as a stiff and overly-formal little freak, we assume he's layering up because he hasn't found a hoodie he likes yet. 

He cackles at his horrific creations, and instead of saying "What a fucking freak (anguished)", we say "What a fucking freak (affectionate)" and laugh along with him. Who among us hasn't taken apart our Barbies and tried to combine their parts with the Kens? What is a doll, or a human, but a collection of parts to be rearranged? Haven't we also been told we're freaks for rearranging our own parts?

We've already been told by society at large that we are Herbert West. We're just embracing it, in the proud tradition of venereal horror fans who are not revolted when they ought to be, and I think that's delightful.

[owleics-fr]

Simple skin & accent tutorial!

I'm only familiar with making accents in CSP so some of the things you see here might be program specific, but for the most part it should be generally applicable.

Okay with that being said, here's a very basic tutorial, under a readmore because it got long (image heavy)

Assuming you already know roughly what you want to make and what breed pose you want to make it on, go to the custom skins page on the sidebar then download PSDs. For this step I'm choosing coatl F!

It should download automatically, the file will be compressed (zipped). I normally just open the folder and move the top file (without elements_friendly) to my accents folder to access it from my art program:

Open your preferred art program and open the file! It is a PSD file so it should be compatible with most art programs. When you open it, everything should look like this:

The layers probably look complicated, and it isn't super clear where you can and can't draw- but I promise it will get easier to understand! Before I even start drawing I do two things: I resize the image (changing the image resolution) to 700px by 700px. This means the image the resize better later on when I need to downscale it to 350px by 350px. Next, I make a new folder under both the existing folders with a single, full white layer in it. And set everything in "Through Skin Parts" to 50% opacity.

Lastly, put the bottom two folders completely out of your mind, we won't be touching them at all. The only folder that matters is "Through Accent Parts". As I'm drawing the accent itself, I make the lines and shadows layer invisible because they can just be distracting, like this:

That layer beneath both lines and shadows layers? The one labelled "Accent Goes Here"? That's where you draw, and you can make more layers to draw more on later. For now you can sketch your design on that layer. Here's my sketch for my skin Strawberry Pavlova:

It's pretty rough at the moment so I want to add another layer to draw my clean line art on, in CSP this means just adding another layer and turning off clipping which automatically applies as the layers above it have clipping turned on. When that's done it should look like this:

(You can absolutely use more layers for lining if that's what you prefer!)

Next is adding colour. An important thing to note for this step is to avoid using colours that are very close to black, and to avoid using black altogether. This is against skin and accent rules as you need lines and shadows to remain visible over your design, and very dark colours make this a lot harder!

When I typically colour my skins and accents I will separate out design elements (so for example all plants on one layer, all blue cloth into another layer, all jewellery on another, etc etc.) into different layers- this is purely to make recolouring easier and isn't necessary. In this case I didn't have my colours separated out as I had no intention of recolouring this skin! This is what this skin looked like when I was finished colouring:

Now I just need to do some final finishing polish on the design! For this one it involves adding a bit of pink transparent colour behind the strawberries, adding pale transparent colour under my lace and of course- adding sparkles! One of the final things I do is recolour my own line art to a red-pink colour (in this case I had it set to multiply as well- but this isn't needed!) this takes some of the harsh edges out of the accent and make the design feel more cohesive imo!

And the design is finished! The final step before we can submit this is a big one! We have to change the lines and shadows that we've been ignoring this whole time. For this I flatten all the art work into one layer, like this:

Why do we have to change the lines and shadows? Well...

The default shadows are pretty high opacity and very grey, they cover up my accent and make the details harder to see. And the default line art is black. You can edit these layers to make them much nicer. You can edit them manually- making sure to lock transparent pixels so you don't edit the coverage of the lines and shadows. Or you can do this: (You can ignore this next part if you're finding it overwhelming) Duplicate your accent design twice (so you have three layers with it on total), set both your lines and shadows layers to normal and unclip them. Your layers will look like this:

Ignore what the accent looks like for now. Next move the copied layers so one is above the lines and one is above the shadows, keeping only one in the original position. And then clip these duplicated accent layers to the layers directly beneath them, it will look like this:

Merge the accent copy layers with its corresponding lines or shadows layer, you should still have 3 separate layers when you're done: The lines, the shadows and your original accent design. Like this:

Then clip both of the lines and shadows onto your accent design layer and set both lines and shadows layers to multiply. Like this:

If you've done it all correctly your accent should now look like this:

This is a lot better than the default lines and shadows already! It's pretty dark in spots and my lines are definitely too light in other places though. So next I usually start by setting my shadows layer to 50% opacity and then going over both lines and shadows layers manually recolouring the lighter parts to a darker colour so they are visible on top of my final design. When you downscale your art to submit it, lines and shadows that were super obvious suddenly vanish- so don't be afraid to downscale it and keep editing the lines and shadows.

Here's what the final product, downscaled to 350 pixels, looks like:

This got accepted first try by skin mods (just in time for valentines!) Important things to note: places where my design is less opaque the lines and shadows are also less visible, this is completely fine! You don't have to fix this. Lines should always be visibly darker than the shadows they're on top of, this means sometimes they will have to be black to get them to show up or you may even have to make your accent underneath lighter to get everything to conform to the rules! Lastly, lines and shadows are subjective and you may end up getting rejected a few times before they're to skin mods liking. Its one of the harder parts of skin making and you won't always get it right.

Community feedback is your best friend, don't create in a vacuum! Go join discord servers where other people are making accents too, ask for help! Now go forth and make!