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unoislazy · 1 year ago

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Your Touch

Mizu x Reader

Summary: Mizu is touchstarved. That’s it, that’s the entire thing.

A/n: Next story will hopefully be “Caged Bird” part 3, then I will finally post one of the asks that I took an interest in.

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You looked at Mizu, her dark hair pulled up into the high bun it was always in. The loose curl that she always kept out no matter what the occasion, lightly bounced as she walked by, focused on whatever task she had to finish.

You watched and looked on with curiosity, you wondered if she had ever done a different hairstyle on her hair before. You thought a braid might compliment her features, or even half up, you had many ideas and suddenly you were determined to try them.

Well that would require Mizu’s permission first.

“Hey Mizu.” You began, drawing out each syllable of her name to quickly pass on the hint that what you were going to say wasn’t serious.

She paused for a moment, putting down a large box and wiping her brow before looking at you. Her eyebrow rose ever so slightly, her curiosity was piqued despite her not saying a word.

“Have you ever worn your hair differently?” You asked. She simply stared at you for a moment before shrugging,

“A few different times. I just can't really afford to when I’m doing ‘samurai’ things.” She said in air quotes. She never enjoyed calling herself a samurai, for one thing most of the time she purely acted out of the name of revenge not honor. Another, she’s a woman.

Personally, you didn’t really care about the rules of a samurai, you respected them and their ambition but the ones you had met in the past were more focused on their honor over anything else. It had only hit you when you had met Taigen, he was so obsessed with reclaiming his honor like a disowned child that he practically abandoned his engagement. You didn’t understand it, what good is honor if it can be taken away so quickly.

You looked up at Mizu who seemed to be deep in thought. You figured she was just thinking of the different styles she had done before, but her face held a certain sadness as she thought. You began to realize that there was a story attached to the topic of hairstyles that you knew better than to bring up.

“Have you ever braided your hair?” You asked, regaining her attention. She thought about it for a moment before shaking her head. It wasn’t a common style for the time so you weren’t exactly that surprised.

“Would you like to try one?” You asked. You had definitely piqued her interest, her eyes shifted ever so slightly wider as you patted the spot in front of you.

She obliged, sitting down and facing away from you, her legs in a crossed manner with her hands peacefully resting on her knees.

She almost seemed a bit eager to try the hairstyle which honestly excited you a bit, it’s not often Mizu openly gets excited about something, especially with her very subtle expressions.

She sat before you, her slim figure not too far away from you as you gently reached up and grabbed the hair tie that seemed to hold Mizu’s entire hairstyle together. You’d never understand how she did it with so much hair, it never made sense to you. Her sleek dark hair unfolded, a healthy glow could be seen throughout it, she took care of it despite it being up all the time.

With one hand you ever so gently began to rake through her hair, making sure there were no knots that might get in the way of the process. Because of this, you noticed Mizu stiffen for a moment, a shiver could visibly be seen going throughout her body.

Having seen this your hand jerked back, not wanting to make her uncomfortable. Before you could say anything she turned her head just enough to look at you from over her shoulder and said in a low tone,

“Keep going.”

You paused for a moment as her words sunk in. The way she spoke to you was no different than any other time and yet for some reason… it felt different. You decided to pay no mind to it as your hand returned to her head, slowly dragging it through and sending shivers throughout Mizu’s body yet again.

Despite this, she sat calmly making no other movements other than the occasional twitch here and there as your hands glided through her hair. Having her hair done was a pleasure she never thought twice about, but the way you so delicately pulled at her hair, twisting it and shaping it as if she was some piece of art, it made her feel cared for in a way she hadn’t felt in a long time.

You carefully separated her hair, overlapping the pieces in a rhythmic manner, cautiously pulling the groups of hair but never hard enough to hurt. It didn’t take long before you had finished, you tied it all together with the hair tie that she used before, letting go of your work.

“How does it look?” She asked, now turning to fully face you. There was almost some sort of innocence that shone through Mizu's expression, one that seemed to say she genuinely cared how she looked. It was kind of sweet to see her usually stoic and harsh exterior break for a moment, it showed you who Mizu really was even if it was for only a few seconds.

You had seen Mizu with her hair down before, maybe not often, but you had seen it. Something was missing.

You stared at her for a moment, a confused look riddled your face before it hit you, the curl.

You gently reached your hand up towards Mizu’s face, one finger looping around the curl that had been hidden away underneath all of the other pieces of hair. Not expecting this, Mizu froze, letting you do what you needed to do but also not knowing how to react otherwise.

Once you had fixed the curl, you moved back a bit to reassess your work. You smiled, finally happy with how it looked.

“Perfect.” You said, proud of the work you had accomplished. Mizu was happy enough just taking your word for it but she was still curious to see how she looked. She drew her sword partially, only just enough to be able to see at least a little bit of her reflection on it. From what she could see, she truly didn’t mind the look.

“So, what do you think?” You asked, patiently waiting for her answer. You watched as a very small smile graced her features as she said,

“It looks good.”

She put her blade away, turning to look back at you as she brushed a few loose strands out her face.

“I wasn’t expecting you to be so… gentle.” She admitted quite plainly. Her hands rested on her lap as she thought back to a time when someone else had done her hair.

“Anytime my mother did my hair, gentle didn’t seem to be a word in her vocabulary.” She joked, a melancholic yet reminiscent look made its way onto her face as she thought back to the many times her mother had scolded her for looking to feminine.

“Being rough will only get you so far.” You responded, not really realizing how that sounded. It earned a small snicker from Mizu but it still went over your head regardless. It had got you thinking, the blue eyed woman constantly trained, having faced the several hardships in life at such a young age that no one would even dream of facing. She had to be tough in every way possible if she had any hope of surviving.

But you were determined to show her, in your own way, that you can let your guard down every once in a while.

“Let me see your hands.” You ordered pretty out of nowhere.

“What?” Mizu responded, clearly taken by surprise by your sudden demand.

“Let me see your hands.” You repeated, putting one of yours out and gesturing for her to place hers on top.

Her eyebrows wrinkled with uncertainty, having not a singular clue what you were planning to do, but she still did what you told her to anyway. Her confused expression remained as she placed her hand on yours, her palm facing towards the sky. With your free hand you gently traced the lines on Mizushand, slowly going over each callous that you could see. Just as you had expected, her hands were coarse and rough, tense from constant overworking and pressure, or maybe they were tense because she wasn’t used to the feeling of someone else, you couldn’t tell.

At first she didn’t know what to do except watch your hands.

“What are you doing?” She asked, confused what the point of this was.

You continued to trace lines and pointless circles around her hand, occasionally gently massaging different points.

“You’re really tense.” You pointed out, “I figured this might help you relax a bit.”

Mizu sat still for a bit as you continued, still not easing up in the slightest. Having her hair done was one thing, she had it done before so she knew at least somewhat how to react, but this was something different. You looked up at her, noticing her unbroken stare before smiling at her.

“Relax.” You calmly instructed her.

She closed her eyes, eventually relaxing into the feeling of your touch just like she had done before. She had truly forgotten what it felt like to be touched in a way that didn’t result in a bruise or broken rib.

You continued your motions, occasionally putting slight pressure on different areas. However in one area you had put just a bit too much pressure, resulting in a noise that sounded like a moan escape from Mizu. You immediately stopped, taking your hand away as you apologized,

“Sorry, I didn’t mean to-“

You looked up at her, ready to continue apologizing but you were met with a serious yet… almost affectionate gaze as she said,

“Don’t stop,” She began, her voice was quiet and relaxed so at least you knew your work was paying off.

“It feels nice.”

There it was, that feeling again. You averted your gaze, not able to handle making eye contact with her while also processing your very wild feelings at that moment. One thing about Mizu was she never truly realized just how attractive she was, she always deemed herself a demon or a monster because that’s what she was taught to believe.

But you saw past that and because of that, things that Mizu didn’t even think twice about doing, would nearly send you into a coma just because it was her doing it.

She had no idea the power she had over you just from a few simple words, and you had no idea the power you had over her just from a simple gentle touch.

You continued on like she had told you, smoothing out the tension in her hand the best you could without any prior training on the subject. Eventually you had switched over to her other hand which was somehow more coarse than the first. You couldn’t help but admire the amount of time and strength that went into forming such things.

As you continued, you could tell Mizu was refraining from making any noises. In all honesty, it was nothing you hadn’t heard before, she’s been in pain enough times around you for you to get used to her whimpering and groaning.

Except this time was different, usually the noises she made were from a place of pain and discomfort.

However, this time, they seemed to come from a place of pleasure.

Caused by you.

“It’s okay.” You began, refusing to look up at her. “The more you let out the more I know I’m doing the right thing.” You encouraged, and sure one could say it was for a selfish reason but really who could blame you.

You could hear her continue to refrain, but over a small amount of time you could hear her a little bit more. Your heart raced as you continued, the act you were partaking in was nowhere near as sensual as it sounded and yet it still felt so intimate. If anything that’s all you wanted it to be, but that was a line you’d dare not cross, at least not yet.

A little more time had passed, you had eased out all the tension you felt in her hands and let go of her. Almost immediately she began to miss your warm and gentle embrace, having returned to her harsh and cold reality. But really, it wasn’t as cold as she had thought because you were still there, right in front of her, looking at her as if she was the only human to have ever existed.

“There now, do you feel better?” You asked quietly, a bit sheepish considering the amount of thoughts that had crossed your mind that you would never say out loud.

Mizu rubbed her hand absentmindedly, her face seemed a bit glazed over like she had been so lost in her thoughts and she wasn’t ready to be a normal person again. Once she had finally, fully, snapped back to reality she nodded.

“Thanks.” Was all she said before you two sat in silence. The tension was practically thick enough to cut through but neither of you wanted to be the one to take that leap, not without knowing for certain it was one they could even take in the first place. Up until now, sure you two had been close, but you had never gotten so close physically. You wanted to, she wanted to, but neither of you wanted to own up to it. She claimed she didn’t need distractions, and you claimed it was a feeling that would flutter away just as quickly as it came.

Well you were both wrong.

You both sat there, not looking at each other, not saying anything before you decided to gain the courage to say,

“Mizu?” You practically whispered. She looked towards you, finally taking her attention off of her hand which she continued to rub, trying to emulate the feeling of your touch but to no avail.

“Yes?” She responded. You very slowly inched a bit closer to her, not trying to make your idea or intention too obvious but she already had a few possibilities in mind on how this might unfold.

None of which she was complaining about.

“Can I… can I touch you again?”

That was all you asked. Sure you had literally just put down her hand but it was the fact that you had even asked that sent the same shivers down Mizu’s spine. She went quiet for a moment, not knowing what to respond with.

She truly had never been asked for permission to do anything before, not in this regard at least, and it shocked her a bit.

It somehow became the most intimate question you could’ve asked.

She nodded, not saying a word as she continued to look at you. It was as if she was trying to memorize your features, as if she was trying to burn them into her retinas so she'd never forget.

Your hand very carefully went towards her, cupping the side of her face as if it would break with too much pressure. She slowly began to lean into your touch, the warm feeling returning quickly as she let her harsh exterior down yet again, feeling uncommonly safe because of your touch. From this position she looked towards you, her hand making its way up to your face, and brushing a few hairs out of the way before asking,

“Can I kiss you?”

Her voice was raspy and low, just above a whisper. She waited patiently for your answer as you both sat in silence before you nodded in response. With that, her hand that had brushed the hairs from your face, slowly made its way to the back of your neck as you both leaned forward and-

“Hey, I found this place that sells food down the road and I- Oh. You’re here.” Taigen had barged into the room, not a singular care in the world as he looked at Mizu with his usual disdain. By this point you had already jumped back from her, being startled by Taigens sudden presence while in such an intimate moment.

With a cold glare Mizu looked towards Taigen,

“What do you want?” She spat. She could get over him annoyingly asking for a duel every now and then but ruining this one moment for her was too far. She finally felt safe and warm in someone else’s embrace and the same man who ruined everything else for her had to come back and fuck something else up.

Before either of them could say any other ‘kind’ words to each other you very quickly made your way to exit the room, not wanting to think about the awkward moment any more than you’d have to.

“I’m going to go… find some things for Ringo. I’ll see you later Mizu, bye Taigen.” You said, very quickly making your way out of the room, leaving both Mizu and Taigen together. Mizu had watched you leave with a certain sadness that you could only really see in her eyes, the rest of her face remained as stoic as ever as she turned back to Taigen.

“New hair style? You look oddly feminine wi-“ The man began, pointing towards her still braided hair.

“Say another word and you’ll lose an arm.” She threatened.

“Noted.”

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bellestarot · 6 months ago

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Pick a Pile

What's Next in Life?💐

♡ Take your time to choose

︵‿︵‿︵ʚĭɞ‿︵‿︵‿

Pile I

You're about to level up emotionally. I see you moving from getting hurt easily to someone who can handle emotions in a better way. Maybe it was hard for you in the past, but I see some major emotional glow-ups happening.

You're also going to get braver. Life's going to throw some challenges your way that'll help you grow.

Your adventurous side is coming out to play. You'll be at peace exploring and discovering more about yourself. I see you traveling and visiting new places, but you're doing it for yourself, not for anyone else.

You'll be surrounded by awesome people. True and genuine friendships are on their way to you in the next chapter of your life. If you had trouble with friends before, that’s about to change. Great people are coming, and the universe has your back.

You’ve been through a lot, but now you can finally trust in the situation and these new friends. I see so much happiness coming your way!

Pile II

I see success and happiness in something you’ve put a lot of work and effort into for a long time. This could be related to academics, work, or something personal. You’ve worked really hard, staying up late, feeling anxious and tired, but you kept pushing through. There were many moments when you thought about giving up, but you didn’t. Now, I see a lot of abundance coming your way in the next chapters of your life.

People will be congratulating you and happy for you because you achieved what you wanted.

I also see some family issues. This won't apply to everyone who chose Pile 2, but some of you might relate to what I’m saying. Maybe some of you have issues with your mom or a strong female figure in the family.

There might be problems related to money or how money is used in the family, causing feelings of sadness. These are more emotional issues rather than health-related ones.

I see some disappointment with the family in certain areas. However, any conflict you might have with a female figure in the family will get resolved. Having this kind of relationship can hurt a lot, but I see it ending and getting better. So, for some of you, this might be a message of support and positivity regarding a connection that's not going well right now, and I can say it will definitely improve in the next chapters.

Pile III

I see you getting savvier about other people. In the past, you might have been too nice, always wanting to help others, but when you needed help, no one was there for you. I see you starting to notice this around you and saying, "No, I don’t want that for myself." You’re becoming smarter about what you share with others and what you post online.

You’ll start realizing that everything is energy and that sometimes people don’t have good vibes or thoughts for you. This will lead you to protect your energy more.

You’re going to become very spiritual. (You’re already spiritual since you’re reading tarot), but I see you diving even deeper. You’ll get more interested in this world, studying more, listening to others, and connecting more with nature.

This will bring you closer to your truth and who you are, and I see that’s what you’re looking for—getting to know yourself better, discovering more about you, praying, and protecting yourself. I see you becoming a very spiritual person in the next chapters of your life.

You used to listen more than you spoke, but now I see you speaking up, sharing your opinions. There might have been some hesitation, wondering if people will like what you say or if it makes sense. But I see you finding the courage to express yourself and your thoughts. You’re super smart and interested in things that others might not be paying attention to.

I see you getting into these topics and being able to talk about them in an engaging and well-expressed way.

#Spotify #tarot #tarot reading #pick a pile #pick a card #pick a photo #free tarot #love tarot free #love tarot reading

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bikananjarrus · 4 months ago

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on the topic of how infuriating it is to read 300 pages of percy calling himself stupid, of other characters calling him stupid, of even the creatures/animals implying that he's stupid, a scene that really bugged me was when hecate checked in on percy while he was on the train, and it was such an effort for him to remind himself that he can’t lie, and he can’t tell her the truth, ie: he has to trick her and talk his way out of this situation.

(this is certainly not the most egregious example of percy's apparent stupidity in this book, but it allows me to talk about one of the ways in which percy IS, in fact, very smart!)

throughout the books, one of percy’s strongest traits is how clever he is! he is extremely good at manipulation (and he’s a bit ruthless in his manipulation too). he's an excellent swordsman and he's almost better at talking through a situation in such a way that he can exploit his enemies weaknesses.

example: at age 12, still very new to the mythological world, he manipulated procrustes into climbing into one of his own enchanted beds, used his own magical bonds to keep him there, and then cut off his head (while saying “i think i'll start with the top." he's so iconic for that). procrustes unwittingly handed 12-year-old percy everything he needed to turn the trick around on crusty. percy observed how he tricked grover and annabeth to getting close to the beds, listened for the magic word (ergo) he used to bind them there, and in the very short amount of time they spent around him, percy was able to get a feel for crusty's personality/ego well enough to know exactly what to say to trick him into getting into one of the beds so he could kill him.

there are SO many more examples of percy using tricks and manipulations to defeat his enemies. but all this to say: percy is clever and smart and thinks quick on his feet and he’s damn manipulative (the trickery is such a hermes trait, too, which makes for SUCH a nice foil to luke in the og series).

so for him to be breaking such a sweat trying to make sure he doesn’t spill the beans to hecate just rubs me the wrong way.

which! this could have been used to say something about percy’s newfound anxiety post-hoo. this could have been used to say something about his trauma from all those events and how maybe, right now, he’s not quite himself and so he’s not as quick on the draw as before. but rick absolutely did not put that much thought into it. It’s not about any of that, it’s just another moment played for laughs about how dumb and stupid percy is, and how he suddenly can’t handle himself in front of a god, even though he’s been getting in their faces since the day he learned he was a demigod.

#there's more i could say on this. an added lay would be him not knowing any mythology apparently. despite the fact that #a) he knew mythology from the beginning. he knew a good amount of stuff in tlt! and b) he's been in the mythological world for #many years of his life now. he knows what he's doing and what's talking about. but that's a whole other thing #pjo #wottg spoilers #wottg #percy jackson

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dollzites · 6 days ago

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⏦ﾟ♡︎ YOUR HONEYMOON WITH GDRAGON

୨ৎ pairing: husband!jiyong x fem reader

୨ৎ genre: fluff! with mild sex talk

୨ৎ from myeong: wahhhhh! hello! so happy to take this request especially for my precious jiyong ): I hope I’m able to do well enough and you enjoy! x

with jiyong.. it’ll have to be a super extravagant trip! even if you don’t want it to be that expensive or crazy he’ll do everything that he can to make it the most romantic getaway you’ve ever been on.

if it’s somewhere with a beach? absolutely adores it because he can see you in such pretty swimsuits. no matter what negative thought you have about your body, he’s there to praise you and make sure that you feel your greatest and most beautiful.

jiyong will enjoy building sandcastles with you or at least try his best to attempt one and will either take so many photos of the you, the both of you, or a cute video of you and him building it together.

the gentleman he is he’ll ask if he can throw you in the water and once he gets the answer he wanted so badly, you’re picked up in an instant and thrown into the water but jiyong quickly checks on you to make sure he wasn’t too rough and holds you close against his warmer body pressing gentle kisses all over your face and down your neck. (he loves that)

if it’s a beautiful city? will take you shopping and spends so much money on you. don’t feel bad about it because he married you!! his money is your money and he will continue to spoil you so much.

“baby? I seen you looking at this dress and bought it while you were in the fitting room. can we go back there and try this one on, hm? I’ll be good.”

it’s so hard for him to behave but with your stern looks he acts scared to make you laugh and puts on his best behavior even if he wants so badly to take you back to the hotel and make love. yes I said make love because that’s what jiyong will say.

steals your phone to take pretty pictures of you to post and show your friends or family. he’ll then take plenty of pictures with his phone and stare at them for a few minutes before giving his attention to you.

“how’d I get so lucky? you’re so breathtaking.”

if it’s a tropical island? you’ll spend hours on the beach or he’ll take you to the aquarium! one of the largest in the city and hell of course buy you so much at the gift shop to remember this day.

it’ll be hard for him to wait for sex but he wants you to know and understand that isn’t the most important to him especially if he knows you’re super excited to leave the hotel and explore! so.. if anything he’ll do his best to wait for that night. what you want is far more important to him.

that night? well you’re in for a pretty long night with him. he’ll want to go for several rounds with a few breaks in between. each break he takes with you is a new special memory. he loves to hold you close to him and talk about all sorts of topics.

“wanna go another round? maybe this time in the shower or bath? that sounds so sexy.. I don’t know what it is about it. how does it sound to you baby?”

he’ll wake you up with breakfast in bed and after? prepare for morning sex and it’ll be hard to say no to him especially knowing he’s now your husband. cooking for you so early and going out of his way to make everything so perfect? yeah you need him.

“I can’t wait for you to get pregnant. is that okay to say? I just can’t wait. I know we’ve talked about it before but to see you pregnant with my baby? it’s going to be something so special and exciting.”

jiyong will try all sorts of dishes and desserts with you even if he doesn’t think it sounds good. the best part about the honeymoon is bonding and sharing memories together. him gagging over something he really didn’t like was a great memory.

“look it’s a stray cat! should we bring it home?”

“please? can we just bring it home! looks so cute.”

that’s when it’s time to drag jiyong away from the stray cat because if not? you’ll end up bringing it back home with you and hours later? he’s asking about the stray cat and if it’s doing okay. awww

before the end of your honeymoon he pulls you into his lap and gets emotional about how lucky he is to have you as his wife and how beautiful this honeymoon has been. he’s the best husband you could ever ask for. romantic, sweet, caring, so supportive and one of the most handsome ever.

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elizabethminkel · 21 days ago

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hi i read your article on fanfiction culture changing and it reminded me of a comment i got on a fic in 2023. (i was going to say this year/recently but then i checked and wow time moves fast) it was phrased like i wasn't ever going to see it. which is weird bc there were only 2 other comments both of which i'd responded to. it was written almost to an audience that did not include me. idk what that says about the "culture" but i enjoyed your article!

Aw <3 thank you so much! (If anyone hasn't read it yet, this is in reference to "The Endless Appetite for Fanfiction.")

That's super interesting, and definitely relates to this broader ~thing~ imo. My first thought is about the (significant?) rise in people putting fic reviews on Goodreads. That's definitely part of the overall context collapse—and deeply annoys me!!—but it does make me think about the concrit conversation, and how fandom post-LJ has largely shut down critical discussion of fic, which was not a rarity back in the day. (I'm not opening that can of worms now lol.) Like, I have sympathy for the Discord fic book clubs, because you should be allowed to say whatever you want about a fic in private! But I feel like that needs to be just one component, especially if you have a lot of positive things to say about a work.

Funnily, I got a comment somewhat recently that felt, at least in one bit, like it was addressed more to the world than to me. It was a really nice comment! But I showed it to a friend in my confusion (and then just replied like it hadn't struck me as odd). I've also received comments in the last few years on older stories in which the commenter acts like I've long departed from my fandom—when I've published new works as recently as a few weeks prior, and post on my (linked from my AO3 profile) tumblr daily. Which seems related, too—like, me, the fan, is still right there, very easy to see?

I do think there's something to be said about depersonalization across social media, and the way people collapse "content creators" with their "content" (to be clear, I'm not calling fic writers or fic either of these things, but part of this whole situation is that a lot of readers are thinking of them that way). Like, the creator economy is structured to encourage people do that, even. And of course there's great commentary here on tumblr dot com and elsewhere about how people talk to strangers in ways they'd never dare to in real life. I mean, the digital disconnect led to plenty of...issues...back in the day, even when fandom and fanfic weren't as bifurcated as right now.

Anyway, I think this is all swirling together...and like, it's not great! (Haha this is like how I ended the article. "This sucks! ¯\_(ツ)_/¯") But thanks again for your message—this topic has so many interesting, if depressing, facets!!

#fandom #fansplaining #fanfiction #social media #asks #revoltinglesbians

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talon-dragonbeast · 2 months ago

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Anglocentrism in alterhuman communities: ramblings of a Spanish-speaking dragon and a cat

[original in spanish here, though i have no doubt that this version will be disseminated more widely] • [original en español aquí, aunque tengo la certeza de que esta versión se difundirá más ampliamente]

this post was originally written as part of The Sol System's Alterhuman Writing Challenge. written by @talon-dragonbeast, with the help of my sibling @watcherwingedcat. we hope you like it!

word count: 2422

This writing, which is more of a rant with myself than a proper essay, is one I've been meaning to write for a long time; ever since I first joined an online community, to be more precise. Anglocentrism, according to Wikipedia (and yes, the irony of the article not being available in Spanish is not lost to me), is "the practice of viewing the world primarily through the lens of English or Anglo-American culture, language, and values, often marginalizing or disparaging non-English-speaking or non-Anglo perspectives."

If you are monolingual and your native language is English, chances are you have never stopped to think about the advantage this gives you over those of us who are not so fortunate as to be born with the lingua franca on our lips. Yes, you may have had to study some Spanish in school, but let's be honest, very few people remember what they learn in elementary school. As an English speaker, the whole world is built for you, and it's the rest of us who have to fit your mold. Culture, scientific articles, movies, books, video games, the internet, online communities, technical language, educational videos: even in the most international spaces, everything revolves around English. Which brings me to the subject of this writing: The Alterhuman community.

My name (as I am known on the internet, at least) is Talon. I've been a member of the alterhuman community, and more specifically, the otherkin community, for a little over a year now. Otherkin (a word that comes from other, in Spanish otros; and kin, shortened form of kind, in Spanish tipo) are people who identify as nonhuman in some way. For example, I identify as a dragon (among other things), and that's what I am, even if I look human on the outside and am perceived as such. There are many reasons why someone might believe they are not human, but I'm not here to discuss that, so let's get back to the topic at hand.

Since I've been in this community, I haven't written a single post in Spanish. And not for lack of desire, nor because I am intimidated to share something as personal as my mother tongue. No, the reason is simple: The community does not exist in any language other than English. By this I don't mean that there are no non-humans outside of England or the United States, because of course there are (even if they are on other platforms like TikTok or Instagram), and I'll talk about those later. But simply put, the reason you don't see many alterhuman communities in other languages is because all the resources, the introductions, the chronologies of the (English) alterhuman community, the definitions of the terms, the terms themselves, everything is in English.

I have always been bilingual. Well, trilingual actually, although my third language is not too relevant in my day to day life and I only use it in classes or when someone starts a conversation in the language. It's hard to explain how your brain works when you speak multiple languages fluently, but basically it's like running two parallel systems at the same time, but with thoughts. I don't usually think with words, but when I do it usually happens that some of my thoughts are in Spanish, and others in English, roughly in a 50/50 ratio. Or it can also happen that I start the thought in one language, but finish it in another. Or I may try to use a specific word in English that does not have an exact translation into Spanish, so that when translated literally the sentence does not make sense. Basically, everything I write or say out loud I have to run it through several filters first, one to remove the words from the other language, one to find the words to replace them with, and one to make the sentence make sense. Sounds exhausting, doesn't it? It is. Now imagine if in order to express yourself as you really are, in order to participate in a community with beings who understand and accept you like no other, you had to basically suppress half of who you are, all the time.

The problem is not only not being able to use my native language to express myself. As I have demonstrated in the last year and a half that I have been in this community, I am fluent enough in English not only to be understood when I speak, but also to express such complicated concepts as the self, human nature, the psychology of being, and all that comes with existing as nonhuman. The real problem comes when I try to express relatively common alterhuman concepts in my native language. I'm not just talking about labels like otherkin or therianthrope, which can be adapted to Spanish with relative ease. It's the little things, the simplest things.

For example, the term shift. The word itself is already difficult to translate; during my searches, I found a glossary of terms on the Otherkin Hispano website in which they call them "desplazamientos", which... is an accurate translation, I guess, but impossible to use comfortably in everyday life. There are also terms whose definitions use expressions that simply cannot be translated into other languages. For example, otherkin and otherhearted. In English, the difference between these two terms is that otherkin means "[to] identify as" while otherhearted is "[to] identify with". But this is a purely English expression. In other languages, the distinction does not exist, or it makes no sense to use it; therefore, these terms are totally inaccessible to any international user. Or compound words like "catkin", which are difficult to express in other languages. According to Otherkin Hispano, in Spanish it would be said as is without translation, Soy catkin. But that... is not grammatically correct, since it would be mixing two languages in the same sentence. The most appropriate would be to say Soy gatokin, which sounds wrong and doesn't make sense anyway, because kin is still an English word. Or "hearttype", which in Spanish could be roughly translated as "tipo del corazón" (kind of [the] heart). When saying that you have a specific hearttype, for example "corvidhearted", one way of expressing it could be a simple Soy corvidhearted, which carries the same problems as catkin. Or you could, as Wikipedia advises, say Soy corazón de córvido ("I am heart of corvid"). I don't dislike it, to be honest, but some might find it too metaphorical or poetic.

Finally, and before reaching the conclusion, I want to dedicate a few paragraphs to talk about the alterhuman community that exists in other languages. I mentioned before these communities; that although they do exist, they are very scattered through platforms such as TikTok or Instagram, with which I am not so familiar. But since I can't talk about Anglocentrism without at least talking about the Spanish-speaking alterhuman community, I asked my sibling Watcher @watcherwingedcat what it thought about the topic. This is what they wrote:

Hi guys, I'm Watcher, and I'm here to talk a bit about the Spanish-speaking therian community, which I think is the pristine example of the hate we receive both from people outside the community and from those inside, both Spanish and South American. While this post focused more on the language barriers, I want to focus on the real consequences of this barrier, how it divides us in the way we interact with each other: The social part of this whole thing (as I already said some other time or another and some of my followers know, I am studying Social Education, so from my point of view the social part is very relevant for everything we do). As my sister already said (hi Talon!), the English community is the majority in alterhuman spaces, but, what is the Spanish-speaking community really like?

Not very large, is the answer. The term itself is not very widespread, and the community is quite small. However, after a while of searching, I found it in a little corner of the internet. When I found a community in my own language, I was excited, but my curiosity and joy were soon extinguished... When I saw the reactions to their videos and posts on tiktok mainly. They were packed with hate messages. Packed. If you think hate in the English community is bad, you are not prepared for the hate received in other communities, especially the Spanish one. This is more a matter of culture, a little bit also due to the closed mindedness in countries like Spain, Argentina, or Colombia.

In general, the non-humans of the Spanish-speaking community mostly post about quadrobics and masks. At least, I haven't seen much beyond that, and the community is mostly in tiktok. And the reception of their expression of way of being? Disgusting. To give an example of how bad the hate is, in one of the videos I found (I think it was a therian making a mask or something), humans and non-humans were insulting the therian posting the video, discussions about how we are crazy and sick in the head and should be in mental institutions... It was horrible. The worst were the death threats, even, wishing the therian to die, or hang themselves, or worse (I've even seen rape threats). Comments that said things like, "If my sister told me she was a dog I would take her clothes off and force her to sleep outside and eat animal food, if she wants to be a dog I will treat her like one." Threats of abuse, both physical and sexual... Absolutely disgusting. And the worst thing is that the tiktok platform did not remove these hate accounts, the copy and paste messages of insults, the threats....

I am proud of the Hispanic community for being so open about their identity, don't get me wrong, but there are times when it is safer to just not share that part of who we are with others, especially if you are a minor and vulnerable. That's another issue that concerns me, as I've seen people coming out to parents, siblings, friends, and them just belittling them. That, coupled with misinformation, is a recipe for disaster.

I couldn't help but notice the deep root of misinformation in the non-human community itself. They confuse definitions, the different terms, which leads them to spread even more misinformation. This I don't think is entirely their fault, or that they are so young for the most part, as I have not seen Hispanic therians over the age of 18. I think this is largely due (as Talon already mentioned) to the language difference, and the lack of translation of certain terms. In general, when talking to friends with whom I am open about my non-humanity, I use English terms. It is a little weird to use those words in English while speaking in Spanish, but I am bilingual and for now there is no solution to that. I think the Spanish community would benefit from spreading correct information, and having a platform to express themselves with their own, like tumblr is for the English community. Something my sister expands on in dreir post. As for me here I finish my little comment, I'll leave you with Talon now. Watcher out.

As a conclusion, I would like to talk about the consequences that Anglocentrism might have on non-English speaking alterhumans, and then propose some ideas on how we might begin to address (or at least mitigate) it as a community.

First of all it is the obvious; the vast majority of non-English speaking alterhumans simply never realize that they are alterhumans in the first place, on account of the language barrier. All of the resources for beings who are questioning their humanity or lack thereof are in English, so they are not accessible to people who don't understand the language; therefore, a non-English speaker would have a much harder time accessing them. Another consequence is not being able to express your alterhumanity fully, both internally and externally. Remember when I mentioned that my thoughts are evenly distributed between English and Spanish, always keeping a 50/50 ratio? Well, recently, I have noticed that when reflecting on my identity as a dragon, all my thoughts are automatically generated in English. I find this deeply shocking, as I feel that a fundamental part of my identity is being eroded. It is devastating to feel that you can only express half of who you are, suppressing what could otherwise be a complex and multifaceted identity. Not being able to express myself in my other language limits my ability to explore that part of myself.

Anglocentrism is a cycle that never ends; since all the resources are in English, no members in other languages can join, and since there are no members in other languages, all the resources that are created are in English. And while I wish I could say that I have a solution to end this Anglocentrism once and for all, unfortunately, I do not. I am only one person (dragon), and this is a problem that I alone cannot solve. True, there have been some commendable attempts by the international community (translations of writings, alterhuman blogs in languages other than English, the Eurokin server on Discord are some examples); however, these initiatives often don't often get very far because of the very nature of the community. As I have already said, most of the alterhumans are North American or English, therefore any attempt to globalize the community would be restricted by the fact that there are not many members who would be interested in this in the first place. So what can we do to change this? The answer lies in you, reader. If you have a second language, encourage yourself to create writings in it from time to time. If you come from a culture other than the mainstream, talk about how that affects your identity. If you have traditions specific to your country that you believe are alterhuman in nature, share them. And if you are part of the English-speaking majority, I invite you to contribute in a positive way through simple actions, such as listening to us when we express ourselves in other languages, recognizing that we do not all share the same culture, and keeping an open mind when discussing topics that may be unfamiliar to you. Our strength as a community lies in the diversity of our members; let's embrace it.

#whispers of the dragon #otherkin #nonhuman #therian #alterhuman #alterhuman community #community writings #anglocentrism #ahpi writing challenge #Sol System's Alterhuman Writing Challenge 2024 #my writings

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jeonscatalyst · 4 months ago

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LET’S TALK ABOUT “ARE YOU SURE?!”

I started doing a very long review of the entire season of AYS but I changed my mind along the way because I have seen so many other people give reviews of the show which I generally agree with so me doing another one just to repeat the same thoughts felt a little unnecessary so I decided to look into some aspects of Jikook’s special bond which AYS practically reaffirmed or which some us might be finding out for the first time. This post is going to be incredibly long so brace yourselves.

These are mostly my observations and some of these observations are not new to me at all. These observations would be supported by mentions of moments from the show or twitter links to see some described moments.

*Jimin listens to Jungkook

I love how Jimin and Jungkook listen and pay attention to each other but it was especially beautiful to see this aspect of their dynamic play out in AYS. I noticed that no matter how unimportant what Jungkook was saying seemed, Jimin always listened to him, validated him and participated in the conversation . The two moments I recall the most (there are more) were from the Jeju episodes. In episode 5 while at the meat restaurant, I loved how Jimin just sat there listening as Jungkook explained to him how to tenderize meat. You could tell that for some reason that topic was important to Jungkook or he loved talking about it and Jimin knew this so he encouraged the conversation by asking follow up questions and Jungkook happily explained things to him. Now I don’t particularly think Jimin was very interested to know how to tenderize meat or all of that but it was beautiful how he created a space where Jungkook felt comfortable enough to just talk about the most simple things knowing that someone was actually listening and paying attention to him.

Then we also have the moment when they all got back from the last restaurant they visited in Jeju. We see Jungkook happily telling Jimin that he saw two bikers on their way home and this was so sweet on its own because things like this show you how innocent and child like Jungkook is because things like that still amuse or excite him but what was even more touching to me was Jimin’s response. Jimin didn’t just stay quiet or just say “ok”or “really” and leave it at that but he actually engaged in the coversation too and told Jungkook that he saw him waving at them. This was really precious to me because it’s beautiful how Jk knows that he can talk to Jimin about any and everything and he would always get a response that doesn’t make him feel like what he is saying isn’t important.

These are things that people easily ignore or undermine but seeing moments like this explains why Jungkook said he found the greatest comfort in Jimin and why Jimin is who he went to when he needed company.

*Jungkook is more verbally expressive around Jimin.

I don’t know if many people have noticed this but when watching BTS content, it is easy to notice that Jungkook is usually quieter among all the members. He doesn’t talk much and rarely ever initiates topics for discussion but just goes along with them. We usually see more of the physically expressive side of Jk when he is around other people but AYS showed me a side of Jk I must I admit I didn’t know too well.

With Jimin, Jungkook is more vocally expressive. We saw him literally take lead of conversations, vocally express how much he loved the show and how much fun he was having, we saw him initiate conversations quite a bit and I must say this felt new ans different from the Jk we know in other content who usually can’t even speak over his hyungs. We usually saw him try to say something and eventually give up, he didn’t vocally express his thoughts much unless he was specifically asked but with Jimin, he is so different. Maybe the more accurate way to put this is that Jungkook is the biggest yapper around Jimin even though he goes quieter with others.

I also love the fact that we don’t only see him vocally express his happiness. I love that we see him express his frustrations at Jimin too. When he is mad at Jimin he doesn’t hide it, when he is not impressed he doesn’t hide it, when he is sad or hurt by something Jimin says or does he doesn’t hide it. This shows a very deep level of understanding and trust because Jungkook knows he doesn’t have to pretend around Jimin. He is sure and secure in whatever bond they have that he is ok with showing Jimin every side of his. His happiness, excitement, pain, sadness, frustrations, anger. This is what an ideal relationship is like to me. This is what a real deep connection feels like to me and seeing Jikook like this melted my heart. I was so happy to able to see this side of Jungkook because it’s not a side we had seen alot.

I love how Jungkook feel comfortable talking about the most mundane things in settings where he feels the most comfortable or with people he feels the most comfortable with. After watching AYS, I got to finally understand why Jungkook loved doing very long lives so much. I think we can all agree that there is a certain level of comfort Jungkook feels when he is Live. He talks about any and everything to us seated on the other sides of our screens watching him. He tells us about the size of Bams poop, tells us about meals he loves to cook, tells us about the most unserious stories about wanting to meet and befriend ghosts, he feels comfortable falling asleep with us watching. When I think about it, I feel like he does that alot because he knows he can just talk and we would just listen without judging or openly judging the things he likes to talk about. Maybe with some friends or actual people in his life, he can’t just sit with them and talk about whatever he wants to talk about because some people might not find the “weird” things he likes to talk about fun or interesting, i mean how many people want to just sit there and hear about meat tenderizing? How many people want to sit and hear or talk about the size of a dog’s poop? How many people would just be quiet and listen to you talk about sand fleas? I think when Jungkook is around people he or settings that he knows he can just be completely himself and talk about whatever he want, he just goes off completely. That is how I see him and Jimin.

*Jikook truly enjoy spending time together

I’m sure many of us already know this but AYS once again showed that Jimin and Jungkook actually love spending time together. I’m not talking about time where they can just meet, do one of two fun activities and then go their separate ways, I am talking about them truly enjoying each other’s company no matter what they are doing. We saw them sticking together, choosing to do almost everything together and going to bed together even when there was another member in the mix. After their showers on those nights in Jeju, they could have just gone and done their different things like we saw tae do but they enjoyed sticking together and doing things together. It makes sense why over the years, we have heard from members and staff that Jikook were together alot. Makes sense why they called themselves all nighter buddies and we saw that dynamic at play in Jeju.

*Jikook have an insane amount of Inside Jokes

This is one nobody can argue. Jimin and Jungkook have an insane amount of inside Jokes and they watch alot of the same things. So many times people around them don’t understand the things they say. Hell even us watching had to wait for people to dig and explain to us what some of the things they said meant.

We saw this at play again throughout the AYS episodes. I love how Jimin and Jungkook instantly get each other and how they immediately pick up what the other is saying while others around them are still trying to figure things out. This is one of the ways you can tell that two people spend alot of time together and know each other deep.

*Jikook don’t need alot to feel happy and to have fun with each other

Jimin and Jungkook are two people who can create fun and happiness for themselves in any situation. They don’t need to be doing any fun physical activities to really enjoy or have fun being around each other. Just a simple drive, a walk, a meal, or just sitting down talking is fun for them. Just a train ride listening to music from the same airphones is interesting and fun to them. They don’t get bored around each other doing the most mundane things. They honestly enjoy the smallest things and as Jungkook said “These simple things were fun” (referring to walking around the streets of Tokyo with Jimin in 2017)

They create their happiness and fun anywhere they are doing anything …..

It’s just the little things….

Little 5 year olds playing after lights out😂

*Jungkook loves making Jimin laugh

This is something we all already knew but seeing it again in AYS was so cute. Jungkook really loves making Jimin laugh and I guess that the fact that Jimin is usually ready to have all his teeth out laughing and any little thing Jungkook does, gives him more motivation. Jungkook doesn’t mind looking like a clown if it means that it will make Jimin laugh. He teases him even sometimes just to get a chuckle out of him.

* Jimin finds Jungkook very endearing

Do I even need to explain this? Sometimes it feels like to Jimin, Jungkook is the cutest, most endearing, funniest person in the world. I don’t think we see Jimin laugh around any other people as much as he laughs around Jungkook. The man is a giggling mess anytime he is around Jungkook and I can’t even blame him because Jungkook sure likes making him laugh. He sometimes gets lost in Jungkook too you know….

*Jikook just get each other

Another thing I noticed again in AYS is how much Jikook just get each other. They don’t need words ti understand how the other feels. Doesn’t matter if they are being silly or serious, they just get what the other person is trying to express.

An example of this would be while they were at the ham and pink sausage restaurant in Jeju, after their little “incident” Jungkook immitated a meme which someone did when he needed an apology and Jimin understood what Jungkook needed immediately just by seeing him immitating that meme, and he apologized.

(First clip from this compilation)

Another moment that showed how much they just get each other was in episode 8 when Jungkook noticed that Jimin felt sad about the trip ending. Jimin didn’t say anything but Jungkook noticed it and starting doing stuff to cheer him on starting from playfully touching his head (even though he knew Jimin didn’t like when his head got touched) and reminding everyone that Jimin doesn’t like it bit he is doing it, to teasing him with the camera in his face infront of the restaurant to opening the windows of the car on their drive to the airport because he knew Jimin had said he goes to cold places when he is is a slump.

Touching his head

Playfully zooming into his face with the camera

Opening the windows to let the cold air in to lift their moods:

We also saw him being soft and reassuring to Jimin after he sensed that Jimin felt bad about the trip ending. What he says here, how he looks at Jimin and how he rubs Jimin’s nape/back trying to comfort him, was so beautiful.

* Jungkook likes zooming into Jimin’s face

Do I even need to explain this part? We’ve seen him do this for years and it was kinda funny to see it again on AYS

*Jimin is Jungkook’s Jungkook!

I don’t even know how to explain this other than saying than showing you this….

Jimin constantly singing Jungkook’s “3D” as “peuriri” and constantly going “standing next to you” every two seconds is so Jungkook of him. Jungkook gets a taste of his own medicine and doesn’t know how to handle it.

*They clearly keep up with each other/ they know each other so well

Contrary to haters beliefs that Jikook don’t keep up with each other outside of content, it is clear that they do. We saw it when Jimin dropped “Face” and we saw it again on AYS with Jimin and singing Jungkook’s song before it was released, Jimin knowing about Jungkook’s schedules, Jungkook knowing about Jimin’s second album release and even seeing the video of Jimin dancing with kids. Infact during the Jeju and Sapporo episodes, it was so obvious to see that those two knew alot about each other’s activities, schedules and plans. You didn’t see them getting surprised after getting information about each other.

To add to this, it was very clear that Jungkook knows what Jimin likes and vice versa. He knew Jimin would like his food spicy, he knew Jimin would enjoy the beef stew he cooked in Jeju. Jimin knew Jungkook would enjoy climbing and racing so he picker that place. Jimin knew Jungkook liked driving abroad, Jimin knew Jungkook had to go to the US to film with Usher etc. No arguments here.

* Jungkook loves to cook for Jimin

We already knew this but this was once again confirmed in AYS.

* The people around Jikook know how much Jikook are around each other.

Over the years, we have heard from members and people around Jikook say just how much time Jikook spend together and we once again got something like that from AYS.

Tae saw Jk do the soju bottle trick and immediately assumed that Jimin taught him. This is something that many people would miss but If Jikook didn’t have a habit of being together alot and drinking together, Tae who actually knows two of them personally wouldn’t have immediately assumed Jimin taught Jk that trick after seeing him do it and the funniest thing is, Jimin said Jk didn’t even learn it from him so why didn’t Tae think of anyone else or even assume that Jk learnt from tiktok or youtube? Why did his mind immediately go to Jimin? Jimin is not the only member or only person connected to Jungkook who drinks Soju. It was interesting getting yet again another confirmation of just how much the members and people around Jikook know about them being together alot.

*Taekook and Jikook are NOT the same.

I’m sure everyone already knows this but watching the Jeju episodes with Vminkook just once again showed how much of a difference there is between Jk bond with Tae and Jimin.

While some jikookers didn’t like the fact that Tae joined Jikook in Jeju, I loved it because I love seeing vminkook together as they are adorable and also because when they are together, you really get to see the difference in their dynamics. It was very noticeable how Tae and Jk bring out the chaos, playfulness and childishness from each other and they have so much fun doing activities together but you could see clearly that those two just don’t gravitate to each other in the same way Jikook do. By gravitating to each other I don’t mean sitting side by sideto have meals and none of that nonsense taekookers consider people gravitating towards each other. What I mean is, even if Jikook are not seated together, it was easy to see how their eyes searched for each other while they talked. While they all discussed, it was easy to see that Jk’s eyes mostly searched for Jimin’s and vice versa, it was easy to see how they mostly talked to and interacted with each other more during meals even though Tae was there. It was easy to see how they usually stayed with each other after their baths and only went to bed together while Tae always went to bed earlier. It was easy to see how when ever they had meals, Jikook would always look to each other to ask “is it good” regardless of whether they were alone or with Tae. They spoke to each other more, interacted more and even when Jk tasted something that seemed familiar to what he had had before, he looked to Jimin to ask if it was what they had at another restaurant at some point.

They understand each other in ways others don’t. They quickly get each other’s jokes while Tae sometimes looked a little lost. They have the same humor infact, you just cannot miss to see the difference when you pay attention. It was as clear as day and night.

It was also clear that unlike Jikook, taekook don’t really feel the need to be around each other much when they aren’t actively doing anything. We all saw how early tae usually went to bed not caring alot to hang around Jk, we saw how much time he spent on his phone even while they all were together, we all saw how even when Jk got out of the pool just after Tae did in episode 5, he didn’t go to shower at the same time Tae did. We Tae leave to shower and go to bed while Jk stayed behind teasing and playing with Jimin before they showered and later went to bed together around 4am. It was the same thing that happened the night before. Jk was clearly thoughtful of Tae and wanted him to feel included but we could see that he didn’t really feel the need being around him much because if he did he probably would have showered and gone to stay upstairs with Tae but he didn’t. He stayed downstairs with Jimin and they only left for bed together while tae was already asleep. This isn’t new as we know Jikook have always loved spending time alone together at nights and in their quiet moments but it was interesting to see unfold in AYS.

Remember all the times members (especially Tae) mentioned Jikook being together alot at nights? Some people said he lied all those times because he was hiding his relationship but we could all see that happen in AYS. It happened on both nights they were there.

While Jikook have this strong gravitational pull and enjoy being around each other’s vicinity at all times and not just when there are fun activities or other things to be done, we could see that this wasn’t the same with taekook. Tae felt like napping, he went upstairs to nap, Jimin felt like napping, he napped in the living room next to Jungkook who was cooking. Over the years, we have tons of moments where Jk could be seen going to sit or sleep by an already sleeping Jimin. They crave each other’s presence even when they aren’t doing anything but this isn’t the same for taekook and AYS confirmed that once again.

*Jikook are so domestic

Watching AYS, it was so easy to see just how domestic Jikook are. We got an opportunity to have a look into what their lives and days look like when they are not busy being idols and it was the most comforting beautiful thing ever. Them waking up and going to cuddle each other, cooking together eating together, going shopping together with Jungkook disappearing and getting on Jimin’s nerves😂, have little discussion’s together, drinking together, watching and reacting to a show of themselves together, making plans to eat, sleep, shower, play etc together, it was just so perfect. Perfectly and positively boring everyday life yet they looked like they had so much fun doing all of that TOGETHER!

*They have the most random conversations and do the weirdest things

Just jimin casually talking about wanting to sculpt his ass and Jungkook listening attentively😂

Whatever this conversation was……

I don’t know what goes on in their minds

Whatever this was

*Jungkook loves Jimin’s attention /loves to tease him to get it

*Jungkook is inlove with FOOD!

He looks at food like true love😂

*Jikook could be sus sometimes or most of the time tbh

Whatever this was…..

I mean….

This taken out of context…..

Hmmmmmm……

*Jikook like to bicker

They bicker sometimes like an old married couple

*Jimin and Jungkook loved their trips with each other!

Do I even need to explain this? I feel like the entire episode 8 explains this pretty well.

Ok, so these are some of my observations about Jikook from AYS. I might be editing this post in the future to add some more observations as I rewatch the entire show to see if I can catch other things I missed. Consider this my review of the show.

#jikook #jungkook #jimin #are you sure #ays #jikook blog #please ignore the typos #too lazy to go over the post to correct mistakes

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cupidlovesastro · 4 months ago

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🌞𝕠𝕥𝕙𝕖𝕣 𝕡𝕠𝕤𝕥 𝕪𝕠𝕦 𝕔𝕠𝕦𝕝𝕕 𝕖𝕟𝕛𝕠𝕪 🌙

astrology observations #16 (child of the sun)

fire sign observations

fixed sign observations

leo is ruled by the sun, the planet of self expression, identity, life, your core, the ego, your father, masculinity, energy, your personality, what’s conscious. leo’s are positive, loving, passionate, bold, dramatic, assertive, courageous, confident, leaders, determined, and enjoy attention

moon represents emotions, intuitions, comforts, unconscious mind, instincts, spirituality, motherhood, fertility, femininity, and your home.

topics covered in this post- emotions, good mom traits, bad mom traits, leo moon face, your house/ room, leo moon celebrities

♌︎ your emotions may be quite dramatic and bold. they may also lead you whenever you are upset. you may over identify with your emotions as well, or just identify with them in general. you may relate more to your moon sign than other placements. you may be someone who’s very optimistic and tries to see the good in everything. your emotions may make you take risk, sometimes beneficial, but also sometimes not so much. you have a lot of emotional energy as well, it can be draining at times for you and possibly for others. you are confident in your emotions though and confident in your intuition. you may be someone who follows your heart and gut feeling often. you can also be very confrontational when has hurt your feelings. you are someone who is very loving and affectionate, and you may express this often. you may also have a lot of love in your heart in general. when low vibrational or unevolved, you could seek attention through your emotions. you might make a bigger deal out of things for the attention of it all. since this is a fixed sign, you may be quite stuck in your feelings often, and stand beside them no matter what others think. a lot of “i feel how i feel” energy

♌︎ the moon can also represent comfort. tv shows may help comfort you, especially reality tv or shows that are in the drama genre. you may also like theater and plays. you may also enjoy things that make you feel seen or heard. venting and ranting may help, especially on a platform of some kind, but also loved ones. having an item you really love may also be very comforting. i can also see this placement feeling comforted when they were able to pour their heart out

♌︎ if your mom was a good mom she showed you lots of affection and attention. she may have also put you in things in school that would give you a lot of confidence, respect, scholarship, etc. making you feel confident was also important to her, just as much as making you feel loved. she could be a confident person herself and had leader like qualities. she may not back down from an arguments and likely didn’t let people walk over her many people may look up to her. she was an optimistic person herself. she was also very hand on with you and could’ve showed her affection in various ways, but mainly physical touch

♌︎ if your mom was a bad mom she may have been an attention seeker and may have used you so she can get attention as well. she could’ve been pessimistic and not a very confident person. she could’ve struggled to show you that she loves you and could’ve been more distant than hands on. she may be very controlling or manipulative as well. there could’ve also been lots of love bombing. she may have been an angry person who lost her temper often too. she could’ve had a complex as well, and thought she was better than everyone else

♌︎ moon can represent the face. leo moon celebrities can have a face of a cat. they also tend to have slimmer eyes, upturn almond eyes especially. longer nose bridges that are pointier at the tip. as well as higher cheek bones and shorter/ rounder faces

♌︎ you may want a house that’s very self expressive. you want people to walk in your house and immediately feel your vibes or energy. you also want your house to give a positive energy and impression. if or when you live with people you are definitely the boss of the house. you could like your house or room to have bold colors or a dramatized version of an aesthetic. like you will go all the way for the aesthetic of your house. your house, wether it’s the exterior or interior, catches people’s attention quite easily. your house has very loving energy and definitely give people good vibes. if you don’t have a house/apartment, it could apply to your room

♌︎ leo moon celebrities- megan thee stallion, marilyn manson, paris hilton, halle berry, queen elizabeth the 2nd, david bowie, monica bellucci, lana del rey, megan fox

#astrology #astro community #astro posts #astro observations #astro notes #astro placements #astrology chart #astrology stuff #astrology signs #zodiac shit

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zshiftsrealities · 15 days ago

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HOW I APPROACH SHIFTING/MANIFESTING AS A RELIGIOUS PERSON

this post was inspired by @st4rg1rl-1nterlude's blog.

I haven't put any personal information about myself out here yet, so this is going to be the first time I do anything of the like. I am a Muslim, and why I didn't really make a post like this before, is because I didn't find anyone who was also a Muslim and active in this community (or so I thought). only yesterday did I find out that there actually ARE other Muslims out here, and so I thought that maybe, if I share my pov on shifting/manifesting, it could help out someone else too. that's the intention behind this post.

just a quick note before I start, I am absolutely not bashing anyone for what they believe, and how they perceive shifting/manifesting/anything else. this is just my view that I wanted to share with other Muslims. and for the people who follow me, and may believe differently than me; this is absolutely a safe place, and I totally respect each of your respective views.

there's going to be religious references (ayahs, etc), so if you're uncomfortable/uninterested, you can stop reading here.

okay now onto the topic.

• how I approach shifting?

as Muslims, we know that our bodies are not ours, and have instead been trusted onto us by Allah. we are the soul, not the body. and the body is only given to us so we can experience the 3D world. right?

that's exactly how I approach shifting too. since I am not the body, but the soul (or pure consciousness), i'm not bound to it. and souls, do not have any identity attached to them. and since we are souls, then — ultimately, everything that is true for the soul is true for us too. meaning we also do not have any identity attached to us. we aren't defined by gender, race or anything as such. we are just energy (soul). that's all. and energy doesn't feel happiness, sadness — any emotion, as humans do. not claiming that souls don't feel anything at all, but they're more at peace — taken separately — as compared to the vessel.

now onto the topic of "shifting is haram", so, personally — no. not to me. "haram" refers to something that will inevitably hurt you, or put you in harm's way (whether physically, or emotionally). that's the only reason why Allah has made many things haram. but shifting is literally just being aware of another you out there. it's like switching from one channel to another. and before you ask "but if we do something that's haram there, will we get sin for it?", so also, no. because in this moment, there are a billion yous in different universes, that are maybe commiting crimes, arson, whatnot. will your scale be filled with all of that? no. your scale is only going to be filled with what you do HERE. in this body. the body that you were first put in. what your soul — which is just you — does here. also your soul doesn't shift, your awareness does. (keep in mind, this is my view, and you're not liable to taking my word for anything).

now,

• how I approach manifesting?

manifesting is much more simpler. it's like making a dua, and knowing you'll get an answer 100% because of who you're asking. it's literally the EXACT same.

the only things you have to be mindful of is your self-concept, and your concept of who Allah is. if you absolutely believe that Allah can do anything for you, but you don't think you deserve it, then you'll probably not get it. why? because ultimately, your view of self will be reflected in your belief in Allah. if you think "I asked Allah for a car, but I don't think I'll get it because I don't deserve it" then even though you did ask, you won't get it, because you think you're not worthy of getting an answer back from Allah.

similarly, if your self-concept is absolutely perfect, but your view of Allah is, "he won't give it to me" or "Muslims don't get what they want in this life" or "everything comes after struggling", then do you see what you're doing here? assuming, and your assumptions always come true. also, your belief in you — or anything for that matter — cannot ever be more than your belief in Allah. so you won't get what you want, again.

why? see this.

"Allah the Exalted said, `I am as My servant thinks of Me.'" — Hadith 15, 40 Hadith Qudsi.

how you view Allah is exactly how you'll see Him be with you. so only think good of Allah, that is exactly what He is worthy of.

"Allah intends for you ease and does not intend for you hardship," — Surah Al-Baqarah, verse 185.

so, when Allah intends ease for you, you don't have to struggle to finally have what you want. Allah doesn't take any enjoyment in making you wait. He does not. so when making dua/manifesting, think beforehand about your view of your Creator.

you're not selfish for wanting the world and the akhirah. you can have both. your Lord will give you both. so, in your relation with your Lord, keep a good view on both you and Allah. that's how everything will work out.

and I know there are many posts and views that state that "you are the creator" or "you are the God" and "there's no higher being", and honestly, that's just their view, and it's valid, for them.

but for us, Muslims (or anyone who believes in God), we know that God takes care of everything 24/7.

"Not a leaf falls but that He knows it” — Surah Al-An'am, verse 59.

so, if even something so mundane is controlled by Him, it's almost absurd to read the notion that "we are the creator", much less believe it, right? and you don't have to. because you know your Creator will never ever leave you without giving you something that He has set your heart upon. so you don't have to control anything in the first place. just say what you want, tell Him and believe you'll get it, and without a doubt, you will.

incase that I skipped over anything, or if you have any questions, anything — feel free to ask.

#reality shifting #shiftblr #shifting reality #shifting #shifting blog #shifting realities #shifting community #loablr #manifesting #shifters #shifter #loassblog #loassumption #loa tumblr #loa blog #void state #void #muslim #muslim shifter

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idkanymoreokay · 6 months ago

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I have so many thoughts on the friendship between Flynn and Cassandra, I could write a million essays on it. But something that has really jumped out to me during my current rewatch is the way these two just easily understand each other without even trying.

They talk without having to verbally communicate most of what they're saying. They don't even seem to be aware of the fact everyone else in the room is looking at them in confusion because they can't hear the unspoken parts of the conversation.

They bounce ideas off each other so easily, instantly pick up on each other's trains of thought, and practically finish the other's sentences or ideas.

These two neurodivergent geeks, who never had anyone in their life truly grasp what goes on inside their head, suddenly found someone who knows and it's like they instantly latched onto that connection.

Cassandra also has her very close friendship with the other LITs, and Flynn has his relationship with Eve, but it's their friendship with each other that lets them both explore and indulge the parts of themself that other people just don't understand.

Cassandra is definitely the one out of the LITs that is most like Flynn, both in her skills as a Librarian and also in her personality and how her lightning speed thoughts tend to get translated into her words and interactions with others. (Which is a whole other topic I'd love to dive into another day.) But, yeah, it makes so much sense why they have no trouble at all understanding each other.

(Edit: Nope, that was supposed to be the end of the post but I have too many thoughts that need to be shouted into the void. Their friendship is very important to me. So...)

Jumping back to the very beginning - During the first two episodes, Flynn is perpetually annoyed by Ezekiel and just kinda ignores Stone. But Cassandra… He's absolutely fascinated by her from the moment they first meet. He takes a minute out of their incredibly urgent life-and-death mission to discuss her being a synesthete and geek out a little over the fact she has an eidetic memory like him. And Cassandra's immediate reaction of "Yes, wow" is like she can't believe someone is capable of immediately understanding what's going on inside her head and is 100% okay with that and not at all bothered by her being "different".

And then they get to Stonehenge:

And I think this is the moment Flynn really starts to appreciate how brilliant Cassandra is, and how very much like him she is. Flynn is a fairly competitive person with a genius brain like no other, but he doesn't get upset or offended when she takes over the calculations, and even carries them out faster than he could have. If anything, he looks genuinely impressed. He instantly understands what information she needs and readily gives it to her so they can continue solving the puzzle. They immediately settle into this easy back and forth, this rapid exchange of information and clues as they work at putting together the pieces. He's able to talk to her in a way he can't talk to anyone else. It's probably been a long time (if ever) since he's interacted with someone who can keep up with him.

Even after Cassandra has betrayed Flynn -- causing him to lose his home, the only family he had left, his best friend, and potentially his life -- he instantly accepts her back on the team and even sticks up for her when the others object. At this point, she hasn't apologized, shown any indication of remorse, or had a chance to make amends. And it doesn't matter to him. "She had her reasons" - and that's enough for him. He lets her out of the cell and immediately wants to hear her plan for stopping the Brotherhood.

And I think this is the moment when Cassandra -- similar to Flynn's realization at Stonehenge -- suddenly realizes that someone else can grasp her thought process. That someone understands the way her brain works. That someone is capable of following her trains of thought and not getting lost in the ordered chaos of her mind.

Just look at her smile!! She is trying to get across what she wants to say, and she's so used to having to break things down for others and still not being understood, and here's someone who instantly picks up what she's trying to convey. Look how utterly happy and excited she is when he gets it.

I love how much they appreciate each other's genius. I love how they can communicate on a different level. I love how much they genuinely care about each other.

And I absolutely love that it's through Flynn that Cassandra manages to have her moment for redemption, because he's already clearly demonstrated that he's the one member of the group she doesn't have to prove herself to.

I just... 😭😭😭

I love that Flynn has zero people skills and a very weak grasp on the concept of friendship and yet he meets this brilliant, weird, amazing young person and pretty much instantly connects with her. Because, like her, he also spent most of his life invisible and now someone actually understands him and is already so important to him, even if it's a while yet before he'll really fully understand the concept of friendship.

I love that Cassandra has spent most of her life feeling unseen and never truly accepted by the people around her. And then she meets someone who immediately sees her and understands how her mind works and appreciates and trusts her, and who introduces her to this life of mystery and magic where she can use her talents to save the world… and she already knows that he's important to her even if she doesn't realize just how much her life is going to change because of him.

There's SO MUCH more I could say about their friendship, but I should probably channel some of it into an actual blog post at some point. For now, here's some cute moments I grabbed while getting the screenshots for this post:

#i know this fandom is dead but i had thoughts that needed to be shouted into the void #these two are very special to me #and i just love their friendship so much #flynn carsen #cassandra cillian #meta stuff #character analysis #long post #the librarians #thoughts for the void

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wavesoutbeingtossed · 3 months ago

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The TTPD Deep Dive (Part ?)

It’s no secret that I have a lot of Thoughts about The Tortured Poets Department and it has lived rent-free in my head since it came out earlier this year. I’m absolutely blown away by how underneath the chaos, it’s actually an exceptionally cohesive story and is probably the closest to a concept album Taylor has ever done.

There are so many themes that have stood out to me over the last five months, and there’s one in particular that I think not only drives the entire album, but ties into previous albums to help deepen understanding of it.

This is it, my fangirl magnum opus, my months of posts consolidated into one place. This is also my disclaimer that this is just my interpretation of the album, and my summary of the story it tells, and I don’t pretend to have any special insight or authority. I’m not saying I’m correct at all, do not take any of this as fact, it’s just what it sounds like to me, and these are my silly not-so-little thoughts about it.

(Under a cut because it’s way too long and involves discussion many may not care for or be sick of.)

Come one, come all, it's happening again (I'm thinking too hard about Taylor music)

The overarching theme in TTPD to me is: Grief. If you’re looking at TTPD as a story being told (instead of just as someone’s real life), the inciting incident of TTPD is loss, and the grief from that loss is what drives the narrator’s actions and the fallout, as well as unpacks those complicated feelings and how they apply to the her life in general. By the end of the standard album, it’s also about recovering from that pain, moving on from it and learning from it.

The loss specifically is the loss of the dream of having a family (with one’s partner). One thing that is abundantly clear both on the top line and under the surface in TTPD is how Taylor (as a person and as narrator) longed not only to for marriage but specifically parenthood, and the fear and then realization of losing that chance absolutely wrecked her— which is why the next lover’s (the conman's) wooing worked so well, because it preyed on that yearning. Yet that loss also dovetails into the grief of many things: of youth, of idealism, of relationships, of ideas, even of self, which causes almost a deconstruction of a belief system to piece one’s life back together by the end.

THE CONTEXT

TTPD weaves in the topics of marriage and motherhood both explicitly and in the subtext, in various forms and scenarios. The cheating husband in “Fortnight.” The wedding ring line in “TTPD” the song. “He saw forever so he smashed it up” in “My Boy Only Breaks His Favorite Toys.” All of “So Long, London.” Running away with her wild boy in “But Daddy I Love Him,” fantasizing about weddings and joking about babies. The imaginary rings in “Fresh Out The Slammer.” The cheating husband (again) and the friends who smell like weed or “little babies” in “Florida!!!” “You and I go from one kiss to getting married,” “Talking rings and talking cradles,” and “our field of dreams engulfed in fire” in “loml.” (And arguably: “I wish I could un-recall how we almost had it all.”) “He said he’d love me all his life, but that life was too short,” in “I Can Do It With A Broken Heart.” They may not sound like much on their own, but they paint a picture about how the topics pervaded her thoughts and her writing, and in many cases express her desires, and her pain.

It’s something that goes back several albums when you pick up on context clues. You get the first hints on Reputation with “New Year’s Day,” and “you and me forevermore.” Then Lover is very forward with it: “Lover” is basically wedding vows, “Paper Rings” is very engagement-coded, “I Think He Knows” is cheeky but low-key “you better put a ring on it,” “It’s Nice To Have A Friend” has wedding/marriage imagery in the last verse. As a self-professed diaristic writer, it’s the type of stuff one presumably doesn’t put out there unless those conversations have already happened, and she was very excited about it at the time it was released.

Then the pandemic happens and folklore comes out, and while there is still happy love there (“invisible string”), there are also the first indications that something has happened to put a halt to whatever future she once dreamed of (“hoax,” “the lakes”) and that she’s trying to reassure herself and him that it can still happen even if she’s scared it might not (“peace”). Notably, as far as I can remember it’s the first time Taylor explicitly brings up the idea of family (with her partner) with “you know that I’d give you my wild, give you a child,” which stood out at the time because it’s so incredibly vulnerable, but it’s even more poignant when you really take in that the whole song is like a confession of her deepest worries, and this is her vowing to give him these things that she holds most sacred if he’ll let her. These are what she cherishes most dearly and wants to return in kind: her youth and commitment (my wild), the family she craves (a child), unconditional support (swing for the fences/sit in the trenches) and understanding/compassion (silence that only comes when two people know each other).

Evermore follows an even darker path, and suddenly the album explores relationships that end and grappling with loss. There are toxic relationships (“tolerate it”), dangerous marriages (“no body, no crime,” “ivy”), failing/broken relationships (“Coney Island,” “champagne problems,” “happiness,” “‘tis the damn season”), as well as grief (“Marjorie,” “evermore”). Even some of the happy songs have uncertainty in them: in “willow” she’s begging for him to take her lead, like she’s still trying to decipher him and ask him to commit; in “cowboy like me,” still a beautiful love song, she’s thinking, “this wasn’t supposed to work and we were supposed to bail on each other but we fell in love instead”; “evermore” is about the depths of severe depression (and more) with the love story being the one saving grace in her darkest hour. And it’s also notable that after all the “fiction” writing, shortly after this album she writes “Renegade” where she’s telling the subject: I’m ready to start the next phase of our life now, why aren’t you? Is it me you don’t want after all? It’s like there’s something telling her that this stall might not just be a stall.

Midnights is a jumble (in a good, but in hindsight, also sad way) with the “sleepless nights” concept, but it seems pretty clear now that the themes and events and relationships she was revisiting tied into a lot of what she was feeling in her present life. I wrote the cliff notes version awhile back, but she’s questioning so much of her life that’s reflected in past events and relationships. Am I actually always the problem? How did we lose sight of each other and what we had? We only seem to work when we block out everyone and everything else. Can we ever go back to when things were good? Why are you neglecting me? I once thought I was going to lose everything but you saved me in the nick of time, can that happen again? I chased my career, but did I give up my chance at having a family in the process? Nobody knows what I really suffer from behind closed doors and I’m all alone.

And so on, which in retrospect now that we have TTPD, is very much what she was grappling with in private while writing and releasing the album. The inspiration behind the songs may have been different events and muses, but regardless of their origins they all end up feeling too familiar, like she's seen this film before (ahem). We’re seeing her view of commitment change too, or rather how she writes about it: she’s not making the outright declarations of it like on Lover, or even the implied ones on folklore, nor is she talking of the dark side of it like evermore. For the most part it’s a return to the early days of some relationships, before things got hard, or the end of them when there was nothing left, and also pushing away the discussion of it altogether by the outside world. “Sweet Nothing” is a sweet slice of life, but even at that, it’s the peace of the home in conflict with the pressure of the outside world. Now that we have “You’re Losing Me,” which was written at the same time as the rest of the album, we can probably deduce that she was going back to the start because something happened that made her doubt the future.

THE SETUP

So much of Midnights directly ties into TTPD, and I said in the post I linked that it’s like Midnights is asking the questions that TTPD answers. But there’s one song in particular on Midnights that sticks out to me as being key in the broadest sense to understanding the state of mind that led to the events of TTPD, and that’s “Bigger Than The Whole Sky,” because the way it expresses grief is reflected in the theme of mourning a life built and the dreams along with it that are never realized in TTPD. There are several instances in TTPD that are basically variations of: “every single thing to come has turned into ashes,” and that’s what makes her snap, and leaves her vulnerable to someone who promises her those things when she’s bereaved at losing them in the first place. (In other words: “the deflation of our dreaming leaving me bereft and reeling.”) The song tells a story about how that loss of hope colours one’s entire mindset, and in some ways is a bridge to TTPD to understand what such a low point feels like.

I think that that grief, and most importantly losing hope for an imagined future in its wake, is fundamental to understanding TTPD on so many levels: both the decline with one partner that kept her hanging on then led her such a dark path, and why she fell for the conman's apparent bullshitting because it offered an express pass to what she was losing with her partner. And I also feel like it plays a part into the ruminating she’s doing all over Midnights, trying to make sense of where she finds herself when she’s writing the album, which directly leads to “You’re Losing Me.” Loss permeates so many of the stories on Midnights: of lovers, of innocence, of youth, of faith, of control, of life’s work, etc. “BTTWS” is just one of the ways in which it is expressed so fully, capturing that deep depression and subsequent extinction of faith in something that once felt assured and very much wanted. (Which is also mentioned in her writing process in the “Depression” playlist on Apple Music.)

If you understand why that feeling of loss in general across so many parts of life is so important to Midnights, then it illuminates so much about the “narrative” in TTPD too. If on Midnights she’s wrestling with the seeds of grief and loss (on multiple fronts), TTPD is her reckoning with it in its full form. “So Long, London” is the song that is the most explicit about it: How much sad did you think I had in me? How much tragedy? Just how low did you think I’d go before I’d have to go be free? You swore that you loved me, but where were the clues? I died on the altar waiting for the proof. It’s the sequel to “You’re Losing Me.” It’s, the air is thick with loss and indecision, I know my pain is such an imposition, I’m getting tired even for a phoenix, all I did was bleed as I tried to be the bravest soldier, I’ve got nothing left to believe unless you’re choosing me, my heart won’t start anymore, but from the other side of the break.

This is highly speculative, but if you follow the thread about the topic and the relationship as told from Rep through TTPD, in broad strokes it goes: young love with a serious connection (Rep) -> growing up and making life plans (Lover) -> something happens that delays those plans or makes them grind to a halt (folklore) -> serious doubts arise and cause a loss of faith in their future (evermore) -> struggling with the loss of that future and trying to make sense of the problems in a last ditch attempt to save the relationship (Midnights) -> fallout from that grief after the blowup of the relationship (TTPD). Understanding that progression of events (through the music) explains not only the storytelling side of TTPD (e.g. the jump from the partner to the conman) but also how the experiences/muses blend in the music, and how the music that on the surface is about the short-term relationship is really driven by the destruction of the long-term one.

Following the music, it’s IMO implied that Taylor (the narrator) was holding out for marriage and family with her partner, for years, and it seems like it was at one point a shared dream until something happened to pump the brakes, and seemingly on her partner’s end. And extrapolating further, given how the sorrow expressed in former albums bleeds into TTPD, it sounds like a plan that had been concrete in some form before it had fallen apart, and losing something that once felt so tangible is what drives her in her grief to find any kind of respite from the pain. Which is why the situation with the conman becomes so appealing as the one with the partner splinters further and further.

(If everything you’ve once touched is sick with sadness and you don’t want to be sad anymore, what are you left to do?)

THE STORY

So (one part of) the story kind of sounds like this from the standard album: the relationship with her partner as well as his mental health slowly deteriorate and he withdraws emotionally (“London,” “Fresh Out The Slammer”) and physically (again, “London,” and “Guilty As Sin?”) and takes his resentment out on her (“London” and arguably “My Boy Only Breaks His Favorite Toys” even though I don't want to get into muse speculation here). As she sinks deeper into her own depression as a result, the weight of the failing relationship starts feeling like a cage— or a noose (“London,” “Guilty”), but coming to terms with the loss of their life together and the future they’d dreamed of was killing her (again, “London,” but also “I Can Do It With A Broken Heart”).

Enter the conman who she reconnects with at the very point where this is coming to a head (knowing that IRL she reconnected with him around the time Midnights was being worked on) , and if you read between the lines, she confides some deeply personal things to him (“Down Bad” and “hostile takes overs”/“encounters closer and closer,” “Smallest Man” and the entire sleeper cell spy imagery which is one of my favourite things and I could write a whole essay about the meaning of it, “loml” and “A con man sells a fool a get-love-quick scheme”). Then after she’s confided these secrets to him, he insinuates himself back into her life (“Guilty,” “Down Bad,” “Smallest Man”) and sells her a dream that HE can give her all these things she hopes for (again, “Down Bad,” “Smallest Man,” “loml,” song “TTPD,” “Broken Heart”).

But the thing is, he only knows these are the things she wants because she’s revealed it to him, and presumably, told him that was what she was losing by staying with her partner. And instead of the normal response of, “that is really sad that your partner is not supporting you and you deserve to be treated better,” to a friend in growing distress, it seems like it was, “well I can give you all those things!!!! Right now!!!! Trust me!!!!” And worked on her until she believed it, and jumped at the chance at a precarious time in her life. And one thing I want to underscore is: Taylor has agency in the situation always, it’s not like she’s been kidnapped and brainwashed. (In fact, she implores on songs like “But Daddy” that SHE is in charge of her own choices, good or bad.) She chose to rekindle the friendship and then relationship, and she chose to eventually leave her long term relationship for another man, and she reiterates on the album that she owns this all. But it’s also: nothing exists in a vacuum, and she makes choices based on emotions and information she has at the time, which is why it gives so much whiplash.

THE ALBUM

When you look at it as, the situation with the conman only happens because of what happened with the partner first and that the appeal of the conman and the fantasy he sells her is a direct reaction to that, it makes the “swirliness” of the music make so much more sense. And for much of it, even many of the “conman” songs on the surface are really “partner” songs underneath.

Fortnight

A suburban gothic allegory about a broken marriage with a distant husband with a wandering eye, which makes the rekindled romance with the neighbor so appealing. She’s miserable caged in her stifling house because she’s been abandoned by her spouse, so the reappearance of this past love reignites the passion that’s dead at home.

TTPD

“So tell me, who else is gonna know me?” “I chose this cyclone with you.” I’m gonna kill myself if you ever leave. Everyone knows we’re crazy. She’s laying it out there that she’s already in a dangerous state of mind, and she’s actively putting herself in more danger by pursuing the conman. “At dinner you take my ring off my middle finger and put it on the one people put wedding rings on, and that’s the closest I’ve come to my heart exploding,” spells this whole thing out so clearly: whether it’s an actual event (likely) or a metaphor for the promise he makes to her, the reason why it makes her heart explode is because it’s the thing she’s been waiting for forever with no movement, and here this person comes in and slips it on her finger in an instant like it’s nothing. (And eventually, as we’ll come to know, it is absolutely nothing to him.) You mean it could have been this easy this whole time?! (Well, no. Not until a certain other suitor makes his appearance later.) It feels like she’s finally getting everything she wanted in the blink of an eye! How lucky! How convenient! What was that about the get-love-quick scheme you say? (Unsaid: the reason why this feels so urgent is because there’s a sense that time is running out in so many aspects of her life and not just the obvious. Which reappears later on.)

Down Bad

“Did you really beam me up in a cloud of sparkling dust just to do experiments on?” sets the scene for this euphoric experience in the moment that starts to feel violating once the dust settles (which is then followed up in “Smallest Man” and the spy mission on her). The bridge spells out how he weaselled his way into her life, preyed upon (intentionally or not) her emotional state, sold her a dream and then vanished, without the benefit of hindsight yet we see later in the album.

The alien abduction metaphor is pretty brilliant, because it shows both how she was desperate to escape the place she found herself in, and how much it screwed her brain to then be left stranded when the affair was over. “[I loved your] hostile takeovers, encounters closer and closer,” is so evocative because it details how the situation came to be: his overtures under the guise of friendship blurred lines until he made her an offer that she eventually couldn’t refuse (hostile takeovers) as he infiltrated her life more and more intimately. The sad thing is that the song has parallels to how her relationship with the partner started too in earlier albums, in that they ran away to live in their own bubble (or planet) only for him to metaphorically abandon her as the years went on. (Oven, meet microwave.)

My Boy Only Breaks His Favorite Toys

Being continually emotionally broken down by a person who knows he’s hurting you but still acts the way he does. (The original voice memo version makes this even clearer and it’s rather heartbreaking.) “He saw forever so he smashed it up,” speaks to the loss of a future the person became scared of, and the original lyrics (“he saw forever so he blew it up”) somehow cut even deeper to me because it feels so much more intentional.

Also in the original version, “he was my best friend and that was the worst part,” also speaks not only to the loss of an entire partnership in the wake of this hurt, but also to the feelings of betrayal that the person you trust so deeply has the ability to hurt you in this way too, and how it’s a one-two punch of not only losing the relationship but also your closest confidant. (It’s like the sequel to “Renegade” and the missiles firing to me.) Again, there are shades of both/many situations in the song, pointing to an unfortunate pattern in some ways. The situation in “My Boy” is part of why she was so low, and why the “get love quick scheme” was so appealing later on. And it dovetails nicely into…

So Long, London

The most explicitly “partner” song that puts a coda on “You’re Losing Me,” and is Track 5 because it’s the emotional underpinning of how she got to where she was, and drives the events of the rest of the album. It spells everything out: He withdrew, she tried to fix it for both of them, eventually even that stopped working, he was oblivious to or minimized how badly she was suffering and his (in)actions couldn’t reassure her, he wouldn’t move forward on their future plans and stewed in his own struggles, she was spiralling out of control trying to hang on and ultimately felt like she was going to die if she didn’t leave.

But Daddy I Love Him

Like a direct reaction to “So Long, London” in that she breaks free from the death of one relationship and throws herself with reckless abandon to the next, fuck the haters. How dare you judge me, when the relationship you think I should have stayed in was killing me? (Dutiful daughter all the plans were laid. All you want is gray for me.) Fuck all of you, I’m going to choose whoever I want! (So what if I have a baby with HIM, huh?! I tried doing it the proper way and look where that got me so now we're back to square one) It’s again her imagining how wonderful and freeing this “wild boy” is going to be for her, and how wrong she’ll prove everyone. THIS TIME she definitely got it right. So what if she has to run away! So what if she scandalizes the whole town! They don’t know what she really wants or needs anyway! She’s the only one of her (hee-hee-hee) and she’s the only who gets to decides how this goes. (Because: she longs for control in a situation she’ll eventually realize she has little of it in, which we’ll find out is a recurring theme in her life.)

Fresh Out The Slammer

Also spells out what happened with the partner in the first verse and the pre-choruses, which is what makes the conman so appealing as the imagined jailbreak. The bitter loneliness vs. the sultry passion she builds up in her head as she awaits her release from prison is key to understanding the two sides of the story in the album. There’s this whole outlaw imagery (which is also carried through in “I Can Fix Him”), but it’s contrasted in the end with her and her reunited lover sitting on park swings like children with “imaginary rings” — because “Ain't no way I'm gonna screw up now that I know what's at stake.” What’s at stake is lasting love and the promises that come with it (marriage/family) that are precious and time-sensitive. The imaginary rings are both a nod to the youthful dreams of her and her new/old lover, but also has a double meaning to me because those promises aren’t built on anything together; they're made up, intangible. (They’re no more concrete than the plans that went up in smoke with the partner.) Like with most of the conman situation, it’s all a fantasy in her head that has yet to happen, and as we find out later in the album, reality ends up leaving much to be desired.

Florida!!!

Broadly speaking, it’s running away from your problems and wanting to disappear from your life. (But again: the life she’s disappearing from is the cheating husband she may or may not be feeding to the swamp-- another miserable marriage.) What kind of flies under the radar though is the “I don’t want to exist,” line, which points to her dire state of mind that led her to fleeing to that metaphorical timeshare down in Destin. In many ways about cheating death.

Guilty As Sin

Yes it’s the “masturbation song,” but again the nuance is that she’s left to pleasure herself because her partner has abandoned her emotionally and even physically, i.e. “my boredom’s bone deep.” To be blunt: they aren’t even intimate anymore, so she starts fantasizing about the guy she used to have chemistry with who’s reentered her life and is making moves on her. And realizing that she’s now finding release in another man (albeit imaginary) breaks her even as it reinvigorates her because she finally understands that the relationship she’s in is effectively dead. (“Am I allowed to cry?”)

Who’s Afraid of Little Old Me

This isn’t about relationships, but about society and its reaction to them in a general sense. But again, she’s left to stew in all this anger and hurt as she’s been abandoned at home, then abandoned by public opinion, and the public attack on her is part of the origin as well as the end of that story. The trauma inflicted upon her detailed in the song is the reason why she felt trapped in the first place, which led to the decisions she’s made and habits she’s leaned on ever since.

I Can Fix Him (No Really I Can)

This is one of the few songs that is the most completely conman-coded, and shows when the delusion finally breaks at the end of the song. She spends the whole song being like, “no really, I alone can make him better! You’ll see! I know he’s gross, but he’s mine! It’ll be fine I swear! You don’t know anything! Uuuuuum hmm wait actually what the fuck—“

Loml

Oof. THE song. Again the surface reading is about the “conman” who comes in and sells her the lie, but the pain is because all the dreams she writes about are HER dreams and implied that they were the dreams she built with her partner that the conman sold back to her. I could do a deeper dive on this but most of the song is applicable to both relationships, which not only shows the “swirliness” of her writing, but also how they both ultimately did the same thing to her in different shades.

The bridge and the last chorus are kind of fundamental to understanding it all, and her ending it with “you’re the loss of my life” is about, among other things, how falling for this trap blew up the life she built and dreamed of for good. (I could talk about this one forever.) “You shit-talked me under the table, talking rings and talking cradles” to “Our field of dreams engulfed in fire” is a hell of a line and progression, and again, indicative of what the real driving force behind the whole album is. The shit-talking is because he took her dreams (of marriage and children) and hyped it back up to her tenfold whether in a moment of his own delusion or for more nefarious reasons — much like how the man prior kept promising these things but never followed through, which left her vulnerable to someone who appeared to offer them enthusiastically. The field of dreams isn’t just the one with the conman, it’s the one with the longterm relationship she’d built the dream with in the first place, because the conman’s actions are part of the reason the LTR went up in smoke. (Not the reason for the rift, but the consequence of the final break.) And THAT is why it’s the loss of her life, so completely.

When she says “I wish I could un-recall how we almost had it all,” IMO it’s not just the fake future that the conman lures her into, but also (and perhaps mainly) the once-real one she had with her partner and the loss of which that made her susceptible to falling for the con in the first place. There’s honestly so much between the lines in this song that covers every theme and speaks to the grief of seeing the life she imagined slip away, slowly by the first man then annihilated by the second.

I Can Do It With a Broken Heart

The juxtaposition of “He said he’d love me all his life, but that life was too short” and “He said he’d love me for all time, but that time was quite short” sums it up to me (and parallels “loml”), because they are two different situations, but they cut her just the same. In the first, “that life” IMO was the life they’d built with the dreams that went along with it and it was too short because he never followed through, and in the second, the “time” was quite short because it was the frenzy of the whirlwind romance that fizzled as quickly as it began. The life that was too short led to the time that was quite short.

The Smallest Man Who Ever Lived

This is definitely THE conman song. The rage, the shame, the violation, it’s all in there. But the key to it is the bridge and the espionage imagery woven through it. A honeypot scheme is when spies target a mark and seduce them to gain their trust and their privileged information for their homeland. So her likening him to a sleeper cell spy who set her up just to mine her deepest secrets and use them against her is a heavy, loaded statement. And implied: that valuable information she unknowingly held were her longings of marriage and family (the aforementioned shit-talking about rings and cradles she never got to have), and more importantly, those dreams preceded him reentering her life and then beginning his mission on her.

The insinuation then is: she confesses these are her deepest wishes which are now seemingly unattainable in her current situation (e.g. with her partner) -> he convinces her HE will give them to her and make the dreams she pines for come true -> she falls for him and blows up her life to make it happen -> he gets what he wants (thrill of the chase/sex/the idea of her/whatever his intent was) -> he abandons her when he gets what he wants, or rather it isn’t what he wants or can handle -> she’s left a) all alone b) with dreams unfulfilled c) with no answers d) feeling used at having her most sacred wishes used against her.

Again, the song is unquestionably about the way the conman absolutely destroyed her, but he was able to do that because there was this thing she wanted more than anything, that was dying in her previous relationship, that he was able to prey upon to seduce her, then discarded her and her dreams as soon as it was inconvenient for him while absolutely hollowing her inside out. (And again: the devastating thing is that this also applies to other relationships she’s written about, in different ways.)

The Alchemy

Not about either the partner or the conman directly, but it (loosely) touches on her finding herself after the whole oven-to-microwave experience and opening herself up to life and love again. #GoodForHer

Clara Bow

This isn’t about the romantic relationships on the surface, but it is about how damaging the entertainment industry and public life are on women, and how women are only valued for their beauty as commodities until they can be discarded and destroyed in the process. Which I think plays into the circumstances that led her to make the decisions that she did years ago, and why she makes the ones she does now. (But also, being valued for physical traits and appeal for the male gaze brings us to…)

The Manuscript

The “original sin” that kicks off all of this. Again, at first light this isn’t about the partner or the conman, but the person it is about is the reason why she has made all the decisions she has ever since in relationships (and that’s Mr. Plaid Shirt Days from “All Too Well”). The realization that her first serious adult relationship is what cemented these patterns, and this view of herself and her worthiness in relationships, is profoundly sad. An older man who valued her for being so mature for her age and implying that the mature activities ahem associated with that were the performance benchmarks in her ability to carry a relationship, only to leave her, was earth shattering. She placed her faith in this person, but then the way he treated her changed her view of love and of herself.

She took his innuendo about “pushing strollers” as a sign of potential commitment, whereas he ultimately meant it as foreplay, and she was too young and naive to know the difference. So not only did she learn from that that this man (and men) didn’t view commitment and family the way she did and that it was something to be toyed with, but she also learned that her value to them among other things was sex. Imagine being an idealistic 20 year old and your boyfriend ten years your senior tells you, “if the sex is anywhere near as good as our dates have been, we’re going to be making babies before you know it,” (e.g. this is relationship is serious) and then he dumps you: does that imply that the sex was not in fact that good? (E.g. that you’re not worthy after all?)

No, obviously from this side of life, it’s because he was a commitment-phobic playboy, even if he did love her, but she couldn’t have known that at 20 and instead internalized that shame. But, it did send her on a path of how she approached sex and love and relationships for over a decade afterwards. And her coming to the realization that that first act of (perhaps unintentional) manipulation is what informed her actions thereafter helped her break the pattern. Her worth to men is not just sex, she has value and her hopes and dreams have value, she doesn’t have to change into a different person to please anyone, because if that is what they want, they won’t ever want her anyway.

It’s been described here on Tumblr by people more eloquent and astute than I as a song that encapsulates the album as this: one did it slow (partner), one did it fast (conman), and one did it first (first love)— and that is haunting. After years of men minimizing her dreams and desires, if not outright using them against her, she’s finally at the point where she can let it all go and move on for good. (There’s a whole other tangent about consent and shame and manipulation, but that’s an entirely different kind of discussion. But it is so devastatingly contrasted with “you said if we had been closer in age maybe it would have been fine, and that made me want to die.”)

THE SUMMATION

This is just my interpretation of it, but in going through the standard album, it feels pretty clear how cohesive the album is about a story of love and loss and grief, then reckoning with what caused it all in the first place that set a person on this path. It’s a formative experience at a young age that was traumatic and led to certain coping mechanisms and a shaping of one’s self-perception, as well as the reaction to external pressures that try to dictate behaviours and influence how one feels one deserves out of love which makes it harder to know when one absolutely deserves more and better. And leaves one struggling to cope with loss when there isn’t anything else to hold onto. Then in light of one’s life blowing up, learning to find oneself in the aftermath all over again.

On another tangent that is somewhat related to the theme of loss, the way she writes about the two main muses on the standard album also ties into how the situations converged to create absolute carnage on her emotional and mental well-being. With one situation, she’s talking about a concrete life that crumbles under the weight of their struggles; with the other, the entire thing is a fantasy that she builds up in her head, and when it comes to fruition it falls far, far short.

If you look at the “microwave” (conman) relationship, you realize that almost everything she writes about it happens before it actually becomes reality, and it’s mostly her imagining how great it’ll be, but with few exceptions, when she writes about what actually occurred, it doesn’t even come close to living up to her expectations. “Fortnight” is an imagined future where she escapes to Florida and his touch finally starts her stalled engine (ahem). “TTPD” is perhaps the most positive retelling of their time together, but even that implies he was better off stoned and when he sobered up he succumbed to his demons all over again, and more importantly she conveys how she also is in extreme distress, barely concealed by the veneer of being infatuated with him. (E.g. saying to that she’ll kill herself if he ever leaves her — the implication is that she is absolutely serious about it when she “felt seen.”) And that the warning bells are going off in her head, but she feels like this person is the only one she can be with (because they’re equally fucked up and the chaos he brings into her life makes her feel alive when she felt so close to death).

“Down Bad” is the most explicit about being in love, but she’s also left completely confused and disoriented by him disappearing, wondering if any of it was real and the seeds of violation creep into her consciousness (“did you really beam me up in a cloud of sparkling dust just to do experiments on?” “Waking up in blood.”). “But Daddy” is her imagining she can tell everyone to fuck off for telling her what to do with her life. “Fresh Out The Slammer” is her fantasizing about this man while feeling trapped in her relationship — but never in the song is she actually reunited with him; she’s using him as the projection of all the things she’ll make right after being wronged by her partner. “Guilty As Sin?” Is very obviously about her fantasizing about sleeping with him, but again it’s such a minefield for her because it hasn’t happened yet; they’ve only just reconnected. “I Can Fix Him” is the only song other than “TTPD” that shows them actually together, and it’s the one where she keeps saying, essentially, “I know he’s gross but I can rehabilitate him into an upstanding person, trust me,” until the mic drop at the end of the song where it finally hits her that no, she can’t, because this is who he is, not the person she’s built him up to be.

“Loml” is when it all comes crashing down, and the song emphasizes everything he did and told her, e.g. that she’s the love of his life, but she doesn’t return the sentiment in the song about their time together. Because now that it’s past tense, she knows it wasn’t actually love. (And says as much in the album epilogue poem.) “Broken Heart” is her reeling in the aftermath, but again, it’s “he said,” not “I loved.” And then there’s “The Smallest Man,” where she eviscerates him: he also pursued an idea of her but didn’t care much for the real her in front of him (who else is gonna know me?), he love bombed her only to hurt her (crushing her dreams), he was constantly stoned (and not just in the funny munchies kind of way), and he wasn’t even a good lover (despite the fantasy she’d created before). That last point is especially striking because she spent albums singing about the importance of and pleasure in (sexual) intimacy in the relationship with her partner (sometimes to both their own detriment) and how it was at times the only way they could connect, but in this case, the idea she hyped up and acted on in her head about this lover never panned out in practice. She spells it out in the epilogue: it wasn’t a love affair, it was a mutual manic phase.

In contrast, there’s a lot more tangible action in the “oven” (partner) parts of the album, showing how hard she tried to make the relationship work in real life instead of just in her head. All of “So Long, London” is her detailing how she tried to break through to him and support him, even when he rejected it and pushed her away, thinking she could carry them both until they ultimately sank, but she did it because she “loved this place for so long.” (The place? Not just the city, but the home and perhaps most importantly, him.) In “Slammer” she stayed with him even as things disintegrated for “one hour of sunshine.” (E.g. holding onto the rarer good times even as they were fewer and further between, hoping things would eventually turn around.) And like in “London,” she held on despite people in her life pleading with her that it was hurting her. (Which is also echoed in “Slammer.”) In “Guilty” her boredom is “bone deep” because the passion that once drove their relationship (and papered over their problems) has finally gone out too, so there’s nothing left to hold onto, leading to her fantasizing about the new suitor, which makes her realize her relationship has passed the point of no return. “Loml” is about the conman on the surface, but the undercurrent of all the things she says about him is that he was co-opting the dreams that she was clinging onto for dear life in the previous relationship, which is why the con is so painful; the field of dreams he sets ablaze isn’t just the fake painting he sold to her, but the original artifact (her life with her partner) too.

All the physical and emotional labour she puts into the relationship with her partner ends up reflected in the fantasizing she does in the one with the conman, which is why it is so confusing in the moment and so lethal when he leaves her without any answers. She wants to get married and start a family with her partner which keeps getting stalled; the conman mock-proposes which makes her think he’s immediately serious (“TTPD,” “loml”). She feels caged by having to hide with her partner and shrink herself; the conman promises he’ll stand by her side publicly and let her shine (“Smallest Man”). She sinks into a deep depression in her loneliness as the relationship with her partner careens off a cliff; the conman convinces her they’re meant for each other in a them-against-the-world way (“Down Bad”). The intimacy (in all senses of the word) in her relationship with her partner fizzles; the conman stokes the fire by sending her secret messages and reigniting passion (“Guilty”). She spent years trying to help her partner to no avail; the conman makes her think she has the power to reform him (“loml”). She feels misunderstood by her partner; the conman acts like he’s the (only) one who truly gets her (“TTPD,” “loml”).

In short: there’s nothing that the conman does or says that isn’t a direct response to what her partner did first, and it’s even worse because the conman knew how much her partner’s actions hurt her and he used that privileged information to paint a picture of what he could give her, but in doing so in some ways aimed at her heart with even deadlier accuracy. (I’ve likened it to him borrowing someone else’s life for his own joyride, until he crashes the rental car and flees the scene.) It’s why in the aftermath, the difference in emotions are so different: she feels nothing but rage and violation towards the conman for getting in her head and using her, whereas her feelings towards her partner are more complicated. There’s anger (at her lost youth and being taken for granted), but there’s also sorrow (at their lost life and future), disappointment (that he never could step up the way he’d promised or she’d needed), even compassion (towards his struggles) and a tiny measure of appreciation (for the good times they did share).

When you look at the bigger picture, the story the album paints is just so painfully normal. You have two people (Taylor and her partner) who once loved each other deeply, and despite warning signs early on telling them they have fundamentally different needs and ways of living their lives they fight like hell to make it work (the epilogue) until those warning signs become grenades that destroy their home (“My Boy,” “London,” “Slammer,” arguably “loml”). Having already been through at least one rough patch/break/breakup that she felt almost destroyed her (harkening back to Midnights on “You’re Losing Me,” “The Great War” and “Hits Different”), the final and fatal downward spiral of the relationship (“YLM,” “London”) and the grief over losing that future sends her into a tailspin, just at the time where a flame from the past (the conman) reenters her life and tells her all the things she’s been longing to hear and feel (“TTPD,” “Down Bad,” “Guilty,” “loml”) and, crucially, missing from the relationship that was once her entire life.

So in her panic, she falls prey to the (empty) promises of the past lover (“loml,” “Smallest Man”) and decides he’s actually what will save her from the free fall, because the alternative (that she will end up in a situation she doesn’t think she can survive) is too painful to bear. When she finally acts on these circumstances (leaves her partner/runs to the conman), she snaps, acting on pure emotion and adrenaline (“But Daddy”), but before she knows it, the new lover abandons her, and she’s left to reckon with the fallout of the episode and process everything that has happened (“Down Bad,” “loml”) — with the conman, with her partner, with the choices made in her adult life personally and professionally which leads her back to the moment she feels set her down that road at the start.

The TL;DR of this unintentionally long essay is that the reason the conman affair was so serious was precisely because it was meant to fulfill the promise of what was her life with her partner. To me, a large part of the story is that she projected that life onto the conman (or he projected her life back to her for his own purposes) because she wasn’t ready to deal with that massive grief and the life raft he offered felt like the only alternative to an even darker end. Whether the conman actually believed what he told her, or he went along with it or encouraged it because it served his purpose, we’ll never know, just like we’ll never know the finer details of what went on (nor should we). But no matter what, the album is just an extreme deep dive into all the ways grief can consume us, and whether it’s a long, drawn-out death or a sudden, inexplicable one, it can turn a person’s life into such a trainwreck that they act in ways unfathomable to even them, let alone the people around them. It can also unleash repressed trauma and mental illness that can crater your sense of self. And when those situations are compounded? It makes for a nearly impossible type of breakdown to unpack. (Which is why you might need a 31 song album to process it.)

#What if i told you I’m back lol #Time for me to finally just post the thing after it’s been sitting in my drafts for so long so I can rid myself of it lol #Writing letters addressed to the fire #the tortured poets department #Consider this a treat before Eras comes back for its swan song leg idk #Would you believe that as long as this is #i deleted quite a few chunks of it from the original draft i sent to a friend(s) in the interest of ~propriety~#Because they were a little too rambly and um— ~speculative~/personal/etc and we are flying too close to the sun #And i tried to be as tactful and more or less stick to things we can point to in the music and such #So hope people catch my drift lmao but also iykyk i guess #I have so many other themes I want to talk about but I never have any time #I have so much more i want to say and yet #wavesoutbeingtossed: The Anthology #Also if things get weird i will turn off reblogs/delete the post tbd #This is not an invitation to get into muse ranting or debate in my inbox and I ask that you please respect my boundaries :)#Midnights #lover #folklore #evermore

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