#i have to write or draw something about this now and get it out of my sySYETM AAAAA

[scattered-dreamers]

Yes!! “Where you go, I go—that’s the deal.”

That’s exactly the concept my fix-it is based on.

But Jon died first. This new Martin is extremely similar to S1 Martin, but not at the same time, because canonically, he and Jon haven’t even met yet.

Jon embeds himself in Martin’s life and gets him to hang out with Tim, Sasha, Gerry, and himself outside work hours and Jon is so taken with Martin and Martin is pretty much: “No, stop. You don’t know me. Stop talking like you do.”

And Jon is reminded that this Martin isn’t his Martin—reminded by both his anxiety ridden brain and by Martin himself.

And Jon—not wanting to lose anybody—tries to cling to everyone and they all form a sort of polycule. But Martin is still trying to pull away from Jon.

Like Martin is fine with Gerry. [Probably because they share similar (mommy) issues.] And Gerry is kind of the only one he’s okay with.

Jon has issues because he keeps holding onto his Martin and has more than one panic attack about his Martin being somewhere else. The only thing that calms him down is thinking “You’re being ridiculous. Martin is at peace.”

The panic attacks usually start because he remembers leaving Martin by himself after Jon himself died and he SPIRALS bad. Gerry is the one who pulls him out of it—he did the first time he witnessed it and he’ll keep doing so.

But that’s what my whole fic stems from: “Where you go, I’ll go.” And they didn’t. Martin is still elsewhere, apart from Jon, and Jon is reminded by this frequently and he will probably always be reminded of this. He’ll do or say something that his Martin would have chuckled at or say one of their inside jokes or something and Martin will look at him and go “What are you talking about?”

And that’s the kicker, that’s the tragedy. “Where you go, I’ll go.” Except they didn’t. Not even in death.

[Mind you, I’m still in season 4 and I was drawing off the fact that Jon died and he misses his friends and GASP!! He has his friends back now. MUST CLING, especially Martin. I love you. I’m sorry. But if I’m writing Jon canonically correct where Martin is concerned, I’m going to lean into the whole concept more with how he interacts with everyone, especially Martin.]

nothing personal but this kind of comment rlly exemplifies to me a disconnect between canon and popular fanon jmart characterization because they almost literally had this conversation in canon - except, their lines are swapped!

jon, for all his scared grouchiness, is a secret romantic, while martin, for all his forced optimism, is at his core a pragmatist

[starberry-cupcake]

Here I am again, hoping this silly recap brightens your day a little bit, I'm giving you a gentle hug and a mug of your favorite warm beverage ☕

previously, in harrowcita del 9:

this happened

I somehow predicted @lady-harrowhark's tshirt in the one before that also, it was very funny, in case you missed it

CHAPTER 48

we're doing just one chapter again because this one was Eventful, fam

last we knew, abby pent was trying to lorraine warren the ghost out of harrowcita's bubble

my running theory was that the ghost was commander wake aka allegedly gideon's mom (none of that is in any way confirmed yet)

and ortus was about to say something

I said it might be poetry and, guess what?

I WAS RIGHT

you go, ortus, you recite that poetry

abby apparently takes that as a cue to do something and thinks ortus has too much faith in her

but ortus trusts her, there's a lot of polycule moments in this one

the sleeper/waker/slasher allegedly gideon's mom unconfirmed absolutely does not give a fuck about any of this, she's slaying them all with her "baggy orange suit and gun collection"

I need the suit to look like this so bad

harrow starts making constructs but killer bae starts turning them into ash in seconds

I mean, I know we need harrow to live and this woman is not supporting that idea but damn, she looks cool af

if you fought the emperor at any given point, amanda (I'm calling her amanda for now, I'll elaborate later) how did you lose?????

ortus is harmed, so harrow has to continue with the recitation in his place

so harrow continues to recite the nonius poetry, while abby chants in the background and everyone else waits while bleeding

it's a very involved artistic performance that we've got going on over here in canaan au river bubble

sleeper/waker/slasher/alleged commander wake alleged gideon's mom aka amanda (according to me) shoots harrowcita

but then abby is lifted in blue flames and seems to be holding an invisible book and everything gets all vib-ey

these are the exact vibes I'm picturing

(not because I have a print of that in my room)

so harrowcita is saved from getting shot in the head by a man with the Ninth uniform and a very stellar use of the blade

AND YOU WOULDN'T BELIEVE WHO IT IS

IT'S ORTUS'S BLORBO FROM HIS SHOWS!!!!!!!!

matthias nonius is a short king who is surprised to be speaking in meter but is very happy to be here to defend the Reverend Daughter and fight like an expert killing machine

WHERE WAS ALL THIS FIGHTING POWER WHEN IT CAME TO KILLING THE EMPEROR

but not only is matthias nonius 10/10 at fighting (as advertised), the shrine ortus has in his head for him is helping to even the playing field with the waker/sleeper/alleged commander

she can't shoot anymore

"I killed wizard's filth like you all my life. I killed them with guns, and bombs, and knives, and gas, and when I didn't have any of those I just got in real close and put my thumbs through their fucking eyes. You can flick that little skewer around all you like, boy. I'll choke you with it"

SHE'S INTENSE, we can be certain that the Harrow Only Notes were hers

"I certainly hope you're a fighter. God knows you're not a debater"

you guys I'm a certified mati nonius fan right now

ortus is drawing little hearts in his poetry book and writing Ortus Nonius in it

"If all of her cavaliers were this excited for death, she was definitely the problem"

they just love you too much, harrowcita

so mati nonius and waker/sleeper/alleged commander have the most intense and entertaining fight ever

because lyctor fights are weak and boring

but this, this is cinema

harrow thinks that, if gideon had been there, she would have loved the fight but also she'd be terrible at running commentary of it

I disagree, gideon's running commentary is one of the things that keep us together as a society

"In life she must have had few, if any, equals. Her people—whoever they had been—must have cherished her as their finest champion."

gideon got some great fighting genes from all around, if my theories prove right

I mean, if her people are the people I'm thinking, they still have posters of her, so she must have been a big deal before she crashed in the ninth

SAD SHE DIDN'T KILL DR REVEREND EMPEROR JOHN THOUGH

BUT THERE'S STILL TIME FOR THAT

LIKE AN HOUR

harrow says mati nonius is "a poem" which is very nice of her to say

you go, short king

there's a lot of blood happening, also, which could be encouraging, since before this, the waker/sleeper/alleged commander wasn't bleeding at all

the room changes to become a ninth chamber and alleged commander changes clothes from the star trek orange suit to a different yet still orange getup and a golden mask

ortus's shrine in his head built for mati nonius is rewriting the possession

because nothing can pull you from the depths of despair as fast as your favorite blorbo

"My master in life was revenge, my mission is one of—Goddamn it, I'm not going to start talking like this"

more points for the gideon's mom theory

protozoa and ortus are now communicating telepathically, they are starting to put aside their rivalry and finding out they have a lot in common

enemies to friends to lovers speedrun

mati nonius loses his sword and goes feral

protozoa throws his cunty seventh rapier towards him, mati nonius catches it and ends the waker/sleeper/alleged commander

it all looked incredibly cool

once the enemy is partially defeated (let's remember she's supposedly tethered to an object that I think is gideon's sword), the body horror starts falling from the walls

it's described as "sausages flung from a height" which is...quite the thing

like, I get what that sounds like, but also, maybe I didn't wanna know

harrow looks at the face of the waker/sleeper/alleged commander and says it's the woman from the poster of the shuttle

YASSSS GETTING CLOSER TO MY THEORY

like, I still don't know if the woman from the poster is commander wake or if she is indeed gideon's mom, but I'm going all in on this theory

now we have a little intermission in which everyone is waxing poetic about everyone else

this is the canaan house we always wanted to see

protozoa is giving heart eyes to mati nonius, mati is giving respects to harrow, ortus is saying he wants to write a poem about abby, magnus is telling ortus not to flirt with his wife as a joke but ortus looks mortified

and abby says ortus did most of the job but she also points out she corrected some of his spelling

which might have been the biggest mistake in magnus's and abby's lives because they just destroyed their polycule

you can't treat the ninth like that, fifth, they take it personally

but ortus is vindicated because his oshi, his favorite blorbo, his biggest hero, tells him nice things

harrowcita goes to check on the ghost corpse of the waker/sleeper/alleged commander and finds some tags

one of which says AWAKE

I THINK THAT'S MAYBE A. WAKE

AS IN COMMANDER WAKE

and I'm naming her amanda, as previously established

it would go well with the ancient tumblr meme

the prophecy

sure hope this isn't the famous alecto everyone keeps mentioning because it'd ruin my prophecy

abby tells harrow the only way to get rid of her for good is to destroy the object to which she's tethered to

which I suspect might be gideon's sword, so fuck all this

we're meant to lose gideon and her sword??? absolutely not

let the woman kill the emperor instead

ALSO

surprise! mati nonius is besties with gideon the first

now, for someone who was sold out to be super serious and not an extrovert, gideon the first knows EVERYONE

he knows mati nonius, he probably also knows, to some degree of intimacy yet undetermined, the commander, he might be somewhat related to our gideon

the man is everywhere

basically, mati nonius and gideon the first had the same speedrun friendship that gideon had with camilla

they fought each other once and one of them thought "you're friend-shaped :) "

so, mati nonius is willing to go help gideon the first with the beast

because, as we have previously seen, no other lyctor is currently doing what they were supposed to

so, ortus says he'll go with mati to help gideon the first

abby and magnus want him to go with them to be forever happy in their polycule, but it's too late

abby has insulted his spelling and magnus has made him feel uncomfy with his joke about the flirting

HOWEVER protozoa has told him he actually likes him AND has quoted poetry HE WROTE HIMSELF

enemies to friends to lovers to soulmates

martita, who was there the whole time, ties her sword to her broken hand and says she'll go with them

martita is actually cool for a second house person

judith, you didn't deserve her

NOW THERE'S A PROBLEM

A BIG ONE

if harrow doesn't go back to her body, she'll get lost and lose her mind in the river

if she does, though, she's gonna kill gideon for good

harrowcita has a crisis and a breakdown

(and also stops for just a second to remember gideon rolling up her sleeves)

magnus compares the situation to a breakup he had with abby one time, which I don't think really encompasses the gravity of this situation, but ok magnus, it sure is similar

I mean, the breaking up part maybe but the level of gravity of the situation? idk man

I'm sure breaking up with abby felt this dramatic to you but...it's a little different

abby and magnus leave, telling harrowcita that jeanne said to tell gideon "hi" if harrow sees her first

which is super cute of the kid tbh

so, that leaves us with real!dulcinea

who is still here because

1) much like her lyctor counterpart, is very resistant to dying for good

2) she's determined to get vanished into nothingness and disappear into the very essence of existence, which I think sounds pretty cool

"The Seventh says nothingness is the only truly beautiful thing anyway, so nyah"

3) also: "Actually, I've got something to tell you"

I SURE HOPE IT IS A WAY TO SAVE BOTH GIDEON'S AND HARROW'S LIVES

FINGERS CROSSED

and that's it for this chapter!!!! next time, I'm expecting more gideon and yandere twin antics!!!

[merry-pitchmas]

Merry Pitchmas 2024

I know some of you are already putting up your holiday trees – yeah, you know who I’m talking to. Quit hiding in the pine needles. The season of giving is almost upon us, and you know what that means.

Welcome to the Ninth Annual Merry Pitchmas Gift Exchange!!

If you need a refresh on the rules, please check out this post from last year. Of course, the dates have changed to keep you on your toes.

Deadline to participate: November 30th, 4 pm CST US (10 pm UK). If you'd like to take part in the exchange this year, please reply to this post by then. You’ll get your draw shortly thereafter.

Here's the TL;DR for those of you who don't wanna check out the link:

TL;DR:

Reply to this post to take part. Reblogs will not be included.

November 30th (10 pm UK) is the cut off date to sign up.

Posting will begin on December 24th - not a day before! And you have to have your gift finished and posted NO LATER than December 31st.

You don’t need money to take part - just a dash of creativity and the drive to want to do something: manips, videos, fanfic, and comics are just a few examples of the things you can do!

All pairings are welcome, but I strongly encourage all participants to ANONYMOUSLY message the person they drew to ask questions about which they might prefer.

TURN ON YOUR ANONS. Your Secret Santa must have a way to contact you. If your anons aren’t no, you’ll be removed from the exchange. So please, even if you’re sure anon asks are already allowed, double check. If you’re not sure HOW to do that, Google is your friend.

If you change your name between now and the posting date, please send me a message to let me know. I will not be trying to track people down again this year.

Please don’t leave someone hanging. If you have no intention of doing anything and just want someone to do something for you, don’t reply. It’s not fair. (And I’m always looking for volunteers who will write for anyone who might get missed!)

Tag your posts with #merry pitchmas 2024.

HAVE FUN.

See you in a few, awesome nerds!

~Red

[arley-ology]

I'm very normal about the Drawtectives season three trailer right now and I need to organize my thoughts about it or I will explode soooo putting that all into a tumblr post! This is less theorizing/analysis and more just me writing down things I noticed.

The beginning of the trailer is a slow zoom out on a box TV whose channels are being absent mindedley flicked through. I'm going to go through each of the broadcasts one by one

The first is an ad of some sort for a "Shimmer Park". The narrator for the ad is saying "Need a place to truly be yourself for awhile? Discover Shimmer Park!" This leads me to think that Shimmer Park is some sort of entertainment/play facility for children. Now it may just be my automatic distrust of any entertainment area geared towards kids that was spawned in me via reading Percy Jackson and the Lightning Theif too many times but something about the phrasing of "A place to truly be yourself" feels somewhat disquieting to me idk.

Next up is what appears to be a news broadcast of a local rally by MAPN. MAPN's logo is their abbreviation set over a clock face nkt unlike that on the clock tower we see later. In the middle of the news overlay is the name "Thomas Cornette" possibly the name of the reporter(?). The protesters signs are mostly obscured but the ones I can make out I'm 90% sure say "Not in our community (w/ a drawing of a rat)" and "Save our community". The horned protester in the front is yelling into the microphone, "Corperate overlords will never take our city!". We can assume the "MA" part of MAPN stands for Midnight Alley I'm not quite sure about the rest of it but if I had to guess it might be "Public News" don't quote me on that. To me just the way the clips are set up almost makes it seem like this protest against risk to Midnight Alley community is related to Shimmer Park in some way. The only thing we really know about the protest is it is somehow against corporations and (maybe) rats. There may be a link here to Papa's Pizza which we see later.

After that is the much calmer channel "Knitting with Janice". The woman knitting, assumedly Janice, says "It takes all kinds of threads to make a beautiful colorful tableau!". There's also a cat in a catbed in the background (adorable). Taking the dialoge metaphorically it's something to the effect of "It takes all different kinds of people and ideas to make a good and beautiful community." Now the use of the word tableau here is odd beacuse unless there's some secret knitting terminology I'm not aware of tableau is not usually a term used in fibre arts. A tableau is a still image of people/figures used to represent a more complex story (art/drawing connection??). Now maybe Janice is just knitting a tableau or smthing but the word choice here is interesting to me! Also the cat in the background caught my eye because of the rat themeing of this season. Cats are a major predators of mice. Maybe something like Art and Community beats the rat race???(we see rat race later) Also I'm getting big Bob Ross vibes from this lady please tell me yall see it too

Next we have a film noir (oooo!!). A woman is crying and she has just slapped a man in thr foreground. She says "I've never met a snake like you Jimmy." Snakes! Another predator of rats. But of course snake is meant metaphorically here as someone who is depictful and manipulative. Uhhhh I got nothing else on this one yall. I would say possible connection to the last channel like I did w/ Shimmer Park & The Protest but I refuse to believe that old lady Janice (both "J" names though) is capable of snake-like depict.

Another news broadcast! This seems to be from a news station other than MAPN as they have different overlays. The woman on screen says "In other news Midnight Alley is soon to throw their annual Rat Race". There's a poster for the Rat Race on screen (love a Juilia poster) that shows two rats w/ the numbers "8" and "4" on each of them respectively. I'm gonna ignore the place and date listed on there because in season two those details on posters never really came into play. There's more text on the poster saying "For more information and sign up please visit the M.A. [Midnight Alley] information center" and the bellow that it reads "Hosted by the Parks Department of Spire City". Literal Rat Race, interesting! Ofc in metaphor a rat race is used to describe and struggle of people for money and power that ultimately grants them no reward often used to describe competition in company/work environments #The Hustle. Now this is definitely connected in some way to the protest whether it be litteraly or metaphorically or both is yet to say. Also the Rat Race being sponsored by the Parks Department kinda makes me think of Shimmer Park having something to do w/ this. No matter what I feel like the Rat Race being sponsored by the Parks Department is going to be important somehow.

Papa's Pizza ad now! The guy w/ the Papa's Pizza uniform (owner?) is saying "Papa's Pizza has been here for generations, hand birthing high quality, cheaply priced slices for-". This is probably connected to the Corperation Protest we saw earlier. It seems like small business in Midnight Alley are probably being put at risk in sone way by larger corporations. Take note of how the Papa's Pizza guy's sentence cuts off here

A phone rings of screen in the static between channels.

This channel is a sitcom. A boy looks mischievously into the camera and says "RATS." before a laugh track plays. Someone off screen is holding a bowl of rats (?????) next to him. Now the way the last broadcast cuts off it makes it seem as if Pizza guy is saying "Papa's Pizza has been here for generations, hand birthing high quality, cheaply priced slices for rats." Its interesting how it makes it seem like Papa's Pizza guy - a person who's company would be effected by large corperation take over is in favor of rats - which are being used by the protesters to represent the corperations (kinda maybe?). This feels like it means Something but I can't peice together What.

All the TV programs are done now time to go over the rest of the trailer!

The TV is turned off now and we see Jancy's reflection in the black screen. Its an interesting shot makes it almost seemd like she's part of the programming. She answers the phone that is ringing, a rotary phone. Her tone drops as she revives news from the other end of the line and she tells them she'll send in the team (DRAWTECTIVES!!) right away.

Cut to black. "Children there's been a murder". (OUGH AAAAAAA IM GOING INSANE GOING RABID)

New design silhouettes!! I love them all already. I'm surprised by the lack of hat on Grandma (I like it!!) but other than that I don't really have any comments on them. York says "Do you think the house is capable of murder?". Grendan says "Unless... Murder Santa... I just write murder Santa down." These two might narrow down where at least part of this takes place somewhat. and finally Rosé says "Why are you so quiet daddy?"

Now we have what is most likely our setting, Midnight Alley! This season's logo appears on the background but I didn't grab a screen shot of that whoops. The clock tower here really stands out to me. Perhaps the spire of Spire City? Also this is just a very pleasing drawing!

The end scene of the trailer is of a rat jumping on to screen before menacing yellow eyes w/ slit pupils fade in behind it. I'm tempted to say cat for some reason.

Also Eugene is in the thumbnail but he isn't mentioned at all in the trailer. This might just be because the fans love Eugene and Julia couldn't figure out how to include him anywhere other than the thumbnail but it also makes me a little scared

I said I wasn't gonna therorize but I wanna put down my ideas about when this takes place and where this takes place.

Now Drawtectives is very time-nebulous in general but this season at least seems very 80s inspired to me. The box TV, rotary phone, neon aesthetic for the logo, upbeat disco-y theme music all seem to point towards us not being in the modern day at the very least. Ofc we're going to be in Midnight Alley but Midnight Alley also seems to be in Spire City from what the poster said. York and Grendan's lines also suggest we explore a house at some point, specifically w/ a chimney/fireplace being important.

Anywho that's it for my very nothingburger post about the Season three trailer hope that any of yall that read through alllll of that nonsense enjoyed :]

[smallnico]

i'm literally so flattered by this. i wish i'd come up with a more thought-out argument so i could properly fight your student. i can do the counterargument now if you'd like.

i'm not scared of generative ai. i'm genuinely concerned for the impact it'll have on the neurological development of young people if they become overexposed to the instant gratification of "bringing their ideas to life" and never practice or develop the skills and labour actually associated with creating something from nothing. it means that if the ai gives you dogshit (and it will), you don't have the ability to fix it, because you're so alienated from the process of creating (writing an essay, drawing a picture, organizing a playlist, composing a song, listening to and analyzing and summarizing the art you're examining) that you don't know what isn't working or how to make it work correctly. if you don't learn how to analyze, if you don't train your brain to do these things, they don't stop needing to be done. you will be dependant on ai, or on others to do these things for you. others, you can sometimes trust, but it really helps to be able to really grok the difference between a grifter, an ignorant person, and a person who knows what they're talking about -- and again, the more you alienate yourself from the construction of their arguments, the less you are able to take them apart and see what isn't adding up. and ai is dogshit, frequently incorrect and incapable of doing the small calculus the human brain can do (if you train it to) to tell the difference between quality of sources and reliability of data, so it should never be trusted, period.

the only part of this "new technology" that i'm scared of is based on a history of ideas that i have actually studied. historically, the more we alienate ourselves from the process of labour, the less we are able to grasp it as a reality, and the more people are able to use that fact to exploit us. if you look at, say, the paper coffee cup on your desk, really look at it. where did that come from? it didn't spring fully formed from someone's imagination. someone had to design the shape of that cup, engineer it so it could contain a hot beverage and keep it hot, come up with the sleeve to make sure the drinker could actually hold it, but there's even more to it than that. someone had to make the cup. someone had to source the paper (or the compound) for the body, the material for the lid, the glue that holds it together. someone had to harvest those materials, in whichever country they were sourced, and someone had to package them and transport them to the company responsible for assembling the cup. someone designed the logo and the pattern on the outside, and someone is monitoring the machine that prints those images on the cup. someone will be responsible for picking up the waste and transporting it to a recycling plant, or to the landfill where it'll end up. let's not even start on the drink inside it. farming, harvesting, shipping, receiving, assembling, serving. it takes time to manifest something, and you are in a position of immense privilege to not have to think about where it all comes from on a regular basis. but what happens when the supply lines get shut down? what happens when there's a failure of irrigation or something in the paper mill and the glue holding the paper together doesn't work? do you know? i don't, personally. but there is someone along the line whose job it is to know, and i appreciate the work they (probably aren't paid enough to) do so that i can grab a coffee on my way into my own work. i have to appreciate it because i know that if the process goes wrong somewhere, i have no fucking idea what to do about the problem.

but i'm not pretending to know. i'm not applying for a job at the papermill to work for pennies instead of someone who does know the perfect chemical makeup of coffee cup cardboard because i can order a ton of coffee cups online from amazon in bulk. that's why generative ai offends me. the work that goes into creating art and writing still has to be done, because all generative ai knows how to do is steal, and it doesn't steal like an artist. artists look at the works of others and think, oh, i see how they did that, i want to try doing that, and then they can, because they learned how to appreciate the process. they've actually worked, and practiced, and spent time engaging with the process step by step to create something they find pleasing. generative ai looks at art and spits out a copy by comparing one image to another and assuming based on Uncredited Data that sometimes, pictures have hands in them, and hands sort of look like this. and the computer doesn't have a goddamn clue how many fingers the hand has, or how to translate that data into a visual. you know what does? the human brain. you know what you can do instead of bemoaning that you, a high school junior, can't produce a rembrandt on your first try? you can actually try drawing something.

you can actually try to turn your ideas into a drawing. you can do research into how to make it look the way you want it to. who knows? you might actually have fun doing it. because the creative process can be fun! it isn't for everyone, but unless you actually sit down and try, you won't find out, and if it's not for you, you'll never grasp on that physical experiential level that the creative process is actually a lot of fucking work, and we should respect artists for being able to sit down and do it so we don't have to, same as we respect the farmers who grow our food or the plant workers who mix the slurry that becomes our coffee cup cardboard.

i'm not scared of spotify for pushing ai bullshit down my throat. more than anything, i'm kind of offended, because i do put a lot of work into my playlists, and i have a lot of fun doing it, because i like listening to music and analyzing lyrics and relating the themes of songs to my little characters. i took it so personally because i Want to be involved in the process. i'm paying spotify a lot of my real adult money to have access to music and the tools i can use to entertain this pastime of mine, and it's kind of fucked up that they're raising their monthly fee to fund a tool that makes me, the user of their product, motivated to use their product less. insulting, even. why should i pay more for a computer to do a worse job than me at Having Fun? making a playlist isn't even that fucking hard.

i'm just tired. stuff takes work to make. it takes care and time and effort to create something from nothing, and a lot of the time, the process is necessary to make the thing good, because it forces you to take the time you need to spot and fix mistakes. i hope by now that it's self-explanatory why i don't want an entire society run by a dipshit program that doesn't know how to do what it's doing and doesn't know how to solve the problems it creates faster than human hands could ever manage, and i hope the dipshit machine and the grifters who push it are inextricable from each other in the minds of anyone who's read this whole post. i don't want them to run society either, because they Know that generative ai sucks and can't do anything right, and they're still trying to tack it on to everything to devalue the labour of artists and make a quick buck for themselves.

the best quote i've ever seen about generative ai is "why should i bother reading something nobody bothered to write".

we are a social species. alienation from labour alienates us from each other, from our communities, and makes us feel alone. when we're alone, we're vulnerable down to our core psychology, and there are a lot of people out there who know better who want to take advantage of vulnerable people to manipulate society at large. they want to make money off of your suffering. they want to reduce you to a number for their own convenience so they can use the One Life You Have On Earth to play their own personal tycoon game and get a slightly higher score. they want you to spend less time having fun, creating art, spending time with your family, thinking about what they're Doing to you, so you don't ruin their good time. i'm not scared because it's new, i'm pissed because it's the same old late capitalist shit i've already been dealing with, and i'm sick of seeing it everywhere because it stands a very real chance of turning everyone's brains to even more detached-from-reality mush than late-stage capitalism already has already.

And, on top of all of that, spotify's algorithm sucks shit already, so why on earth would i want it to make my playlists for me. the other day i saw it put zombie by the cranberries on a halloween playlist. she doesn't know dickety shit about my ideas or vibes or anything. so

no, spotify, i don't want to use ai to "turn my ideas into playlists". i already fucking do that with my brain and hands and i do it for fun. what, should i get ai to pet my cat for me? to play my silly games for me? to spend time with my beautiful wife for me? how about i rend you asunder

[holybasementdweller]

wanted to add my two cents because shipping discourse is just all over recently. Forgive me rambling a bit here. I have a lot of thoughts on this topic and would like to get them out there in some form.

Stop harassing CC's about their boundaries.

Would you go up to a random person whom you've never met before in your life, who has never met you either, and likely has no idea who you are, purely to ask them if you can draw/write/ship them with one of their co-workers?

No! It's a wildly uncomfortable question to a lot of people, it puts them on the spot, and some CC's may not care as long as they never see it. Now that the concept has been shoved in their face, they're forced to view the idea.

I feel like a large part of the issue is the divide between younger, newer fandom members and older, traditional ones. Primarily the concept that fan content is not intended for CCs, but for fans specifically. Most 'traditional' and older fandom participants follow this view because that's what fandom is. You get to make cool things, and ramble about different head cannons and ideas with your friends and maybe find other fans who become your friends along the way. Maybe you want to throw these characters you really like into this elaborate superhero AU, or draw them in costume, or explore relationship dynamics because it's fun and you get to ramble with fellow fans. It's called a fandom for a reason!

I'd like to clarify here that this post is not meant to target anyone in particular; it's going off a general trend I've noticed.

There's been an influx of people who create fan works or fanart that seems to be aimed more to gain clout or to be noticed by CCs. It's something they wanted to make, but is leaving the realm of "by fans, for fans," in a sense that it seems to have lost more of that "for fans." The work is then shoved at the CC more aggressively than if it was just for friends.

There's a reason that spaces like AO3 and Tumblr exist with such large fan communities- because the communities are meant for fans. It's all well and good when CC's decide to take a peek or participate in said fan spaces of their own volition. They're the ones making the choice to engage. It's NOT all well and good when someone, as a fan, is trying to make that choice FOR them by shoving fanworks at the CC begging for clarification on what is okay with them. You're not going to help anyone in that way. Fan spaces exist separately from the CC spaces for a reason. The CC is a person behind the screen who you don't know. The character or role they play in the series you watch? You might know just about everything there is to know about them!

If a CC has laid out a boundary that they aren't comfortable with X Y Z, then there's a really, really simple solution here. Don't show it to them.

Don't put it in main tags, don't tag them in the post, hell, block the CC so you know they won't be able to view something that makes them uncomfortable.

There's a lot of what comes across as almost puritanical virtue signaling I've seen lately, where people are talking about CC boundaries everywhere and trying to police fanwork. I will again refer you to the point above. The fanwork is not made for the CC. It is made for fans, and if it is something the CC isn't comfortable with, then don't go posting it where they might regularly look at things (such as main fanart/fanwork tags.)

Yes, there are CCs who are over here. Yes, they look through fan works. This app is primarily a fan-oriented space and it has tags that CC's (or anyone else!!) can block to avoid things they are uncomfortable with. Though at this point the few that are over here either were already gay dot com natives or have basically become one.

I may have gone a bit off my original topic but TL;DR:

KEEP FAN WORKS TO FAN SPACES, AND STOP HARASSING THE CC'S PLEASE. LET THEM EXIST IN PEACE.

[metalheads-trash-bin]

THIS WILL BE THE LAST TROLLS POST I EVER MAKE.

First off, thank you to those of you that continued to show all the work I make love. Thank you for caring for my work other than Trolls.

Now, onto this post and my final statements about this fandom.

I joined the fandom late, I’d always technically been a part of it but never interacted until about a year or so ago through this site. Immediately I got interaction and a good amount of followers, a lot of people enjoying my work and wanting more.

That “wanting more” slowly became harassment as I got messages every day from a select few people commanding me to continue writing or making fanart. This slowly started to seep into me but was NOT the nail in the coffin. Even as i got handfuls of asks commanding more.

The nail was how the fandom handles abuse and abusers. I am a punk person, to those of you that know my Tiktok i post a LOT of punk content and have gained so much interaction. I am well known in a lot of communities and am even trying to advocate for the people that cant. It is BASE LINE respect to “always believe the victim”. Base line. Yet as soon as a very POPULAR and HIGHLY FOLLOWED creator who is being accused of abuse posts content back showing very explicit conversations and mental breakdowns to embarrass you into silence everyone FLOCKS to them. I had so many friends in this fandom, and as soon as i was publicly HUMILIATED by him for speaking out, i was being blocked. Some of the people i used to make fanart for and support are now people i look at with fear and disgust. This includes my fans, people who BETRAYED me and did not stand with me. Didnt QUESTION why all of a sudden I deleted everything?

Let me lay things out for you all, FINALLY. Since im fucking PISSED. He BLACKMAILED ME INTO SILENCE. He got his boyfriend to THREATEN ME. And when all was said and done as i was choking on my sobs? He kept the post UP. His post with THOUSANDS of views and comments saying disgusting things about me. Because no one gave a FUCK about the fact that me and my friend both came out about horrors when it came to him and his new boyfriend.

I am so disgusted and disappointed as to how my fans reacted to this all, i had even gotten a dm PRAISING ME for going back into silence. That broke my fucking heart.

Why am i bringing this up now? Because a multitude of his art for Fliff had had messages for me. Which NO ONE but me and my fiance knew about. Dictator barb? Message. Floyd saying insults to riff? Message. Are you all that illiterate to context of someones character? Did the INCEST HE PUT ON HIS TWITTER NOT SAY ANYTHING??? JD and his BROTHER having a threesome, completely naked said NOTHING? And when someone pointed it out he said he didnt give a shit.

No one gave a FUCK. I have so much dirt on one of his friends i used to ADORE that i will never utter even though he also fucking abandoned me because he knew him longer and believed i was the wailing banshee.

So overall, trolls fandom, get your FUCKING ACT STRAIGHT. About victims. And about context.

I am a HUMAN BEING. My callout was not something to laugh at and silence just because you like the PORN he draws.

He’s once again posting after i was able to get him to fuck off from this fandom for almost a year. The relief i felt for that year was bliss. And now? I can barely fucking breathe. Once again i feel trapped.

So FUCK YOU ALL.

Have a fucking ANGRY and HURT tw of self harm under this sentence.

Good riddance, Trolls fandom. This is the last i will utter a word about the fandom or my experience. I am so disappointed.

[runawaymun]

Hey! Any advice on writing multi chaptered fics or just longer stories?

I feel like I'm okay for like snippets but have no idea how to write the middle of a story or move a character or story from point a to point b.

And asking you because you're writing is phenomenal and I'd love some advice.

(But if no brain space for advice I totally get that too and feel free to hide this ask or something)

(Anyway great updates on boundless and the one shot Brimbrond)

Sorry for taking so long to respond to this! I just wanted to take some good time to gather my thoughts because oh man oh boy I am a bit of a nerd about plot structure, even if I pants it a lot of the time -- because middles and structure absolutely plagued me when I was a beginner and so I spent a long, long time studying it and breaking it down.

I'm going to start with some very, very basic advice and then get into some more specific stuff. So let's talk first about how to structure a long-form plot first.

DISCLAIMER: this is how I personally structure plots. More often than not I veer off my own track. And this is a very western way of structuring a plot. It's well worth looking into how storytellers from around the world structure their work because it can vary wildly (Miyazaki is a great example of this). Take this with a grain of salt. It's a guideline which I find helpful. This is going to get very, very long. Bear with me:

When I'm first thinking about how to create a plot around a story I want to tell, this is the process I walk myself through, and it tends to work about 75% of the time for the stories I like to tell (I'm not much of a thriller or mystery writer and those tend to have different kinds of structure). Main recipe is as follows:

Status quo - establish the setting and the character. Do this by the middle-to-end of chapter one, preferably. You can get away with drawing it out a bit in sci-fi or fantasy works that require more worldbuilding, but try not to.

Inciting incident - I won't tell you to start in media res, as that varies from writer to writer and story to story. Generally you want to have this somewhere in chapters 1-3. Say we're talking about LOTR - I'd say the inciting incident is when Bilbo goes invisible at his birthday party and leaves for retirement. Everything sort of snowballs from there (Gandalf confirming this is The One Ring, the Ring being passed to Frodo, the adventure beginning, etc. etc). This is where your character can lose something, or be confronted with a huge problem, or gain some new information. This is the point where your story really picks up.

Point of no return - your character has been presented with a problem or is put in a situation and now they have to decide what to do about it. Sometimes characters choose to run away, or choose inaction. It's up to you and your character as to what they do next.

The annoying part - the most helpful way I've ever found to think about middles is in terms of a series of decisions and consequences. Your character must decide what to do (or try to get what they want), and this will then come with consequences to those decisions. I ignore a lot of writing advice because writers seem to be very cagey about how they compose middles and plots for some reason, but the one piece I heard that helped me was: "What does my character want, and what stops them from getting it?" -- and this can be anything, right? Frodo wants (has to) take the Ring to Mordor. Luke wants to learn to be a Jedi like his father. Inspector Poirot needs to catch the murderer. Odysseus wants to return home. Each of these characters are going to make a series of decisions toward their goal, and they may be working from incomplete information, or bad paradigms, or racing against the clock, or against impossible odds. They're going to make mistakes. Over and over and over again. The middle is a series of decisions, consequences for those decisions, and obstacles (more on that later).

Point of no return 2, electric boogaloo (i.e. the actual midpoint to the story) - the part right before the climax -- the climax IS NOT the midpoint of your story, nor is it the end. This is your midpoint where Everything Fucking Sucks. Your character's back is against the wall. They have to change, or fail.

Paradigm shift: your character learns something new, or develops in some crucial way that leads to:

The climax/confrontation: 3/4 - 7/8th of the way through your plot. Frodo decides to keep the ring. Luke uses the force to blow up the death star. Anakin's fear and the manipulation from Palpatine overtakes him and he turns to the dark side. Inspector Poirot gets his last crucial piece of information and gathers everybody together for the Big Reveal. Odysseus gets home and chases the suitors out of his house. Etc. Etc. This is that Big Point in the story we all think as the most important or crucial point (but it's not. That's the key here. THE most important point is the whole middle of how we got here).

Consequences and paradigm shift 2 electric boogaloo: varies from story to story, but this is the fallout of the last decision or confrontation. Your character may reflect on what they've learned. The killer goes to jail. Frodo returns to the Shire and it's saved, but not for him. The journey your character has been on has irreparably altered them, or the world around them -- for better or for worse.

Resolution: the place where you land the story ;) what is the final impression you want your readers to have of your character, or this world?

Alright so that's all kind of nebulous. Let me give you a slightly more specific form of this plot structure that I use pretty often, because I almost exclusively write character and relationship-driven stories since that's what interests me most:

So most of this looks much the same (the inciting incident is some kind of meetcute. The characters then have to decide if they want to have some kind of relationship -- I like to name this part the callback). Then we have a whole weird squishy section of building interest and tension, before once again we have The Big Fight (darkest before the dawn or what have you), before one or both characters have some kind of paradigm shift, they confess their feelings (or resolve the fight or whatever), and the security of the relationship is established -- happy go lucky times, everything is beautiful and nothing hurts.

So the middle here is of course still squishy and nebulous, but the focus here is still on "What decisions are the characters making? What are the consequences of those decisions? What are they learning, and how do they respond to it?" Maybe the tension is in one character being more reticent, while the other is more open. Maybe the tension is a sexual tension (will they, won't they?). Maybe a character is working off of incomplete information, or a misunderstanding, and that needs to be cleared up before the relationship (or even their own personal growth) can progress (both Elrian and Thalionel in Stars and Boundless Sky follow this pattern). The middle is a push-pull between your character's desires and outside forces that are stopping them from getting what they want, or achieving what they want to achieve.

So okay, that's all well and good. That's basic plot structure. Let me get into my thought process about middles specifically:

Begin with your ending in mind. I do not mean that you need to have like the whole resolution to your story fleshed out. If you're that kind of writer, great! But if you're more of a pantser like me, then that can be a big ask. Instead, ask yourself: what do I want my character to have learned by the end of the story? How do I want them to have changed, or grown? Do I want it to be for better, or for worse? Is there a specific plot goal you have in mind? (saving the world, or catching the murderer, solving the mystery, exorcizing the ghost, the couple getting together at the end, the found family finally gelling with each other, or whatever).

Once you have that thought in mind, now start to think about what your character might need to get from their starting point to their ending point. If it's a murder mystery, this is your information gathering section. You can lead your character to wrong or right conclusions. Have them make mistakes. Etc. etc. If it's a romance, this is where you create a string of scenes where the characters have opportunities to interact and learn more about each other (works for platonic slowburns, too). If this is a traditional hero's journey, this is where you plop in your actual journey.

Not to repeat this ad nauseum, but your middle is all about getting your character to your end goal, but in the most difficult way possible lmao. Let them make mistakes. Let them make bad decisions -- and then follow through with the consequences of those bad decisions. Give them bad information. This is where understanding your character's fundamental flaws becomes extremely important. Your entire plot, imo, stems from your character's fundamental flaws -- because ultimately that is what is going to slow them down the most from reaching their goal. Sure, you may have the big bad evil guy (bbeg), but we're not worried about him. That's an external factor and that's easy to drop in when you need a quick problem to place in front of your protagonist -- but that problem needs to be in service to your character or your worldbuilding. Teach them something. Give them an opportunity for growth. Aragorn needs to lead at Helm's Deep so he can inhabit his leadership role. The mountain pass of Caradhras needs to force the Fellowship through the mines so that Gandalf falls fighting the Balrog and comes back leveled up and ready to fight, and other characters in the fellowship have a chance to grow into their roles without relying on Gandalf for leadership. Your middle is all about crafting little opportunities for character growth, always while moving toward your end goal -- whatever that may be.

The paradigm shifts are crucial, and they can shift for better or for worse. It's up to you and your characters and the story you want to tell as to which it'll be.

If you're bored, your reader is bored. Only write what excites you, skip all the rest, and make it make sense at the end -- I'm so serious. Yes you need to add in breaks for pacing (like the whole Rivendell section in LOTR), but in those breaks still make sure that you're either expanding your worldbuilding, or giving your characters and opportunity for growth.

If you want to tell a really long (novel length) type of story, sideplots and alternate POVs are your best friend. They are structured exactly the same as a regular plot, they're just simpler or smaller and generally work in service to the main plot. Maybe there are side characters or side relationships you'd like to develop. Maybe there's a smaller mystery or a part of your worldbuilding you'd like to explore. Action plots can be side plots to romantic or platonic slowburn plots, just as much as it can be the other way around. And this is not something you need to structure out the gate. Just be curious and playful. Find points in your story that interest you, and explore them a bit. You'll find that they expand the story.

Biggest and best tip I can give you, when all is said and done, is to decide what kind of story you want to tell and then examine how other people are doing it. If you want to write a superhero story, pick out your favorites and look at how they're structured. If you want to write a mystery, same thing. If you're writing a romance or a drama, again -- same thing. Look at the pieces of fiction that you like, figure out what you like about it, and then apply it to your own work.

That's all the general advice off the top of my head. IDK how helpful this was lol. If you want more tips on middles I can try to look at it a bit more in depth, but to be quite honest middles are really what defines a genre. Romances have different middles to thrillers. Thrillers have different middles to mysteries. Mysteries have different middles to dystopian sci-fis. Etc. Etc. So take the general advice with a grain of salt and look more specifically at the genre of story that you're looking to tell.

Thanks for coming to my tedtalk <3

[worstdisastermaster]

The books and the shows aren't the same thing and?? That's okay?? It doesn't have to be??

Some of the artists haven't even seen the show yet, and maybe won't 🤷‍♀️ I know I've seen like. The 1st episode and that's it lol. And I really enjoyed it and I think it's really fun

But people tend to separate book fandoms from in screen fandoms, to an extent, at least, bc there ARE differences, and THATS OKAY

They are very connected but they are not the same and I don't understand why people find that so hard to accept?? Like. Genuinely I'm so confused lol

Like if someone was being disrespectful, or trying to whitewash Leah or something horrid then like. Defend her!!! (Do try to be polite tho bc people can and often do change, and they know what they have been taught until they learn more- like for example, a few years ago I had no idea ab anything lgtbq and I peob would have gotten myself canceled bc I had. No idea. Ab any of it. And despite having best intentions in heart i totally would have offended someone, and that would have crushed me, because *i didnt know*. I never would have hurt anyone on purpose, i just didnt realize what COULD hurt others on that specific topic, much less why. But now I identify with it and am learning new things ab jt every day and etc. And that's a super touchy topic for a lot of people and for good reason too! Just try to be kind first, then if they are jerks u can be a jerk back lol. Just give peopke a chnace to get better- and then PLEASE dont hold the past against them ubless they very clearly havent changed mk please please please let people grow and change and get better dont crush them before they can) anti Leah trash is. That. Trash

But why would you attack book Annabeth, just for existing? She was my childhood, and I identified a lot with her as I grew up. And guess what! I also identified with Hazel, and I do so even more now! No matter what race she will be casted as, I'm still going to imagine BOOK Hazel the way I always did. Doesn't mean I won't adore her actress, or appreciate art of the girl playing her role! But would you call me racist for drawing her as African American if her actress, was, say, Asian American? Or drawing Leo as Latino instead of Somoan? Because to me, u less I am being a jerk about it, all I'm doing is drawing the book instead of the show. Idk I'm too sleep deprived to put my thoughts into coherent words lol

I love the posts, where it's like, book Annabeth and show Annabeth holding hands. Those posts are my favorite, both because they are freaking adorable, but also. Because it's equal

They are different aspects of the same person

And

Thats

Okay

You know???

I quite literally grew up reading pjo. I read it at least once every year since I learned HOW to read, *partially on pjo*, until late middle school. I was raised on book Annabeth.

Show Annabeth is new and exciting and adorable and I'm so happy for it and I am very excited for all the people being introduced to it!!!!!!!! However, when I'm writing book pjo, I'm not swaping it out for show scenes, bc they are, in fact, different. Which, again, NOT A BAD THING. And you know what? When people from the show fandom write their scenes, they aren't going to be thinking ab the book scenes, and THATS OKAY TOO!!! And I could care less how my readers saw my characters when the read the story. I write them the way I imagine them, but it's their job as the reader to say 'no, actually :P' and swap out the appearance for one they liked better.

I did that plenty often as a kid, and i donf regeret it.

Which, ironically enough, was why my book Percy was blond until ab 6th grads XD I mixed up Luke and Percy's hair description ONCE and just. Never questioned it, though all the rereads, or looking at the covers of the books 💀 you can imagine my shock when I joined the fandom and found out Percy had black hair, instead of sandy hair like, you know, S A N D, like poseidon!!! And now show Percy is blond XD

That just proves people can imagine things how they want and jts okay- especially bc maybe, in an au, they're rifht!!! (Au being show Percy to me)

Anyways I lost my train of thought and it's almost 12 here lolll I hope I didn't say anything ill be embarrassed by come tomorrow~

Good night world :3

Hi guys, wanted to discuss something going on for a while now. What the hell is wrong with pjotwt? Like...whats wrong with this people? Do you see what they say? What they are even trying to do?

First of all, let me start by speaking about the cast. They are all wonderful children, Leah especially! She is doing an amazing job as Annabeth. But book Annabeth still exists yk? She is and she is literally white. It is not racist. But denying about a character being white in the books, even spreading hate like this...is racist. There are people out there related with Annabeth for years. People love her, every version, maybe book more maybe even the movie. How can you disrespect her like this? And most importantly, how can they attack an artist like this, with an art being so beautiful. What they are trying to do is not protecting Leah, it is spreading hate. It is awful. Making this fandom toxic, so so much.

Them trying to erase book Annabeth because she is white, trying to cover her by painting on her, shaming artists, calling people that loves her racist...What do we do about this in pjo fandom? This fandom used to be so beautiful, but now. This people are not part of the fandom in my eyes, because real fans, would respect every version of the characters, love them with their anything, even flaws. They would protect this characters because they love them, so much. And not to mention this characters are the ones Rick wrote 20 years ago, they were with us for so long.

What do tumblr think about this I wonder? Since pjo fandom is pretty active here :3

[chelledoggo]

silly concept i thought of for Pomni (that connects to my "drawing/writing characters meditating" special interest lol)

so we know how Pomni's whole thing is that she has a "funny cartoon body." like she has rubberhose arms, can do wild takes, her face changes colors when she holds her breath... all those sorts of classic "cartoon physics" tropes.

i like to think that if she enters a meditative state, she'll levitate a few feet in the air in a lotus position (think like Shirley from Tiny Toons), and she'll temporarily adopt this alternate "zen master" personality.

like she'll speak in a soft, whispery voice, with more formal speech patterns. she'll start using "spiritual" vernacular and dispense words of wisdom, almost as if she's suddenly being possessed by the spirit of a Buddhist monk. (figuratively speaking. i don't want her actually getting possessed again ;~;)

(this is old art but it basically illustrates what i'm getting at)

but then once it's over and Pomni returns to normal consciousness, she'll remember everything she said and instantly start feeling super embarrassed about it.

like i had this whole scenario in my head where Ragatha is teaching Pomni meditation to help her relax, and that's when she realizes she has this ability for the first time.

Ragatha: "huh... i guess when you enter a meditative state, you start levitating! we're learning new things about you every day, Pomni!" Pomni: [in "zen master" mode] "ahhhh... yes, Friend Ragatha... i have achieved total lightness of being... mentally, physically, and spiritually... for the first time since i've been here, i am truly at peace... ohhhhhmmmmmm..." [Jax walks up and spins Pomni around in midair, causing her to break out of the trance and fall to the floor (and then throw up)] Jax: "up and at 'em, ladies. Caine's got a dumb new adventure for us." Pomni: [back to her normal self] "ughhhh... d-did i really say all that cringe new-age crap just now?" Ragatha: [grinning] "hey, now! it wasn't 'cringe!' it was nice to see you calm for once!"

...also maybe in a later adventure she has to go "zen mode" to levitate herself out of a deep pit or something.

idk i'm just having silly thoughts lol.

[ghost-bison]

It's no bloody secret I hate ai shit. One thing I'm glad about though, is that I've spent enough time on chat gpt -having it write crossover fics for my own use cause I didn't have the courage to do it myself- to learn about its patterns, its vocabulary (EVEN the premium version cause you get free trial every day).

So if you're out there, posting ai fiction without letting people know it's not an original work, I will know. Also know that while you think you're not hurting anyone when you post that stuff, "because I clearly state that it's written by ai" YES you are.

First and foremost, you are destroying the meaning of art. Art is art because there's someone's pain, someone's joy, someone's ugliness, someone's beauty, someone's experience, someone's talent or lack thereof, someone's flaws behind it. Doesn't matter that it's good or bad so long as someone put something into it and I understand that now. Ai forced me to understand that.

Secondly, know that ai uses a database of words, expressions, jokes, prompts, and sometimes full sentences stolen directly from someone else's work out there on the internet. That clever pun chat gpt came up with that you thought "oh, I love it, I might use that"? Look it up. You've never seen it anywhere because it's someone's clever joke whose work you've never read. If you use it, it's basically like the old and loathed "copy-pasting a paragraph of a fanfic you like into your own fanfic", but with added stupidity, laziness and ignorance.

Please, write your own stuff, draw your own things. I wasn't always as good as I am today at neither of the two. Hell, I used to write a terrible Teen Wolf fanfic on Wattpad where Derek Hale had a lost twin who was prince of France, ffs. 90 chapters of absolute, plotless nonsense. But you know what? The 90th chapter was way better than the 1st one. And quite recently, I spent a few days on a Doctor Who OS and made a few strangers cry.

So what I'm saying is, don't be lazy. Read real books and clever fanfictions, cause as Virginia Woolf said, "read a thousand books and your words will flow like a river."

[justacatiguess]

When I first met Bellara in Veilguard, I didn’t think I’d end up enjoying her company as much as I do now. At first, she felt… superficial. Her initial dialogue seemed too on-the-nose, and her habit of predicting game mechanics—like saying, “This is the last barrier!” or “We’re almost there!”—came across as overly fourth-wall-breaking or hand-holdy. I remember thinking, How would she even know that? I dismissed it as bad writing and moved on.

But as I got to know her, something started to shift. During one of her personal quests, there’s a moment where you’re disabling a power source, and she implies there will be a second wave of enemies. A companion asks how she knows and she points out it's a pattern from previous battles.

It reminded me of a codex entry where she talks about a book she read for the team's book club—how she lost the book halfway through but still guessed the twist correctly.

It hit me then: this is just how her brain works. And that’s when I started to see myself in her. I think a lot of people with neuro-divergent tendencies, like me, have the knack for predicting stories/patterns or drawing correct conclusions faster than others or from seemingly out of nowhere. I started warming up to her as I saw more of myself in her personality.

But my newfound affection for Bellara lasted until exactly the next part of the quest, where we came across a door puzzle. Bellara decided, despite my gameplay settings of no hints or quest direction, to explain every little nuance of the puzzle in quick succession as I explored the room.

I got so annoyed. I remember thinking, Why won’t you just let me figure this out? Sadness grew as I realized poor writing had stunted my gameplay.

And then it hit me: Oh. Wait. This is me. I do this all the time to people.

If people or situations are moving too slowly, I start trying to take control. Not intentionally. Usually from nervous or excited energy, when my filters are weak or emotions are high. At this point, Bellara is very motivated to get to her destination, so it makes sense she would react this way.

So for me, her too-obvious statements and unsolicited advice is actually great dialog writing, because it fits the character's point of view, AND it elicited an emotional response from me as a player, where I had to figure out why the heck she was being so annoying in the first place. I like when games make me frustrated and I have to step back to see why a character was motivated in some way.

Bellara IS hand holdy. But not necessarily to cater to a clueless player. She can't help it. She's smart, knows things, and Rook is too slow to come to conclusions on their own, and she has places to BE.

[graillore2point0]

Sadly, I'm too afraid of getting abandoned by everyone I've ever known over this, but I suppose that's what the hornyblog's been for from the beginning.

I wholeheartedly agree, to start things off. Gushing is a series that truly, well, gushes with love for Magical Girls as a genre and a concept and wants to explore it. To deepen what a Magical Girl is without actually subverting it beyond the obvious of Utena as a protagonist.

I am someone who can and will wax poetically about the themes and characters of Madoka Magica and while I'm generally too afraid of consequences to give Gushing the honour it deserves I very much want to do the same.

Now, a lot of the backlash against Gushing is over the ages of the characters, with everyone so far appearing in the anime being 14 other than Lord Enorme at 20 and Korisu-chan at 9. (The Shio-chans don't really change this, though they're 17.) People are getting up in arms over this.

Now, beyond presenting them with the obvious issue of writing a story about 'coming of age' and self exploration as a teenager (When most people start getting interested in such things) without having the main characters, you know, early teenagers, as it would not at all work as well with them above 18 due to various factors...

There's also the fact that Gushing is far from the only series presenting young girls in such a way? It's just actually open about it, and does it in a far kinder way than typical as well.

Gratuitous butt and boob shots, random slips and upskirts, hells even Magical Girl transformation sequences typically depict characters cloaked only in an unnatural light. It's a staple of comedy, slice of life, school and more action oriented genres (Look at BnHA, the average Isekai, the entirety of the Gacha Game scene, even many well recieved Magical Girl series).

(Also where are they finding these 18+ not secretly ancient anime girls? Grab ten of them and six will be 14-17, three 100-10000, and if you're lucky the last is 22 at the very oldest.)

Anyways, back towards topic, it comes down to this perception that to make or watch something that at all depicts younger characters in a more overtly sexual light is some unforgivable sin. That anyone who does is a pedophile biding their time (Which is a whole other matter they probably need to introspect on) who'll act at any moment to bring their depraved tastes into the real world. I could talk more about that in particular but not now.

The thing is it's not. It's not something morally wrong to watch or write something like Gushing or Prisma Illya. These are, in our world, fictional characters. They do not have an age, they do not have an observable will, they are not real on our dimensional plane, to watch or draw or write about them does not harm them in any way.

It's this... Christian puritanical obsession with everything needing to be Clean, to be Acceptable and Uncontroversial. It demands that nothing is explored, that nothing is considered, that nothing is made without first being judged Pure by the twelve most Racist, Homophobic and Misoginistic people on the planet.

I feel like I have more to say but I'm running out of steam so I suppose I'll call this here for now.

So, Gushing Over Magical Girls Is The Best Thing To Happen to Magical Girls

Gushing Over Magical Girls get this bad rep. For all the wrong reasons. I’ve seen it be called an insult to Magical Girls, I’ve seen it be called “gooner bait” a term I absolutely despise but that’s a thing for another day. I’ve seen it insulted for everything and anything under the sun.

I first got acquainted with it when I was scrolling through Twitter and I saw someone complain about the PV. However, as an avid Magical Girl Fan, I wasn’t disgusted. I was intrigued.

I decided to read the manga, and oh god.

This is one of the best things I’ve read.

The story follows Utena, a shy girl that loves Magical Girls, tricked to become the evil general that will defeat the Magical Girl team “Tres Magia”.

And it’s a delight.

I binged all the episodes available to me in the manga, and had fun in each and every chapter.

The same, however, couldn’t be said by half the people who watched the anime. And I was extremely baffled. As a queer woman, this was the first time in my life, in which I had seen something so deliberately catered towards me. I saw tell-tale signs of someone who genuinely admires the genre, and is simply using it as an outlet for exploring deeper and more interesting topics that a SFW version of it would not be able to.

Yet, I turn around and I see people calling it the most horrendous stuff, and accusing everyone who likes it of being monsters or men.

Genuinely, I’ve had enough.

Gushing Over Magical Girl is not the Devil. In fact, I think it’s the best thing to come don’t even like Magical Girls AND IT SHOWS.

PART 1: “Magical girls are for little girls!”.

The first criticism you’ll see aimed at “Gushing over Magical girl” is the amount of sexually charged content it has. And it is true. It borders on straight up porn in many instances and it just gets wilder as you go on. By chapter 30, we’re way past PantyShots. Like, I’ve seen some of these girls’ vaginas, and I’m not joking.

Personally, I don’t see anything wrong with it, but there’s people who might disagree.

“Magical Girls are for little girls” some people say “and you’re corrupting it!”

Which genuinely makes me laugh.

This is because this type of argument could only be done by someone with no real concept of Magical Girls aside from maybe Sailor Moon and Sakura Card Captor.

out of the Magical Girl genre in a WHILE (Ignoring Precure, because they just gave us a magical boy and that’s my win of the decade).

People are just, you know, stupid. And reactionary. Enough that they see a boob and lose their minds like a Karen at a Christmas Eve Mall.

My point is, I love this manga. And I’m willing to risk my reputation to defend it. Cause genuinely, half the people who are clutching their pearls over this show - Magical Girl Anime haven’t always been PG, or aimed at girls.

Cutie Honey is a great example. It’s one of the most famous Magical Girl Anime you will find - and it’s a shonen. With the protagonist, Honey, being constantly naked, groped, put in suggestive situations and have outfits that show her cleavage.

And it’s one of the most famous, most popular takes on Magical Girl there is. Yet, I never see any amount of outrage towards it. (Part of me wonders if it’s because the fan service is aimed at men, rather than involving yuri).

There’s also Lyrical Nanoha, one of the most popular serial franchises there is. It spans several seasons and spinoffs, and it’s beloved by many.

And it’s aimed at older men. Yes, it’s a Seinen.

In fact, its origins are far from PG. It’s actually a Spin-off of an erotic game named “Triangle Heart”. It was most definitely not created with little girls in mind, and themes it tackles reflect as much.

There’s Fate/kaleid liner Prisma Illya too, a spinoff of the Fate/Stay Night VN, very obviously aimed at older men, it’s a Seinen. It has a lot of fanservice and scenes where the characters are half naked.

Day Break Illusion is also a Shonen.

And as much as I adora Madoka - I’ve been stating for years now that it isn’t a show meant for little girls. You could argue it’s for everyone, regardless of gender, who’s a little older. But it most definitely wasn’t for little girls.

So, no. This was never an “only girls” club. Trying to paint it as such, is not only wrong but ignorant.

Magical Girl shows can be for anyone. Men, boys, girls, women and I find it infantilizing to consider it “only for little girls”.

No one says “super heroes are ONLY for little boys”

Well, some do. But they’re, you know, bigots. Who don’t want girls playing or adults o have fun.

So no, Gushing Over Magical Girls being a sexually charged anime in the Seinen category isn’t “corrupting the genre”. In fact, I would argue it’s doing exactly what the genre has done in the OVA shadows for a while.

Not to mention, many people have screamed from the rooftop how they want “more mature Magical Girl shows” referring to the success of Madoka. But as soon as an actually mature take on Magical Girls shows up, tackling issues of sexuality and love, you all don’t want it anymore.

(We all know why, though. Americans, and western culture in general, considers mature themes, only that which involves violence. Anything close to discussing issues of sex is no longer “mature” but “Pornographic” and deserving of being shoved into a corner. With all queer themes, gender studies, and any nuance that could be had regarding these issues).

And speaking of sexually charged, have you watched so called “wholesome” magical girls? They’re still very much sexy. Not in the “on the nose” ecchi way Seinen and Shonen are - but they still are.

You’ll find transformations were the girls are naked, zoom in to their breasts, you’ll have panty shots every now and then. Even themes of growing up, having crushes, and innuendos about sex. Inappropriate relationships, taboo romance, and the likes.

Sakura had Rita and a professor’s relationship (mutual in the manga), Sailor Moon had Chibiusa and Elliot’s romance, Sugar Sugar Rune even having an element for ‘lust’ and other different types of love, and let’s not forget Mermaid Melody which has several instances of the girls naked, in compromising positions with other men. And I’m pretty sure Tokyo Mew Mew likely opened a whole bunch of doors for girls to be into CNC.

This is, by the way, normal.

Completely so.

These stories often talk about the girlhood experience. And girls and teenage girls are interested in all of these things. They’re interested in sex, romance, their bodies growing up, their own sexuality and the likes. It’s no wonder same-sex relationships and romance get included, they’re part of what experiencing the world through the eyes of a young girl is like.

And subsequently, it stands to reason that as people who engaged with MG grow up - they find comfort in exploring their sexuality through Magical Girl themselves. There’s a reason why there’s a growing section of “Magical Girl” in your local hentai site.

“Men get off on corrupting this wholesome girl targeted genre” is actually TERF rhetoric sneaking through the mainstream. It ignores AFAB ppl and gender nonconforming people, who grew up with Magical Girls, simply using a medium that originally started their journey of sexual identity, to explore more “grown up” aspects of that same identity.

In particular, I’m a Cis AroAce Woman. I wrote a lot of Magical Girl NSFW when I first started writing NSFW Twitter threads. They’re bad and they’re cringey. But it was something I needed.

Magical Girls were a huge part of my childhood and early teens. When I was mentally in the space to want to engage with NSFW content: it was obvious I would turn to what first sparked excitement.

So this idea that “men are corrupting Magical Girls with their sick fantasies” is nothing more than TERF-lite propaganda. People, including women and men, have been doing this for ages; for a variety of reasons. And doing so, doesn’t rob children of their spaces - but the gentrification of the internet is a story of another day.

The other argument I have heard is that GOMG is a mockery of the genre. Which is even more laughable in my opinion.

PART 2: Parodies and why I hate Earth Defender’s Club.

Gushing Over Magical Girls loves Magical Girls. It’s a parody, in a way, but it knows very well what it parodies. It’s not surface level in the slightest. And it absolutely is not mean spirited about it.

A lot of the time, shows that reference and parody the Magical Girl genre, do so in ways that feel like they view it as a lesser genre. They take generic images of cute girls in frilly outfits, swap the colors around, and have them chant over-the-top spells. You’re meant to laugh, not only at how silly they look, but people who would love it. Especially if they’re grown ups.

I do not like “Cute High Earth Defense Club LOVE!” For this exact reason - even tho many people praise it to all heavens.

Because

1) It feels surface level in its commentary and depiction of Magical Girls and

2) More mocking towards the genre than paying homage or doing anything with it.

The continuous use of the word “Love” is a very obvious jab at Magical Girls using these words, which feels mean spirited just for the sake of it. Their outfits are almost exactly the same, save for the colors. And they all use the same sticks as weapon, with no thematic link for the shapes of the scepters. The mascot too (a wombat for god knows what reason), I think it’s meant to be a joke of some sort for how ridiculous some of the mascots for the girls get, which rubs me the wrong way.

In general, it feels shallow and mean spirited. But no one calls this an insult to Magical Girls. Because people who like it don't actually care about Magical Girls. They see cute boys doing silly things and love it. Which is kinda sad.

Now, Gushing Over Magical girls has sort of that same problem on the Tres Magias…But they’re not the protagonists. And even then, in later chapters, they get power ups that are different in design, and thematically linked.

The protagonist, and the ones we follow, are Utena and the girls. And they all have very distinct outfits, all with motifs that are tangentially thematically linked, and speak of each character’s personalities in interesting ways.

Utena in particular has THIS outfit. Which a lot of people don’t like, but I actually do.

It’s very obvious it’s taking inspo from other iconic Bad Girls in the genre. Namely, Utau, Kraehe and Devil Homura. All “Enemy characters” that have unhealthy obsessions with other characters. In particular, I think the wings and the feathers resemble Homura - THE character known to have a massive obsession with a Magical Girl (Madoka), to the point of insanity.

There’s also Magia Azure. Who’s a clear reference to the Mean Tsundere girl that is iconic to the genre. She’s also a Miko. Which is a callback to Sailor Mars, arguably THE girl who popularized this archetype.

I also love what they do with the mascots. Unlike Earth Defenders, where the mascot is you know, a mockery of the archetype of a mascot - useless, only there to give power ups, and obsessed with food - the mascots of GOMG is taking a book from Madoka.

It considers the mascots both all-too-powerful and yet limited in their reach. Which is exactly what the mascots have always been in Magical Girls. Beings so powerful they can give mythical powers to girls, yet helpless to do anything on their own. So, they use magical girls as a vehicle to achieve their goals. Most Magical girls try to paint this as a good thing, but newer genres shine light on how dangerous that can be too.

Madoka tackles it with Kyubey as the main initial mascot, only later to turn out to be the villain of the series.

And in a Post-Madoka world, trusting the mascots is just the slightest bit more difficult. That’s why, from the get go, GOMG portrays their mascots as morally corrupt. He’s not a good character, he’s malicious and doing more harm than good. But for the majority of the series, he’s painted more as a useless harmless evil than anything genuinely terrifying or worthy of concern. The attention is focused on other things.

But I love the way that it’s heavily implied that they’re not good. It’s a very interesting take on the mascot and it helps with the themes of the series. Which yes, by the way. Gushing Over Magical Girls has themes.

Which lead me to-

Part 3: Yeah, uhm, Gushing Over Magical Girl has themes.

There’s this idea that Sex is an inherently violent act. In which a man humiliates and sodomizes a woman, and therefore the woman is exploited in some way. And 10x worse is any act that involves BDSM. It’s violence; born out of hatred.

This is TERF rhetoric. I’m not joking. This line of thought leads directly to TERF ideas.

Many on the internet have pointed out as much, and BDSM members have gone to be very vocal about it. In particular, people on the role of the submissive (or the bottoms) are loudly trying to explain the contrary. How they like the act of sex, like the idea of being vulnerable, or being humiliated. There’s also plenty of LGBT+ stories that talk about it, both in western and eastern spaces. Just jump into the section of dom/sub verse at your local manga browsing website, and you’ll find something.

That said, the same is not as common for people who like to “dominate”.

I can only think of two pieces of media that argue that, whoever is the dominant or the sadist, is also a human being. That whatever they’re doing is done, not out of hatred for the submissive or an act of violence, but love.

One, is the husky and the white cat. In which Mo Ran, among other things, has to come to terms that his love isn’t “pure”. That he cannot love someone without the want to have sex, and to completely dominate that someone.

The second one is Gushing Over Magical Girls.

It’s very clear to me that Utena’s sadism isn’t a violent act. It’s an act born out of love. She genuinely loves the Magical Girls, and most girls for that matter, and whenever she is inflicting pain and fighting with them - what she wants is to ultimately help them in some way.

She wants them to “be the cutest version they can be” and wants them to shine brighter than ever.

There’s this one scene I love, around chapter 20, in which Baiser (Utena) is fighting Magia Azura. And due to Baiser going a bit too far, Azura ends up being Mind-broken. She crawls towards her, calls her “mistress” and begs to become her servant.

In any normal Hentai you’ll find, this is a good thing. This would be the ideal outcome. A character being turned into nothing but a sex slave for the enjoyment of the dominant.

Which is why I found it breathtaking when that didn’t happen.

Baiser is horrified by this. She does not want to break the girls, she wants them to be powerful. She wants them to win. With her, the evil one, being nothing more than a vehicle for them to be even stronger than before.

This is the first time I’ve ever seen dominant or sadist characters being presented both sexually, and in such a positive light. Much less a queer woman in the same position.

It doesn’t treat BDSM sex as a disgusting taboo act, but something born out of genuine love - and a want to see the other person be or feel better.

This is reinforced around chapter 25 where Leberblume and Loco Mùsica are fighting Baiser. For context, Loco Musica wanted to be an Idol, but had terrible singing. She uses her evil power to basically force everyone to listen to her sing (which is so reminiscent of Mermaid Melody btw). When they fight, Baiser wins, and is then set to use her new found power to “punish” Loco Musica.

Originally, Loco Musica points out how Baiser’s sadistic tendencies are “the same” as Lord Enorme, who we’ve seen uses sadism as a genuine form of punishment. Something to avoid. You behave well, because you don’t want to get hurt or humiliated by her.

However, when Baiser uses her own unique type of sadism on Loco Musica, something happens. Instead of causing her physical pain by beating her or using violence, she forces her to get naked and perform her idol song like that. This causes her to get extremely embarrassed. And in the process, she actually starts to sing really well.

This is important for two reasons

1) Baiser is actually taking into account who Musica is. It’s later revealed that Musica wanted a more frilly idol-like outfit but Lord Enorme shut it down, for the sake of a more ‘unified’ aesthetic. Baiser is not just throwing around the same treatment and punishment for all girls - what one might like, the other might hate.

2) At the end of the day, while she did the punishment, it was both embarrassing, but ultimately something that helped Musica and made her feel better.

And that’s really the key here, and why I love the series.

Sadism, sex and kinks in general are not tools of degeneracy. They’re treated as part of our experience.

Also, it’s just fun?

Part 4: Gushing Over Magical Girls is just extremely fun when you don’t have a dumb bitch yapping abt how unholy it is to see tiddies on a screen

Yeah, GOMG just has one of the most creative depictions of the most insane of kinks you’ll see - I could spent hour gushing over Nero Alice.

Seeing all these different kinks being depicted as powers and abilities that these characters have - and seeing how they interact with other people is just interesting.

The sex scenes are both hilarious and kinda sexy. Specially if you do like to see women all hot and bothered. Personally I’m not into girls (or anyone for that matter) but I have to admit the scenes were pretty hot. And there is no shame in admitting as much. No matter what the puritanical Christian on Twitter crying abt “god honoring lesbian sex” Will tell you.

I cannot begin to explain just how hype and relatable it was to see Magia Baiser defeat Lord Enorme with the power of straight up delusion, we STAN.

So, yeah.

It’s been a while since I last saw a Magical Girl Show so unashamed of being a Magical Girl Show. Unashamed of being weird, of praising the genre and just enjoying it.

My essay is titled, in part, as a joking reference to my much more popular series “MLB is the worst thing to happen to the magical girl series”. Which I still think is true.

And while, yeah, maybe GOMG isn’t the best thing to come out of the genre…I still think it’s good that it came out.

A lot of people say they want a more “mature” take on Magical Girls but - this proved to me that just isn’t the case.

Gushing over magical girls proves that the Magical Girl Genre Can Be so much more than what people think. More than glitter and sparkles, more than vapid action scenes, or what little girls want.

Much like any other genre, it can be raunchy, it can be messy, it can explore things outside of the status quo. But it can still deeply respect the source material, and the origins of it.

GOMG proves Magical Girls can be fun. Just. Straight up fun. Regardless of your age. They can serve and connect you to parts of yourself you didn’t realize you could connect to.

I hope it proves to more people that the genre can be so much more than “just for little girls” that parodies can be more than pointing and laughing, and that it can have themes beyond just, “friendship”.

Magical Girls can be so much more. You just, have to have an open mind about it.

[abstractfrog]

Happy 1 year anniversary to Mr Sherlock Holmes! Here's a litttleee celebratory comic from me

[sergle]

man, you know, nobody asked me, but I have such conflicting opinions on some of the fat falin art, where on one hand: it's always nice to see A Fat Body in fanart anywhere + it's being done in positive ways, for funsies and on the other hand, there is something so familiar about how you are automatically The Fat One if you are a woman simply standing next to a more petite woman, bc I've had a 0% hitrate in seeing people change Marcille's body type and keep Falin's, or change both of them. it's just Falin

[xxplastic-cubexx]

cant stop thinkin bout charles and erik readin together on the couch but instead of reading with him charles is listening to eriks thoughts while he reads. Live mind commentary ……..