#i have so much art of him both by me and by other people

[livingsurreal]

More thoughts and theories about our favorite Necromancer

My darlings, I have too many thoughts and my obsession is running wild. (How I missed you, hyperfocus). If you have read my last meta post about our Emmrich, here it is: First Meta Post

That is not a required read however. I am still wondering why anyone is reading my word vomit U_U

Anyway, I love reading other peoples theories, so please, send me yours. <3 And a lot of thanks and love for all you darlings who make this fandom such a beautiful and nice place. Especially to @jaal-ama-daravv - who makes the most beautiful videos, and writes such wonderful character studies.

Warning, from here on there will be spoilers as well as mentions of sex. If you don't want to read about any of that, do not read the rest.

Also pictures and way too many words. This is a ten page word document, save yourself while you can. I tend to go off on a tangent once I start writing. I am also well aware that not everyone will agree. This is just my personal read on Emmrich.

Now, after my first essay I have some more thoughts on Emmrich and Rook and specifically their intimate relationship.

Emmrich is such an interesting and baffling contradiction. On the one hand he is confident, self-assured, all manners and poise. He is smart, and he knows it. He has special gifts, and he knows it.  He is confident without being proud. He likes to teach others without being arrogant. He still likes to learn about new things and is, as far as I’ve seen, never judgmental about different beliefs and ways of life. (Unless someone treats him with disdain or bully him)

He is a man who is confident speaking of his thoughts and feelings and fears. How he just casually drops his thanatophobia is just astonishing. He is honest and open-minded in the best ways.

And then there is the other side of him. The wet kitten side of him. As open and honest as he is about his emotions, when we get to the meat of it, to the scary bit, the real feely bit, he locks up completely. As long as it is surface level (or he can pretend its surface level), everything is up for discussion. But once we reach deeper and touch *love* he gets so scared and refuses to admit and commit to his feelings. And as much *death* scares him, love scares him more.

So how does that influence his intimate relationship with Rook?

According to the banter with Lace “everyone knows about it”. He was rather surprised by that.

That tells us two things:

They were trying to be sneaky or at least keep their private business private.

They failed, massively.

Add to that Laces comment about them moving rather fast (when, where? I would have loved to have seen that. Comments like that just give me the feeling that we should have had some more cutscenes after the dinner date, to show us those two besotted fools).

But back to them moving rather fast. I would guess that they both did a lot of gazing lovingly at each other, blushing, spacing out while watching their darling, stollen kisses in the hallway when they thought no one was watching, stuff like that. Just being to besotted fools.

But moving fast usually includes sex. Lots of needy, sweaty sex. The inability to keep their hands of each other.

That moves us to the question of the day – did they have sex before their coffin time?

Let’s look at what we know about Emmrich. Emmrich is no virgin. That man has experience. He had past lovers. But what he tells us at that sweet diner date – “nothing serious for years.” We know not much else besides his crush on a boy in his youth and his fling with the Orlesian Art Lady. He is not someone to kiss and tell and that is appreciated. That man has class, and we love him for it.

So - nothing SERIOUS for years. If he hadn’t had ANY relationships in the past years, he would have said so. But what he says is that he did, in fact, have UNSERIOUS relationships in the last few years.

I would read that to be somewhere along the “fwb, lovers, affairs, paramours, companions, a fling, a little romance” line. Something not purely, but mainly physically driven. Someone you like and respect, you can go out and have a good time with, have lots of amazing sex with (b/c he is a living being and has his needs). Spending time with people he liked, was sexually attracted too, but nothing as serious as love. A physical relationship. A little thrill, some fluttering, but never that deep.

Not to say that those situationships would not have been romantic. He is (buried under all that resignation) a deeply romantic man. I am pretty sure he went on nice romantic dates with his previous paramours too. That this is something he just enjoys too much. Treating a companion with some quality time, not just in, but also out of the bedroom.

But after he’d given up on his dreams, he did not have any notion of those flings being more than a “enjoy the moment”. There was never the expectation of deeper feelings, beyond friendship, attraction and/or respect. All those romantic gestures were nothing more than a little bit of “play pretend”. To give himself the illusion of true romance, just for a little time.

Take the fact that you can go a “everything you do is creepy but I still flirt with you and I want you to throw me over that tombstone” and his comment on “the attraction of the forbidden”? This is not a relationship born of mutual respect and deeper feelings but out of purely physical attraction. And he is OK with that.

I want to repeat – Emmrich is very much okay with a casual, sexual affair. He does not require love to have a relationship with someone.

And then think about that Johanna calls Rook specifically his “paramour”. Which is a lover, especially an illicit one. This word was very specifically chosen by Johanna. For various reasons, I would think.

For one, I do believe that it is a dig at his dreams of the eternal flame. It’s a dig at him, that Rook is not his love, but his paramour. A lover for a time. To be parted from soon enough. B/c that silly dream of his, as if it ever would become reality.

Second, I think it is a comment on the way his relationships often went, especially in the past years. Those unserious flings of his. Never to amount to anything substantial.

Did he try to have something serious in the past? Oh yes, for sure. But it never worked out. Then he gave up his dream and just let himself have a good time with people he found to be nice and attractive.

To pick up my point of self-sabotage from my last meta post – I’ve come to a point where I believe Emmrich is a kind of chaser. I know someone like that and it’s so fucking tragic.

Emmrich feels deeply and strongly. When he falls in love with someone it’s a lot of emotion. But at that point it’s all dream, want, wish. As soon as someone returns these feelings - those dreams, wants and wishes become reality. And reality is scary. In this wishful dream about the eternal flame, there is no fear. No fights. No loss. But that is not reality. As soon as it becomes reality, he gets scared. Before, his feelings were no threat, because you can’t lose what you don’t have. Once those feelings are returned, there is a clear possibility of losing, of being lost, of being left behind.

Emmrich is not a chaser because he enjoys the hunt. He is a chaser because being loved by someone is scary. So damn scary. So, he starts to pick fights and is looking for excuses. From being the chaser, he becomes the chased. He is hunted by his fears, and his fight or flight instincts go all flight.

After years of this cycle he gives up. Resigns himself to flings and little romances without even thinking of more. Or so he thinks. Dreams like that don’t die, they just get buried.

And I’d think that there was not many, even of those short term flings, lately. His life revolves around work and Manfred.

Now remember he comments on Rook “showing unexpected interest in a new companion”.

First of all – unexpected.

They are a daring adventurer. He thinks of himself clearly as the more boring one, compared to Rook. He never expected any of those flirts. But he is clearly flattered.

Second – companion.

That was such a weird way of saying “hey do you like me?”. This whole “companion” thing does not scream “I have FEELZ for you/you have FEELZ for me” but rather, “I think you might want to spend some quality time with me”.

The possible answers - dashing good looks, kindness, his way of words.

He feels he is fortunate if Rook thinks him good looking. Hallo, Mr. Professor, sir… Have you looked in the mirror lately? Consider that he is meticulously grooming himself, takes his exercises daily in the morning. That man does not like himself aging. I think it is a reminder of how his pending death is a step closer every day. But it shows, to him, that his efforts of taking care of himself are not in vain. Or maybe it shows him that his age does not matter. Rook finds him attractive despite (or because) of his physical age.

Rooks comment on his very charming way of putting things makes him hope his years behind the lectern have proved useful. Hey *years* behind the lectern. Again, this is a way of saying his age is NOT a problem but a benefit.

If Rook remarks his kindness, he answers “you humble me”. It’s the one answer that does not touch his age/experience/looks. It’s a remark on an innate character trait he possesses. Kindness. His whole demeanor in this option shows he is actually touched. And maybe a bit baffled. He did not expect this, at all. Its like he sees his kindness not as an attractive trait. Which he should. He is nice without TM and its sexy as hell.

The next part is his statement “If your attentions go beyond charming flattery… that would interest me, indeed”. This reads to me not necessarily as “do you have feelings for me” but as “do you just enjoy the flirting, or do you want to do more than flirting?”

And oh boy, does he want to do more than flirting. I want to repeat my earlier statement – this man has given up on love. But some little fling with an exiting young adventure who was constantly, awkwardly flirting with him? Hell, yeah.

(I want to remind you that we were able to have mutually enjoyed flirts with Dorian as fem!Inky. You can flirt with someone and still never want to fuck them. And you are also perfectly able to want more than flirting without having deeper feelings. Like sweet, dump Shepaloo said it so eloquently “Lets bang, okay?”)

Again, I want to pick up a point of my last post, that this is all surface level thoughts. I do believe that their emotional attraction and depth of feelings go deeper, from the start. But how often does it take quite a bit of time to realize one’s own feelings. Especially this wonderful, silly man whose modus operandi is running away.

Now, an interested Rook can answer in an open “lets see where this goes” way. Mirroring his rather open idea of a little romance, a fling, some quality time. Something that does not have to end in an eternal flame, but a simple enjoyment and exploration of the moment.

Rook can also reply with a “I think they do.” – What Rook actually says is “I think they already…”

And conveniently Rooks answer here is cut short by our sweet boy Manfred. They get cut short, no matter what answer you choose, but in this specific case, I am convinced this was very much on purpose. What would the whole sentence have been?

“I think they already go way beyond flattery.” (?!?) Something along those lines. But that goes into danger zone. WAY into danger zone.

If Rook had finished that sentence, at that point in their budding romance? It would have been over before is all started. Too much, too soon. Too much for him, period.

Now we have the hard lock – their sweet romantic moment in the Memorial Gardens. And he is smitten. He fell hook, line, and sinker for his own play pretend. Just a little romance, but that man is falling, fast. (Not that he would admit that to himself).

A beautiful date, all arranged by Emmrich, to spend time with Rook. Because a couple should have a quite moment to get to know each other. I mean there were menu cards with gilded edges, ffs. And, oh yes, they were “lets dig into the feelings”, he said couple. He is falling, falling, falling fast. But it still hasn’t hit him, how deep he has fallen for his darling Rook. Poor Emmrich.

Then a fight, where we really see the wet kitten side of him for the first time. A little wet, feral kitten, hissing at the hand that’s trying to feed it.

Emmrich is lashing out for no good reason (or no good reason for anyone but himself). There is no real confidence there but a desperate act of pretending. An iron (slipping) grip, trying to control himself and the narrative. Shoulders squared, back straight, an arrogant stance, raised chin, turned half-away from Rook, and a condescending way of talking to Rook.

Like I said in my last post – he is working his way up to breaking up with them. And he tells himself it’s like ripping off a bandaid. Be strong and confident and say what you have to say, and they will see the wisdom of that.

It’s only that, they don’t. Because there IS NO wisdom in what he is doing right now. They don’t take his bullshit but throw it back at him. They don’t accept his mock excuses.

Look at him here, how he looks down ON them. I can’t recall any other time he looks down on Rook, despite him being a tall king.

Especially the route where Rook throws it in his face that he DOES in fact love them. Speak what he can’t even think.

“I can’t… At my…”

“I can’t love you. At my age…” Why not? Does he not deserve love, just because he is a bit older? It’s just heartbreaking how he views himself.

And again, he lashes out.

“I am perfectly serious.” So is Rook.

“One of us has to pay attention to these things.” As if Rook is not paying attention. They got to the meat and bones of his problem in just a few seconds.

No matter what route you go here, the gist is the same. He is scared shitless, treats Rook like a child, and goes on how the is the only one thinking the important thoughts.

When Rook in reality way ahead of him. They thought about it and came to the conclusion that being with Emmrich is a really good idea.

Rook knew they were falling for someone older than them. (Even if that age difference is just a decade, with a mid-40s Rook.) They knew it, and still went with it. They are not a child who is too inexperienced and stupid to make decisions about their (love) life.

But now, here, at this moment? Emmrich treats them with disdain. Like a silly little person, who does not think things through. He holds himself above them. Physically and mentally. They are too young, he knows better.

And not once has he done that before. He always treated them as an equal. He follows them into the most dangerous situations ffs. He trusts them with his life in a fight against would-be gods.

All that fear and anger at himself that reaches a new high get redirected at Rook.

The next day they are off to Tearstone Island. That night must have been hell. For both of them. But its going to get much much worse.

In any case, Emmrich seems to have come to some conclusion or realization, because on that island? He apologizes.

They both did react very emotionally, but he came at Rook with superiority and, to a certain degree, dishonesty. All fueled by his fear. So that he is the one to take the first step and apologize to Rook instead of doubling down? An important step. As I said in my last post – he NEEDED to be called out. A sweet and nice counterargument would not have had the impact Rooks raw an honest emotion hat on him.

Emmrich “Rook? Darling? I wanted to say-“

Rook “Yeah, about that argument…”

Emmrich “(Sighs) It’s no time to apologize, is it?”

And here we have the most heartbreaking line, in hindsight. “We’ll talk back home, Emmrich. I promise.”

(Narrator: but they would, in fact, not talk about it back home. Because someone would not go home.)

One fight and weeks of horror later, they find themselves in a private crypt and finally they do more than share a kiss.

Now - to the point I originally wanted to explore with this post – is this in fact their first time? (I am sorry, but my brain is a circle and nothing makes sense)

Let’s look at what evidence we have from the cut-scene.

Rook did not know he is an early riser.

That leaves two possibilities:

They never had sex up until that point.

They did have sex, but never spent the night together.

Now what does that mean?

This depends a lot on your personal Rook and how they feel about sex in general. If Rook wants to wait, or is not ready, he will absolutely accept and respect that.

But for the sake of this analysis lets go with the idea that Rook is not opposed to sex at an earlier date.

They never slept with each other

Why? He clearly was not opposed to casual relationships in the past. What would hold him back now? Especially if you recall Laces comment about them moving fast. Why not jump into the bedroom?

Now my first crack theory is that they get interrupted, like every time. (Rook interrupted The Dread Wolf, and now he cursed them to always be interrupted when they want to have some private time)

But now, in all seriousness, maybe it’s just that part of him DOES realize that this goes beyond a very unserious relationship. That they both have deeper feelings, that spark of something greater, something beautiful.

So, he holds back. He does not give his all. He is charming, he is flirty, he takes Rook on dates. But it’s all very technical. Very performative. Yes, he is a very romantic man, yes he enjoys those moments. But there is always a feeling of control.

Those moments when you see him let go a bit (that kiss beneath the eternal lovers, “I think, sometimes you indulge me”), are so beautiful and you glimpse a bit of the man behind those walls.

He has a tell, you see. (I am telling you about it further down)

But generally, he feels very much in control of himself. And to lie with Rook? To go all the way? Too dangerous. Who knows what happens in that sweet moment after la petit mort? What secrets would his lips spill?

2. They slept together, but did not spent the night together.

They do have sex, but sleep alone in their own beds. Casual sex is fine, but to fall asleep in each other’s arms? Too much. Too real. Sex okay, but sleepy post coitus cuddly? Woah, slow down your horses.

So, they have sex, preferably in Rooks bed. First, does he even have a bed? Second, it’s way easier to leave Rooks bed after the act, than throwing them out afterwards.

Oh, and how many reasons he has. Rook needs their uninterrupted sleep; they are stressed and must have proper rest. He wants to get some reading done before he retires. He needs to look after Manfred.

Oh, he is a bad liar, for sure. He is lying more to himself than to Rook. I would think that (if this is the build up to their fight) Rook realizes that he is giving poor excuses.

And the sex itself? A technical 10/10. He knows his anatomy, after all. But his heart is not really in it. He can’t allow himself to. He holds back, keeps a tight lid on his emotions. They both are well spent afterwards, but like so much else, it’s performative. Technically very well executed, but rarely do you see HIM, the real him, behind all that performance. Whenever something slips through, he reels back and closes up.

And then we are in that crypt. Rook was gone for weeks. The last thing they said that night before were words of anger. Rook called him out on his feelings and from that point on there was no possible way of lying to himself anymore. Those feelings were there. They were real. Rooks feelings were real. And those weeks spent in desperation, trying to  get them back? Those walls came crashing down.

His true face, when all the walls are gone? You see that face when Rook leads him to the coffin. There is no pretense anymore. No performance. Just him, and all his love for Rook. The amount of emotion the animation team packed into those short moments in the cutscene? Mindblowing. Who ever crafted that expression on his face? They are the GOAT. I watch this part of that scene on repeat, and it never gets old.

So, I told you about how he has a tell, yes? Okay, two actually, but we all know surprised pikachu Emmrich. In that last scene it is resolved in the most beautiful way.

He looks down, when something touches him deeply, when he goes into his feels.

A few (way to many) examples:

And the worst wet kitten look? After the fight, when Rook leaves.

Its a look of shame. Of hurt. This man is hurting so badly.

Now here at the end we have that moment when Rook leads him to the coffin. His face turns down, like before. But here he looks up at Rook. He does not turn his eyes away but looks directly at them. Ahhh my heart.

Now, think about the fact that ROOK is leading in that moment?

In those moments where Rook leads or startles him (or is simply annoying enough so that the truth slips out), you see the most emotion from him.

Rooks flirting startles him, and he has a pikachu face reaction every time.

Their first kiss? Rook leans against the monument, and leans up, telling him without words that NOW is the time for a kiss. How can he not go for a second kiss?

That moment when Rook calls Manfred “our son”? He very conveniently ignores the word “OUR” and goes in defense mode over the word “son”. But called out on his feelings for Manfred? How can he deny them? He has tears in his voice when he says how he would not exchange this moment for anything? A real, deep emotion.

In their fight Emmrich is again all technical, all performance, so logical (or what he sells himself as logic). But Rook wrestles that moment from him and takes lead, calls him out on his bullshit.

In the crypt Rook pulls him up into a kiss and then leads him to the coffin, guiding him, taking him with them.

Most of the other times he takes the lead, very much in control. But the most emotions you get from him, are those times Rooks leads, when he lets go of this tight control over himself, or he is startled in to a reaction. For all the age difference that is played up in their relationship, in the important moments Rook is the one who guides. And he follows where they lead.

Those little moans he makes? If they did have sex before, I bet he did not make those sounds then. Where they did have some incredible sex, now they are making love. Open, vulnerable. He gives in.

And then they fall asleep together. Skin to skin, arms and legs intertwined. Their hands caressing, no sound but that of their heartbeats and soft breaths. Pure and utter contentment. In that moment nothing exists but them. Can you imagine that moment he woke up? The amount of emotions he must have felt then? This need to speak those little words? Those huge little words. He does not say them, not yet. But he is almost ready.  

Finally, they stand there, on the battlefield of Elgar’nans madness. And he tells Rook. The last wall falls. Gives the most precious thing he can give to anyone.

“I love you.”

[readingiskeepingmegoing]

I have thoughts on the relationship of Acacius and Lucilla. 

I have thoughts on the relationship of Acacius and Lucilla. 

!!Spoiler Warning!!

If you haven't seen the movie yet, maybe swerve this one until you have.

I am in no way a writer, and this is essentially just a word jumble that fell out of my brain. Please be gentle with me.  

Massive thanks to @schnarfer and @jessthebaker for listening to me yell and sharing your thoughts with me. Your insights were invaluable.    We see Acacius and Lucilla deeply in love in the movie. But I think they came to this over time.     

In the flashback scene of Lucilla taking Lucius from the arena after Maximus and Commodus have died, it appears to be Acacius who is helping him onto the horse. So from this we can infer that the pair have known each other for a long time, and that Acacius is loyal to Lucilla, just as he was loyal to Maximus. It makes me wonder if Maximus had maybe sent word to him to protect Lucilla and Lucius. A role that Acacius take seriously and sees through to the end. 

  Lucilla is held in high regard by the Roman people and even called Queen, and that gives her power, but it also makes her dangerous to the incumbent Emperor/s, and keeps her in constant personal danger.    Acacius was trained by Maximus. He clearly remains loyal to him even after his death. The Emperor after Commodus would no doubt have been suspicious of him and anyone who had served closely with Maximus. If one General could defeat an Emperor, then why not another?     I see the Emperor initially using Acacius as Lucilla's jailer. "Keep her in line or we will know you are not loyal" sort of thing. While also making sure that Lucilla knew that she was being watched. Not even safe to confide in her maids.    There will no doubt have been a bit of resentment there, especially from Lucilla, who doesn't know what lengths Acacius is going to, to keep them both alive and as free as possible.    Acacius falls in love with Lucilla before she falls in love with him. He may have known about Lucilla and Maxmus's relationship. And it is easy to see why he would have been attracted to her. The Emperor/s probably would have noticed a change in how he is with her, how he looked at her and so the manipulation would have changed. "Do what we say or we will send your wife to you on the battlefield, wouldn't it be terrible if something happened to her on the journey to you?" 

During time away from war, Acacius and Lucilla may have found their relationship to be strained in the beginning. He will have been so much lower in rank that her, the only thing they would have really have had in common at the start would have been their love of Maximus. Over time cordiality will have grown between them, deepening to a mutual respect.    Acacius comes home from battle grievously wounded, and that is when Lucilla realises that she loves him. The Emperor/s send nurses to care for him, and she sends them all away and tends him herself, pouring all of her newly discovered love into healing him, calling on her childhood nurse who is skilled in the arts of wise women. And during this time they get to truly know each other and their passionate love grows in earnest.    

I also feel as though Lucilla will not have wanted more children. She will not have wanted to hand the Emperor/s more leverage over her, nor have wanted to see her children chewed up and spit out by what Rome becomes. So Acacius respects her choice and encourages her to get whatever contraceptive remedies are most effective from her nurse, so that he can be her husband in every way. 

  They clearly have no secrets, he knew that Maximus was Lucius's father. He did not hesitate to try to free Lucius at Lucilla's request. This, to me, makes his sacrifice in the arena more heartbreaking. He is trying to protect his beloved wife from losing her son again, and upholding his loyalty to the man who trained him.  

If you made it all the way to the end, thank you for bearing with the rantings and ramblings of a madwoman.

Tagging because you asked so sweetly: @ghotifishreads @jennaispunk @missredherring

@noisynightmarepoetry @schnarfer @jessthebaker

[bonefall]

It's both so funny and unbelievably exhausting that these Bramblestar fans think Moonkitti is the root of all evil or something, like it's truly impressive how much they care about this 💀 do you people have nothing better to do. They act like she personally hacked into the Google form and wrote down "Brambleclaw" into everyone's answers

Also thanks to the weirdos who are misgendering Akira just because she doesn't like your favorite character. Really mature of you and definitely not at all disrespectful (can you hear my eyes rolling into outer space)

I've said this before with more ire (here, as a follow up to this), but I'll say it again, more calmly.

You're "allowed" to like whatever character you want, no one has ever been capable of stopping you, and it's impossible to know at a glance why someone likes a given character. That doesn't mean that those reasons why you like that character says nothing about you.

In fact it's the opposite. Those Reasons Why say a lot about us, our tastes, our feelings, sometimes even our beliefs. Art and fiction is an extremely valuable way for us, as humans, to engage with ourselves and connect with others. That can be a powerful thing.

And... the Reason Why a lot of Bramblestans like him (not all Brambleclaw fans, just a lot, enough for this to be a trend with what I specifically call "Bramblestans") because they relate heavily to him, in a very personal and defensive way. The narrative being interrogated for maybe having some misogynistic or abusive bias becomes a personal attack-- ironically causing people to double down in denial.

Misogyny persists, and transphobia is usually not far behind. Add in the cultural reality that everything progressive (such as critically analyzing media, generally) is "wokeism" now, mark my words, in the upcoming years that trend you're noticing is gonna grow. The "weirdos" are completely unsurprising to me, they're exactly what I expected.

In any case, I'll be clear-- there's a thing or two about the video that rubbed me the wrong way, but anyone misgendering BGA is a freak. The fact that Bramblestans act particularly toxic towards real women who dislike their not-real boy character is not lost on me.

[eri-pl]

This reminds me of a famous quote from most famous and kinda overhyped but still really good Polish poet ever:

Nasz naród jak lawa: Z wierzchu zimna i twarda, sucha i plugawa, Lecz wewnętrznego ognia sto lat nie wyziębi[…] [Adam Mickiewicz, "Dziady III"]

(It's basically what you said about Sauron, but said about our nation.)

I worked on a third design a bit

I imagine Sauron used this form after Melkor was banished. His appearance should resemble lava: the surface is cold and dark, but there is still a fierce flame underneath.

[mew-ya]

can we see Marens OG Design?

MAREN HISTORY LESSON!!!

this was the very first drawing I did of him from 2016! his OG design! at the time, he was just like, a genderbent self-insert because my friend wanted me to make a one piece OC sibling. he was always intended to be older and part of the whitebeard pirates! he wasn't part fishman yet. he also got allergies a lot (like me!) so i would draw him with a runny nose. i have since removed this feature from him lol. he honestly looks pretty similar to his current design though except that he used to be super twinky to match my body type.

here are the only other drawings I have of that old design (along with my friend's oc)

his next iteration didn't come til way later! in 2022 or so? basically i had no interest in any canon/canon katakuri ships at the time and realllly wanted to draw him with a "good future". so i took my old op oc and made him fit katakuri a bit better--i wanted him to have sharp teeth so i decided to make him a fishman, but keep him looking fairly similar to the old design. so he was only half. it was also important for me to have a partner who was katakuri's size because i think he deserves to be held <3 so that's where the idea for a porcupinefish/pufferfish came in!

I got a bit better at drawing chubby bodies and made this reference, which is the closest to a current ref i have. back then, i had this thought that he'd only look chubby when he "inflated" since it makes more logical sense that way.

but i later felt that having a character who was "optionally fat" was just insulting in a way (and also bordering on fetishes that i wasn't particularly interested in my work being part of). so now i just draw him fat at any size, at varying levels. if i could change this reference, he'd be chubbier on the left.

here's a fun redraw I did to show how they've both changed!

and here's the latest most "reference" appropriate art I've done of him. I love this because I tried to make it fit the OP anime style as much as possible so it's really fun to see how people translate this into their own style.

[kaoskuantico]

In case someone hasn’t seen Act III yet, ARCANE ACT III SPOILERS

Mirroring my previous post about things I hated about Season 2 (click), here's another list with the things I LIKED

The art, animation, soundtrack...I think we can all agree Arcane created a before and after in the Animation industry and artists all over the world (although I only liked Ashes and Blood, Isha's song and Remember Me. The rest are a bit meh for me)

Jinx realizing she can be a good person when she met Isha. And she almost realized she doesn't have to choose between Powder and Jinx personas, she's both.

Sevika bonding with Jinx, both of them mourning Silco and getting to work together. Jinx making a whole new arm for her, basically.

Vi realizing Jinx has good in her when she saw how Jinx treated Isha.

Ekko stopping Jinx from killing herself five times and being patient with her.

I don't like Timebomb, but the dance scene being at 4 fps representing Ekko's ability to rewind time 4 seconds was on top.

Ekko not even hesitating to find the way back home, choosing to leave this perfect life and timeline behind.

The pianist who went to the war. He wasn't made for this, but he chose to be there.

Loris leaving Vi when she pushed him away. Loris tried to help her, but she refused it, so he had to leave for his own good.

That Jinx's follower who first touched her shoulder in prison, dying just like that during the attack. I liked how they showed people were dying without it being spectacular, they're just gone.

Vi trusting in Jinx when Vander/Warwick found them in the mines and was berserk. Vi chose to hug him instead of fighting, as she has always done with every conflict.

Jinx's first action when she found out Vander is alive being to look for her sister and find him together, not wanting to commit the same mistake.

Jinx being unable to shoot Vi when she had the opportunity to do so, in Act I.

Sevika ignoring the original plan and protecting both Jinx and Isha.

The Jinx vs Vi fight from Act I, they weren't trying, at least not as hard as Sevika and Cait. Vi had Jinx at her mercy a few times but didn't kill her, and in the second half of the fight, Jinx basically only slaps her face.

Jinx and Vi's interaction in Act II. It felt refreshing, seeing them 'fight' in a much lighter tone.

Jayce telling Viktor there's beauty in imperfections, that he admired him. It contrasts with Viktor's desire to make everything perfect (but including Viktor's terminal disease was weird).

Viktor and Jayce meeting in every timeline, Jayce being Viktor's salvation.

Viktor saying that trying to heal Warwick was a risk worth taking.

Isha seeing Jinx beyond the Powder/Jinx dichotomy and being the one to bring that happy nature from her (I loved Jinx acting as commentator just to make it fun for Isha).

Jinx being OFFENDED because an enforcer insulted her pants.

Jinx using her new mechanical finger (with a face painted on it) to give the middle finger to the enforcer who hit on her.

Sevika knowing how much Isha meant for Jinx, and Sevika not making fun of her when Jinx had another hallucination (after months of not having them). Sevika looked concerned.

Jinx protecting Caitlyn in Act II (although Cait never did something similar for her).

Mel's story centered on her family and not any romance.

Jinx's skills with her gun and her enhanced abilities thanks to the shimmer. She's so cool with her gun and managed to stay on her feet against Warwick at the beginning.

Jinx writing her name on her cheek just like Vi did (and it's funnier because Jinx did it by following the image in the mirror).

The voice acting. Especially Ella Purnell (Jinx's voice actress). They're all perfect for the roles, and Ella's raspy voice is the cherry on top.

Powder in the other timeline still having the hallucinations but showing she became Jinx because of her environment. She's much healthier and se's a genius in both timelines, it's her environment which decides if she'll use it to create weapons or to have a fun science competition.

In Act II, when Jinx and Sevika go to save Isha and the others, when the Enforcer they want to use to get arrested and taken to Stillwater: I liked how she relaxed once she saw Jinx, not firing at her immediately and even...Having a normal conversation with her

The designs. They made Vi SO MUCH BETTER. And I absolutely love Jinx's design as well, they're so perfect

When they were fighting in the mines and Jinx slaps Vi's cheek, the cave glows. And then they start fighting pathetically on the floor like actual sisters and the cave glows at the rhythm of their hits xd

I'll keep updating the list for a few days.

[maodear]

Yapping about the contestants Guardian’s!

TW: Abuse,drugs,SA and etc.

So not many people talk about the Guardian’s in alien stage. I will be making opinions on each, but I will probably write more about the guardians when my art-book comes. Which would have all the lore I need.

Shine 🩷 (Mizi’s guardian

As we all should know, Shine is the most friendliest and definitely the most sweetest Gurdian. She loves humans and has curiosity to them. Mizi and Shien definitely had the most closest thing to a Mother and Daughter relationship out of everyone else.

Shine wanted nothing but good for Mizi, which is probably why she wanted her to be in Anakt Garden. Mizi had talent for singing and dancing. I am sure that if Shine knew that Mizi would have to suffer and go through pain. She would have not done it at all.

During round 5, Shine was watching. And you can tell how she felt looking at Mizi. She looks so sad :((

In all of Mizi’s birthday art or official art with Shine. She looked so happy in each one, always smiling or having fun. Shine loves Mizi like a normal person would love there pet. It seems messed up but Aliens see humans as Pets. But Shine still loves Mizi as her

Urak 🖕 ((Tills guardian

Urak is the Segyein of Till. And I will say he sucks the most. He treats Till horribly, in all ways. Mentally and physically. Urak has had other of his pets compete in Alien stage, but he says that Till is different from all of them because of his personality. He goes on saying that He only kept Till alive because of his Musical Talent he has. Urak believes that a Gurdian should learn right away what their pet’s strengths are to see if they are worthy.

In round 6 flashback Urak is forcing Till to sing “Oh my clematis” which Till refused to, which Urak throws a bottle at him, pinned him to a table. And when Till does break free, He attacked another segyein. Urak then once again assisted in restraining him. It’s said that Till was also SA in that flashback.

When Urak was asked about round 6 in an interview, Urak says that the only thing that matters is winning. It doesn’t matter how, if he wins it all worked. He also does expressed that it’s possible for Till to beat Luka, given how much Urak invested in him. (Which ages perfectly))

As much as I hate to admit. Even if Till is alive or not. I’m glad he lost because Urak has set another of his pets for Failure. And I hope he knows that, no matter how much he abuses, drugs or whatever shit he does. It won’t work because he will always set them in failure. Over and over again and it’s his fault.

Apparently Unsha and Urak have romance..??

Unsha🐁 ((Ivan’s guardian

Unsha is the Segyein of Ivan. Unsha isn’t physically abusive to Ivan but definitely is mentally. He has horrible has Urak since both Mentally and Physically hurt as much.

Unsha bought Ivan for his wife since it was her birthday. Ivan was choose because of his eyes which he found intriguing. Unsha also does mention that he had just begun to venture into the pet human entertainment business, so the timing was perfect for him. Which makes me believe that Ivan was Unsha’s first Pet.

If I’m correct In an interview, Ivan claims that Unsha is well known and him and Urak had nothing more then a business relationship. Saying they weren’t close in any way. Nothing more nothing less.

When asked for his thoughts on Ivan's impulsive actions during Round 6, Unsha replied saying he was disappointed that Ivan essentially forfeited the round, and he thought Ivan had a lot of potential even before Alien stage. He also admitted to being curious about what Ivan was thinking during around 6.

He closes the interview by saying he felt like he learned a lot being with Ivan, and it was worth the loss. He lastly that he doesn’t intend to participate in Alien stage again anytime soon.

Phan💀(Hyunas and Hyun-woo Gurdian

Phan is the Gurdian Segyein of Hyuna and Hyun-woo. Not much is shown or known of her since she was never brought up.

I did find that Heperu has an interesting to her similar to how Luka is obsessed with Hyuna.

((Not my picture! I don’t own the Art-book yet!)

Heperu🖕🖕🖕 (Lukas Gurdian

Heperu is the Gurdian Segyein of Luka. I might get blasted for this but I believe he’s the worst one yet. He claims that he had made Luka overcome fear, which makes me wonder what kind of things he had done to Luka. As we know Luka as went through a test with was monitoring his heart rate, and stoping his heart completely. Luka barley shows any kind of emotion. But he was crying in that art, Heperu disgust me.

Heperu ego is very high I can tell, because in a interview he claims that all of Lukas achievements and his talent is because of him. And he should thank him always for making him perfect. He always puts Luka very high, saying he will win no matter what.

In one of Lukas official art it shows Heperu shadow being in a position in which looks like kissing.?? And his hand was caressing him. Luka also looked quite young too which just gives me more creeps.

In the music Video all-in Luka kissed Hyuna, which I want to say. Was because of Heperu. Usually when someone was SA they see as a normal thing and do it to another person. That would explain why Luka kisses Hyuna.

Luka has been out through so much stuff because of Heperu and like everyone else has. Luka as very right to be the way he is. Because of Heperu and how cruel he is, and I wouldn’t be surprised if Till did become the same way.

Heperu also has a thing for Phan, having an attraction to Phan, just like Luka has an attraction to Hyuna??

Neigh🐛 (Sua’s Guardian

Not much is known from Neigh, but from what we know is that Niegh sees pets as nothing more than dolls. She dressed them all out usually the same. In a white dress like a doll.

In Neigh’s profile it’s shown that she has 0% interest in Sua. Probably because Sua is a copy of everyone else there. They are all the same as emotionless dolls. With no feelings or opinions.

——<3

Pretty sure that’s everyone? When my art-book arrives I will make any other post on the Guardians probably.

I may hate every Guardian except for Shine, but they hold a lot of meaning in the story which I appreciate.

Thanks for taking your time to read all of this <33

[wellzofyouth]

What are some of your unpopular comic opinions? Dc or otherwise

I'm gonna do milquetoast unpopular opinions because I don't wanna argue with anybody today

stop writing superbat so sanitized!!! I want Bruce to ruin Clark's life in the best way possible. But also make it cute! I want to feel the yearning and I feel like most art fails to reflect that. Like they'll make Clark a masculine Dom top and a r*pist and I'm just like okay. I want them to be pathetic together.

Also people who hate on superbat for being toxic are incredibly boring and uninteresting. Also I see this criticism a lot from *certain* people but Superbat isn't OOC. In fact see point 8* for my feelings on that

Also I would like more stories from Clark's perspective without him being evil 😇 give him sexual repression and survivors guilt too. I want more stories about him being an immigrant.

People who call Bruce abusive are so fucking annoying I'm sorry. Especially because I'm not a fan/don't read most of the shit they're pointing to but also because the standards of child abuse changed during history and comics reflect that. Like fucking get over yourselves he's not real. God forbid you bring up the writing of some of their faves....

People would complain about batfandom getting their characters wrong/clogging up the tags are just as annoying as people who do those things. Yall are just going to have to accept that Batman is THE most popular superhero in DC and that people are going to relate him to your character. For good reason too since he is in every comic basically. Just block or move on already. Literally mute the tag like I do. You're not oppressed for being a green lantern stan. Well maybe you are if you like Guy.

Garth should be in more adaptations and media wtf????? He's basically a khia

Teen titans and Yj cartoons are both different shades of mid. I don't like Starfire in TT at all :/ and Yj just blows. Teen titans is iconic though and I loved it as a kid.

Wally is unfunny. :/ no hate to him tho. I just don't find the way most writers write funny characters to be funny. Probably because they're all cishet white guys who take themselves too seriously.

Clois loves to watch real housewives together ❤️ I know this in my soul and I will not hear otherwise. Not even unpopular just a headcanon

OOC doesn't exist for comic characters. I used to believe otherwise but I am fully on the team of OOC doesn't exist. There is simply too much history for most of these characters to have one based solid characterization so I will never hate on fanon. People on here can be such pretentious little fucks when it comes to other fans. Like just mute or block bitch damn. They don't hurt anyone by saying Tim drinks coffee and plays fortnite

I dont like most canon straight ships sorry 😭 I'm not naming names but they're all boring as hell. That does not mean I hate all straight ships. I can only see some characters like Dick as straight unfortunately and I do like batcat and clois but the others are just so.... yaoi and yuri won this round. They're all gay people to me

But also I dislike most popular ships in this fandom in general. Yall are missing out some good ass yuri to pair up men with no chemistry. Come on 👎👎👎���

Green Lanterns are all hot asf. Not even unpopular I think. Hal, Kyle, and Alan are easily the hottest DC men and it's not even close.

Idgaf about any comic post 2011 and barely anything post 2003

[karuvapatta]

buckle up, I'm gonna bitch about Arcane season 2 for a while.

disclaimer: the animation and art direction is absolutely stellar, writing and voice acting is mostly solid, music ranges from good to amazing, sound design is great, and it's a great show overall.

HOWEVER:

There were so many interesting subplots and ideas, but not one of them had enough room to breathe or time to develop organically.

(spoilers under cut)

Caitlyn - I love the subplot about her becoming a fascist dictator and Ambessa's pupil, I really do. But then it sort of fizzled? She faced no repercussions for installing a police state and using chemical weaponry against civilians? The last one got to me especially - her mother built this system claiming that "the people of Undercity deserve to breathe" and Caitlyn then turned it against them. Okay, Vi and Jinx both called her out and it left to her rift with Vi, but... she's still in charge at the end, having seemingly learned no lessons?

Vi - uh, she was there. Sort of. Most of the time. Again, she joined the Enforcers, and it led to SOME conflict, but... is she going back to being an Enforcer? how does she feel about that? Who knows - Vi was mostly there for Cait and Jinx's subplots than her own.

Jinx - her subplot with Sevika and Isha was my second favourite thing about this season. The idea of her becoming a symbol and uniting Zaun is great. That little moment in the prison was awesome. But, ultimately - it didn't amount to much. Her sacrificing her life for Vi (or not, I don't know if she actually dies) didn't hit as much because we already knew she was actively suicidal.

Isha - had the potential to be super annoying, but like I said, I ended up really liking her character. Her death rubbed me the wrong way, however - it was very emotional, but the framing was very strange. Were we supposed to find it inspirational? Tragic but beautiful? Proof that Jinx isn't irredeemable?

Sevika - again: loved her, loved her interactions with Jinx and Isha.

Silco - I found it weird how this season consistently framed him as a good guy. Jinx and Sevika remember him fondly, he was the only thing holding Zaun together, there are cute flashbacks / AU versions of him and Vander being happy... he's a complex character and we love him for it, but let's not forget his many, many crimes.

Singed - kinda weird that he got what he wanted with no repercussions.

Mel - all right, her subplot bothered me perhaps most of all. Mel is a joy every time she's on screen, true, but last season she had been established as a savvy politician and businesswoman, motivated by her mommy issues, and a corrupting presence on Jayce. She pushed for progress at all costs to fulfil her own ambitions and prove something to her mother. That's a great setup! But what we got in s2 is... random superpowers out of nowhere. Mel always had power - she was the richest woman in Pilltover and basically ran its Council - but now instead of confronting her with the potential side-effects of Hextech, the consequences of her ambitions, and the futility of proving herself to her abusive warmongering mother, she just gets... more power. Out of nowhere. And validation from Ambessa. It was just weird.

Jayce and Viktor - easily the most compelling part of this season, and my favourite subplot. And STILL - it felt rushed and incoherent. I thought at first that Viktor would become jealous and resentful because Jayce is everything that he isn't, and I am honestly so glad they didn't take that route. But instead, Viktor gets... brainwashed by the Hexcore I guess? Ascends to a higher plane of existence? His Jesus Days and his cults were fascinating, but I didn't get the philosophy behind them at all. I can see why Viktor would want to shed his physical body for a machine that has none of its weakness, and how he might convince others to follow that path, but instead he chose to brainwash his followers and then assimilate the entire human race? What? There were so, so many potential sources of conflict between himself and Jayce - the Hextech weaponry Jayce built, Pilltover's fascist takeover of the Undercity, Jayce reviving him against his will and not destroying the Hexcore, accidentally poisoning Ekko's tree through their irresponsible use of Hextech... but the conflict we got didn't built on any of that. And I don't understand why.

(But I get you, Jayce/Viktor shippers. You won this round.)

[oodlyenough]

Just using a cut to spare people's dashboards the length lol:

I agree with most of this too. I didn't touch on everyone (incl. Ekko) in this post because when I started to write my s2 thoughts they were too long to fit in one post so I just arbitrarily broke it into chunks lol.

I think for all the valiant effort of the art team to include a lot of different races, body types, etc in the cast, the actual story has some issues in that regard. I don't/won't get into race a ton just because it's not really my wheelhouse, but I definitely agree that where they make cuts can be telling, whether by accident or not. Sevika MUST have had dialogue at some point in their 2-hr-finale draft that got cut, for example, it's the only thing that makes sense to me. They should have done a lot differently with Sky but they especially should not have written a Black woman into that role.

Across both seasons I felt like Ekko in particular was extremely lovable but not ... um... dynamic? as a character. Like he's just so good, at everything, good hearted and a good leader and a good inventor etc, that they didn't seem to know what to do with him storywise so he gets benched for acts at a time or not really acknowledged. Episode 7 was maybe my favourite ep of the season and I thought was good for him, but even there I would have liked to see Ekko struggle a little bit with having to leave this great timeline, or (if they'd structured the story differently) question whether he was right to go try to change time back or whatever even if it meant dooming the cities and Powder and Mylo/Claggor/Vander. (Again they just avoided this conflict by having the "good" timeline continue on without him, with an alt Ekko in his place, rather than just disappearing entirely... which works for the multiverse plotline, but means there's no real moral dilemma for Ekko or anything).

I'm less sure about the women in this particular instance because I do think Arcane is pretty dominated by female characters (which is great) and in the specific cases of Vi, Jinx and Caitlyn I don't really think the lack of screentime is the issue so much as just what they chose to do with that screentime and some of it ... not ... being very good. For most of the season it felt like Jinx was the only character consistently appearing, while others popped in for one ep per act. But they spent so much of that screentime on Isha only to kill her off and kind of shrug it away, for eg. I don't feel like things got cut from Jinx's story so much as I feel that her story just was not very good -- and mostly that's how I feel for Vi and Cait too.

The other social elephant in the room is homophobia I think. Cait and Vi being explicitly romantic is great, but having seen the awkward-as-hell China edits, the admission they got a "slap on the wrist" and had to dial down the sex scene, or even the waffling Linke does with Jayce and Viktor in interviews, I have to wonder how much that plays in. Cait and Vi can be in a relationship only as long as we can cut out or edit around their romances overseas, you know? So their relationship has to be kind of a side thing, it can't be the main story like say Catra & Adora's was, or contrast with Jayce and Viktor, whose relationship gets extremely centre-stage in the plot, but always toes the line of plausible deniability.

I am also curious why every episode is confined to 40 minutes, apart from a 50-min finale. I think even ten more minutes per episode might've helped some of these issues. I'm going to assume it was more an issue of production time/budget, because a show like this takes so long to animate every frame. But... yeah. It hurt lol.

more arcane s2 thoughts in no particular order. this is pretty negative. woops

Cait, Vi, Caitvi

despite being what initially got me watching to begin with caitvi just never ended up being my primary interest with this show, so going into s2 it wasn't like I had very well formulated expectations or hopes. I think if I had I would maybe feel disappointed? They had some nice moments, they got the kiss and the sex scene, they're clearly endgame, etc, and that's nice, but it also felt like their relationship was so ... never really the star of the show or focus of the story to the extent I expected it to be. Did they even get a big fight-together battle-couple moment in the last ep, I don't think so? I didn't find the resolution to their Act 1 breakup especially good, I think Caitlyn owed Vi an apology and Vi deserved to be angry for longer than ten seconds.

I generally feel across both seasons that Vi's pain and trauma is rarely given as much weight as other characters', I was pretty underwhelmed by Caitlyn's dictator arc after being extremely interested in it at the end of act 1...

I dunno. I hope their stans liked it and are satisfied getting to see them kiss and have sex and be together and I wouldn't downplay the significance of The Couple in Arcane being a lesbian couple. But I wasn't personally very compelled or moved by it.

Jinx

Like the above I'm not a Jinx academic by any means but I think if I were I would be frustrated by how cyclical her arc was in season 2. And no, having Silco show up to be like "it's a cycle" doesn't really justify the narrative interludes. Isha is a hard sell of a character for me because I don't ... generally want little kid characters around ... and I found Jinx (basically) looking straight into the camera to say "gee you are just like me, Powder, when I was a little kid, which reminds me of being Powder, is this how Silco felt, is this how Vi felt" to be hamfisted. But some of the scenes with the two of 'em and Sevika were cute ... only for Isha to die and Jinx to be depressed, again, and then come through the other side, again, and then "die", again. Like if we wanted to deal with depressed Jinx we started off s2 that way...

I've seen other posts by Jinx fans that articulate much better the ways in which she goes from the driving plot force in s1 and main autonomous actor to just kind of being wafted around by plot in season 2 so I won't repeat them. But I think they are right. I also question the way her mental illness was portrayed -- or rather wasn't... -- in season 2. Powder in the AU showing no sign of illness (despite baby Powder in the main timeline already having some of that going on, pre-Vander death)... I mean, sure, she's got a support system etc in that world, and one can argue we don't spend enough time with AU Powder to necessarily see it, but combined with the Isha stuff it just kind of felt like a weird message.

Sevika

I love Sevika, one of my faves from s1. I was so excited she seemed to get a bigger role in act 1 and then in the first ep of act 2. And then she never spoke again. What the hell man... like damn... really?????!? Not a WORD in act 3? I'm sure this was some of the stuff they trimmed to get that finale down to 50 minutes but god that sucks, so much, in ways a wordless shot of her in the council chamber can't really resolve. Which leads me to

Piltover-Zaun

I have to admit I don't think the class politics in s1 are as good as they were reported to be, so I didn't have high hopes, but MAN is Piltover going "hey we need cannon fodder <3 thanks" not... a reasonable resolution... especially after an indeterminate time of Piltover being EVEN MORE oppressive with Caitlyn enforcing martial law. It was sooooooooo ridiculous. Also, lol @ the show acting like hextech is solely responsible for the suffering of the undercity. If only Vi, Jayce and Viktor weren't around we'd have a equitable utopia. Sure Jan.

Sky

One of the most offensively written female characters I've seen in recent media. A spectacular, zero-effort failure from the writers. What a horrible decision to write this poor girl, a Black woman no less, and give her absolutely no characterization outside of an unrequited crush on a gay white man. In season 1 I could forgive most of it because a show like Arcane needs redshirts and it's just unfortunate they made this particular redshirt a young Black woman. There are so many other complex and developed women in the show, I thought, they can afford to have some minor ones who aren't.

But oh my god season 2. The ghost hallucination which they never even clarify as being "really" Sky or just being the Hexcore or just being his own imagination of guilt because neither the show nor Viktor give enough of a fuck to explain fhglakhdglh. Even posthumously she barely has any dialogue except to reference off-screen conversations with Viktor we never see them have and then die again. "No you won't" ?????? It is ridiculous that they wrote this.

[thotpuppy]

hi. it me. who and what is ghost? :o

im blowing u the fattest kiss

ghost is my special lil whumpee OC. the 'world' is kind of your classic generic xmen rip off - humans are developing weird powers, government enacts prejudice, etc. i have.... so much story for him totally unwritten akdgjkjagkajdgk i have like... the entire timeline for him birth into adulthood like... environmentally ? but i never managed to settle on an actual Plot for the story...

but anyway! Ghost has no name because he is the result of human experimentation paid for by a criminal organization on trying to isolate, reproduce, and control the genome that triggers powers in nextgen humans. teeeechnically speaking, though, the experiment was a failure. they managed to isolate and trigger it, but had 0 control over WHAt the ability was, and they got Ghost, who's ability is "intangibility". they wanted like, human flamethrowers lol. he still underwent all of the training and indoctrination to become a human weapon, even tho he rly doesn't have any supernatural offensive ability. he's totally brainwashed for the first huge chunk of his life but when he gets *cough* too old *cough* for the mob boss, he gets thrown out by being framed for a crime he hasn't Actually commited (tho he has commit many crime, including assassinating his boss' father, the previous mob boss)

when he's in jail tho in the middle of his whole life purpose being completely upended, he meets someone who helps him start trying to get himself sorted (striker). it turns out, the guy isn't REALLY in jail (for the reasons known to the warden) and he's part of a freedom fighter organization that's staging a jailbreak because of how many nextgens are in there for the crime of "being different". so it's both a literal and metaphorical rescue for Ghost.

(here's a reference image of ghost and striker in the prison uniforms from the brief period where i was convinced i was gonna make a comic)

anyway its technically a story of healing from trauma and becoming a person in the face of a world that would rather see you gone but with a side of superpowers, ass kicking, and found family.

this is the logo i made for the comic i will probably never make

[royaltea000]

[jttw swk oc children] tried out giving them some new clothes but I dunno bout this one… 🤔

Prev:

[ruporas]

can’t talk about it

[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. The comic starts with the sounds "thud, thud, click". Vash, mid-action of peeling an apple, turns to the sound, noticing who it was that entered, and says, "Oh, Wolfwood, you're back." He resumes back to his apple in the next panel as he speaks, "Where'd you go? You snuck out of bed quickly this morning..." Wolfwood's hand then enters the panel, hovering over Vash's cheek and Vash looks up as Wolfwood asks, "Can I?" Vash responds, "Not going to talk about it?" while using a hand to gently hold Wolfwood's hovering hand and presses a kiss to his inner palm.

Vash then gets up fully, setting down the knife down on the table and the apple onto a plate, He leans into Wolfwood as Wolfwood explains, "Had to meet someone. Nothing interesting to talk about." Vash kisses Wolfwood's left cheek and a hand moves to cup his other cheek while muttering, "You're being vague." Wolfwood says neutrally, "If yer really that curious, keep askin'. We  can talk about that instead of doing this." Vash leans back and responds, "Let's talk after, since... You look so tired."

The panel pans to a close up of Wolfwood's downcast eyes, bags heavy underneath his eyes. He doesn't allow Vash to sit in that moment for long though, then saying, "Yer not helping, Spikey. Being all slow with it... I could fall asleep right now." He moves his hand to start unclasping Vash's coat, starting from his collar. Vash with red cheeks, responds briskly, "Oh, shut up. I'm worried about you. I can't be worried?"

The final shot shows Wolfwood's back to the viewer while Vash's softened expression can be seen as he holds gently onto the side of Wolfwood's face and a hand firm on his waist. Wolfwood responds, "I'm fine, seriously," pausing for a moment before continuing, "Is it okay to still..?" Vash responds, "Yeah, it's okay."

The next image is a shot from later that night after the previous comic. Vash and Wolfwood are now in bed, half naked. Wolfwood's buries his face into Vash's chest, his arms wrapped around him, while Vash is petting at his hair. Vash reminds him, "Hey. You said we'd talk about it." Wolfwood pauses for a moment before piping up, "In the morning? I'm sleepy." Vash says, "Okay..."

The next two pages start from the morning after. Wolfwood is already fully awake, pulling on his outer jacket as he says to Vash, whos' still bundled in his blankets, "Breakfast is on the table. Make sure to eat it. I'm going to grab some things in town and then we're leavin'. Got it?" Vash says, "Mh." Wolfwood responds, "Good. See ya in a bit." The dialogue starts to shift into Vash's inner thoughts now, as he gets up and eats toast, thinking, "Wait. Weren't we supposed to... talk about it?" The next shot then shows him fully up, meeting Wolfwood in town. He carries a half worried expression with him while Wolfwood slides on his glasses for him. A quick panel shows Wolfwood's tired expression from the night before and quickly juxtaposes with Wolfwood in front of him who's smiling gently, the shades covering his eye bags. Wolfwood asks him, "Still not awake yet?" Vash pauses, his thoughts stirring, thinking, "Oh. I guess I was getting ahead of myself... thinking you owe me that kind of honesty." He smiles at Wolfwood and responds, "I'm awake!" His thoughts continue, "Maybe one day, you'd trust me enough to share your burdens."

The final image shows Wolfwood pulling at Vash's cheek and Vash complains, "Owwwww why..." Wolfwood quickly says, "You were thinking something stupid, right? It's all over yer face." Vash mutters, "Nooo, I wasn't..." END ID]

[silverwhittlingknife]

"the fault, dear Brutus -" (Julius Caesar)

Quotes from A Critical History of English Literature by David Daiches. Panels from Death in the Family, Under the Red Hood, Lost Days, and Batman and Robin.

[cerealmonster15]

[vibrating a little too fast] Do You Understand My Vision Yet

[bittersweetresilience]

say hi to me i don't know, i just remembered being so much brighter, i guess

cigarette ash like wildfire burning holes in the nighttime open scars feel like barbed wire white lies flying high like a ceasefire dropping flags on the shoreline this is as far as i can feel right 'cause what you don't know can haunt you

and all we ever wanted was sunlight and honesty highlights to want to repeat let's get away from here and live like the movies do i won't mind when it's over at least i didn't think for a while

don't drag it out living like that doesn't mean a thing

so let's, make a great escape and i'll be waiting outside for the getaway it doesn't matter who we are we'll keep running through the dark and all we'll ever need is another day we can slow down 'cause tomorrow is a mile away and live like shooting stars 'cause happy endings hardest to fake

and i wanna let you know i wanna let you go but i just can't bring myself to speak but this is how it goes the end credits, they roll this bridge was built over kerosene but we can watch it and all i ever wanted was sunlight and honesty highlights to want to repeat let's get away from here and live like the movies do i won't mind when it's over at least i didn't think

so let's run, make a great escape and i'll be waiting outside for the getaway it doesn't matter who we are we'll keep running through the dark and all we'll ever need is another day we can slow down 'cause tomorrow is a mile away and live like shooting stars you can wish away forever but you'll never find a thing like today