#i have so many more quotes so if you want to see more i am more than happy to do more of these

[local-lamppost]

Act 3 Thoughts

Watched Wicked, came home, waited 20 minutes, binged Act 3. I do not recommend this lifestyle. Anyway...

I was so satisfied with where we ended up, but I would have also appreciated about 20 minutes to an hour more. It felt like some beats were skipped over, they wanted to get to specific endings and didn't have the time to wrap them up as neatly as I would've liked.

Maddie is a good example. She's a plant for Ambessa, okay but when and why did she become one? She couldn't have been one before Cait being named commander and when we next see her she's pushing for Cait to take power back from Ambessa. Did Ambessa just message her right after Cait and Vi started working together again as like a "the woman you love's actual love is back in the picture, you can either wallow or get revenge with me", but also made a smarmy remark about Cait 'at least being warm' or something. We didn't need to absolve Cait or villainize Maddie for their 'relationship' because they didn't even have a relationship-just a coping mechanism for Cait, similar to Vi's drinking. At best it was all unnecessary and at worst a waste of time.

Away from that, I want to focus on some good.

I am officially a JayVik shipper now. Them disappearing into a void together, encircled with each other, after Viktor spend however long within timelines/multiverses in hopes of finding a Jayce able to bring him back to his humanity? Come on, they needed to kiss. Especially after Jayce and Mel's low key break up. Honestly we were denied the three of them working together, because they would have been unstoppable.

Speaking of Mel, I love her. I love her design, her powers, her matricide, her taking command of Ambessa's armies, etc. I wish we could have seen more of her adapting to her new powers, finding peace with what she now is. There could have been a cool interaction with Viktor over how Arcane power has changed them both for better and worse.

I don't think Mel's story is done. With other characters, I can see them coming in for future story arcs as like, cameos or background details, but if the next LoL story is in Noxus I fully expect Mel to be a major player again.

Back to Jayce. I like Jayce, that could be my Arcane hot take, and I definitely want to write something more in depth on him. On all the characters really. For now, I'll just say that his determination to destroy everything he has built, because the only creation worth saving is his relationship with Viktor is just... glorious.

Viktor was amazing. I love Viktor in the lore, and they took his traits from the lore and amped them up to eleven. His body being destroyed and rebuilt, the process of which has chipped away his humanity and mutilated his dreams. He lives up to his own quote: "In the pursuit of great, we failed to do good. We have to make it right."

Ekko is a character I never realize I miss. That sounds mean, it probably is, but I am never the less so happy to see him every time. It's like finding the missing piece you didn't even know was lost: that is Ekko to me. His mini adventure in the parallel universe was adorable. Us getting to see what could've been alongside learning what matters most to Ekko, him getting a taste of a near perfect life and still choosing to return to his own time. That's why Ekko is the true hero of this story.

In terms of Jinx, I'll just say I'm not a hundred percent sure she's dead. The airship leaving at the end followed by her scribbled sign off, plus not getting a dead body shot. It was definitely left open ended. Her looking to do something good, to not mess up, alongside her fear of not wanting to try again because she is just tired of failure, of being a Jinx, was too real in many ways. I will go in depth on her at a later date.

Caitlyn's arc is going to be argued about, no question. It needed more time (see the start of this long post) to make her point of her anger burning away, of it not being sustainable, hit harder. I would have made her realize what her anger was doing to Vi, have Jinx point out that they really are acting the same in their treatment of Vi, and use the whole Ambessa was literally stoking the fires of her hatred to help fit what time they had left. Honestly just have Cait learn Ambessa was the one behind the memorial attack, that would be a much better way to explain her anger diminishing enough to look beyond her own hurt to realize and take account of her mistakes.

Vi, as usual, needed more screen time. Not necessarily because her story would've been helped by it like in act two, but just because I wanted her to have more time to enjoy her life. I went into act three with the sole hope that Vi would have a nice day, only for her to loose everything again. The only people she has left are Cait and Ekko, and god help anyone who tries something against those too now. Her ending being the chance to finally rest, to lean on someone else, was beautiful. She is my favorite character and please let her have only good things in the future, she was traumatized in almost every scene this season please-

Nobody tell Vi that in a universe where she died young everyone else ended up living. It would destroy her.

Vi and Cait relationship was great. I wouldn't say it was rushed in act three, because it felt like it was where it should be for a final batch of episodes, if that makes sense. It felt like the set up was Cait being genuinely remorseful and Vi just wanting someone in her life who wanted her in return. It helps that they have great chemistry and that when given the chance they fit so neatly together. I think Jinx encouraging Vi to be with Cait is what sold it to me. Jinx realizing how much Vi has given/sacrificed and giving her blessing for her sister to be happy with someone she disapproves of; not to mention Cait pulling the guards from their posts to give Vi the chance to actually meet Jinx in order to have that conversation. All in all, it comes down to Vi's "I don't care" because that's really all there is too it for them. Vi is done being miserable and Cait makes her happy, vice versa. Cait is someone Vi can rely on, Vi is someone Cait can find strength in.

Spitfire round:

Sevika being made a councilor

Every single one of Mel, Cait, and Jayce's designs were 10/10s

Vi not being given an actual uniform, just armor and the gloves

Jinx cutting her hair further to match Vi

Ekko getting his crystal sword/bats

Heimerdinger dying after living a life where he could make his city something to be proud of

I was fully expecting Vander and Silco to kiss in that one shot

Everything with Benzo

Loris' name being said

Vi humming the song and the song being their mother's lullaby

Viktor being held within the Herald

Sky leaving so Viktor was free to bring Jayce to his space mind palace

Caitlyn's rifle never surviving

Fishman McBlue being the only one of Cait's soldiers to stick to his guns and stay loyal

Sevika and Shoola side eyeing each other

Vander and little Vi and Powder with the bunny

The bunny being a passenger on Jinx's balloon

Singed's messed up family getting a happy ending

[scribefindegil]

Lorraine Baines McFly and Female Autonomy

Hello. I have spent the past month slowly losing my mind about Lorraine Baines McFly, Marty's mom in Back to the Future, so I am finally trying to articulate some of the reasons I'm so feral about her.

There's a quote from Lea Thompson, the actress who played Lorraine, that goes, "The three parts that women usually get to play are virgins, whores, and mothers, and in Back to the Future Part II, I got to play all three." While this is commentary on Hollywood and the limited roles that fictional women get forced into, I think it's also interesting to think about it in terms of how these roles are reflected onto actual women and used to limit their personhood and confine them to a very narrow range of acceptable behaviors . . . and then in turn to think about how the character interacts with these roles on a Watsonian level. They're affecting not just Lorraine the character as she was written, but Lorraine from an in-universe perspective trying to navigate life as a woman in a patriarchal world. Some of the sexism she faces is a deliberate narrative choice and some of it is a result of the writers' blind spots, but for the purpose of this essay I'm less interested in teasing out which threads are which and more in looking at it holistically.

Because the thing about Lorraine is that she's aware of what the acceptable roles and behaviors for women are, and the versions that we see of her across the various timelines alternately fight against and capitulate to these constraints. What is a woman allowed to be? How much is Lorraine willing to break from those restrictions? How much does she allow other women to break from them? Does she resent her role or embrace it? I have a lot of thoughts specifically about how the different iterations of her interact with concepts of female agency and autonomy.

(Putting this under a cut because it is. Long.)

I started thinking about this when I was talking with my partner about 50's Lorraine. She's extremely active and driven and planning to Get What She Wants (in a way that is very scary, if you are Marty) . . . but at the same time she's clearly aware that she isn't supposed to be. A Good Fifties Girl is demure and passive. Lorraine isn't--but she's still trying to toe the line. I think constantly about the scene where she shows up at Doc's garage to be like "I followed you home . . . so that I can ask you to ask me to the dance." The girl can embrace borderline stalking but she draws the line at directly asking a boy out! She's exercising a lot of agency but views doing so as rebellious and subversive--and risky.

And I also want to talk about the whole "boy crazy" thing because like . . . society (especially in the fifties) tells women that the most important thing they can possibly do is find a good man and become wives and mothers, that this will define the success or failure of their entire lives (and given how many things were unavailable to single women at the time this is in many ways true) . . . and then relentlessly mocks and punishes anyone who actually takes an interest in pursuing this instead of just sitting back passively and waiting. She is trying to do what society says will make her happy! And even her desire for a white knight is very much based in the reality of her situation! She's getting sexually harassed at school and around town and she's doing exactly what she's supposed to and standing up for herself and saying no and fighting back--and this is not enough. She does need backup! Biff harasses her in the middle of a crowded cafeteria and Marty is the ONLY person who does anything! No fucking wonder she latches onto him as hard as she does! (There's. I promise this is related but there's a BttF parody musical on YouTube where when Strickland comes to break up the lunchroom fight he says, "Now, I can excuse sexual harassment, but LIGHT SHOVING?" and like it's a haha funny joke but also?? Yeah?? That IS how it works. The way Lorraine's being treated is so overlooked and normalized that the authority figure isn't going to step up the way he will when it's a physical altercation between two guys. Screams.) I wonder if part of the reason she stuck with George in the original timeline even though they didn't have a lot in common is that "I have a boyfriend" is a boundary that some people might actually take seriously whereas "I'm not interested" is not.

But. In general 50's Lorraine is very much about grabbing as much agency as she feels she's allowed to . . . and then Twin Pines Lorraine is what happens when she regrets the result of those choices (because while we don't see it, it's pretty obvious that in the original timeline she pursued George as aggressively as she pursues Marty in the new one), and so she decides to deny, not just her own agency, but female agency as a general concept. She leans so heavily on the idea that her relationship was "meant to be" because it absolves her of any culpability in creating a life she's unhappy with. She's rewritten her own past to view herself as a passive participant in something inevitable. (Exactly the view of womanhood that she was fighting so hard against in the 50's!) And she extends this idea of female passivity to the women around her: telling Linda that she should sit back and wait and a relationship will "just happen," actively resenting Jennifer for doing something as simple as calling Marty on the phone. It's a really interesting form of internalized misogyny, perpetuating these sexist ideas as almost a misguided form of self-defense.

And then for Lone Pine Lorraine this is completely flipped! She loves Jennifer for the same reason she disliked her in Twin Pines: because she reminds Lorraine of her younger self. And like . . . this is something of an extrapolation, but while obviously her husband and kids are still very important to her, it also feels like she has interests and friends and other things going on in her life, whereas part of the isolation of Twin Pines is that her life has shrunk down to the point where she's ONLY a wife and mother with nothing else to define herself by. And it also matters that in this timeline she has a partner that supports her, not just in the big dramatic moments (although also that), but you can easily see the dance as a catalyst for George actually learning to listen to her and stand up for her about smaller things as well. George McFly feminism arc. (I'm being slightly facetious but like. George starts off kind of shitty. The spying is actively Bad and I hope Marty chewed him out for it offscreen, but also his reaction to the harassment scene being "I think there's someone else she'd rather go with," implying that he sees what Biff is doing as like. Normal flirting that he expects to work. He doesn't GET it. Unsurprising because he is. A teenage boy in the fifties. But I do believe that saving Lorraine was something of a wakeup call and after that he listened to her about things that make her uncomfortable and gave her the support that she needed. Which would also give her a lot more freedom in this timeline because she has someone with more societal power who has her back!)

And then. Hell Valley.

If Lone Pine is the version of Lorraine who has the most freedom, the most opportunities to make decisions based on what she wants instead of What Is Expected Of A Woman, Hell Valley is the opposite. The things denying her agency in Twin Pines is largely societal forces (and herself); in Hell Valley she is actively being denied autonomy by her evil husband who functions as the personification of a bunch of sexist ideas.

She's been objectified to the point that she doesn't maintain control over her own body; Biff pressures her to get cosmetic surgeries so she can continue to look attractive to him because that's the only value he sees in her. Her physical appearance is entirely tailored to his preferences.

Biff's view of Lorraine is wife-as-possession. He treats her like a prize he's won and her kids like parasites. And he is NOT subtle about this. But Lorraine is still desperately clinging to the idea that she's wife-as-family. She calls Biff "your father" to Marty when he arrives, and talks about "our children" because she wants so so badly for this to be something different than what it is. It's especially terrible because this is a timeline where she got seventeen years of being happy with George, she knows what she's missing, and she keeps trying to force this new relationship into a similar mold even though Biff is openly contemptuous of her and especially her kids. It's been twelve years and she's still trying to pretend. To call back to that Lea Thompson quote: it's obvious where Biff thinks Lorraine fits on the virgin-mother-whore axis, while Lorraine is actively trying to centralize her motherhood partially because the kids really are that important to her and partially as a defense mechanism.

(And it's also such a bleak cautionary tale about how fragile women's stability can be when they're dependent on their husbands; Lorraine was happy with George and had a fair amount of freedom, but he was the only one with an income so when he died she was suddenly forced into a truly horrific situation because she had no other means to support herself and her three young children. Especially given that the Hell Valley universe is also worse in some broader political ways that mean there were probably even fewer social supports available than in real life 1973)

And god. It kills me the way that we see her lash out, the way she's clawing for autonomy when she threatens to leave . . . and then exactly how Biff levels all his axes of control against her. It's very interesting that his first tactic is consumerist (Who will pay for all your things? Who will take care of you?) and that doesn't work even though not being able to support herself is a very real concern. It's only when he threatens her kids that she folds. And then she immediately crumples and pivots to rationalizing Biff's behavior and blaming herself for her own abuse (in a way that is both HEARTBREAKING and also? surprisingly sympathetic and realistic for an 80's movie?). It's similar to the passivity we see in Twin Pines, but here we see exactly where it comes from. She doesn't have any way out so she has to pretend. It's the only way she can keep going. She has these flashes of rage but they're immediately snuffed out by despair and denial.

There's not a lot of talk about Lorraine and what there is tends to reduce her to "well she's Marty's mom" as if she's a boring character who doesn't have a lot going on. But even though most of her role in the movies has to do with her relationships with the various men in her life, those relationships are really interesting if you actually pay attention to them! She's not just (in the 80's) a wife and mother--she's someone who has a complex relationship with marriage and motherhood and the societal expectations surrounding them. She's not just (in the 50's) a vapid boy-crazy girl--she's doing her best to go after what she wants in a world that doesn't want her to (the fact that one of the things she wants turns out to be her time-traveling son from the future is unfortunate but not something she has any way of knowing!). She's stuck in a society that doesn't want women to be people, and she knows this, and because we see her across two different time periods and three different timelines you can watch how sometimes society grinds her down until she gives in and tries not to be a person. And also how, sometimes, she fights back.

[bloodismymedium]

Mona x Tina Toxic Yuri Headcanons because I’m a bad person 🫀🌸🔪🧁

Ya’ll can blame @dollsleeper for giving me the toxic yuri bug. I am officially a Tona shipper thanks to them XD

TW: references to sexual assault, stockholm syndrome, stalking and abuse

☠️ Mona didn’t think much of Tina when she first laid eyes on her, she was just another piece of meat to be used in her art, what really made her fall in love with Tina was when she heard her scream. She heard so many screams before her and always took twisted pleasure in hearing the screams of her victims but Tina’s screams just hit different, it was like a beautiful song to her and she wanted to hear it forever. Ironically, Tina’s screaming was what saved her life because it made Mona do what she never did with any of her victims… she hesitated in killing her. Mona would have many lesbian thoughts about Tina since that fateful day, she often wondered how soft her hair must be and how much she yearned to smell the perfume on her body again.

☠️ Mona became completely obsessed with Tina after hearing that beautiful scream of her’s and would end up stalking her for the next two years, memorizing her schedule, occasionally stealing her belongings but she didn’t make a move on her until after watching her interview. Mona took Tina’s “once you’ve been to hell, you don’t come back” quote as a sign that Tina wanted to come back to her, like a piece of her was still with Mona since that day and she was beckoning Mona to take her back… It was the most romantic thing Mona has ever heard in her life.

☠️ Mona actually tries to make sure Tina is as comfortable as possible. She took her beautiful, bloodstained lace bedsheets with her to put over the dirty mattress she has Tina placed on, she actually cooks her food even if they don’t turn out right most of the time, she’ll cuddle up with her if she looks like she’s cold, she’ll check to see if the pretty pink collar she picked out for her isn’t too tight, she even bathes her semi-frequently.

☠️ Tina is constantly trying to fight off the warm, fuzzy feelings that Mona gives her. She doesn’t want to admit how much she melts when Mona touches her thigh, she hates how good she feels when Mona says things like ���you inspire me so much” and “you’re so pretty when you cry”, she finds herself actually blushing when Mona compliments her. Every day is an inner war to stop herself from falling in love with the woman who killed everyone around her, dismembered her and now keeps her hostage in what looks and smells like a lived in sewer.

☠️ Tina hates herself for finding Mona so pretty, she’s a monster, one who killed her sister, her boyfriend and her mother, mutilated her, keeping her alive just to treat her like some kind of toy or pet… and yet she thinks her long, black hair is so pretty, her eyes so beautifully haunting, the expressions she makes when she paints those horrible portraits are strangely charming, that course yet oddly soothing voice that makes her feel a strange combo of fear and comfort. She just can’t keep Mona out of her head and she hates it.

☠️ Mona loves to doll up Tina, dressing her up in pretty outfits and doing her makeup, trying out different hairstyles, she would even do her nails if she still had hands. Tina hates this but she’s learned not to fight back, having come to fear making Mona angry and besides, every day, against her better judgement she likes Mona’s games of dress up a tiny bit more. Mona knows this too, remembering the time when Tina blushed after Mona said she had good fashion sense.

☠️ Mona and Tina surprisingly have a lot of common. They both have a major sweet tooth, they both have a love for nature even though Tina is a deer girl and flower enjoyer while Mona is a rat and bug lady who collects molds, spores and fungus, they both have artistic talent and an interest in the arts (Tina being a knitter and sewer) and they even have a shared quirk in a tendency to play around with their hair when bored or anxious.

☠️ Tina is bisexual but she’s kept her sexuality a secret from her mother since she’s a conservative christian type and she feared she wouldn’t accept her if she found out, Jack and Flora both knew however. It can be surmised that Mona is pan since she has a very “a hole is a hole” mentality when it comes to sex but she wouldn’t identify as pansexual since she doesn’t really care for labels.

☠️ Shockingly, Mona hasn’t gone too far in forcing herself upon Tina. She could easily subject her to her darkest, sexual fantasies like she has done to so many others and you better believe she’s had some real devious thoughts and yet the worst she’s done to her is groping/squeezing her breasts and thighs on a regular basis or licking her face. Tina of course is horrified and disgusted by these acts and yet… why does her face and nethers feel so warm when she does it? And why does she whimper and mew the way she does when Mona bites her neck and shoulders even when she draws blood? And why does she always kind of look forward to when Mona cuddles up to her even when she’s soaking in blood?…

☠️ Bill is VERY jealous of all the attention Tina gets from Mona and is always thinking about murdering and getting rid of her so that he can be Mona’s “favorite” again but has enough smarts left to know that he would be severely punished, maybe even killed if he did so he has no choice but to grit and bare it. His patience will always be tested when Mona talks about her while they’re out murdering like when Mona finds some kind of accessory or article of clothing and will ask Bill “do you think Tina would like this?”. Bill will scare the shit out of Tina when Mona isn’t around in a vain attempt at revenge against her.

[bronx-bomber87]

I know we’re all struggling with this endless hiatus and the lack of new content, so I thought it would be fun to resurrect the #chenfordchats that were circling around the fandom earlier this year. We previously did a question on favorite Tim Bradford quotes, so this time let’s do Lucy! What are your favorite 3-5 (or more if you want) Lucy Chen quotes from the entire series 😊

This does feel endless doesn't it? Not sure why this hiatus has felt longer than when we had the writers strike. That didn't have an end date for a long time. We have one for this one and it's felt worse. Probably because of all the BTS being withheld for now. We're all starving for content of any kind they'll give us. They've been restricted from sharing much of anything. So we're going little stir crazy. 47 days to go LOL We can do it.

This was not easy because these asks never are but always fun. Appreciate the challenge of them. Here we go. These aren't in any particular order BTW. Except by season cause I can't help but organize it. So maybe they are in a specific order ha But not one of ranking by any means. Also I'm not so good at staying within the numbers lmao I suck at it really. So I just did ones I love and I'm probably forgetting some I love but hopefully not.

If I am missing any feel free to do this as well or let me know your favs in the comments. Also these come with commentary cause I am me after all ahaha Was hard to find quotes I love that aren't just Chenford related but Lucy too if that makes sense. That's real hard cause they're so intertwined lol Anyways this is my crack at it please enjoy and don't hesitate to comment should you like to. Also feel free to participate as well more fun when people join in :)

1x01-What's not to love about her opening line as a character? So confident and ready to go. Look at her. Love everything about this line. Confidence rolling off her as she says. Hasn't been squashed yet by her future soulmate....

1x03-I LOVE this line for how it lands with Tim. But mainly we get to see the early sparks of confident Lucy putting Tim in his place. Standing up for herself. Because if she doesn't her career is going up in flames along with Tim's epic flameout. Telling him like it is and I love her for it.

1x07-Another amazing line that lands so well. This is an iconic scene but this line right here. This IMO is what keeps Tim from crossing that line. It's so spot on. She went out on a major limb and it pays off. Just love this line in particular.

2x01-Are we sensing a theme? LOL It was accidental. But I do love Lucy putting my boy in his place when warranted. Standing up for herself in the process. Straight up owns his ass in this argument with dem fighting words. Love her for it.

2x08-Always love watching her fierce loyalty come out despite rank. heh I love this line. Because once again calling someone out on their crap. Why we love our girl so much isn't it? So many reasons but this is definitely one of them.

2x10-Our poor girl so very frustrated with dating especially as a cop. This is an epic line that I don't think gets enough love. Cracks me up so much.

2x11-Love me some BAMF Lucy. It's one of my favs. The fierceness she shows not only saying this line. But making sure she makes eye contact with Caleb when she delivers it. I love her so much. We all know how true this statement ended up.

3x05-This seems like two quotes in one cause it kinda is. Already breaking the rules as is so here we are haha Fiercely protective Lucy reporting for duty with this quote. Loved it so much. She gonna beat your ass Stanton.

3x07-This line will never cease to crack me up. She owns his ass this entire episode really. It's one giant mic drop for her. This one is one of my all time favs of that ep and in general. I dare you to watch that scene let alone that ep and not be laughing.

4x16-Her reply to Tim's reaction makes me cackle. Her comedic timing is perfection. She is fed up with her hubby at this point and it makes me laugh so much. Goes from playful to over it immediately.

4x22-Lucy's reaction to Juicy is an all time fav. She was having fun messing with Tim over Dim till then. Her replies are so funny I love this quote for how much it makes me laugh every time. She is disturbed and not having fun anymore. LOL

5x12-Such an iconic way to drive her point home with this epic line. No more needed to be explained after this line. I adore this quote and the way she delivers it to Tim.

Lucy Chen is me when i'm prepping for anything with my anxiety. This cracked me up so very hard. Also couldn't find a gif of this glorious line. So just edited down a gif I did ha but I adore this line for how much I related with it LOL She is me when I am prepping.

That's all folks. Hope you enjoyed my rambles. Feel free to comment or do your own that would be fun to see others do it as well. Best part of fandom doing stuff like this. Seeing what everyone loves.

[jiminy-crickets]

i dont wanna spam yall, so ive decided to only reblog this when i have a lot of things to say. lmao this sat in my draft from the second i posted that last update, here's more.

FUCK I CLOSED THE TAB AND I GOT THE POP UP but find the quote from his coach about how his personality would make him hate being treated differently. CAN SOMEONE WITH AN ATHLETIC/NYT SUBSCRIPTION PLEASE FIND THIS QUOTE FOR ME.

and connors quote "is butternut squash a nut"

and prev tags "#he's allergic to peanuts and tree nuts #like severly allergic how does he eat at “health” restaurants??" it's interesting that you bring up "health restaurants", because that's the only place he eats, he has NEVER eaten fast food¹..... and yeah, 'healthy' resos are FILLED with nuts, he had an allergic reaction and went to the hospital the night before what should have been the finals in 2020 at age 14, and the next day, dispite being in the hospital the night prior.... he laced up, and he was going to play..... AND THEN HOCKEY CANADA ANNOUNCED THAT ALL JR HOCKEY WAS CANCELLED BECAUSE OF COVID, oh yeah and not only had he never eaten fast food but "people close to him aren't sure he's ever had a cookie"

and like what i said a few reblogs ago, connor and his family temporarily moved to sweden so he could continue training during covid. why do i bring this up again, because when he was at the north american players media tour back in september one of the videos they recorded was for nhl europe and they asked the players to read phrases and words in different languages..... and they didnt put connor in the swedish video!!!! and he was there!!! he was even in videos for the other languages and they filmed them all at the same time..... I WANT TO SEE HIM FAIL AT SPEAKING SWEDISH!!!!!!

There's an entire PROCEDURE for requesting signed sticks and shit from him, that's how many requests for them there have been, the only people who don't need to deal with the middlemen are fellow players. Brady Tkachuk asked Connor to sign a stick for a charity event their last game (the one on the 17th of february) and he did indeed sign one for Brady. (source, i am listening to the radio broadcast of the sens chicago game from the 28th of march)

this next quote gets me GOOD, like oh my GOD!!!!

she [connor's mother] says, if you were billeting with someone right now that’s what they would say, Connor. They’d say, who raised him? And it’s my job as a mother to prepare you. And one of the best 17-year-old hockey players we have ever seen says to his mother, completely seriously, “Don’t feel bad, mom. Madi turned out great.” May 5th 2023

connor please i am BEGGING YOU, you turned out amazing.

i think this is all the things i have from last season, i'm gonna make a new reblog for things from this seaon, but it'll be a while until i'm ready to post it.

¹ as of november 2024, we have confirmation that connor has eaten at TWO fast food restaurants, but its subway and chipotle so... barely counts.

what the tabs look like, of a normal girl, who is doing normal things, and is not thinking too hard about 'gifted' kids and the downfall of an adulthood no one prepared you for

[slimejugular]

Did you see episode 14? Did you see Deep Bite's theme video on youtube? Deep Bite saying something towards Red Blitz like "This guy secretly had feelings for me? He's cute!" Is making me want to explode. I've been eagerly awaiting seeing your thoughts towards ep14 lol

yes to all ^_^ I'm genuinely piqued someone is eager to see my thoughts on MCB, so you get a LARGE chunk for your appreciation.

Sort of disorganized and not proof-read, apologies.

For Deep Bite's theme video:

Did he really say Blitz was cute? I mean. I want him to have.

On YT, the auto-translate was along the lines of Deep Bite thinking him soft-hearted. Nonetheless, still wanting-to-explode-inducing for me too…!

I swear, his commentary mentions Red Blitz multiple times. Stop talking about him, sheesh. Joking.

For episode 14:

• Red Blitz noogie-ing Deep Blitz all scathingly is silly BUT,

if you consider that IRL sharks have super sensitive noses, no wonder Deep Bite 180'd in attitude and transformed in SECONDS. Red Blitz must have been overwhelming the hell out of the sensors concentrated there.

Or not! Discrepancies between alt-mode and robot mode, possibly there are no sensors at all, just a fun assumption on my part. But he does get awfully heated quick, it is suspicious.

• Red Blitz switches between calling Deep Bite 물고기 'mulgogi' (living fish) and 생선 'saengseon' (fish you eat) which is funny /sob

• When Red Blitz is downed during that one part, with Deep Bite raising an optic, the dialogue from him there is amusing…"is it already near your bedtime, you baby" something-something. I love the teasing dynamic going on here. Pretty Please pettily insult each other more in the future, guys

• Musclehyde and Blue Cop being a combination of curious and confused—by the trope of fighting for friendship—is a nice detail. I find it interesting it's not a rite of passage on Machina, considering how bots are rather eager to fight instead of discussing matters.

• I was confused as to why Deep Bite was able to move around Red Blitz in his alt-mode, or. It's that his systems interpret the steam from their clashed attack as "being in the ocean". He does not float around past that particular scene and only hops (in my defense).

• Rock Crush's giggle is so gosh-darned cute 🥺🥺🥺and the tape-on brows Peruru pulls off later ugh. The mole analogy being stylistically animated was lovely on the team's end

• Directly quoted from my IMs

"-sad that the first thing deep bite does when he finds out people aren't afraid of him is that he goes in for an affectionate touch"

"…touch-starved"

"Instantly clasps a hand on the shoulder of a stranger"

(self-explanatory)

Also, Deep Bite taking on the guise of an outlaw, and for Glober to have befriended him somewhere at that point in that time, has. many implications. you can ponder.

Maybe, Glober is the only person that Deep Bite has had affection from…a tragedy that I hope fan writers for the show will touch on, too delicate to be handled by me ahaha :(

Another thing. I was amused by the fact that he laughs for so long—no one's even laughing with him after a while—but you know what? It might have been because he's finally found a WHOLE group of people willing to accept him for him and he's exhilarated with the alien idea and thus expresses it by being so awkwardly upbeat for first meetings. I am miserable.

• Why is Blue Cop recording HAHA??>? This play is too important to Jun to not be captured. His first installment in theatre directing.

• Musclehyde's horns with the capability to pop off make me think of Chiyo Mihama pigtail shitposts. He should swap them out to celebrate Christmas, pretending to be one of Santa's 12 reindeer. It's also stylish? If you think about it?

• Deep Bite is specifically very handsome @ when the force of him pulling the crane, causes Red Blitz and Blue Cop to flip upside up?!!!?#R(U! Sigh.

• Deep Bite's tail language…When Red Blitz walks away, it droops a bit together as he groans (in likely disappointment), but THE TAIL WALIGNGGG WHEN RED BLITZ ACCEPTS HIM????! UUUUUUUUUUUUGHHHHHHHHHHHHHH ok he's so cute he's also making little like. Chuffing noises here omg. Omg.

And Red Blitz' tsundere attitude. Turning his back and everything and the hands on the hips, caught red-handed when someone bugs him about being dishonest. Astonishing.

Cough, also if only Dexter's scoop was animated to show off emotion like this.

• I really do value the voice work Red Blitz' VA puts out. His voice has this roundness, it's snarky, it's nasally, it's naive, and sometimes even a bit intimidating. I'm biased. I'm not sure of the exact Hangul, though the way he was saying hurry(?) is something I enjoy; it fits his characterization well!

• Deep Bite being the second guy to peacefully submit to Jun 🥺the 잘 부탁해 'jal bu-tak-hae', "please take good care of me" AUGHHHH!!!!!

Overall. Loved it. 10/10 all characters got a pleasant spotlight.

Thanks for your interest ^_^

[winloe]

okay, I know every stardew valley character could have a pretty decent argument for being autistic, but I want to say one character that I honestly don’t see being headcanon’d as autistic nearly as much and that’s alex!

before I start, I just want to say that you may disagree and that’s completely ok! you’re entitled to your own opinion and so am I ^^ I am also autistic myself, so this is mostly coming from my own experiences

one quote that sticks out to me is ‘oh wow...your shoes are a little dirty... but that's fine, too! different people have different tastes I guess’. alex is attentive to small changes, something that many autistic individuals are heightened in. he zeroes in on how your shoes look, something he may have noticed while avoiding eye contact and looking down to the floor rather than looking straight at you (an autistic trait is avoiding eye contact)

mentioning your appearance may be alex’s way to try and engage a conversation, but it comes off as blunt and even unintentionally rude when he says how your shoes are dirty, rather than how your hair looks nice or something similar. he seems to have realised his mistake and after a pause follows up with ‘but that's fine, too! different people have different tastes I guess’. to me, this seems like an attempt of smoothing over a mistake he may have only just realised could be seen as insulting, which highlights a struggle of social filters.

another quote which I think exemplifies alex’s difficulty understanding social cues is: ‘hey, you must be getting pretty strong working on that farm all day. maybe you'll reach my level some day. Something to look forward to, huh? why do you have that look on your face?’ (which alex will still say even if you’re 4 years into your farm and probably now jacked)

alex saying you ‘reaching his level some day’ as a goal may come across as egotistical and condescending, but it’s likely not intended that way (because of his later ‘why do you have that look on your face?’). I think this shows his unfiltered confidence (which isn’t always ego! It’s good to be confident!). he seems to just be proud of his physique and seems to be the only reason he’s been complimented before (including his appearance) so that’s what he wishes to show and talk about.

it may seem patronising, yet I think alex sees it as motivational or friendly banter. his ‘why do you have that look on your face?’ underlines his trouble at understanding nonverbal conversation. alex doesn’t immediately understand why his comment could provoke offence.

the player is, in other dialogue from characters, assumed to be reasonably quiet, which may be why alex finds difficulty when it comes to talking to them. 

when alex is insulted after asking if you think he’d ever become pro (and you say that he will fail and become a salesman) he snaps back with ‘that's insane. you're just jealous that I'm talented and popular and you're not. get away from me’. he reacts strongly to negative feedback and interprets it as jealousy, which could stem from how he reckons his dad was jealous of his youth and that’s why he called alex ‘worthless’ and the fear of failure (i.e. wasting his youth). for autistic people, self-worth can be closely tied to one or two abilities, and being questioned on their skill can make it very threatening.

alex also clings onto this idea of being ‘popular’ which may have been his school identity, being a jock and an all-star quarterback, which is a stereotypical popular archetype. this could suggest a difficulty in updating his self-image (and we know he has been outside of school long enough to get married and have kids, so he doesn’t have a reason to call himself ‘popular’ as there’s no context to be called popular anymore)

alex’s insistence on being ‘popular’ could be a form of masking. he shields his emotions from everyone but his dog dusty (and you once hearts are higher). he feels more confident in acting like this macho bravado than he would if he expressed his feelings which also ties into his toxic masculinity, which in turn goes to internalised homophobia. he feels as if he has to act ‘normally’, and being good at a sport and assumingly getting friends in school because he was good at that sport, would probably give him a tunnel vision that talking about gridball is the only chance of having another friend (why he only talks about gridball!)

and I know a lot of people would probably think that gridball is alex’s special subject if we’re going down the autism route, but I don’t actually think so. I could see alex having it as his special subject when he was younger, but as he grows up and as it becomes more of a goal and more of a job, he starts to forget the reason why he started playing gridball in the first place (because it’s a hobby, because his mum played catch with him). 

I can definitely see him struggling with autistic burnout, where he’s tried so hard for so long and still hasn’t seen success. this is why I can 100% understand why he’d like to work at the farm with the player, completely giving up his dream for a change in the current, a turn in decision. change can be frightening for autistic people, which could be why alex hadn't thought of doing anything other than going pro, but as you become his friend, he realises that he doesn’t have to stick to this one made-up persona for eternity and that he can be himself and subvert expectations.

no beta (me) we die like men... this may ramble and one day I'll reread this and cringe at the grammar... hi future me :P

[starpros-sunshine]

Eichi gives away the mask so easily because it was never meant to be an "engagement ring" like you delulu wataeis imagined it to be lmao. It was wataru saying that he will continue playing tsumugi clown role in fine and won't leave it for hokuto's mother troupe after graduation. Do you dumb fucks even read the stories? Eichi didn't even understand tf that mask meant when wataru gave it to him and wataru referenced fucking tsumugi in his "proporsal". I dunno why the f you think it's ok to lie about "! EnDiNG wItH wAtAeI EnGaGeMEnT" when the chapter it happened wasn't even close to the end of ep:link. Cope

PS: how do you live with the fact that Eichi clearly admitted to never being in love in his life and Wataru said that even though Eichi likes him, he still can easily discard him for the sake of his objectives?

I love you anon thank you for giving me a nice reason to ramble again beautiful ask 10/10 I'm sorry this is probably not how you hoped this would go but this is such a funny block of text delightful really thank you for the enrichment please marry me

But okay yes now to get down to the actual ask just to disclaim I am solely relying on translations seeing as I do not speak japanese well enough to understant the original text so if anyone has anything to add to this or to correct me on please feel free to do so.

Now to get started I'm not sure if one could say Eichi gave away the mask "So easily" seeing as he claimed that it was "a hard choice to make"? Which, as one might know, implies unease with an idea and pondering and debating and a general amount of thinking behind a decision so? I know this isn't really the main focus of this ask but I'm just a tad miffed with the semantics of it is all. And in either case giving the mask back to Wataru while expecting it back still shows a certain degree of trust in their relationship it wouldn't have been such a big deal for him (as it apparently was) if the mask didn't have a lot of sentimental value to him (the both of them really if we look at the whole exchange).

Now to the claim that the mask was "only" Watarus promise to stay with fine and "continue playing Tsumugis clown role". This is not entirely incorrect. Regarding the acting troupe and staying with fine bit at least.

I'm assuming this bit in EP:Link Deadend/7 is what you are referencing, and I see where you're coming from. But the bluebird line

from literally three dialogue lines further down, which references this line of dialogue (notorious Eichi line everyone should be familiar with)

kind of somewhat really recontextualises that? Because you see this is a reference to a fairytale about a pair of siblings and they get sent out by a nice fairy to find the bluebird of happiness for her sad daughter to make her happy again so they both go on an adventure and travel far and search and search but they can not find the bluebird of happiness and then when they return home again, disappointed because they couldn't find the blue bird, they realise only one night has actually passed and the journey was probably just a dream. But then their eyes fall upon their pet dove in it's cage which appears blue all of a sudden and so they gift it to the fairies sad daughter which becomes happy again and sets the bird free. The real bluebird of happiness is a dove. At least in the version of the story I'm familiar with but I mean everyone sees the symbolism right? It's. very hard to miss.

And then dropping this?

I'm not sure how to say this properly but in the overall context this makes it pretty clear that Tsumugi has nothing to do with this anymore this is Fully between Wataru and Eichi. And I am the last person to dismiss Tsumugis significance in the course of Wataeis relationship as characters I will be among the first to protest when someone dismisses the importance of Tsumugis and Eichis relationship in favour of some image they have of Wataei but he has nothing to do with this one.

Yes Tsumugi gets namedropped but - again - I don't really see how that would lessen the sentiment Wataru is triying to convey here? Because. Yes. Why wouldn't he mention Tsumugi?

The entire conversation pretty much boils down to "Yes I was initially only in this because I thought I could replace Tsumugis role in your life and then I wanted to leave but we have spent so much time together that I realised that that is definitely not working out because I really do love you. I love you as a teammate; I love you as a friend; I love you as a person and I am very angry at myself for not managing to get that into your head. So please allow me to stay with you for as long as you'll have me." And then also Eichi not understanding because he has the emotional self awareness of a very emotionally unaware loaf of bread and also because he hates himself that is a very big thing about his character huge part of his character arc actually that he. you know? Hates himself? And feels guitly for his actions during the war? And doesn't think he deserves love and companionship? Which is why Wataru wanting to stay with him for him and not for some twisted form of revenge is such an alien concept to him? Because he is projecting his insecurities onto Wataru? As one is wont to do when they hate themself? "EiChi Didn'T eVen UnDErStanD WhAt tf ThAT Mask MEAnt" Yeah. That's. That's the point? So he can think about it and come to that conclusion himself which works as a keymoment in his characters journey from hating life and himself to enjoying being alive and wanting to live on because of the people he's surrounded with? He literally explains why he didn't immediately understand the mask during the EP:Link Epilogue/4

And to get back to the "I dunno why the f you think it's ok to lie about "! EnDiNG wItH wAtAeI EnGaGeMEnT" about which I have two things to say:

"Lying" implies further intent and an effort. Neither of which exist in this case.

He literally went down on one knee while making a big proclamation of offering himself to Eichi with a very personal item that works as a symbol for their commitment to each other on a starlit rooftop. The comparison writes itself.

3. https://en.wikipedia.org/wiki/Joke

And then I expected there to be a proper reason given and instead you proceed to follow that up with "when the chapter it happened wasn't even close to the end of ep:link". I know the shame is on me for expecting something sensical from an ask which has been near constant in it's lack of correct statements but such is human nature I suppose. And you are not wrong. Deadend/7 isn't very close to the end of EP:Link. That is true.

But do you know what Is very close to the end of EP:Link? The Epilogue Chapters 3-5.

Do you know what the content of those chapters is? I do. Very well actually :)

(Eichi literally explains why he didn't get it)

So if this answers your "Do you dumb fucks even read the stories?" questions, Yes. And I think I'm a lot better at it than you. So I'd say I'm coping quite well over here :p

PS: Regarding your PS, I take the "I've never been in love before so I wouldn't know" comment with a lot of humour actually as an aroace person who's emotional self awareness also ends at "good" and "Not good" I think it's very funny all things considered especially because he mentioned the loving Wataru thing several times before that and I'm generally of the belief that actions speak louder than words and also am in a happy long term relationship with the concept of "Reading Subtext". So please excuse me for not breaking down in tears everytime someone reminds me of that one singuar line of text in one of my favourite all time enstars stories that came out three years ago which also brought us the single best card set in the entire game

as well as absolute banger dialogue such as

Among others <33

And there are soooooo many other examples of wataei dialogue that simply make me swoon but I have already had to take out so many of the one's I wish I could put here so this wouldn't get "Do you love the colour of the sky" long

And also, regarding your "Wataru said that even though Eichi likes him, he still can easily discard him for the sake of his objectives" I'll just say that no he absolutely could not. I mean he'd say that and if pull comes to shove and he has no other option then he might seriously consider it but may I mention that Wataru was gone for a few days at most but really not that long of a time during Sanctuary and Eichi stopped considering being a normal rational person that doesn't leave helpless 17 year olds in the midst of a construction site. Very different situation but I feel like it's worth mentioninh here. Another example is Eichis almost not being able to go through with the war because of Wataru. Wataru had to actively come and tell Eichi to go through with it. Wataru isn't the reason Eichi started the war, that is wrong, but he is the reason Eichi almost didn't finish it. and during the war era that was his Main objective. Again I'm part of the fraction "actions speak louder than words" Show don't tell and all that, but even the words are pushing it.

And that concludes my essay :)

[enter-drfrog]

CPDS as quotes from my theatre department’s discord

“You were born out of hate sex? That explains a lot about you” -Robert Grove (almost definitely in reference to Chris)

“I could really use some meat snacks” -Max Bennett

“Where the fuck are my lips?” -Dennis Tyde (except he’s too sweet, I don’t think he would swear intentionally)

“Three monks, dressed as……three monks” -Chris Bean (this is just the nine wise men quote)

“I don’t jump ropes. I prefer to trip on them” -Annie Twilloil

“Something’s wrong with this kid. He watched SpongeBob…and now he’s all gay” -Trevor Watson (for reasons I can’t explain)

“Go sing a romantic ballad about the moon, you cuck!” -Robert Grove

“All I had was an inhaler and a dream” -Vanessa Wilcock-Wynn-Carroway

“You guys got skittles in there???” -Max Bennett

“I spit on Charles Dickens” -Robert Grove

“She has a son and a husband. She’s seen boy chest before. It’s just boy chest!” -Sandra Wilkinson

“Wow. Standing up is crazy” -Vanessa-Wilcock-Wynn-Carroway

“I used to get mad at people and approach them teeth-first” -Robert Grove

“He got that little Victorian orphan in him” -Annie Twilloil (probably about Dennis)

“The only thing straight about me is my hair. I have scoliosis” -Chris Bean

“I’ve always wanted you to die. That’s my dream” -Robert Grove (about Chris obviously)

“We have a lot of hoes” -Dennis Tyde

“The world would be a better place if people were having sex instead of war” -Annie Twilloil

“Did you watch those videos as a kid? Probably not. You were probably normal” -Max Bennett

“You know a lot of words. And you said a lot of them. And I didn’t know any of them” -Dennis Tyde

“I’m trying to be with you, not like you” -Sandra Wilkinson

“I did wander…..once” -Max Bennett

“It’s giving bubonic plague” -Annie Twilloil

“Hey listen, I’ve fucked a lot of dudes in my day” -Trevor Watson

“This is now a dictatorship and I win” -Robert Grove

“And look at how much more mature I am. Look at my accolades” -Chris Bean

“Pumpkins or ghosts?” “Errrr—Orange!” -Vanessa Wilcock-Wynn-Carroway

“Cringe, cringe, cringe” -Jonathan Harris (after ‘not so fast Inspector!!’ or not being able to open a single door)

“I’m just a really bad person” -Robert “Yeah you give off that vibe” -Trevor

“Ack, why do you have your arms out?” -Annie Twilloil

“I just love bullying children” -Robert Grove

“I just want to frown all the time and listen to rock and roll and be sad” -Trevor Watson

[is-this-tf]

Most underrated type of tf, GO!!

Oh my GOD- okay first off to be clear: everyone has one of these. Everyone has an opinion on what kind of TF is underrated, what kind they want to see more of and what they think deserves more love, and they're all right. TF is a wide as hell interest, and like god damn we're insatiable, but that's alright because it really IS good. (so long as it isn't hurting people but that's a given.)

That said.

Fucking. OC TF. I want to TF into your OCs. I WANT TO TF INTO SO MANY OF YOUR OCS SO BAD THEY'RE SO COOL OR HOT OR CUTE OR GENDER OR WELL CRAFTED OR ALL OF THE ABOVE AND EVERYTHING, and holy GOD I wish people made more TF content for their extremely extremely TFable OCs. Fursonas or sonas in general, dnd characters, original content characters, in-universe self inserts or other OCs made for canon material, the list goes on and on and on and ON. OC TF IS SO, SO UNDERRATED.

(I suffer from what I like to call 'chronic fast TF mood metabolism' and it's terminal. It's forever. I'm in this for the long haul. I see a hot character or a fat OC or a fuzzy AU of a character or a goddamn cool half-finished sketch of a design for something (usually ANYTHING) and I pick that TF mood up so fucking fast. I'm so FUCKED, you have to understand. Please, please make TF content of your extremely TFable OCs I am STARVING.)

OC TF is the Best TF, and you can quote me on this because I am RIGHT!

[opens-up-4-nobody]

...

[triglycercule]

murder time trio come back from killing some guy (me) and dust just pulls out a rainbow cleaning duster and starts dusting himself off. horror questions him. he says it's self care

[crossbackpoke-check]

about to be sooo nosy so. my apologies. but. morgan frost? girlfriend? do share (or don’t! again this is so nosy i’m sorry)

for legal purposes i can neither confirm nor deny anything about morgan and his girlfriend but afaik i think he’s single right now? at one point (within the past four years 😭) he did for sure have a girlfriend and that is the extent of my wag knowledge

[drifloonz]

steven/mocha is canon

[bandzboy]

i will say this tho… the reason why most kpop groups don’t come to europe is because in comparison to maybe the usa, the market for kpop music there is better than in europe and also since companies nowadays are obsessed with making groups international (promoting them in the us basically) they know it’s easy money over there honestly that’s what i think

[arolesbianism]

Thinking abt how much I love oni's writing again... In particular, "a seed is planted" continues to be one of if not my favorite logs because despite the troubling details and implications that come with it, it's the one thing in the entirety of the decaying corpse of gravitas that genuinely leaves us with a grain of hope (a seed if you will) and makes oni as a whole a lot more bitter sweet as while earth may not have survived, the dupes did, and after their horrible origins and the shit that many of them went through, in due time they'll finally get to just live, they're free now, and even if Olivia's sleep is end of a tragedy, the world will keep moving forward with or without those who've been lost