#i have seen everything in life

[atsu-kinnie]

Leo+Percy 4ever♡

[bluerosefox]

Her Astrophel and Sterling

hmmm

Hmmmmmmmm

You know what.

You know those AU's where the Batfam finds or learns about either hidden or thought to be dead Al Ghul Danny! with a deaged/daughter Dani (Ellie) (I should know, I created a few of those storylines) but what if, now hear me out, what if instead of them finding Danny first its Talia.

Do I want Talia discovering her thought to be dead son to be alive? Yes. Do I want her to find him while investigating Amity Park when the League gets reports of 'Lazarus creatures/water'? Yes.

DO I WANT HER TO KNOCK ON THE FENTON'S DOOR, fully ready to pretend/honey talk her way into the house to uncover what the Fenton's know, ONLY TO MEET A LITTLE ELLIE?!

YES.

Ellie whose eyes and hair look like a copy of her Beloved but she can see bits and pieces of herself as well. Talia knows the child in front of her was not fully her's though but everything makes sense when she hears a voice, a voice she hasn't heard in ages but as a mother just knows, speak out.

"Ellie! I thought I said do not answer the door my Sterling."

"But Daddy, yous was busy fighting the hotdoggys!"

Talia's eyes widen when she finally catches sight of familiar black hair and blue eyes.

and she could only lightly whisper a old nickname she hasn't dared uttered in ages, a name she secretly gave her son due to his love of the stars "Astrophel..."

[poorly-drawn-mdzs]

The Odyssey would have been a lot shorter if Odysseus gave the Cyclops weed instead of wine.

[jkvjimin]

"my happiness started when I met rapmon hyung" for @jung-koook ♡

[demigods-posts]

they're filming season two, but i'm thinking about the potential adaption of the mount tam scene in season three. you know, the one where annabeth could apologize for pushing percy out of the way and falling off the cliff in his place, and how she knows that sounds terrible but they didn't have time for another plan and she didn't want to lose him that way. but percy just engulfs her in a hug because he's so relieved that she's safe now and everything else be damned. and annabeth doesn't understand why he's snickering to himself after that last statement, but she melts into the hug anyway because she missed him. and thalia and grover stand in the background happy for their friends on the outside but internally mortified, because their friends are definitely falling for each other but fate may not allow them to see it through.

[markscherz]

‘But I am very poorly today & very stupid & hate everyone & everything’

- Charles Darwin. Letter to Charles Lyell, 1 October 1861

[shima-draws]

Just got back from seeing Sonic 3 and HOOOOOOLY SHIT y’all. Oh my fucking god. OH my god. Ohhhh my g o d

[sleepyskeleton-0]

What if- what if Wind’s trauma doesn’t register with him until he’s older. What if as a teenager he thinks he’s super cool for going on adventures and fighting and stuff but then the trauma slams into him when he’s older. One day he’ll realise just how fucked up his life was and all the things he disregarded or made a joke about before come back to haunt him. What if…

[star--nymph]

Vivienne's fear being 'becoming irrelevant' isn't something that's linked explicitly to her pride, no matter what Solas says about her (and the irony of Mr.Pride himself saying that should not be lost on you), it reveals what and who Vivienne truly is.

She's a survivalist.

Because we don't spend as much time in the Free Marches or Orlesian circles, we don't get to experience what being a mage is in these cultures. In Ferelden and Kirkwall, a mage is a lesser being without freedom no matter what they do--but in the Free Marches and Orlais specifically, mages are commodities that are given freedom so long as they play an entertaining enough role. They can explore the world if they have a noble patron, if they catch the right person's eye. They are, in a way, two sides of the same coin--refusing mages agency and forcing them to relay on higher powers. Vivienne lucked out, as sad as it is, when Bastion fell in love with her; she found someone who was contrarian enough to recognize her as a full person and also someone with power that could help her rise through the ranks. This is not to say that Vivienne on her own wasn't an exceedingly talented and intelligent individual--by nineteen she was already the youngest full fledged mage in Circle history and she was skilled enough to make herself an enchanter. But, I can not emphasize this enough, none of that matters if she didn't also play the Game and impress enough people.

Vivienne could have been the most brilliant mage in the history of Thedas and it means nothing if she was overlooked by nobility.

So when Bastion made her his mistress, she gained not just a lover but also a means to an end. Now she can use her magic to protect herself. Now she can roam where she wants and not be question for it because she's Madame Vivienne. Now, she can walk into the Orlasian court and belong there.

And what happens? Celene notices her and makes her the Court Enchanter, a position that has always been the equivalent of a jester. Vivienne took that title, ignored that it was essentially a glorified insult to who she is, and made it a position of power. She made the Court Enchanter into an advisor, a political rank. She had done the impossible and made mages an actual political entity in the Orlasian Court, something that wasn't seen outside of Tervinter (not counting what players can do under very specific conditions if they made mages in DAO and DA2).

All that, however, only continues as long as the court recognizes her as something worth their attention. Vivienne needs to maintain her act as Madame De Fer, The Lady of Iron, the Court Enchanter, The Jewel of the High Court, because the second she just becomes Vivienne, it's over for her. The assassins coming raining in, her name gets devoured by rumors and gossip, and she'll be found dead at bottom of the stair case with a dagger in her back if she's lucky.

So of course when the Circles fall apart during the Rebellion, she clings to that Loyalist Mages to maintain that structure--of course she moves her pieces to the Inquisition, knowing that if the Circle DOES fall, she at least as another place for herself and mages latch onto--of course when she hears that Celene replaced her with a new Court Enchanter that appeared out of no where, she grows to resent Morrigan.

Like, Morrigan literally pops up out of thin air, makes herself invaluable to Celene, and then plants herself in the place Vivienne had to claw her way up to and create so she could survive. Would you not be resentful when your life's work is usurped by some random witch of the wilds because she happened to charm the Empress? Everything Vivienne strived for all whisked away because the court find a gem who glimmers ever so slightly more than Vivienne.

So yes, Vivienne fears becoming irrelevant because the world has made it so that irrelevance for an Orlesian mage means death.

[reefs-camp-blog]

sally and percy were always each other’s constants, they became a bit more distant once percy found out he was a demigod, but they were still each others firsts

then estelle was born

percy loves estelle so much, so much it physically hurts

but he sees estelle and how happy she is, how she had a mom that doesnt work the night shift nearly every night and instead is home nearly all the time, and she has a dad that’s present and there and is safe and percy is so so happy that she has what he never did

but at the same time he knows thats the exact reason why it hurts

estelle has what percys wanted his whole life

and now estelle has the only thing percy had his whole life

being his mothers first and top priority

he knows why, he understands why, estelle is a baby and needs to be cared for constantly, and percys nearly 18 and doesnt need his mom all the time anymore

but it hurts because all the food is no longer blue, it hurts because he sees estelle grow up and get help, it hurts because he sees estelle with the life he always wanted, but knows he will never had

and it hurts because hes no longer his mother’s constant.

sally has paul now, she has paul to help her through her issues and she has a child that doesnt get expelled from every school shes been in

and percy has his family. but its not the same. annabeth has always been there, but she doesnt understand, thalia has been through the same childhood as percy but she doesnt know what its like to watch the bad go to good in the same household, grover has always listened but he just doesnt understand

because hes happy estelle has the life he always wanted. hes glad his mother has the life she always wanted. but hes not in that life. because hes moving out soon. and hes no longer his mothers son, at least not in the way he was before

[ideeylic]

she literally means the whole world to me

[dimeadozencows]

This came to me in an early morning queer haze

Kissing my medics good morning (I am your husband heavy and I love you)

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[kalihoffs]

Mizu

[ayyunah]

happy (late) birthday owl house. I miss you everyday

[the-crooked-library]

I liked how in Nosferatu it’s shown that Ellen not only leaves Thomas behind, lets him go, but she effectively remarries, by dressing up in wedding gown and pledging herself to Orlok and then consumating their sort of marriage. Orlok came before Thomas as Ellen’s dark suitor and Ellen ended up in the end with Orlok, not Thomas. Lilacs as running theme also support it because they are associated with Orlok so even when Ellen was marrying Thomas with lilacs on her head she was involving Orlok into her marriage.

Yes, the lilacs!.. God, the lilacs. She wore them throughout the film, on her dresses, in her hair, as a scent - they're such a prominent motif, and it's very clear that she was never able to let go of her occult nature entirely, despite her very best efforts to conform. The way Orlok reacts to the scent of them in the locket is so telling, too!.. It must've felt like a secret note, passed in code - my first love, I've never forgotten you. Come to me. The hesitation, the slight trembling in his hands as he holds it. The way he keeps it without question, the way he can't resist opening it just to catch the scent - again, again, again. There is something so vulnerable about their connection, on either side.

I think that's why their consummation is so tender sdksjgdjh