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shockercoco · 3 months

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Rainbow vs. Leather

Benny Cross x reader

Warnings - some swearing, flirty! and nervous! Benny

Word count - 2397

a/n - request: Hi!! If interested can you please do a Benny Cross x reader who is an unofficial member of the gang?. . .Benny likes her and try’s to give her hints but she thinks that he is just being nice because she had bad luck with guys who only always saw her has a friend and so, he has to be blunt with her one day. And the rest is up to you. Thank you." - read the full request here. i think 2k words is just gonna be my average at this point lol, i hope you enjoy :)

“Do I have to?” You had asked your parents one night at dinner — they had basically turned it into an intervention.

Your parents weren’t a huge fan of you just lounging around the house all the time with nothing to do, although you had no problem with just kicking back and watching a little television. They thought you needed to get out and socialize and make some friends.

You weren’t necessarily opposed to the idea, but making friends wasn’t an easy thing for you. You came off as shy at first, but once you got comfortable in your environment you became pretty talkative and outgoing. This was also a problem when having conversations with people because sometimes they thought you didn’t want to talk, or even worse, that you didn’t like them for some reason.

You wanted to come out of your shell, so when your parents told you that they wanted you to get a job, you were hesitant but you agreed.

At least they weren’t kicking you out of the house.

What they didn’t know is that you would get a job at the local bar where all the Vandals hung out, the town’s motorcycle club. It was easy for you since Johnny, a close family friend — leader and owner of the club — practically owned the bar, so when you had asked him for a job, he was completely fine with it.

Your parents thought you would get a job at something like the grocery store or the book store down the street, but since they loved Johnny they were okay with you working at the bar.

So now here you are, your third week as a bartender and you enjoyed it. For the most part, the guys were pretty respectful and you rarely had any problems — mainly because Johnny basically threatened them into treating you right before you even started.

There was this instance a couple days ago with a drunk guy, though. He kept getting closer and closer to you, and when it became clear he wasn’t going to leave you alone, Johnny interrupted and kicked the guy out of the bar.

You told Johnny that you had it handled, but he had just dismissed you and said, “No lady should have to deal with that.”

It was pretty obvious that this wasn’t your usual crowd. You enjoyed wearing colorful clothes and jewelry, but you did try and tone it down a little so that you didn’t stick out too much. Thankfully, you had made a couple of friends so you didn’t feel too out of place.

“You should come out riding with us later,” Kathy, a new friend, tells you from the other side of the bar counter.

“On a motorcycle? Are you crazy?” You ask as you lean against the counter. A lot of the guys had already gotten their drinks, and they didn’t want to get too drunk for the ride later, so you didn’t have too much to do.

“What else would I be talking about?” she playfully rolls her eyes.

“I don’t know, maybe a car ride?”

“When was the last time you had fun?” She asks you as she taps the ashes off the end of her cigarette.

“Yesterday while watching some game show,” you joke, and Kathy just laughs.

“How are you two doing over here?” Benny walks up with a glass in his hand, taking a seat next to Kathy.

Benny was another one of your new friends, and you enjoyed whenever he was around. Mostly because you liked how he made your heart flutter just by looking at you or giving you that smirk of his. You hate to admit it, but you were a goner the first day you had met him.

He wasn’t your usual type, but who cares. The whole point of this job was to get you to become more open. You highly doubted that the feelings were reciprocated on his end, though.

But little did you know they were. Just like you, Benny had fallen for you as soon as he laid eyes on you. He had just entered the bar and joined a game of pool with some of the other Vandals.

As he was lining up his shot, he heard a laugh that he hadn’t heard before. All the laughs he was used to were from the other Vandals or the raspy laughs from the girls that hung around and smoked.

Your laugh was different — light and airy and sometimes started off as just a giggle and got interrupted with a snort. It was also loud enough to be heard over the regular chatter of the bar, making Benny miss his shot.

The guys had joked and asked if he was distracted, but he just brushed it off and tried to regain his focus.

When he looked up furrowed eyebrows to see who was causing the noise powerful enough to throw him off his game, he noticed you standing there behind the bar. You are laughing at something Johnny had said to you as you poured him a drink.

Benny ended up missing his next two shots, and he surprisingly wasn’t upset when he lost the game.

Benny needed to know who you were, and he made that his mission from then on. He tried to send you signals that he was interested in you, but for some reason you weren’t picking them up. He loved the way you giggled at something he said or how your soft hand accidentally brushed his as you handed him his drink.

He was trying so hard to be patient, including now as he saw you talking with Kathy with a gentle smile.

“I’m trying to get her to join us later tonight for the night ride,” Kathy answers him.

“And?” Benny asks hopefully, his eyebrows raised as he looks at you with humor written across his face.

“Not happening,” you shake your head.

“Why not?” he continues.

“Because she doesn’t like fun,” Kathy butts in before you can answer.

“Hey, I do like to have fun. It’s just that my version of fun and yours is different,” you defend.

“Have you ever been on a motorcycle?” Benny asks you as he rubs his hand over his chin. When you shake your head in response, he asks, “Do you want to?”

“Not really a huge fan of putting my life on the line like that,” you tell him. Benny chuckles, Kathy joining in.

“It’s not that dangerous, we don’t always drive fast. Tonight’s just a cruise. Come on,” Benny says.

His intense gaze is almost enough to make you say yes…but no. Being on the back of a motorcycle didn’t seem as safe as being inside a closed up car.

“I’m okay, plus my parents might kill me if I stay out too late,” you say.

“Doesn’t Johnny know your parents? I’m sure they wouldn’t be too mad,” says Kathy.

Benny’s face contorts into surprise at Kathy’s statement. He looks back at you for confirmation, and you give him a silent nod.

“What about me?” Johnny questions as he hears his name being mentioned. He gives you a smile as he hands you his glass to refill.

Good, hopefully he can help you get out of this.

“We’re trying to convince her to come out with us, but she’s too afraid,” Kathy explains. You let out a scoff.

“Oh, that’s a good idea,” Johnny agrees, taking a sip from his glass.

What?

Your eyes widen as your lips slightly parted in disbelief.

Johnny shakes his head in amusement at your expression. “I promise it’s not that bad, you’ll be safe with us. If you get in any trouble with your parents, I’ll talk to them myself.”

You look at the three pairs of eyes staring back at you, waiting for your answer — Kathy with her eyebrows raised, Benny with a daring look behind his eyes, and Johnny with a smirk.

“Fine,” you surrender, throwing your hands in the air as the group in front of you lets out a small cheer.

As the night at the bar comes to an end, the bikers take that last sip from their glass and throw on their colors, before filing out the door and heading toward their bikes. Hoots and hollers fill the air as everyone begins to hype each other up.

“You can ride with me,” you hear Benny tell you as he walks past you and toward his own motorcycle. He doesn’t look back at you as he starts up the bike and waits as everyone else does the same.

Get on a bike. With Benny.

You spot Kathy on a bike with Cal. When she sees you looking, she nods her head towards Benny and smiles. You inhale a deep breath to give yourself before heading towards Benny, who offers you his hand as you climb on behind him.

“Well I’ll be damned, is Rainbow finally coming?” Brucie laughs when he sees you. He gave you the nickname when he saw you on your first day dressed in pastel colors and joked about how bright your clothes were. The name has stuck with you ever since, unfortunately.

“Hell yeah,” Cockroach shouts, along with a few others.

You roll your eyes and try to hide the smile forming across your lips. Benny instructs you to wrap your arms around his torso, which you do with uncertainty. You’re not sure how high or low you should have your hands and how tight to hold onto him.

This feels oddly intimate.

He smells like cigarettes — which would normally be a huge turn off if it was someone else — along with sweat from the multiple rounds of pool he played throughout the night, and his natural musk.

Benny must’ve noticed your nervousness because he grabs your hands and places them on his abdomen, allowing you to feel the muscles beneath his shirt. He gives your hands a small pat as if to keep them in place before following the rest of the Vandals as they pull out onto the street.

You’re not sure exactly what you were expecting, but it wasn’t this. The way the wind whips around and through, taking your breath away in such an addicting way. The way the motorcycle vibrates your whole body, only intensifying your experience. You’re not sure how fast Benny’s going, but you couldn’t care less.

You hate to admit it, but the ride is over too quickly for your liking. As Benny separates from everyone else and pulls up in front of your house, you realize the smile currently on your face hasn’t left since the ride started.

Benny comes to a slow stop before cutting the engine and helping you off the bike and onto the sidewalk. Your body is still buzzing from the vibration of the bike, but you enjoy the feeling.

There’s a silence between the two of you as he watches you for a moment, looking you up and down.

“What?” You laugh nervously as you shift under his gaze. You wrap your arms around your body, not just to shield yourself from the window, but from him.

Benny smiles and shakes his head. “Nothing. I take it you enjoyed the ride.”

“I did actually,” you nod.

“So you wouldn’t be opposed to doing it again sometime?” he asks.

“I guess not,” you say.

“With me,” he adds, more as a statement than a question.

You blink. “What?”

“You know what. I’m asking you to come riding with me,” he says casually.

You want to say something, but honestly you're at a loss for words.

“Come on, you know you want to,” he smirks.

“And why would I do that?” you question.

“Because I want you to,” he shrugs his shoulders as he looks out into the distance. Benny takes a breath and hesitates for a second before looking back at you. It’s now or never. “Do you know how long I’ve been trying to get your attention?”

“My attention?” you ask, but you think you know where he’s headed with this.

“Yes, your attention. I’ve been flirting with you pretty much everyday since you started working at the bar, and you don’t seem to notice. I mean, some of the other guys have picked up on the fact that I like you.”

“I thought you were just being nice,” you tell him, your forehead creasing.

“Nice?” Benny scoffs with a laugh. “I don’t think anyone’s ever called me that.”

“I don’t know, I just-I thought you were being nice since I’m always hanging around Kathy!”

“Even Kathy has noticed!” he throws a hand up.

“Lower your voice!” you hush him. It’s after midnight, and you don’t want everyone on the street to start looking out of their windows.

You really don’t know what to say now, though. Like, what the hell have you been doing all this time?

Well, to be fair, people don’t usually flirt with you.

“So….”

“So….” Benny drags out. “Will you put me out of my misery and go on a date with me? It doesn’t have to be anything special, unless you want it to. We can just go for a ride or I could take you out to eat. Anything you want,” Benny looks at you with hope written all over his face.

A grin slowly made its way across your face as you took in Benny. Is he nervous?

“I mean, I can’t really say no because we see each other all the time at the bar anyways,” you joke, causing Benny to let out a chuckle.

“Is that a yes then?” he asks.

“Yes,” you confirm. Benny nods, satisfied with your answer.

“I guess I should probably go — you’re cold, and I’m pretty sure your mother has been looking out the window this whole time,” Benny smirks.

Your mouth drops as you whip your head around just in time to see someone move away from the window on the second floor. There’s no doubt you’ll be flooded with a ton of questions later.

You turn back around when you hear Benny’s engine start back up.

“I’ll see you soon, Rainbow,” Benny shoots you a win, stealing the nickname Brucie had given you.

“That’s not my name!” you shout after him, and he just gives you a quick glance back before continuing down the road.

like what you see? check out my masterlist :)

#austin butler #austin butler x reader #austin butler imagine #benny cross #benny cross x reader #the bikeriders #the bikeriders x reader

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mollywog · 2 years

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Thinking about Katniss’s friendship with Madge (and also Gale)

I think Madge is important for several reasons, but one being: She shows us that Katniss doesn't 100% 'buy' the whole merchant vs seam thing.

The mayor’s daughter, Madge, opens the door. She’s in my year at school. Being the mayor’s daughter, you’d expect her to be a snob, but she’s all right. She just keeps to herself. Like me. Since neither of us really has a group of friends, we seem to end up together a lot at school. Eating lunch, sitting next to each other at assemblies, partnering for sports activities. We rarely talk, which suits us both just fine.

Katniss (and Gale) are actually progress thinkers in this way. They hold biases/resentment about the merchants, but also can recognize it as a Capital driven division.

Even though Gale snaps at Madge at the start of the book, Katniss credits him with knowing ‘his anger at Madge is misdirected.’ In fact he is the one verbalizing the idea to her.

You can see why someone like Madge, who has never been at risk of needing a tessera, can set him off. The chance of her name being drawn is very slim compared to those of us who live in the Seam. Not impossible, but slim. And even though the rules were set up by the Capitol, not the districts, certainly not Madge's family, it's hard not to resent those who don't have to sign up for tesserae.

Gale knows his anger at Madge is misdirected. On other days, deep in the woods, I've listened to him rant about how the tesserae are just another tool to cause misery in our district. A way to plant hatred between the starving workers of the Seam and those who can generally count on supper and thereby ensure we will never trust one another. "It's to the Capitol's advantage to have us divided among ourselves," he might say if there were no ears to hear but mine. If it wasn't reaping day. If a girl with a gold pin and no tesserae had not made what I'm sure she thought was a harmless comment.

Madge and Gale inspire Katniss’s rebellious actions just as much Peeta

Madge’s pin is what makes Rue trust Katniss.

I unclasp the pin and hold it out to her. “Here, you take it. It has more meaning for you than me.”

“Oh, no,” says Rue, closing my fingers back over the pin. “I like to see it on you. That’s how I decided I could trust you. Besides, I have this.” She pulls a necklace woven out of some kind of grass from her shirt. On it, hangs a roughly carved wooden star. Or maybe it’s a flower. “It’s a good luck charm.”

And Katniss is reminded of both Gale’s rants and Peeta’s piece in their games speech in the aftermath of Rue’s death

Gale’s voice is in my head. His ravings against the Capitol no longer pointless, no longer to be ignored. Rue’s death has forced me to confront my own fury against the cruelty, the injustice they inflict upon us. But here, even more strongly than at home, I feel my impotence. There’s no way to take revenge on the Capitol. Is there?

Then I remember Peeta’s words on the roof. “Only I keep wishing I could think of a way to . . . to show the Capitol they don’t own me. That I’m more than just a piece in their Games.” And for the first time, I understand what he means.

Please also check out this beautiful analysis of Madge by @wistfulweaverwoman!

#thg #the hunger games #Katniss Everdeen #gale hawthorne #madge undersee #peeta mellark #rue #74th hunger games

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david-talks-sw · 2 months

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The OTHER type of Star Wars fan

We've already covered (through this longer post and this addendum) that research shows George wasn't that involved or interested in the derivative material of the Star Wars franchise, also known as the Expanded Universe (EU). Aside from approving a few points, he let Howard Roffman and Lucasfilm Licensing handle it.

He is the first to say that he ain't as knowledgeable about Star Wars lore as we fans are.

Thing is... he's also not as passionate as we are.

Recently, I was watching some Q&A videos of George R.R. Martin, the author of Game of Thrones... and it occurred to me:

Martin is what most Star Wars fans wish Lucas was.

Think about it.

He's a talented writer who likes to focus on morally "gray" characters and complex political plotlines,

who created a series of novels for a mature audience in which his narrative merely asks questions and lets the reader draw their own conclusions,

knows and engages in the lore behind his creation and will often respond to those lore-heavy questions, and has gone on record stating that canon is the glue that holds a story together and keeps it coherent.

Contrast that with George "continuity is for wimps" Lucas, who:

Wrote a movie franchise which is also, partially, political... but he makes it for kids, and he's explicit about how this is thematically a clear-cut story about how the conflict of "good vs evil" is really about "compassion vs greed",

with flat dialogue, boring cinematography,

and whose approach to lore and canon can be summed up in his answer to how Anakin got his scar:

"I don't know. Ask Howard [Roffman]. That’s one of those things that happens in the novels between the movies. I just put it there. He has to explain how it got there. I think Anakin got it slipping in the bathtub, but of course, he's not going to tell anybody that." - Pablo Hidalgo’s set diary, August 2003

And as a Star Wars fan, I will admit that some of his casual retcons felt disrespectful, growing up.

"Boba Fett is NOT Mandalorian?!"

I had the same reaction when I saw an interview of Kathleen Kennedy stating she was a fan of Star Wars... from a filmmaking perspective. That seemed like such a finagling cop-out for me, at the time.

"Just say you're not a real fan, God!"

And it's easy to divide it in two camps, like that. You have 1) the fans, who will delve into deep lore, and you have 2) the average moviegoer.

But looking back on it... holy shit, that is actually a completely valid way of being a Star Wars fan.

Yes, Star Wars is a transmedia franchise, it's books, it's video-games, it's deep lore, it's lightsabers and Jedi and Sith and bounty hunters and Ewoks and Jabba and High Republics and Tython and Revan etc.

But before it was that, Star Wars was a filmmaking revolution. A juggernaut of innovation for the silver screen that inspired most of today's filmmakers.

So, sure, George Lucas isn't an avid lore-loving Star Wars fan like you and me. But he is a movie fan.

"I'm not that passionate about this story. I like it, it's fun and I enjoy doing it. But it's definitely not my life. I'm a bigger movie fan than I am Star Wars fan. I like making movies. At the end of nine years of making Star Wars, I was not ready to continue it. I was completely burned out on it. I was more passionate about raising my kids than making movies and especially making Star Wars. So I made other kinds of movies and TV shows and advanced the technology I needed. It's not a matter of passion. My passion is for filmmaking. I'll go and do filmmaking that is easier to do, where you can realise your ideas better. And nine years is a big part of your life, and to commit to another nine years, I didn't wanna do that right away." - EMPIRE, 1999

And you can tell this, when you watch the Star Wars films.

There are honestly so many homages and interesting filmmaking techniques, peppered throughout the six films, which only a nerd for cinema history like George would know how to implement.

C3-PO being based on the droid from Metropolis (1927) is a perfect example of this.

And that's interesting.

Because there's essentially this entire other dimension to the films, where it's not just the story unfolding, but to filmmakers it's also a series of techniques that make them go "I wonder how they did that!" or homages that make them go "OH! I know where that's from!" like we do when an comics characters appears in live-action.

Here's other examples:

CINEMA HOMAGES

All of Star Wars is absolutely littered with homages to cinema history.

I mean, you may already know this, but Flash Gordon is what George originally wanted to shoot, but the copyright holders said they only wanted Fellini to direct it (ironically, George wasn't artsy-fart enough for them). So he decided to write Star Wars instead.

As such, the inspiration from Flash Gordon is also present visually and spiritually throughout the two trilogies.

"It was like a Republic serial, a 1930s-style matinee adventure. The idea was that you came in, saw Episode IV, had missed the first three episodes, and wouldn't get to see the rest of it." - Starlog Magazine #300, 2002

The dialogue that a lot of people refer to as "campy" and "flat" is actually a mix of George being an experimental filmmaker who doesn't give much of a fuck about dialogue (and is by his own admission, not the best at it)...

"I'd be the first person to say I can't write dialogue. My dialogue is very utilitarian and is designed to move things forward. I'm not Shakespeare. It's not designed to be poetic. It's not designed to have a clever turn of phrase. [...] I just wanted to get from point A to point B. This film doesn't lend itself to that sort of thing because it's not about snappy one-liners. I think that Lethal Weapon-style dialogue is overused, it's a necessary aspect of high action films where you have to have the smart retort. You have to say "I'll be back baby" and stuff. It's not my style. It takes away from the integrity of the movie. [...] I'm aware that dialogue isn't my strength. I use it as a device. I don't particularly like dialogue which is part of the problem." - EMPIRE, 1999

... which is convenient, because it helped him simulate the dialogue of 1930s matinee serials, such as Flash Gordon.

"Let’s face it, their dialogue in that scene is pretty corny. It is presented very honestly, it isn’t tongue in cheek at all, and it’s played to the hilt. But it is consistent, not only with the rest of the movie, but with the overall Star Wars style. Most people don’t understand the style of Star Wars. They don’t get that there is an underlying motif that is very much like a 1930s Western or Saturday matinee serial. It’s in the more romantic period of making movies and adventure films. And this film is even more of a melodrama than the others." - Mythmaking: Behind the Scenes of Attack of the Clones, 2002

But beyond that, literally it's everywhere.

The scene where Palpatine ascends to being Emperor as Anakin slaughters his political rivals parallels the final scene in The Godfather, where Michael becomes the Don while his goons do the same thing.

This video compiles all the tributes beautifully. Check it out.

youtube

Even The Clone Wars has whole episodes that are direct homages to cult classics. The Zillo Beast episode is a clear reference to Godzilla, the episode The Wrong Jedi is inspired by The Wrong Man, etc.

"CINEMA VÉRITÉ" CINEMATOGRAPHY

I've already written a whole post (one of my favourites) showing how his fascination with cinéma vérité documentaries is reflected in the cinematography of all six Star Wars films, and it's part of what makes the entire franchise feel so immersive.

You can check it out here:

KUROSAWA

We've gone over how he's a big fan of Akira Kurosawa, and how big an influence Hidden Fortress was on both the Star Wars trilogies...

... but so is the mise-en-scène and the way George approaches production design. The reason Star Wars feels so "lived in" is also a lesson George learned from Kurosawa, which is that by making everything just a bit off-kilter, a bit dirtied-up and imperfect...

... and yet keeping it all consistent, in a way, you manage to make the film feel grounded and immersive, no matter how alien it is.

"[It] may sound odd in a movie like this, but credibility and realism, even in the most unrealistic situation… to sorta create that sense of realism is very important to making the story work and making you feel like you’re actually in the environment that transports you and gives you the suspension of disbelief that you need in order to enjoy a movie. [...] Kurosawa used to call it “immaculate realism” which is to make it slightly off-kilter, slightly eccentric, like things are in real life. Even if it’s a very predictable situation, give it that little funny edge that takes it away from that and makes it realistic. And I had to struggle very hard, in the Star Wars films, to make them appear to be realistic, even though they’re totally fantasy." - The Phantom Menace, Commentary Track #2, 1999

POST-PRODUCTION & VFX

Another one of the more impressive aspects of the first Star Wars was the dogfights and the trench raid of the Death Star. The camera pans with the spaceship, the dynamism of the cuts. The space battles is what made George creat ILM in the first place.

He was determined to do the opposite of what 2001: A Space Odyssey had done with that opening scene where the space ship moves into frame slooooowly...

... so he gave the team a collection of WWII dogfight footage to give them ideas.

(note: this was the same approach he would take years later with Dave Filoni, when teaching the latter how to edit and craft dogfights in The Clone Wars)

The attempt to film the trench run eventually led to the creation of the first motion control camera dolly.

Best analogy I can think of, when describing George's approach to Star Wars, is the following:

An avant-garde esoteric contemporary artist - y'know, the type who puts a blue dot on a white canvas and calls it art - creates a comic.

Why? Because he wants to make this one art installment for a gallery exhibition. After that, he intends to move on to other things.

But the comic is really good! And like, its audience quickly expands beyond just gallery visitors, no, everyone likes it.

Suddenly, the comic develops a cult following, and the entirety of comic book geek culture has zeroed-in on the artist and they're all asking him to make more art! And he makes more! And more!

Then he stops for two decades, moves on to other art projects, raises his kids. Years later, he discovers new ways of drawing, and he's like "I'm making a Prequel to the comic, y'all wanna see it?"

Everyone cries out gleefully: "Oh God, yes! Finally! Show us!"

But this motherfucker makes a manga.

Why? Because he feels like it.

And of course he does, he's just creating art, right? He discovered the graphic tablet, so he's having fun with it, because he's always innovating and pushing the envelope with his art.

And the movies are fine, by manga standards. But by comic book standards, they obviously suck! The comic book audience is mad. They wanted another comic book, not a manga. Why is it in black and white? Why is read right-to-left? This comic sucks!

(And arguably, they have a point... as a savvy businessman, he's made a whole lot of money off this comic, he built a media empire out of it, and instead of giving them what they want, he made something else)

But again... this guy isn't a comic book illustrator, and has been very explicit about saying this.

He's an artist who - for a very specific project - drew a comic.

Many things can be true at once:

the fact that these creative decisions didn't always hit their mark for the average moviegoer, or fans of "Star Wars, the space fantasy movies and expanded universe" (usually the lore-loving geeks like myself)...

... and the fact that they were meticulously and carefully crafted in a way that fans of "Star Wars, the revolutionary film" (aka fans of cinema and filmmaking) can appreciate.

There's a spectrum of the fandom, and there is a spectrum in the way we can appreciate Star Wars. Which kinda reminds me of that scene in Chef (2014) where Carl goes on a rant explaining the intricacies of making his chocolate lava cake to a food critic.

It's not just undercooked chocolate.

It's molten.

Conversely, it's not just flat, campy dialogue. It's an homage to the 1930s matinee serials à la Flash Gordon.

It's not just boring cinematography. It's a reproduction of cinéma vérité documentary-style camera work which effectively grounds the film.

Having considered all this, when I hear that Tony Gilroy or Kathleen Kennedy were more in the latter camp, I go "fair enough".

First of all, because like it or not, so was George. He clearly didn't give a single crap about the comics and books, besides signing off on minor plot points. He's not a "sci-fi movie director", he's an experimental filmmaker who makes movies set in space.

But secondly, because - aside from children - it's clear the audience he was targeting was these cinema-savvy folks who'd get his references and would be inspired by the filmmaking techniques.

Not the fans or the critics.

#george lucas #star wars #long post #meta #cinema #kurosawa

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imaginespazzi · 2 months

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Part 4: Warning Bells

Masterlist - Part 1 - Part 2 - Part 3 - Part 5 - Part 6 - Part 7 - Part 8 - Part 9

I don't think I can do this again (do you remember it too?)

(In which a self-admittedly all over the place writer takes you on a bit of a rollercoaster)

Pairing: Paige Bueckers X Azzi Fudd

Themes: Fluff, Angst, Pining (the usuals)

Words: 6.1K

TW: Swearing, Mentions of Divorce

A/N: Hi lovelies :) Guess who made a deadline again? I'm as shocked as y'all are but I do wanna just warn y'all that August is gonna be really busy for me so as much as I'm gonna try to stick to schedule, there's a pretty good chance I won't. I really appreciate y'alls feedback with live-reacts/long reviews and it's truly the motivating factor behind my writing so pretty please keep sending them. I did edit (as usual) but please let me know the most likely existent typos anyway. As always, let me know what you liked, disliked and what you wanna see next. Have a lovely rest of your week my loves <3

March 2033

Here’s what Azzi has learned about motherhood: having kids means that there will come many times in your life, when you will look around you and wonder how the hell did I get here. It’s that thought that’s currently plaguing her as she finishes hanging up the WELCOME HOME banner on the living room wall in her ex-girlfriend’s new apartment. And when she’s talking about kids, she’s not talking about her five year old who’s currently sticking purple hearts on every surface she can find. No, she’s talking about her 6’5 teammate who she’d once “adopted” as a joke in college, but who’s basically become her surrogate child ever since they’d ended up on the same WNBA team.

It had started as a casual conversation when Jana, as she often did, had shown up for an impromptu lunch. The topic of Paige was hard to avoid considering it was Stephie’s favorite subject, heightened by the fact that Paige was coming back soon and Stephie was far too excited to finally have her Miss Buecks back. Jana was more than happy to indulge the little girl in conversation about what Paige had been like at UConn. And if Azzi had lost herself in those memories for a moment, transported back in time to a world that had once been blooming with promise before wilting in a darkness she’d created herself, well, she’d done an excellent job not letting it show on her face.

The real issue had started when Jana had casually let slip her idea of surprising Paige with a little welcome party. And as Stephie had started reciting all the different things they could do -because of course me and Mama will help you Aunty J, Azzi had glared at Jana, only to receive an innocent smile in return that told her everything she needed to know. She’d been set up.

That’s how, instead of spending her Saturday curled up on her comfortable couch with a book in her hands, Azzi is here instead and in true fashion, she’s the only one actually getting anything done. Jana, who had just left about twenty minutes ago to pick Paige up, had invited some of the other girls on the team to come help out yet, something about more hands on deck. Those supposed helpful hands had spent the last hour blowing up and popping balloons and getting nothing else done.

“I can’t believe y’all have me decorating for the woman who cost me my first national championship,” Joyce laments, “I still have nightmares from that game.”

“You gotta let that hurt go Aunty Joy,” Stephie says impishly, mimicking what Jana would normally say whenever the infamous 2025 South Carolina vs UConn national championship got brought up.

“Don’t sass me Miss Stephanie,” Joyce sticks out her tongue at the little girl, throwing a purple balloon at Stephie’s head, “hasn’t your Mama taught you that we don’t mock people’s pain.”

“Ignore her Steph,” Tessa says, bumping her former Gamecock teammate as she shares a devilish grin with Azzi’s daughter, “she’s just upset she only won one. Some of us have two.”

Joyce guffaws, throwing another balloon, this time aimed at Tessa, “dude we’re supposed to be on the same team. What would Coach Staley say to you teaming with UConn people of all things to bully me?”

“She’d thank me for making sure you didn’t get a big head,” Tessa snipes back.

Whatever response Joyce has to that quip is cut short by the doorbell ringing and Azzi feels her heartbeat quicken as Stephie lets out a squeal, dropping everything to go answer it. Things had been different since the facetime call almost two weeks ago. They’d accidentally on purpose settled into a routine where Stephie would call Paige at exactly 7 p.m. and Paige would answer on the first ring, promising to stay on the phone till the little girl fell asleep. And it would’ve been fine if that’s all it was. But then Paige started staying on the phone till after Stephie fell asleep and suddenly it was like they were back to their teenage selves, talking about everything and nothing, trying to learn every page of each other’s story all over again.

Azzi had missed so much about Paige in the last couple of years but there was nothing she’d missed more than just talking to her best friend. She’d missed the way Paige would tell a story, going off on a million tangents in between. She’d missed the way her eyes would light up when she got to a particularly exciting part of the story, specks of gold shimmering in the blue like sunlight hitting the ocean. She’d missed the way Paige’s hands would be flying animatedly all over the place, even when she was whispering. She’d missed the way the blonde would pause halfway through to observe if Azzi was still listening, making sure all of the attention was still on her. And she’d missed the way that when it was Azzi’s turn to speak, Paige would hang onto every word like it was gospel, intently listening like she’d never forgive herself if she couldn’t recite everything Azzi had just said from memory. She’d missed the way Paige would let her emotions freely flicker across her face, because whatever happened to Azzi, Paige felt it too.

She’d missed and missed, convinced the pain would be the end of her, until she’d tricked her mind into forgetting. And now Azzi’s beginning to realize that remembering it all again, might just be the thing that kills her.

“Nevermind,” Stephie walks back to the room, sulking slightly, “it’s just Aunty Liyah.”

“Oh thanks Stephie babe. That makes me feel so wonderful,” Aaliyah says, walking in behind Stephie with an offended expression on her face, “and here I thought bringing cupcakes would make me popular.”

“Tell me those are store-bought Chavez. I ain’t trusting them if you made them yourselves,” Joyce says, side-eyeing the cupcakes.

“Trust me I would never waste my precious time baking for y’all ungrateful ass-”

“Aaliyah,” Azzi shoots her younger teammate a sharp look.

“-ungrateful people,” Aaliyah corrects sheepishly, “cupcakes because y’all clearly don’t appreciate me.”

“I pre-ciate you Aunty Liyah,” Stephie says innocently, trying to get a better look at the aforementioned cupcakes, “you got the pu-ple ones right? They have to be pu-ple for Miss Buecks.”

Aaliyah bends down to Stephie’s level to show her the box of sweet treats “the perfect purple cupcakes for your Miss Buecks. How come you never wanna do nice things like this for us Stephie?”

“Because Miss Buecks is special,” Stephie retorts matter-of-factly.

“Oh so we’re not special?” Tessa asks, raising an eyebrow at Stephie.

“‘Course you are but Miss Buecks is special-er.”

And while her teammates all pretend to dramatically gasp at that, shaking their heads at Stephie, Azzi feels like someone’s squeezing her heart, twisting and twisting but never fully breaking it. She wonders if that might hurt less.

It’s another 10 minutes later when the doorbell rings again and Azzi watches her daughter’s face break into an incandescent grin, filled with hope, as she rushes to open the door because it has to be Paige this time. Azzi follows after her, trying to keep her breathing under control as anticipation clings to her nerves. Azzi’s gotten so spectacularly good at lying to herself that she tells herself this next one with ease: there’s not a single part of her that’s eager to see Paige again.

“SURPRISE,” Stephie screams, flinging the front door open with as much strength as she can muster. She doesn’t give Paige a chance to react before she’s throwing herself against the blonde’s legs, hugging her thighs.

It takes a second for Paige to register what’s happening, but when she does, it’s Azzi she’s looking at. Everything seems to move in slow motion as they stare at each other, the reality of the moment suddenly settling in. Paige is here. In Oakland. They’re going to be teammates; they’re going to see each other almost every day. Just like they used to. Except nothing is like it used to be and as that bitter truth comes up like bile in Azzi’s throat, she has to force herself to look away.

“Miss Buecks,” Stephie calls out, tugging at the hem of Paige’s white shirt to get her attention, “do you like my surprise?”

Paige tears her eyes away from Azzi, leaning down to pick Stephie up before peppering her faces with kisses and making the younger girl squeal in delight, “best surprise ever.”

And Azzi really, really, can’t watch this. Not when it makes her want to walk over and cocoon herself in with the two of them, makes her want to pretend that she’s living in another life, one where she hadn’t thrown away the chance of a happily ever after with the girl she’d fallen in love with at fourteen,

“Oh yeah Stephie, your surprise. Take all the credit. Not like the rest of us did anything,” Joyce rolls her eyes goodnaturedly, before pulling Paige into a one-armed hug, “welcome to the Bay Area Bueckers.”

Tessa and Aaliyah are next, both sharing warm hugs with their new teammate. Once they’ve had their turn, all eyes seem to turn to Azzi expectantly and the brunette blanches under their gaze. Other than Jana, who suddenly seems pretty heavily interested in the doorframe, the rest of her teammates don’t know about her past with Paige. So it’s only natural they’d expect her to greet Paige with all the cordiality of an old friend.

“Y’all good?” Joyce asks slowly, looking between the two of them, “do you want me to introduce y’all or?”

“Shut up,” Azzi murmurs before drawing in a deep breath and stepping towards Paige. She tries not to fixate on the way Paige’s jaw flexes when the blonde swallows, tries not to think about all the patterns she’d once carved against that little patch of skin because she knew it drove Paige insane. The thing is Azzi can’t even really remember the last time they hugged beyond a for-the-cameras one at a game. But as she wraps her arms around Paige, the older woman’s breath tickling against her ear as she grips Azzi’s waist, it doesn’t feel that much different from how it used to be. Paige’s arms are still safe and strong and Azzi still wants to melt into them. But what’s different is that Stephie’s in between them now, tiny hands securely fastened around both of their necks. And Azzi almost, almost gives into the feeling of belonging as she whispers two simple words that mean just a little too much.

“Welcome home.”

***

Seven pairs of eyes watch as the movers move box after box after box into Paige’s apartment, until there’s more cardboard than floor visible. The three non-UConn girlies are wide-eyed as they watch the pile grow endlessly. Meanwhile Jana is laughing while Azzi tries to hide a smile behind her hands as the realization that she’d have to unpack all of her stuff hits Paige in waves, and her expression grows more and more somber. Once the movers are finally done, it’s Stephie, whose hand is still firmly clasped in Paige’s, who breaks the silence.

“You have a lot of things Miss Buecks,” the little girl crinkles her nose, as she points out the obvious, “do you really need all of this stuff.”

“Of course I do Stephie,” Paige says indignantly and Azzi scoffs, earning her a withering glare from the blond.

“Aight well it was nice to meet you-” Joyce starts, slowly backing away from the mess until Jana blocks her way.

“Oh no you don’t. I told y’all we were all gonna help her move in. Call it team bonding,” the Egyptian says, her voice vaguely threatening.

“Most of the team isn’t even here,” Aaliyah points out cautiously.

“That’s not the point,” Jana rebukes, “alright team listen up. Here’s how this is going to go-”

“Maybe Paige should take charge. It is her apartment,” Tessa says slowly.

“If we put Paige in charge she’ll tell us all to go home and procrastinate doing anything until after the season,” Azzi says, a knowing smirk playing on her lips.

Paige pouts, “hey! I’m not that bad.”

“Oh you absolutely are.”

“Am not.”

“Are too.”

“O-kay,” Jana claps, breaking apart the bickering, “it’s good to see the two of you are apparently younger than Stephie,” she holds up a hands a both Paige and Azzi start to splutter in their defense, “now as I was saying before being rudely interrupted. We’re gonna split this up. Joyce and I are gonna do the living room. Aaliyah and Tessa, y’all are gonna fix the guest room. Which leaves,” Jana smiles, and it’s only because Azzi knows her so well that she can read the menacing sparkle behind it, “Paige and Azzi to tackle the master bedroom.”

They both open their mouths to protest but are quick to get cut off by an excited Stephie, “I’mma help Mama and Miss Buecks!”

“Of course you are, why would you ever help anybody else? Clearly you don’t love us anymore. Not since your precious Miss Buecks got here,” Joyce says dramatically and while Paige smirks and the rest of the girls pretend to act mock offended, Azzi uses the distraction to sidle up to Jana.

“What the fuck are you playing at El-Alfy,” she hisses under hear breath.

Jana shrugs innocently, “the master bedroom is the hardest because Paige has so many fucking clothes so I’m letting y’all old heads do it. Some of us are below 30 ya know.”

“Cut the bullshit,” Azzi snaps.

“I have absolutely no idea what you’re talking about Fudd,” Jana says airily as she starts to unpack a box, leaving Azzi muttering curses under her breath.

“Hey-”

Azzi spins around at the soft voice, only to find herself crashing against a solid body. It’s instinct, the way Paige’s hands immediately reach out to steady her and it’s instinct, the way Azzi’s hands grab at the lapels of the blond’s shirt. Goosebumps trails up her skin as Paige's breath, hot and heavy, fans across her face. They’re too close; way too close and yet the idea of stepping away feels like a sin. Azzi gulps as her thumb accidentally brushes Paige’s collarbone and the other woman shivers under her touch. She thinks she could probably get drunk off the feeling of knowing that she can still affect Paige like that.

“You uh-” Paige swallows, fingers squeezing involuntarily against Azzi’s hip, “you don’t have to listen to Jana. I can- I can figure it out myself.”

“N-no,” Azzi stutters and she wonders if Paige feels a high from the way she still affects Azzi too, “there’s um- you have- uh- you have a lot of stuff. I can-,” she sucks in a deep breath, “I’ll help.”

“You sure?” there’s a vulnerable edge to Paige’s tone and any resolve Azzi could ever have melts immediately.

“I want to help,” she says softly, letting a small smile slip onto her lips.

The smile she gets in return is bright and sparkling, just like Paige herself and Azzi’s heart lurches, pleased to be the one receiving it, pleased to be the one who’d elicited it, “Good, cause I really wanted your help.”

Azzi shakes her head, trying to ignore the warning bells blazing in her head at the fact that they’re still holding each other, “why’d you pretend you didn’t?”

“I just wanted to hear you say it first,” Paige says, biting at her bottom lip. It leaves a light mark and Azzi finds herself wanting to soothe it over with her own tongue.

She thinks it might have been easier if it was just a little harder to fall back into Paige. It shouldn’t be so simple to fall back into late night conversations, so simple to fall back into easy teasing, so simple to fall back into feeling at peace in Paige’s arms. But it is.

“Mama, Miss Buecks,” it’s Stephie who breaks their bubble but instead of jumping away from each other like they should, they step apart only enough to let the little girl into the space between them, so she can lace her hands through both of theirs, “are you ready?”

“Before you go Paige,” Tessa calls out, holding up a clear bag of corner guards and edge protectors, “what are we doing with these?”

Paige shuffles her feet nervously, “you um- you put them on the edge of like tables and stuff.”

“Bro but they’re for people who have children?” Joyce says, giving Paige a weird look, “you have a kid we don’t know about?”

Paige’s eyes flicker to Stephie for a brief second and Azzi freezes, a warm realization tickling up her spine. Butterflies erupt in her stomach, their wings fluttering to the beat of what’s mine could have been ours.

“Of course not. I’m just super clumsy so precautions and all that,” the blond explains, shooting Jana a glare when the taller woman barely masks a giggle, “quit procrastinating by asking all these questions and get to work.”

“Has anyone ever told you the importance of first impressions? Because I’m telling you Bueckers, using your teammates as unpaid labor the first time you meet them is not it,” Aaliyah gives Paige a pointed look.

“This wasn’t even my idea in the first place,” Paige defends.

“True,” Tessa nods with a sickly sweet smile, “but you’re gonna pay for the pizza anyways.”

“I’m not pay-”

“PIZZA,” Stephie squeals, “Miss Buecks you’re gonna get us Pizza?”

“Yeah Miss Buecks,” Azzi smickers, crossing her arms as Paige’s stubborn retort dies on her lips, “you gonna get us pizza?”

Paige glares at her before she’s swinging Stephie up onto her lap again. And she really needs to stop doing things like that because it’s not remotely good for Azzi’s mental health to watch the way Stephie seems to fit perfectly in Paige’s arms, “of course I am Steph, what do you want?”

The two of them are lost in their own world discussing pizza toppings as Paige starts walking over to the master bedroom, until suddenly they're both turning around, looking at Azzi with identical expressions. And the brunette feels her heart tap out this could be my everything against her ribcage.

“You coming Azzi?”

“Mama, are you coming?”

I’d go anywhere with the two of you, Azzi thinks as she nods her head, a light skip in her step as she moves to catch up with the two of them.

“Of course I’m coming.”

***

Less than 10 minutes into trying to unpack, Azzi realizes that she’s the only one trying to unpack anything when she looks up from where she’s been folding t-shirts -trying and failing at not breathing in their familiar scent- to find Stephie decked in a colorful cardigan that goes all the way down to her toes, her feet clad in a pair of PB4’s that must be three times the size of her own shoes. A pair of Louis Vuitton sunglasses hide almost her entire face as she strikes pose after pose and Paige diligently takes pictures of her.

“YES Stephie,” the blond indulges, “work it girl. There you go babe, hold that pose for me. You’re a natural in front of the camera.”

Stephie giggles and Azzi feels her heart constrict. Her favorite sound in the whole world has never sounded more like a signal for danger.

“Ahem ahem,” she coughs, narrowing her eyes at the two people in front of her, “doesn’t look like y’all are unpacking to me.”

“Mama Miss Buecks has so many pretty clothes,” Stephie gushes, completely ignoring what her mother just said.

“They’d look even prettier folded in her closet,” Azzi says pointedly.

Stephie pouts, “you don’t think I look pretty?”

“You look really pretty in my clothes Stephie,” Paige cuts in, tapping the little girl on the nose before she turns her gaze towards Azzi, “just like your Mama used to.”

The silk material shirt slips out of Azzi’s hand as Paige’s words drizzle around her, like the rain after a drought. It takes every little bit of strength she can muster to force herself to ignore Paige’s words and pick up another shirt to fold even if she can’t stop the rouge tint that colors her face. There’s this part of her that’s been dormant for years but every little interaction with Paige threatens to awaken it and Azzi’s scared that if she lets that happen, she’ll never be able to put it to sleep again.

“Just- just focus on unpacking,” Azzi mutters darkly.

She spends the next hour or so, keeping her eyes downcast, her complete focus on the task at hand. Because if she looks up, if she lets herself see the way Stephie and Paige are folding clothes together while giggling about something, if she lets herself see the way Stephie climbs onto Paige’s back so the woman can give her a piggyback to the closet to deposit the folded clothes, she thinks she could fall in love with this moment, capture it behind her eyelids and let it live there forever. But this moment doesn’t belong to Azzi. Because Paige doesn’t belong to Azzi. Not anymore.

Azzi’s taken away from her thoughts when she feels a tiny hand wrapping around her neck from behind, Stephie’s warm body pressing against her back and just like that, all the tension in her muscles seem to dissipate.

“What’s up sweetheart,” she asks, turning her head to press her lips against her daughter’s temple.

“Nothing Mama,” Stephie says sweetly, “just wanted to give you a hug.”

“Sure you’re not just trying to get out of helping Miss Buecks unpack?” Azzi asks slyly, pulling Stephie from behind her, so the little girl’s lying on her lap instead. She can feel Paige’s eyes focused on the two of them and even without looking, she thinks she knows what she’d find in them if she did.

“Of course not Mama,” Stephie grins and then squeals as Azzi begins to tickle her.

“I think you are,” Azzi sings-songs as she continues to poke at her daughter’s stomach, reveling in the way it makes the child laugh.

“N-no Mama stop, stop,” Stephie manages to wrench herself out from Azzi’s grip, darting to hide behind Paige’s legs, “Miss Buecks save me.”

“There’s no saving you now Stephie-bear,” Azzi roars dramatically as she picks herself off the floor, smirking at her daughter as she wriggles her fingers menacingly.

“You know what the best way to stop someone from tickling you is Stephie?” Paige says slowly, sending the little girl a conspiratorial wink.

“Don’t you dare-”

“You tickle them back,” Paige yells and Stephie eyes widen with excitement, “did you know your Mama’s extremely ticklish?”

“Paige no,” Azzi starts moving back, hands held in surrender.

“You started it.”

“Yeah Mama, you started it.”

“Paige. Stephie. Ple-” Azzi cuts herself off with squeal as two sets of hands start mercilessly prodding at her ribcage. She can’t get away, not when Paige has her securely wrapped from the back and Stephie’s pressed against her front, both of them laughing maniacally. They’re a mess of limbs that’s becoming harder and harder to tell apart as the three of them topple onto Paige’s bed. And Azzi thinks maybe she doesn’t want to escape it at all. She thinks she’d like to freeze them in this moment instead. Forever.

“Pizza’s here,” someone yells from the living room and it’s Stephie who stops first, immediately jumping off the bed at the mention of food, leaving Paige and Azzi alone. On Paige’s bed. Barely an inch of distance between them as they try to catch their breath. It’s Azzi who sits up first, smoothening the wrinkles on her shirt. And just as she’s about to stand up fully, she feels a hand circling around her wrist.

“It’s gonna be weird being alone tonight,” Paige confesses softly and Azzi feels her breath hitch.

“Didn’t you live alone in Dallas? At least after the divorce?” she tries to keep the bitterness out of her voice at the last word, a bitterness she knows she has absolutely no right to feel.

Paige shrugs, her shoulders brushing against Azzi’s, “I did but I knew Dallas. I don’t know this place.”

“What exactly are you asking me?” Azzi asks even though she knows.

“I’m not asking you anything. I don’t know if I have that right anymore” Paige says softly, letting go of Azzi’s wrist as she starts to walk towards the living room, turning her head back slightly once she gets to the door, “I’m just telling you I don’t wanna be alone tonight.”

***

Damn Paige Bueckers and her vulnerable eyes and her earnest tone because Azzi would, really, really like to be enjoying her slice of pizza right now. Instead everything tastes like ashes as Paige’s unsaid plea rings in her head. There are so many reasons why Azzi absolutely shouldn’t give in, why she should grab Stephie, get into her car, drive home and never look back. This involuntary dance the two of them are starting is far too familiar to what they’d done when they were teenagers and the vivid memories of the day the music stopped and they’re feet stopped moving still haunt Azzi every time she lets herself think of it for a little too long. And she shouldn’t push herself into this fire again, not when there’s Stephie to think about, but there’s a tiny little problem. She thinks she might be addicted to burning in Paige’s flames.

So when the pizza’s done and the house is more or less in order, and her teammates are ready to leave, looking expectantly at Azzi, she finds herself leaping into lava, “um- I think Stephie and I are gonna stay for a little bit longer.”

“We are?” Stephie asks, a huge smile stretching the length of her face as she looks up at her mother.

“Yeah. Um- Paige’s bedroom still um- still needs some work,” Azzi tries to justify her decision, ignoring the heat of the blond’s eyes that seem to be perpetually stuck staring at her.

Joyce raises a perplexed eyebrow, “it looked done to me.”

Paige clears her throat, “there’s definitely uh- a couple more things that need to be handled.”

“It’s almost Stephie’s bedtime. I could stay and help-” Jana begins, eyeing the two of them suspiciously.

“No,” Paige says, a little louder than necessary, “I mean you’ve already done so much for me today Jana,” she manages a smirk, “let Azzi pull her weight a little bit too ya know.”

Janna narrows her eyes but doesn’t push it. It’s oddly domestic, standing side by side with Paige bidding goodbye to their teammates, Stephie in between them happily waving at the people that are leaving. The warning bells get louder and louder; Azzi continues to do nothing to stop them.

“Mama, how long are we staying?” Stephie asks innocently.

“We um-” Azzi chews at her lip, finally giving into the temptation to look at Paige, “we’re gonna stay with Miss Buecks tonight so she doesn’t feel alone.”

The shrill scream that escapes Stephie’s mouth could probably break glass as she turns herself around to grab at Paige’s waist, “Miss Buecks I’m gonna stay with you! We’re gonna have a sleep-over.”

Paige laughs, kneeling down so she’s face to face with the little girl, “yeah we are.”

“Are you scared to sleep alone too Miss Buecks?” Stephie asks cautiously, cupping Paige’s face with tiny hands.

“Just a little bit,” Paige admits, leaning into Stephie’s touch.

“Me too,” Stephie whispers shyly, “that’s why I sneak into Mama's bed and she gives me lots and lots and lots of cuddles. Mama’s cuddles are the best,” she turns to Azzi, “Mama will you give Miss Buecks cuddles tonight too?”

“I uh-” Azzi swallows, taken aback by the question, “I thought you didn’t like sharing Mama’s cuddles?”

“I don’t,” Stephie agrees, “but I’d be okay sharing them with Miss Buecks.”

***

Azzi had planned -a loose term because really she hadn’t planned on any of this- for her and Stephie to take the guest room. Paige had been ready to give up her own room on the grounds of politeness. And Stephie was insistent that she needed to sleep in between both Mama and Miss Buecks tonight because it’s a sleepover we all have to stay together. Obviously out of the three of them, only one of them was going their way and it didn’t take a genius to figure out who that would be. That’s how they’d ended up here, dragging chairs and pillows and blankets into the middle of the living room to create a makeshift fort.

Azzi’s putting on the finishing touches, stringing purple fairy lights Paige had produced out of nowhere, when Stephie emerges from Paige’s bedroom where she’d gone looking for something to wear in lieu of pajamas.

“Mama look what I found,” Stephie beams, proudly pointing at the black t-shirt she’s found that covers her whole body, “it’s you and Miss Buecks when you were littler.”

It’s their SLAM cover t-shirt and Azzi feels tears prickling at her waterline as she’s met with the picture of a younger version of the two of them. Back when they’d been so hopeful and carefree, ready to take on the world as long as they could do it together. Back when they’d been 2 in a million.

“I can’t believe you still have this,” Azzi whispers, unable to stop herself from running her fingers across the version of who they used to be. She wonders what those girls would think of them now; those girls who’d laid and bed and pinky promised forever. She thinks they’d probably be appalled at the fact that Paige and Azzi had spent eight years barely speaking. She thinks maybe they’d hate her for what she’d done. She thinks maybe she hates herself a little bit for what she’s done to them.

Paige is leaning against the wall, her voice quiet when she speaks, “I couldn’t let it go.”

And they both know she’s not talking about the shirt.

“Can we watch a movie?” Stephie asks, diving into the fort and peering up at the two adults.

Paige recovers first, “yeah- yeah of course Steph,” she looks at Azzi, “do you- do you want something else to sleep in?”

“I’m good,” Azzi says, trying to inconspicuously brush away a rebellious tear. The shirt she’s wearing feels itchy against her skin but she doesn’t think she could handle wearing something of Paige’s. She scooches into the fort, leaning back against one of the pillows and Stephie’s quick to curl into her and Azzi absentmindedly rubs her hands down her daughter’s back. Paige switches on the TV, letting Stephie dictate a movie choice before letting herself into the fort, laying down on Stephie’s other side.

“Miss Buecks come cuddle,” Stephie demands from where her head is laying on Azzi’s chest. When Paige hesitates, the younger girl takes it upon herself to pull Paige’s arms over her, making the older woman lie on her side so she can drape her hands over Stephie's stomach, accidentally brushing against Azzi’s ribcage. Stephie lets out a satisfied sigh, lying back down against Azzi, crossing her arms so she can hold Paige’s hand with one and latch onto her mother with the other.

“Perfect.”

And it is. The sound of Stephie’s chatter slowly fading away mixed with Paige’s quiet breathing is the perfect lullaby and Azzi finds herself drifting off into the best sleep she’s had in years.

***

Sunlight peeks in through the window and Azzi groans at the interruption. Her whole body feels a little stiff, not used to sleeping on the floor like this. A quick glance at her phone tells her it’s 7 a.m. and Azzi’s just about to let herself fall back asleep when her eyes land on the two sleeping figures next to her. Stephie’s face is buried in Paige’s neck, one arm slung over her waist. Paige, mouth slightly ajar as she sleeps, has both hands fastened on the younger, holding her tightly against her chest like she’d fight the world if someone tried to steal her from her grip. They look happy, content, at peace. And Azzi can’t breathe.

The warning bells in her head create a cacophonous commotion that she can no longer escape. It hits her like whiplash that she can’t do this. She doesn’t know what had gotten into her last night, why she’d agreed to this, to any of this. But she can’t do this.

“Stephie,” Azzi whispers urgently, trying to pull her daughter out of Paige’s grasp, “Stephie wake up.”

“Az?” Paige asks groggily, stirring in her sleep, “what’s going on?”

“We need to go home,” Azzi says and she can’t bear to look at Paige.

“What?” Paige is far more awake now as she glances at her phone, “it’s 7 am Azzi. What’s the rush?"

Azzi ignores her, still trying to wake Stephie up who groans, “Mama too early.”

“Steph-”

“Azzi,” Paige’s voice is firm as she wraps her hand around Azzi’s wrist, slipping Stephie off of her, “what is going on.”

Azzi grits her teeth, “nothing’s going on. We just need to go home.”

“Azzi-”

“We shouldn’t have stayed last night Paige,” Azzi bursts out and Paige freezes.

“Come out of the fort Azzi,” the blond says, her voice eerily calm as she stands up. Azzi follows after her, heart beating rapidly against her chest as she tries to keep the tears at bay.

“We need to go home,” the brunette repeats, struggling to breathe, “this was a mistake,” Paige flinches and Azzi feels a knife turn in her own hurt, “we can’t do this.”

“Do what Azzi?” Paige asks exasperatedly, still trying to keep her voice low for Stephie’s sake.

“This,” Azzi all but shrieks, throwing her hands up, “it’s too much, too quick and Stephie- Stephie’s getting attached and I can’t- I can’t let that happen.”

“Why not?” Paige argues stubbornly.

“Because these last two weeks she couldn’t fall asleep without you on the phone. Because you’re all she talks about sometimes. Because she’s gonna want you forever,” Azzi’s voice breaks, “and she can’t have you forever.”

“Az-”

“And you’re getting attached too. I see the way you look at her and it’s amazing but it’s not- it’s not sustainable Paige. For either of you. Because you’re gonna find someone soon,” the words taste sour on Azzi’s tongue, “and you’re not gonna have time for her and missing you is going to kill her and the guilt of that is going to hurt you. I’m trying to pro-”

“Don’t you fucking dare,” Paige’s voice is hard now, eyes gleaming with fire, “you’re basing all of this on a hypothetical that might not even come true. You’re not protecting anybody. You’re projecting.”

Azzi reels back, “I am not projecting.”

“Yes you are,” Paige hisses, “you’re not scared of Stephie or me getting too attached. You’re scared of yourself getting too attached.”

“Mama? Miss Buecks,” Stephie’s tired eyes look warily between the two of them, “what’s going on?”

Azzi plasters a smile on her face as she picks up her little girl, trying to pretend that the truth in Paige’s words haven’t just made her feel hollow, “we’re going home Stephie.”

“I don’t wanna go home,” Stephie fights against Azzi’s grip, looking helplessly at Paige, “Miss Buecks I wanna stay. Can I please stay?”

“You have to listen to your Mama sweetheart” Paige says softly, heartbreak written over her face as she moves to press a kiss against Stephie’s knuckles, “but I’ll see you soon okay. I promise.”

“Miss Buecks,” Stephie whimpers and Azzi has never hated herself more as she rushes out of Paige’s new house, willing herself to not look back. She buckles Stephie in the back, pretending she doesn’t see the way Paige is watching them leave from the porch, like she’d do anything to stop it. And then she drives away.

It isn’t until she’s safely in the confines over her own room, that Azzi finally lets the tears fall. And she consoles herself with the fact that it’s okay to crack her daughter's heart, to crack Paige’s heart, to crack her own heart, if that’s the only way she can stop their hearts from breaking altogether.

#pazzi #paige bueckers #azzi fudd #wcbb

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windvexer · 3 months

Text

Theme and Action: a tarot method for brainstorming plots, setting, and characters

I find a lot of story brainstorming spreads to be clunky and rigid, so I did a little experimenting and came up with a method I like a lot. I haven't done a ton of testing yet but I thought I'd share what I have.

Basically, it's a two card draw from a deck split into majors and minors. Each draw always has one major card (theme) and one minor card (action).

When you have a question, like:

What are some ideas for the next scene?

Why would that character behave that way?

What's the defining characteristic of this vampire clan?

What do the people in this society fear most?

Why is this scene dragging?

What does this character need to feel more real?

You would draw one major card and one minor card!

Themes and Action; what it's about vs how it manifests

We could call these cards a bunch of different things depending on exactly how the question is framed, but Themes and Action are good enough.

Basically, the major arcana card gives subtext or context, and the minor arcana card provides specific incidents. Like this!:

"In my vampire setting, what is the most important thing in vampire culture?"

Theme: Death

Action: 10/Pentacles

Interpretation: (Theme) The most important thing in vampire culture is the process of dying and the equalizer of death itself. (Action) This has resulted in cultural rituals where death is treated as a sacred adoption or initiation into a new family/estate.

(I really drew this test spread and it really was death lol)

We can swap out the Action card to see a different outcome:

Theme: Death

Action: 5/Swords

Interpretation: (Theme) the most important thing in vampire culture is the process of dying and the equalizer of death itself. (Action) the horror of death and loss has never been overcome in this society, and it must be dealt with as an individual - because vampires process the pain of their own deaths by taking it out on each other.

Here's a different example. In an urban fantasy book where a witch solves ghost mysteries, pacing is dragging and we need our next scene to be exciting. But despite a foot chase after a suspected ghost poacher, the scene doesn't feel fast paced or exciting. The question is, "how do we spice this up?"

Theme: Hermit

Action: King of Cups

Interpretation: (Theme) instead of a crowded street, the character will be isolated and without normal support. (Action) she'll be trapped in a closed space with the story's main villain, who most closely connects with the King of Cups

Another swap, this time switching out the theme card:

Theme: Empress

Action: King of Cups

Interpretation: (Theme) the scene feels boring because it's action without development. Show the main character's personal development and give her a 'level up' moment. (Action) have the ghost poacher lead her to a premature showdown with the main villain, whom she faces bravely for the first time.

This is already long so I'm not going to go on and on with examples but so far I've found this method to be pretty versatile.

Try interpreting Theme and Action as literally as you can within the context of the story!

If you're writing a story about a flower princess who sleeps on a dewdrop in the mystical Gnarlwood Forest, the Sun card will mean one thing.

If you're writing a story about vampires, the Sun card probably means something very different.

Major arcanas can be literary themes, like the moon representing deceit within society, but they can also be literal; in a werewolf story, the Moon card might represent the celestial body that controls the lives of certain people.

The most important thing for me is to avoid interpreting the cards in a general self-help sense.

The cheerful villagers of prosperous Splitsky Castle are waiting for you to invent a festival so a mysterious stranger can come to town and get the plot going.

The question is, "what kind of festival gives me the right setup to pull off the plot point I want?"

The theme card is the Magician, so ideas for the festival could be:

A festival honoring magic users (if they exist in your setting)

A festival honoring the resourcefulness of the villagers

A festival of stage magic and trickery

The action card is the 6/Cups.

Probably, the festival is not about healing your inner child with Jungian shadow work. More contextual ideas might include:

A festival where children are chosen to be trained in magic

A festival celebrating teaching the next generation important skills

A festival meant to delight and entertain children with stage magic

Developing related factions or foils

Draw a major arcana card to identify a certain Theme, maybe along the lines of:

What do they hold to be sacred?

What do they not care about, or hate?

What is their most cherished virtue?

What is the defining feature of leadership?

When they sing about home, what is in their songs?

This theme will be the same for both entities.

Draw different minor arcana cards to show how each entity expresses that theme.

Conversely, work in the opposite direction: keep the minor arcana card for both entities, and swap out the theme card.

Finding Action cards when you know the Theme

Holding the deck so that it's facing you, thumb through the cards until you find the major arcana card that describes your theme. The most recent minor arcana card that was on top of it, even if separated by other majors, is the action card.

Reversals

I tend to read both cards as upright and reversed, and just apply whatever meanings are most relevant. In my experiments using reversals ended up being too finicky and specific, and limited my creativity.

Complex Concepts and Plots

For a complex reading, like plotting an entire novel or building an entire character, I have found more utility in doing many pair readings rather than doing one large spread with many pairs.

My tests so far have suggested that the most creative freedom is found in asking specific questions, like "what is this character's driving motivation," and "what is her quirky hobby," and "what makes her put up with her annoying best friend," rather than trying to build a giant spread that includes all of these things at once.

As a caveat, in plot spreads, I will sometimes put pairs down without returning them to the deck, and then connect Theme/Action pairs with single action cards to suggest events that connect the dots.

#tarot #tarot spreads #character spread #plot spread #setting spread #writing spread

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greekcomedy · 9 months

Text

mr d is very funny in the show However. his first conversation with percy also just highlights how they've messed with the smelly gabe storyline in a way that is making me very nervous.

when percy met him in the lighting thief he immediately identified him as drunk adult = dangerous. a guy who would be sitting at gabe's poker game, saying nothing as percy is belittled and gabe demands his money. whether or not mr d would actually do that is irrelevant. it shows how percy is affected by gabe, that he hates him to the point that he would try to join the army or be homeless in new york before living alone with him after he thought his mom was dead. book percy would have had the joke conversation about dionysus being his dad and felt insanely betrayed that the kind sailor from sally's stories that he dreamed about had turned out to be someone just like smelly gabe.

but instead, gabe is just some guy. like he sucks but not to an extent that would drive them to kill him by the end of the season, at least not from what we've seen so far. talking to dionysus percy is just angry and confused about what's going on and upset by the loss of his mom, dionysus does not concern him at all. he is not especially upset by the idea of mr d being his dad except for his having ignored him up to this point.

like, the show is being kind of weird imo in terms of how the characters are reacting to the things that happen to them and having them react differently than they do in the books. and also we aren't in percy's head now the way we were in the books, and he often had very different internal vs external reactions to things in the books and i'm sure this would have been among them. but "can you help me find my father?" "actually i think i can... son. go get me a bottle of wine" would NOT have flown in tlt

#pjo adaptation #percy jackson #dionysus #poplars.txt #like i love that scene but we are telling different stories in the book vs the show andthe abuse storyline does not seem to have come along #percy falls into hell 2 years after gabe dies and says the air in tartaurus smells like him #sorry 4 years

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dulcewrites · 5 months

Text

I think the thing that shocks me the most about the discourse, if you can even call it that, around book Alicent vs show Alicent, is the idea that people think book Alicent had full autonomy over all her choices and she wasn’t a “victim” like show Alicent.

Now first, I put victim in quotations bc the way people who do not like her have almost bastardized that word. Alicent is a victim, and those things (rape, abuse, neglect) were done to her. That says everything about the men who did that do her and nothing about her. But people are hellbent on throwing Alicent, a woman in a violently patriarchal environment, being victimized back at people as if it is moral flaw of hers. Which is just terribly ironic bc the same folks who say Alicent “did it to herself” or “deserves what she is getting” also seem to think the crux of the story isn’t about generational trauma catching up with itself, how far people will go for power, or even how all girls and women are harmed - albeit to different degrees. But more the fact that Rhaenyra is the only woman to be harmed - and the only harm done is not getting the throne easily. Those same people wouldn’t be caught dead admitting that Rhaenyra is also a victim in the way they shit on Alicent for being. From the father who sets her up fail, to the baby daddy that’s been eyeing her since she was barely 18, to the uncle that grooms her. It takes away from the fantasy projected onto Rhaenyra if she too is surrounded by men that use her and she never escapes that.

Second, it’s funny how F&B gets heralded by some as this exploration of how history is skewed depending on who is telling it. But people can’t read between the lines (you honestly don’t even have to do that much work) with book Alicent. Showing 14 year old Alicent being preyed on, 16 year old Alicent being pregnant with her second child, and 18 year old Alicent being raped is somehow the show needlessly making Alicent a victim. But reading about a 13 year old bathing, dressing, and taking care of a king who mistakes her for the daughter he abused and neglected, and then that same girl, at 18, marrying another king that killed his previous child bride is just girl bossism on book Alicent’s part?

People hate conceptualizing the idea that (even book) Alicent is caught in patriarchal trappings bc to some that takes away from Rhaenyra’s plight…. Bc they can’t wrap their heads around several women *gasp* all going through hardships, and that ultimately people will respond to trauma differently depending on tools/knowledge they have at their disposal. Alicent neither being gleefully evil nor picking herself up by her bootstraps to somehow end years of patriarchal violence is not the neat box they want for her.

#people want Alicent to gleefully be evil not bc it would be more interesting (newsflash it wouldn’t)#but so they can be justified placing her in the ‘evil woman’ category #bc to them their is only ‘good woman’ and ‘bad woman’#but since the show doesn’t lineup perfectly with the woman they made up… they put her in the ‘weak woman’ category #bc the only thing worse for a woman than being a bitch is being perceived as passive in your demise #trust me I would have loved to see Alicent let Viserys rot and plot against him just as much as the next person #but please do not act like that wasn’t probably self preservation and trauma on book Alicent’s part #not her doing it for shits and giggles #and lbr the same people wishing the show went that route would’ve been the same people STILL shitting on her #pro alicent hightower #alicent hightower #pro team green #anti viserys i targaryen #anti targaryen #ok NOW I’m done lol #told myself no more of these lol

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queenvhagar · 3 months

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"Fire and Blood is biased propaganda by the maesters so nothing in the real Dance of the Dragons actually happened like in the books, you can't critique the show for showing things as they really were!"

I'm so tired of this take...

GRRM wrote the original ASOIAF series as an anti-monarchy and anti-war story. He's an author who makes a point to flesh out characters and motivations, he understands that there isn't truly a good vs bad narrative to any large-scale, real-world conflict like war, and he understands the sociopolitical factors involved. His series highlights that it's the most vulnerable people in society who suffer when those in power play their game of thrones and make consequential decisions based on their own personal motivations without thought to the consequences to those that will have to the pay the price for them. That's GRRM's entire point with the original series: war destroys everything, it is never really justified, and through war the powerful set in motion terrible events that the most vulnerable are most like to suffer.

So the idea that all of a sudden with the prequel book Fire and Blood GRRM pivoted to write a biased textbook that purposefully misconstrues a conflict where the real story behind the pages is that one side of a dynastic civil war was led by a faultless, pure woman whose divine right to rule was stolen from her, and she's justified in plunging the realm into war to reclaim her throne because the other side was uniquely misogynist against her and was made up of selfish flawed people who just wanted to steal her power from her because she was a woman...

Sure, Fire and Blood may be a history book with unreliable narrators and sources that are trying to recount long-lost histories of the realm and possibly failing to capture the totality of what actually occurred. But I can absolutely guarantee you that the intended real history of the Dance of the Dragons as it took place in the world of ASOIAF was not some black and white, good vs bad tale of morality where one side was right and the other side was wrong like the show and some fans are insisting.

The actual Dance of Dragons as it exists in the ASOIAF timeline and universe, keeping in line with GRRM's original intention and message of the ASOIAF books, is 100% a story of a flawed, ultra-powerful family that fractured into two ideologically different factions that led to a pointless civil war in which neither side was justified in their attempts to seize power from the other. The result was that the family killed themselves until the only survivors were the traumatized children left over from either faction. In this pursuit of absolute power within one family thousands were subjected to the abject horrors of war: pillaging, famine, torture, sexual violence, being burned alive, and so much more. Neither side was faultless. Neither side had "the right" or justification to enact this conflict. Neither side bore sole responsibility for the conflict. Neither side was good or bad while the other was the opposite.

It really just fits outside of the world of ASOIAF to think that Fire and Blood's account of the Dance of the Dragons was uniquely biased against a single woman and her side of the conflict wherein this woman and her supporters were actually good people that had bad things done to them and all accounts in the book relating to them are inaccurate, yet most accounts of everyone else in the story were more or less true and accurate to how events played out. Like are you actually serious that this is how you think this story and history played out in this world of ASOIAF? That ultimately the story of the Dance of the Dragons is not anti-monarchy and anti-war in line with the original ASOIAF series but actually it's the story of a uniquely good woman in this terrible world who had a rightful claim to the throne and whose power was taken from her solely because of misogyny so she was justified in going to war to take it back? Like that's your analysis and interpretation on this conflict?

The way that the show is presenting this story is so unbelievably and ridiculously reductionist and simplified to the point where you begin to question why someone wanted to try to adapt the material at all... but then of course you remember that 1) Game of Thrones made a lot of money for a lot of people 2) its later seasons of mediocre, oversimplified writing continued to be rewarded with huge budgets, profits, and awards nominations despite the obvious downgrade of quality 3) so many modern writers believe the general audience needs to be spoonfed ideas and that they can't handle complexity, so it's more important that they shape an existing story into something that is a palatable, profitable hero vs villain tale that everyone can casually enjoy (and ideally appeals to modern sensibilities) than they try to create a compelling, thought-provoking, interesting and faithful adaptation of the source material.

#I am just. so tired #how many hoops do we have to jump through to justify bad writing?? like #and to those who say *fine enjoy the book canon the show canon is separate u can't criticize*#yes we can? we can mourn the good storytelling that's been thrown to the side?#asoiaf #fire and blood #hotd critical

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br4ttyeilish · 2 months

Note

billie x VS angel HC ?

- Thank you 💖

Billie x Victoria Secret Angel Head canons !!

Authors note: to the anon who requested this i NEED to know who you are because i am OBSESSED with the idea of this. i might even make a full fic inspired this soo stay tuned for that (maybe idk i lie a lot LMAO)

Warnings: not proof read

swf :

GETTING BOOKED FOR THE SHOW:

when you find out that your gonna have a runway show coming up in a few months you immediately get into that mindset

even though your excited you start worrying a lot more and becoming overwhelmed and stressed

you start stressing out a lot about working out and your appearance and making sure your fit in time for the runway

billie notices and sees how much your over working yourself and assures you that you dont need to stress

"what are you doing?" billie asks you as she stands by your door. your currently laying down in a starfish position on your wooden floor, face pouring sweat and your cheeks flushed red.

"im getting ready for the runway, you know this." you remind her. "the runway isnt until 2 months from now?" billies eyebrows furrow in confusion as she begans to enter the room more. you sigh, "i know but all the other girls have such pretty fit bodies and i wanna be prepared in advance. i wanna look like them." you tell your girlfriend. you look up at her with pleading eyes. billie looks down at you softly.

she sits down next to you, "baby what? your the prettiest girl on that entire runway. the other girls probably worry about looking like you. stop stressing about this you look absolutely gorgeous the way you are."

billies always constantly assuring you that you look gorgeous and especially even more gorgeous than all the other models (because she genuinely thinks that)

RIGHT BEFORE THE SHOW:

billie always comes to your shows and you even sneak her backstage all the time so she can watch you get ready for the show

you always make sure billie gets front row seats to your shows so she can see you better

billie always makes you matcha tea right before your shows

she watches you as you get your makeup and hair done. taking in how beautiful you truly are.

when shes backstage you make sure to keep your robe on tight so she doesnt get a sneak peak at your outfit until your out on the runway

THE SHOW:

billie obviously is only there for you so when the other girls come out she's usually very bored and looks extremely uninterested

when you come out she can finally see what was under your robe the whole time. shes taken aback. completely in awe. starring at you with blown out pupils. thinking to herself "how did i get so lucky?"

you make sure to make direct eye contact with her when you come out. giving her an ever so slight smirk and looking away. posing in very seductive poses for the show, but also for your girlfriend

she always take photos of you with her phone when your on the runway. if the show yall are at doesnt allow phones she will sneakily get photos of you anyways

AFTER THE SHOW:

billie always tries to get you some type of gift after all your shows. usually containing a bouquet of flowers and your favorite drink/snack

after the show you immediately run to her and try to find her. once you do you run into her arms and give her a huge hug

she absolutely praises the FUCK out of you

"baby you looked SO good out there holy shit"

"really?"

"absolutely."

she tells her all about her favorite looks with you and her favorite things about what you did

nsfw :

when billie sees you out on the runway in you revealing clothes it gets her hot. immediately feelings herself clench her thighs together for some type of relief

all she can think about is how good youd look like that in her room together alone

or she thinks about how good id look on her bedroom floor..

in the car ride home she has her hands rubbing on your thigh. wanting to just take you there in the car but patiently keeping it together.

the second yall get home (or to the hotel) after your shows, billies hands are all over you.

you always wear your runway looks under your clothes home so when you get home you can give billie her own show.

once she starts tearing your clothes off and realizes you still have your runway lingerie on she gets super happy

"god, you looks so hot on stage in this.. even hotter right now for me."

she usually just ends up fucking you in the lingerie. its too hot not to for her

she always makes sure to call you her little "angel"

you'd pretend like you hated it but deep down you absolutely loved it

once yall are finished she always tells you "you have to wear this again for me, you look so good baby."

and you always keep that in mind for the future

TAGLIST (dm,inbox,or comment to be added!) : @muchloveforhacker @chrissv4mp @mseilishmwah @chrissfawn @dev-sturns

#̊+·❥ MAL WRITES !#billie eilish #victoria secret #billie eilish smut #billie eilish x reader #billie eilish head canons #billie eilish fanfic #billie eilish fic #hit me hard and soft #hmhas #hte #happier than ever #wwafawdwg

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marlenesluv · 1 year

Note

i was wondering if you could do an america's sweetheart victorias secret angel reader whos 19 x charles. in this universe victoria secret still has their show and it's like peak vs again. its very miss americana and the heartbreak prince. and there's some light cheating because shes still with her boyfriend Arber Xhekaj (if you don't know gf omg hes so fine and his fights are amazing) and she meets Charles at the after party of the show. and like erin heatherton fc plz from like the 2010s

Angel. (CL)

tbh, i love watching the old vs shows, ugh. i rly love this idea. erin heatherton is stunninggggg. i hope you enjoy!!

pairing: charles leclerc x vs model reader

fc: erin heatherton

warnings: light cheating, cussing, fans slut shame (for the plot, also don’t do this or i’ll throw chicken legs at you)

note: cheating is not slay, don’t do it. (i’ll only condone tho if you cheat to be with an f1 driver, jk jk) also, the first post is the night after the after party. but it twists so stick with me.

masterlist here -> masterlist link

^ check my list for all posts! ^

twitter:

Gossip Column @gossipoftoday • 4hr

Big news for our Formula 1 watchers and Victoria Secret enjoyers! Y/N Y/L/N, 19, has been a model for Victoria’s Secret for two years, one of our favorite Angels. She has been dating Arber Xhekaj, Canadian Hockey Player, these past eight months.

The couple has been fairly public, but these past few weeks, we have noticed a decrease in posts by the couple. This might have something to do with last nights show.

Last night, Y/N opened for the show, looking absolutely stunning on the runway. The after party is what we want to discuss though…

Charles Leclerc was seen at the show and the after party. Heavy, and we mean heavy, dancing was shared between Charles and Y/N. Rumors have it, Arber might be interested in another girl, but the party hasn’t broke off their relationship. So imagine our shock when we find this out!

Now, Charles and Y/N would make a hot couple, but are we behind cheating? I’m not too sure about this.

↳ Bellaaa @charfanpage33 • 4hr

Y/N is actually stunning, but I hope her and Arber broke it off because cheating is not hot.

↳ Jacobs Cavern @formula1overu • 3hr

Y/N is definitely hot, but is she gonna cheat on Charles too?? Like, come on. Once a cheater, always a cheater

_______________________________________________

liked by: charles_leclerc, victoriassecret, and 983,025 others

y/n.user: such an amazing show last night, i hope you enjoyed, loves!!

view comments…

vsmodelpicsss: you were stunning, per usual👏👏

user9: i need the water she’s drinking

f1wags: hmmmmm

↳ charfp: HM?????

ferraribabyyy229: is that charles….?? he liked too..soooo

↳ smoothoperatorpageeee: i’m questioning it

y/n.fp: abt to make a thread cuz WTF IS GOING ONN

xanderfppp: she’s literally hoeing around?

↳ y/n.editzz: nah babe. we don’t even know the full story, or if it’s charles🖕

papayafans: y/n would be an amazing wag. i need her in the paddock

yourbsf: YOU LOOKED SO FUCKING AMAZING💓💥🥵

↳ y/n.user: i’m soooo glad you could make it! TY ILY💓

user8: it looks like char’s hair…..

_______________________________________________

liked by: lanacondor and 82,024 others

arberxhekaj_: 🔛🔝

view comments…

user02: nah cuz why wasn’t he at the last vs show..

↳ user3: maybe they broke up?

↳ nhlfan8: just bc he didn’t go to show, doesn’t mean they broke up-

lanacondor: ✨✨

↳ user4: girl. now what is THIS?!?!

y/n.fp: does he have another gf?? did i miss a BOOK??

f1user: all of us are equally confused rt? they unfollowed each other too…

↳ arberxy/n: WHAT

user0: oh hunny….this is so confusing. are y’all pranking us?

f1editpage: y/n is not the cheating type imo. maybe arber cheated….

↳ user5: or they both did

arberfanpage: maybe they’re still together and we’re all wrong?

↳ y/nsfan11: nah, i don’t think so

_______________________________________________

twitter:

Jaime💋 @y/nswifeasf • 3hr

Thread on why I think Y/N Y/L/N and Arber Xhekaj have broken up:

↳ Jaime 💋 @y/nswifeasf • 3hr

Reason #1) Y/N and Arber haven’t posted each other in literally two months. Maybe they want privacy, sure. But I think we can all agree that that is not the reason.

↳ Jaime 💋 @y/nswifeasf • 3hr

Arber hasn’t been attending the Victoria’s Secret shows for the past month-ish. Same with Y/N not attending Arber’s hockey games/practices.

↳ Jaime 💋 @y/nswifeasf • 3hr

They have also both unfollowed each other on all social platforms: Instagram, Twitter, and TikTok. Since then, Arber has followed Lana Condor, and Y/N has followed Charles Leclerc, along with many other Formula 1 drivers, all of them follow her back.

↳ Jaime 💋 @y/nswifeasf • 3hr

I want to end this thread with my personal thoughts on this couple. Personally, I love Y/N, and I don’t believe she would cheat. Arber, I’m not so sure either… I think we should all just wait till they release something about the matter.

*comments have been disabled on this tweet*

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liked by: charles_leclerc, landonorris, and 1,231,035 others

y/n.user: this is definitely not how arber and i wanted to do this, but i think it’s what has to be done. yes, arber and i have decided to end things. arber can tell his side, i wont speak for him. but let’s just say that i found myself in a hard spot. charles and i are dating, we have been for the past four weeks. arber and i broke up two months ago, so i did not cheat. as for lana and arber, once again, not my story to tell. please respect mine, charles, and arbers privacy. i’m sorry you had a shit explanation. i appreciate you all for being supportive. ily.

view comments…

charles_leclerc: ❤️❤️

*liked by creator*

papayafanpage: as long as she and charles are happy, i’m happy. fr

user3: you don’t need to apologize! your private life is more important than social media. your guys’ privacy comes first

francisca.cgomes: i love and miss you🩷pierre and i would love to get dinner with you two!

↳ y/n.user: i love and miss you too🩷and yeah, we would love that too! i’ll text you

↳ francisca.cgomes: okay🩷

f1wags: y/n and kika🥲🥹

↳ y/neditsss: the wags have to stick together fr

arberoveru: as long as arber and y/n ended things well, who tf cares abt who they date? i j want them happy

lailahasanovic: i’m sorry you had to post like this :( let’s get together soon, pretty girl!

↳ y/n.user: ty laila<3 and yes i’ll text you!

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twitter:

Arber Xhekaj @arberxhekaj_ • 2hr

I don’t have much to add to what Y/N posted earlier today. We did break up two months ago, she didn’t cheat. I did, though. Details are not needed, I prefer to keep it at that. She didn’t deserve it, and I regret it deeply. I will always love her as a friend, and it makes me happy that her and Charles are so happy. Please don’t let my drunken mistake alter your feelings on her. I’m so sorry.

*comments have been disabled on this tweet*

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liked by: y/n.user, carlossainz55, and 1,023,783 others

charles_leclerc: how did i get so lucky?❤️

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user4: god. they make me feel so lonely and they j started dating 🥲

y/n.user: char🥹

↳ charles_leclerc: chérie?

↳ lestappenfanpage3: IM SOBBING 😭 SO CUTE

danielricciardo: someone needs to post me like this😪

↳ maxverstappen1: posting you rn

↳ danielricciardo: thanks max😁🫶

user7: K. IM NOT LONELY AT ALL. K.😫

yourbsf: WOOOO MY PARENTS POSTEDDDD👏

↳ y/n.user: OMFG💀

↳ yourbsf: you’d be a hot mom

↳ y/n.user: thx🤭 you’d be a hot aunt

↳ yourbsf: i knowwww🥶

f1fp: y/n’s bsf def knew from the start

↳ leclercbrosfp: arthur prolly did too LMAO

↳ f1fp: TRUE

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(reposts, comments, and likes are appreciated!^-^)

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