#plot spread

[windvexer]

Theme and Action: a tarot method for brainstorming plots, setting, and characters

I find a lot of story brainstorming spreads to be clunky and rigid, so I did a little experimenting and came up with a method I like a lot. I haven't done a ton of testing yet but I thought I'd share what I have.

Basically, it's a two card draw from a deck split into majors and minors. Each draw always has one major card (theme) and one minor card (action).

When you have a question, like:

What are some ideas for the next scene?

Why would that character behave that way?

What's the defining characteristic of this vampire clan?

What do the people in this society fear most?

Why is this scene dragging?

What does this character need to feel more real?

You would draw one major card and one minor card!

Themes and Action; what it's about vs how it manifests

We could call these cards a bunch of different things depending on exactly how the question is framed, but Themes and Action are good enough.

Basically, the major arcana card gives subtext or context, and the minor arcana card provides specific incidents. Like this!:

"In my vampire setting, what is the most important thing in vampire culture?"

Theme: Death

Action: 10/Pentacles

Interpretation: (Theme) The most important thing in vampire culture is the process of dying and the equalizer of death itself. (Action) This has resulted in cultural rituals where death is treated as a sacred adoption or initiation into a new family/estate.

(I really drew this test spread and it really was death lol)

We can swap out the Action card to see a different outcome:

Theme: Death

Action: 5/Swords

Interpretation: (Theme) the most important thing in vampire culture is the process of dying and the equalizer of death itself. (Action) the horror of death and loss has never been overcome in this society, and it must be dealt with as an individual - because vampires process the pain of their own deaths by taking it out on each other.

Here's a different example. In an urban fantasy book where a witch solves ghost mysteries, pacing is dragging and we need our next scene to be exciting. But despite a foot chase after a suspected ghost poacher, the scene doesn't feel fast paced or exciting. The question is, "how do we spice this up?"

Theme: Hermit

Action: King of Cups

Interpretation: (Theme) instead of a crowded street, the character will be isolated and without normal support. (Action) she'll be trapped in a closed space with the story's main villain, who most closely connects with the King of Cups

Another swap, this time switching out the theme card:

Theme: Empress

Action: King of Cups

Interpretation: (Theme) the scene feels boring because it's action without development. Show the main character's personal development and give her a 'level up' moment. (Action) have the ghost poacher lead her to a premature showdown with the main villain, whom she faces bravely for the first time.

This is already long so I'm not going to go on and on with examples but so far I've found this method to be pretty versatile.

Try interpreting Theme and Action as literally as you can within the context of the story!

If you're writing a story about a flower princess who sleeps on a dewdrop in the mystical Gnarlwood Forest, the Sun card will mean one thing.

If you're writing a story about vampires, the Sun card probably means something very different.

Major arcanas can be literary themes, like the moon representing deceit within society, but they can also be literal; in a werewolf story, the Moon card might represent the celestial body that controls the lives of certain people.

The most important thing for me is to avoid interpreting the cards in a general self-help sense.

The cheerful villagers of prosperous Splitsky Castle are waiting for you to invent a festival so a mysterious stranger can come to town and get the plot going.

The question is, "what kind of festival gives me the right setup to pull off the plot point I want?"

The theme card is the Magician, so ideas for the festival could be:

A festival honoring magic users (if they exist in your setting)

A festival honoring the resourcefulness of the villagers

A festival of stage magic and trickery

The action card is the 6/Cups.

Probably, the festival is not about healing your inner child with Jungian shadow work. More contextual ideas might include:

A festival where children are chosen to be trained in magic

A festival celebrating teaching the next generation important skills

A festival meant to delight and entertain children with stage magic

Developing related factions or foils

Draw a major arcana card to identify a certain Theme, maybe along the lines of:

What do they hold to be sacred?

What do they not care about, or hate?

What is their most cherished virtue?

What is the defining feature of leadership?

When they sing about home, what is in their songs?

This theme will be the same for both entities.

Draw different minor arcana cards to show how each entity expresses that theme.

Conversely, work in the opposite direction: keep the minor arcana card for both entities, and swap out the theme card.

Finding Action cards when you know the Theme

Holding the deck so that it's facing you, thumb through the cards until you find the major arcana card that describes your theme. The most recent minor arcana card that was on top of it, even if separated by other majors, is the action card.

Reversals

I tend to read both cards as upright and reversed, and just apply whatever meanings are most relevant. In my experiments using reversals ended up being too finicky and specific, and limited my creativity.

Complex Concepts and Plots

For a complex reading, like plotting an entire novel or building an entire character, I have found more utility in doing many pair readings rather than doing one large spread with many pairs.

My tests so far have suggested that the most creative freedom is found in asking specific questions, like "what is this character's driving motivation," and "what is her quirky hobby," and "what makes her put up with her annoying best friend," rather than trying to build a giant spread that includes all of these things at once.

As a caveat, in plot spreads, I will sometimes put pairs down without returning them to the deck, and then connect Theme/Action pairs with single action cards to suggest events that connect the dots.

[phoenixcatch7]

It's always funny to me when in an lu fic the chain is offered bananas and don't accept them. Like, you're offering these high energy adventures free food?? Fruit they'll have never even heard of before??? A ridiculously expensive imported good at best?? AND it boosts your attack?

Not ONE of these idiots would ever turn down something new and interesting to eat at least once. They'd be all over those bananas and immediately get dubbed yiga and I'm honestly surprised no one has used it in a fic yet 🤭

[t00thpasteface]

quordle and i were spitballing about mulcahy getting caught by hollister with his tent door locked(!!) and having to come up with an excuse about why he was having alone time with the chief surgeon... i said it has the vibe of a teenage boy sneaking into his girlfriend's room even though her dad wants to kill him for being a sleaze

[my-coven-is-claudia]

after sleeping on the latest anniversary special i think i’m at peace with the whole bi-generation thing because it does something i don’t think it would’ve been able to do if it was executed in any other way. it allows the show to move the fuck on.

nuwho began with this mysterious sense that something bad happened. that this man, this alien, is filled with guilt and pain from something terrible. that theme of a horrible anguish being thinly veiled under a witty, dorky shield has been consistent throughout every incarnation of the doctor since. it’s a brilliant piece of characterisation but the doctor always being weighed down by this insurmountable grief i think was always going to hold the show back eventually. tragedy is inherent to doctor who but when does it become hard to believe that the main character is somehow able to continue on after everything they’ve gone through. what effect would this have on the audience, especially long-term fans? letting go of past companions and doctors is something that doctor who fans are notoriously bad at and i just wonder if it would become too much for the show to handle at one point. but now it won’t anymore.

bi-generation allows the doctor to heal from everything they’ve gone through whilst still being able to barrel into the next adventure. there’s a million theories on where 14 will end up but i think what matters the most is that the doctor is finally happy. not in a temporary, tenuous state of thrill that will only last until the start of the next episode or when the next threat appears around the corner but truly happy. unlike in previous versions of this story where the doctor gets an impossible happy ending which we never get to see onscreen (e.g. tentoo settling down with rose) we are actually going to witness 15 be joyful and alive, no longer held down by what’s come before. a fresh start almost. not to say that the time war or the flux were so horrific that the doctor never could’ve gotten over them but i don’t think the doctor healing would’ve been believable without him literally splitting in two, allowing him time to breathe and slow down as 14 whilst untethering him from the past and allowing him to fully spread his wings as 15. it’s not a perfect conclusion to this era (and discussions on whether bi-generation undermined ncuti’s entrance and role as THE doctor are completely valid) but i’m ultimately glad it happened

[raayllum]

me staring at myself in the mirror like "we already got a hostage exchange last season where callum helped the villain and did dark magic in order to save rayla (as predicted) AND we got the irony of him literally freeing rayla while symbolically chaining himself, they're not going to do all that TWICE" to try and talk myself out of straightforward CHET

only for the demons in my ear to whisper "but what if she gets hurt in the possession fight and he still needs to save her, and/or the cube and his love for rayla makes him take a risk with the quasar diamonds just for the sake of her family and her ultimate happiness" and well. Now we're talking

[sloyla]

As a person who seriously watches miraculous for the plot, agreste family lore and sentimonster theory; a random guy who doesn't even know what a sentimonster is, saying things like "The sentimonster theory makes no sense." "If Adrien was a sentimonster he couldn't be Chat Noir because Gabriel would know." makes me SO mad.

[mqole]

i'm 70 hours into octopath 2 and this is my main takeaway atm (id in alt)

[sonik-kun]

"Jiang Cheng would have been involved in the attack on the Burial Mounds even without the death of sister"

For context, this all takes place AFTER JZX was killed. From JC's pov that was all 100% WWX's fault (bear in mind, WWX does have some culpability with his death. He lost control because of his unrestrained resentment for JZX. Sooo).

Was JC not supposed to do anything? Just sit there and twiddle his thumbs? Object to the siege entirely, perhaps? How do you think that would have looked to the rest of the CW? It would have been very suspicious if he didn't take part in eliminating a potential threat to the CW. Especially when said threat was once a part of his sect and KILLED his brother in law. Wouldn't they think it is strange that he refused to take part and get revenge on behalf of his sister??

If he did object or refused to take part, the rest of the CW would have grown even more suspicious of him. And the Jiang sect would have had a huuuuuuge target on their backs next. Especially giving how power hungry the Jins were becoming.

It was a very difficult situation he was put in. Not one he could easily talk his way out of. We've seen him try to numerous times even before things escalated to vouch for WWX and even once for the Wen siblings. And we all saw how that went down. Do you seriously think he could talk his way out of this one? After a sect heir had been slaughtered by his former SiC? Come on now.

All of this is why we see JC desparing so much because he is watching his brother spiral and spiral, and all he can do is watch on helplessly, for it is beyond his power to save him.

WWX kept so much from JC. He sided with the sect that almost wiped out his own and then goes on to inadvertently kill his brother in law. How do you think that must have looked to JC? How JC must have felt?? Let's be real here and look at things from his pov. Because I feel as though some of yall are failing to do so.

To JC, WWX had become unhinged and out of control. But even after the death of JZX, JC still seemed to desperately hold onto hope for his brother. He exclaims when he's holding his dying sister in his arms, "I thought you said you could control it?!"

That says to me that JC had faith in his brother that he could fix all this up until JYL was caught up in it all.

If you look at things from JC's pov, you'll see how bad things looked for WWX. How culpable he appeared throughout it all. And when you take that into consideration and realise that JC doesn't have all the information we as the reader are privileged to have, we can easily see why he came to such a conclusion.

It was either WWX or the lives of hundreds in his sect. JC chose to protect the many. And that doesn't make him a terrible person. Nor does it make him a terrible brother. He did all he could for WWX. But to him, WWX had made his bed, and so he should lay in it.

[vinlynce]

part 1 of however many Canary in a Coal Mine info posts!!! This one is mainly focusing on mechanical stuff and design notes with some misc musing

[theproblemcallednight]

hello jjk fandom. i have come from the wild lands of the bsd fandom.

i've come a bit late, but with precious goods.

while u all were crying over gojo, i have done research and revieved him

you see, bram from bsd gained his lowerr half while gojo lost his. but bram gained his lower half bc a sword was pulled out of him. and i stuck that sword into gojo (id in alt from @/zukkaoru so ty to them :D)

so here u are.

never stop believing

never give up

its never gojover

[softcthulhuwu]

from what I've observed it seems to be a fairly common practice in star trek fanworks when writing about navigating the galaxy, some people tend to apply a grid system and talk in terms of a "galactic north/south/east/west", which I'll agree makes a deal of narrative sense as the way star trek ships work in the fiction is more akin to naval ships than actual spacecraft.

However, I propose an alternative and think it'd be more sensible (and funnier) if United Earth era Starfleet decided to adopt the system from Terry Pratchett's Discworld novels for mapping the galaxy since it too is a disc, and then come the Federation years everyone else just kinda got stuck with it.

Farewell, galactic north, now Hubward, Rimward, Turnwise, and Widdershins are the official nomenclature of interstellar navigation and cartography!

[wasabikitcat]

I know we all hate Fandom Wiki when it comes to it's usage as an actual wiki for various media because the website design is dog shit, but I feel like we need to at least respect it for it's role as a complete Wild West for 8 year olds on the internet to create elaborate fanons for their ideas about theoretical reboots and spinoffs and video game tie-ins of random kids shows. They're out there making full show bibles and scripts and 5 year business plans for their spin-offs of Fairly Oddparents and Veggietales for no one but themselves, just as god intended the internet to be used for. We need to design a better website for them to put this shit on because it's a shame that Fandom has a stranglehold on the market of entire wikis made exclusively for things that are entirely made up and only exist in the brains of like 3 random kids on the internet.

[camgoloud]

one small detail that stood out to me about this latest episode that i haven’t seen anyone else talking about yet is that when the commentators are calling colin “inspiring” and the “man of the match,” they are celebrating him not for actually scoring the goals himself, but for providing the crucial assists to make both of them happen. and i really love that because for me it’s the absolute perfect wrap to his character arc across all three seasons!

like, we know that colin’s job on this team has never been to score goals. in fact i’m pretty sure we’ve never heard about a single goal that he has scored. colin is and always has been a team player, not a star—and we’ve seen that crop up over and over. notably, we’ve seen the fact that he’s not entirely at peace with that crop up over and over: see the way he was affected by nate’s entire holidy-inn-painting monologue, being benched to make room for zava, etc.—like, this is the thing he’s sensitive about! this is where all of his insecurities come from!

but at the SAME TIME it’s also tied very intimately with all his struggles re: hiding his sexuality— “colin’s a chameleon,” etc. it’s fascinating because there’s SO much tension there between colin 1. feeling bad about the fact that he never stands out on the pitch the way some of his teammates do, because of who he is on the team, and 2. feeling like he CAN’T stand out, ever, because of Who He Is As A Person. etc. it’s like. he’s filling this role in the background. he’s afraid he’s not doing it well enough. he’s afraid that what and who he is isn’t good enough and isn’t worthy of recognition. he wishes he were someone different. trying to be someone different in the locker room is clearly making him so unhappy and stressed out. it is All Connected and my thoughts have been doing laps around it at an ever-increasing rate since i watched episode 2.07 ‘headspace’ if not before!

and all of this is why it’s so incredible to me that in the end, colin’s big moment comes from making assists and not goals! because on the one hand i understand the fandom desire for the colin post-coming out glowup that we all knew was coming—to see him, like, ~prove everybody wrong about him~ and inspire people by suddenly becoming a standout player and scoring goals left and right, even though that never used to be his role on the team before. and don’t get me wrong, i was 100% on board that train, and would have loved it for him if that was how it went down in the end, also. i think he should get to score here and there! as a treat! especially now that richmond are playing total football and there’s been so much emphasis placed on how it’s not just jamie/dani/occasionally sam who are making all the goals anymore!

but i don’t know! especially after the events of the last few episodes, there’s something very special to me about getting to see a colin who, rather than becoming someone entirely new in the moments right after coming out, just feels free to become, and be at peace with, the best version of the same self he’s always been. he’s still a team player first and foremost, but now that he’s not as weighed down by the need to chameleon/hide/pretend to be someone he’s not, he’s so much better at it. and everyone sees this! he gets to be celebrated for his contributions within the role he’s always played! he (and everybody else!) finally recognizes the value that he adds to the team just by being himself—fully himself! it resolves all the tension and insecurity that we’ve seen him struggling with this whole time, on every level. and so this moment was genuinely the perfect ending for his journey in my opinion—i’m so so happy that we were tall enough to join him on the ride here, and so excited to see what he does going forward these last few episodes now that some of that pressure is off him <3

[hybbat]

You know I've had a lot of posts on my dash about Lizzie including 3 fics... And all of them are about how she is ignored for the men.

I've not seen any of the content they're complaining about, and I've not seen any of the content they're asking for...

You know you can just... make content about Lizzie. Instead of content about the lack of content. You can just draw her or write about her or make headcanons and essays about her, instead of about how there isn't any.

We get it, nobody is talking about her. So, please just actually talk about her?

[arcaneyouth]

remember kids! haunting the narrative is NOT about death, ghosts, or stereotypical haunting! haunting the narrative is about the weight of an absence in the story. its when someone is not a participant in the story, yet their absence defines it. its called haunting the narrative because they are a ghost to the story, not a ghost in the story

[amoontoyou]

so to sum it up, george had mono and sapnap prob gave him his old antibiotics because they thought he had strep throat. but mono is viral, not bacterial so it's not cured with antibiotics. amoxicillin in particular, the antibiotic that they mentioned sapnap gave george, has a skin reaction (exactly like george’s rash) when mistakenly taken for mono. it happens also when doctors accidentally prescribe amoxicillin for mono. george was sick after antarctica. dream was sick during antarctica. mono is spread by saliva. they call it the kissing disease. dream has kissed a variety of men. have a good day.