#i have anger issues and it shows and i know that

[louisferrignojr]

i have all sorts of criticisms for 911 as a show overall, for the 8x06 bucktommy storyline specifically, and for tim minear as a writer and showrunner. all valid criticisms and things I'm allowed to do as a queer viewer, because it relates to the writing choices, regardless whether they are influenced by external factors such as actor availability, budgets, or network demands and restrictions.

but you won't see me turning on oliver stark like a fucking rabid delusional buddie shipper.

using my logic and basic knowledge about the world of television, i can't put any blame on him for this shitfest. you won't see me coming up with ridiculous theories that he hates lou (#1 buddie talking point since the beginning) or that he got tim to write the episode this way (he's just a bloody actor ffs), that he hasn't done enough to champion the ship (you want him to be a bucktommy warrior?), because guess what?

say he promoted the relationship on his personal instagram, say he hyped it up more in interviews, say he interacted with shippers online or showcased more bucktommy fanworks... and the pair broke up in 8x06? because he doesn't write the show? you could then argue oliver engaged in queerbaiting, because the show did not deliver the queer content he promoted.

and isn't that what he was accused of anyway, before he deleted his twitter? doesn't it make sense that he might want to be careful about this?

and given the harassment he's had to endure from buddie shippers, i find it perfectly acceptable to answer buddie questions diplomatically because we know what those people are fucking capable of. it makes sense to me that he doesn't want to anger them.

at the end of the day, i'm not defending him. i've said before i'm deeply disappointed with his comments in the TVline interview and the way he doubled down in that instagram post. he has lost my respect and i no longer think he's a good ally to bisexual people specifically, because when you are playing a bisexual character, you have the bare minimum obligation to listen when real bisexual people are telling you that you fucked up. yes, i would like to see him acknowledge his wrongdoing and show that he understands the issue and why the things he said were biphobic. no matter how badly he fucked up, he should be allowed to reflect and make amends... because he's a human being and that's what the weewoo show is about. redemption arcs and second chances all around, folks.

but - he's literally just an actor and a celebrity. i expect nothing. i'm not holding out hope. i spare him no mind. i don't hate him and i'm not angry with him because i never idolised him. because i don't know him beyond the persona he shows the world. no one does. we can infer things based on what we see and hear, but there's really no way to know how much of that is his authentic self.

anyway. just my two cents 🫶

[generalluxun]

Reblogging my own post again because I have more fun hooks to add.

So going with this Ballet Chloé actually gives a better way to address classism and privilege than we got, too. It even has the twisty-aha moments the show is fond of. Let me break down the layers, which could be episodes or slot into a b-plot of some episodes.l, in roughly sequential order.

1)André buys/intimidates Chloé's victories in competitions. Chloé actually *doesn't* know this. She's still an arrogant and bullying butt about things though. Marinette&co. Work to expose the cheating! Chloé is humiliated! She is forced to confront the trith

Get your haha moment.

2)Thing is she's *pissed* at her daddy over this. She insists she's good and could win/excell anyway! Of course no one will believe that. Teist- no she is good, and she does win her next competition, no cheating. Marinette is forced to face the fact that this horrible person can still actually be skilled at something. Learning moment!

3)Chloé is being mean to another dancer, grab Aurore for this? It would be a fun reuse for her character to have her come from dance too.(Common track for entertainers) Marinette and Co. come to Aurore's defense. They point out Chloé's demands and expectations are insane! Chloé has so many advantages! Not everyone has the money for the best equipment, private lessons, parents(or servants) who can chauffer them around to lessons, a nutritionist, and more. Sure Chloé works but she has so many advantages from the beginning that shouldn't be ignored. It's not about dragging her down, the good kids point out, it's about recognizing how your privileges have helped you and that others might not have them.

4)Via Audrey's introduction Marinette gets a bit of a glimpse into Chloé's life and- oh- sees how the ridiculous demands and Chloé's over the top behavior are just her *way of life*.

Kids rolled their eyes when Chloé brought out the gram scale to measure her portions. They smirked when she had an absolute meltdown over a new outfit not being ready for an exhibition. Her anger and demands arel legendary. But to her that 's just *life*. One parent who wants a shiny gold trophy daughter to reflect his own prestige as the 'Symbol of Paris' and the other who demands perfection just to get a moment's attention.

Marinette gets to see her nemesis break down over being .1KG overweight because it absolutely means her mother won't even meet with her on this visit. Marinette gets to appreciate her own privilege, parents who support and lover her unconditionally. A loving family environment that allowed her to grow at her own pace and in her own ways. She was watered regularly in fertile ground while Chloé was pruned and cut into a pleasing shape.

We see privilege comes in all forms.

5)???

None of this solves the issues between them. Understanding can help and there's plenty of directions to go with, but it isn't an instant fix. What we have done though is provide our child audience with several progressively more complex situations to teach and expand upon the themes. We've hopefully taught them to look deeper.

Isn't that what kids shows are for?

You know, Chloé honestly shouldn't be the way she is in the show, even with André and Audrey. Why?

Ballet.

Specifically the kind of extremely expensive top tier ballet she would be thrust into. As of Frightingale she had 8yrs of ballet. That's starting at 5-6, latest.

No high class ballet teacher will take anything from a 5-6yr old. No mayor will intimidate them. They will boot anyone they feel is slacking. Making it this long Chloé could be a bully, she could be vicious, she could be mean, but she *should* be driven, and disciplined. She should value physical precision and poise. Picking on Marinette for being clumsy flows perfectly from that, but only if we see her comparing herself favorably.

In the absence of a strong parental figure, that teacher should be an integral part of her life.

We got none of that though, because 'lol spoiled rich girl' and the story writing isn't as deliberate as they claim. The '8yrs of dance' was a throw away line made up for one episode without thought.

Going beyond her character, this helps explain a lot of the other ??? Moments and lose ends too.

[swrkn]

Hihi! I see you have blue lock in your fandoms you write for, do you have any ness headcannons? thank you <3

𝐒𝐅𝐖 𝐇𝐄𝐀𝐃𝐂𝐀𝐍𝐎𝐍𝐒

Alexis ness x g/n reader

Genre ; sfw , fluff

Author note ; hii , that’s my first request for blue lock so i would like to thank you for that ! English is not my first language so im sorry if there are mistakes, my request are open !!

⇨ Thoughtful Supporter

Ness is the ultimate doting partner, almost to a fault. He's incredibly attentive, always noticing the little things that make you happy, like your favorite snacks or how you prefer your tea. He's fiercely loyal and seeks validation in the relationship, similar to how he idolizes Kaiser on the field. He wants to feel like he's your number one supporter.

One evening, you casually mention craving something sweet while you're both texting. You don't think much of it and move on with your night. The next day, there's a knock at your door, and when you open it, Ness stands there with a box of pastries from your favorite bakery. "You mentioned these yesterday," he says with a shy smile, his cheeks slightly flushed. "I couldn't let you go another day without them." You're touched by his thoughtfulness, and as you both sit down to enjoy the treats, you realize how much he pays attention to even your smallest remarks.

⇨ Your Biggest Cheerleader

He's deeply invested in your personal goals and will do everything he can to support you, much like how he supports Kaiser on the field. He'll be your biggest cheerleader, no matter what. In return, he appreciates when you show interest in his soccer career, even if it's just attending his games or asking about his training.

You're working late on a project, and Ness texts you: Don't forget to take a break, okay? You're doing amazing. A few minutes later, he shows up with a coffee in hand, ready to cheer you on.

After one of his big games, you greet him with a proud smile. "You were incredible out there," you say. His eyes light up, and he pulls you into a tight hug. "Hearing that from you makes it even better," he murmurs.

⇨ The Peace Maker

Ness hates conflict and will do his best to avoid arguments. If a disagreement arises, he'll try to resolve it calmly, often prioritizing your feelings over his own. He's quick to apologize, even if he's not in the wrong, but he appreciates it when you acknowledge his feelings too.

A minor disagreement arises when your schedules don't align, and you end up snapping at Ness out of frustration. He takes a deep breath, choosing not to escalate the situation. "I'm sorry if I upset you," he says calmly, his eyes soft with concern. "I just want us to work through this together." His willingness to approach the issue with understanding rather than anger helps you cool down, and together, you find a solution. By the end of the conversation, the tension has melted away, replaced by mutual understanding and affection.

⇨ Romantic Gestures

He's a romantic at heart. Expect surprise dates, handwritten letters, and spontaneous compliments. Ness loves making you feel cherished. His favorite thing is to cook for you, insisting that he knows all your favorite dishes. Even if it doesn't turn out perfect, he'll put his heart into every meal.

One weekend, you find a small envelope on your pillow. Inside is a handwritten note from Ness, detailing how much he appreciates you. "I just wanted to remind you how amazing you are," it reads. "Thank you for being in my life."

Ness surprises you by setting up a cozy picnic at the park, complete with a blanket, snacks, and your favorite playlist. "I thought we could use some fresh air and time together," he says, beaming.

⇨ Jealousy and Insecurity

Ness is prone to jealousy but tries to hide it. If he sees you getting close to someone else, he'll quietly fume but won't confront you directly. Instead, he'll subtly seek more of your attention to reassure himself. In moments of insecurity, he'll need you to affirm that you love him for who he is and not just for how much he supports you.

After one of Ness's matches, you find yourself talking with one of his teammates, complimenting his skills. From a distance, Ness watches, his smile faltering slightly as he sees how much you're enjoying the conversation. Later, when it's just the two of you, he hesitates before asking, "You seemed really close with him... Do you think they're funnier than me?" His voice is soft, almost uncertain. You immediately cup his face, looking into his eyes. "Ness, you're the one I love. No one else comes close," you assure him, planting a gentle kiss on his lips. His expression softens, and he pulls you into a tight hug, his insecurities melting away in your embrace.

⇨ The playful Competitor

He's surprisingly competitive when playing games with you, especially if it's something like board games or trivia. He loves teasing you when he wins but takes it gracefully if you beat him.

During a trivia night, Ness surprises you with how competitive he can get. "No way you knew that answer!" you laugh after he correctly names a random historical fact. He smirks and says, "What can I say? I'm full of surprises." When you finally beat him in the final round, he dramatically clutches his chest. "You've defeated me, but I'm proud of you," he says, making you both burst out laughing.

✵

[respectthepetty]

Before episode three of Perfect 10 Liners continued the love story of these two color-coded boys in love,

It gave me small glimpses of the other color-coded boys in love.

And I'm intrigued by the Lapis Lads.

I don't know if Faifa is truly flirting with Wine or if this casual affection is the norm for him since Yotha threatened him to not behave with Wine as he had with other people, but I think that is the point.

Wine won't be able to tell if Faifa likes him or if this is all just part of Faifa's personality.

Unlike these two where it's obvious one likes to annoy and the other likes to act as if he is annoyed,

Wine seems impersonal and sad, so if he can't get a proper read on Faifa, who comes across as aloof and nosy, I'm going to eat them up because this is truly a battle of two Blue Boys making the worst impression on each other through their color's worst traits.

Just like Red Rascal Arc is leaving a horrible impression on me since the show is determined to remind me he is a Manchester United fan every single week! I don't care if he has Rashford's red jersey! GET IT OUTTA HERE!

And just like that, I'm sent back into the past where Arc has just caused and accident due to his road rage, and Yellow Yal Arm is just "no biggie" about it all. He seems kinda into it actually.

But I don't have to dwell on that kink too long because Blue Boy Sand, in his "relationship" shirt, is clearly already dating Orange Oddity Pond, with his very orange Thai tea and Spider Man hoodie, so as a person who sat through sixteen episodes of We Are for Marc x Poon, I'm thankful my prayers were answered in this series. Amen.

I'm also feeling Blue Boy Warm being in contact with Arc's mom because I see you, Mrs. Robinson! Arc better watch out before he gets a new daddy. Purple Person Cop knows. He sees the writing on the wall.

I'm going to ignore the elephant in the room, or the tiny worm if you ask Pipo, because I want to point out that JJ is looking very adorable in this show, and this scene gave me time to really notice all the yellow in Arm's room. The elephant is hiding behind the yellow couch, but also there is a yellow clock, his yellow bag, and the subways in the painting are also yellow.

I like that in an effort to ignore the elephant he saw, Green Guy Pipo changed his shirt to an Apocalypse Now shirt.

Where would Arm and Arc be without their Blue Boy Besties? LOST and friendless, that's where!

Arc wants Arm to know more about him, but all Arm needs to know is Arc's color is red; therefore, he has anger issues, he is persistent to the point of stalking, and the sex will be 🔥🌶🔥, but somehow, I think Arm already knows.

Orange Oddity Pond is doing such a great job communicating and taking up all of Sand's attention while also giving rides. This is how you balance the negative with the positive as an Oddity. You hear that Peaceful Property's Somkid!

Color-coded boys in love and their friend Steve.

It's real gay of Arc to keep staring at Arm's lips while berating him. It's giving >instigating a fight so his hands will be on me< and, once again, I think they are both aware of this.

And I end the episode with their color-coded gears interlocking before the preview decided to show me a bottle being smashed over Arm's head.

But at least he'll be wearing a color-coded appropriate smiley face shirt when it happens!

Because color-coded boys in love get happy endings, even if car accidents and bar fights are part of the journey to that happy ending.

I see you, kinksters.

[willicebattlecatsblog]

pov : willice rants about The Broken Code Jayfeather (SPOILERS FOR THE BROKEN CODE)

It's been a full year now that I decided to re-read every single Warrior Cats books, as a teenager I stopped at OotS, so I re-read all of TPB, TNP, PoT and OotS. I am done with DotC (I have many opinions) and just finished AvoS, so I am starting TBC (currently at book 2).

Clearly the Writing Team™ has big, big issues with how to handle Jayfeather and his personality. Jayfeather was meant te be blunt and to freely voice his anger and concerns with little respects for other feelings sometimes, but he was never meant to be outright mean and antagonistic, was he ?

He went from a personal favorite of mine in PoT and OotS to a very unlikable character in TBC. He actively bullies and isolates Twigkit in AvoS (when he was previously known to be patient with kits??), but I can tolerate this mischaracterization i guess

But TBC Jayfeather ??? I don't know if it's just the Writing Team™ being extremely bad at understanding his character, or if it's the first symptoms of the Onestar disease, but I am kind of scared of how he will evolve in the 4 following books :(((

In the first two books of TBC, Jayfeather can hardly go through a single conversation with / about Shadowsight without straight up insulting him, his intelligence and competences. He had opinions about Willowshine and Kestrelflight, but he would rarely, if ever, straight up disrespect them to their face like that. Now, he actively participates in all the gossip around Shadowsight and characters will say "Jayfeather said Shadowsight is just a featherhead !" because Jay's opinion is that valued and important. (idk the actual English insults, all my books are in French, so you will have to suffer the French horrors sorry guys 😔)

At some point, during a Gathering, Jayfeather just tells everyone that Mothwing doesn't believe in StarClan. In front of the five Clans, the leaders, the deputies, the other warriors, like, everyone. Just because he was personally pissed at her opinion.

Just as a reminder, the Clans are all extremely faithful and the lack of faith has been a plot point several times, showing emphasis on how important it is for all cats to show devotion to StarClan. Medicine cats are literally meant to talk to StarClan. And in general, the Clans are known to be agressive to anyone who doesn't respect StarClan, thinking that if you don't follow StarClan's commands then you don't have any moral values at all.

Another reminder, Mothwing is not only the daughter of Tigerclawstar, she is also an ex rogue. She got her medicine cat title only because her brother created a fake omen, because her status as an ex-rogue made her an outcast in her own Clan. Mothwing has been known to be more vulnerable to isolation than other medicine cats.

So huh, yeah, Jayfeather just put Mothwing, an already vulnerable she-cat, in extreme danger, throwing her under the bus in front of absolutely everyone, including her own leader, her own deputy, most of her clanmates, and most of the other Clans members. Mothwing is shocked, obviously, and quickly says that she does believe StarClan is real, just isn't devoted to them.

The response of the Clans to this revelation is so out of character and disconnected from their agressive violent culture that I had to re-read the whole thing a few times.

The Clans just go "weird flex mothwing, but ok" and go back to their business (business being : questioning why StarClan isn't communicating with them anymore). From what I know, the revelation Jayfeather just made is never going to impact the story ever again because Mothwing gets banished for the crime of being a ShadowClan cat's child. So this whole scene is just there to show that Jayfeather will use precious informations against others if he gets annoyed at them ??? I don't know if this is bad writing or character assassination at this point man😔my po3 jayfeather would never.

None the less, Jayfeather KNEW how dangerous such a revelation could have been. Every single medicine cat, including her own apprentice Willowshine, kept the secret, because they all KNEW it would endanger Mothwing if the Clans discovered the state of her faith. This was literally a plot point in TNP with Leafpool like COME ON WRITING TEAM™ YOU HAVE TO LOCK IN !!!!!

I know this scene is canon (sadly), but this depiction of Jayfeather is just so alien to me. Jayfeather knows what it's like to be different and to be special, why would he insult Shadowsight over and over again when the kid is obviously struggling ? Also Jayfeather has been accused of murder and was on thin ice at some point, he knows what it's like to be accused in front of a whole Gathering, why would he do that to Mothwing out of all cats ???

Do you have any opinions on this ? Do you think this is just normal Jayfeather behavior, or do you think it is the Writing Team struggling to grasp Jay's personality ? I would like to know what you feel about that because from all the fandom discourse I did read, no one ever talked about how flabbergasting Jayfeather's behavior would be

In conclusion the real impostor is jayfeather

[cambionkami]

Arcane Season 2 Spoilers you've been warned!

I love the team's attention to detail shown in Arcane. Especially this scene here:

Here we have Caitlyn. Her face shows her trying to be strong and push aside her grief to do "what needs to be done." Her back is straight, and her head is held high. She is aware of the horrors that Jinx can do. Back in season 1 episode 4, she was the sole survivor of one of Jinx's attacks on Piltover, then again at the end of season 1, she was kidnapped and watched the very attack that killed her mother.

Caitlyn is aware of her role and the power she's both been given and earned, making her believe she is responsible for taking out Jinx. This is reinforced by her saying to her father in the first episode of season 2 "I had the shot". She holds onto that grief of knowing she was in the position to prevent what Jinx did, maybe if she had taken the shot her mother would've survived. Leading her to take charge and create a strike force to assassinate Jinx, both in duty to the people who died due to the many attacks and revenge for her mother.

Then you have Vi, who follows behind Caitlyn, to show both support for her and her actions. She wears the enforcer uniform and the gauntlets and is standing side by side with other enforcers to take down the threat. But her body language speaks the opposite, her eyes are adverted and darting downward, frowning with a slouch, the whole time she's shown here her head is down. Sure she feels awful for what Caitlyn's been through but is also facing the responsibility of what her sister, Jinx, has become.

Vi carries the weight of her sister's actions and believes it is her responsibility to stop Jinx from hurting anyone else, she's seen the damage her sister can do firsthand and is fully aware that it can get worse if no action is taken. Sure, she doesn't want to kill or bring harm to her sister, nobody does, she spent all of season 1 tracking her sister down to be with her family again. Up until meeting Caitlyn, Vi has been all alone, without her family, her parents are dead, her adoptive family is dead, and her sister is still out there.

These two characters are the two faces of the same coin. They've both lost family and stability in their lives and feel the responsibility of correcting the terrors Jinx has caused is theirs to face and neutralize. But a lot of their direction in how to go about dealing with the issue are the same thing these characters accuse Jinx of being.

Vi clings to hope, hope that Powder is still inside of Jinx, any reasoning to see her sister as the way she remembers her being. A mindset that is slowly breaking her as she witnesses the horrors "Powder" is unleashing on the innocent, affecting men, women and children alike. She wants to cling to the idea of her sister being there, but she slowly starts echoing the people around her. Ekko mentions how Powder is no longer there, how she "changed", this is also reinforced by Jinx herself, "Powder fell down a well".

Vi is adjusting to these new changes, learning about Jinx alongside with the audience. Her face, voice and body language are soft when she addresses her sister when she views her as "Powder". She wants to view her sister as what they were long ago, two kids, sisters, and family. Vi struggles with seeing the anger that is Jinx bubbling to the surface in her sister and when it comes to the confrontation in Season 2 Episode 3, she is fully aware she is unable to do the job of killing her sister. Looking for someone else to do the job for her or any excuse to avoid the task.

We see in the same episode that she turns her back to allow Caitlyn to take the shot for her, apologising as she closes her eyes. She knows there's no undo button for what Jinx has done and knows the only resolution to the battle is her sister's head. There is no more reasoning, no more bargaining, and no more begging, what's done is done. Vi is in complete turmoil over her sister knowing that even though she's just gotten her back that she will soon have to say goodbye to her.

So we jump to later that same conflict, she's pinned down Jinx, and vi has won in securing the threat to neutralize for the greater good. But when Isha runs up, with a gun in hand, blocking Vi from stopping Jinx, she freezes in place. There is nothing really stopping Vi from disarming Isha and/or removing Isha from Jinx to secure a better shot. Even extending this excuse to Caitlyn, jumping in front of the shot to interfere with the 'shot'.

Vi grew up being the role model for her 3 younger siblings, a major influence in guiding people down the correct or incorrect path. She grew up with people following her lead and is now blocking Caitlyn from completing their mission. Vi only wants to help Caitlyn do what's right but also wants to protect what's left of her remaining family unintentionally.

Sounds a little familiar, doesn't it?

Caitlyn on the other hand is in complete turmoil over the grief of her mother's death, knowing she could've prevented it had she gone down and taken a different path. She grows distant and isolated in her grief as if disconnecting from her reality to best hide the pain she is suffering from as we see in season 2 episode 1. In season 1, she echoes a similar belief that her mother held, "the people of the underground deserve to breathe", this line can be taken both literally and metaphorically for the story and its symbolism. But with the death of her mother, this idea also dies in Caitlyn, voicing her views on them as "animals" with a bite to her words. In the very scene she says this, she bares her teeth, much like an animal would. Voicing her growing rage.

She believes she's at fault, and with the fact that she had the shot back at the end of season 1, she could've ended the madness Jinx unleashes. This drives Caitlyn through her grief in an attempt to 'fix' what has been broken and correct the wrongs that have been brought into her world. She knows Jinx will only take more lives if her abuse is left unchecked, many men, women and children count on Caitlyn to take the next shot as quickly and swiftly as possible. This leads to her conflict with Vi and Isha in episode 3.

She wants to take the shot, to neutralize Jinx, to secure the threat and eliminate it for good. In her mind, it would prevent any more terrors and stop the growing threat of war.

When Isha jumps onto Jinx and holds her close, Caitlyn attempts to take the shot, she is narrowed in on securing the death of Jinx, and she doesn't care that there might be the risk of hitting Isha or Vi. After all, the death of a few here in this fight might prevent the deaths of thousands. She wants to protect what's left of her family and destroy everything that is Jinx.

When Caitlyn is unsuccessful in assassinating Jinx yet again, it explains easier why Ambessa was easily able to single out and recruit Cait to lead in Marshal Law over Piltover and ride into Zaun to the drums of war. Caitlyn needs Jinx dead, she will not stop unless something breaks her current driving force, which is grief. She wants peace after all, which is what will aid her in justifying her actions and doing what she believes is the right thing to do.

Caitlyn is becoming the very threat she accuses the Zaunites and Jinx of being, as in war there will always be the innocent that are caught in the cross fire.

[eddiegettingshot]

Loving your Eddie takes, thank you. I'm fairly new to this fandom (another one who finally started watching when canon bi!Buck happened) and have been kind of baffled by some of the popular takes on, well, all the characters but especially Eddie.

My favourite thing though is when a fanon idea takes hold and then canon comes along and blasts it out of the water.

The whole of the hiatus it was 'Eddie is a Dark and Brooding Soul with Anger Issues who will have a major breakdown and must spend a minimum of six months in intense therapy self-flagellating himself for the Terrible Way He Treats Women before he can move on with his life'.

The actual show: 'what? no? Eddie is a goofy and dorky cheerful soul [admittedly with PTSD relating to very specific traumas], and all he needs to do is embrace joy and to stop punishing himself actually because he's never done anything wrong ever'. Or something like that.

Loved it.

i know <3 turns out the show is so much better than whatever is floating around On Here

[g0ddyke]

Some of you really are some of the most Miserable, self hating, discourse-rotted Bastards this side of Tumblr, and you're really going to make it everyone else's problem, aren't you.

[tripping-tennis-ball]

Morgan doesn't utter a word. Sol has sat up by the end of his rant. His knees are tucked into his chest, arms wrapped around them. He stares blankly at a wall. Exhaustion pours off of her in waves. The silence persists for long enough that most would usually mark the conversation over by now. Xe gets a feeling, though, that she's not quite done yet. They're right, of course. Sol looks towards them, eyes wide and alert despite the medication coursing through his system. "Hayte," he whispers, "It- It doesn't think I'm people."

She doesn't say anything else. Morgan nods in understanding. They don't ask how he found out. They wouldn't. There are no reassurances xe could possibly give, not any that would mean anything. At least, not right now. Instead, they stand up. "I'm gonna grab you some water. Alright, sunshine? You stay right here." She acknowledges their departure with just a small nod. Instead electing to stare blankly at the wall again. Morgan walks into the kitchen to grab a cup. They'd known Sol had a lot more to him. Xe always had a vague sense of what could have caused some of her behaviors. It's unsurprising, at least to them, that he'd struggled socially growing up. The specifics are what interests xem. It's depressing, to say the least. The pressure to conform, to be liked, It's something Morgan has always despised. They'd rather be themself and drive people away than give in to what others expect from xem. That mindset has caused issues in the past, sure, but it's worth it. They don't think Sol would agree. For as long as Morgan has known her, Sol has been a people pleaser. It's clear in the way he holds himself around those who's opinions matter to her. It shows in how she smiles and laughs to hide any emotion that he doesn't think is "necessary." That's not to say he never shows negative emotion or that she can't assert herself. He wears anger well. When someone crosses a line or ignores a clear boundary, she isn't afraid to do something about it. They've seen it themself. Too many people have come out of an interaction with Sol with a broken nose for xem to say otherwise. Whether those lines are drawn well or if there's enough of them, however, is a different story. Not to mention the attachment.

(He's spent so long trying to be normal for other people that he practically throws himself at anyone who doesn't hate her "differences". She's so desperate for someone to know him that he lets too much slide. I think she knows that as well as I do.) By the time Morgan returns with the water, and a couple of painkillers, Sol has passed out in her seat. They smile, setting the water and painkillers down on a nearby counter for when he wakes up. They grab a blanket and place it gently over his shoulders. They'll have a lot to talk about once she's awake and sober. There's no way xe are going to pretend nothing happened, come late evening. For now, though, they'll sit and watch over her. Maybe even take a nap of their own once they process everything. Morgan glances over at Sol. "Rest well."

Sol knocks harshly on the door.

"Morgan? Morgan, open up!"

He takes a deep breath. A futile attempt to calm her already fraying nerves.

" I can hear you. I know you're in there."

"Alright, alright. I'm coming, jeez."

Morgan grabs their shirt off the back of their chair and shoves it on. They stumble a little as they make it to the door.

They unlock the door, swinging it open. They raise a brow as they take in Sol's disheveled appearance.

His clothes are wrinkled, and the bottom of her jeans damp from coming through the grass. He's breathing heavily, as if he'd been walking for a while.

"The hell happened to you?"

Xe usher her in.

[farshootergotme]

Hot take, anyone who thinks Dick Grayson has a persistent case of anger issues just doesn't know what anger issues are.

Does he get angry? Yes (I sure would hope so since he's a human being). Would I call it anger issues? No, not really.

[lizzydizzyyo]

I think what's really compelling about House's absolute unwillingness to bow down to anything or anyone (the ethical board, the law, extra rich CEO, vindictive police officer, and even the patients themselves) regardless of how absolutely batshit and downright illegal his actions are, is because it's coming from a chronically disabled person, in more ways than one.

He cannot walk without agony or his cane. His chronic and severe pain led him down the path of deep Vicodin addiction until he also becomes psychologically dependent on it too (once, Dr Cuddy gives him saline placebo and it "works", in that he is not feeling his leg pain anymore for a few hours).

He understands it deeply just how desperate people can be when they're in pain and nobody can (or are willing to) help them—at least, so far, until they land on his doorstep. Which is canonically the most extreme step patients take when everything else fails—you don't just go straight to Plainsborough Teaching Hospital and to Dr Gregory House MD's office; you have to go through dozens of other doctors in various specialties and failed treatments too.

(Although that's a separate discussion about how doctors, particularly resident ones, are overworked and underpaid and redtaped by shithead insurance companies even if they do know how to treat a patient and want to).

He knows, from the bottom of his heart, that having such a painful and life-limitting debilitating condition is comparable to hell on earth, because he has one. He knows, that despite his disability being visible to everyone, yet no one wants to put an effort to help him deal with it—is also hell on earth.

Cuddy simply throws money at him and turns the other way to his Vicodin abuse, like she is saying, "I don't care if he takes 10 Vicodin pills a day or more, and I have to pay at least $1M every year for lawsuits, as long as he gets the job done," (and when they decide to go into relationship, she immediately drops him when he relapses, even if the reason for his relapse is her—although, yes, there is another discussion to be had about keeping yourself and your child(ren) safe being a priority compared to helping an addict, recovering or not). Wilson, as loyal as he is to House, simply either enables him or lectures him without going into the root of the issue and thoroughly help House that way. His subordinates, especially after the original trio, are simply too scared, too ignorant, or too ambitious to even approach the issue and choose to keep their job than help House (also another discussion to be had about how you can't help people who don't want to help themselves and so on).

So when he sees a patient who has gone through hell trying to get a correct diagnosis and treatment, he becomes laser-focused on doing everything under the sun to get to the bottom of it and cure the patient. He doesn't care if he has to break into countless of houses (haha pun) and collect insane and probably biohazard samples to do it—he absolutely will, no question.

Yes, hate-criming and being a bigot is his favorite hobby (still livid at the asexual ep and the production's choice for the resolution, let's just say I still have beef with Hugh Laurie and the entire production team for it), and so is insulting patients in so many ways that Shakespeare would personally fly to New Jersey and shake his hands if someone manage to successfully perform necromancy on ol' Billy boy. But House is no one if not dedicated. "Yes, my patient is an idiot, everyone is an idiot too, but I WILL cure their condition like my life depends on it," is basically his middle name.

Besides, you can make the argument that he is more compassionate than all the other doctors around him, because despite his absolute disdain towards some of his patients' beliefs and stupidity, he still works his ass off to treat them. He will call your god an idiot in 7 different languages while putting you in a diagnostic machine he manipulated the whole hospital into letting him use so that you could get a test which weren't available to you before. He will tell you that your currently-happy marriage will end in a bloody divorce and your ex will leave you penniless so love is not real while injecting you with a medication he had to hack the CDC's database for.

There are even episodes that show him being truly earnest, like the clinic duty scene where he is snarky as usual to a girl who seemingly stupidly had unprotected sex until she lashes out, and House is like, "Oh shit, this is above my paygrade", and immediately goes to Cuddy with a very serious expression and no sarcastic dilly-daliying, demanding her to transfer the patient to someone else because he is not good with "curing" rape case (interesting choice on the writers' part to make the patient insist to have therapy with House, though).

There is an episode about a very workaholic woman executive in a fashion company who has tremor and partial paralysis, and later on it's shown that she seems to tie her worth as a person to her corporate success while band-aiding her deep psychological issue like her suicidal ideation, and House genuinely asks her, "Do you want to live? I cannot help you unless you want me to," or something along the line.

There is also the cursed 9-year-old terminal brain cancer episode where Chase kissed the patient (ew), where at first it shows House being a usual misanthophe to Wilson and saying, "She is not brave, it's the brain tumor clot talking because it must be near the amygdala." Later in the episode, House sits near the patient alone, and compassionately asks her if she even wants to live, going through the rest of her short-lived but horrible agony, even if they catch the clot. The surgery to find and get rid of the clot is risky and can debilitate her even more, and this is why House is laying the decision to her hands. That she gets to choose. This is what truly reveals to him that she is genuinely brave (aside from the scan showing the clot to be so far away from her amygdala), but for the wrong reason. She is brave for her mom, willing to go through horrible surgery and drag out her already painful cancer-ridden life because, "My mom needs me". When everyone is congratulating her in the end, you can tell House has a bittersweet expression of both awe towards her bravery, and sadness that this 9-year-old sick girl has to bear the brunt of her horrible pain just so that her mother is not sad. That he couldn't convince her to be a child until the nearing end of her life.

The most interesting evidence of his compassion to me is the gunman hostage episode. It might sound weird because in the whole episode, he is depicted to first want to outsmart the gunman patient, then becomes laser-focused but only because he sees it as a puzzle, then absolutely selfish and dangerous because he volunteers himself as the last hostage and gives the gun back to the guy after the MRI. I do think it's true that his dedication to solving patients-are-just-puzzle-to-me conditions shines through in the episode, especially the scene of him returning his gun, but there is something else I catch when I rewatched it before.

When the gunman patient is put in the MRI because Cameron tells him a theory through the hostage call, the remaining doctors in the room including House are wary at the gunman but also hopeful. Yet, when the result shows up on the screen, he realizes that the theory is wrong and the guy let go his only bargaining chip for nothing. If you watch this part carefully, you'll notice that House actually looks pitying and sad at the gunman's disappointed demeanor and expression. He realizes he is going to be another notch in the guy's failed doctors list, and at this point (with the gun given away and even the best, most talented doctor also not finding out what's wrong with him), the guy has given up hope that he will ever see the day he will be cured, certainly not behind the bars.

Yes, his thirst for puzzle is House's big driving force in giving back the gun, but you'll be lying to yourself if you don't notice House's compassion for the guy because he doesn't want the guy to go out empty-handed, with absolutely no more hope because House knows once they step out of the door, this guy will never, ever be allowed to be in the vicinity of any hospital or doctor ever again in his life, aside from jail's bare-minimum exams and medications. House can't handle the thought of putting someone else through his own disappointment—that nothing works to help his leg pain. He especially doesn't want to be the cause for this gunman guy's case either. Even in the end when House realizes the guy is a fucking moron because he doesn't know that Florida is, in fact, in earthwide-horizontal tropical zone and this is what stumps most of the guy's previous doctors—House still gives him a subtle salute to the guy while being handcuffed and led away, almost to say, "Enjoy your healing and the defeat of your arch nemesis The Sickness™, glad to be part of it."

Majority of his drive to stop at nothing until his patient is cured is definitely thanks to his own fucked-up leg, even if there are some dialogues with Cuddy and Stacy Warner (House's ex wife) that seem to imply he has always been a misanthrophe whose hobby is getting into malpractice (or general) lawsuits. I wholeheartedly believe that after his leg clot rendered him disabled and with chronic pain, he became much more dedicated and obsessed with getting to the bottom of a patient's medical information, even for info that seems innocuous or irrelevant that always turn out to be important (probably more like a plot armor than established characterization, to be honest), almost like this is his method of relating to the patients in his own weirdly human way, and maybe a little bit (actually, a lot) of projecting.

Thank you for coming to my TED Talk.

[rosewaterandpinkseasalt]

if we’re going with that though—do we think steven would really figure that out during the timeline of the show? we only see him up until the age of sixteen. he’s processing everything he’s been through (which is a lot) and he’s in a terrible mental state. i think this is something he’s going to reflect on & really figure out in post canon. if anything, a tiny silver lining is that the end of canon reminds young people that they don’t need to have all their traumas resolved right away! his relationship, too, is something he’s still working on but we can kind of tell they’re always going to be together.

i can’t help but sympathize with steven & as someone who’s older than him i really like how you always acknowledge the outside perspective! lots of rose haters see the show from steven’s perspective and forget that they can have an outside one, too. i try to look at both.

through steven’s eyes, he has a whole belief system set up and so much happens throughout his adolescence that, while he changes and goes through unimaginable things, he doesn’t know what to believe anymore. he starts to only see extremes. he started off with imagining rose as this perfect mother for comfort, and then he learns things about her that are quite alarming (i.e., bismuth being bubbled, not telling garnet and ame and dad about being a diamond) and feels this bitterness & anger. he even begins to question if she’s a bad person. it’s going to take awhile for him to process and figure out everything.

in a very similar way, he has trouble with how he feels about himself. he grew up isolated from lots of kids & finding out he was a protector & a healer, but as time goes on he struggles with self blame and self doubt. he begins focusing so much on protecting others that he forgets about himself—which makes him lose some self awareness, too.

so, when he’s in fight or flight like that and he needs to make a last minute decision, he chooses something that’s extremely self destructive but with the intention to protect the person he loves most. & that’s interesting to me because he’s not only reminding me of one mom here—he’s reminding me of pearl, too.

situations involving life or death & fight or flight, when the person already has lots of unresolved trauma and mental health issues… these situations can easily bring out some troubling aspects of people.

i have so much empathy for steven & pearl that i can’t bring myself to say that they were bad hurtful partners—really, they were being self destructive. & i think connie and rose were upset but more so because they were worried about their partners and they couldn’t do anything to protect them. it’s not something that would end their relationships or lessen trust—but it’s definitely a good example of how putting your loved ones over yourself & not having self compassion can cause issues when they feel the same amount of love for you & want to protect you, too.

@selkie-soup you know steven & connverse better than i do, but this situation is just very interesting to me and i thought i would chime in! i hope this is soup approved :3

it irks me so much when people act like Connie is in the wrong for how she acted after the trial. It ignores three things. One- Connie is 12, of course she won't act "perfect". Two- she tried to talk to him irl but Steven was at the cabin with the gems + his dad. Three- Connie has a right to take space, even if it was in her best interest it's not unreasonable she was hurt. She wanted to be there for him and they promised to protect each other (not to mention if any of Pearl's ideology still effected her) and she felt like their promise was broken. It was for the best she was left behind but she can still have complex feelings about the topic.

[cottoncandywoof]

ok so, i just want to comment a little on 2003 splinter. @purplepixel and i are on season 1 still, and im REALLY liking it thus far, but theres something i want to complain about.

why on Gods green beautiful earth is splinter annoyed at his kids for "breaking stuff" at aprils and being like "this is what i live like every day". like i get it. hes an actual rat. he doesnt know any better and thats a point i made in later episodes, but... bruh.

why am i mad? well, because the kids quite literally feel bad and offer to fix it. THEY dont know better either. they think this is the best way of doing it and are overconfident in their skills, but feel bad and offer to glue the plates together. yes, it doesnt do much, but... i dont know, im not saying it should be changed or anything, but something about a parent being annoyed at something THEIR KIDS WOULDNT KNOW NOT TO DO really just rubs me the wrong way. TEACH THEM BETTER THEN SPLINTER!!! like, mikey i get, but the rest? come tf on

yeah thats all lmfao

[neuronary]

kipperlilly copperkettle my beloved. none of this is ur fault. ur doing great sweetie. no don't worry buddy was annoying as fuck it's actually fine that you murdered him in cold blood. yeah you're gonna be an amazing student body president.

[lovsome]

am i so hard to care about?

[panncakes]

FAVOURITE MTYL SCENES (in no particular order):

“I’m not his friend. I'm his den--”