#i have a big feeling that no way will be performed
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Bossware is unfair (in the legal sense, too)
You can get into a lot of trouble by assuming that rich people know what they're doing. For example, might assume that ad-tech works – bypassing peoples' critical faculties, reaching inside their minds and brainwashing them with Big Data insights, because if that's not what's happening, then why would rich people pour billions into those ads?
https://pluralistic.net/2020/12/06/surveillance-tulip-bulbs/#adtech-bubble
You might assume that private equity looters make their investors rich, because otherwise, why would rich people hand over trillions for them to play with?
https://thenextrecession.wordpress.com/2024/11/19/private-equity-vampire-capital/
The truth is, rich people are suckers like the rest of us. If anything, succeeding once or twice makes you an even bigger mark, with a sense of your own infallibility that inflates to fill the bubble your yes-men seal you inside of.
Rich people fall for scams just like you and me. Anyone can be a mark. I was:
https://pluralistic.net/2024/02/05/cyber-dunning-kruger/#swiss-cheese-security
But though rich people can fall for scams the same way you and I do, the way those scams play out is very different when the marks are wealthy. As Keynes had it, "The market can remain irrational longer than you can remain solvent." When the marks are rich (or worse, super-rich), they can be played for much longer before they go bust, creating the appearance of solidity.
Noted Keynesian John Kenneth Galbraith had his own thoughts on this. Galbraith coined the term "bezzle" to describe "the magic interval when a confidence trickster knows he has the money he has appropriated but the victim does not yet understand that he has lost it." In that magic interval, everyone feels better off: the mark thinks he's up, and the con artist knows he's up.
Rich marks have looong bezzles. Empirically incorrect ideas grounded in the most outrageous superstition and junk science can take over whole sections of your life, simply because a rich person – or rich people – are convinced that they're good for you.
Take "scientific management." In the early 20th century, the con artist Frederick Taylor convinced rich industrialists that he could increase their workers' productivity through a kind of caliper-and-stopwatch driven choreographry:
https://pluralistic.net/2022/08/21/great-taylors-ghost/#solidarity-or-bust
Taylor and his army of labcoated sadists perched at the elbows of factory workers (whom Taylor referred to as "stupid," "mentally sluggish," and as "an ox") and scripted their motions to a fare-the-well, transforming their work into a kind of kabuki of obedience. They weren't more efficient, but they looked smart, like obedient robots, and this made their bosses happy. The bosses shelled out fortunes for Taylor's services, even though the workers who followed his prescriptions were less efficient and generated fewer profits. Bosses were so dazzled by the spectacle of a factory floor of crisply moving people interfacing with crisply working machines that they failed to understand that they were losing money on the whole business.
To the extent they noticed that their revenues were declining after implementing Taylorism, they assumed that this was because they needed more scientific management. Taylor had a sweet con: the worse his advice performed, the more reasons their were to pay him for more advice.
Taylorism is a perfect con to run on the wealthy and powerful. It feeds into their prejudice and mistrust of their workers, and into their misplaced confidence in their own ability to understand their workers' jobs better than their workers do. There's always a long dollar to be made playing the "scientific management" con.
Today, there's an app for that. "Bossware" is a class of technology that monitors and disciplines workers, and it was supercharged by the pandemic and the rise of work-from-home. Combine bossware with work-from-home and your boss gets to control your life even when in your own place – "work from home" becomes "live at work":
https://pluralistic.net/2021/02/24/gwb-rumsfeld-monsters/#bossware
Gig workers are at the white-hot center of bossware. Gig work promises "be your own boss," but bossware puts a Taylorist caliper wielder into your phone, monitoring and disciplining you as you drive your wn car around delivering parcels or picking up passengers.
In automation terms, a worker hitched to an app this way is a "reverse centaur." Automation theorists call a human augmented by a machine a "centaur" – a human head supported by a machine's tireless and strong body. A "reverse centaur" is a machine augmented by a human – like the Amazon delivery driver whose app goads them to make inhuman delivery quotas while punishing them for looking in the "wrong" direction or even singing along with the radio:
https://pluralistic.net/2024/08/02/despotism-on-demand/#virtual-whips
Bossware pre-dates the current AI bubble, but AI mania has supercharged it. AI pumpers insist that AI can do things it positively cannot do – rolling out an "autonomous robot" that turns out to be a guy in a robot suit, say – and rich people are groomed to buy the services of "AI-powered" bossware:
https://pluralistic.net/2024/01/29/pay-no-attention/#to-the-little-man-behind-the-curtain
For an AI scammer like Elon Musk or Sam Altman, the fact that an AI can't do your job is irrelevant. From a business perspective, the only thing that matters is whether a salesperson can convince your boss that an AI can do your job – whether or not that's true:
https://pluralistic.net/2024/07/25/accountability-sinks/#work-harder-not-smarter
The fact that AI can't do your job, but that your boss can be convinced to fire you and replace you with the AI that can't do your job, is the central fact of the 21st century labor market. AI has created a world of "algorithmic management" where humans are demoted to reverse centaurs, monitored and bossed about by an app.
The techbro's overwhelming conceit is that nothing is a crime, so long as you do it with an app. Just as fintech is designed to be a bank that's exempt from banking regulations, the gig economy is meant to be a workplace that's exempt from labor law. But this wheeze is transparent, and easily pierced by enforcers, so long as those enforcers want to do their jobs. One such enforcer is Alvaro Bedoya, an FTC commissioner with a keen interest in antitrust's relationship to labor protection.
Bedoya understands that antitrust has a checkered history when it comes to labor. As he's written, the history of antitrust is a series of incidents in which Congress revised the law to make it clear that forming a union was not the same thing as forming a cartel, only to be ignored by boss-friendly judges:
https://pluralistic.net/2023/04/14/aiming-at-dollars/#not-men
Bedoya is no mere historian. He's an FTC Commissioner, one of the most powerful regulators in the world, and he's profoundly interested in using that power to help workers, especially gig workers, whose misery starts with systemic, wide-scale misclassification as contractors:
https://pluralistic.net/2024/02/02/upward-redistribution/
In a new speech to NYU's Wagner School of Public Service, Bedoya argues that the FTC's existing authority allows it to crack down on algorithmic management – that is, algorithmic management is illegal, even if you break the law with an app:
https://www.ftc.gov/system/files/ftc_gov/pdf/bedoya-remarks-unfairness-in-workplace-surveillance-and-automated-management.pdf
Bedoya starts with a delightful analogy to The Hawtch-Hawtch, a mythical town from a Dr Seuss poem. The Hawtch-Hawtch economy is based on beekeeping, and the Hawtchers develop an overwhelming obsession with their bee's laziness, and determine to wring more work (and more honey) out of him. So they appoint a "bee-watcher." But the bee doesn't produce any more honey, which leads the Hawtchers to suspect their bee-watcher might be sleeping on the job, so they hire a bee-watcher-watcher. When that doesn't work, they hire a bee-watcher-watcher-watcher, and so on and on.
For gig workers, it's bee-watchers all the way down. Call center workers are subjected to "AI" video monitoring, and "AI" voice monitoring that purports to measure their empathy. Another AI times their calls. Two more AIs analyze the "sentiment" of the calls and the success of workers in meeting arbitrary metrics. On average, a call-center worker is subjected to five forms of bossware, which stand at their shoulders, marking them down and brooking no debate.
For example, when an experienced call center operator fielded a call from a customer with a flooded house who wanted to know why no one from her boss's repair plan system had come out to address the flooding, the operator was punished by the AI for failing to try to sell the customer a repair plan. There was no way for the operator to protest that the customer had a repair plan already, and had called to complain about it.
Workers report being sickened by this kind of surveillance, literally – stressed to the point of nausea and insomnia. Ironically, one of the most pervasive sources of automation-driven sickness are the "AI wellness" apps that bosses are sold by AI hucksters:
https://pluralistic.net/2024/03/15/wellness-taylorism/#sick-of-spying
The FTC has broad authority to block "unfair trade practices," and Bedoya builds the case that this is an unfair trade practice. Proving an unfair trade practice is a three-part test: a practice is unfair if it causes "substantial injury," can't be "reasonably avoided," and isn't outweighed by a "countervailing benefit." In his speech, Bedoya makes the case that algorithmic management satisfies all three steps and is thus illegal.
On the question of "substantial injury," Bedoya describes the workday of warehouse workers working for ecommerce sites. He describes one worker who is monitored by an AI that requires him to pick and drop an object off a moving belt every 10 seconds, for ten hours per day. The worker's performance is tracked by a leaderboard, and supervisors punish and scold workers who don't make quota, and the algorithm auto-fires if you fail to meet it.
Under those conditions, it was only a matter of time until the worker experienced injuries to two of his discs and was permanently disabled, with the company being found 100% responsible for this injury. OSHA found a "direct connection" between the algorithm and the injury. No wonder warehouses sport vending machines that sell painkillers rather than sodas. It's clear that algorithmic management leads to "substantial injury."
What about "reasonably avoidable?" Can workers avoid the harms of algorithmic management? Bedoya describes the experience of NYC rideshare drivers who attended a round-table with him. The drivers describe logging tens of thousands of successful rides for the apps they work for, on promise of "being their own boss." But then the apps start randomly suspending them, telling them they aren't eligible to book a ride for hours at a time, sending them across town to serve an underserved area and still suspending them. Drivers who stop for coffee or a pee are locked out of the apps for hours as punishment, and so drive 12-hour shifts without a single break, in hopes of pleasing the inscrutable, high-handed app.
All this, as drivers' pay is falling and their credit card debts are mounting. No one will explain to drivers how their pay is determined, though the legal scholar Veena Dubal's work on "algorithmic wage discrimination" reveals that rideshare apps temporarily increase the pay of drivers who refuse rides, only to lower it again once they're back behind the wheel:
https://pluralistic.net/2023/04/12/algorithmic-wage-discrimination/#fishers-of-men
This is like the pit boss who gives a losing gambler some freebies to lure them back to the table, over and over, until they're broke. No wonder they call this a "casino mechanic." There's only two major rideshare apps, and they both use the same high-handed tactics. For Bedoya, this satisfies the second test for an "unfair practice" – it can't be reasonably avoided. If you drive rideshare, you're trapped by the harmful conduct.
The final prong of the "unfair practice" test is whether the conduct has "countervailing value" that makes up for this harm.
To address this, Bedoya goes back to the call center, where operators' performance is assessed by "Speech Emotion Recognition" algorithms, a psuedoscientific hoax that purports to be able to determine your emotions from your voice. These SERs don't work – for example, they might interpret a customer's laughter as anger. But they fail differently for different kinds of workers: workers with accents – from the American south, or the Philippines – attract more disapprobation from the AI. Half of all call center workers are monitored by SERs, and a quarter of workers have SERs scoring them "constantly."
Bossware AIs also produce transcripts of these workers' calls, but workers with accents find them "riddled with errors." These are consequential errors, since their bosses assess their performance based on the transcripts, and yet another AI produces automated work scores based on them.
In other words, algorithmic management is a procession of bee-watchers, bee-watcher-watchers, and bee-watcher-watcher-watchers, stretching to infinity. It's junk science. It's not producing better call center workers. It's producing arbitrary punishments, often against the best workers in the call center.
There is no "countervailing benefit" to offset the unavoidable substantial injury of life under algorithmic management. In other words, algorithmic management fails all three prongs of the "unfair practice" test, and it's illegal.
What should we do about it? Bedoya builds the case for the FTC acting on workers' behalf under its "unfair practice" authority, but he also points out that the lack of worker privacy is at the root of this hellscape of algorithmic management.
He's right. The last major update Congress made to US privacy law was in 1988, when they banned video-store clerks from telling the newspapers which VHS cassettes you rented. The US is long overdue for a new privacy regime, and workers under algorithmic management are part of a broad coalition that's closer than ever to making that happen:
https://pluralistic.net/2023/12/06/privacy-first/#but-not-just-privacy
Workers should have the right to know which of their data is being collected, who it's being shared by, and how it's being used. We all should have that right. That's what the actors' strike was partly motivated by: actors who were being ordered to wear mocap suits to produce data that could be used to produce a digital double of them, "training their replacement," but the replacement was a deepfake.
With a Trump administration on the horizon, the future of the FTC is in doubt. But the coalition for a new privacy law includes many of Trumpland's most powerful blocs – like Jan 6 rioters whose location was swept up by Google and handed over to the FBI. A strong privacy law would protect their Fourth Amendment rights – but also the rights of BLM protesters who experienced this far more often, and with far worse consequences, than the insurrectionists.
The "we do it with an app, so it's not illegal" ruse is wearing thinner by the day. When you have a boss for an app, your real boss gets an accountability sink, a convenient scapegoat that can be blamed for your misery.
The fact that this makes you worse at your job, that it loses your boss money, is no guarantee that you will be spared. Rich people make great marks, and they can remain irrational longer than you can remain solvent. Markets won't solve this one – but worker power can.
Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg
CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en
#pluralistic#alvaro bedoya#ftc#workers#algorithmic management#veena dubal#bossware#taylorism#neotaylorism#snake oil#dr seuss#ai#sentiment analysis#digital phrenology#speech emotion recognition#shitty technology adoption curve
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There were a duo of murderers in 1800s Scotland named Burke and Hare who killed at least 16 people for the sake of selling them to anatomists for dissection. After they were caught, Burke was sentenced to be hanged, and at the time the judge said:
"Your body should be publicly dissected and anatomized. And I trust, that if it is ever customary to preserve skeletons, yours will be preserved, in order that posterity may keep in remembrance your atrocious crimes"
And indeed both of those things they did do to his corpse afterward. His corpse was dissected publicly at the University of Edinburgh. A minor riot broke out because more students wanted to get inside than tickets were available. His skeleton was preserved. You can still see it at the Edinburgh Medical School. That's not all that was done though. During the dissection, the professor performing it wrote a message with Burke's blood, and supposedly his skin was used to bind a book and create a calling card.
At the time, the bodies of murderers were actually the only ones legal to use for dissection. However, the Burke and Hare murders (and similar murders afterward) sparked a law 2 years after Burke was put to death that finally allowed the donating of bodies, but also disallowed the practice of using murderer's corpses. So Burke's big public dissection almost becomes ironic in a way.
I suppose all that happened to his body after his death was considered retribution for his crime, but can you really call it retribution when done to a dead man? He certainly is unaffected by it. His and his partner's crimes sent a shockwave of fear through everyone who heard about what they'd been doing. Could it have been considered an act of closure for a scared public? Did any of that actually make anyone feel better? I have been thinking about this a lot lately.
#'why are you telling us this'#i dunno#but if anyone wants this to be tagged as something let me know#i could understand the idea of closure for maybe the families of the people who were killed - but im not sure a public dissection at a#university could really be called that#long post
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I’ve seen people talking about the season 2 spoilers and I think the one thing that irks me the most are the people talking about Edwin being a “party gay.”
I mean no offence to the people who genuinely take to that interpretation of his character, but I just can’t get behind it.
So much queer culture is built around parties, and bars, and clubs, and performances (drag or no) - events with crowded spaces with lots of people and noise and lights. I get why it’s that way, but it makes connecting with other queer people more difficult for those of us who can’t, or won’t, participate in these functions.
Would I have liked to see Edwin, as someone just recently coming to terms with himself, explore these spaces? Absolutely. Would I have liked to see him immediately fit into them? Hell no.
He is still partially caught up in the etiquette of his time. He spent seventy years in Hell, and from what we’ve seen of it, it’s overcrowded and overwhelming. He still struggles with touching Crystal, even though he loves her. I think a big event with lots of people could easily trigger his experiences with Hell, or be very off-putting at the very least. I’d like to see him come to terms with that, and the fact that a lot of queer events are too much for him. I’d like to see that disconnect from the community, and how he struggles to accept that it’s just not his scene, because, as a queer person, it’s almost expected to be his scene. At the end, I’d like for him to find other queer spaces he can be himself in. Maybe he finds connection to the past in a queer museum, maybe a love interest (though I don’t really care about him getting a love interest besides Charles, I know some people do) in a queer bookshop he frequents, maybe it’s not even a queer space at all, but he finds people who he feels seen by, and develops quiet relationships with, where there’s no pressure to perform surrounded by alcohol and lights and loud noises.
Maybe, by the end, he slowly works his way up to gay bars and drag shows and genuinely enjoys them. First, though, I’d like to see a bit of struggle, and acknowledgments that the “party gay” side of the community isn’t for everyone.
Anyway, this might just be me projecting onto a character I like too much, but I think it would be nice to see an experience like that reflected onto DBDA, which has done so well with exploring queer themes already.
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Tech Tuesday: Jake Jensen
Summary: Jake knows he's the luckiest man in the world and it's all because of you.
A/N: Reader is female. No physical descriptors used.
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"Y' see, Jake, a lot o' people in this department ain't exactly friendly to others," Sy tells him. "In fact, it can be difficult for me an' Pine to assign anyone to tickets that require interacting with others."
Jake nods, a little nervously. "IT generally doesn't draw the most charismatic people."
"Which is a damn shame because, more and more, it requires some decent people skills," Sy agrees. "That's why Pine an' I were thinking of giving you a promotion." Jake's eyes go wide with shock. "The way things are right now, we assign tickets kinda randomly. We're interested in putting you in charge of the tickets. You'd be takin' on a lot more of the people focused work, the level 1 support, and the others'd be pickin' up more of your programming work. But since we all know workin' with people can be a pain, Pine's made sure to negotiate some more money into our budget for you. If you want the job."
"By 'in charge of tickets' do you mean I'd be taking them all on?"
"No, no, no," Sy assures. "Just that you'd be making them your priority. And you'd be assigning the level 2 and 3 support tickets around the department as you see fit."
"Won't that cut into your work?"
Syverson laughs at that. "Given how much o' my day is puttin' out fires caused by one of ours bein' rude to others in the building, yeah. But that just gives me more time for actually managing y'all, keepin' us up-to-date on projects, security measures and other stuff."
Jake thinks for a moment. "Does this mean I'll also be responsible for Lloyd's complaints about not getting Maestro assigned to his tickets?"
"He has eased up on that," Sy counters. "But yes."
"But this promotion gives me the authority to handle him, right?"
"That's correct."
Jake nods. "I'm in. Thanks so much for this!"
It had taken forever to get the twins to sleep for their afternoon naps. Leia couldn't stop fidgeting, at least until you gave her the Charmander stuffie to hold as you rocked them. But then Luke wanted his Bulbasaur and you ended up with overfull arms. Some days you're surprised your own biceps aren't as big as Jake's!
Jake's performance review was today and you wanted to make sure to cook up his favorite foods. You'd already sent some of his favorite snacks to work with him. You chuckle thinking about how quickly he can down a bottle of Mountain Dew. The bag of gummy worms to go with the meatball sub were, hopefully, a nice surprise for him. Generally all the sweets in the apartment were homemade but you know how much of a comfort gummy worms can be for him.
And after all Jake has done for you, for the twins, how could not comfort him? Be there for him? Jake never once talked down to you. Never made you feel like your hobbies or interests were a waste of time. He always made sure you felt loved and appreciated. You'd been together for so many years but you still giggle like a teenager whenever you think of him. And you know he does the same. Heck, you giggle as you think of him blushing pink and smiling as he thinks about you.
He's been working so hard to make sure you and the twins were provided for. The budget was sometimes tight but Jake made enough and your commissions were a good supplement. It just made sense for your little family to have a stay-at-home parent. Childcare costs for twins could be rough. But you got more creative with recipes, clothing, toys; your families were happy to help with a lot of the baby supplies; all of it resulting in all of you being able to live a nice, modest but incredibly happy life.
As the twins nap you get to work on the 5-cheese mac you know Jake loves. You're positive his performance review will go well, but it doesn't hurt to have a comfort food ready for him when he gets home.
Jake was practically bursting with excitement when he came home. As soon as he walked through the door the twins held out their hands, smiling, "Dada! Dada!" It always made his heart melt that they looked forward to his coming home. He picked them both up and spun, making them squeal with laughter. He takes a deep breath and knows what you're cooking up for dinner, making him smile even more. He's almost tearing up from how loved he feels.
"Dinner's just about ready," you call from the kitchen.
Jake looks to Luke and Leia, "you ready for dinner? Smells like Mama cooked up some really good food for us!" They both start chattering and laughing as Jake dances them over to their highchairs and gets them settled in. He joins you in the kitchen to help you carry things out and greets you with a big kiss.
"I take it the review went well?"
He starts visibly shaking with excitement, "so well! Let's get dinner started and I'll tell you!"
"Tease!" you smile at him as the two of you take things out to the table, making him laugh. Seeing him laugh causes the twins to renew their laughing and your heart warms all the more for it.
You and Jake alternate dishing out the food for yourselves and the twins. Even though it's certainly cooled down, Luke still holds out his spoon of mac and cheese for you to blow on it. Meanwhile Jake is helping to portion control Leia's ketchup for her chicken nuggets. Both of you are certain she'd drink the ketchup if left unattended so you've developed a system of adding a little dollop to each one as she's eating. Sometimes Jake thinks she views it as a game to play and he hopes she never grows out of it.
After the twins are sated a bit, you and Jake can finally dig in to your own plates. Jake gives all the appreciative moans he knows make you smile. It helps that your cooking is genuinely so damn delicious.
"Now will you finally tell me how the review went?"
"I'm getting a promotion!"
You squeal with happiness, causing a chain reaction with the twins. "A promotion! That's so wonderful! So well deserved!"
Jake blushes, "thank you, Sunshine. And it even comes with a pay raise! I think, after a few months, we can start looking at getting a bigger place!"
"Oh, Jakey! That's so wonderful! I really feel like we should celebrate!"
"I can think of a few ways to celebrate," Jake says, wiggling his eyebrows.
"Definitely," you confirm with a giggle as heat rushes to your face. "I'm also thinking we should do a gaming night."
Jake's eyes go wide, "yes, please! Oh that would be so amazing! Not as amazing as you, but still amazing. God I love you so much, Sunshine! You're the best thing to ever happen to me---"
"I feel the same about you, Jakey," you say softly.
Next
Tech Tuesdays Masterlist
Tagging: @alicedopey; @delicatebarness; @ellethespaceunicorn; @icefrozendeadlyqueen; @jaqui-has-a-conspiracy-theory;
@late-to-the-party-81; @lokislady82; @ronearoundblindly; @thiquefunlover63
#tech tuesday#tech tuesday: jake jensen#jake jensen x female!reader#jake jensen x female reader#jake jensen fluff#jake jensen x you
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I met @benzank a few years (just kidding, i looked at the date and it was in 2016. 8 does not equal "a few") ago at this Tumblr IRL thing in Boulder, CO. Old church turned into a performance venue/art gallery. I've never been in a space like it since then. Ben had these ridiculously gorgeous photos in a gallery - each one an interpretation of one of the tracks from Phantogram's album "Three."
The photos were projected on a big screen before Phantogram came on stage and performed this emotional and powerful set. Afterwards, we headed downstairs to see the physical photos displayed in these massive poster-sized formats. We were given these awesome photobooks and got them signed when we met Ben and Phantogram. It didn't feel like some weird fan-overload thing and was really just a nice relaxing environment that led to awesome conversation. The good ol' days I guess. I fell in love with this photo below especially - I still don't know why. Maybe it's because it was associated with "Same Old Blues" and those lyrics really hit my soul. I asked Ben if the photos were for sale because I felt compelled to get that piece in my home. Ben replied with something along the lines of, "What? No you don't have to buy it! Just wait over there for a few and I'll just give it to you when it's over." Seriously too kind. I've had this falling dude in the forest above my bed, I've moved more times than I can count since that 2016 show but this is always the first piece to go up in a new home. There's something about the way Ben gets these human figures to interact, and intersect with the environment that I just cannot ever get tired of seeing. It's always something that just make you stare and stare and stare, even 8 years later.
And you can never save my soul I think it's time to let me go I keep on having this dream Where I'm stuck in a hole and I can't get out There's always something that's pulling me down, down, down My heart is down on it's knees so I try, oh I try But it's too late now There's always something that's pulling me down, down, down
My Brain Took an Extended Vacation: Ben Zank Playfully Twists the Banal
#ben zank#phantogram#same old blues#okay idk why I wrote a whole article like i'm carrie bradshaw but here we are#i don't even think ben posts to tumblr anymore lol
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DAY 75: onehat
#codacheetah#isat#loop isat#siffrin isat#isat act 6 spoilers#twohat spoilers#isat spoilers#yea im tagging the onehat post twohat spoilers. watch me#..do we know what time of day it is when siffrin goes to the favor tree?#i always imagined the evening for some reason.#um so anyways. hey do you guys ever think about onehat. do you think about it#do you ever think about how siffrin never learning about loop and never getting closure with them#is just as valid of an ending as twohats. you dont have to get twohats. loop getting some catharsis isnt necessary to siffrin's narrative.#they asked to be here. they were here to help siffrin. and they did. and it ended#that's it.#i've always wondered if loop saw siffrin perform the ritual for them#i wonder if it would comfort them or not. if you ask them if they're a ghost they say yes (and no) after all#the tree is their grave.#something something from main character to stage director to sponsor to corpse#and with how arcane the prereqs for twohats are. yes you can get them naturally on a first playthrough but it's definitely not the majority#experience especially playing blind.#to give loop an ending you have to reach back in with both hands and grasp at that connection#i dont rlly know how to articulate it but it makes me feel a kind of way tbh. you only learn the prereqs (w/o guidance) by talking to loop#very frequently and paying attention to the hints they drop to you about the coin. labor of love situation#self love. siffrin reaching back for loop. We Are Getting Out Together Bitch#Is this anything i dont know that it is#idk onehat fascinates me a lot and im not even gonna touch on the onehats playthroughs where u actually do get the prereqs#i think there is a slight tendency among some fans tocharacterize loop as. more vindictive than they are? i guess?#it's easy to stare down loop's big twohats breakdown and see them bare their fangs and look into their anger#but loop's willingness to fade into nothing and leave siffrin alone shouldnt be forgotten i dont think
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In Time and Stars
#in stars and time#isat#siffrin#josh art tag#been wanting to practice less “literal” drawings....#like people doing a certain thing or being in a certain place or even just standing there#and instead do more like conceptual stuff?? idk how to word it#but i love doing stuff like this#and i feel like i havent done it in a while#i think last time i did was early in the year when i was still really into the Magnus Protocol#and was illustrating lines from each episode#some of which are my best performing art ever lol#i still remember my sibling telling me they had come across my art on their dash and later on their insta explore page#they had apologized since me and my sibs have an agreement to not search for or interact with each other online just for privacys sake#but i found it both funny and kinda insane#was not expecting my art to get big enough to find its way to that sib lol#uuuhhhhh anyway back on topic#ive had this idea of a siffrin illustration where either have their face or the back part of their head being a clock#and i tried a couple drafts in my sketchbook#and ended up liking this one! it had the addition of the shooting star and from then i toyed with the idea of adding the title text#i have another less literal piece for zelda that i wanna do#but i also wanna work on my isat animatic#....and i also wanna play stardew....#i need more hours in the day 😔
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Why the FUCK didn't Sasha apologize to Quinni.
#no im so pissed about that.#dude you don't give an autistic person a meltdown that big over something that hurtful#and just#walk away scot free#last time someone gave me a meltdown that hardcore I cut them off for a month.#that might just be the bpd tho#but still#quinni doesn't seem like the type to just. be chill without an apology and hearing sasha explain herself#and then she makes her her vice??????????#she already acknowledged sasha is only in it for the power trip#sasha didn't even do anything in the investigation she just followed quinni around#which as she should#but she hasn't made up for how she treated quinni AT ALL#in fact she's just gotten MORE of a performative activist#like why the fuck was she such a bitch to missy abt spider#i get it yea. ur friends sometimes have dogshit taste in men but you don't need to make them feel like trash abt it#and the way she was like 'he fetishizes u for being black omg its probably asian girls next omg i dont feel safe'#THIS ISNT ABOUT YOU????????.#also she 100% jumpstarted quinnis identity crisis#with how she was constantly switching between infantilizing her and undermining her autonomy over her own decisions#and treating doing things quinni wanted to do and the specific way she needed to do them as a chore#and then victimizing herself!!!!!!!#like from experience that relationship dynamic IS abusive to autistic people it just is#idk if nt people get it but it's really fucking awful to come from your partner#anyway. until sasha apologizes to both quinni and missy this will continue to be a sasha hate page.#heartbreak high#heartbreak high season 2#quinni gallagher jones#sasha so#missy beckett
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i feel like max would win in both but the way would be different...
norris in red bull would not have the same results as max did, so i think having the better car max would win earlier. a big reason why max won this year was bagging those points in the start of the season, and i don't know if norris would have the same consintency.
but if it was max against max it would be a little harder to win but mclaren max would win for having the better car for a longer period. red bull strategy is usually better? yes. but not enough to hold max in the best car. i think we know his power having the best car at this point and he would be pretty much unstoppable.
also, regarding teammates, with checo perfoming like he has this year wouldn't make a lot of difference for norris (i really don't think he would perform better if he had another teammate) and max with a teammate like oscar would be interesting, but would not be too much of a change in perfomance. so max against clone max too, the teammates wouldn't change anything either.
Would Verstappen have won the championship in the McLaren?
It’s a pretty straightforward question, yes or no, but let me introduce a couple of scenarios that I’d like everyone’s opinions on.
Scenario 1: Straight Swap.
At the start of 2024 season, Norris is in this years Red Bull, Verstappen in this years McLaren, who wins?
Team personnel, strategies etc stay the same, all that changes is who is each car
Scenario 2: Verstappen vs Verstappen
In this, Verstappen has a clone, we shall refer to said clone as Clonestappen, Verstappen is in the McLaren and Clonestappen in the Red Bull
Verstappen in McLaren car with McLaren team personnel and McLaren strategies etc, whilst Clonestappen is in the Red Bull with their personnel and strategies. Who wins?
I just think this is just an interesting thing to consider and it’s something that you’ll never actually know the outcome, and I think it’s also interesting to consider how different people and different drivers will react and adapt to different circumstances.
Feel free to share your opinions or comments in the tags or replies, etc, actually please do that, I’d love to know what you think.
#i honestly think max and oscar would be a great team honestly#i wish we ould actually see how this would play out#f1#f1 and stuff ☆
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there is something so. intensely frustrating about feeling incapable of showing up for people the way that they want you to
#i wish people understood that it's so hard to be present in their lives and that closeness for me isnt about frequency of contact#but how open we feel during that contact#my brain is such a difficult place to live in it is so loud and so busy all the time#24 hours a day is a constant monologue and argument with myself for everything and it means that i just dont have the capacity to talk to#others most of the time#and like. i know this is so unreasonable. obviously we have to be present in the lives of people that care for us#but it just feels like every day i have to like. get on a stage and perform to every person in my life that cares about me so i can meet the#criteria of being a Good Friend or Good Girlfriend or Good Fan Artist or Good Mutual or Good Server Member#i feel like it is such a blessing to be seen by others as someone to expect things from#but as more people have started to love me it feels like i have to 'go out and perform' more and more and i am very exhausted#i wish i was someone that was easy to love and care for in the way that i am. and i dont mean that self deprecatingly it's just#i know im very hard to care about and love. because i disappear all the time and come back in a big flurry as soon as i get the energy back#and im just feeling it a Lot More lately because im starting to think this isnt going to be a short term thing i have to do before i start#feeling comfortable with a person#this is going to be my whole life#if i get married im going to have to 'go out and perform' and be a good wife and be affectionate and happy and not closed into my own brain#for days#if im going to make friends with colleagues I'll have to go out when they invite me and have to reply ro their texts and i cant just go#silent for weeks while i try to negotiate with my thoughts and then reappear once i make the slightest breakthrough#im very tired and sad. i want companionship but i feel like the kind of person i am is not fair for people who would be my companion#vent post#♡alizeh talks♡
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revstar fans we need to put on the best talent show this towns ever seen and save ReLive!!
#revue starlight#NOT TAKING THE NEWS WELL AT ALL. MY GIRLS THEYRE TAKING MY GIRLS AWAY FROM ME!#like its been a part of my daily routine for like a year and half now... im not gonna know what to do with myself#i really cant stand all the people being like HAHA EAT SHIT AND DIE GACHA GAME#like i will not defend the gacha aspect. i wish it it did not have to be a gacha. i acknowledge gacha games as a concept suck#but like relive wasnt some souless cash grab gacha game#the writers clearly had real passion for what they were doing. they had stories to share with us in the revue starlight universe#and sadly the way things are shitty gacha game was how they were able to make it possible#and truly it had such amazing stories. like. theres no media quite like rev star. a complete cast of female characters#all of them complex and flawed and getting to have big messy feelings!! and fighting eachother with magic swords about those feelings!!#all the different relationships between them love and rivalry and friendships and sisterhoods all complicated and fleshed out#LIKE IT JUST MEANT MUCH TO HAVE THE STEADY STREAM OF COMPELLING STORIES ENTIRY FOCUSED ON GIRLS#and now its going to be gone. i know theres still all the other revstar medoa and hope they keep doing stuff with the francise#i hope we see the frontier and rinmeikan girls again someday. they honestly had the most moments that made my jaw drop#onward to the next stage#right?#anyways do you get it talent show lol cause theyre stage performers
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Edgar glanced up at Jessie, the warm smile still in place as he regarded her. At the question he shook his head. "No, it's not heavy." Emotionally, perhaps, but that wasn't something she needed to worry about. "I was hoping to drop it off, but I might have to just try again later."
Standing back up, Edgar winced at the way his knees cracked in protest. God he was getting old. "Of course you've been a big help! The ballet? Your quick work on the costume changes was vital for the performance."
At the mention of the wedding Edgar paused. Jessie seemed happy with her new life, but he couldn't help wondering if there were still any bitter feelings towards Nathan. "Just two more weeks. I tried convincing Nate to let one of my friends do a stag party for him since Damian's been so busy being a new dad, but he's rather stubborn when he wants to be."
“You don’t have many faults, if you ask me,” Jessie insisted, glancing at the things in Edgar’s arms. “Do you need help bringing all that inside?” she offered. She smiled fondly at Ricky seeing him open his eyes and look at Edgar curiously. “I’ll remind him for sure. Have I been a big help? I’m always happy to be, if you ever need someone. Your wedding is coming up, isn’t it?”
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this was going to be like a mile long essay but i just realized the most concise way to say it is that "it feels like a retcon that blitz has been so resentful and hostile towards fizz all this time since he was supposed to feel guilty" is simply not a good criticism when we have been shown, time and time again, that blitz's number one defense mechanism when he feels guilty or judged or attacked is to lash out, to deflect and ignore all his responsibility, and to shift the blame to someone else. that's like. his defining character flaw
#- and that's WHY it was such a major THING for his arc!! that he apologized to fizz and accepted responsibility for what he did!!!#like. the fact that he said; EXPLICITLY; the words 'you're right; it was all my fault; i should have done better; i am so sorry' IS#SO BIG!!!! LIKE THAT IS SUCH A HUGE THING FOR HIM!!!!!#mine#helluva boss#blitzo helluva boss#helluva boss blitzo#blitz#e: oops#analysis#also its entirely reasonable that blitz would have gone spiraling down the thought process that maybe fizz always hated him if he could#blame him so easily when fizz was probably the one blitz was MOST counting on to hear him out#and the fact that fizz went on and got SUPER famous and successful after he was no longer performing with blitz - who i'm SURE had#only been given more and more shit for not being as good as fizz as they got older (by his dad and by himself) - he probably assumed fizz#blamed him for that too - holding fizz back with his own poor performance#which is why his insults towards fizz had always been 'overrated sellout' and insisting he slept his way to the top with ozzie.#he'd tear down fizz's quality as a performer because BLITZ feels insecure about his OWN quality as a performer#these tags have gotten so fucking long but that's the gist of the essay i was gonna write about this fjfdjjfghf#MEDIA ANALYSIS IS MY PASSION
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hey exposure and accessibility to theatre is incredibly important btw. theatre teaches people so much about empathy and compassion for others btw. professional theatre sure but also children’s theatre, high school theatre, community theatre, all of it deserves attention and love btw. theatre is a very powerful force for humanity btw. just! by! the! way!!!!!!
#no i did NOT have a cry in my car on the way home from the theatre bc i watched a tech rehearsal for a summer camp performing the prom#bc THAT would be ever so silly :) having a cry over how important my life’s passion is :) SO SILLY!!!!!!!!!!!!#theatre is so………IT IS SO!!!!!#this is what happens u let a theatre kid persue it professionally they just get BIG OL FEELINGS ABT IT#i’m fine really i’m so okay#theatre#emily screams into the void#community theatre#theatre arts
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the second I walked outside on my break my mom called me to tell me Mema had passed away this afternoon. it was weirdly perfect timing, I had only just gotten away from register moments before.
I don't really know how to process or feel about it yet. I feel a bit withdrawn while I try and figure out how to deal with it.
#[static]#i am not a big fan of people overly-comforting me too so i dont really want to talk about it at work#they all know that she was on her way out and one of them happened to be there when i got the call#like i want comfort but i dont want to have to perform emotions and thankfuly my friends arent like that#but its difficult talking about things that feel raw and vulnerable
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every newer gen kpoppy who calls it revolutionary every time a big name bg member wears something vaguely skirt-like should be required to watch lee sungjong of infinite putting his whole pussy into performing coming of age ceremony by park jiyoon wearing the song's classic form-fitting black side-slitted dress with zero gimmicks way back in 2012
#its Required Material re: historical kpop genderfuckery#no but im 100% for real. this was in the middle of the era where bg members doing gg songs in drag and whatnot was a really#common gag at concerts and in variety shows and whatnot- especially using bg members who were/are considered the most effeminate#basically it was a big Joke and never taken seriously. alot of the time the dances would be exaggerated and whatnot and yeah they#werent like. REAL covers. werent usually respectful of the original gg/female idol's work and all that. haha man in dress type humor#i know if you're old enough to be following me and into kpop you probably know this already and im talking into space but whatever#anyway. sungjong said fuck that and fucking killed it with a genuine live cover (dance And vocals) of coming of age ceremony#which- as you can imagine based on the title- isnt just an iconic female idol song but one that's blatantly about female sexuality#and whatnot. wore the dress that's in the original mv (or something very similar) and didnt play it up with a wig or anything like that#(like what's usually the case when male idols cover gg songs to make it more clear that its a Costume and they are Crossdressing rather tha#just. being a guy and wearing a dress.)#did not shy away from the sexiness of the dance AT ALL to the point of riding the floor at one point more or less which. god fucking damn#but anyway. it's totally true to the original and is unapologetically sexy in an inherently orientation-fucking gender-fucking way and GOD#wish it got more attention than it did because THAT is revolutionary. thats the first performance i ever saw where a male idol did a#female idol song in the original female idol outfit live without any gimmick or even the implication that it COUNTS as drag. its SUCH a#big deal imo. and it helps that its really fucking hot but thats neither here nor there. anyway. i know its been years but i still have so#many feelings and opinions about sungjong's coming of age ceremony performance ghfgjhdgfdh WATCH IT#sungjong#infinite#kibumblabs
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