#i have a better angle i think

[hinamie]

playing around w slightly different hair renders

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[gunstellations]

confessions

[year2000electronics]

people whose posts where they’re bitching and complaining accidentally get into tag searches because tumblrs tag system is stupid and will drag every mention of a tag onto that tag’s search: i forgive you. and i love you. your post made me mad but that is your right to post on your blog. that is your Hater’s Sanctuary and it is just unfortunate that our paths have crossed like this.

people who bitch and complain and then put posts directly in the tag on purpose: i’m going to get you.

[eggwishing]

messing around with lineart

[numberonetribble]

Oh you KNOW that thing is going to taste 100% like food coloring 😭

[queenhawke]

hm. suddenly i want to throw david hornsby off a cliff (in minecraft)

(source)

[maythedreadwolftakeyou]

(DATV thoughts with spoilers ahead; i think my tags will keep it filtered but just in case it doesn't since i dont want this in the actual game tags)

i just... man. i don't have a well formulated thought for this yet (and its my PERSONAL OPINION and other people can feel as different as they want, this is not an attack) but it keeps bouncing around my head, so. i know the popular thing right now is coming up with in-universe justifications for The Pantry Almost-Kiss Scene in ways that imply Lucanis didn't mean it/it doesn't represent him as a person/he was Faking It.

and i just don't like any of them. they make me sad!!!!!! i don't like the idea that one of the like 4 romance scenes we get in this game is him Pretending in some way, even if he does at that point like Rook back at least somewhat. None of the justifications i've seen make me feel Better about that being the point where we declare him as a romantic interest, which is what it is in the game, functionally. It doesn't lock you in yet but that point IS where the game says "they will take your flirting more seriously now". I did those same scenes for Davrin, Emmrich, and Taash and this is the formula the game uses (the "interrupted almost-kiss/confession" happens for almost all of the companions).

so if the answer for Lucanis' is "actually he stopped because he Didn't like what he was doing/feel that way yet" or that he felt he had to pretend for Rook's sake... it's kind of a letdown you know? esspecially when it comes right after what seems like an actually authentic moment (dispelling his "perfectly gathered clouds of doom"). Because, at that point in the game from my/Rook's perspective, it was like he finally was reciprocating. It made me hope that he'd acknowledge whatever was between him & Rook more in future scenes, especially because you get so little else from him at any other point, in terms of flirting back/showing you he IS interested. like up to that point I felt kind of bad for continuing to flirt at him, when he'd just change the subject right after! if someone did that in real life i would take it as a hint to stop. This is pixels and not real people so I didn't but they have done "reluctant/fearful interest" better in other characters if that's truly what they were going for in this one.

so after finishing the romance and getting the rest of content... idk. I don't like saying "one of the major chunks of characterization we get needs to be Thrown Out Actually because he was Pretending". because it's not like he or Rook ever actually address it in game--you just don't get to talk about feelings until some dialogue choices only in the act 3 romance scene, and then his speech at endgame (not even a full conversation, so much as his personal declaration). like it takes until the VERY end of the game for him to say the thing about "he was afraid to want you", but that comes after you've already hooked up, even.

I think truly what annoys me is that it's a story choice that can only make sense in HINDSIGHT not AS PLAYING. Only once you have all the scenes can you say "this one is out of character" and then you either have to accept it as bad writing, or come up with some in-universe justification to explain it... and so far none of the in universe ones feel good to me. i wish they did because maybe then I'd be less annoyed, rip. but at the end of the day i think even if there was some intent there, it was a poor choice for his story arc, because it doesn't effectively convey anything... and the reason why we can project a lot of different explanations onto it is simply because it is never addressed again (and again, Lucanis Dellamorte is NOT A PERSON he is a CHARACTER used to further a story for you the player, and so the reasons I don't like this choice are story-level and not a dig at how real life people feel or act).

So yeah at the end of the day. that is simply not a narrative device I would ever personally use in this way on a player/reader. certain kinds of hindsight revelations have their place (see: what the devs tried to do with Varric though I also think that falls apart on close inspection, but at least it has justification in-universe), but for a romance it just makes me embarrassed for Rook. In a game where you don't have nearly as many back-and-forth conversations with characters and have to resort to eavesdropping on them talking to each other, it's sad that one of the like 5 times you actually get to talk to Lucanis one on one we're maybe supposed to believe he wasn't being authentic, and also that Rook can't respond to this ever. It would be different if it had any kind of follow up, imo. or honestly as i've said before i would rather it have been swapped out with something entirely different or where we get to talk about their feelings instead, before i get labeled as one of the "people mad he's not Zevran 2.0/a sexy latin sterotype".

But having to step back to player-level analysis versus in-character analysis when looking at his whole romance arc just feels sloppy. but i'd much rather stick to "bad writing" than "intentional character choice" in terms of how to interpret the scene I guess, at this point, for poor Rook's sake. and i know people disagree with when I've said that before bc as much as I love Mary Kirby in other areas, she has said many times that she doesn't like writing romance, and I think it really does show here. As much as I love Lucanis and the scraps we got I wish I didn't have to do so much filling-in-the-blanks on our own.

[lucalicatteart]

A few silly little small sculptures that I made with some of the leftover clay from the main one I did recently

[starlingpaw]

when i'm in your mind

then i'm in your mind

king gizzard and the lizard wizard + warrior cats

[honkowo]

WHEEEEEE ETHNICITIES POST PART 1!!!!!!! COS I GOT NO CLUE HOW 2 GO ABOUT CULTURES N SHIT!!!!! LOL!!

OK SO ive FINALLY finished the 5 main colour variations (& overall morphology) for angels!!! posting these separate from the culture post cos i still have fuckall idea for that(plus theres already a fair few images in this post if i tried combining the 2 i would have..... a long ass post lol) ANYWAY:

SALT DESERT: least populous of the 5. theyre essentially tundra angels but w thicker skin & MUCH paler. built to handle extreme temperature variation as well as VERY STRONG air currents & high altitudes. body type is typically tall & skinny, with long wings & sail. theyre 3rd best in terms of long-distance flight.

TUNDRA: most populous of the 5. theyre the goldilocks in terms of preffered climate, in that they stick to the tundras & savannas of homeworld(not too hot/cold, average wind speed, etc). body types vary, but theyre usually on the leaner side for aerodynamics, with long wings & sail. 2nd best at long-distance flight.

CENTRAL CLIFFS: 2nd most populous of the 5 & are built to survive the warmer temperatures of the equator throughout the year. body types are typically on the heavier side to help with burrowing & to accommodate for the much higher likelihood of getting domed by flying debris, as well as broad-but-short wings & sail. theyre 2nd worst at long-distance flight, as theyre more suited for climbing & gliding than powered flight.

NORTH/SOUTH COAST: 3rd most populous of the 5. coastal angels are the largest of the angel types, and are built to survive & navigate the seas & frozen coastlines of homeworld with ease. theyre the best at long-distance flight, as they often take regular journeys from the north to the south to ferry resources between both the coastal spheres as well as other spheres that might be up to trade. body types are usually TALL & WELL BUILT, with a long sail & wings.

TROPICS: 2nd least populous of the 5 as well as the shortest. theyre an offshoot of coastal angels who preffered to burrow amongst the more varied plantlife of angel homeworld. theyre the worst at flying, often only able to glide & fly in short bursts(similar to earth chickens) as theyre almost entirely suited to burrowing. the average body type for tropic angels is short & stocky, with short wings.

like usual, gif stills r under the readmore :)

angles:

map:

(was gonna send the stills but i hit the image limit LOL so youll have 2 have the merged map sorry)

[fisheito]

i told myself that yakuei only had one position then i proved myself (sorta) wrong

my fave face here:

[front-facing-pokemon]

[akkivee]

i would like to thank the academy for this prestigious award. it’s almost been four years since i drew kuukou’s 🅱️oobs spilling out of his top and they have only continued to validate me since, so i would also like to give thanks to tsujimoto takanori and his team for presenting this to me, king records for creating kuukou and harai kuukou himself for being a gift to humanity—

[serpentface]

Do you conlang? I was wondering if you had naming languages (or possibly even more developed ones) for pulling the words you use. I tried to search your blog but didn't find anything, wouldn't be surprised if the feature is just busted tho. Your worldbuilding is wonderful and I particularly enjoy the anthropological and linguistic elements.

Ok the thing is I had kind of decided I was not going to do any conlanging because I don't feel like I'm equipped to do a good job of it, like was fully like "I'm just going to do JUST enough that it doesn't fail an immediate sniff test and is more thoughtful than just keysmashing and putting in vowels". And then have kinda been conlanging anyway (though not to a very deep and serious extent. I maybe have like....an above average comprehension of how language construction works via willingness to research, but that's not saying much, also I can never remember the meanings of most linguistic terms like 'frictives' or etc off the top of my head. I'm just kinda raw dogging it with a vague conceptualization of what these things mean)

I do at least have a naming language for Wardi (and more basic rules for other established languages) but the rudimentary forms of it were devised with methods much shakier and less linguistically viable than even the most basic naming language schemes, and I only went back over it LONG after I had already made a bunch of words so there's some inconsistencies with consonant presence and usage. (This can at least be justified because it IS a language that would have a lot of loanwords and would be heavily influenced by other language groups- Burri being by far the most significant, Highland-Finnic and Yuroma-Lowlands also being large contributors)

The 'method' I used was:

-Skip basic construction elements and fully move into devising necessary name words, with at least a Vibe of what consonants are going to be common and how pronunciation works -Identify some roots out of the established words and their meanings. Establish an ongoing glossary of known roots/words. -Construct new words based in root words, or as obvious extensions/variants of established words. -Get really involved in how the literal meanings of some words might not translate properly to english, mostly use this to produce a glossary of in-universe slang. -Realize that I probably should have at least some very basic internal consistency at this point. -Google search tutorials on writing a naming language. -Reverse engineer a naming language out of established words, and ascribe all remaining inconsistencies to being loanwords or just the mysteries of life or whatever.

I do at least have some strongly established pronunciation rules and a sense of broad regional dialect/accents.

-'ai' words are almost always pronounced with a long 'aye' sound.

-There is no 'Z' or 'X' sound, a Wardi speaker pronouncing 'zebra' would go for 'tsee-brah', and would attempt 'xylophone' as 'ssye-lohp-hon'

-'V' sounds are nearly absent and occur only in loanwords, and tend to be pronounced with a 'W' sound. 'Virsum' is a Highland word (pronounced 'veer-soom') denoting ancestry, a Wardi speaker would go 'weer-sum'.

-'Ch' spellings almost always imply a soft 'chuh' sound when appearing after an E, I, or O (pelatoche= pel-ah-toh-chey), but a hard 'kh' sound after an A or U (odomache= oh-doh-mah-khe). When at the start of a word, it's usually a soft 'ch' unless followed by an 'i' sound (chin (dog) is pronounced with a hard K 'khiin', cholem (salt) is pronounced with a soft Ch 'cho-lehm')

-Western Wardin has strong Burri cultural and linguistic influence, and a distinct accent- one of the most pronounced differences is use of the ñ sound in 'nn' words. The western city of Ephennos is pronounced 'ey-fey-nyos' by most residents, the southeastern city of Erubinnos is pronounced 'eh-roo-been-nos' by most residents. Palo's surname 'Apolynnon' is pronounced 'A-puh-lee-nyon' in the Burri and western Wardi dialects (which is the 'proper' pronunciation, given that it's a Kos name), but will generally be spoken as 'Ah-poh-leen-non' in the south and east.

-R's are rolled in Highland-Finnic words. Rolling R's is common in far northern rural Wardi dialects but no others. Most urban Wardi speakers consider rolling R's sort of a hick thing, and often think it sounds stupid or at least uneducated. (Brakul's name should be pronounced with a brief rolled 'r', short 'ah' and long 'uul', but is generally being pronounced by his south-southeastern compatriots with a long unrolled 'Brah' sound).

Anyway not really a sturdy construction that will hold up to the scrutiny of someone well equipped for linguistics but not pure bullshit either.

[cluescorner]

Arlecchino's whole deal is unbelievable

Arlecchino: Huh I wonder what's causing my weird powers? I can't really worry about that right now tho, I've gotta become King and then kill my "Mother".

*Kills Clervie and "Mother"*

Arlecchino: Huh I wonder why I was able to defeat a Fatui Harbinger when I'm like 17 or so? I can't really worry about that right now tho, I've gotta be in jail and become a Harbinger.

*Is in jail for a while and becomes a Harbinger*

Arlecchino: Huh I wonder why I am-

Pierro: Hey what's up hello, anyways you're descended from the Crimson Moon Dynasty of Khaenri'ah. I'm sure that this is a lot for you to take in so-

Arlecchino: Ok.

Pierro: ...You're just cool with that?

Arlecchino: IDK maybe? I can't really worry about that at the moment, I'm a father now. This orphanage full of children I love (who also are child soldiers and are not allowed to leave or else I'll execute them except maybe now I'm just gonna wipe their memories IDK I'm morally complex) isn't gonna run itself.

*Runs the orphanage/spy recruitment initiative*

Me, the fucking player: WHAT DO YOU MEAN YOU ARE KHAENRI'AN? WHY WASN'T THIS BROUGHT UP IN YOUR FUCKING QUEST?? OR ANYTHING ELSE????

Arlecchino, talking to me through my phone: I honestly don't know why you care, I'm too busy to give a shit. Anyways, I'm gonna go fight fate itself I guess. I'm sure that I don't share any thematic parallels with any other Khaenri'an characters (particularly as it relates to acting and family angst) and that I haven't made the idea of 'curses' on Khaenri'ans and what they entail even more complicated than they already were. See ya.