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rjmhereunderprotest · 2 months ago

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Only Human: Species Bias in Fantasy/Science-Fiction

Let's get the premise for this little essay out of the way now: Humans are Boring. They are the most overused, overemphasized, overdone, overrated race in any fantasy/sci-fi setting. And I'm honestly SO tired of it. And by that I mean, humans, and human-like races, are consistently the primary characters of any story. Dwarves, Elves, Halflings, they're all overdone to death, but Humans? Those other races are generally just derivatives of them anyway and they are constantly placed into the primary focus of any story. Often to its detriment in my mind. We always complain about how we want other perspectives, different heroes, different narratives, but we always default to humans and frankly its gotten stale. For me, it's become even more so the longer this has gone on. So in a follow-up to my entry about Monster-Narratives with Sarah Kerrigan, let's talk about humans and why they're so goddamn boring.

Disclaimer First

I am not saying ALL human characters and ALL human centric stories are boring. I can name many a human character who is compelling and interesting and deep. My problem isn't humans as a central POV, my problem is when given the option in a setting to do ANYTHING and be ANYONE... a story will default to human. Every. Single. Time. And worse yet, they'll even make Non-Human races more human like.

Besides the aforementioned Dwarves, Elves and Hobbits, a lot of alien or fantasy races can end up just being humans with a slightly different coat of paint. You don't need to look any further than a lot of monster girl fiction, which has universally decided that you can just have any human woman put on cat ears or pop out a fox tail or grow some wings and presto chango they're a monster now I guess. It's cosplay, nothing more. No one actually has the dragon BE a dragon i full. They have to look like a human somehow.

And let's be clear here, the reason for this is obvious. Write what you know. Everyone knows how to be human, so it's easier to just WRITE a human. The perspective will ring more true if you know what a human is and can properly depict them. And since everyone is human, everyone at least has an idea of how they're supposed to be. I'm not blaming anyone for going to the default option on this, it makes sense.

But all across media there exists multiple opportunities to actually present a perspective or allow someone to step into the shoes of something that isn't human. That isn't just a derivative of humanity. That is truly foreign to them. Sadly they rarely take the chance and when they do... well, a lot of the times it falls into some bad writing clichés. Before we get into some of the main offenders, let's address one of said clichés of the bat to better understand why human centrism in genre fiction can lead to some terrible ideas.

Planet of Hats

The Planet of Hats is the well-worn concept that alien/fantasy races are monoliths. That every member of a species thinks like each other, acts like each other, builds their society around a singular concept, is entirely devoted to that particular concept, and is forever entrenched in that one state of mind forever. That is the Planet of Hats. You see it manifested in every Warrior Culture or Pacifist Society or Amazon Island or Gangster Planet. An entire people bent to serve a singular overriding "Problem of the Week" scenario to comment on a singular issue. Mostly by going completely overboard with it. And if you want to know the biggest offender of this... well, all those examples I listed come from one single IP who has done at least one iteration of those worlds over its very long life-span.

Sorry guys, it's true and you know it. For all the good Star Trek portends to be, all the progressive ideas it puts forward, for all the social commentary it has added to zeitgeist, one place it consistently falls short in is depicting alien races. How you ask? How is one of the most socially conscious and ethnically diverse franchises in history failing in this regard? Especially considering it has spawned some of the most iconic alien races in all of fiction?

Because as I just pointed out, a lot of their alien races are basically just one note stereotypes. Built around a single idea to create a "Problem of the Week" episode. This has been true as far back as the original series. Which was completely episodic and rarely if ever revisited alien races it ran across. Now of course there are mainstays and they've been fleshed out over the decades, but a lot of that fleshing out has been a result of Star Trek trying to push back on the Planet of Hats problem. And they still don't really address the crux of it.

The best way to explain Star Trek's problem lies in how one alien race was introduced to us, the Ferengi. You know them, the big eared hyper-capitalists who are best known for being the franchise's greedy assholes/Comic Relief. And boy, was their introduction a MESS.

It's fair to say the first two seasons of "The Next Generation" were... bad. As in... awful. "The Last Outpost" is one of those awful episodes where the Ferengi first showed up. Roddenberry, Star Trek's creator, wanted to evolve a lot of the concepts from the original series. The problem was he didn't have anyone to tell him "This doesn't work" The Ferengi were made to replace the dated "America vs Soviets" allegory that a lot of Trek's previous antagonist aliens represented. For Roddenberry, the real danger was unfettered capitalism. Hard to argue with that, problem was the Ferengi weren't a threat.

"The Last Outpost" presents the Ferengi less as an alien race and more like farcical clowns who basically exist to make the Federation (Humanity) look better by comparison. The Ferengi run around the entire episode, acting like unhinged monkeys, while Commander Riker struts about with his superior moral values and beliefs. At no point do the Ferengi resemble a legitimate threat to humanity. They're buffoons, made to present less a commentary on hyper-capitalism and more of a mockery of it. As a result, none of the Ferengi come off as characters, they're caricatures. Silly, nonsensical, idiots who are there to make Picard look righteous and humanity as more evolved.

Now let's not act like Roddenberry was supposed to be fair to the alien race he created to represent the things he hated. But he was supposed to make them a culture and not just strawmen he could beat up for an hour. Hell, decades earlier, he had bothered to give the Nazi Planet more nuance! And that was a planet, as stated, full of Nazis! But even that felt more like a culture than the Ferengi running around like baboons, hooting and hollering as they unconvincingly tried to pull one over on the natives they intended to exploit. Natives that the oh so perfect Federation, embodied by Commander Riker, easily protected by simple human fortitude and stalwart moral fiber.

Of course, years down the line, the Ferengi were finally developed into something that resembled a real civilization instead of punching bag. They actually had a degree of morals, not like the Federation, but they weren't entirely monstrous. Characters like Quark helped immensely in rehabilitating the image of the Ferengi without completely discarding their original characterization. But Star Trek has never really completely abandoned it's human centrism. Nor it's tendency to portray humanity in general as the "Better Way/Only Way."

Because let's be honest here, the Federation is just humanity. Sure other races are in there, work with them, and we are TOLD their customs and beliefs are respected, but be honest. How often have you seen an alien on Star Trek in a Command position? How often are aliens in Star Trek the central character? Has any captain or lead character in any Trek show ever not been a human?

You may point out Spock or Worf, and fair, but Spock is half-human and Worf was raised by humans. They're also not the Captain of the ship of their respective series. Even then, Vulcans and Klingons don't get off so easily. How many times have the Vulcans and their reliance on logic being criticized because they don't express outward emotion like humans? How many times have the Klingons had their culture scrutinized as purely violent? Yes, they've always come back around to highlight the value of their differing perspectives, how their voices at the table are worth listening to, and how there is more to them than just the warrior and hyper-logical. But ultimately, a lot of Star Trek comes back to how each of these alien races REALLY should become more human. Oh the Federation won't FORCE it on them, but they'll just kinda neg them on it. You should really show more emotion, Spock. You should really stop being so war-like, Worf. Be more human, be more sensible, conform! Why don't you conform already?

You might argue that's not the case, but it kinda is. Star Trek will always come around to how if a lot of these alien races were more like the Federation's ideal of humanity, they'd all be much better off. And it all stems from the Planet of the Hats cliché. Which purely exists to give the Federation some problem to preach about and argue against. The Federation won't conquer you to be like them, but they will kinda pressure you to change. And sure, a lot of these cultures could do with reform. But a planet existing purely to be used as a soap box isn't a culture, it's just the Ferengi of "The Last Outpost" again.

I'll sum this section up in terms that were expressed by Chuck Sonnenberg of SFDebris. Star Trek's tendency to put alien races in a box is detrimental to its world building. If Germany was a fictional race in Star Trek, it would be defined by industrial power, a love of war, and expansionist foreign policy coached in racial purity. That even after being defeated, said society would constantly be trying to claw back to its perceived glory days, never changing, just constantly being stuck in its singular mindset for all eternity. The only thing keeping them in check being the Federation of United Planets, mostly dominated by humans, who shake their heads at how awful Germans are for refusing to change and be more like them.

Doesn't that sound stupid? And if the Federation of Star Trek, the epitome of Optimistic Science Fiction, can make such a mistake, how do franchises that aren't so hopeful and cheer faire? Star Trek is an incredibly influential series in genre fiction. It informs a lot about how its done even today. If it can't help but put humans on a pedestal, even though it shouldn't because that's antithetical to its own world-building, how have other IPs faired in that regard?

Well... not good. Not good at all.

Center of Everything

I could list so many examples of humans being positioned as the most important element of any fantasy or sci-fi story. It almost feels redundant. Star Wars generally has humans as its main protagonists. A good deal of Lord of the Rings involves the nations of men being the main bulwark against the forces of Mordor. Earth is basically the most important planet in both Marvel and DC and humanity is the most special of all races out there. How many humans get to be a part of the Green Lantern Corps? Overall, humans are going to be the focus of any story. Even if they exist in a setting where they aren't the only sapient race out there. Humans get to take center stage and lead the plot. Even if they really shouldn't and they aren't supposed to and you know where this going...

I think this is probably the best example I can use to point out how Human Centrism can be a problem. Because I think enough people at this point recognize what went wrong with the live-action Transformers movies. Yeah, I know some folks keep trying to rehabilitate them, I don't care. I'm dying on this hill! They were never that good!

A movie about the Transformers should not be so reliant on the squishy humans that no one ever cared about. A series of dynamic characters who, at the point of the first Bay Movie's premiere, had carried several stories on their own despite not being human! A race of alien robots with intriguing inter-cultural dynamics, opinions, philosophies, so much character and complexity. Sure they were toy commercials at the end of the day, but no one who watched Dinobot's sacrifice in Beast Wars' "Code of a Hero" would be able to deny that the series could not transcend that stigma! The Transformers were always meant to be the center of their franchise, as they rightly should be because they can carry it just fine on their own.

Then Michael Bay showed up and decided to turn the whole series into an extended US Army Recruitment Commercial instead. I think we can all agree Military-Industrial Complex Propaganda is far worse than making kids want to bug their parents for toys. But that's neither here nor there, even if Bay hadn't been jerking off to the US Military in these movies, the problem with them was apparent from moment one. When the films became more about Shia LeBeouf wanting to get laid than the alien robots. The films excessively/progressively revolved around humans and their interactions with the Transformers. They became the primary focus more and more until they essentially took over huge swaths of the plot and narrative. Autobots and Decepticons alike, no matter how important, iconic or well-known, were very casually tossed aside and killed off over the various sequels. And no one really cared because the Transformers on both sides became so highly interchangeable and forgettable that sometimes you could blink and miss them. Remember Arcee? Prominent female autobot? Strangely split into three motocycles for some reason? Murdered to death! With only one line of dialogue!

Oh sure, Optimus and Bumblebee got to be front and center, but mostly because they got to be colors that were just a mess of greys, browns and blacks. That and Optimus is by far the most popular of all the Transformers and the face of the franchise. But if you want an example of humans taking over a narrative to its detriment, Michael Bay's Transformers movies are the singular defining example of just such a problem. And you probably heard the defenses, it gave audiences a anchor point, a relatable view, something they could connect with.

Strange, none of the fans over the years needed humans to help them connect to any of the alien robots that were the main narrative focus of countless tv shows and comics. But I suppose Hollywood Executives know better. When have they ever been wrong, right?

To be honest though, this is nothing new. Science-Fiction especially has always had a problem with positioning humans as ultra-super special. And some people could recognize it for the dangerous prospect of what it was. Issac Asimov noted John W. Campbell's tendency to position humans as the most important or superior race as opposed to others it encountered in fiction. And to Asimov, that also appeared to extend to the smaller scale of reality and Campbell's... well, let's say belief in American Exceptionalism. Asimov didn't like arguing with Campbell, so he tried to avoid using aliens too much.

You can see the problem though, insisting on the exceptionalism of humanity often denotes a general sense of racial/national superiority. There's nothing wrong with rooting for the home team, but not everything should be a competition and humans shouldn't take over every story for themselves. Especially if it isn't their own, like the Transformers. Their franchise is proof enough that humans don't have to be central element to be successful. And yet, until now, most theatrical films felt the need to involve humans in some aspect. And sadly, because of "Transformers One's" not so stellar box office performance, that belief might persist. And it will continue to hamstring the Transformers property like it does with other stories in genre fiction.

Illusion of Choice

Even if this mindset doesn't inherently compromise a story's narrative, it can still kneecap it. The best example of how involves gaming, specifically RPGs. Despite portending that our "choices matter", so often in games they do not. Because, here again, too many franchises decide that the only perspective that matters is one that looks similar to you.

Discounting the many video games that might allow you to be an alien, monster or even just an animal, because they are out there, I feel far too many RPGs can be very limiting. Does Fallout let you pick if you want to be a Ghoul or Super Mutant? No. That's only been a recent development and only for one game and its an MMO. Video games in general, when set in a fantasy or sci-fi world will default to one of the pre-approved human or human-like races, if they present the choice at all. Dragon Age 2 famously hard locked you into being a human despite the last game letting you pick your race. Now you can say that's because they had a set story to tell that needed the characters to be human. But it's still jarring.

And I think there's one instance where BioWare itself had a huge opportunity to change things... but decided they were just going to play it safe.

After three games of playing Commander Shepard, who had to be human because that made the most sense for the story they were telling, BioWare had an opportunity to shake things up. They had a whole new story, not tied to Shepard. A whole new galaxy, again, not tied to Shepard or humanity itself. And they decided to just go with another human character... again. Mass Effect has probably some of the most diverse alien races out there and even now, you can still only play them through multiplayer. The main games? Stuck with human protagonists.

I'll freely admit I probably defend Andromeda more than most Mass Effect fans. Not completely, because it does have a lot of problems, but I admire it for what it was TRYING to do. What I can't forgive is what it didn't even attempt. It could've easily crafted a story that enabled the player to pick whatever race they wanted to play as. Turian, Asari, Salarian or Krogan! Quarians! They could've let us be quarians, but NO! We are always stuck as humans, never given the opportunity to experience this galaxy through any other eyes but human ones! Even when given the perfect opportunity to do so, Andromeda chickens out and just sticks us as an ordinary human again.

It's so painfully sad. And while being given the option to be something other than a human probably wouldn't have fixed the game's other problems, at the very least it would've been looked at as some admirable. As something that tried to expand Mass Effect's unique setting and give more dimension to the aliens it had crafted.

Humans are simply the safe option. Safe to animate, safe to draw, safe to craft stories for, safe to empathize with. The second you have to do it for something that is properly alien or decisively not human, that's when you run into trouble. Because if you can't get the audience to connect with a character, it's over. And that becomes harder if the alien or fantasy creature does not share something in common with us.

It's kinda sad honestly that the biggest departure from human-based races that Dragon Age has even done is qunari. And they're technically just horned giant people. They're not exactly inhuman enough, hell if character creation teases are anything to go by, they've actually tried to make them MORE human looking for the next game.

Which brings us to a whole other issue that is pushing us further down this hole within the confines of gaming itself. For far too long now, the gaming industry has become increasingly obsessed with hyper-realism, both in graphics and design. Unique artistic styles and aesthetics have slowly been eroded away by an obsession among developers and publishers alike. A need to force characters and games themselves to be grounded in the real, no matter how fantastical the setting is.

lately, people have often complained about how the faces of game characters have gotten "ugly" over the years. The stupid among these people think its a conspiracy to get rid of sexy ladies in video games and alter beauty standards in the mainstream for some agenda. The reality is known to the smarter set of folks, who have seen the industry cultivate motion capture technology to reduce their reliance on artists to craft characters for them. Just get a recognizable face or literally anyone you can find and make them act out the lines while wearing a facial capture rig. You wanna blame anyone for making women in gaming less sexy? Blame LA Noire for proving the viability of facial animation capturing, not some evil conspiracy of developers obsessed with some innocuous message.

As a result, gaming has emphasized realism more and more in its aesthetic design philosophy. Particularly among the Triple A Games, where they seem to think that if the characters don't look real, gamers will feel that things look too old and ugly. There's no room for artistic interpretation, that costs money. No, slap a rig on some actor's face and make them do all the work. You wanna know why MJ in the second Spider-Man game looked off to you? Well that's because the actress is a real person and faces don't always stay the same and alterations to a face scan can potentially mess things up even more.

She also suffered a car accident that required doctors to reconstruct her face, but that's probably only a minimal issue since she you can't really tell the difference as I understand it.

The point is, hyper-realism has damaged gaming to an insane degree artistically and further harmed non-human characters. Because in order to get that hyper-realistic look, games have compromised themselves. Now the qunari look even more like SyFy channel aliens than ever. The boundless creativity of CG reduced to what can be produced on a budget within the make-up chair.

And I don't expect Mass Effect's eventual fifth entry to be much better. If BioWare is still this scared about letting us play something truly non-human in a fantasy setting, then they're not even going to try to let you build your own turian in Mass Effect Beyond or whatever generic subtitle they shove onto it.

And yet its doable, they can let you craft an non-human character to be the main hero. The fact Elder Scrolls was letting you do this for years is proof enough of that. Baldur's Gate 3 revealing I could be a Dragonborn was enough to convince me to pick it up eventually. Admittedly, any game that lets me be a lizard or reptile of some kind instantly has my attention if not purchase. Purely for this very essay's stated hypothesis, it's almost impossible to find any game that will let me play as something that isn't human. Because far too many games and stories prefer to just fallback on boring humans.

And yet, nothing I've mentioned so far is the worst example of this problem.

Ultrabores in the Grimbore Future

I'm not going to mix words here. The Imperium of Man of Warhammer 40k is boring. There I said it. And it's this feeling that is impetus for this entire little article of mine. In the lead up to the release of Space Marine 2, and looking further into the lore of 40k itself, I came across two inescapable truths for me.

1: Every other race in the setting was 10x more interesting and compelling, both character and lore wise.

2: Every Imperium of Man Fanboy is an Insufferable Douche Canoe of the Highest Order.

I might be overstating that last point, but it's hard to be subtle about this because I don't think anyone is going to listen otherwise. The Imperium fucking sucks! And I don't mean as characters, I don't mean as a faction gameplay wise, I mean in-universe it SUCKS. There is NOTHING admirable about this future human civilization or anything they stand for. They're objectively fucking horrible and Games Workshop itself has admitted this. And yet, despite this fact that even the most ardent hobbyist of this tabletop will admit to, you still will find more than enough Stans of the God-Emperor of Mankind who will INSIST they are the good guys. Or at the very least, necessary for the survival of humankind.

My answer to that is no. Very emphatically, NO. The Imperium of Man is not neccessary, at least it didn't have to be. It did not have to be this cruel, this dogmatic, this blindly loyal, this xenocidal and racist. It did not have to be at all like what it is, but because of the choices of Emperor himself, it is now! And it probably can't unfuck itself, because it's already fucked over so many other people within and outside its realm of control. It does emphasize the good things about humanity, it's oozes all the worst aspects of it. That's its point. That's why this universe is Grimdark. That's why it's not a good thing that humanity has become what it is in this future.

And yet, Imperium fanboys will refuse to budge. Insistent that the Emperor did everything right and it was only everyone else not just laying down and dying that screwed anything up, if at all. And while Games Workshop itself has stated the opposite, explained in detail that this franchise is satire, that you should not take the actions of the Imperium of Man as a lesson for how to run a civilization or your life... guess what the biggest seller and face of 40k franchise is?

Yep, humans.

You might think that's a contradiction, but it makes sense you realize those are the figures that sell the most. Therefore, the Imperium gets the most books, the most lore, the most focus on media outside the main tabletop. Sure they've made games where you play as the xeno factions and books with aliens as protagonists. But the majority of 40k lore is all about Humanity and it's really affected how this franchise is viewed at this point.

You see it doesn't matter how often you say something is satire or that it's aspirational. If you place the spotlight on it long enough, people start to gravitate towards it. The Imperium of Man, being the most popular of 40k's factions, is a victim of its own success in this regard. It has become increasingly difficult to separate the satirical dark comedy of the Imperium from the lore's various attempts to make them the most badass of all badasses. People like watching struggles for survival, conflict of epic scale, heroic sacrifices, it makes for really compelling drama. It also more often than not whitewashes all the bad things the Imperium does if you overly focus on all the cool shit the Space Marine chapters pull off.

You tend to forget that the only reason anyone survived the Fall of Cadia is because a bunch of Eldar showed up to help evacuate humans. Or that Cadia only stayed standing for so long because a Nekron helped out. You ignore the pointless war that turned Kreig into a wasteland, when all anyone talks about is how the Death Corps can take down Tau with a shovel. You can point out how the Emperor is in fact, for all intents and purposes, fucking dead, but when it's coming out of the mouth of a dude who's following a sadistic murder god, it's not very convincing. People always come back to this when the Imperium is involved. "So what if they suck, they're humanity's best and only option at survival. And they're fucking badass!" And Games Workshop doesn't push back on this, mostly to not piss off its fans, generally though because tried to do that once before and it backfired.

The Tau Empire used to be an up and coming foil to the Imperium in many ways. They were ruled by reason and science, not blind dogmatic faith and religious zealotry. They believed in harmony among the races, not genocide and supremacy. They had an optimistic and hopeful view of the galaxy, as opposed to the fatalistic one the Imperium had. As it stood, they were the most heroic out of all the 40k races... and a bunch of fans, mostly Imperium as I understand it, hated them. They felt they ruined the grimdark setting by being too goody good.

So Games Workshop eventually just gave in and decided to change the lore. The Tau were only like that because their leadership was essentially mind controlling them. Great, so they're no better than anyone else in this future. Wonderful. Can't have an opposing view from the Emperor's that might turn out to be a better path forward. Nah, turn them into a brainwashed cult essentially to further justify the existence of the Imperium. Forget that an earnestly good society in a galaxy that is probably fucked beyond repair is probably sufficiently grimdark since they're such a young race but probably equally doomed. We need to make EVERYTHING in this setting so completely utterly hopeless, because anything less means the Emperor is wrong for creating the circumstances that made everything worse.

And as a result, the Imperium of Man is the one major roadblock for me getting into this franchise. Now, don't misunderstand, there are things about the Imperium I like and find interesting. Like many, I like Captain/Lieutenant Titus, because he's not a dogmatic sycophant who acts like a religious zealot. I do actually like the Death Corps of Kreig if only from a history buff perspective because I'm into the WWI Aesthetic they have going on. And of course there are the Salamanders, the only Space Marines I will ever consider truly heroic because they give a shit about things besides duty and honor, as well as possess some degree of empathy for other lifeforms. I enjoyed the first Space Marine game a lot! It's why I picked up the sequel.

However, all of these points have asterisks next to them. The Death Corps of Kreig are cool VILLAINS to an extent. I don't think you can ever present them as heroes given their mindset or origins. That's true of a lot of things within the Imperium. The Salamanders are still beholden to the dogma that has consumed a good deal of the Imperium and they are not really going to do anything to break off from it. And while I enjoyed the first Space Marine game and had fun with Boltgun, let's just admit something right now... half the enjoyment of the original Space Marine Game came from this dude.

Grimskull was probably the most fun antagonist to go up against in any game. Him just yelling "Space Marine!" in his ridiculous Cockney accent always made me smile. Titus, as badass as he is, lacks quite a bit in the personality department. The sequel doesn't do much better, even if his character arc is at least serviceably good in that game. But he remains stoic and loyal, he isn't exactly a dynamic figure like Grimskull was. And be honest with yourself, that first game got real boring after you killed the Warboss.

That's the problem I have with 40k. There are so many more interesting, compelling, fascinating alien races. Sure, none of them are perfect good guys and a lot of them are downright evil... but they're at least unique! I had a lot more fun learning about the Orks honestly than I did listening to the one hundredth iteration of something super epic and cool an Ultramarine did. We get it, they're Master Chief and Doomguy on Steroids! Do they do anything else besides pontificate about how awesome the Emperor is and go on about duty and honor more than Zuko in season one? The Orks might be idiot rampaging soccer hooligans, but at least they're funny.

And yet there are far fewer Ork, Eldar and especially Tau related books and media than the plethora of Imperium related works that have overstuffed everything. And if you admit to liking anything other than the Imperium of Man, especially the Tau, you are instantly ridiculed. I would honestly pay way more money just to play as Commander Farsight than Titus. Because Farsight feels like a natural progression for Titus to take, but never will. He just can't. While Farsight will leave his government behind and strike out on a new path to pursue the Greater Good as he now sees it, Titus can't, because that would only be seen as heresy, both by fans and in-universe.

Imperium Stans will look at this picture and honestly claim this fucking sucks without hesitation. That's the degree of brainrot they give off. Calling some of the coolest looking shit lame.

I just instantly felt Farsight is a more compelling and complex character by default because of his arc. Whereas Titus will never really change much beyond what he is, a reasonable enough Ultramarine in a sea of equally super serial hardasses that aren't much different from him. He just thinks a bit more for himself.

Farsight's crew of mech piloting badasses at least have variety. But to my surprise, so many others didn't agree, annoyed apparently that Farsight was able to resist corruption of demons, baffled at how it was possible because he lacked faith in the glorious God-Emperor of Man! None of them considered that maybe, just maybe, Farsight was able to resist corruption because he's not governed by religious dogma at all. Maybe his open-mindedness and ability to reason protected him just fine! But can't have that I guess, humans have to remain special after all.

Despite everything going for him, actually retaining a proper sense of heroism, being a truly good person who wants to do the right thing even in a universe full of shit, I still saw Imperium fans giving Farsight shit over the stupidest of things. I found a video on YouTube not long ago concerning how Farsight rightfully pointed out the weaknesses of the Imperium Titan Mecha. Oversized bulky machines that are millennia old. But while scary, Farsight noted how they can be defeated and are not as efficient or effective as the Space Marines were. The comments were FILLED with Imperium stans laughing at this bit of lore, calling Farsight names and declaring that the Titans were older than his whole civilization as if that was some kind of gotcha.

Everything the Imperium uses is older than shit though, that doesn't make it better. The reason it's so old is because the Imperium does not know how to make this shit anymore. They lost the knowledge when they rejected science in favor of their stupid religious dogma. Now their old as fuck spaceships are finite, same as their Titans. The Tau can replace their losses, the Imperium ultimately cannot. And yet here were the fanboys, praising how cool and awesome the Titans were, ignoring Farsight beat one easily, had video to prove it and that they essentially sound like those weirdos who jerkoff constantly about how awesome the Tiger Tank was. Despite it being an overly expensive over-designed mistake. One that both the Americans and Russians put to bed because their tanks didn't need special parts to function or guzzled up fuel like a thirsty pig.

Treating Titans as superior because they are older than the Tau is like arguing a Trebuchet is better than an Abrams Tank. Sure, one is way older than the nation that created the other. Doesn't mean its going to last very long in a one on one fight. But because humans have to be super special and awesome in 40k, we can never point out how their various systems, beliefs and strategies are outdated and costly.

Frankly, I'm more interested in Warhammer Fantasy by default by this point. Not just because they have a full faction of lizard people, although that is a plus. But because the factions of that universe are more diverse, interesting and not as mired in adherence to the grimdark lore mindset. Even the human civilizations are more compelling because they're not all one singular entity and have differing ideologies and strategies. I'll take that over being expected to look at the Ultramarines in awe simply because they do something badass every Tuesday which will get them six more books whereas Farsight still only has two.

And I don't think I need to point out what this has resulted in. As Asimov feared, placing humans on the superiority pedestal has emboldened that very sentiment in reality. Look no further than the current fervor over the existence of a Black Space Marine and a female guardsman officer in Space Marine 2. Even with fans pointing out how both of those things are both perfectly fine in canon, it doesn't change just how much 40k has attracted a lot of racists over the years. So much so they had to change tournament rules to prevent people from wearing actual Nazi uniforms to events because one asshole did so.

If there is any franchise that truly showcases the dangers of humancentric narratives it's Warhammer 40k. Because we are hardwired to root for the home team and we've also proven that we're incapable of reading satire. Creating the perfect storm of events that leads to far too many people stanning a literal Fascist-Dogmatic Forever War Machine. And while Games Workshop has tried to get the other factions more time in the sun, I'm not sure they can ever manage to get them up to the same level of prestige as the Imperium if they keep holding themselves back from just giving the Space Marines a damn rest for a second.

Room on the Party Wagon

I don't want to make it seem like it's all so hopeless. That there's no way for mainstream audiences to overlook their inherent human bias. I do believe it is possible for non-human protagonists to take center stage in a property and remain there. I believe that because I've seen it done before. In fact, I was quite literally there.

If there is any more miraculous franchise than the Teenage Mutant Ninja Turtles, I don't know of it. There should be no reality where two guys making a sketch of a nunchucking turtle for funsies in an apartment while chowing down on pizza could launch something this everlasting. And yet they did it. Ninja Turtles, 40 years later, is still going strong. And all with a lead cast made of decidedly non-human lead heroes. Better yet, it didn't stop with Leo, Raph, Donnie and Mikey. Over the years, countless heroes and villains have been added to the mythos. A good number of them fellow mutated animals, all with distinct personalities, motivations and interpretations over countless adaptations and timelines. It is truly astonishing to have been there from the start of Turtle Mania and to have never had them go away for very long.

And again, all with primary character who aren't human. How? Simple enough, people gravitated to the Ninja Turtles. They had distinct vibrant personalities. They were fun and colorful and different. They connected you to them by getting you to recognize their relatability.

There is still an interest in non-human protagonists, and not just dwarves or elves. I'm not alone in my desire to have something other than my own species take the spotlight now and then. Wings of Fire is fairly popular series that stars no humans at all for the most part. In fact they rarely show up. The real stars of the franchise are dragons, big fire-breathing dragons who all have unique cultures and perspectives that incredibly well-fleshed out and intricate. They're also not entirely humanized either, as dragons have very different morality and cultural cues from humans.

Another interesting take on things can be found in Guardians of the Galaxy Vol. 3. Which, despite having him out for most of the runtime, was all about Rocket. He was an absent protagonist, but he was the primary because everything revolved around his story and towards him finally accepting his species' name and moving past his survivor's guilt. Rocket is probably the most prominent non-human hero in the entirety of the MCU as a result and that's a big deal.

What I'm saying ultimately is that there is room for multiple perspectives. Not just the ones we're the most comfortable with. Because if we only accept the experiences of those we consider familiar, we will never understand those that are other. The road to a society like the Imperium of Man is based in one of mistrust, fear and prejudice. To avoid that, we must be willing to look through the eyes of others and learn about the human experience from something that is not. That is what the best of science-fiction and fantasy can allow for.

If such genres are meant to be an escape, what greater escape can be found but one that is outside our limited human experience. We can never know it is like to fly, or swim deep beneath the sea, or see from a dozen eyes or just one. But we can imagine ourselves in that role and empathize with that which is alien to us. If we limit our fantasies then we limit ourselves, our imagination, our ability to connect. If all you desire in your sci-fi or fantasy is for some big burly human with a sword, regular steel or chainsaw, to murder orks and aliens, then that's fine. But there are others among us who don't want such arbitrary limitations. Humans are not boring by nature, but picking the same old fantasies and escapes IS boring. We could do with changing things up more.

What I'm saying is, it would not hurt anyone if they just did one Triple A Title in the style of the Space Marine games but for Farsight instead. We don't always have to be the Space Marine. Notif we've be okay being a Ninja Turtle. There's room for all perspectives, human or otherwise, in genre fiction. We should be doing more to open up the gates for those experiences. Sooner rather than later.

#Genre Fiction #Science Fiction #Fantasy #Star Trek #Mass Effect #Transformers #Warhammer 40k #Warhammer Fantasy #teenage mutant ninja turtles #baldur's gate 3 #wings of fire #Humancentrism #Aliens #Dragonborn #Lizardmen #Let me play as a Quarian already BioWare!#Leandros Sucks By the Way #Pour One Out for Warboss Grimskull #That Ork was the REAL OG.

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babyrdie · 4 months ago

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Is there an opinion about greek myth someone might have that would make you not follow them? I am not necessarily talking about a super serious opinion, it could simply be a disagreement of opinion… It doesn't have to be a case of blocking, simply not following is okay…

P.S: this is actually an ask I copied from another user but I was curious about your answer so here it is. Anon who wrote this ask on other profiles, credit to you!

1. Reducing characters I like to a very basic and uninteresting idea. To explain what I mean, let's think about Patroclus because I love him. I don't like it when people say that the MYTHOLOGICAL Patroclus didn't like war, he was a healer and he was a pacifist. Guys, he wasn't. The mythological one, at least, wasn't. He even had a sex slave, why are we acting like he was a man ahead of his time? I think maybe this comes from the necessity of the "opposites attract" dynamic in couples, but I honestly couldn't disagree more with the idea that Patroclus and Achilles are opposites. They aren't, Book 16 makes it obvious.

Others act as if Patroclus being kind is absurd because apparently it makes him effeminate and being effeminate is bad. But he literally has the epithet "gentle" in The Iliad, I really don't know why some people think Patroclus is only capable of being a fierce warrior if he's an edgy character who doesn't show any kindness and stays bathed in blood 24 hours a day. Reducing him to being a badass is extremely uninteresting because a lot of people are badass in the Trojan War, this makes him an obsolete and nothing special character.

In >my< opinion Patroclus is a character balanced between these two interpretations, and anyone who thinks he is either just a stereotypical pacifist healer or just a stereotypical badass warrior is making him uninteresting.

2. Denying a version of the myth simply because you don't like it. I'm not talking about not using this version or not liking it, but acting as if it were invalid. I'm sorry, guys, but Telegonus is a valid version of the myth whether we like it or not. Myths weren't monoliths, The Odyssey isn't the only valid version. Yes, Achilles and Patroclus were cousins in more than one source. There's no point pretending it's a homophobic modern invention just because the idea of you shipping cousins bothers you. It's not like cousins getting romantically/sexually involved in Ancient Greece was a big deal.

3. People who seem to think the character has to be an adorable, flawless cinnamon roll, and if someone has something against them, then they're poor little creatures. For example, Odysseus and Apollo. I used to see this with Achilles too, but it's not as common in my feed anymore (emphasis on "my feed"). I've also seen it done with Hector, Patroclus and Paris, but it definitely doesn't compare to Odysseus, Apollo and Achilles.

4. People who belittle Penthesilea's death. Don't give me that bullshit speech about how she was a poor defenseless woman and oh how cruel Achilles was for killing her. She wasn't some poor helpless woman, she was a warrior demigod and an Amazon queen. She is literally emphasized by her warlike feats. In more than one source, Achilles is the character chosen to kill her precisely because the other Greeks (men, mind you) were unable to defeat her. So don't get that shit on me. "Ah but a daughter of Ares who lost to a daughter of a nymph" please reread Book 20 of The Iliad. No one belittles Hector for losing to Achilles, there is no need to do that to Penthesilea.

5. People shipping master x slave dynamic shipps. I don't care if there were nuances, if the ancient Greeks didn't see it as bad, how concubinage worked, if the character says they loved the other, etc. I don't want to keep seeing fluffy fanarts and headcanons about Cassandra x Agamemnon, Achilles x Briseis, Ajax x Tecmessa in my feed and I'll continue not wanting to see them.

6. When the profile is very focused on complaining. Like, the profile is constantly complaining about a character or a work that they don't like. I follow people because I want to see their interests, not what they hate. It could even be a character that I don't care for or a work that I hate too, I don't want to see. For example, I thought Lore Olympus was bad, but I don't want to follow a profile that constantly posts hate about Lore Olympus. It's not in my interest. And I'm not saying wow, nobody can complain about anything! I complained about things on my profile myself! I'm talking about people OBSESSED with complaining about a specific character/work.

7. When the profile says that they love complex female characters, including the bad ones, but it's a lie. The person only mentions Circe, Medea, etc to complain about their popularity. They never mention them to comment on the complexity of the character, to provide an analysis, to praise the writing. Never. It's okay if you don't like female characters who aren't morally good, but at least admit it! This is even more obvious depending on how they treat Helen. Suppose I see the profile refuses to deal with the mere possibility that Helen actually cheated on Menelaus. In that case, I quickly realize this person is incapable of liking female characters who make mistakes even though they generally do everything they can to justify the male characters' mistakes. If you truly appreciate "female characters of questionable morality", then talk about them for something other than moral lessons.

8. When the person is a very vocal hater of a character I like (Patroclus, Thetis, Achilles, Medea, etc). I have no problem following if they just don't like the character, but when it's continuous hate there's no reason for me to follow. I don't want to, for example, have to get irritated every time someone posts about what a "bitch" Thetis is.

9. When a person keeps making a lot of headcanons about deities. I don't know, it seems weird to me. I'm not saying it's something reprehensible, I don't even worship the pantheon, it's just something that's not my vibe.

10. When a person acts as if the entire Roman mythology was absolutely invalid. I'm not talking about not liking mixing Roman and Greek mythology, I don't like it either! I'm saying when they act as if, separately, Roman mythology is invalid, uninteresting and bullshit. There's no need to debunk one mythology because you prefer another. And I say this without even being a Roman mythology enthusiast.

11. When a person complains a lot about Hades, TSOA, Patrochilles, Achilles and/or Patroclus fans. This is a separate topic because it's really common. Since I'm a fan of all these things, I simply assume the person doesn't want to interact with me and maybe they find me irritating/bothersome. I don't have a problem with someone complaining about these things (I complained about TSOA at least three times on this profile! For example, Deidamia in this book gives me physical pain), I just stay away because I think it's what the person would prefer.

12. The damned Astyanax as Odysseus' son headcanon. Like...what about Andromache???

#Ask #louiseeh

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rollercoasterwords · 1 year ago

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why are you invalidating people’s real concerns in this fandom? you’re naive if you think that “the fandom” doesn’t have opinions they all agree with that become popular. sure people have their own opinions, but honestly that’s very rare and not seen. you and i both could list popular headcanons in the fandom that people mostly take as canon. remus and sirius have turned into a straight couple, especially with the headcanon that sirius is now a girl. as a woman myself i love sirius as a girl but i hate how the fandom treats feminine sirius. sirius doesn’t have any depth anymore besides being remus’ love interest and sirius is always in the wrong and sirius is always the bad guy - just like society always blames women for everything and men always get a pass. literally look at the fanart. remus’ disabilities have been completely erased. remus is drawn as this huge super manly guy towering over little dainty feminine sirius. in fanfics remus is verbally abusive to sirius bc oh he’s a man and has anger issues. remus is a slut who everyone was in love with but eventually settles down with sirius. these are all stereotypes. idk why you’re trying to tell people this isn’t a thing in the fandom when it literally is.

assuming this is about the two anons i responded to two days ago, one of which was saying they did not like my particular characterization of r+s in a fic and asking me to rewrite it and the other of which was responding to it. both of my responses were focused around saying that my characterization didn't even fit the dynamic being complained about and saying the terms in which that complaint was being stated were odd in the first place (assuming one character being shorter than another automatically makes them feminine, calling a gay relationship heteronormative, asking to making a non-canon-compliant fic more canon compliant, etc). if someone has a real concern with my specific fic that is not premised in gender essentialism then i have yet to hear it; otherwise, i'm not sure how you want me to "validate" that concern unless you are also asking me to rewrite my fic. in which case, the answer is still no lol

and i genuinely do not think "the fandom" is monolith in which everyone agrees on everything; calling me naive is not going to change my mind. i agree that there are popular hcs, sure, but even those are not monolithic in their application and can be filtered and avoided--i know this because there are many popular hcs that i filter and avoid to the point that they are virtually nonexistent in my fandom space. i suggest others do the same with hcs they dislike because i genuinely think that's the best way to approach fandom: curate your space for your own peace of mind.

your experiences with fandom are not singular and are not representative of everyone's. from where i'm sitting, writing sirius as a girl is not a super popular hc--i've seen the hc from time to time, but overwhelmingly i've seen it in the context of r/s femslash, not people writing them as a straight couple. and even then, i still mostly see r/s written as gay men in the vast majority of fics i read and like...posts the people i follow make on tumblr.com. i don't use other platforms to interact w marauders content nor do i stray outside my small circle of mutuals' posts, so if this is some mega-popular hc elsewhere i am simply unaware. from the actual fics posted on ao3, though, gay r/s still seems to be dominating the wolfstar fandom. and to then say that sirius has no personality past being a love interest and always being blamed for everything--again, this is genuinely not something i see. i have never read a fic where sirius is a one dimensional love interest or where it's just sirius-bashing; i'm sure they exist out there somewhere, but i have not found them to make up a majority. maybe i've gotten lucky and miraculously managed to avoid the numerous fanfics where sirius is this caricature you're describing, but personally i think it's more likely that this is an extreme representation of the way people write the character. if you'd like to send me some of the many fics where this is happening to illustrate what you mean, though, feel free.

remus's canonical disability is lycanthropy. that has not been erased in any of the fics i've read that are set in the magical universe. in every non-magical au i've read, he has been written as a disabled character as well. there are plenty of people in this fandom who are not erasing disability as an aspect of his character. if you're not able to find those fics i would be happy to recommend some, and i'm sure others would as well.

i have not seen the fanart you're referring to where remus is drawn as a super manly guy towering over dainty feminine sirius. i'm sure it exists out there, but most of the fanart i personally see doesn't portray them that way--it is definitely not the only way these characters are drawn.

none of the fanfics i've read have had anything that i would characterize as verbal abuse between remus and sirius. nor have they had remus as "a slut," (not crazy about your tone here, tbh) though he is sexually active in some fics i've read with people other than sirius. personally i don't mind characterizations where the two have had or do have sex with other people before getting together. in fact, i prefer it to fics where they only ever sleep with each other, as it more accurately reflects my own experiences w the world (ie, most people are not virgins until "settling down" with one person etc).

all of the things you're describing here can be stereotypes, sure. but i personally have not seen an overwhelming number of fics characterizing r + s this way. i'm not saying it doesn't exist; i'm saying that i have curated my own space to avoid any such one-dimensional portrayals and encouraging others to do the same, because there are tons of people who are not writing the characters this way. "the fandom" is not a monolith, and if you feel like there are certain hcs that are super popular it's possible you've become stuck in a feedback loop where you're seeing them over and over again when in other parts of the fandom they are virtually nonexistent (case in point: i was blissfully unaware of all of this discourse until i started getting these asks). personally, i find it more useful to just block and unfollow people who are posting stuff i don't like, because i don't really see a way to try and police what people are or aren't allowed to write about when it comes to gender in fanfic that doesn't eventually devolve back into gender essentialism. if the concern is that you're noticing what appears to be a certain standard of femininity or masculinity elevated over others, then i personally find it more helpful to have conversations breaking down gender roles + gender essentialism more broadly (as opposed to sending people anonymous messages about how everyone is writing sirius too feminine and remus too masculine), which is something i already do pretty frequently on my blog.

this is the only ask about this whole discourse i'm going to answer; any complaints that "the fandom" as a whole is doing something are not something i'm interested in entertaining because the fandom isn't a monolith and 90% of the time the complaint in question is not even something i'm seeing based on how i've curated my space. i really don't know what to tell you beyond that--if there are things bothering you about what you're seeing in your fandom spaces, coming into my askbox is not going to fix it and will most likely just end with me blocking you, because i have better things to do with my time than deal with other people's discourse.

#ask

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chosen-hero-inari · 26 days ago

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Whumptober Day 27: Muzzled

Barking and Biting

Toya’s surprised the Regency outpost where Saki is being held is so dingy. They’re an empire that conquered most of the galaxy– they’re prone to ostentatious displays of wealth and grandeur as a show of strength, but this is some dingy jail on a remote planet.

“Everyone ready?” Rui asks from the pilot’s chair.

“Yep,” Tsukasa says. “We get in, you turn off the power, and we grab Saki.”

“What if they come looking for us?” Ichika asks.

“They won’t,” Shiho says. “They’re just bullies who are pissed they’re stuck in the middle of nowhere and taking it out on anyone who inconveniences them because they want to be back on Aquilon. They’re not going to bother reporting that the kid they’d arrested for bumping into an officer escaped under their watch.”

“She’s right,” Toya says. As a kid he’d always thought of the Regency as a monolithic force, but after he had to flee home with the Tenmas, he learned they’re not as united as they seemed. Individuals could be tricked or bribed. It’s how they got by on The Vivid, and it’s what they’re counting on to get in and out without much trouble.

Rui hovers the cloaked shuttle above the prison, and Toya and Tsukasa rappel down onto the roof. They pry open the rusted vent cover and slip inside.

It’s not long before they’re over where Saki’s locked in a jail cell.

Then the lights go off.

Emergency lights bathe the room in red light, and Toya and Tsukasa climb out and start picking the lock to Saki’s cell.

“Guys!” She whispers.

“You think we’d leave you behind?” Tsukasa asks.

They get the jail cell open and Saki rushes out. They head down the path Shiho marked for them.

“Ha ha ha! This is too easy for us!” Tsukasa laughs.

“Some of the guards were complaining about having to transfer something important?” Saki says, “they’re probably worried about that.”

“Better for us,” Toya says.

There’s a loud clanging sound and Saki stops them at the corner. They peak around and see two Regency guards in nicer uniforms that Toya’s seen on this planet holding electric rods and slowly approaching a boy with a muzzle and his arms cuffed.

The boy’s eyes are wide and panicked and he’s breathing in and out rapidly.

Toya looks at Saki and Tsukasa. They could simply leave while the guards are distracted but…

“I don’t know what you did,” the first guard says, prodding the muzzled boy with the rod, “but you’re not getting out of stasis this way.”

At the mention of stasis, the boy whimpers and starts thrashing more.

“Let’s just kill him,” the second guard says. “Save everyone some trouble.”

Saki and Tsukasa nod.

Saki grabs the gun off one of the guards on the floor and smacks the first one over the head with it, while Tsukasa tackles the second.

Toya wrestles the rods away from one, sets it to stun, and knocks the guards out.

Then he turns to the muzzled boy. “Are you ok?”

The boy eyes him, and Toya drops the rod to take a slow step forward.

The boy growls when Toya’s hand gets too close.

“I’m just going to take off the muzzle,” Toya says.

Toya doesn't know who this boy is, or why he was muzzled and about to be shoved into a stasis tube, but he knows The Regency.

Those people had taken his parents, they'd forced him and his brothers to flee, and they'd lead to him and the Tenmas seeking refuge on the Vivid.

He had no doubt they were doing something awful to him, so Toya's going to help.

He takes off the muzzle, and the boy seems to calm down.

“Come on!” Saki says, “let’s go!”

They run out the front doors, Toya grabbing the muzzled boy’s hand and leading the way.

They practically dive into the open shuttle bay, and Rui takes off.

Now that they’re back in the light of day, Toya can get a better look at the muzzled boy.

He has orange hair and greenish eyes, and is covered in blood Toya hadn’t noticed with the red emergency lights.

“Are you hurt?” Toya asks, and the boy shakes his head.

“Maybe he doesn’t understand?” Ichika says, after Saki breathlessly explains what happened.

The muzzled boy frowns. “I… understand.”

His voice is raspy, like he hasn’t used it much. They all come to a silent determination to not bother him much until they get back to the ship.

They land the shuttle on The Vivid, where the rest of their friends are waiting at the cargo container repurposed into a Teens' Spot.

"So you really don't remember anything?" Rui asks the boy once everyone had been filled in on the results of their rescue mission.

He shakes his head. "Dark... cold..." he mutters. He's only spoken a couple of words since they arrived back on The Vivid.

"Is it alright if we give you a name?" Tsukasa asks.

The boy shrugs, and Toya's heart breaks. What could he have been through that he has no strong opinions on what to use as his own name.

"Alright then. How about Thorpe? He's the main character of our favorite book."

He nods, so the boy is Thorpe now.

"When our parents are out, we'll take you back to our quarters, get you showered and get you some clothes," Saki says.

"If that's ok with you," Toya adds.

Thorpe pauses, the way he always does when he has to give an opinion on something, but nods hesitantly.

"We don't have to be super secret about you, most people don't know every single civilian on the ship, you can go to hydroponics or the lounge or something," An says. "You just have to avoid people like my dad or Uncle Taiga."

"And at our next stop, we'll sneak you off the ship and sneak you back on with the new refugees we picked up," Kohane adds. "Then you can just be one of us normally!"

"You can come to classes with us! Just be a normal kid!" Tsukasa adds.

"I'll help you study." Toya offers.

Thorpe looks at each of them slowly. "Thank you."

#whumptober 2024 #project sekai #toya aoyagi #saki tenma #tsukasa tenma #akito shinonome #blood tw #muzzling #mistreatment #is there a general space fascist trigger warning? The space fascists are space fascisting #au: space rebels #wordcount: 1000 1500

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joytraveler · 2 years ago

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#42: The Death Master

"Yeah, if it was just Death Master that'd be one thing, but this is THE Death Master! Meaning if I wanna master death, this is the guy to train with! I have a huge thumb wrestling match with Death coming up so I should probably train and grow strong"

Lightning crackles on the title screen and THE DEATH MASTER logo shatters out of a towering monolith with a shower of blood(??) A barely-dressed, axe-wielding barbarian hero appears over the Press Start prompt, and begins swinging his huge battle axe at nothing.

Chillarmy_The_Bee: start playing, chop chop! Heheh aroseahorseboy: see, this is men being reduced to sex objects

"I know isn't it great?" Bea can't press start fast enough!

"This looks SUPER oldschool NES so you know it's gonna be hard, no rest for your poor queen I guess" She pouts.

This game is very much in the flavor of an early hack-n-slash like Rastan or Trojan. You really are the Death Master, all the monsters are SUPER easy to kill, and there's tons of blood! EVERYTHING bleeds red blood, from orcs and goblins, to plant monsters, robots and ghosts!

Butterfly_Defect: damn, you are destroying this entire country! Will anything be alive when Bea is done? Karbokarr: Axe dude is merciless Baconnaise: The MUSHROOM is bleeding.

She takes out horde after horde of enemies. "This is like the opposite of Samurai Jack, everything I cut turns to blood instead of robots! But I can't help but feel like this wasn't balanced that well? I think I can die but I'd have to let it happen!"

"I'm trying to think of something to name this guy and Alonzo keeps coming to mind" Despite the gruesome sprays of pixelated blood, he does have a certain charm.

The final stage is a cemetery town, where ghosts, ghouls and reapers swarm around 'Alonzo' and are dutifully chopped into alpo! It's been a fun ride even if it was way too easy. "At least we haven't been killing people, I don't think? Unless he burned down the towns we've gone through"

Boss time is upon us, though... And it's a Grim Reaper that's about two screens tall! Alonzo has to ride his scythe up when he swings it and swing at his face as he falls back down!

"That's a whole lotta Death" Bea mutters as the battle begins. She adapts pretty quickly but this is surely the toughest fight yet, no button mashing to victory this time!

"These games are definitely getting better as we keep going, we've come a long way from 'This Isn't A Snake Clone With A Tapeworm We Promise'" She hums the Kid Icarus fanfare as she refuses to fear the reaper.

Finally, with just a couple well-placed chops each, Alonzo scatters all the Reaper's bones but one-- the skull, which bounces helplessly around as they finally hit the floor below. One more smack, and it falls in half, dry and empty!

"Annnd here comes the candy- oh" She looks a little disappointed. "Oddly enough the final boss is the least bloody one! What a... BONE head!"

"Wait don't unsubscribe yet I'll have another joke in a minute, I promise"

The reaper's cloak comes fluttering down, and lands on Alonzo-- and his eyes glow red.

The words bleed onto the screen like open wounds: [YOU ARE THE DEATH MASTER.]

"Death master, reaper blaster, my axe is also a stratocaster! BWEEOWOWOWOWOW! That's how a guitar sounds right?"

"So! Now I am become death, destroyer of worlds! Uh... Not sure how to feel about this? Surely I done good?"

As Death-Alonzo flies off into the sky... The previous levels pass by, and all the monsters, orcs and ogres you dispatched are returned to life! Some even have families, wives and children to embrace them with joy!

Karbokarr: wow, undoing all the damage DueyDecimal: It was... All worth it?

"Master of Mood Whiplash!" She watches in awe, and also in 'awww!' "What a nice way to end a gruesome slaughterfest! Not at all what I expected but I'm not complaining!"

Finally the Death Master lands in front of a grave with piles of fresh earth and pauses. Then he drops to one knee, head hung.

[THE DEATH MASTER CAN UNDO ANY DEATH IT HAS CAUSED.] [GOOD NEWS. IT WASN'T YOUR FAULT.]

"I... I.. I didn't want feels, don't do this to me"

"Aw hell, who's in the ground? Mom? Dad? Brother? Sister?? Was there an intro I skipped???"

Syrupentine: T___T aroseahorseboy: not much plot till the end but GEEZ

"If you guys picked up on something I missed lemme know. But..damn. Did we kill everyone and revive them for nothing?"

Syrupentine: I don't think there was any clue beforehand, no HNV: Maybe you were trying to clear your name? Or... no, if you can only revive things YOU killed, that would prove you did it DueyDecimal: You thought you were guilty but you weren't... Yay?

#jtnuggets #feb 10 #bea #chillarmythebee #aroseahorseboy #butterflydefect #baconnaise #karbokarr #syrupentine #hnv #dueydecimal

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here-there-were-dragons · 9 days ago

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after seeing the last full day of constant extremely vitriolic and accusatory rants acting like they're under seige from a ceaseless tide of hateposting compared to the like two more posts i've seen even mildly criticizing the new breed. yeah i'm convinced people are mostly just making up a guy to be mad at. and i checked onsite and unless the staff have deleted a bunch of shit again (which wouldn't surprise me, they're fond of their nukehammer) i didn't find very much of the Endless Flood Of Disgusting Hatred Tm there that people seem to think they're drowning in either, beyond like, a couple of people on the announcement post being rude, and like one disappointment thread where some of the posters were being shitty and fatphobic about it. if nothing's been deleted then the only way i can imagine the near-universal angry defensive outcry forming as it has is if people are going out of their way to interpret literally every single criticism as being secretly about fatness even and seemingly especially when it's not. and two thirds of the "defenses" are just basically "people aren't allowed to have different tastes from me or want different things out of a design" and are one step over the line in the notes of a minor art edit post off from being like that person in the keel announcement thread way back that went around insulting people's keel reinterpretations and calling them skin conditions. i've already seen people calling the person that edited the male silhouette just to move the tail back a little a fatphobe and an entitled whiner and bigot.

people going to legit war over this thing and the mere idea that anyone might not love it quite as much as they do. people defending a goddamned dragon png from what seems to be a largely imagined horde of dogwhistling bigots like it's life or death. acting like the lead actress of wicked when anyone mildly alters a precious dragon png in a way that does not even remotely alter it's weight. i don't know how to express how absurd all of this is to people who seem to genuinely think that the existence of dragon dislikers is a direct and personal attack on their spirit and sanctity of humanity and that this is some sort of vital symbolic battleground for ideological victory against the dark forces of bigotry and hatred. meanwhile i can barely even find anyone both on tumblr and on the forums mentioning the weight as anything but a boon. which again, makes it seem like people are going absolutely out of their way to interpret every single criticism-adjacent post as secretly being about fatness. i like the things generally speaking and i feel very clearly that it's completely impossible for me to say anything honest about some of my issues with them because i know for a fact that literally no matter what i actually say i have an issue with or how clearly i articulate what i'm talking about i'll just get a flood of people screeching about how "you can just say you hate fat people and go" and shrieking about how entitled i am and how i'm a hypocrite because someone else once said they wanted something that mildly contradicts the thing i'm saying i'd prefer and as we all know people you disagree with are a monolith and yelling about how no one is allowed to complain about biological plausibility or factual consistency because it's a "fantasy game" even if neither thing is literally ever brought up at all, and so on. because making sure that literally no one ever even mildly criticizes anything about a dragon png game ever is the single most important social issue of our time i guess. if you mention any issue that could be even remotely construed as related to their weight or body type on any level you get called a fatphobe and if you DON'T have any issue even possibly arguably related to their weight then they just accuse you of being a closet fatphobe anyway. lack of evidence of guilt is treated as evidence of guilt! you can't win! no one's allowed to dissent in the slightest without it being a secret signal of evil and a direct personal attack on Likers in general! and you're not allowed to *like* something unless it's completely unconditional with absolutely no actual thought or criticism either! the repeated posts i've seen as well about how "I'vVE never felt the urge to go on site just to say i don't like something, that's so weird, what's wrong with you?" are especially baffling and stupid as well, because how the fuck do you think the developers are supposed to figure out what people want and don't want if the only thing anyone's allowed to do is log on, post some largely contentless mindless positivity like "OOOGHOUGHHHGHG I LOVE" with zero delving into any real aspect of exactly why they like it, and never say anything at all when they don't? don't lie to me, i know no amount of constructiveness in criticism is ever enough for you no matter how much these types go on about how criticism needs to be constructive. it didn't take very long at all for the people yelling about concrit back in the day to jump all the way to "actually concrit is bad and evil and entitled too. no one is allowed to say anything unpositive about anything i like ever no matter how politely and constructively you word it". this is a problem fr's had for it's entire lifespan and all it's ever done is get worse and more gaslighty and goalpostmove-y. laying eyes on this eldritch horror of a fandom mindset feels unsettlingly like talking to my mother when she's at the absolute deepest point of her deluded violent manipulative everybody's-out-to-get-me-and-i'm-the-purest-saint-alive lunacy.

and i know if anyone manages to find this post (god i hope not) i'll just get someone putting words in my mouth going on about how i and everyone else just want to bitch about their weight and them not being "elegant" enough (and that apparently people have decided that's a secret code for Skinny now) even though i literally never said any of those things and neither did 90% of the other people i've seen even mildly criticizing anything

and i can't emphasize enough to any outsiders that might be watching that all of this is about a png of a grub-based dragon on a neopets clone dragon game, that i like and think represents a step in the right direction for breed design philosophy and body type variety

#not tagging because i'm not particularly interested in engaging with this discourse directly anymore #my dissapointment with the fr fandom's constant fever-pitch... whatever this is continues #every once in awhile i get reminded why i just lurk and reblog art and don't engage with these people beyond collecting memes #it's because something about pet sites makes everyone fucking insane #people get less heated in *actual political tags* about *actual political issues* that *will result in actual people's deaths*#than they do about people not having the exact same tastes as them on a dragon game #i do not want to discuss this with people. frankly i do not want to discuss anything except lore ideas with fr players in general #i normally like to make or at least plan a post breaking down everything i like and don't like about every new breed #but i feel like that's pretty much impossible to do without getting doxxed at this point #the scariest part is that people in these fandoms absolutely cannot see how fucking insane they are about said piece of media #it's only visible to outsiders #the INNER people's philosopy is that actually YOU'RE all insane and probably bigots for NOT wanting to send people needle cookies over it #to anyone outside i guess if you were thinking of signing up to fr and looking for info on what the fandom's like here's your taste :/#fr is VERY good at projecting an impression of pure flawless happy wholesomeness to the outside for some reason #so much so that it gaslights itself into believing it even as it's melting down into all out war for the third time in a month #increasingly often a seemingly mostly one-sided war #i have never felt more unsafe than i have around these people when they talk about how positive and wholesome their “community” is #word of advice: if you find any fandom that persistently calls itself a community just turn around and run for the hills #like i said. something about pet sites just seems to make people fucking insane #the only reason i still play this game is because i have nothing else to do while i wait to die and i'm addicted to scrying and worldbuildi #best way to play this game is to never go on the forums and in fact never speak to anyone else who plays it i think #same goes for all pet games

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electric-friend · 5 months ago

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the fandom makes me sad a lot these days tbh. most of the time i’m like wow that doesn’t make sense or it’s not that deep or maybe it is that deep or i wish i was being listened to…

and as far as i can tell, nobody who was actually IN the stream was upset by the way con started it? if i’m wrong lmk but while everyone’s out there complaining about boundaries, why are outlines inherently sexual? it’s no more than you see at the beach or the pool or in some onscreen outfits for plenty of actors all the time. it’s not really inherently sexual, even? and it may not even have been on purpose but even if it was, while admittedly it’s a bit odd, it doesn’t seem harmful? unless it escalates to something genuinely inappropriate, but there’s nothing to suggest it would.

and all the time i’m having to hear about how canyonites are all evil as if we’re a monolith? people latch onto the actions of the few they dislike the most and decide that represents everyone in a group they’re a part of. it’s like when there are people who don’t care about consent who have a kink and some idiots think that makes the kink itself bad and lack consent as if it wasn’t just the flawed actions of a few individuals who would have been wrong regardless of what kink was involved, you know?

yeah like… i’ve had some bad experiences in canyon spaces. there are some shitty discord servers where people don’t accept headcanons that involve izzy doing something bad or making a mistake, or refuse to accept he ever did anything canonically wrong. which is annoying and upsetting and i removed myself from those toxic spaces. but outside the canyon people do the same with ed instead and it’s just exhausting. why can’t characters be complex and have made mistakes and done bad things, and also be loved??

and it doesn’t mean that everyone in the canyon or everyone who loves izzy is fucking bad, ok?

but sometimes just when i feel like i’ve carved out a space for myself that i actually like, my dash gets filled with people talking about how horrible the whole canyon is and how liking izzy is wrong just because there are people who like izzy who have also done bad things. wait until you guys realise there are people who hate izzy who have done dumb or mean or awful things too lmao???

the whole idea of sides of the fandom is stupid because neither side is a monolith and there are bad eggs everywhere no matter where you look. no community is purely the good guys and the loss of nuance and the focus on taking sides, my side vs your side, good side vs bad side, without considering people as simply individuals who all have differing thoughts and values and integrity, makes me feel like i’m swimming through masses of brainwashed zombies sometimes.

touch some fucking grass.

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animalisticallytimorous · 6 months ago

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A dumb first-world-problems ramble from an exhausted autistic chick

I know I don't normally make original posts on Tumblr much, but I just need to vent somewhere I can't be followed. The individual in question doesn't have a Tumblr, as far as I'm aware. I feel like an ass about vague-posting, but my patience has been running thin for a while now. And they're not really a bad person, but I can't exactly confront them about this without things escalating into a fight. And I know this is my general account & not my new 14-exclusive account, but I just need to release some steam.

You ever get those moods where, in spite of your best efforts to tune people out & ignore the bullshit, it can be really hard to keep loving your special interests/hyperfixations? Like, it's one thing when it's coming from random strangers you don't know on the internet. But it's another thing entirely when it's coming from the people you consider close friends.

Specifics under the cut, because it's a doozy:

Shit like this has happened to me before. That's how I fell out of love with old hyperfixations like Steam-Powered Giraffe & the Gregory Horror Show, & even Pokemon for a bit before the siren songs of ScarVi & Legends: Arceus lured me back in. People I considered close teasing me about super niche stuff (in regards to the former two) & saying my taste was garbage or that I was a sheep & a shill (the latter.) And you'd think that, "Huh, maybe if I happen to hyperfixate on something mainstream, I won't run into this issue again, huh?"

Well, imagine finding someone in FFXIV to geek out over some of the more obscure & niche questlines with. Of course, I adore the MSQ! If I didn't, I wouldn't be playing this game!

But it is BEYOND frustrating for me to want to be able to enjoy this game while simultaneously acknowledging its flaws & areas it needs to grow without constantly having the mainstream parts of this thing that I love being trashed by this person I befriended.

My mainstream favs being constantly misinterpreted & treated like garbage? The favs of my other friends getting this same treatment? Having the AUDACITY to try & defend them only to be met with such (paraphrased) lines like, "Then perhaps it's just due to JRPGs being so dogshit at writing. Padding out their stories with such convoluted, needless fluff that means either I'm too stupid to understand or I can see right through the bullshit they're trying to hide through their tangled mess." Surgically nitpicking other Final Fantasy properties I bring up out of my excitement for a Gilgamesh cameo while also bashing Keith Szarabajka's voice work because he isn't the guy who voiced him in ARR? Constantly assuming the worst out of all the writers/localizers & even wishing them IRL harm for doing something with the writing you don't like? Demonizing Naoki Yoshida like he's a monolith responsible for personally slighting you every time you don't like something in the story? Hell, they've stated on numerous occasions how much they outright LOATHE the MSQ and all the main characters! Only the side characters seem to escape their ire.

Half of the time, I can't even talk with this person about the niche things we both share without them inevitably bringing up something to complain about. And I just keep telling myself to not engage, ignore it, & walk away.

But this Twitter QRT has just been the final fucking straw.

So, me just wanting to enjoy this game in spite of its shortcomings makes me a simp for a cliche & unoriginal pile of slop.

Me being both excited & nervous for the upcoming expac makes me a simp.

How the fuck dare I enjoy myself. How the fuck dare I not be miserable & let the shortcomings I have overtake my genuine love of this little thing that brings me joy & helped me make so many new friends.

I just keep wondering why this person even keeps playing if it's only the small bits of side content that bring them any amount of joy? And I can't even ask that because it's rude of me. I can't ask them to tone down the constant harping or being more decisive about picking their battles because, "I'd be telling them to suppress themselves, cutting themselves into pieces to try & not be a nuisance."

The thing is that this person isn't stupid. They're not even a bad person. And I do happen to agree with a lot of their points when they aren't being so outright hostile. They just have social struggles & autism like I do, but in the opposite direction. I'm a meek, heavy masker who represses herself out of wanting to not pick or escalate fights (growing up used to having my words habitually twisted by bullies & authority figures, being a chronic mediator amongst past friend groups leaving me with compassion fatigue), while they've taken the opposite approach & are very bold & outspoken with their opinions to the point of jumping the gun with unintended aggression. As well as the aforementioned, "immediately assuming the absolute worst about of everyone involved in this property."

I don't know.

I'm just so tired of having the little things I like be constantly shat on by people whom I'm close to. It makes ME feel like I'm the idiot with no media literacy for finding joy in these things. That I've been gaslighting myself into thinking that the things I like are actually good or hold any modicum of value. It's been 26 years, & I haven't learned to tune out all the bullshit around me. I'm still so sensitive after all this time.

#this is such a fucking ramble I'm so sorry #I know my other far closer friends keep giving me the advice of cutting this person out of my life #but they've also had a really tough life and I'm one of their few friends left & I see a lot of myself in them #what kind of person would I be to just leave them out to dry like that

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glass-needles-and-futurisms · 2 years ago

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I love your point about how they undercut much of the inherent toxic masculinity of their contemporaries, and I feel it also ties into the larger cliquishness of the rock establishment and their platonic ideal of what a "legitimate" rock act is supposed to look like.

I remember one reddit commenter (surprisingly not from r/Muse) being all snooty about how the band isn't really that technical, and I swear I could sniff the "I only listen to 30-minute prog tracks and 300bpm speed metal" fumes from a mile away. Matt's admitted multiple times that there are possibly dozens of guitarists and pianists on the internet who are more impressive than him on a technical level - he outright says in an interview that blues-style improv was never his strongest suit. And guess what kind of guitar playing is held up on a pedestal by the likes of Rolling Stone?

But I don't think enough critics or fans can comprehend that Matt's priorities as a songwriter may vary from theirs. Matt's always been more interested in chasing unique guitar tones than fancy riff gymnastics. I once read a critic who praises Muse as one of the rare prog acts that doesn't lean on self-indulgent song lengths as a crutch (no offense to bands like Pink Floyd or The Mars Volta, which I also enjoy). You wouldn't expect "less is more" to work in a prog context, but what Muse songs lack in length and acrobatics they make up for in melody and texture.

And don't even get me started on their lyrics. I'm not gonna touch the critics who insist they sing about the exact same thing every album, as if politics and power dynamics are a static one-dimensional concept that don't evolve with the songwriter's lived experience. (It's not like "you will pay for your crimes against the earth" and "thank you for playing your part in our liberation" convey identical sentiments, even if they share similar themes.)

And then there are those who complain the band's political commentary is too broad and naive, as if it was a flaw and not an intentional creative choice. They'll say "Muse needs to be more specific in their targets like Rage Against The Machine!" as if these guys weren't the biggest Rage fanboys on the planet who know exactly why they do what they do. Again, this betrays the cliquishness of critics and their monolithic idea of how political commentary is "supposed" to work.

I have my own (possibly inaccurate) theories about Matt's songwriting approach, one being that maybe evergreen themes of power and rebellion appeal to him because at some level every political conflict on the planet is founded on the same bare bones, and he's more interested in the big picture than topical targets. Maybe he's obsessed with 1984 because, despite it being one of the most iconic dystopian parables of all time, people still grossly misunderstand what it's about. Maybe he leans into the cinematic aesthetics of The Matrix or Back To The Future or V For Vendetta because deep down, beneath all the irony and cynicism, we still secretly want to be the Big Damn Heroes of our own story.

Sure, maybe this approach to songs is horribly out of step with the Taylor Swifts and Alex Turners and Billie Eilishes of the world. But maybe stepping out of the world-weary, solipsistic doomer zeitgeist is exactly what Muse wants. Maybe critics should take a break from treating earnestness and cheesy bombast like a bug and not a feature.

I first got into Muse in 2013. Looking back at some fan response from the time, it’s actually amazing I managed to stay in the fandom (simpler times, no phone, no social media, blissfully unaware of what people online were yelling about by only occasionally going to twitter dot com forward slash muse /, and like, NME dot com it was a good life). 2012/2nd Law era has to be the most corrosively toxic I have seen fans ever get, and you know it was because of Madness and Follow Me, both of which are bangers. I mean, hello? “Ugh I liked them when they were heavy” did you listen to Follow Me? Did you listen to Unsustainable? Or by “heavy” do you just mean “trashy club band whose instruments sound shit” be real with yourself. Muse were always, always more ambitious than that.

Hang on, I have to find a post/video, sometimes I hate Muse fans' constant complaining.

Found it. This interview is from the OoS era, when Muse were on tour in Japan in 2001. Matt’s talking about his grand plans for rotating stages with multiple bands, feels and the stage being part of the set. If anyone’s upset about them having big ideas, about the Resistance era stages (at the time the only precedent, now of course, something Muse are known for), about their ambition, you’ve attached yourself to the wrong band. If someone’s out there complaining about liking Muse “better when they didn’t do all this bombastic stuff” but the stuff they’re talking about has been there since 2001, since album #2, since everyone’s favourite era, then pray tell what part of the band’s career are you talking about. The bit where they didn't yet have the money to put on the show they wanted to?

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(I don't really have a transcript, but in the linked post I sort of talked about what Matt was describing so I won't write it out again.)

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yellowocaballero · 2 years ago

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🌟🌟🌟DEALER’S CHOICE ROUND TWO

Hi sorry this took so long to get to I was finishing up my chronicle of Danny and Colleen's fucked spring break.

This is actually mostly some notes I wanted to make that I couldn't explain out right but that I think are funny and that I want people to know:

“Guilty. Jaime Garcia at your service. You gonna turn me in?”

“Señor Suerte himself? I feel like I’m meeting a celebrity.” Merridew waved a hand, running his other hand along the edge of the desk before leaning back in his chair. “Nah. Go ahead and take the art. I couldn’t care less. I have all the treasure I need right here.” He rubbed his thumb on the obsidian crystal, gentle and reverent. “Do you like it? Found it on the black market. These were found in the body of some mutie the cops exterminated. Apparently the guy was a wannabe superhero. Called himself the Living Monolith. The crystals in his body could propagate themselves endlessly. No real human could possibly use it, obviously, but a talented magician like me can tap into the potential. I’m making better use of it than he ever did.”

This is a terrible person.

So I read over an omnibus of Heroes For Hire and it is, frankly, very weird. There's a vibe of...it tries, and sometimes it says something interesting, but it mostly fails. Something interesting stood out to me about Danny that cued me to write a story about him and his multi-racial identities, but here's a quick breakdown of the plot relevant bits of issue #56:

Danny & Luke are hired by Professor Merridew of a local university and an (terribly colored holy shit he was grey) Egyptian dude Ahmet Abdol. There's a showcase of Egyptian artifacts at the museum and they want to hire Luke & Danny to act as security for the museum.

Luke & Danny complain but they do so. Halfway through the night, the museum is attacked by a robber - Senor Suerte, aka Jaime Garcia, and his gang of thieves. Luke & Danny stop them and arrest them, but they escape and it's discovered in the chaos that all of the artifacts were replaced with fakes.

Luke & Danny take a big hit to their credibility and public name, threatened with financially compensating for the stolen objects. For some reason.

Eventually it's revealed that the real thief was Ahmet Abdol, who swindled Professor Merridew into giving him access to the artifacts and who (is secretly? worships? something?) has a connection with the old X-Man enemy the Living Monolith.

Stay tuned for the X-Man team up next issue! (How do they team up? The X-Men were just WALKING BY..?)

As usual with the old HFH comics, the cast of characters itself was diverse. The characters themselves were confusingly half racist. I picked the plot because it was Egyptian themed and easy to write in a vacuum, but the weirdness ticked me off a bit so I decided to fuck around with it.

The weirdly stereotypical Ahmet Abdol is replaced by the earnest and innocuous white Merridew.

Ahmet Abdol is replaced plot wise more-or-less by Layla. Also Egyptian. Less weird about it.

Replace Egyptian artifacts with Wakandan cultural exchanges (less weird, more interesting, wanted to highlight Layla's Wakandan friends just because I really think it's funny and I think people should know what she does all day and also puts her in the plot etc).

Instead of just guarding the place they do investigative work because detectives, baby!

Senor Suerte, the smokescreen thief, the distraction from the true enemy, is...one of Jake's endless pseudonyms lmfaoooooooooooo.

The Living Monolith isn't an evil X-Man weird villain, he's a dead mutant whose corpse was looted by evil assholes.

This wasn't me trying to woke-ify the thing I swear, I just thought it would be really funny & interesting to swap around the characters and roles that they take. A lot of the changes are just because I thought it'd be more interesting plotwise. I had recurring themes of exploitation of marginalized populations, so changing the Living Monolith from being an enemy who attacks mutants to being an exploited mutant was for thematic reasons.

But Senor Suerte's dialogue was a lot of bad Spanish and a curling moustache and everything. Not blatantly offensive, but...yeah. It's the kind of stereotypical and weird thing that I think Jake would love setting up as a fake identity because people like Merridew buy it hook line and sinker. And it immediately sets up how that encounter is going to end - with Jake the bad guy again.

And also Good Luck is what you tell someone going on stage to a theater as a way of giving them BAD LUCK OK GOODNIGHT.

#my writing #GTG

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novelelitist · 2 years ago

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Can I have some headcanons for how various servants would deal with thier master having agoraphobia, which is the fear of open spaces or places someone cant easily escape from? Its like the oposite of claustrophobia basically.

Ayyy, a number of years ago I worked for a guy that had agoraphobia. He’d pretty much go to the shop or stay home and go nowhere else if he could avoid it.

I’m wondering if you’re requesting this because you, yourself, have agoraphobia, Anon. I appreciate your willingness to share that with me and give me a shot to write about it. Since I do say I’m willing to give mental health-related pieces so long as nobody takes it as a monolith.

I hope this finds you well and that it reassures you a little.

This was available July 12th on Patreon.

(A Few) Servants With An Agoraphobic Master

Abigail Williams: Of the Servants that effectively live with Master’s agoraphobia, Abby is among the most compassionate. There are plenty of things that Abby is terrified of—many of which are things others couldn’t possibly imagine.

Abby tries to make Master’s life easier in little ways that she is capable of. She adapts outdoor activities for indoor settings. Anything that needs to be done out of the house, she learns how to handle via Master’s nifty technology. She’s quite adept at ordering food.

In the Holy Grail War, Abby doesn’t want to bring violence into Master’s safest places. It’s hard to balance Master’s security and her own insecurities, but she’s a big girl. She’ll go out on her own to fight if she needs to. Between technology and their Master-Servant bond, she’ll never feel alone wherever she goes. She’ll bring Master whatever they need so they can return to reading books and enjoying each other’s company.

Jinako Carigiri: At first, Jinako views Master’s agoraphobia rather selfishly. Master can’t complain about what a NEET she is if they’re also kind of a NEET. It’d be totally hypocritical for them to judge her, right?

Nope, not right. It takes a while for her to realize she’s being an ass, but she’s definitely being an ass. She knew she was selfish, but this went right over her head. And honestly, why should she be surprised by her shit take? She views things through the lens of her own comfort. How is she supposed to handle anybody else?

Jinako slowly warms up to the idea of being less of a loaf. Not because she expects it to change Master’s fears or feelings. Phobias are a serious thing. She doesn’t know how she didn’t recognize it before when her own NEET status grew from her anxieties. She sucks at being perfectly considerate, but she gives it her best shot. There is nothing on the planet that could breach her protective shell, and she’ll extend that to Master as long as she can. There is nothing she can’t protect them from as long as they stay in one place.

EMIYA (Assassin): Assassin’s relationship with Master is simple. They give orders, he executes them. He never once questions Master’s condition. It’s not his business. He doesn’t need to know them personally to follow instructions. Something, though… Something nags at him.

They don’t nag him verbally, but their presence gets to him. He finds himself increasingly agitated by their circumstances. How wrong it is that such a young person finds themselves in a Holy Grail War when they suffer a condition that ensures their battles will always be uphill. It’s not like he minds. If anything, Master’s agoraphobia will benefit him from a tactical perspective. But he’s not happy.

He had someone once—twice, thrice perhaps—he felt obligated to protect with his life. A family, maybe. People he feared for. Those long-clipped heartstrings are the tiniest bit tugged with this Master. He’ll never tell them, lest it put their safety at risk, but… This contract is more mutually-beneficial than he was willing to hope for.

#abigail williams #jinako carigiri #emiya kiritsugu #fgo hc #fate series headcanons #fate series #fgo #fgo headcanons #fate grand order hcs #novelelitist #emiya assassin

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marindram · 4 years ago

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full transcription of Marin's blog from Omega Mart!

huge thanks to @b0chelly for recording a scroll-through, which i typed this out from. (and warning for Omega Mart lore/story spoilers. second half is in reblog)

Marinknows.best

Location: Seven Monolith Village

Last Login: 12/31/2019

Profile Views: 101,275

About me: I love listening to music and glitter

Friends (0)

June 26, 2018

Happy Birthday to meeeeeeeeee!

So 14 feels way different than 13. For real. I think it's because I was expecting 13 to feel different, but sometimes when you expect something it turns out the opposite ya know?

Plus, 13 is like, "I'm new to being a teenager!!"

14 is more like, "I'm becoming the person I want to be." At least that's how I want it to be. I wanted to start this blog as a record of all that.

I should ask Did you guys feel the same way when you turned 13 and 14?

But probably nobody's gonna read this because I'm just a weirdo in the weird dessert. I mean, I know my best friend Jesse is reading this (hi Jesse). Besides her, crickets.

But yeah, if you are reading this and you don't know me - I live in Seven Monolith Village, a teensy tiny town that you've only heard of if you're into aliens or homesteading. And I'm literally stuck. As in, I'm physically unable to leave. My first memories are of all the adults in my life (Charlie, my great-uncle/father-figure - Rose, my what? Roommate? Mother-figure? Pseudo-aunt? All of the above? and my mom, Cecelia. who doesn't live here) telling me that for some reason, there's something wrong with me that makes it so I can't leave a certain radius of where we live. I got older and thought that they were just exaggerating to keep me safe, but then last year I tried. And it was, let's just say not good.

Anyway. That part of my life sucks, but not everything sucks. This year is all about Marin Dram 2.0. Not new, but definitely improved.

And maybe someday, somehow somebody will read this and care about what I have to say. Somebodies, even. Until then, this is Marin Dram signing off and sending my lame contemplations into the void!

July 1, 2018

Things I Want To Do Before I Turn 20 (and some of these will never happen like are literally unable to happen but JUST LET ME DREAM

1. Kiss someone (who???)

2. Meet HTB (kiss him) (jk he would never) (plus meeting him would be enough)

3. Go to Paris

4. Go to Rome (or somewhere cooler in Italy, look up where is the best pasta???)

5. Go to Greenland (why not???)

6. Go to New York City

7. Go to LA (with a dream and my cardigan lol)

8. Go to the Grand Canyon (this isn't mine, but 9, Jesse is sitting right here and she went to the GC when we were 12 and she's like blah blah blah it's my favorite place in the world and you'll love it. I'm doing this so she'll shut up.

9. Live in a normal house with normal rooms → ideally 12 of them: living room AND TV room, kitchen, dining room, 3 bathrooms, 3 bedrooms, study/library.

-plus an upstairs downstairs

-I'm willing to compromise on the number of rooms as long as there's more than ONE for TWO PEOPLE and I got my own

-plus an upstairs/downstairs

-I'm willing to compromise on the number of rooms as long as there's more than ONE for TWO PEOPLE and I get my own room with an actual door. Very into doors.

10. Go to a mall (Jesse says there's a bunch of bonkers ones in Vegas)

11. Make friends who aren't Jesse (no offense, Jesse)

12. Get Cecelia (my "mom") to teach me about business stuff so I can open my own cool coffeeshop/bookstore someday

13. Learn to drive (ask Charlie to teach me, he's obsessed with his truck) (Jesse says she can teach me because she's Little Miss Mechanic and thinks she knows everything about cars but news flash Jesse: you're you get than me)

14. Figure out my signature style- like I want people to send me pictures of things and be like "this just screamed Marin" and for that to be true

15. Liquid eyeliner??

16. I'm stopping here because I just read over all this and want to die/cry because easily 3/4 of these are literally impossible?

17. Kill me

18. Bye

19. Lololol Charlie just came in and I was complaining about this, not being able to leave and stuff, etc and he said that I should visit new places by... reading books?? And I mean I like to read. But dude. That's the dumbest thing I've ever head.

July 30, 2018

Okay so this is what I want my life to look like:

I want a pink room. Not just pink... P I N K. Cool pink wallpaper (floral? jacquard??), pink carpet, lots of pink flowers everywhere, a four-poster bed with a pink silk canopy, lots of cool pink throw pillows. Like, so pink that

people think I'm being sarcastic! Oh, and BOOKS. Floor-to-ceiling bookcases, and some of the shelves have, like, STUFF on them that isn't books, like gifts people gave me, or things I've collected on my JOURNEYS. You know, normal stuff that people who live on normal places and do normal things have.

If I lived in in this room, it'd be in awhite three-story house at the end of a cul-de-sac (did you know "culs-de-sac" is the plural? Not "cul-de-sacs"? crazy) and I'd wear very classic girly clothes and my hair would always do what I wanted it to. It'd be one of those towns that people call small, but it's actually a city. just one with a kinda small, cozy feeling. Somewhere that gets cold enough to wear cute jackets but not so cold I have to to like, shovel my driveway. Not a non-place with like 100 people where you can't even go outside without going crazy.

August 2nd, 2018

I guess I should explain where I live, for all my avid fans out there! (lol) (hello??)

So like... I don't live on Earth. At least, not the Earth you think of when you think of EARTH. I live in some some weird off-brand version of Earth called the Forked Earth where there are aliens and magic wells of magic energy and everything is MAGIC but like the crappy kind of magic, where the sun never fully rises and some goo called "runoff" has made everything wacky and oh yeah, my mom is responsible for that and everyone here hates her!! LOL

Also, I can't leave! Like, literally can't! Rose says I'm a "special child of Source" and that's why but that LITERALLY explains tells me nothing, in fact it just raises further questions that no one can seem to answer! AHHHHHHHHHH

Anyway, the last time I tried to leave I felt. When I try to leave I feel like I'm being pulled back by something, like you know those old cartoons where someone's on stage doing something dumb and then someone offstage pulls them away with a giant shepard's crook? It felt like that, and when I opened my eyes I was back in 7 Monolith Village. UGH.

I know this sounds crazy!!!!! But believe me when I say that I am the least crazy person here. Also, """here""" is C R A Z Y. Runoff has made everything the bad kind of psychedelic and then people here actually DRINK IT! Not only do I not DRINK THE STUFF THAT HAS MADE THE WORLD INSANE, I also do not talk to aliens (or whatever Nula are) like Rose or believe crazy conspiracy theories like Charlie, so I believe that qualifies me as the most normal person in the Forked Earth, thank you for this honor, I accept this award with humility and grace!

September 4, 2018

I had the weirdest dream last night?? I was swimming in a pool full of cereal, and when I came up for air, my mom was pouring milk on my head like she was rinsing my hair. She had her hand over my face like I was a little kid and she was shielding me from soap getting in my eyes.

Anyway I have no idea what it's supposed to mean. I went to bed hungry and I need to take a shower? Lol

October 16, 2018

I was trying to hide this entry from Jesse, but JESSE IS A NOSY PERSON. She says that blogs are for readers, and if I wanted something to be private then I should "Just write in a fucking notebook and hide it under your bed like a normal person, Marin." I'm allowed to have secrets!! Anyway, I'm making her a freaking playlist, that's why I wouldn't tell her what I was writing about. but EVEN STILL! I'm allowed to have secrets!! But I have this blog because I wanna get my feelings out, I wanna see everything in my head typed out all nice in a way that doesn't make it look insane. You know? I don't know who I'm asking.) Because, it's not like I go to a normal school or have a normal life where I'm surrounded by normal people I can talk to. No one knows about me! I'm trapped in this crazy place and This blog is my only outlet to the world outside. I KNOW that's heavy but it's true! The point is: Jesse's birthday is coming up. The central consistent thing in pretty much my whole life is sharing headphones with her and listening to music. The soundtrack to my entire existence is her. I wish I had money and could buy her the best presents of all time, but I can make her the best playlist of all time. I want it to be so good it feels like magic. I want her to think I'm magic. I had another dream the other night. I don't remember much, just glitter. I must be crafting too much. Or looking at festival makeup tutorials. Or both.

November 12, 2018

WARNING- Weird thoughts ahead, lol.

I can never tell which feelings are normal, and which are me being a giant weirdo. But for as long as I can remember, I've had this feeling like every part of my body that's possible to have a ribbon tied around it, has a ribbon tied around it. It's so weird. I can't see the other end of the ribbons - how far they go. where they're attached, nothing. And sometimes it's fine, because sometimes I can hardly feel them. I can forget about them for days at a time, weeks, months if I'm lucky. But then other times I can feel them like, pulling at me. It's freaking spooky, to have something pulling at you from somewhere you can't see. I can't tell if it's pulling me toward whatever it is? Or if it's trying to warn me? Or if I'm just insane??

Does that make sense? Does anybody else feel that way? (she asks into the void)

So idk I guess this ribbons-feeling is why I'm really careful all the time. Like I'm just a careful person. Charlie tried to give me a hard time about it, and I can't be like "I don't wanna pull back in the ribbons too hard without realizing it and wreck something!" because he'd be like "WTF Marin, do we need to get you help?" But also, more and more, I want to be the opposite of careful. I want to take a pair of comically oversized scissors and cut the ribbons into so many pieces that nobody can even tell what they are any more.

I don't know why I'm such a freak, only that I am. I don't know why I can't leave 7 Monolith, only that I can't. But there must be a reason, even if I can't see it, and I feel like it makes sense that the ribbons-feeling is part of that reason, right?

There's just a lot.

January 15, 2019

Happy new year! Lol I forgot to write on the actual first day of 2019, but OH WELL!

I got this new glitter nail polish, thanks to the monthly makeup subscription box my "mom" sends me as an outlet for her abandonment guilt. It has like, every color glitter imaginable without quite reading as "rainbow" which is fine just not really what I was in the mood for and it's vaguely halographic and shifts into all these different colors depending on the light. I'm obsessed. Anyway.

I was putting on another layer because I chipped it like 20 minutes into wearing it, and all of a sudden I had this feeling like I recognized the glitter? Like I felt this thing way deep in my gut and for a minute I couldn't breathe. It's the closest thing I've felt to how books and movies make Christmas look. Like I was home, with family, cookies and cider and all that stuff. Familiar and safe. I almost didn't recognize that feeling. And it came from the nail polish. How weird is that.

I mean, I don't want to make it sound like I've had this awful Charles Dickens childhood - Rose and Charlie are the best ever and always there for me and I love them a lot. But things never feel like...home. You know?

My mom always says this cryptic stuff about how I'm "special" and I wanna strangle her because I'm not, but you try getting my mom to stop doing anything she wants to do. Rose told me once that one day, I would "lead the charge into a new era of existence and access" because I'm "of the Source" and I was like uhhhh okay?? Charlie mostly treats me pretty normal, except when I ask him questions about our family. my mom or any Dram. He knows that I want to know more about them and he's my only real entrypoint, but apparently he's like the black sheep of that whole family. He and my mom were close way back right before I was born, but now whenever she comes to visit he barely even looks at her.

So that's to say: nobody tells me anything, ever.

January 16, 2019

Okay this is so weird. I wrote that entry yesterday about glitter and then last night I dreamed about glitter. Then I woke up with purple glitter in my bed?? Like not a lot, so at first I thought it was from my nail polish, but it was just a handful of purely purple glitter that looks nothing like my nail polish. SO WEIRD!!!!!!

February 14, 2019

Rose has an old book full of "ye olde" style fairy tales, and I flipped through it for the first time in forever today.

Not so weirdly, I've always been drawn to the story of Rapunzel.

Rapunzel couldn't leave the tower, or else she'd break her neck and die.

Same.

February 19, 2019

I was reading this article the other day in one of the teen magazines my "mom" gets me a subscription to and it was all about body positivity, which is great, but it was basically just like "wear a crop top if you wannna wear a crop top! it doesn't matter what size you are! You go, girl!" And like, sure. Yes. I am all for that. But doesn't it seem like there are some steps missing in there? Like, I can physically put on a crop top and wear it outside. But how do I convince myself that everybody isn't looking at me and making fun of me in their minds? How do I unlearn the last almost-fifteen years? How do I get actually positive about my body, not just put on a crop top and fight the urge to cry all day?

It's the same thing like when my mom sends me brochures from the CEO camp she ten when she was my age (her dad started the camp for her, which is an insane thing just by itself, but she did all the work, which is even more insane) and she's like "Marin, you lack direction for your life" and I'm like, cool mom. Yeah. I can see that. What I can't see is how to get there from here.

March 2, 2019

This is what I want my life to look like, volume 2:

The walls of my room are covered in Polaroids of me and my friends. There are lots of mirrors in all kinds of shapes. hearts and moons and stars. There's a record player and a lot of vintage records by Billie Holiday and Lena Horne and Peggy Lee and Nina Simone. And Christmas lights! Everywhere! Lots of of pink and purple Christmas lights everywhere.

If I lived in this room, I'd have so many friends and be part of so many clubs. My best friend would have a collection of vintage cameras, and every place we go to that has a photo booth, we'd get photos taken. Every time I'd look at myself in one of those mirrors, I'd feel happy at what I see and never weird or sad. (Jesse hates taking pictures, so even when I actually do normal stuff with her there's no evidence. What even is a life supposed to be without evidence? That's not an actual question you need to answer Jesse, it's just a question)

Anyway, if I lived in this kind of room, my mom would probably be like, an art history professor at a liberal arts college. That's how come everything looks so cool, because I would know stuff about art. My mom and I would love to try new recipes together. We get each other new cookbooks for every special occasion, and right now we're working out way through a Moroccan one. Moroccan Mondays.

In actuality, there's a dust storm happening outside and my eyes sting.

March 9, 2019

Here's what I'm obsessed with lately.

Can. You. EVEN???

February 3, 2020

Omg I totally forgot this blog existed!!

I lost the password and instead of just resetting it I got in one of my super stubborn moods (Taurus moon lol) and just kept putting in guesses and jokes on me, it locked me out. Anyway, that's a boring story.

But my friend Ximena is really good at hacking and stuff, so she got me back in. Yeah you read that right - I have friends. Obviously a lot has happened since my last post. Ximena moved out here a couple months ago (X's family used to live here but they moved away a while ago) and she introduced me to Lora who I sorta-not-really already knew, and Jesse and I have been hanging out with them a ton. Jesse kind of more than me. Which is fine!!

Anyway I'm 15 now? If I lived somewhere normal I'd be psyched about almost being 16, because I'd get a car and have a Sweet Sixteen and eat a huge PINK cake, but I don't!

February 16, 2020

I read this fanfic the other night that was written in the second person so everything was like "you." "you're doing this" etc you know?

So... You go to a drive-in movie with Heartthrob Boy, and he spills soda on you by accident. And you take off your shirt ( you have a tank top on, don't worry) to clean it up, bit you're still all sticky and self-conscious about being sticky and HTB like... used his tongue to get it off??? AAHHHHH I'M DISGUSTING

but also I wonder if a boy will ever touch any part of me with his tongue

March 2, 2020

Hi I don't know if you heard but I have friends :)))

March 15, 2020

I think I'm so into painting my nails and doing my hair because those are things that always fit. I don't have to worry about places not carrying about a size 8, or places that carry XLs but when you read the measurements they're actually size 8s too and it's like jesus if that's an XL what am I

My "mom" was confused why I needed new pants because mine still look new, but I showed her the thigh holes and she was like "that's a weird place for a hole, how did that happen" and I realized that when your legs are a certain size, you just don't know about thigh rub and what it does to clothes. Pants could just last for years.

No matter what, I can paint my nails with a different color nail polish on every finger, and I can always do a braid crown. And I know I'm cute as hell, etc, so this is not a Marin Needs to Learn to Love Herself thing. It's just an UGH thing

April 17, 2020

So Rose does all these Source experiments on plants and flowers and stuff. Tbh, it's just one if those things I hardly even register anymore because it's just always there. She's explained to me a million times what Source is/does/means, but the way Rose explains things sometimes is just a LOT to take in and she refers to me as a "child of Source" but I kinda figure that's like "child of God" right? What else would that mean?

But anyway, it's really annoying because dried flowers are a part of my new aesthetic and I pinned a bunch of them up on my wall but I woke up this morning to a freaking jungle of very alive flowers. I freaked out. on Rose, and she Rose said she didn't do it and I was like WELL THEN WHO DID and she said that I did??

Which like. Obviously that doesn't make sense. I asked her what she meant and She just shook her head and said " It's happening. We should have known" which is some horror movie shit that she refused to elaborate on. I love to feel safe and normal!!

Or maybe it's not a horror movie at all. But maybe it's a superhero movie? Maybe there's some kind of origin story I don't know about yet, and all of this will be worth it once I figure out my powers. I wonder what my costume will look like. Lol.

April 23, 2020

Is it possible to die from longing? I know that sounds melodramatic, but I'm also kinda serious?? Because it seems like one of those things that could fester and get infected and kill you. It's like when you fall down and bang up your knee, and you need to put a band-aid on the scrape for a while, but THEN you need to air it out - but how do you know when you're supposed to do each one of those things? And if you do either one too much, your knee gets infected. What if I smother my heart with band-aids for too long and it gets infected? This isn't about anybody. I just keep having these dreams about someone I never expected to have dreams about and they're so intense that they keep leaking into my life and I wonder if I need to do something about them.

May 2, 2020

So Jesse's gotten really into metal music, and I tried to get her to play me something since, AS PREVIOUSLY ESTABLISHED, that's what we've literally ALWAYS DONE with music and each other, and she kinda looked at Ximena out of the corner of her eye and said like "I don't think it's really your thing" And it was the meanest thing anybody's ever said to me.

So later I looked up Zenion, the band she was talking about, and I listened to every single fucking song they've ever recorded turned up as loud as it could go with my own headphones that are better than hers anyway, and I loved it. And I didn't love it just because she said I wouldn't. I loved it because it was loud and weird and wild and when I listened to it it made me feel like it's not crazy when so feel stuff so hard it's like my heart's gonna vibrate out of my body. And I would have told Jesse all this and we could have shared it, but I guess she thinks just because I like HTB and glitter and stuff, I don't have the capacity for anything else.

She clearly doesn't know me at all. So much for any kind of whatever, why would she ever want to kiss someone she clearly sees as like a stupid baby.

May 7, 2020

The dreams are getting weirder and they're happening more. I'm getting scared to go to sleep. Not that the dreams are always scary (they almost never are, or not scary like in a typically scary horror movie way). I mean, I've only ever been me. I don't know what other peoples' dreams are like.

The other night in one I was jumping on a trampoline, which is something I've never done in real life. I told Rose about it when I woke up, and she said "do you even know how to jump on a trampoline?" and I said "Rose, it's not like riding a bike. You don't have to learn. You just jump." and then we got into this whole thing about how some things we just know, and jumping's one of them, and how that's so weird. Sometimes I really like talking to Rose about stuff.

May 19, 2020

So, it's prom season in the real world. If I lived somewhere normal, my prom dress would be pink with lots of tulle and silk flowers at the shoulders, and it would fit perfectly and trying in dresses would be fun and not anxiety-inducing.

But since there are only like 10 teenagers currently in 7MV, were not having a homecoming. Cool.

May 27, 2020

So, mom came to visit this weekend, and I asked her about her prom. She was Typical Cecelia at first, very "Prom is a waste of time and money, Marin. It's a night when lesser people play dress-up to engage with their aspirations of grandeur." And I was like eyeroll forever and just stopped talking. BUT THEN she actually talked to me like a human being. She was like, "I actually didn't go to my prom" and when I asked her why she said that she didn't have a date, and was very self-conscious about it. I almost passed out at her admitting that she's ever been anything less than perfect.

(gonna continue this in reblog)

#omega mart #marin dram #omega mart lore

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