#i hate myself for writing it

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[tshortik]

I love you messy artstyle i love you visible brush strokes I love you textures and rough edges I love you imperfections I love you roughness and colour blobs I love you scratchy sketches and bold stylisation and dirt and imperfections I love you ugly and raw emotion!!!!! ❤️

[starry-bi-sky]

(Part of this post with older brother danyal al ghul)

...Okay, look. Sam knows she's staring. She knows very well that she is staring. And that if she doesn't stop staring it's gonna draw her unwanted attention, and that will only have to make her explain why she's staring. Which she doesn't want to do.

She's trying not to stare, which she thinks she should get brownie points for. She tries to look away, to find a spot on the wall to stare lifelessly at, maybe she can burn holes into some of these annoying socialites' heads. But eventually her eyes drift, and suddenly she's back to staring again.

Can you blame her though? Damian Wayne looks like a very close mini-me of her fucking best friend. Seriously, it's like looking into a mirror to the past. If that mirror to the past had green eyes rather than blue and a distinctive lack of a facial scar.

The first time she sees him when her parents drag her over to Bruce Wayne to butter up to him she has to do a doubletake. Then a triple take. Then a quadruple take, just for good measure that she was seeing what she was actually seeing. She was sure she looked like one of those stress toys that when squeezed had their eyes pop out comically like a Saturday morning cartoon, that's what she certainly felt like anyways.

Look, Danny's come a decent way from being that scowl-y, jerkish little ten year old she first met when he arrived like the wind to Amity Park five years ago (even if he was still occasionally scowl-y and jerkish), but one thing that's stayed the same is how reserved he is about his home life prior to being taken in by the Fentons.

He doesn't talk about it much, and Sam's come to know that he's very good at changing the subject when it gets brought up. Even after being friends for nearly four years, the only thing she and Tuck know for certain is that he has a little brother that he refers to as 'starlight', whom he cares a lot about but left on really bad terms with. And that he's never met his father, but wants to and knows who he is.

He's never told her or Tucker who he was though, and glancing at Bruce Wayne, Sam is realizing why. She can begrudgingly acknowledge all the good he's done for Gotham, but... well, if Danny told her that Bruce Wayne was his dad, she wouldn't have believed him at all.

But she's starting to see the resemblance, as subtle as it is.

And she sees the resemblance to Damian Wayne, her eyes dropping back down to him as he wears a very Danny-like scowl on his face, arms crossed behind his back as his eyes swept around the ballroom. He was five years younger than Danny, and god it was so, so weird.

His eyes turned on to her, and they locked gazes for a moment.

Involuntarily, Sam makes a startled noise and looks away. Fingers tap against her purse, black and purple and unfortunately a clutch that only held her phone and her wallet in it. She would have kept a knife on her, but her parents put their foot down and there was a security detail at the door. Only in Gotham.

Silently, she was hoping that the little Danny-me didn't say anything. Or at least, he hadn't noticed her staring. Which was a tall order if she ever heard one -- and unfortunately, her silent prayers went unanswered as her mother's eyes dropped down onto her.

"Did you say something, Samantha?" She asks in a sickeningly sweet voice, a sound that makes Sam's skin crawl. Her dad and Bruce Wayne's attention also turns onto her, and she glowers at her mom from the corner of her eye.

"I didn't say anything." Sam says, barely keeping her tone polite as she turned her head away. Her mother clucks her tongue, disapproving, but from her peripherals doesn't pester her more

Bruce Wayne, the bastard, takes that time to turn to Sam and grace her with his dime-a-dozen billboard smiles. "I've been talking with your parents this whole time, Miss Manson, you must be terribly bored. How is your schooling going?"

Sam eyes him up and down. On one hand, she immediately wants to be snarky. It's none of his business what her school life is like, she doesn't care for his fucking small talk.

On the other hand, this was Danny's whole father. Someone who she knows that Danny has wanted to meet for, what she's assuming, his whole life. He's never brought it up much, but she remembers that very quiet, solemn conversation she and Tucker had with him where he admits to having never met his dad. But god does he want to.

And... wait. Sam's eyes narrow, and she meets Bruce Wayne's eyes. Does this man even know Danny exists? She drops her gaze down to Damian, who was staring at her suspiciously, and then back up to Bruce, and she alternates between them.

Why was Damian living with Bruce, but not Danny? Why hasn't Bruce done anything to reach out to him - what was going on with Danny's biological family that Danny had to be separated from them, but not Damian? Danny's always been kinda mysterious, but now things weren't adding up.

Was Danny given up? Does Bruce just not want Danny, but wanted Damian? Why the fuck does Bruce Wayne know about Damian but not her best friend -- or does he know and just not care? He's fought for custody for his adoptive kids before, does he just not want to fight for his other biological son? Does he think Danny's not worth it?

She's never cared much about the Wayne family before, other than to hear about the advancements on WE's eco-friendly tech, but Sam thinks she's gonna have to look into why Damian Wayne was living with the Waynes.

Slowly, with a protective anger beginning to burn in her gut and crawl up her throat, a scowl slowly curls at the corner of her lip as she redirects her glare from her mother onto Bruce. "It's going fine," She says curtly, jutting her chin out defiantly. "Me and my friend Danny started a petition to fix the leaky faucets in the girls and boys' bathrooms in order to conserve more water for the rest of the city."

She eyes his face, waiting to see if anything like recognition flashes through it. And- and nothing. Sam breathes in slowly through her nose, trying to quell the red that's blurring the edge of her vision -- does he just, not know where Danny is?

Her parents however, make vaguely displeased expressions. "Our Samantha is... quite passionate about her pet projects." Her dad says, laughing low and nervously, "she's very vocal about silly things like that."

"Her friend Daniel is perhaps even worse than she is sometimes." Her mother adds on, fanning her face with her perfectly manicured hands with a sigh. "I swear, he's the one that keeps dragging her into these things."

Sam's anger turns on its head, and she whirls on her heel like a fire-breathing dragon. "It's Danyal." It rolls out like instinct. Danny's told them both that he hates the Americanized pronunciation of his name, but in a rare moment of restraint, puts up with it for reasons unknown to her. "And Danny doesn't make me do anything, it was my idea."

The name, Danyal, seems to ring some kind of bell in Brucie Wayne's head, because she sees him and Damian quietly perk up like two cats pricking up their ears. Her eyes flick onto him immediately, something dangerous rearing its head. So Bruce Wayne knows about Danny. And he's not reaching out to him. Is he? She's not sure.

She does know that she's gonna rip his throat out if she finds out that he's known about Danny this entire time and has been ignoring him while favoring his little brother. She'll hunt down Aragon herself and steal his dragon-shifting amulet and wreck house on Bruce Wayne if that's the case. Batman and his league of vigilantes be damned. Her parents don't notice her slowly turning head towards Bruce.

But Bruce does, and she makes direct eye contact with him. His smile doesn't falter, he just tilts his head like a curious puppy and looks at Sam's parents. She hopes Bruce can read minds, she hopes he can hear her threatening him.

"Danyal?" He asks, and Sam doesn't know if she hates the fact that he said it correctly or not. She just continues burning holes into him and hoping he might spontaneously combust.

Her mother waves her hand dismissively, tilting her nose up poshly into the air. "Our dear Samantha's little... foster friend from school," she says, not even bothering to hide her disdain, "a creepy little boy with the most garish scar on his face. He's a rude little thing, not good for polite company."

Scratch that, Sam mentally alternates between ripping into her parents and Bruce. She whirls on them. "Do not talk about Danny that way." She all but snarls, and they all but ignore her.

(She's tearing up the upholstery when she gets home. She's going to paint over the fine china. She's going to do something to make them pay for this.)

"Oh yes, he was taken in by that freaky Fenton family a few years ago." Her dad continues in lieu of her mom, and they both shake their heads disapprovingly. "It's just what our city needs, another menace."

"Danny is not a menace." Sam continues, raising her voice while her hands shake with rage. Her parents finally look at her, but she can already tell that they're going to scold her for raising her voice. She bulldozes over them and jabs her black-painted finger at them. "He's got a bigger heart than the both of you combined."

"Samantha, please." her mom says, exasperated. They both give her disapproving looks, Sam thinks about grabbing champagne off the tray of a nearby waiter and throwing it in their faces. "You defend that boy far too much. What do you actually know about him and his family?"

Sam sets her jaw, puffing herself up like a dragon protecting its hoard. She steps into her mom's space. "I know that he loves the stars; you can ask him anything about astronomy and he could give you an entire lecture on the formation, class types, and various gasses that stars are made up of. He can tell you how the Earth was formed, he can tell you about the visible light spectrum and about light curves, and a whole ton of other stuff that I don't really understand. But Danny loves talking about it."

Her face twists and scowls, "I know he cares a ton about the environment and about fixing light pollution, and preserving the forests and natural habitats of animals." She nearly jabs her finger into her mom's chest, "I know he loves dogs, and that there's one he feeds every day on the way to school that he calls Cujo, its a St. Bernard puppy and Danny carries him around whenever he sees him after school, and is in the middle of training him."

It's not a total lie, but it's not the whole truth either. Cujo doesn't need food, but Danny gives him it anyways. "I know he likes spicy food and loves movies but specifically only sci-fi and horror, and he hates most martial arts movies. His favorite superhero is the Martian Manhunter, but Batman comes in at a close second." For reasons to her that were pretty unknown, but it didn't matter.

"I know he loves wordplay and making puns, which I would have never expected from him when we first met, but it's so unbelievably Danny-like that I can't imagine him not making puns." And she smiles a little to herself, she remembers the first time Danny intentionally made a pun once and it got startled laughs out of both her and Tucker.

Her smile suddenly falters, and she swallows. Her lips purse up, wobbling, and she very quickly glances over to Damian Wayne, of whom is watching her with a vaguely bewildered expression alongside Bruce.

She turns her eyes back onto her parents. "And I know that he worries a lot, even if he has a shit way of showing it. I know he had a little brother that he hasn't seen since he was adopted by the Fentons, and he doesn't talk about him often but when he does he he calls him 'starlight'." From the corner of her eye, she sees Damian jerk.

"So- so, so what if he's not 'good for polite company'." Sam's voice, embarrassingly, cracks down the middle. But she's so angry over Danny's behalf that she doesn't really care. "Or that he can be mean, and critical, and stubborn. He's learning, and he's becoming kinder by the day. That's more than I can say about you."

(She remembers when Danny finally admitted to her and Tucker being his 'closest friends'. It was sometime before the portal incident, and it felt like a milestone because beforehand he only really referred to them as his companions or allies.)

(At the time, he'd looked unsure of himself. Skittish like a stray in the back of an alleyway, almost shy in his own way. It had come out stilted, slow, like an infant taking its first steps, and it would have been endearing if it hadn't been heartbreaking.)

Her parents rear back like she'd struck them, and her mother holds a hand against her chest in aghast. Sam doesn't care, she blinks the sting out of her eyes. "Samantha." Her mother starts.

Sam cuts her off, "I don't care what you have to say, you-- you pricks." she snaps, around her, there are gasps. Belatedly, she realizes she's grown an audience, but again she doesn't care. "Danny might be an asshole, but he cares. And I'd rather be around someone whose mean but cares, than someone whose nice but doesn't."

With that, she whirls on her foot and turns on Bruce Wayne, who has been silent the entire time with a surprised expression on his face. He starts to shake out of it when Sam turns to him, but she doesn't give him the chance to speak. "Enjoy your party." She snarls, and then stalks away.

[thilsiktonix]

small little doodle page for you @niceguyanonymous !!!!!

((I tried my best, I'm not a very good writer, but I hope you like it <33 sorry I didn't put too much detail into this one, I wasn't sure how exactly to interpret it!))

[wistfullywaiting2]

The biggest misconception in the bsd fandom ever to me is people constantly portraying Atsushi as someone who trauma dumps excessively when he canonically barely talks about it at all.

The entire point is that Atsushi does not talk about his trauma he’s just constantly thinking about/reliving it. He can’t escape the memories of his past so he tries not to acknowledge them.

He only mentions it when asked, either directly or when someone asks him to explain himself.

Atsushi doesn’t even give a cohesive explanation for what he saw while under Dogra Magra, he just apologizes to Haruno and Naomi.

If Lucy hadn’t had her whole “you’ve never suffered the way I have” spiel then I doubt even the audience would’ve gotten to find out about his scars

If Akutagawa never asked him how it felt for the orphanage headmaster to die Atsushi would have never told him that he’s been hallucinating.

In the omake where Kyoka asks him why his hair is like that it’s clear he wouldn’t have told her that unless she had asked.

In 55 minutes Atsushi very briefly mentions sleeping on a dirty floor somewhere to Kunikida because he was trying to explain and justify his behavior.

And the thing is that there are scenes that implies that the other characters see Atsushi behaving strangely and are visibly confused because they do not understand what’s wrong with him.

Remember, we as an audience get to see things about characters that the main cast doesn’t. Just because we see into Atsushi’s mind doesn’t mean the other characters know what’s going on in there.

Also little footnote here that I think this is a reference to the moon over the mountain but I digress

[hannie-dul-set]

WHAT’S WRONG WITH CEO PARK?

p — PARK SUNGHOON x gn! reader. g — ceo! sunghoon and secretary! reader, humor, romance. w — swearing, sunghoon being a weirdo, a misplaced marriage proposal. 1.3k words.

requested by — anon: menace to everyone but you x the opposite of that.

note — i hate the cold angsty male ceo trope. so instead i turned ceo hoon into a weirdo that's a little bit too in love and doesn’t understand the concept of workplace boundaries which stresses you the fuck out!!

when you got promoted from being assistant secretary thanks to your ceo’s former secretary resigning, your co-workers did not throw you a celebration.

“you called for me, mr. park?”

instead, they threw you an advanced farewell party. it was nice working with you, said the cake dusted with stray confetti on the day of your promotion. they’re celebrating your inevitable resignation. they’re sure you’re going to follow suit after you predecessor within three months max because according to them—

“yes.”

your boss, park sunghoon, is the nastiest fucker in the planet.

“take a seat.”

you gulp, making cautious steps into your ceo’s office. he’s signing a stack of documents while you take your sweet time delaying having to sit in front of his paper-stacked desk, setting them aside the moment you sit down, sharp eyes immediately zeroing into your soul, and you start sweating.

there’s a bet on the line on when you’d eventually quit. today marks your fourth month here, and you’re pretty sure heeseung is going to win because you are in fact this close to sliding your pre-written resignation letter over his desk, adding onto his pile.

not because he’s terrible, like they all say. not because he’s temperamental.

“sunoo told me you were sick,” sunghoon starts. “why did you come to work today?”

but because you fear your boss might be a little bit in love with you.

“is...is that the only reason you asked for me?” you hesitantly say, picking on your cuticles and trying to avoid eye contact because the concern drowning your boss’s expression is just enough to drown you as well.

“you don’t look well,” he avoids your question. of course you don’t look well. you’re very, very uncomfortable right now and the main cause of that discomfort is him. “you should go home. i’ll tell jay to drive you.”

you’re pretty sure jay isn’t going to be happy with that. 

“mr. park—”

“i thought i asked you to call me sunghoon.”

your mouth is left hanging open. you’re flabbergasted. you take a second to recollect your thoughts. “...mr. park. sir,” you emphasize. you should at least be the one reminding him of your hierarchical roles at the moment. sunghoon looks upset that you’re not abiding by his request, but says nothing in protest so you continue. “i ran out of sick leaves. and there’s still so much work to do, i can’t just go home.”

“you ran out? well i’ll just give you more.” sir, that’s not how it works. “and jungwon can take care of your work. you should go home and rest.”

jungwon wouldn’t be too happy with that either. you feel your stress levels rising, headache incoming, because he’s just not listening to you. this crazy bastard, you think to yourself.

but maybe you were thinking a little too loudly.

“can you say that again?”

you slap a hand over your mouth with a gasp.

“say it again.”

you’re fucked. you just called your boss a bastard right to his face. “i’m—i’m so sorry, mr. park, i didn’t mean to—” but maybe that’s a good thing because that means you wouldn’t need to debate about resigning if he’s gonna fire you. “i apologize. i’ll accept any punishment you’ll give me.”

“no, say it again,” he hums, sounding a little too happy after being called crazy and a bastard, and you get a bad feeling. a really bad feeling. “i felt like we just got closer because of that. swear at me again.”

there’s a smile playing on your boss’s face. 

“i— i don’t think that’s appropriate, sir.”

jesus christ, he’s a bit more in love with you than you thought.

“why not?” when sunghoon gets up from behind his seat, circling out from behind his desk to lean back against it right in front of you instead, you start fearing for your life. he looks at you, arms crossed in disappointment, and he looks a little too good with rolled up sleeves and slim-fit slacks. 

crap, were you just checking out your boss?

his crazy is rubbing off on you.

“you have no trouble with swearing at and laughing around with the others,” he says. “why can’t you do the same with me?”

he is not normal, you think. thankfully not out loud this time. “sir, you’re my boss. i’m just your secretary. there’s a big gap there. i can’t just treat you the same way as i do with my co-workers.”

your boss takes in your words. he remains quiet with a stoic face for a few moments, and with each passing second of silence, you feel half a year of your life being shaved off. “ah,” he finally makes a sound after a good minute and a half. “should i give you a promotion, then?”

oh my fucking god, he’s nuts.

“boss, there’s an urgent thing you need to—”

“did i permit you to enter my office?”

your eyes widen, slapped in the face by a whiplash when your fellow secretary jake suddenly pops into the office, only to be cut off by the sharp glare and icy tone of your boss. jake’s hand doesn’t leave the doorknob when he nearly stumbles in shock with a stack of papers pressed to his chest. you see the look on his face. it’s the face of someone who’s about to get royally fucked over.

“n—no, sir. but these documents are—”

“then why are you in my office?” holy shit. so this is what they meant when they said ceo park is a bitchy demon from hell. jake looks like he’s about to piss himself. you’ve never been on the brunt of his temper— likely because he’s biased and has feelings for you, which has always felt burdensome. but now you’re a little thankful because you’d probably cry if he snapped at you like that.

“i’m sorry, i’ll leave now. i apologize.”

with that, jake makes his hasty retreat, and you’re once more left alone with your crazy boss. 

“where were we?” he says. “oh, right. your promotion.”

you’re starting to feel dizzy. 

“i’ve never liked how seojoo handled things. you can take his spot as the sales department head.” you have to stop him. you have to stop him before he actually fires a competent employee and gives you their spot as a courtship gift. “wait. i think you’d prefer working in HR actually. it’s a shame ms. kim is going to lose her position, but i can just—”

“mr. park—”

“sunghoon,” he cuts you off. “call me sunghoon.”

you look at him, exasperated. “sir,” you say. “i don’t think this is right.”

sunghoon raises a brow. “you don’t like HR? which department would you prefer then?”

you can’t. you can’t do this anymore. you make the mistake of letting your eyes wander out of stress, because they inadvertently land on the shiny gold glint of his nameplate, which is a terribly bad move following after his question because sunghoon notices, and sunghoon gets the very, very wrong idea.

oh, no. oh, no no no no no—

“i see.”

he doesn’t! he doesn’t see! you aren’t coveting his seat! you just want to go back to work and stop dealing with your insane and far too in love with you boss!

“i’m afraid i can’t give away my position as ceo,” he tells you. you swallow, shutting your eyes because you don’t want to acknowledge the mess you’ve just accidentally made, but your lack of vision definitely doesn’t interfere with your sense of hearing.

what you hear next sounds clearer than you’d like it to be.

“how about the position of being the ceo’s fiancé instead?”

that’s it.

“i will be getting back to work now, mr. park.”

there is something very wrong with your boss. it’s not in your job description to fix him.

WHAT’S WRONG WITH CEO PARK? © hannie-dul-set, 2023.

[pinkeos]

we all know jing yuan is immortal, he's lived for so long and remained as one of the key figures of the alliance. but with his long life span comes with memories that would sometimes grow hazy

however, aside from his old friends, there's one more person he'd never forget and would never allow to slip from his mind; you. his mortal lover who had passed away centuries ago

unlike him, you aged. and with age, comes with inevitable death. he could still remember how hesitant you were at first when he asked to be your lover, because you knew his life would last longer than yours, and he'd end up alone

you'd joke multiple times that he'd probably fall out of love when you start growing older, but he never did. he stayed by your side, held your hand as wrinkles slowly appeared on your skin. he still pressed kisses on your face, brushed your grey hair and reintroduced himself whenever you started forgetting who he was

he'd tell you stories of the years you spent together, all the heartwarming memories and even the disagreements you've been through. his heart still skipped a beat when your weak chuckle echoed in the bedroom, a bittersweet smile still plastered over his face when it was your turn to retell the memories you've shared

like he told you before, he still stayed by your side even when you breathed your last, his heart stabbed by a million daggers with how you tried so hard to remember him even before you left. whispering a declaration of love and his name as your eyes fluttered close

even after your death, he'd still keep you close to his heart. even death won't be able to keep you apart

he'd talk about you fondly to anyone who's willing to listen, a smile of adoration and longing very much visible on the general's lips. it doesn't matter how many years had passed, or will pass, it will always be you that occupied his heart while he waits until he reunites with you again

and by a twist of fate, his eyes met your familiar ones when his hologram came to meet the guests from the astral express

even in a different life, that smile and that presence, everything about you... it was still you

[willowser]

not to be so disgusting and gross about gojo on the dash but i think he's such a flirty, teasing idiot that, when you show him genuine and true affection, he goes all somber and quiet.

like you come up to him after dinner and stand on your tip-toes and hug him for no reason, give him a fat kiss on the cheek for no reason, and he just — lets you. doesn't say anything, just kind of hums and lightly places his hands on your hips, so gently you might not even know they're there. you tell him, "i love you, thank you for eating with me," and he presses his mouth to the top of your head, lips squished, and says it back, but there's no jokes, no teasing remarks. he just allows himself to be weak and to bask in it, for as long as he can.

[fandomrose]

Sunday - Love Hypnosis

Sunday hypnotises you (consensually) to relax you.

No spoilers.

No description of reader or readers troubles so project what you are personally struggling with as you see fit.

No angst just fluff. I thought this concept would be cute. I've seen many a yandere Sunday hypnotises you, and that's great but consider - consent and fluff.

(This isn't a jab, I too enjoy a yandere fic from time to time but I also want to see fluff and I haven't seen this done in a fluffy way yet.)

I don't know why I'm mildly obsessed with this man but I am. (Cough Cough, I read maximum ride as a kid and now I automatically fall in love with winged characters. Cough Cough.) I need him to hypnotise me please and thank you.

(I have a few fics in the works that I need to finish but I'm struggling.)

As usual enjoy. Love ya 💙

"Darling?" Came the light and airy tone of your beloved. Though there was a hint of worry in his voice as he took in your face down, slumped form. "Are you alright?"

He could tell very well that you were not alright. But he would coax an answer out of you one way or another. Though the only answer he received was a groan.

"Darling." He sighs but chuckles at your obviously aggravated self. "Allow me to help you." 

Your body goes limp as you let him move you from a sofa to your shared bed. "My darling. Tell me what's gotten into you."

He chuckles as you groan out a single word relating to your issues. "Life."

"Oh, my darling. You'll let me soothe you for the night won't you?" He only felt it was right after the many nights you had soothed him. 

Patient, kind, understanding. Three words that when asked by others what you think about each other, you'd both say about each other. A pure give and take without a scoreboard, that's how you operated. You were both busy or stressed for one reason or another so that's how things had to be.

The simple love you shared was enough most days but sometimes things went wrong.

Sunday had performed hypnosis on you before so he knew it worked but he'd never engage unless you agreed. You knew the question he asked meant he wanted to soothe you via hypnosis, and with the state of your mind you would happily agree. 

"Please do." 

He wouldn't offer if he didn't have the energy you knew this, a rather large argument took care of that when he'd overworked himself then passed out after hypnotising you once and a medic had to be rushed in. Needless to say, you weren't happy with his carelessness. And seeing how upset you were he agreed to be more careful with his health.

You didn't want to think anymore so as you lay there looking up at him with your tired eyes and weary mind, he smiles. He caresses your face and hair before taking a deep breath and reciting that familiar chant.

"Oh triple faced soul, allow me to take hold of this one's mind and soothe them of all worries and burdens. The word Beloved will be the catalyst for control."

With that simple incantation your mind belonged to Sunday for a short while. Your mind felt fuzzy and slow but not unpleasantly, the way it would when you achieved complete relaxation. 

Like he had done before, he would take you through your nightly routine with this hypnosis.

"Beloved, follow me to to the bathroom." He helped you up while your body automatically followed his words and stood up. 

Walking was about the most complex task you could complete, he wasn't Xipe Themself, so his power only went so far. 

"Beloved, lift your arms." 

You do as told and he aids in stripping you, ready to be cleaned. 

"Beloved, sit on this stool and close your eyes." 

You again do as told his voice muffled through the layers of hypnosis, but soothing nonetheless. "I am going to wash your face first darling." He always narrates what he does before doing it as not to startle you.

You felt a cool, wet, cloth glide over your face and you can't help but sigh with satisfaction. You feel it gently caress your cheeks and softly rub your eyes tickle behind your ears. You hear the cloth being rinsed and wrung, the muffled sounds of the water soothing you further.

"I am going to wash your upper body now darling." And, as before, you feel the damp cloth glide over your neck and upper body, letting him move you has he sees fit. Soft humming coming from him lulls you deeper into his hypnosis. The cloth glides down and caresses your chest before moving to wash your back. You'd make sounds of relaxed satisfaction if you could but your exhausted body coupled with the hypnosis has made your brain devoid of any thought or control. Just how you want it. 

He moves back to the front of you with a new cloth. "Beloved, spread your legs, I need to clean you." 

Your body complies without hesitation and that's what he does, making sure to be extra gentle around this sensitive area. He is thorough but doesn't linger long this time, not wanting to spark anything in you this evening.

Standing to switch the cloth again, "I'm going to wash your legs and feet now darling." Still being as gentle as ever his hands and the cloth slowly makes their way down your legs massaging them as they go. A light massage is given to your feet as well before he finishes and pats you dry with a towel before he deems your body clean.

"Beloved, open your mouth wide." 

He orders next, your mind too fuzzy to think of what else could be doing. You hear more water then feel a hand on your chin. "I'm going to brush your teeth darling." Then light scrubbing of your teeth and tongue can be felt, he is thorough with this area too. Not wanting to be the reason you have cavities he takes his time. Not too long later he finishes with you. You can hear things being put away and muffled sounds of him walking around you, maybe inspecting you. Before he stops in front and, 

"Beloved, open your eyes and stand up. Its time to go to bed."

You're led back into the bedroom now that he is satisfied that you are clean. "Beloved, are you ready to sleep?" 

Compelled to answer, you do. "yes"

"Beloved, do you want to sleep with me?"

"Yes"

"Good, let's get to sleep then shall we." 

The sounds of fabric and draws is all you hear for a moment before he guides you into bed with him. 

"Beloved, lay down." 

When he's satisfied you are comfortable You feel his soft skin against yours, the wings on his head lightly brushing your face in reverence before he pulls them back. It isn't often he blesses you with his naked body, the vulnerability gets to him at times. 

Once you've laid down and he's pulled you close he asked one more question.

"Beloved, are you ready to be released from hypnosis?"

"Yes"

As the words leave your lips he begins the incantation to remove his influence on your mind. 

"Oh triple faced soul, this one has completed this ones tasks and can now be freed from the shackles of my control with no burden."

Everything goes still as your senses return slowly, reacclimating you to reality. A few minutes pass of him softly stroking your head and neck while you come back to him.

"Thank you Sunday" a soft whisper conveying how grateful you are before you promptly pass out the exhaustion and relaxation hitting you full force as you melt into the bed and his arms.

"Oh my beloved, I'd do anything to see you happy and relaxed like this more often. I am grateful for all you do for me so it's only natural. I love you, so much my beloved."

He whispers to your sleeping self, pressing small kisses to your forehead, cheeks and nose. Watching the small twitches at the contact makes his evening and he feels like he too can finally relax.

[save-the-villainous-cat]

could you write something with the hero and villain fake dating? (you totallt dont have to if you dont want to or something I just wanted to ask cus I loveee the trope!)

"Kiss me," the villain said.

"No fucking way." A horrible blush started to spread over the hero's neck. The worst thing about this was that this had been their idea in the first place.

They were ashamed to admit it but when they had arrested the villain a few months ago, they had suggested to the judge a different kind of punishment. At the time, there wasn't much evidence of the villain's criminal activities, so the hero had thought it to be more practical if the villain had to work together with other heroes. As a kind of community service.

After all, the villain was smart when it came to these schemes.

However, for whatever reason, they had been paired together. The hero didn't quite know what to do with themselves now. Ever since the mission had started, their brain wasn't functioning at all. It was quite self-explanatory. The villain was incredibly attractive and they were joking around, seizing every opportunity to flirt with the hero.

The hero suspected it to be some scheme to throw them off their game. But they couldn't be sure.

"These guys over there have been eyeing us the entire evening. If you ask me, they're not buying our little act." The villain let their fingertips ghost over the hero's knuckles and the hero's heart started to throb. The hero didn't turn around to look at the suspicious people the villain had been talking about. Their mind was somewhere else entirely.

On this after show party, they were supposed to observe highly influential people for suspicious activity. An election was coming up and although the hero loathed politics, it was obviously the right thing to do. They weren't supposed to be the ones being observed.

Usually, the hero wasn't very fond of undercover work. They were a horrible liar and improvisation wasn't their strong suit either. For the last few days, the villain had saved them more than once from embarrassing slip-ups. It was quite pathetic.

"And you have been flirted with already," the villain said. Somehow, their voice sounded bitter.

"They were just being nice," the hero said. They shifted on their chair. If someone was indeed observing them, maybe kissing the villain was the right thing to do. God, the hero didn't have much experience and they feared they would make a fool out of themsleves once again.

The villain probably had a new lover every week or so.

"They wanted to buy you a drink."

"Ehh," the hero said. "It doesn't really matter, does it?"

"It's compromising the mission."

"Is that person who wanted to buy me a drink one of those guys who have been 'eyeing' us the entire evening?" the hero asked. They leaned over and took the villain's hand. Whenever they looked into the villain's eyes, their stupid heart skipped a beat but they tried to come closer, to appear more in love.

It was quite strange for them to display physical intimacy in public. They had never really considered themselves to be fit for relationships - work got in the way every single time but the villain brought enough casualness into the (fake) relationship to somewhat ease the hero's nerves.

The villain didn't answer their question, though.

"All I am trying to say is: when someone wants to buy you a drink, we don't look like a couple," the villain said. Their eyes dropped to the hero's lips and the hero leaned over, holding onto the villain's hand.

"Well, you could have come with me to the bar," the hero said. They shrugged and took a sip of their drink with a shaky hand the villain observed a little too long.

"I will keep that in mind." The villain followed the little veins on the hero's wrist of the hand that was holding onto them. The hero was so nervous they weren't sure if they had to cry or laugh.

"Okay, be honest. Is someone watching?" the hero asked. They managed to scoot over towards the villain.

The villain's eyes were still on the hero, observed every little move. To say the villain could be relentless was an understatement.

"They have the audacity to check you out." The villain's voice was low, even though their mouth formed a sweet smile. The hero hadn’t even realised how tight their grip was around the villain's hands. "Probably some disgusting perv. I can’t blame them, though. You look incredible."

The villain leaned in, touched the hero's forearm gently and immediately, the hero’s heart sped up.

"You have to be very careful or I will actually fall in-"

And then, the hero kissed them.

For whatever reason, they kissed them. They put their flat hand on the villain's neck and pulled them close until their lips met. Later, the hero would blame their own nervousness but truthfully, they didn't know exactly why they did it.

The hero considered themselves inexperienced - rightfully so - and heard their own heartbeat in their ears as the villain smiled against their lips. The hero felt clumsy and stupid; they didn't know exactly what they were doing. So, it was even more embarrassing when the villain put a hand on their thigh, squeezed softly and responded with slow kisses, forcing the hero to adapt.

Although the hero was painfully aware of their own nervousness, they were also calming down slowly. The villain was guiding them through it perfectly and they hated themselves for being in need of it.

Eventually, the hero pulled away and found it to be quite hard to look into the villain's eyes.

"Impressive," the villain murmured. Their smirk wasn't leaving their face.

"Sorry, I- uh-"

"Don't apologise."

"Oh, yes, uh..." The villain leaned over once more until they could whisper into the hero's ear.

"You did so well, don't you know that?"

"Are - are they still watching us?"

"No, my love." The villain gave the hero a peck on their temple. "How do you feel?"

"Nervous," they admitted.

"You're not really a fan of being undercover, are you?" The villain took their hand and the hero squeezed it, trying somehow to stop their hands from shaking.

"It's my least favourite thing about this job," the hero said. They took in a deep breath and tried to gather their thoughts.

The villain could be so sweet - the reassurance and the gentleness were so foreign to the hero that it scared them. Most of the time, their job was focused on performance and results. There wasn't much space for emotions. They weren't used to someone praising them.

"Don't worry, you are amazing at this," the villain purred. "If it's too much for you, we can always leave."

"But the mission..."

"Well, if you want my honest opinion: I couldn't care less about it. I am just enjoying my time with you."

The hero had to chuckle.

"You are terrible."

"It's your call. I can take the blame if your boss gives you an earful."

"Really?"

"Really."

Once they were back in their hotel room, the hero dared to sleep in the bed with the villain next to them and awoke unsurprisingly in their arms in the morning.

[stagefoureddiediaz]

We’ve been looking at this all wrong the entire time...

So my brain is a weird place that I don’t fully understand, but sometimes it connects dots and I figure something out that has been staring us in the face the entire time! Lets just say it explains so many things - right down to the very pointed use of tommy calling Buck Evan!

This all stemmed from me looking at colour theory and costuming for Buck and Eddie (and by extension Tommy) season 7 again, because I was going to try write the buddie costume metas for episodes 9 and 10 that I never managed to get done before we started season 8 I will hopefully get to those posts, but this post - while technically about Tommy and his costumes (yes me ant Tommy person writing a post on him I know!) it does also look at the costuming for Buck and to a lesser extent Eddie more widely across the season and what the colours used actually mean - getting some distance and some time on the season has been a blessing!

Im not going to go into it in detail, but, broadly speaking the show has given each character a signature colour - this doesn’t mean they wear it all of the time - but they do wear it a lot of the time and especially in key scenes - characters can have more than one key/ signature colour, and it can change and develop over time. We can ignore season 1 because it was a pilot season and very often shows won’t choose to establish a signature colour for a character (911 s1 is all over the place from a costuming perspective - because they had several designers working across the 10 episodes but since s2 we’ve had much more continuity with Alayna Bell-Price at the helm for most of it). So for example Athena’s signature colour is mostly black with white and khaki green also in the mix. She’s moved away from that subsequently - wearing less black and more white/creams but both colours are still staples of her wardrobe.

Eddie we all know mirrors Athena from a costuming perspective - his signature colours are also black and khaki green with some white/cream as well. The khaki green was much more dominant than the black to begin with - which played into his military past -  that had evened out on the black and khaki front whilst the cream had stayed fairly steady, but now we’re also starting to see a little bit more of it as well as some darker blues. this mirrors Athenas own journey t healing - the more she heals the less Khaki we see and the more white/cream - Eddie is starting to follow the same path from a costume perspective. 

Bucks signature colour has always been blue, but he also wears a fair amount of yellow and grey, so those are his three colours. He obviously wears a lot of other colours, especially white, but white has its own specific use in Bucks costumes that sits separately from his signature colours. 

We all know about yellow/ blue and green blue colour theory - I’ve gone on about it enough (especially yellow blue colour theory and its queer coding) and others such as @lover-of-mine have as well. Well both yellow/blue and green/blue continued to play out in season 7, I’m not going to go into them in too much detail - there are posts on my pinned post that cover that much better and I want to get to the good stuff (and I know you all do too!) 

We do need to remember that Buck and Eddie very very rarely wear blue and green in scenes together - if Eddie is in green Buck won’t be in blue, and vice versa - this is because of the ties to blue/green being Buck and Eddies break up colours - the colours they wear opposite their respective girlfriends when the relationships are ending. This is a little less set for Eddie - who actually wears white/cream much more when he’s ending relationships than blue or green - but the one time he has actively done the breaking up he was in green.

As I was starting to do a bit of work on the 7x9 and 7x10 metas, I ended up going back and looking over the Buck and Eddie costumes for the season as a whole, and how Tommy fit into all of that as well - as we’ve all been billing him as Eddie lite.

While I do still think there is an element of Tommy being Eddie lite, I don’t actually think that is what the show has been doing -that concept is a bit of a red herring. I’m sorry that this is likely to get a bit convoluted and wordy - but my brain is  still reeling and incoherent so bear with me - I hope it all makes sense.

Right this post is super long so the rest is going below the cut! I hope you enjoy!

Because I was looking for Eddie and Tommy parallels in the costuming for the season, I had been looking at the choice to put Eddie in red/black for his dinner date with Kim and Buck being in green for the scene at Bucks loft, and the fact that back in 7x04 Tommy had been dressed in the same colours - a red henley which was shot with black giving it a red/black colour way. I naturally started looking at the other Eddie - Tommy costume parallels - and there are plenty - lots of the khaki green we see Eddie in - playing into Tommys own military background.

These are Tommy’s scenes - where he wasn’t in uniform of some description (which is a good chunk of his scenes to be fair) 

7x04 

at the hangar - white tee, greenish stone coloured shirt and a tan jacket with stonewash jeans

at the court - light grey marl cut off hoodie and bright blue shorts

at Bucks loft - red/black short sleeve henley and stone wash jeans

7x05

at the restaurant -dark khaki green shirt (I would also like to point out the blue green colour theory here with the addition of tommy having a blue phone case - which is relevant later I promise!)

coffee meet up - light grey henley and navy blue hoodie with mid wash jeans

7x06

karaoke club - navy blue short sleeved henley

7x10

light grey marl tee and greenish denim shirt 

So what you can see from this is that besides the use of henley’s, the only time we get actually get direct reference to Eddies costuming is through the use of khaki green and his first outfit at the hangar. There is of course the direct parallel of the red/black colour way I spoke of before, but, beyond that if you look you’ll see that Tommys outfits actually parallel Bucks far far more. I would even argue the Henley’s are more similar to Buck than Eddie - because they are short sleeved and Eddies are invariably long sleeved.

Bucks colours are blue and grey - and so are Tommy’s - particularly in scenes that are 1-1 with Buck. What I’m trying to get at and will explain is that this has never ever been about Tommy being Eddie lite - this is all about Tommy being Buck - Buck’s subconscious if you will. (I know you all this I’m completely mad at this point - but stick with me!) I have a lot to say about all of this which will explain the why of it all and how we ended up here so we’re going to go through it Tommy costume by Tommy costume!

Lets start with the hangar scene - the most Eddie like Tommy looks throughout the entire season. this is very much intentional - this is about the red herring of it all, but it is also about Eddie (I’m not discrediting anything we’ve talked about regarding Tommy being Eddie lite etc - it is all relevant - but that’s what makes it such a good red herring!) and about Buck being an unreliable narrator. This is in part why we also still see Buck in his too short trousers and his white sneakers. This is his journey (the sneakers), but he’s still trapped in his old self at this moment in time - but aware that he doesn’t fit his skin anymore (as an aside I will be writing a post about Bucks trousers and their changing fit throughout the seasons at some point soon!)

Script wise the key lines are plentiful - the entire scene is full of double meaning. We get Buck stating that he is ‘happy where he’s at’ and Tommy’s response of ‘you’re thinking of changing things up’. viewed through the idea that Tommy is a version of Buck, this then plays out as an internal conflict - a battle about wanting what you already have - being happy with what you have, but also wanting to change things.

Eddie saying ‘you aren’t thinking of leaving us are you’ and Bucks response ‘I’m keeping my options fluid.’ Eddie needing reassurance that what they have isn’t going to change, while Bucks reply is about him not really being sure of himself - of who he is - keeping his options open because he’s figuring out if he wants to change - the line is said to and directed at Eddie so its about Buck keeping his options open about possibly changing their dynamic - becoming something more, even in the face of Eddie not wanting things to be different.  Tommy stating in this scene that Buck doesn’t need to leave the 118 to get certified to fly - that its something he could do for fun on his days off - becomes even more loaded through the internal monologue lens - Buck considering how he can stay at the 118 and have the joy, fun and benefits of ‘flying’ when he isn’t at work - that he could fly with Eddie (Eddie going flying with Tommy to do something fun and date like is a very literal visual metaphor for Bucks internal monologue - showing him what it could be like if he changed things up). There not being three tickets - only two is also important - its again a metaphor this time about how if Buck and Eddies relationship changes - it would only change for the two of them - it would become a relationship that doesn’t have room for another in it. When I say that’s about Chris not being involved it sounds really harsh, but the reality is Chris cannot be a a part of Buddie - he cannot be a part of something romantic. it isn’t saying Chris isn’t important or central to Buck and Eddie - simply that he cannot be a factor in a romantic relationship - that has to be just between Buck and Eddie alone - its kind of about Eddie (and also to a certain extent the same is true for Buck) not being able to hide behind Chris anymore when it comes to Buck.

Fundamentally its all tied back to his death in season 6 (we even get the being struck by lightening reference from Buck just to bring that aspect home) and subsequent resurrection and rebirth  (post linked on my pinned post if anyone wants to read it!). we have to keep at the front of our minds that Buck has died and that is still playing on his mind - its still influencing who he is and who he is becoming and it was all throughout season 7 - even if it wasn’t obvious or stated.

The basketball costume is actually the one that has always stood out for me - Its the most Buck outfit of all Tommys outfits. The bright blue shorts especially. 

So in that scene, which we know is supposed to read as being from Bucks view point, not only are we getting golden haloed super happy bouncy Eddie - Eddie the way Buck sees him -  but Buck is also projecting and seeing Tommy in the place he (Buck) has always existed in. It’s a visual representation of what Buck talked about with Maddie and Tommy replacing him in Eddies life.  Its unreliable narrator buck in visuals he’s seeing Eddie replacing him with Tommy - occupying the same places Buck has and more - from the calendar to the basketball court.

But that’s actually wonderful, because not only does it give us information on how Buck views himself (as expendable/replaceable) and how he thinks others view him - because if he thinks he’s similar to Tommy (which for a purely visual stand point he is - Lou looks more like Oliver than Ryan) but it also gives us information about the reality of how much Buck is actually intwined in Eddies (and Christophers) life - its telling us that Buck is in fact on Eddies calendar (and therefore fridge - fridge magnet theory for the win!) and how much space and conversation he occupies in the Diaz’s everyday life.

So he isn’t actually seeing Eddie in Tommy at all - he’s actually seeing the version of himself he doesn’t think he is but wants to be in Tommy. The version of himself that takes Eddie to vegas etc - that’s the Buck that Buck wants to be - the one openly flirting with Eddie and taking him on dates etc. That’s why the vegas fight is so seemingly ott (especially when you think about the fact Tommy and Eddie have known each other a week or so at most by this point) its the grand gesture Buck wishes he could be making.

All of this also makes Bucks ‘attack on Eddie’ more telling (it’s still the boy pulling the girl he likes pig tails in the playground concept) because Eddie is being receptive to all of these advances by Tommy - adding further weight to the Buck being jealous of and threatened by Tommy. 

Tommy is this version of Buck swooping in and doing all this stuff that Buck wants to be doing (subconsciously still at this point - willful ignorance be winning) but either didn’t know how to or didn’t know Eddie if would be receptive to. Remembering that this is all Bucks viewpoint of things its essentially Bucks brain showing him what dating Eddie would be like and Buck being Buck misunderstands what his brain is telling him (forever misunderstanding the assignment).

There is a second aspect to this and it ties into Tim’s comments about the hamster wheel Buck has a been stuck on and it being time he got off it - the hamster wheel is actually multifaceted and has more than one meaning. The most important is that the hamster wheel hasn’t ever been about his relationships or about the women he’s dating (or men now). The hamster wheel he’s stuck on is actually the fact that he’s built this strong relationship and family with Eddie and Chris - (you don’t find it son you make it) and its something safe and stable and predictable in his life. Getting off that hamster wheel is about being brave and moving that relationship - that family dynamic onto the next level - removing the platonic aspect of their family and making it a fully formed family for real - romantic love and all - so the ‘platonic’ family is the hamster wheel he actually needs to get off of. 

The other aspect of Tommy actually being Buck and the hamster wheel of it all is that hamster wheels are solitary pursuits - the implication is that Buck is the one standing in his own way - and coming back to the basketball game we see that played out in the moment where Buck tries to literally run through Tommy - only you can’t act out at yourself, and Tommy is a literal solid unmoving barrier and Buck won’t get past himself by just trying to bulldoze his way through.

This all then plays into the final Buck and Tommy scene of the episode - in bucks loft. I already spoke above about the red/black of it all, but now with the added concept of Tommy being A version of Buck things start to become more interesting. The red/black of it all is a warning (and the poker date red/black velvet suit and eddies red and black suit from s6 actually play into this as well!) - its dark romance - ‘forbidden’ dangerous romance or love. So for Eddie and his date with Kim that meaning is very self explanatory. The two season 6 suits are also fairly self explanatory - for Eddie again its the dangers of looking for romance that isn’t on your own terms and for Buck at the poker game its about the danger of falling in love with the person you are when you aren’t being truly yourself. Tommy being a version of Buck and this concept is a little more murky - essentially is about a similar thing to his poker suit - with a twist - its about the danger of seeing more value and loving a version of yourself that ‘used to exist’ as well as a version of yourself that you think will make you more attractive to others.

We do also need to Talk about Bucks costume here as well - the fact that it fits him almost perfectly - he’s in well fitted if slightly loose jeans and a navy shirt that isn’t tight with buttons not clinging on for dear life (to the same extent). The colouring is still on the dark side - so its not entirely positive - much in the same way that other scenes with buck in a dark navy shirt are moments where things go a bit askew for Buck (think the  taylor ‘I kinda love you for it’ scene from s5 as an example). The implication is that - before Tommy comes along Buck is at his most content with who he is - he’s fitting into his skin better than he has in a long while but it’s not perfect. This is key, firstly because of how the scene unfolds and secondly, because of how he is then costumed from here on out for the rest of the season.

I do also want to mention the yellow blue colour coding in this scene and that is mostly done through the lighting - Buck is in blue and the light behind him is always yellow - he is surrounded by yellow light. In contrast - Tommy is barely touched by the yellow light - not until Buck starts to figure things out - then we get him briefly touched by the yellow light - the rest of the time he is lit very cooly - which is in contrast to the warmth of the loft - and further plays into the idea of Tommy being a stand in for Evan - Evan who isn't loved and accepted in the same way Buck is - Evan who Buck needs to learn to love.

If we look at the script for this scene, it also fits in perfectly with the idea of Bucks internal monologue.  Tommy and Eddie being ‘buddie’s’ making perfect sense is a literal aside to the audience telling them that Buddie makes perfect sense - but it is more than that. This is where I have to bring up the ‘Evan’ of it all. I know a lot of us shudder with horror because of the fact Tommy only ever calls Buck ‘Evan’ and how both jarring and rude it is. How it shows how little Tommy knows Buck. We’ve always known it was being done intentionally. Well, if we view the use of Evan through the lens of Tommy being a version of Buck and things become clearer.  Because Tommy is basically the old version of Buck - the Buck who existed before he knew Eddie - before he joined the 118. And this is where the choice to bring back Tommy specifically for this role becomes a really smart one - because ‘Evan call me Buck Buckley’ was Tommys replacement at the 118. Tommy who has a problematic past that has never been dealt with on screen. This isn’t about the nature of the problematic past. This is the show playing on the idea of Buck’s software upgrades - before Buck 1.0 there was Evan, and using who Buck replaced at the 118 as a plot device to actually dig into Evan more so that Buck can deal with, accept and move on from Evan and become who Buck is meant to be.

Tommy saying he couldn’t replace Buck furthers this - because Buck cannot go back to being Evan - Evan can never replace Buck. invoking Christopher adds weight to this - because Chris never knew Evan - he’s only ever known Buck and Buck is ‘his Buck’ and irreplaceable. Tommy then stating his jealousy is about Evan feeling the lack of family that he grew up with - the recognition that as Buck he has made a family for himself - Bucks assertion that Tommy (Evan) was a part of it is valid - because without Evan Buck couldn’t build the family he has. The entirety of this conversation is about Buck choosing to ‘get to know’ his past (remember this is coming of the back of Buck crossing out the ‘LEY’ on his nameplate in s6 and his struggles with his parents acceptance in that season before the lightening strike), choosing to learn about Evan and embrace him as a part of Buck.  

Bucks assertion that he was ‘trying to get [Tommys] attention and it being exhausting’ is part of that as is the confusion Tommy expresses. The choice for Buck to use the word ‘exhausting’ - it’s Bucks subconscious trying to get his own attention - its his subconscious telling Buck that he’s exhausting himself by not listening to what his inner voice is saying. It’s of course a play on Buck being called exhausting by other people (and is perhaps why he doesn’t have the confidence to listen to that inner voice) and that also plays into the Evan of it all and how Buck views himself. Tommys confusion also plays into that - bucks own mind is confused - it was getting ready to ‘pursue’ Eddie but now we’re pivoting into what is essentially self love.

The continued bringing up of Eddie also makes sense with the contact of Tommy being alt Buck - because Eddie Eddie Eddie fills Bucks heart and mind - Both Evan and Buck recognise Eddies importance if not his full relevance in this moment. The resulting kiss then becomes less about Bucks bi awakening (I am not diminishing the importance of that in any way shape or form - its a vital aspect of Bucks journey) and more about Bucks decision to pursue loving himself - this ties into his statement ‘it wasn’t about me wanting to leave the 118 - it was about wanting to get to know you’ - its about Buck wanting to get to know himself - on the other side of his death and resurrection. It’s a continuation of his comments about Natalia ‘seeing him perhaps better than he sees himself’ - it’s about Buck starting to see himself better now he’s died and essentially been reborn and bout Buck now being in a place where he feels ready to confront that idea of being reborn and becoming someone new.

At the restaurant in 7x05 we have Tommy in an Eddie colour, but in a shirt that is much more Bucks style. There is also the green/blue colour play with Tommy stating Buck isn’t ready and Tommys ‘mismatched’ clothing bears that up - the play is on Bucks lingering confusion and uncertainty about what he wants - is it the Eddie side of things we’re pursuing the self love of Evan aspect we’re looking to explore? The entire scene is not just about Bucks first ‘date with a dude’ its also about Bucks fumbled attempts at self love - at not getting it right - its why Bucks outfit doesn’t fit him- why they’re now too big and baggy (I wrote about this in my costume meta for that episode - which like all the other costume posts can be found linked on my pinned post).  The innuendo about closets and Buck going into masculine bro mode is as much about his nervousness about being on a date with Tommy and being seen as it is about the fact that a man practicing self love is still taboo and so often met with derision - hiding that you are pursuing that is a kin to hiding queerness - at the start - until you get to a good place with it.

We side step into the Buck and Eddie loft scene briefly to look at Bucks confession to Eddie - I could write a whole thing on Eddies acceptance of Buck and its importance - but that is for a different post that isn’t already a million words long! what I want to mention in this scene is the why Buck can’t stop thinking about Tommy of it all - how it is essentially establishing the idea that Buck is starting to listen to himself.  He can’t stop thinking about Tommy because it isn’t Tommy he can’t stop thinking about it’s actually himself - Evan - in a learning to love himself and embrace who he is and was kind of way - all being done through a bi lens. it is essentially about Buck doing the thing he needs to do to be ready for a forever relationship with Eddie - which is love and accept himself - all of himself and acknowledging that to Eddie.

Buck switches back to better fitting clothes for the coffee date - and tommy is now dressed back in Buck colours and no trace of anything resembling Eddie in sight - making it clear that Buck has chosen to pursue himself. To get himself to the place he needs and wants to be first - the line about not knowing what it is he’s ready for but being ready for something is key - its a very self love line, but it also puts a very clear time frame on things - it makes it clear that Tommy is not endgame - because Bucks choosing self love and embracing and understanding ‘Evan’ isn’t his end game but a part of his bigger journey - a part of becoming who he needs to be to achieve what he actually wants - to get him to his endgame.

Then we have the Karaoke - brief scene(s). There isn’t really a huge amount in these scenes. But I do want to point out two things - the awkwardness of Buck and Tommys hug - and how that plays into the tentative nature of Bucks self love journey - and also Eddies behaviour towards Tommy - and the way it was very very clearly a lot cooler than we saw in 7x04.

We all jumped on the Petty Eddie train - and I agree there is an element of that. But - there is also the fact we are not seeing that scene through Bucks eyes - its through external eyes and we are therefore seeing the actual reality of Eddie and Tommys friendship - in that it isn’t this heightened date like - flirty new love type relationship - its simply two people who are loosely friends. Its remarkably normal and no threatening - only furthering the entire purpose of 7x04 being from Bucks viewpoint and Tommy being an alt Buck rather than an alt Eddie. It also therefore serves to further establish the Buddie of it all (but we all already knew that!). Tommy is still in Buck colours and the short sleeved henley is still something I would put more into the Buck costume camp than the Eddie one - especially in this season! 

The final Tommy scene and costume is the date at Bucks loft and the conversation about daddy kink. I still don’t like this scene (which has a lot more to do with execution and the script than the actual daddy kink of it all) but I am much more sanguine about it now that I understand what it is setting up.

Bear with me here I probably won’t make sense, but with the knowledge that Tommy is actually buck lite - a less good and developed version buck (Evan and in part the version of Buck that Buck himself thinks he is) the daddy kink scene actually becomes about setting up Buck addressing his past and his actual real daddy issues - because bucks past self sees his worth in those issues and without them it means both Evan and Buck have no worth. Buck confronting and dealing with them and choosing to forgive and move on means the end of Buck and Tommy because Tommy is no longer needed - he has served his purpose and Buck would be ready to start his future - Evan stays in the past and Buck completes his rebirth and closes his lightening strike arc.

Onto Bucks season 8 journey - Bringing Gerrard in to Bucks arc rather than the others who have far more connection to Gerrard now begins to make much more sense. Tommys past under Gerrard actually echoes Bucks past - in different ways and to vastly different degrees, but the parallel is there.  S1 Buck being a play boy and sleeping around and not treating women especially well (objectifying them etc) because of his own hang ups - is a pale echo of Tommy being closeted and racist sexist and homophobic under Gerrard. Like I said before - Buck is a pale imitation to Tommy here and that’s intentional (more in a sec) because once Tommy is under the wing of Bobby when he takes over the 118 we see him begin to grow and change. Buck follows the same pattern - Bobbys guidance pulls him away from his destructive behaviours and sets him onto the right path (Bobby is arguably the birther of Buck - Look I could write a whole thing off the back of my death and resurrection of Buck post about Bobbys role as God - the heavenly father - in Bucks life and how that is the overarching theme of Bobby and the show but I don’t have the time tbh!) to ‘redemption’.

Bucks behaviour is very intentionally not as bad as Tommys behaviour, because if Tommy is the plot device meant to essentially represent Bucks subconscious and how he views himself, then the reason we haven’t been shown Tommy atoning for any of his past sins and behaviours is because Buck hasn’t forgiven himself for his own. Buck is his own worst critic and will self flagellate to a ridiculous degree - and again with him being an unreliable narrator - he views his past indiscretions as being the equivalent of Tommys - therefore in his mind he hasn’t yet done enough to deserve absolution (Buck and Bobby being father and son in this as well!). 

Which brings me to s8 and the return of Gerrard and what Bucks arc is going to be (this is slightly incoherent and not fully formed - I’m still percolating!). Gerrard being central to Bucks arc - and Bucks push back is imo going to be about Buck taking a good look at himself and recognising/ facing up to and accepting his past. And that actually does come down to the daddy issues of it all. Because if Bobby is as good as Bucks dad - and allowed him (and his subconscious in the form of Tommy) to develop and grow - then Gerrard is Phillip Buckley (obviously a heightened more terrible version of reality in the same way Tommy is a much worse version of Buck) who parented Evan through apathy and taking the easy route - we saw Evan pushing back against Phillip in Buck Begins and being rewarded for it and thus establishing Bucks self destructive and self sacrificing pattern of behaviour. Acting out and getting hurt got him attention - so Buck acting out against Gerrard is this reduced and will ultimately have the same results just in an essentially more destructive way.  This is is a good thing - because this is about Buck recognising that he is worth and acting out etc is detrimental to him progressing as a person - its going to actively prevent his self love journey to flourish (and this is why in part I maintain my belief that Tommy is going to, if not encourage Bucks behaviour, then at least tell him to go along with Gerrard demands - for an easy life and also part of why I don’t think we’ll see a huge amount of Tommy - at least to begin with - until we get to a point where Buck is really motoring on the self love journey and getting to the point where he needs to do some pre break up face to face conversations that move him forward!).  It’s about forgiving and accepting his father for how Evan was raised - Bucks arc is going to be about forgiving himself and allowing himself to be happy, and he cannot do that if he doesn’t go through the Gerrard stuff - which is essentially a type of therapy. That’s also where I think the golf comes into it - it’s a metaphor for Buck building bridges, gaining understanding and accepting his past with his father - the metaphor of the driving range being the idea of standing side by side and performing the same thing, but landing in different places. There is also the concept of improving ones self and choosing to not repeat the mistakes of the past.

It also means the thing Tim said about Buck and Tommy becoming more comfortable with one another makes much more sense, and why he’d flip the question to talk about Eddie and about Eddie feeling a bit left out in the cold but not out in the cold! Buck is becoming more comfortable with himself and while he’s doing that and learning to be happy etc as I described above. Eddie is going to feel left out - because this is about Buck not Eddie - because it’s about Buck being ready for forever with Eddie - and Eddie ultimately cannot be a part of that journey - Buck has to do it for himself in the same way that Buck cannot help or be there while Eddie goes through his reckoning with the Catholic Church, and faiths place in his life and also dealing with the ghost of Shannon and his mother issues(because he has those and they are all set up to go in s8 - Chris being in Texas really sets that up nicely!

Bahaha Tim I’ve finally figured out your question answering methods and how they tell us all we need to know!! 

All this to say - Tommy is actually alt Buck - not Eddie lite (I mean he is still also that but it’s a bit of a red herring) he is a plot device for the biggest thing about Buck as a character and it all means Buddie here we come!

Thank you so so much if you have read this epic piece of waffle - I hope you enjoyed and I truly look forward to hearing all your thoughts on this and to you being as insane about it as I am!

Tagging some people who asked (and some who didn’t but might be interested anyway!)

@spotsandsocks @exhuastedpigeon @lover-of-mine @fruityfirehose @leothil

@bewitchedbewilderedbisexual @theladyyavilee @livingwherethesidewalkends @craigyxo

@izzysbeans @buddiediaz118 @inell @hotshotsxyz @winterskydragonx

[justfeelme]

I just want kill myself but i’m scared. I guess i’m just coward…

[wutheringmights]

I like the found family trope as much as the next person but it really irks me to see so many dynamics forced into replicating the nuclear family. That’s not even an original take. Other people have said it. It just bugs me in particular since I really hate it when this dynamics results in uneven emotional labor between characters who should be equals otherwise

[thepunkmuppet]

the reason why transfem elias is my favourite theory for gwendolyn is because think about the implications.

so let’s say this alternate universe reveals that elias is actually transgender, and would present/identify as female if they had the opportunity to figure themself out and transition (elias was reportedly very young when jonah possessed them)

then the idea that in the tma universe they not only didn’t live long enough to do that, but THEIR BODY WAS TAKEN OVER BY SOMEONE ELSE WHO THEN PRESENTED IN A MASCULINE WAY AND LIVED AS A MAN USING THEIR FACE AND BODY FOR OVER TWENTY YEARS?!? FUCKING TERRIFYING

as a trans person myself, even though the real elias was dead the dysphoria that idea gives me is absolutely unreal, and really creeps into serious body/existential horror territory which i think would be really interesting and very in-character for a writer like jonny to explore.

[uncanny-tranny]

Good news! You aren't required to make your hobbies and passions "marketable." In fact, your crafts, hobbies, and passions don't even need to be public if you so choose. You don't have to spend all of your energy becoming perfect if you aren't enjoying the process. You are not a product, you are a person, a creative, and your work also does not need to be a product.