#i guess i should have an asks tag now maybe

[nsharks]

bleeding blue | part twenty-one preview

The last bed you laid in smelled like lemon mint detergent. It was the full bed in your sister's guest room. Everything was crisp and white. They rarely had guests besides you. Some of your clothes stayed in that closet, one of your toothbrushes stayed in the connected bathroom, waiting for your visits. You'd awaken that last morning not thinking you'd never sleep in bed for another five years. You left it unmade.

This bed smells like pine and warmth.

Ghost's room is small and dimly lit. The ceiling slants so that one end is not tall enough for him to fully stand. There's a dresser and a nightstand, leaving only a sliver of floorspace.

After the metal latch on the door clicks shut, Ghost lays the blanket down and grabs a pillow for himself. That leaves the bed to you. Springs creak beneath your weight as you silently slip under a heavy, rustic quilt. The years-embedded scent of him wraps around you like a drug-induced fog. For some reason, you hesitate to move, lying frozen as he flicks off the light. You wonder if he always locks the door, or if he did it for you. So you feel more certain they won't try anything.

Only after you hear his shuffling around as he lays down do you allow yourself to get comfortable. You cocoon your body under the quilt and turn to your side, closing your eyes.

A thought reopens them minutes later. You roll onto your back and speak into the swollen darkness. "Have you known about this Switzerland place?"

For a moment, you think he's already asleep. Then, from below the bed by your feet, he says, "Heard of it."

"That is what you guys talked about, isn't it?" you ask absentmindedly.

"Among other things."

You sit up so you can see him, but all that you can make out is a dark shadow. "Care to share?"

"Some things are on a need-to-know basis," is all he gives.

"And I don't need to know?"

"Precisely."

It stings; you don't know why. A hand sweeps through your hair as you audibly exhale. "Some team we make, huh? Or I guess we're only a team when you need me to do something for you."

You quickly realize how petulant you must sound. A grumbled swear, then more shuffling. The shadow sits upright. "They asked me to go with them. I said no. Too far. Too many variables that are hard to predict, and she's not ready for them. Happy?"

You bite your lip. Relief sits in place of the slight uncertainty since your conversation with Nereida. Joining them was shut down. You wouldn't tell her, but it sounds asinine, whether or not that commune exists. Risky at best, fatal at worst. You're tempted to ask him how many days he thinks they'll recoup here before continuing their journey, but opt for sleep instead. He seems done with the conversation, too, lying back down. Then, you have the best sleep you've had in years in his bed.

When the sun turns pink, you awaken to a room void of Ghost. He's gone. It should be expected, but you'd thought he might wake you up to train like normal. Though, the past twenty-four hours haven't been normal. You look around, the details of his room more visible now in the morning. On the nightstand beside you, there is a stack of books and you scan the titled spines. Mostly classics. One Hemingway. All tattered and read frequently. Beside them lays a silver chain attached to a dog tag. You gently finger the engraved metal so as not to move it out of place: Simon Riley. 

Snooping through his things is more tempting than you're willing to admit. You slip out of bed, socked feet silently padding over to the dresser. There are mostly papers. His map, a notepad with scribbled half-cursive on it, and then a faded photo beneath it. You freeze, breath hitching, as if you've done something dangerous just by stumbling upon it. Curiosity is thick in your chest, difficult to ignore. Gentle fingers reach to shift it out, revealing a picture that you know right away is of Blue and her mom. Blue is a baby. Maybe one year old. A woman with light brown hair holds her up, sitting on a bench in front of a playground. She's pretty and young. There is a sadness when you wonder if this is the only picture he has of them-before her death. Then, there is another feeling. You swallow it. 

You quickly slip the photo back just the way you found it and leave the room. 

[bamsywrites]

Recompense: Prologue

Pairing: Adar x Reader

Words: 1.4k

Summary: There's a fire in your that Adar is not willing to extinguish

Tags: blood, wounds, being dragged by hair, mentions of death, mentions of slavery, orcs doing orc things.

Notes: this is more like a teaser, I guess, than a prologue, I just wanna gauge interest. Another part of And Comes Dawn will be up soon. Let me know what you think.

“Go! Go now with haste,” you hoisted the last of the small ones onto a horse. You tightened the satchel around the horse and made sure it was in place. In it was water and bread and dried food, just enough for a day's ride.

The fire from your village burning and the stars above were all the light that you had. Every horse from the stables had a rider. Most had two. It was the only hope the children had for survival. Child slaves would be no use for the labor the Orcs had planned once the people were marched to Mordor. Already, the ones who resisted were killed.

“Where should we go,” one of the older boys asked you. “What if they…”

“They will not. Dawn comes soon, and they can not travel in sunlight. Chase the sun. As fast as you can. Do not stray from that path. You will come to an elven city in a day's time. Now go!” You insisted, giving him a look that signaled he best not argue. You watched for a moment as they rode away, turning back to your village. You saw your home burning, the cruel laughs of the orcs as they rounded your people up. You had half a mind to run away, but your feet would only take you so far.

As if reading your mind, an enemy arrow sored through the sky and pierced your thigh, causing you to cry out in pain. The searing pain spread through your body like fire, and you could see spots in your vision. In moments, you were being dragged to the others by your arm, the orc grunting something to his companions in a language you didn't understand. Your teeth dug into your lips so hard that blood ran down your chin. The pain was unbearable, but you didn't need them to have the satisfaction of knowing the pain you were in.

You were shackled and chained to the others from your village, your eyes looking around for the familiar faces of your family and friends, feeling relieved that you could account for them all but anxiety gripped your chest as you realized where you would be going and what that meant for your people.

A lifetime of slavery.

For you, it was a death sentence unless you could get care for this wound.

The trek was grueling. Your leg getting weaker and weaker as you walked, you had broken off the long stem of the arrow as it was incredibly painful anytime it brushed against something, the dried blood from the wound caked and cracked on your skin. It would soon be infected if not treated quickly, which was an unlikely scenario.

You were starting to accept your fate. Maybe you'd be able to talk with the people you cared for one more time before dying. Perhaps death was better than slavery.

As you entered Mordor, the smoke filled your nose and choked your lungs. It took your eyes a while to adjust, the ash making them itch. There were pockets of men and women working, but you knew there were many more scattered amongst the southlands. They were just beginning. Soon, you were positive all of the Southlands would be here, toiling away until they were of no use to the orcs.

“Where are the children?” A rough voice bellowed from somewhere in the swarm of orcs. “Where are the fucking children?!”

Some of those around you flinched, and others eyed you, but your eyes stayed focused on the ground. The pain consuming your thoughts only lessened by the knowledge the little ones had got away. If they had not been found by now, they would have made it to safety. You could only hope.

“There were none,” answered one of the orcs.

“No children? I see men, I see women. Are you telling me not a single one of them fucked?”

Before there was an answer, the orc grabbed his brother by the throat and pushed him to the side. “You are useless.”

Red eyes scanned the crowd, a tense silence falling over it. Red eyes landed on the blacksmiths son. He was lanky and notoriously cowardly, altogether unpleasant. “You, where are they?”

Instantly, his eyes darted to you, and there were rough fingers digging into your cheeks and forcing you to look at him. “Tell me and tell me now.”

You looked the orc in his eyes, surely if you were going to die, why not make it fun? Besides, these creatures had stolen your home, your people, your freedom. You were tired of living under boots, tired of having no say, tired of being treated as lesser.

When you didn't speak quickly enough, the orc's fingers dug harder into your cheeks, “Speak, girl.”

“It is quite hard to gather one's thoughts when orcs smell so atrocious.”

In a flurry of movement, the orc had a knife blade pressed into your cheek and twisted it until blood poured down past your lips and onto your chin. “I would watch your words and tell me what I want if you wish to keep your tongue.”

“We take celibacy very seriously,” your voice was hoarse as you spoke. “Ever since the blacksmith had a son that was such an affront to basic decency, we have all sworn off intimacy as to not risk making more like him.”

The orc pressed his blade harder into your cheek until more blood poured, “You think you're so funny now, let us see what Adar has to say.”

He released your face, throwing you to the ground and grabbing your hair as he dragged you away. Your feet desperately tried to find footing underneath your body, but the pain from the arrow made it impossible, along with the muddy ground, causing your feet to slip. Rocks and branches nicked your skin as you were dragged along until your body was covered in bruises and scratches and blood mixed with mud on your skin. The time was achingly slow, filled with agony, but it only fueled the anger in your belly more.

Soon, you were taken into a tent and thrown across the floor. You tried to stand, but your leg gave out, your eyes darting around the tent. Many more orcs stood there and at the center was what looked like an elf but burns and scarring and the tone of his skin made your suspect he was something darker than an elf.

“What is this pathetic little thing?” The not elfs voice was low and deep as he eyed your form.

“A villager, Lord Father, there were no children with them, and she knows where they are. I feel she needs to be taught respect”

You looked up at the orc, “You brought me to your father for him to reprimand me for being unkind to you?”

The orcs darted from you, and then to Adar, you were intrigued by this display of restraint.

“She's got quite a tongue on her,” Adar spoke, his armor clacking as he made his way to you, “Perhaps we should remove it.”

He kneeled down before you, his fingers dancing over what was left off the arrow. Even the small movement caused immense pain to shoot through your body.

“Where are they?” He asked as he twisted the wood, causing you to cry out in pain.

“I will not tell you.”

Twist.

“Go fuck yourself.”

Twist.

You spit at his feet. “I will not allow the children of my village to butchered.”

Adar stopped, “You think us too cruel. Our interest is not for bloodshed. Small fingers make easy work for finding small ores for our armor.”

You stared at him with narrowed eyes, “Slavery is little better than death.”

“Is that why you taunt my children? You fear slavery more than death.”

You didn't speak, simply looking into his eyes with contempt. He looked back, contemplating you. It was as if he was looking into the eyes of someone he knew but had long forgotten, something he knew everything about yet nothing all at once.

“Leave us.” He stood, his attention turning towards his ‘children’, all of whom followed his command.

The room was quiet for a few moments before you broke the silence.”I suppose you are going to kill me now.”

“No, I'm going to heal you now.”

[batsplat]

from the stuff i’ve heard marc’s former honda teammates (dani jorge and pol in their media careers but joan also i guess) say about him now that they’re racing is generally quite positive, both on a professional/riding level but also seemingly on a personal level? i’m wondering what you make of that given that, yeah, marc doesn’t seem like a very good teammate (unless you’re alex who i’ve left off this list). like MARC wants to separate on and off track stuff and it seems like all of these guys are willing too at least in retrospect, so he can’t have truly burned bridges with them. do you have any thoughts on that

(x, x) most riders are quite good at not burning bridges with each other! it's not like marc's competitors don't know that this stuff is kinda part of the game. I mean, all of marc's past teammates were also trying to assert themselves within the internal hierarchy... you can say that certain teammates engage in 'worse' behaviour than others, but, like, these people do understand they're supposed to be fighting each other! a baseline degree of nastiness is factored in and will be accepted to a greater or lesser extent by your rivals - especially when it comes to asserting yourself in intra-team power struggles. you might hate the other guy in the moment, but generally speaking once the active part of the rivalry is done with... you will probably get over it. marc's fellow riders are aware of how ultra-competitive marc is - and to a certain point they do respect it, not least because they're aware that this is part of the reason why marc has ended up with all those titles. it's like dani said, right, it's marc's strong suit. and in general, you do have to say that there's relatively few teammate pairings that devolve to the level of toxicity that it completely destroys the interpersonal relationship. you might need some level of preexisting animosity... most of the purely competitive sins can be healed with a little time

on the 'separating on-track and off-track' thing... well. this is kind of a question of how you define these things, you can say that marc generally speaking isn't going to massively hold grudges over isolated on-track incidents or whatever... but he doesn't just leave his fighting to the track, and personally I've also never felt he can entirely separate these things out in his mind. can you really say his professional and private relationships with other riders are completely detached from one another? mostly, he's opted to be pretty disengaged from his fellow riders as a collective, and obviously that's a good way to not take things too personally... it's all part of the game, isn't it? sometimes it's good to go with the straightforward approach: marc tells you he will make your life hell, he does indeed make your life hell, and then you both move on with your lives and can maybe actually have a pretty amiable relationship with him in years to come. he's not really defying your expectations at any point here, is he now? it's still a question for each of them as individuals as to whether they think that kind of behaviour is above board and acceptable or not... but everyone by now knows that marc plays these games, so it's not like they're going in blind

and it's not like other former teammates are constantly badmouthing each other. I mean... look, let's just cut to the chase here and bring in valentino as our reference point (as he is for the sport as a whole, which by the way does also help create a certain baseline of acceptability for marc's antics - maybe goated riders are just supposed to be dicks who knows). vale's premier class teammates were 1) nobody (2000-01), 2) tohru ukawa (2002), 3) nicky hayden (2003; 2011-12), 4) carlos checa (2004), 5) colin edwards (2005-2007), 6) jorge lorenzo (2008-10; 2013-16), 7) maverick vinales (2017-20), 8) franco morbidelli (2021), and 9) andrea dovizioso (2021). of these eight men (let's just exclude 'nobody' for now), do you know how many had serious complaints at any point about valentino as a teammate? that's right, it's one guy. one. some of valentino's other teammates, like hayden, checa and edwards, were even quite actively positive about their whole experience. this is the thing - you do need some specific circumstances for teammate rivalries to escalate from 'being kinda bitchy every other month' to 'actively fantasising about stabbing each other'. not accounting for natural interpersonal animosity, let's list some circumstantial factors that you need to get a bridge-burning-worthy level of feud:

you need a competitive bike. it is possible to beef about development direction when you're in the trenches (cf late 2010's yamaha, 2020's honda)... but generally speaking this is going to be quite low-level petty stuff, not actual war

you also need something that approaches competitiveness between teammates. if one teammate is unquestionably stronger than the other one, then it is very unlikely that you are going to get any open hostilities. the tension comes when the two sides are close enough to each other for the internal hierarchy to actually be a contentious issue (this is also basic self preservation... if you're the far weaker teammate then you do not want to make the situation troublesome, because then you will be the one to be fired)

following on from those first two things... well, it doesn't hurt to have a title fight in the mix. there are also other ways you can generate competitive stakes, like, for instance, if you and your teammate know that one of you will be out of a job soon. basically, it helps to have something to squabble over

it is maybe easy to forget how rare it is this century for teammates to be fighting directly for a title, let alone over the course of multiple seasons. only two 1-2's since the year 2000 and they're both for the factory yamaha's (though 2006, 2011-13 and 2017 did all prominently feature two factory hondas). which means that for valentino, the prerequisites were met just the once in his premier class career... and yes, the results were pretty memorable, but (topic! for! another! post!) it's worth pointing out that even that relationship was pretty much 'fine' whenever there was a sizeable disparity between the two of them performance-wise (2008 and 2013 are the most clear cut examples). I think the way I'd frame it with marc is that he has a bunch of mildly dubious strategies up his sleeve to assert himself within the team, which don't really deviate that far from what you'd expect from a rider of marc's calibre and only need to be escalated under specific circumstances. that doesn't mean he doesn't have the potential to be ruthless, but up until now it's mostly been a fairly 'acceptable' level of ruthlessness on the intra-team level... and not something that is likely to make other riders actually hate him

taking marc's teammates one by one... dani was the closest to meeting the bridge-burning prerequisites, though he was only a title rival in marc's rookie season. and marc did go further with him than he did with anyone else, and dani has made some pointed comments about marc's style as a teammate... but yes, he is fonder of marc these days. partly I'd just emphasise again that this is a fairly natural progression when you've stopped directly competing for long enough, and partly it's also just a question of individual personality - dani's not massively into holding grudges. then there's jorge, who... I mean, they might as well not have been teammates, given that jorge was either too slow or too injured to even be sharing any track space with marc. you have to put that one down primarily to circumstance, seeing as jorge's own track record on the teammate front isn't exactly spotless. marc and jorge beefing in 2019 would have been pretty dumb and also a massive waste of everyone's time in a year in which marc singlehandedly won the team's championship. even those two needed more to get things going

moving on to the dark years, pol and marc had an extremely stop-and-start partnership on a honda that was generally pretty uncompetitive... so the only stuff they could get ever so mildly irritable about were riveting incidents like 'marc saying pol wasn't the biggest championship threat' (neither of them were) or 'pol saying he'd copy marc's set up' (which proved entirely useless). not exactly title decider territory, is it now, and marc very much had pol covered as a challenger throughout their partnership. also, those two do have a longer history! they've known each other since they were kids and hold a pretty significant place in each other's careers. now that pol's more or less retired, it's natural there'll be quite a lot of sentimentality there - which will paper over any small cracks that appeared during those two years. and joan was a one year teammate at a time in which the bike was consistently close to offing them both. they only managed to start a sunday race together as teammates on thirteen occasions. it would take some serious effort to engineer a feud with that little opportunity, and, really, why on earth would you bother. maybe if honda had gone for rinsy rather than joan for the factory seat, it could've been a bit more prickly, but it's unlikely that it would have escalated beyond that

this is the thing, right, the only one of these partnerships that would have been worth burning bridges over was dani, and even there marc pretty much had him handled after the first season. in general, marc has been pretty clear on how he's not interested in making friends with the other side of the garage while the teammate relationship is ongoing... which is fine! there's some prominent-ish teammate pairings that are actually good friends, some teammate pairings where one of them is actively helping out and advising the other one, but some riders prefer to just keep their distance. it would have been a little silly of marc to start a feud with a teammate who is galaxies away from being a competitive threat, let alone a title rival, but generally it is possible to toe the line between 'attempting to suppress your internal rivals enough to stop them from becoming a problem for you' and 'taking radical enough action to make your internal rivals despise you'

especially in the post-dani era, marc never really had any need to push things too far... and, let's face it, how many of your teammate relationships end up with burnt bridges is also quite frankly a question of luck and circumstance. do you want to guess which top rider on paper has the worst track record this century with premier class teammate feuds, in terms of a) how many they've had, and b) how little public reconciliation there has been since the end of the rivalry?

yes, that's right, it's the first name that comes to mind when you're thinking of toxic and conflict-prone riders: andrea dovizioso. that old devil, constantly causing trouble. just couldn't stop undermining his poor, innocent teammates. can somebody please stop this ruthless bully before it's too late

I think you get the point. I would personally suggest that dovi is not in fact the worst teammate it is possible to have in a motogp top team. he just happened to find himself in a situation where he was teammates with two separate guys he did not click with at all, in situations that involved a pairing of riders who were (or had the potential to be) competitive with each other, as well as some proper stakes attached to the rivalry. in general, situational factors are going to determine this stuff more than anything else... and marc more often than not does have a reasonably good feel for picking his battles. he's flirted with the line, but he's mostly avoided crossing it. he hasn't had to

[adrian-sheppy]

May I get some info on Gordon freecat? I have been drawn by his evil tendencies

Also got any freemind headcanons?

HEHEHEHE...yes you may

freecat isn't so much "evil" more that his moral compass flakes the second he gets bored (think like hlvrai science team, he kills for comedic effect). he's antagonistic, but not a threat unless he's bored or finds you uninteresting and/or annoying. he likes videogames (elderscrolls) and anime (jojo), and he talks with current day vernacular. he'll take cataclysmic amounts of drugs with no hesitation. no one likes him (because of the Killings/Threats). personality wise, other than the violence and dogging for funsies, he's just some guy with a bad attention span and a passion for pushing the limits/breaking the rules. he often times comes off as dumb, but he is smarter than he lets on.

and now a few fun freemind headcanons :3!!!!

-ate bugs as a kid

-sex favorble asexual!

-also agender

-BUT he doesnt like labels and the only people he lets call him ANYTHING are people close to him. (....barney)

-speaks fluent klingon and ASL

-loves opera

-little spoon

-type of guy you leave alone for two seconds and he starts climbing shit

-says those white vernacular phrases (I.e "news flash, buddy" "jeez louise" "cool your jets" "how you like them apples")

-can play guitar

-reads his horoscope obsessively, despite outwardly denoucing astrology as pseudoscience

-he'll forget to eat sometimes

-keeps iron on him in the shape of some sort of jewellery (a ring, a necklace, a bracelet, etc) so he can test for and repel faeries

[vincent-sinclair-deserved-better]

hm

thinking of my blorbos but not in a "i love you you love me all is well" way but a "i love you hope you kill me" way lol

[query-quadrant]

I've had a pitch crush on someone for a while! I really hate them! >:)

But one of our hatefriends just told me they might be pale for me? >:O

If they are, what do I do??? How do I make them hate me properly? :(

I don't pity them! I don't even know why they pity me! Or if they even really do! :?

It's really confusing and I don't want to have to reject them and then have to try and ask them out! That's not gonna go well!!! >:(

yeah i dont know that sounds awful i think personally id just die

questionable advice: either try upping the annoyingness and going all out with pitch flirting or just sit them down and just actually ask them if they pity you or not maybe youll get lucky and they dont but either way at least youll know right so that sucks a little less than not knowing

bad advice: kill their lusus maybe thatll make them really mad at you

[marshmellowtea]

this may or may not turn into a fic but i can't stop thinking about sandra and max taking chris to a nice restaurant for their two week anniversary of him being in the polycule (because lbr these bitches would ABSOLUTELY be the types to celebrate small anniversaries like that (affectionate)) and they give him a small present like a pen or a watch or something and they're like "happy anniversary babe 🥰" and he's like "aww thank you 🥹 anniversary of what though"

and sandra and max just share a look of horror as they realize that despite doing couple-y things with chris and chris reciprocating that they never actually, like. properly asked him to be with them so yeah he would be confused by this wouldn't he gkldsjafkld

[peppermint-moss]

I have a really important question, how do you feel about your art being used in edits ? And I don’t mean taking your whole amv/pmv and changing the audio , I mean taking a few clips here and there, I want to make sure I’m not crossing any boundaries or anyone else

honestly ive been goin a lil back and forth for a while on how i feel about it; at the moment ive kinda been like i dont really like it but i also dont rlly care enough for it to actually make me uncomfortable/upset ? and then i think maybe i should just let ppl use it for edits if they dont bother me Too much idk... The only thing i know for certain is (wht u already mentioned) do not go taking my whole video and changing the audio etc. But just a few clips agh im not quite sure yet Sorry for the wishy-washy answer I know that's probably frustrating :( I'd say for now I'd prefer if people don't use my art/animations in edits but if that answer changes I'll update it in my FAQ on my tumblr and prob reblog this to inform ppl of it

[todayisafridaynight]

I wanted to write in about my thoughts on Jo as a CSA survivor separately for a couple of reasons:

I already more or less have what I have to say on the topic in order thanks to talks with @starssystem and another friend [<3]

This is a massive tonal shift from anything else I could be discussing

This Is Massive In General For The Love Of God PLEASE Help Me

Obvious CSA CW for anyone else reading; I only discuss statistics, psychology, and the aftereffects seen in survivors here, but it's worth a warning.

With the disclaimers out of the way… I'd mentioned before I've only ever added one thing to Jo's background, and you were right: this is it! To me, there's so much thematic overlap in Jo's narrative with the experience of surviving CSA it's worth it to examine his character through the lens of that being the case. Of course, there are clearly-stated reasons for it all that Aren't That, but…

It's the pervasive guilt and shame, the lifelong secret that becomes too unbearable not to tell, the faulty coping mechanisms aimed at burying the trauma without having to face it, the reluctance to be sincere [vulnerable] and the lies and half-truths used to maintain the facade of invulnerability, the pursuit of power and control and the knee-jerk anger response when it's threatened, the pursuit of mastery over his body and the indifference to what happens to it. And the way a lot of it really does stem from a deeply traumatic childhood sexual experience from before either he or Ikumi understood what they were getting into, from before they could give informed consent.

Statistically, the further below the average age someone is for their first time, the likelihood of [at best] having been introduced to sex inappropriately and [at worst] having been abused at the time or earlier rises exponentially. Jo was 15 when Masato was conceived--possibly 14, since he was saying he "met" Arakawa at 15, and by then Masato was already born. To put this into perspective, since what ages register as concerning is largely cultural, the average age in the US and UK is 16-18. But in Japan, it's over 19.

To a Westerner [or even a heavily Westernized non-Westerner], having a kid at 15 is unfortunate, but not untenable; you've seen it on TV, you might know people like that, you might even be that kid or that parent. But in Jo's case, with him being 4 or 5 years younger than average, it's like if someone told you they had their first time--had a /kid/--at 13 or under. That's the equivalent discrepancy. That /is/ concerning, to me.

It's also something that's linked to negative outcomes in adulthood, partly because of the likelihood of forming bonds with poorly-adjusted peers. Jo specifically states he and Ikumi were only together because others who came from backgrounds like his own were all he had back then. [As an aside, it's interesting to see him instinctively seek out a relationship where his pain would be understood without having to say anything--or one where he could assume it would, at any rate.]

When it comes to his relationship with Ikumi, I've always felt there was this "adult dynamic" between them--in the sense it feels like one that'd be more fitting for adults to get into than a couple of teens. It was, based on his wording, a primarily physical relationship neither of them expected to last even if they were living together. To me, it's one thing if you're fully convinced you're in love or you're experimenting or whatever and that results in an unplanned pregnancy, but it's another thing entirely to have such a bleak yet objective outlook on your relationship so young.

And it didn't have to be that way. He could've been just like Arakawa, head-over-heels in love with this girl who was The Only Good Thing He Had Going, or something like that. But the sheer contrast between how Arakawa was crazy about Akane and never forgot about her for the rest of his life, while Jo more-or-less-clearly didn't have feelings for Ikumi and can't bring himself to remember her name after living with her for at least a year and experiencing life-changing events with her…

It's notable to me that Arakawa maintains an interest in women while nearly every in-character interpretation I've seen makes Jo averse to women. Obviously, we don't really know that; it's probably just based on his general attitudes, his contrast with Arakawa, and maybe his immunity to Charm. But I think there's a reason a lot of people pick up on it and tie it to trauma rather than/in addition to a lack of interest in women.

I've talked about this through the lens of comphet already [and Jo being gay or ace or both would present other difficulties], but I can't overstate how notable it is on its own. We see Jo's response to traumatic events, and it's to become preoccupied with them, to investigate further if he has any leads. That's why he remembers every minute detail of the night Masato was born and the time he saw Arakawa attempt to comfort Masato when he was crying and hitting himself. I think it's also why he gets as far as he does when looking into Arakawa's death, and why he entrusts the search to Ichi. He never seems to manage to block them out, even if that's what he'd rather do--even if that's what he thinks he's doing.

So if he "[doesn't] even remember" the name of the mother of his child, I get the feeling there's something more going on. Like I've [probably] said in the past, Jo genuinely sounds traumatized by the relationship as a whole. More than anything else he's been through, and he's been through a lot. It's often the case that CSA survivors who are also survivors of other trauma view it as worse than anything else that happened to them.

And that's not to implicate Ikumi at all, I don't think it's a case of COCSA--everything I've said holds just as true for her, and she had to suffer the additional trauma of an unwanted pregnancy and childbirth, at that. Rather, I think it would make sense for something like CSA, which often incontrovertibly reconfigures one's relationship with sex and love, to be a factor in why they rushed into a something physical before they were mature enough to handle it.

Some victims end up having perfectly healthy experiences, some victims end up avoiding them, some victims end up re-victimized, and some victims end up with a mixed bag--there's a lot of variation. But some victims do end up having relationships like this and making mistakes like this, because that's all they know, or because they want to heal but don't [or don't know how to] go about it in a healthy way, at a healthy pace. And I definitely think if you recognize that's what the basis of your relationship was, that it all comes back to something you'd rather forget, it'd make sense to want to forget the relationship as a whole.

To that end, it's possible to come away from a relationship traumatized even if no one did anything wrong. I've [probably] talked about how the way Jo comforts her at the station feels like he's doing it for her sake and pushing his own feelings down, but neither of them is really buying it. If that's a pattern in their relationship, perhaps he wouldn't have been able to communicate if maybe what they were doing was dredging up bad memories, if he wanted to stop but didn't think she did. So to go through with it, then get the news months later…

Either way, the fact Ikumi couldn't bring herself to tell him she was pregnant until nothing could be done would, for Jo, invariably cement the feeling he has no control over what happens around him. I think the sense of powerlessness he felt is why he blew up at her when she told him, because it's really the only time we see him lash out like that at her. At the park, he objects to going back for Masato, sure, but he's passive. And I think that unbroken pattern of powerlessness in his life [which CSA would only compound on] is why he's so reactionary, why he's so emotionally dysregulated, why he expresses his rage through what basically amounts to power-tripping.

But I do think Jo does have a great deal of awareness. A lot of his wording when he's telling Ichi about it borders on poetic, or at the very least candid and effective. That requires both prior reflection and a command of language. I think there's a lot he understands deep down, at least after sitting with it for long enough, but he isn't capable of voicing--or doesn't know how to voice--what's on his mind, most of the time.

So when he joins the Arakawa Family, when he rises the ranks and has that control back, his control has to be near-absolute. If it's undermined in any way--such as, for example, a certain someone failing to answer a call within two rings--he loses it. On the other side of the coin, I do feel a lot of why his devotion and gratitude towards Arakawa goes to the extent it does, why he's so comfortable with him, is because Arakawa gave him the safety of the Arakawa Family, gave him back his autonomy, gave him the environment--and treated him with enough humanity to give him the reason--to learn to regulate himself, to better himself.

And Arakawa /gets/ trauma. He really does. Aside from his own abusive background, literally the only time the word trauma comes out of any character's mouth in this series, it's Arakawa's. It comes back to Jo saying others who came from backgrounds like his own were all he had; that never changed, did it?

Lastly, For Funsies [<- LIE. COMPLETE LIE. TURN BACK NOW] I wanted to go through the items on this [CSA] Survivors' Aftereffects Checklist I could check off with near-certainty. 19/34, by the way, give or take. Now, as I said at the beginning, there are existing concrete reasons for why he has many of these experiences… but it's like the trans allegory with Masato, To Me… If I can check off over half the list based on a very limited backstory and an hour of screen time total, that's indicative of a notable overlap… TO ME…

Note that the book this list is from was published in 1990 and focuses on women's experiences. It was a huge step forward in giving survivors a voice back when a lot of existing research indicated CSA had neutral or even positive effects on children, but it's definitely a product of its time. With that out of the way…

Wearing a lot of clothing, even in summer [���]

To be fair, most male characters in RGG are fully-covered and have near-unchanging designs, and it's winter in both 2000/2001 and presumably 2019, but… when it comes to Jo, it feels a little different.

He does have Some Heavage in his twenties [although the necklace takes the attention off of his actual chest], but as time goes on, he shows less and less skin and adds more and more layers. When he has the gloves on, it leaves no skin exposed at all, and there's this direct symbolic correlation with secrecy that isn't there for other characters. And if you're wearing three layers of leather [or even one], you can neither feel what you're touching nor feel anything touch you.

Pure Speculation, but I just can't really see him underdressed for any occasion… That's why his fit in Day with the Sun is funny as hell but also… yeah…

As a behavior, if it's rooted in anything, it's probably rooted in having to hide signs of physical abuse, of course--but then he kind of already had an excuse, with how he was constantly getting into fights. I guess it depends on the specifics, but I think it's interesting to consider this as one way CSA victims attempt to regain control of their bodies, avoiding emotional discomfort at the cost of physical discomfort.

Self-destructiveness

It's nothing super overt, but I see this most clearly represented in his second boss fight in particular; his willingness to wield a blade bare-handed while using enough force he could very well render his hand useless. I think it's potentially also evident in how he has severe cataracts he chooses to ignore and allow to worsen, despite having the reasons and resources to undergo surgery to restore his vision. In doing so, he literally and figuratively blinds himself to so much.

I also kind of think the assassination of Hoshino/the anonymous call and The Eye Scene are examples of self-sabotage. I mean, he literally was sabotaging himself in the former, but it's also the specific way he feels the need to be physically taken down in order to be stopped--possibly a holdover from RGGJo, who's only too happy to be beaten into a coma.

I don't know… It's hard to pinpoint, but I feel like he would be averse to most of the more "obvious" self-destructive behaviors--especially when he has people in his life who might notice and worry, like Ikumi and Arakawa. That and because many of them are addictive. He's seen what that's done to his father, and he's also developed this incredibly rigid sense of discipline he can't maintain if he doesn't have a clear head.

From how he talks about himself [as having lost his humanity and lived a half-assed life], I definitely think he's at the very least unkind to himself, but I also think he does externalize it by provoking others to harm him [in the case of physical fights] and reject him. Like he needs some kind of proxy perpetrator. For some abuse victims, this specific manifestation of self-destructive behavior is a way to regain control--whether or not you "deserved it" back then, you do now, as a direct, logical result of your actions.

Need to be invisible, perfect, or perfectly bad

I think each of these needs manifests in different ways for Jo. The need to be invisible can be seen with authority figures (mainly Aoki, but also Arakawa in The Yubitsume Scene, a little; how drastically he pulls back and tries to act "normal")--this relates to what you were talking about with being reluctant to intrude or take up space. If you fall under the radar, maybe you won't get hurt.

The need to be perfect can be seen in his seemingly "impossible" standards, I would say. Of course, because we see things from Ichiban's perspective, we tend to see them as unfair and often arbitrary demands. But they aren't arbitrary to Jo, are they? They're standards he holds himself to through and through. If you're good, maybe you won't get hurt.

The need to be perfectly bad can be seen in and relates to much of what I discussed under self-destructiveness [The Eye Scene and the way he antagonizes Ichiban specifically by making himself out to be worse than he is]. If you must get hurt, it can at least "make sense"--be "deserved."

Suicidal thoughts, attempts, obsession (including "passive suicide")

Obviously he's not like… Mine Levels Of Overtly And Consistently Suicidal, and he doesn't attempt suicide himself, but at the same time, I have to note his total ambivalence towards Aoki seeing him as a "bullet" (a kind of hitman sent on suicide missions). He agreed to what he himself viewed as a suicide mission and he didn't care what would happen to him afterward, as he says to Joon-gi, Zhao, and Adachi.

Aside from that, I certainly feel he's at least had passive thoughts like wanting to disappear or wishing he'd never been born. Y'know. Nothing concrete, but reflective of his mental state, and just as detrimental to dwell on long-term.

I think there's a sort of childishness [for lack of a better word] to thoughts like these [in that they're impossible], but also a level of maturity in that it probably doesn't escalate to something more actionable because he understands he has responsibilities he can't abandon. I think if he was ever seriously suicidal, it would be at the points of his life where he really didn't have any responsibility to anyone, like between Ikumi leaving and him joining the family, or after he was arrested.

Depression (sometimes paralyzing) […]

I'm trying not to over explain going forward because I Have BEEN Overexplaining It Is SUCH A Disaster… he's depressed If You Have Eyes And/Or Ears… I'll leave it at that…

Anger issues; inability to recognize, own, or express anger; constant anger […]

Lol

Rigid control of one's thought process; humorlessness or extreme solemnity

Relates back to what I was saying about how disciplined he is [and expects everyone else to be], but in general, he's incredibly, incredibly serious and focused. I don't think he's /entirely/ humorless [but then again, very few people are]; I just think his specific sense of humor is. Like. What Is Your Problem [I Know What Your Problem Is I Have Been Discussing It In EXCRUCIATING Detail But What The Fuck Is Your Problem]

Trust issues; inability to trust (trust is not safe); total trust; trusting indiscriminately

That's why he was planning on taking his secret to the grave, isn't it? It was only when faced with the realization it would soon be too late to say anything that he was able to tell Ichiban. He could've trusted Arakawa, should've been able to, but… in his mind he never could.

This book [and this checklist] is about "incest" actually, but it redefines "incest" to mean any instance of CSA perpetrated by any individual the victim trusts or has an expectation of being able to implicitly trust. Which… is most CSA as we understand it today, so I've edited some parts to just say that.

Anyway, I've never given much thought to the specifics of what Jo might've experienced--who did it, what happened, how long it went on, etc.--so there's no conclusion I can draw here [and elsewhere, I'm sure]… but even without that, to grow up unable to trust the one person who should be in his corner, his father, and to have his trust betrayed by Ikumi, it's no surprise Jo ended up like this either way. So… I'm happy he had the courage to tell Ichi, in the end.

High risk taking ("daring the fates"); inability to take risks

I think these are supposed to be mutually exclusive, but to me, Hoshino's assassination and Arakawa's assassination represent both sides of the coin, although they're not the only examples. There are risks Jo won't think twice about taking and risks that paralyze him.

Boundary issues; control, power, territoriality issues; fear of losing control; obsessive/compulsive behaviors (attempts to control things that don't matter, just to control something)

Lol…

Guilt, shame; low self-esteem, feeling worthless; high appreciation of small favors by others

Lmao Even…

Feeling demand to "produce and be loved"; instinctively knowing and doing what the other person needs or wants; relationships mean big tradeoffs (love was taken, not given)

I actually think this encapsulates a lot of what I've been saying about his work ethic, his ideas of discipline, and his relationship with Ikumi, but I also think it's why Masato took a liking to him. His attentiveness. It ties back into wanting to be perfect; when you're abused--especially long-term--you become attuned to observing and responding to any shifts in mood or tone. This is another area where I can't draw any conclusions relevant to my point, but it does certainly relate to his father's abuse, at any rate.

Abandonment issues

Kind of contentious… The anticipation of being abandoned by or losing someone he cares about appears to be worse than the actual experience. He's fine with Ikumi leaving him, and he's… not Fine With, but able to come to terms with Arakawa's death and Aoki's abandonment of him. At the same time, he really does try to make Ikumi's stay in his life comfortable, and he spends almost forty years doing his damnedest to keep his family together, whatever the cost. If I were to extrapolate from RGGJo, though, /he/ does have an obsessive, unhealthy attachment to Arakawa.

Blocking out some period of early years (especially 1–12); or a specific person or place

Ikumiiiiii that's what I'm SAYINGGGG

Feeling of carrying an awful secret; urge to tell, fear of its being revealed; certainty no one will listen; being generally secretive […]

Rofl Perhaps…

Denial; […] repression of memories; pretending; minimizing ("it wasn't that bad") […]

He admits to it himself. Not much else to say. Though I don't think he necessarily minimizes what he's been through by dismissing how bad it was; rather, he tends to overestimate his ability to move past it.

Pattern of ambivalent or intensely conflictive relationships (intimacy is a problem; also focus shifted from [CSA] issues)

Also kind of contentious… we don't see a pattern of romantic relationships, as I assume the author meant here, but at the same time, the romantic relationship and non-romantic relationships we do see fit this pattern. I guess I'd say I definitely think intimacy /would/ be a problem, and he /wouldn't/ be ready to address his issues.

Limited tolerance for happiness; active withdrawal from happiness, reluctance to trust happiness ("ice=thin")

The quote that prompted this ask in the first place. It's sort of connected to the point about humorlessness and extreme solemnity; if that was the "what," this is the "why." He doesn't know how to relax ["holidays don't exist" and all], he doesn't have much to be happy about, but even rarer is the occasion where he doesn't feel too conflicted in the moment to be able to enjoy himself. That's just how I see him.

[…] verbal hypervigilance (careful monitoring of one's words); quiet-voiced, especially when needing to be heard

EXACTLY what I was talking about in this ask, so I'm leaving that one up to past me…

......

... That's It That's The Essay I'm going to hibernate until Infinite Wealth comes out and somehow refutes my points but UNTIL THEN. Farewell, take care, and once more, don't worry too much about matching my energy… Like I Said if I were the one receiving this ask I'd just delete my blog, so… I'll just be happy to know you read it :] If That lmao

ok i read it :) 👁️👁️ READMYTAGSTHERESMORETHEREIPROMISE

[theflyingfeeling]

current level of boredom while being mildly poorly (=not poorly enough to just lie down doing nothing but poorly enough to not have the energy to do anything thought-consuming): tagging all my shippy asks/posts ✨💅

ps. if anyone knows how to use the mass post editor to actually mass-edit tags in a convenient way I'd appreciate the help 🙏 like, idk if it's even possible to find all the posts I have tagged as x and edit the tags of all those posts at once? 🤔 so far I only know you can find tagged posts on your own blog by adding /tagged/x at the end of your url and then editing the tags manually one post at a time 🥲

[bangcakes]

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[vounoura]

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[lavenoon]

30, 33, and 34 for the fanfic writer ask! ❤️

30. Tooth-rotting fluff or merciless angst?

In reading, I don't actually enjoy angst if it's merciless most of the time! I do enjoy some hope with my pain, please <3 So with content I seek out, it'd be the fluff! For writing? Well, uh, looking at my track record - did I. Did I ever write just pure fluff? With not a hint of conflict? The type to make you put your device down and just giggle for a while over it all? I. I honestly don't think so, whoops Merciless angst I also rarely write (and even when I do I can't really leave it alone and let it remain angsty), but I think I'd honestly be better at angst than I'd be at fluff gfhdjs It just, activates my brain? And I love seeing the reactions it causes - a very interesting ego boost where everyone including me is crying <3 (I still will not promise a Y/N dies scenario, because Y/N I definitely cannot fix and I'm not sure I can handle that) Besides, merciless angst doesn't have to involve death, and I do have other evil thoughts brewing <3 So, for writing, I guess it'd be angst!

33. Is there anything you wish your audience knew about your writing or writing process?

Maybe. Not in a "please ignore all mistakes" way, but in a "please be aware of how often I mix things up" way - please remember English is my second language. To top it off, I learned most of it online, with manga fan translations that were unavailable in German, and on social media, and that makes for rather unorthodox results. Especially with writing - grammar rules differ between English and German, and sometimes I just have to stop and squint and think about which rules I'm applying currently, and if it's the right ones. Or having the perfect word or phrase for something in German - but it's untranslatable. Often enough I write a sentence, in English, that in English makes no sense, but if I literally translated it to German it'd just be a normal sentence. I'm so lost between languages sometimes, I even forget which language I read something in, until I think of a specific phrase from the thing or a context clue that will help me sort it into the German or English basket. Being bilingual is fun, but sometimes I wish I could take my brain out and just make vague, confused, and offended gestures at it until it stops producing nonsense. And perhaps not necessary to know, but a fun fact: I don't write in German, and I'm not sure I'd be any good in it. I very much dislike reading in German these days, and since most things I'm interested in are in English/ have an English original or translation, I go with that! It's a weird situation, honestly, feeling so distanced from my native language, but it's also not big enough of an issue to unpack, and English does have a much wider audience!

34. Copy and paste an excerpt you’re particularly fond of.

I'm still very very happy with this little bit from Catbird out of the Bag:

I didn't have a plan, going in, that went beyond "Moon introduces himself and reality smacks him like a brick to the face, he has a quiet, shorter crisis before helping Y/N through theirs". So then I was at that point and Y/N was still so frantic, and I wasn't quite sure what would fix it - but Moon did. It really just hit me, that of course he'd defuse things, because that's his rival, he knows them, they know him, and if he acts a little goofy there's no way they can resist calling him out on it. It's also the first time he uses "dove" for them - the softer, post-reveal pet name he opts for when not on the clock, and I am just so soft for that <3 I still miss this reveal sometimes, I'm glad they all got the happy alternative, and I know that there's only more happiness in their future, too. Happiness that our canon trio will also get, just taking a bit more time! <3

[neverendingford]

.

[angstandhappiness]

NEAT

i have to do everything my damn self around here

[pedrospatch]

flutter

Jackson! Joel Miller x Pregnant! Female Reader

snapshots masterlist

summary: When you finally start to show, Joel has a tough time with it as the reality sinks in—he’s going to be a father again.

warnings/tags: 18+ ONLY, MINORS DNI. (TW) PREGNANCY. established relationship. no mention of reader’s age, however in other works for this universe, it is implied she is younger than Joel, her specific age will never be stated so do with that what you will. brief descriptions of a pregnant woman’s changing body, brief mention of morning sickness, mention of breastfeeding (it only comes up in a conversation very briefly) these subjects can possibly be triggering, especially mentions of a changing body, so while i try to handle everything with the utmost care, i still ask that you proceed with caution. domesticity, reader enjoys taking care of her family, ellie is a little shit, grumpy joel, he’s sort of a dick at first? but only because he’s working through some feelings so let’s forgive him, okay?

word count: 3.5k

a/n: this is part of the snapshots universe, but it could absolutely be read as a standalone too. minimal editing, this has been sitting in my drafts and i did a quick edit during my lunch hour, so please excuse any mistakes.

“Shit.”

You almost can’t believe your own two eyes. Staring at your reflection in the large, oval shaped mirror hanging over the porcelain bathroom sink, your gaze widens in complete surprise. “Jesus Christ,” you mutter, turning to the side. It takes your brain about a good minute or two to process, really process, the way that your belly strains against the thin, white cotton of your camisole. It had seemingly swollen overnight—because it hadn’t been this prominent the day before, had it?

Over the last few months, there’d been changes.

Some subtle and some not so subtle.

“Ellie! Stop fucking staring at them,” you’d scolded the teenager late one evening during yours and hers weekly game night. For as hard as you tried focusing on what move you should make next, it was hard to concentrate on the chessboard in front of you when you could feel the way her eyes were fixed on your breasts. “I mean it! Quit staring at my boobs, you little shit.”

She held up her hands, her mouth full of popcorn.

“Hey, in my defense, they’re just fucking there, man. If anything, they’re fucking staring at me, okay?”

During your chess rematch the following week, you had accidentally knocked one of your pawn pieces off of the table. When you’d stood up and bent over to pick it up, she had made the observation that your butt seemed to have gotten a little bigger too.

“Bet Joel’s liking these changes,” Ellie had smirked. “It sure as hell explains why the headboard’s been banging against the wall more than usual lately.”

You threw the pawn at her, smiling in satisfaction when it bounced off her forehead and landed into her glass of lemonade.

One part of your body, however, hadn’t changed.

Not until now.

“Hon, trust me, you have nothing to be worried about,” Maria had assured you with confidence when you had brought up your concerns about your stomach. “Every woman, and every pregnancy, is different. I didn’t start showing until I was around six months, remember?”

“I guess you’re right.” You’d been around four months, then. “Doesn’t help that I haven’t felt the baby move.”

“You will,” Maria had promised. “Just be patient”

Biting your lip, you place a hand on your belly.

It’s always been one of the softer parts of you, but now, it’s firmed into a perfect, round bump.

“Maybe soon I’ll feel you move,” you murmur, giving it a gentle pat. You tug the lace hem of your camisole down as far as it can go and then pull at the elastic waistband of your blue, terry cloth shorts.

Shutting off the lights in the bathroom, you slip out into the bedroom where you find that Joel’s still tangled up in the sheets, fast asleep. He had been assigned to the afternoon patrol route today—normally an early riser, if he was still snoozing, it meant that he really needed the rest. Deciding it was best to let him keep sleeping for a little while longer, you quietly tiptoe out of your shared bedroom and head downstairs into the kitchen.

After making yourself a glass of fresh squeezed orange juice, and one for the kid as well, you prepare the coffee maker for Joel. You spoon dark roast grounds into the filter and set the timer for the coffee to start brewing in thirty minutes.

He should be up by then, you think, pulling a basket of eggs out of the refrigerator.

You’re starting to get used to this. Domesticity.

Despite your protests, Maria had made the decision to pull you off patrol that same afternoon you had shared the news of your pregnancy. “I’m putting you on leave,” she’d told you. “Effective immediately. I don’t want to see you outside of these walls. Got it?”

“That’s not fair, Maria. You were out on patrol until—”

One stern glare from her had shut you right up.

“Fine.”

Sure, you missed it and looked forward to the day when you’d be able to get back into the saddle with your rifle in hand, but this way of life had grown on you. Certainly a lot more than you thought it would.

You enjoyed taking care of the house. Packing Ellie her lunch for school and checking her homework. Having a nice a meal on the table for the three of you to enjoy in the comfort of your own home instead of having to go down to the crowded mess hall for supper because you and Joel were both always much, much too tired after a long day out on patrol to bother with cooking.

With the baby due to arrive in the winter, looking after your little family had become your purpose, and you did not mind it one bit.

As strips of bacon sizzle in one pan on the gas powered stove, you crack a couple of eggs into another, knowing the kid is already on her way downstairs. You can hear the sound of her old, tattered low top sneakers that you have been trying to throw away for almost a year now squeaking on the kitchen tiles just as you finish plating her breakfast.

“Morning!” Ellie pipes, the loud plop of her backpack into a chair prompting you to turn around. “What’s for brea—whoa! Holy shit!” Her brown eyes widen in shock when she sees you and her jaw drops. “Dude.”

“Ellie,” you say her name warningly as you walk over to the table. “Don’t.”

“You’re bigger!”

With a playful glare, you set her plate down, along with her glass of orange juice. “Thanks a lot, you little jerk.” You feign offense. “You’re making your own eggs from now on.”

“Fuck, I’m sorry.” Ellie’s cheeks flush a shade of red and she squirms, sputtering apologetically, “I swear, I don’t mean it like that at all. It’s just, your stomach, it didn’t—you didn’t look like this last night, you know?”

She’s fucking lucky that your raging hormones decided to take the morning off duty.

“You look different. I mean, you look great—”

“Ellie?”

“Yeah?”

“Just shut up and eat.”

“Deal.”

She shoots you a sheepish grin and sits down, scarfing down her food in her usual manner. 

“You get your fractions homework done?”

“Yeah.” Ellie huffs, rolling her eyes. “Took me forever. I was up until fucking midnight.”

Amused, you offer, “Want me to check your work?”

“Sure.”

As Ellie inhales the rest of her breakfast, you pull out a green, single subject notebook from her backpack and look over her homework for miscalculations.

“So, uh, how are you feeling?” she asks after a minute.

“I’m feeling alright. I think the morning sickness finally stopped, so can’t complain.” Shrugging, you close the notebook and stick it into her backpack. “You did good, kid. Only got two problems wrong.”

“Man, I really wish we knew whether it’s a boy or girl,” Ellie mumbles through a mouthful of scrambled eggs. “What do you want to have, anyway?”

“It doesn’t matter to me, Ellie,” you answer, honestly. Clocking the skepticism on her face, you laugh and say, “It’s true. As long as the baby’s healthy, that’s all I care about.” And you mean it. As an expectant mother in the post outbreak world where medicine is scarce, supplies are limited, and the closest thing you have to a hospital is the town’s old clinic, the only thing you can hope for is the smooth, safe delivery of a healthy child.

Before she can say anything, you both catch the sound of Joel’s heavy boots as he descends the staircase.

She quirks an eyebrow. “Uh, has Joel seen you yet?”

Grimacing, you shake your head. “No.”

“Well, I don’t wanna be here for all that awkward,” Ellie says, chugging the rest of her orange juice. She stands up and snatches up her backpack, along with her lunch bag, which you’d packed for her earlier that morning. Just as she’s about to whirl around on the heel of her sneaker and make a run for the front door, she pauses, watching as you make your way back over to the stove to light another flame. “Unless you want me to be?”

“I’ll be fine, Ellie,” you assure her. “Go on, get to school. Maybe you’ll be on time to class for once.”

“If you say so.” She wishes you luck and then bolts out of the kitchen, throwing a quick goodbye at Joel on the way out. “See ya later, old man!”

Nervously, you turn around and start cracking another two eggs into the pan. There’s no telling how he’s going to react.

Joel’s been fairly supportive since you’d found out you were pregnant, considering how unplanned it was. But you know him like the back of your own hand, and you know, despite the numerous times he’s denied it, that it has been weighing heavily on him. Each time you’d try to sit down to talk to him about it, he would brush you off and insist he was fine. But he wasn’t fine.

And you wish he would spit it out and tell you why.

In your periphery, you notice the stained glass butterfly he had hung in front of the window above the sink, the ornament catching and refracting the sunlight. Flecks of color dance across the walls in captivating patterns, brightening the space. You think of the sweet little girl he’d hung it for, the little girl he rarely talks about, that he keeps tucked away safely in his memory.

You bite back a small sigh.

By now, you’ve learned not to push him. Especially not about what he was feeling. He would tell you when he was ready.

“Who the hell lit a fire under her ass this mornin’?” Joel asks gruffly as he walks into the kitchen. “She ain’t ever this fuckin’ eager to go to school.”

“Not sure,” you reply in the most nonchalant tone you can muster as you use a spatula to scramble the eggs. Transferring them onto a plate, you add three strips of bacon, and then pour his coffee. “I have your breakfast ready, Joel. Have a seat.”

You hear a chair scrape against the tile.

“I keep tellin’ you I can make my own breakfast, darlin’.”

“And I keep telling you I don’t mind making it for you,” you quip, and you hear him grumble something under his breath.

Inhaling a deep, calming breath through your nose, you take the plate of eggs and bacon in one hand, and his cup of coffee in the other. Your fingers grasp the handle of his ceramic, owl mug in a near death grip. You exhale slowly, and then turn around to face him.

He sees your swollen middle and stiffens in his chair. 

The tension is instantaneous. Palpable.

Uncomfortable.

Awkwardly, you shift from one foot to the other.

“Your belly,” Joel murmurs, a visible tick in his jaw as his gaze drags over your midsection. “S’bigger.”

“Yeah. It is. Guess I’m going to have to start trading for maternity clothes soon,” you remark, shuffling over to the table. Setting down the plate and mug of coffee in front of him, you take a seat across the table. Your eyes try desperately to meet his, but they refuse. There’s no way for you to decipher what he’s thinking. You let out a small, nervous laugh. “Can you please say something?” 

He lightly clears his throat. “I’ll take you to Main Street on Saturday,” he tells you, picking up his mug. “I’ve got the day off from patrol. I’ll, uh, pick through some of my own things and see what I don’t need so we can make a trade for some clothes.” He pauses, then offers quietly, “In the meantime, you can wear my shirts. They might be more comfortable for you.”

You flash him a grateful smile. “Thank you, Joel.”

Sipping his coffee, he continues to avoid your gaze.

“Mhm,” is all he says.

Your smile falters.

It’s the middle of August.

The afternoon heat is sweltering. Unforgiving.

“Jesus, it’s a fuckin’ scorcher,” Tommy sighs, glancing over towards the lake where his mare, Maxine, is taking a drink beside his brother’s stallion, Phoenix. His raven curls are damp with sweat, plastered to his forehead. “Hotter than the devil’s fuckin’ balls out here, ain’t it?”

He’s met with silence.

Looking over his shoulder, he sees Joel leaning against a tree, his rifle in hand as he stares at the Grand Tetons in the distance almost like he’s in a trance. “Joel?”

Blinking furiously, Joel shakes his head. “Sorry, you say somethin’ to me just now?” He asks in a daze, pushing away from the lodgepole pine. “We headin’ out?”

“You’ve been actin’ real strange all afternoon,” Tommy observes, walking towards him with his own gun slung over his shoulder. “Either the heat is startin’ to get to you, or you’ve got somethin’ on your mind, big brother.”

Joel hesitates. His dark eyes flit to the other side of the lake where the other members of their afternoon patrol group are refilling their canteens with water.

“S’alright,” his younger brother says. “Don’t worry ‘bout them. Can’t hear us.”

Joel’s chest heaves with a heavy sigh. “She popped.”

“Huh?”

“Her belly finally popped. She’s showin’ now.”

Amused, Tommy lightly shakes his head. “Y’shouldn’t be so surprised, Joel. Was ‘bout time,” he remarks with a shrug. “What is she—like six months along now?”

“She’ll be six months in a couple weeks.” Joel wipes the perspiration off his brow with the back of his hand and sighs once more. “Look, I ain’t stupid, Tommy. I knew it was bound to happen sooner or later, but it still caught me by surprise. When I saw her, it became real for me. She’s got my kid in there. I’m gonna be a dad again.”

“You’re scared.” It’s not a question, it’s a statement.

“Shitless,” Joel confesses, feeling his chest tighten. 

“What are you afraid of?”

Joel almost laughs.

He doesn’t know where to start.

He’s afraid of everything.

“All of it, Tommy. I’m afraid for her, havin’ to give birth with no medicine,” he tells him, his voice breaking. “I’m afraid I won’t remember what to do with a newborn or that I won’t know how to help her durin’ those first few months—”

“This ain’t your first rodeo,” Tommy reminds him. “You did it once, and you did just fine, Joel.”

“That was over three fuckin’ decades ago. And it was a different world. If Sarah—” He stops, taking a second to catch his breath. The image of his daughter’s little face flashing in his mind feels like a violent punch to the gut. Even after all this time, it still knocks all of the wind out of his lungs. “When her mom had trouble breastfeedin’ her, I could head to the grocery store and buy her baby formula. If she got a real bad fever, I could load her up in the truck and drive her to the emergency room.” He glances down at his broken watch. “Besides, I was a lot younger, then. And I wasn’t half fuckin’ deaf like I am now. When Sarah would wake up cryin’ in the middle of the night because she needed a diaper change, I’d hear her. What if I can’t hear my own kid cryin’?”

“Joel—”

“I’m in my fifties. What if I can’t keep up because I’m too fuckin’ old?”

Tommy reaches out, clapping a hand onto his shoulder.

“Brother, I need you to take a fuckin’ breath,” he says, chuckling softly. “You’re puttin’ the weight of the world of your shoulders right now—you need to put some of it down. Look, we might not have everythin’ we used to before the world ended, but we make do with what we do have. Considerin’ just how many growin’ families we have and how many little ones we’ve got runnin’ around our town, I’d say it’s workin’ out pretty fuckin well.” He gives his shoulder an encouraging squeeze. “And as far as your ability to be a good dad, you’ve still got it, Joel. You know what to do, and so does she. I’ve seen her in action with my little boy, and it seems like she’s already got those maternal instincts, y’know?”

“Yeah, she does,” Joels agrees quietly, thinking of how you had stepped up to help him care for Ellie.

“Trust me, between the two of you, it’ll be alright.”

He peers at him. “You really believe I still got it in me?”

“I do.” Tommy smiles. “You never stopped knowin’ how to be a father, Joel. You’re gonna be just fine.”

Their patrol shift extends into the evening, turning into a double, and it’s late when he gets home. 

“What the hell are you still doin’ up?” Joel asks when he finds Ellie sitting at the kitchen table, cursing to herself as she flips through the stale, yellowing pages of an old life science text book.

“What does it fucking look like, man?”

“Shouldn’t have waited until the last minute, kiddo—”

Ellie holds up a hand and cuts him off.

“Save the lecture for another time, dude. I’m busy.”

Joel rolls his eyes. “Finish up and get to bed. S’late.”

Without waiting for some smartass response, he turns on the heel of his boot and then heads upstairs to your shared bedroom. He flips on the lights only to find that you’re already in bed, fast asleep, wearing nothing but one of his t-shirts and a pair of panties. He toes off his boots and leaves them by the door, being as quiet as he possibly can as he rummages through his top drawer for some clean boxers to sleep in.

He slips into the bathroom where he takes a quick, hot shower, scrubbing off that day’s sweat, dirt, and grime. After he’s dressed and his sopping wet, salt and pepper curls are haphazardly towel dried, Joel walks back out into the bedroom where he switches off the lights and climbs into bed next to you.

He lays on his side and he’s just about to close his eyes when he feels a light shift beside him. You roll over and curl into him, your belly pressing up against his curve of his spine.

He stiffens, freezing as if someone had just placed the barrel of their pistol against his back, their finger over the trigger.

Christ, get a damn grip, he thinks silently to himself.

Joel thinks about that morning in the kitchen.

He knows his reaction had hurt you. Or rather, his lack of a reaction. His shitty ways of coping aren’t your fault, and his struggle to come to terms with your pregnancy sure as hell isn’t your fault, either. He owed it to you to try harder to be the man you needed.

The man you both needed.

Joel’s train of thought comes to a screeching halt when he feels a soft flutter against his middle of his back, the spot right where your tummy is nestled—did the baby just move?

He lies still, waiting to see if he feels it again, and when he doesn’t, he rolls over to face you, causing you to stir.

“Joel?” you mumble his name, sleepily. “What time—?”

“Shh,” Joel soothes, pulling you into his bare chest. He kisses your temple. “S’okay, baby. Go back to sleep.”

He doesn’t have to tell you twice.

Within seconds, you’re asleep again, snuggled into him and snoring softly.

Lifting a hand, he hesitates, then rests it on your belly.

He waits.

And waits.

And waits.

And waits.

Until the minutes turn into hours.

Until dawn’s light filters in through the lace curtains. 

Until he finally feels that little flutter again.

He feels it against the palm of his hand. Faint, nothing more than a brief whisper against his skin, but there is no mistaking it.

He’d just felt the baby’s movement.

There’s a sudden shift.

Tense muscles that had been painfully wound up since the moment you’d mentioned to him your period was a week late back in the spring loosen slightly—the breath he had been holding since he’d picked up that positive pregnancy test from the bathroom counter finally falls from his lips, fanning over yours.

His fears, his worries, his uncertainties about what lies ahead, they’re all still there, of course, but he finds they are now accompanied by a glimmer of hope, a sliver of optimism that maybe, just maybe, Joel doesn’t have to be as afraid as he is.

Joel’s eyes glaze over your face, warmth radiating in his chest when you breathe a little a sigh of content in your sleep as he gently rubs your stomach through his shirt.

With his hand still splayed over your belly, he closes his eyes and begins to drift off, falling into the most decent sleep he’s had in the last few months.

Maybe his brother’s right.

Maybe he will be just fine.

divider credit to @saradika 🤍