#i got so busy this year!! :<< /div>
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(CLICK FOR THAT SWWWWWEEEET QUALITYYYY WHOO HOOO)
kiraboss.. weddin.. KIRABOSS NENDO WEDDIN !!!😼😈
#jjba#im saur sorry its not art#i got so busy this year!! :<#but i had time beforehanf FIR A WEDDIN!!!#i can make suits i js wanted to di dresses :]#jojo diavolo#diavolo jjba#kira yoshikage#you can hear the weddin bells in the distance…#thats the kira.. n the boss.. becomin..#kiraboss#or#kiravolo#if ur fancy#KIRABOSS WEDDIN YAYA#OH!!!#vinegar doppio#HE WAS THE RING BEARER HE ALSO CAUGH THE FLOWERS#hehehehe#jjba figures#kiraboss weddin on my bday <33#toadies irl life#nendoroid#nendophotography
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[The Strongest "Hear Me Out"]
+ bonus Yuuji POV:
Apparently this boy ain't traumatized enough!!!🗣️🗣️
#jjk#jujutsu kaisen#my art#fan art#sukuna#ryomen sukuna#satoru gojo#gojo satoru#gojo#satoru#sukugo#true form#og#itadori yuuji#yuuji itadori#a scenario of what if Gojo got to see Sukuna's true form by the end of their fight cause' why not#apologies if it looks wonky i haven't been able to draw properly in quite some time#this may or may not be my last drawing of the year as i'll be busy giving exams during new years ;_; life isn't fair.#my art's going thru a metamorphosis phase so i'm still unsure bout alotta stuff but if there's one thing i like#its the way i shaded satoru's nose~#and yes He's not listening to Sukuna giving him sophisticated death threats
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lady of sorrows
#bg3#bg3 fanart#shadowheart#baldur's gate 3#i actually started this at the end of the year but got so busy i couldnt finish until now#first art of the year and predictably...shart#this is the official chas benchmark lets see how far i can go this year!!!!!!!!!!!!!
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sharing a room w your weird kind-of-brother can be a bit much sometimes
#p4#persona 4#yosuke hanamura#teddie#teddie persona 4#first drawing of the new year!#ive been stupid busy and got some weird personal news so trying to get back into the swing of things#I love these two so much i need to draw them more
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Kaijou christmas shopping ✨
@ygoadvent Day 2 - (Wish)List
#violetshipping#puppyshipping#kaijou#my art#ygoadvent2024#its their first year buying christmas gifts together 😔💜#they got the bewd and rebd plushies for themselves...#yes im still at day 2 sorry i was so busy until recently OTL#i dont think i can do all prompts.....#but will try to do a couple more!!!
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Here, rmb to take your daily vitamin Emmy to stay healthy! 🤲
#dragon age#dragon age the veilguard#DAtV#Emmrich volkarin#my art#lunar new year really got me so damn busy everywhere ahhh#here take this tiny Emmy#I needed him too#after all that socialising I need blorbos#he’s enamoured by something#rook probably walked by hehe#such a cutie#we all need a tiny pocket Emmy with us#to keep us sane
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< Previous | First | Next >
Oh yay a new queen with kits let me just check out her informatioFOURTEEN MOONS?!?!?!?!?!?!??!
#clangen#clan generator#warriors oc#warrior cats#sporeclan#SHES LITERALLY FINCHPAWS AGE.................. SOLTALON GIRL WHAT HAPPENED#shes just a baby herself </3</3</3#also i cannot describe how relieved i was that finchpaws infection went away. we have such a bad track record in this clan with infections#took me way too long to realize soltalon was sol-talon and not like a reference to something. sigh.#sc:moons#sc:foxspeckle#sc:minklake#sc:piperdapple#sc:finchpaw#sc:fennelacorn#sc:soltalon#sc:greenkit#sc:mousegrove#sc:cliffthicket#sc:lizardkit#sc:strawkit#sc:puddle#sc:carolina#im so sorry it took me ten billion years to finish this moon ive been so busy and then i got a lil burnt out on it lol#it's out now tho!!!!!#tw blood#tw birth#< really nowhere near graphic imo but tagging just in case
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post battle, one last short rest
#calliope petrichor#solum bufo#calder kilde#naddpod#ba2mia#ba2umia#posts by me dot com#i was rlly . not ... satisfied w this piece but i know its probably .. fine so im shoving it out there#but . hehe . aa ....#im a lil busy but . wanted to do at least one last little send off art for duck team bcus uh.#well tag ramble but . this campaign has meant a lot to me and i am... really really sad to see it go#im glad we got the ending we did and overall this campaign has absolutely been my favourites start to finish#but still. gonna miss it a lot.#it was really fun making art w all a yall and talking abt duck team together :-]#hehe . im being sappy over here but u know what its YOUR FAULT reading the tags is OPTIONAL . WHATEVER LOSER . *skateboards away*#thanks to everyone whos responded so positively n enthusiastically to the silly lil drawings ive made ^_^ .!!!!! <3 u#its been a great year >:] to get really fucking hyperfixated in this bitch. anyway. yeehaw . omnomnom. happy hoglidays#anyway um. HASHTAG 2025 GRINCH DUCKTEAM ONE SHOT CMON CMON LETS GOOO PLEEASE.
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Fanart for this ACHINGLY GUT WRENCHING FIC! 'my body is young (but my mind is very old)' by green_tea_and_honey!!
Chapter 20 made me ugly sob y'all, I m not kidding (My eyes were puffy for the whole day LMAO) I can't express in words how this fic touched my soul so I decided to make fanart. This illustration is based on this part of the fic 👇 (under the cut) It's not biblically accurate but I like it. (Spoilers ahead!)
“Okay,” he whispered to himself, clenching and unclenching his fists. “Okay. You’re okay. You’re okay.”
The wave of panic he expected never came, even as water sloshed in, soaking his waist and rising more rapidly than ever now that Bill had been swept away. He could smell it, as if he had never left; salt, sand, and a hint of oil from a nearby factory that he suspected had stained the beach with its constant dumping in the ocean.
“I’m okay,” Ford said, looking at his hands, and taking a long, slow breath. “I’m okay.”
You guys should go read the fic and give it lots of love. I guarantee you all it's worth it!
(also small note; I have a lot of fanart for fics otw, I'm just busy with college and deadlines so it might take a while lolz)
#another thing I love about the fic is Bill and Ford's relationship#I love Billford and I enjoy fluffy fanart/fics of them but I won't deny that canonically#the ship is toxic asf and the chances of them actually getting together and be happy are slim#(that's why I prefer redemption fics)#but this fic-- This fic made me happy. I love that Ford finally moved on from Bill. He got his (somewhat) happy ending#Bill here has a mountain of issues so it'll take 9999999 years for him to get his happy ending LMAO. For now he can suffer through therapy#as payback for what he did#Im glad I manage to finish this piece before the fic gets completed-- I got busy with college so this took a while#gravity falls#book of bill#the book of bill#stanford pines#gravity falls fic#billford#(?)#delicioustarong#endlesspaint
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(ID in alt) I literally said I was gonna post this month's ago and then never had the wherewithal to describe it and so I didn't Lmao (said with pain). But since I'm thinking of opening my commissions I figured I should remind ppl that I. Yknow. Can draw.
Lots of Steph here (I had major art block making all of these and my brain worms for her kept me going) + some sprinkles of stephcass for Cass nation to enjoy!
#dc comics#dc#stephanie brown#cassandra cain#jason todd#(yes for the teddy bear. it counts)#batgirl#batgirls#mine#< keep forgetting to tag my art as that I'm terrible 😭#ANYHOW I'm slowly getting back into drawing again after my last ipad got nuked (cant think abt that or ill cry) and i finished uni#oh yeah j finished my first year of uni btw. i went to an Olivia Rodrigo concert like a week or 2 ago. I've been busy lol#but yeah it's looking like I've got a fun summer of bottom feeding ahead of me now that I've officially been told i got passed over for that#-comic job i applied for. lol. lmao even#it's fine honestly it was a pretty daunting prospect i just have to find a way to fill the time by myself now#I've plenty of comics to read so that's nice. got wayyy into mark waids DD run recently (mostly for Chris Samnee's art)#so that's been fun! i have my empowered omnibus (embarrassing and kept under my bed <3) i have TT year 1 i have huntress and WW#uhhh i got flash 1 minute war. lots of good stuff!#so hopefully i don't go. completely feral from lack of stimulation#also hopefully commissions will be a thing i can do#godddd there's many mkre things i want to draw. i got too enamoured w my own bad theory and now I've drawn tim!bats#but unfortunately now i only want to draw tim!bats being laughed at my the batfamily bc seriously tim?? really??#< it's literally probably not going to happen but I've invested myself in this terrible future for some reason#imagine damian trying to robin for tim!bats for 1 (one) night and the next morning he doesn't say anything he just moves to bludhaven#he can't take this shit#oh so many ideas...#ANYWAY. ues. finally art. now if you like it. consider commissioning me (in 2 to 3 business weeks <3)#(no pressure)
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patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.
this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.
the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.
so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.
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ok, found some
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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.
Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.
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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?
Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]
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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.
Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]
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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.
Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.
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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).
Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.
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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].
Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]
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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.
Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]
#sorry for being mean#instructor makes podcasts about cowboys HELP ME#and he recently won a New Business award for his startup magazine covering Democrat party politics in local area HELP#so hes constantly performing this like dance between new hip beerfest winebar coolness and oldfashioned masculinity#but hes in charge of the certificate program so i have to just shut up and keep my head down for approximately one year#his email address is almost identical to mine and invokes enviro history terms but i made mine long before when i was ten years old#so i could log in to fieldherpforum dot com to talk about enviro history of distribution range changes in local reptiles and amphibians#sir if you read my blog then i apologize ive had a long year#and i cant do anything to escape i am disabled i am constantly sick im working fulltime i have NO family i have NO resources#i took all of this schools graduate level enviro history courses and seminars years ago and ran the geography and enviro hist club#but then left in final semester because sudden hospitalization and crippled and disabled which led to homelessness#which means that as far as any profession or school is concerned im nobody im a retail employee#i was doing conference paper revisions while sleeping on concrete vomiting walking around on my cane to find outdoor wifi#and im not kidding the MONTH i got back into a house and was like ok going back to finish the semester the school had#put my whole degree program and department in moratorium from lack of funding#and so required starting some stuff from scratch and now feel like a hostage with debt or worsening health that could pounce any moment#to even get back in current program i was working sixteen hours a day to pay old library fines and had to delicately back out of workplace#where manager was straight up violently physically abusive to her vulnerable employees and threatened retaliation#like an emotional torturer the likes of which i thought existed only in cartoons#and the week i filed for student aid a massive storm had knocked out electricity for days and i was clearing fallen tree debris#and then sitting in the dark in my room between job shifts no music no phone no food with my fingers crossed and i consider it a miracle#sorry dont mean to dramatize or draw attention to myself#so actually im happy you and i are alive
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headcanon boba has decided din is his New Baby Brother, except he has zero frame of reference for appropriate behavior of people with a number of siblings between none and three million. din comes back from vacation and discovers that boba has been committing Casual Identity Theft via completing bounties in din's name
#star wars#boba fett#din djarin#the mandalorian#boba: oh hey i did a couple jobs on your account; got you into better standing with the guild. i took the payment though lol#din: what.#boba found a can of washable silver spray paint for the armor and put a random frog in the grogu bag#little baby (aka two years younger) din needs to build a reputation off nevarro#but hes so busy with jedi business these days so luckily boba is very thoughtful :)#fennec (also no clue what to do with siblings): sure why not
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fatt pin-up week prompt 6: lingerie
millenium break lingerie shoot ?? ??? i don't know. i was having fun
bonus figure a bc they didn't fit anywhere up there
#it's not like my lingerie drawing NEEDS context my brain just works that way#fatt#friends at the table#fatt pinup week#partizan#exeter leap#valence#kalmera broun#vermillion blue#rosa art#this was just gonna be millie originally but you know. i didn't get to draw leap for the challenge mode last year bc i was busy...#& i never draw valence basically ever. & broun is there too just bc#you probably could find lingerie that actually fit leap in style i just got tired looking. anyways i don't think he cares much either way#this one just gets stuck in his joints&shit which he hates.#that aside i missed drawing milie... i drew her so much while i was listening to pzn. miss u girl
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Tumblr keeps popping up to sell me ad free dashboard. But what it doesn't understand is that me and the ads have a sort of symbiosis at this point.
The guys from the fake gameplay trailers for a predatory mobile app are my blorbos
#the kings return to do WHAT?#oh my god they put him in a situation#last year he was solving fake puzzles and this year he is shooting hordes of zombies while trying to chokse#which gate that looks like all the other gates in all the other shooting hordes of zombies games#ooh whats my little phoenix wright up to?#begging to be drooled on by a giant cyclops with gianter boobs?#hell yeah you go little pheonix knight#endure or divorce! what will she pick! blond bimbo and boo monstersinc freeze to death in the cold water#my heart will go on#after their nasty dad ate all the food! the tragedy#oh heres another trailer with that same nasty dad! hes snorkling? where is my daccoon eyed woman WHAT THE FUC#SOMEONE POURED (POOP?) INTO HIS SNORKLE THATS SO TERRIBLE#theyre running away wherre is the bimbo oh its all frozen#everythign froze so fast and now nasty dad is in a winter coat and also changed his entire physique#now hes gathering logs now hes buikding a settlement#damn guess we know what happened after the divorce!#and thats how you know the winter log game is by the same company as (one of many) repair the house game#thry got nasty dad model#and he is GOING places#if yiu ever hear 'i finally found a game that is exactly what they show in the ads!' no you didnt#i would love to play the fat guy fighting a horse for the last drop of water#hes like me fr#but hes too busy building underground rooms with the hot chick who may or may not die#SPEAKING OF HOT CHICKS i love that game where you romance a level 10 babe#not a crook or informant thats her whole job description#level 10 babe#she cqn be romanced by picking her off the ground or by showing her money (which you dont have)#but the other guy does!#i wonder what halpens to her#oh good shes upgraded to mafia wife! good for her and she has some buns in the oven too she must be so happOH NO
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"sounds nice... having a partner"
#the walking dead game#twdg#violentine#clementine twdg#violet twdg#MAANN when clem says this in s3 JUST WAIT BBY#people who say clemvi has no basis like ep2 isnt just them working as a team for 2 and a half hours regardless of player choice#like be fr#clem telling louis that violet patching up the back wall is ok because she needed something to keep herself busy. married behavior#vi asking clem to help check in on everyone while she deals with the wall. their shared smile when she comes back outside :)#and then they sit in the leadership spot together overlooking the yard and everything theyve planned together coming to fruition :)#sorry i just think their romance set up in eps 1 and 2 is obvious as FUCK and im tired of (Some) people pretending it isnt#'i havent seen her warm up to someone in a long time' brody literally tells clem that vi seems to like her after its been 24 hours#after shes been a block of ice for a whole year. and clem just melted those walls down immediately while they fought walkers together#violet is so devoted to clem post ep1 its embarrassing for her#'i saw she had you pinned and i- shit i got So crazy...' sorry if you dont think shes in love with clem idk what to tell you#'i'll tear that boat apart before we leave without you' i know you would girlie!!!#the animators went CRAAZAYAYAYAY the way they look at each other... their little smiles at each other....even before the belltower#the way clem looks at her while they dance.... the way she puts her head down on her shoulder so contentedly....#and then she keeps her head on violets shoulder as she pulls away so clems chin gets dragged with it like she doesnt want to let go#'so you never forget that night' 'i never will' they are DISGUSTINGLY in love with each other it makes me physically ill#its 2024 and im still hearing 'i just didnt see it :/'. lazerbeams you#spaced art 2024
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some of my favorite first watches of 2024 :)
#recs#1st watches#i got so sick and depressed i didnt watch anything for like 2 months so it wasn't a v busy year lol#cabaret here means all of fosse's filmography
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