#i give up tagging them all lol

[felixstudios]

Random Corporate Clash Headcanons, Swearing Edition {Revised}

Constantly swears:

LAA, Scapegoat, Litigator, Plutocrat

Swears often:

Derrick Man, Bellringer, Major Player, CFO, Satellite Investors, Treekiller, High Roller, The Directors

Swears on occasion:

Pacesetter, Duck Shuffler, Stenographer, Multislacker, Mouthpiece, Chainsaw Consultant

Rarely swears:

Prethinker, Witch Hunter, Deep Diver, PRR, VP, CLO, Featherbedder

Rarely swears, but when they do the room feels like it just got ice cold:

Case Manager, Gatekeeper, Chairman, CEO

Legally cannot swear:

Rainmaker, Firestarter, COO

[shoujoegg]

finished painting studies w/ the og dregs....

[surreal-duck]

master artist and his number one fan

guy who is being so normal about the new additions to their profiles. i think abt midoris initial infatuation with his art slowly developing into appreciating yuzuru himself as a person and idol to the point he worries about how he sees him (ex: a bit of home party and in workplace survival rules) sometimes thats a lie i think about it a lot. and yuzuru learning to enjoy art just for the sake of drawing!! seeing the lets try diy story where he doesnt even refute drawing on midoris desk and was only worried that his doodles might cover up the mascot design compared to how discouraged he usually would be in earlier ! stories. everything to me i adore their dynamic if that wasnt obvious by *gestures to basically everything*

and happy pride month 🏳‍🌈

[arcanegifs]

This is the last time I'm going to be annoying about this, I swear.

A few examples of that I, a gifmaker, personally love seeing under the tags:

Analysis of said scene, show, or character, especially the long ones going in depth that span like 1000 words

People saying how crisp the GIFs look and how nice the coloring is THANK YOU. ILY GUYS. That's always huge praise for me.

Reacting with how emotional you got with the scene. How painful and emotional or how touching a scene is.

People making funny jokes, memes, comments, etc.

Literally ppl horny posting LMAO. It's super funny to read and I love seeing all the unhinged comments.

Seeing how much you loved the show and its characters

Things I don't like seeing under the tags. And these are just two very specific things:

How much you hate the show, how much you think a scene is bad, how much you hate a character, the ship, the creators, etc. or how much you dont like this ship anymore, calling a ship horrible because ____ reasons. OKAY! I get it! But I don't want to see that. Make your own hate post on your own blog! You're free to have an opinion on how much you hate something. Just do it on your own blog.

Asking why I leave out certain scenes out, why I decided to gif this scene, or not gif more of these characters. Sometimes, I'm just exhausted. I can overlook things. You guys don't know how draining making gifs can get to me, especially the scenes that are really long. But I do it because I LOVE Arcane, the story, and the characters, and the particular scenes that I make gifs of. I have my own biases too. Of course I’m making them first. Please, just make them yourself instead of complaining under the tags of my edits. Yes, I can see them.

Don’t get me wrong, I wholeheartedly appreciate everyone who supports and follows the blog. I want to make a million more HQ gifs of this amazing show, but sometimes, the very rare negativity can still get overwhelming, to the point where it demotivates you.

Arcane is extremely special to me because it's such a fantastic show, and that alone motivates me in trying to create more GIFs. Honestly, if it was any other fandom or show? I would've probably left already. Arcane is THAT great.

I know the block button is there. I use it too, but sometimes, the amount of effort and time you exert to create FOR FREE just isn’t worth it. And that’s why gifmakers and creators stop making things for fandom. It’s not fun anymore. It’s not worth it.

Some people think that making my style of GIFs is easy. Then great! Since you think so, then do it yourself and help create for the fandom too! I wholeheartedly encourage you to do it!

TLDR: Don't be rude on people's fanwork, especially when they are created FOR FREE. If you don’t like their fanwork, you can make them yourself.

[lucabyte]

If you wouldn't mind, could you explain to me in detail how your sifloop works? Would there ever be a romantic relationship between the two (and how do you think they would get to that stage) or do you just think they'll be stuck in this weird messed up obsession and loathing loop forever? Anyway your takes on sifloop are my favourite if you couldn't tell

Oh, I've been depicting it as romantic the whole time (remembers I'm asexual and aromantic and thus my depictions of such are alien at best) Er, though you'd be forgiven for not noticing.

I know I don't draw them being particularly traditionally cute (kissing, cuddling, etc) (even though I do envision that any time it's not literally extremely inconvenient that they are entangled like a pair of magnetised squiddles) particularly often.*

(Though, I do have some hints at that kind of behaviour: (x) (x) (x)) But this is where, hm, my particular readings of these characters' self-assessment comes in.

I believe that I (an aroace tumblr user who has been immersed in nuianced language about such things since i was an early teen) and Siffrin/Loop (a guy approaching their thirties who seems to have escaped social pressures primarily via isolation from their peers) will have some different views on things. Hell, Sif/Loop don't even have words for Asexuality and Aromanticism even if they seem to be able to point toward the feeling with roundabout language.

I think that their relationship, in the way that it would manifest, would first and foremost be Physical. Some real Maslow's hierarchy shit. Both of them are viciously touch starved and given the whole shared-ownership-of-body thing I keep alluding to (x) (x) I think they are prone to being a tangled pile of limbs both clothed and unclothed.

Now I (enlightened modern day asexual) do not think that physical/sexual/romantic are in any way synonyms unless you want them to be. I believe that literally all associated behaviours of these can be platonic if that's how you feel about it. Howeverrrrrrr. I really cannot envision "black-and-white-thinking-world-champion siffrin and/or loop" being able to disentangle that so easily. I think they would have trouble squaring the circle of certain actions not being reserved for romance, at least not until after several years of continued unpacking and philosophical discussion with Mirabelle and Odile.

And then there's the part where Siffrin/Loop (and also Isabeau!) have some absolutely insane Jealous streaks. Not even on the downlow, they just do. I think that combination of jealousy and posessiveness when paired with unevenly splitting time between A Guy You're Established To Be (at the very least on his side, romantically) In Love With, and Your Weird Fucking Clone Who You Keep Being Intimate And Intensely Emotional With, is going to cause some problems when it comes to labelling things.

I do not think Sif/Loop are stupid, but man do they ever lack emotional intelligence in a lot of areas (a thing the whole game hammers home). I do not think that they would be level-headed enough to independently invent the idea of "QPR, but the kind where you do basically fuck sometimes". I think they would just (agonise over cheating, first of all.) call it a romantic pairing and be done with it.

And then Isabeau is also there I guess. I gesture at him and at my aforementioned Iseabeau Torment Nexus thoughts (x)(x). I believe this polycule can work and even be healthy but hahahaha oh man they are gonna have some weirrrrrrd fuckin tension beforehand lolllll.

as for how i think they'd get to that stage? lol, lmao. I think of things with a lens of 'what would be the most narratively intense' a lot of the time, so my answer there is:

They basically act like one right out of the gate, at least to the average onlooker**. This makes the fights feel worse. This makes them both paranoid in different ways about how this affects Siffrin's relationship to Isabeau. This makes it more difficult for the party to go "hey so, your friend, we're all being very accepting of their sharp edges because they're clearly someone who's struggling, but why are they suuuuch an asshole?". They fret about this and it causes more push and pull as either side feels guilty about this relationship they're not 'supposed' to have. Even if their relationship woes could easily be squared away by either categorising it as a QPR or talking to Isa (who is vaugardian and probably thus lax about polyamory) neither of them are going to do that right out of the gate because they lack the language, are prone to being wracked by guilt, often assume the worst will happen should they talk about difficult topics, and straight up maybe just see intimacy/sexuality/romance as a package deal due to lacking the social expertise... You see what I mean.

I don't Know if what I envision is... The literal platonic ideal of "A Romantic Relationship". I don't know that if Cupid came on down and inspected my brain that they'd agree that this is romantic and not just like, something really fucking weird, man. I don't even know if I would call it romantic, necessarily. BUT. I Do Think. That These Two. Would Maybe Label It That Way. Because it would make it easier for them to understand and come to peace with that way. Which is what matters. Labels are Descriptive, not Prescriptive.

What I DO think i envision however is something so fucking aroace brained that i can point to sif/loop's canon labels, point to MY labels, and then give you a big thumbs up hoping that you won't get on my ass for implying several sentences upstream that "they probably basically fuck, or something, idk, does star-sucking count as sex? i'm not a doctor nor medical professional of any kind. you probably shouldn't drink whatever comes out of it though"

Implicit question 2: "Jesus Christ you make them seem to hate each other, is that not contradictory? Is that all supposed to be during them being romantically involved?" Yup! Sorry for the subtle undercurrent I haven't previously explicitly and overtly established literally at all but a good chunk of that percieved hatred is a byproduct of Loop keeping their identity secret. That's the space wherein I set most of my fanart. (x) Once that cat is out of the bag I think the heat cools off significantly because then they aren't both talking around each other trying not to actually say what they're fighting about. They can actually bond about shared experiences out in the open rather than keeping their traps shut in case the party overhears. They still fight and have problems thereafter, but it's not made worse by being unable to directly discuss the core issue (+ the party can actually contribute/try to shut things down rather than being unclear on what exactly the issue is)

The above ALSO not helping when it comes to jealousy/feelings of infidelity re: Isabeau. (When specifically in the context of Romantic Frustration here, since that jealousy extends to the whole party when generalised) So that adds another thing to, not necessarily fight about, but be bitter over.

As for hatred being contradictory. Mmm. Nah.

The opposite of Love is not Hate. It is Indifference. (A theme ISAT notably gets at). Hate is distinctly something you do if you care. Often if you care Way Too Much.

I try not to write them hating each other, so much as feeling extremely intensely about each other. (x)

Feeling intensely Thankful, Understood, Sorry, Trapped, Devoted, Jealous, Protective, Pitying, Indebted...

^ Scary ! Complicated ! Hard to deal with ! Even the positive ones can be overwhelming! It's gonna make things weird!

So uh, Yeah. There's your answer? I suppose tl;dr: I view relationships as nebulous and only defined by those in it. (This is something I have previously yapped about at length in essays about my OCs lol) And generally view that there's no "true" label for any relationship except the one that doesn't cause undue distress. (which. i mean it does here. but it probably works out in the end with enough talking)

Asking me to define if something is romantic is like asking me to pin down the true form of the Human Soul. Like dawg i dont know how to do that i dont even know if that shit is real. there are merely actions and their constructed societal categories. If i tell you I think they kiss sometimes does that clear it up? (It shouldn't, obviously, but you get what I mean)

But yeah. Gestures broadly. Shipping an ace (and maybe even aroace based on some shit that little fella says) character like this means it comes with an essay. Because it necessarily interfaces with their nonstandard mode of interaction in that arena. The part where its weirdo fucking ♠ ��� ♦ ♣ selfcest merely adds a layer.***

... Anyway I'll leave you with this. The mirasifloop qpr "so what is.... romance?" discussion sessions are probably downright dialectical aren't they. Feelings Buddies discuss the phrase "Self-Love" 23467324235 dead 3 injured

*i do have like . 2 wips. that would. include this kind of behaviour explicitly. but i simply have not gotten around to them yet. and also don't worry neither of them are purely fluff both of them still have an air of worrying fuckedupedness about them. yay !

** inkeeping with my "geared for maximal conflict" mind, this can be flavoured with some "technically nobody can say it's not canon, I guess?" during-the-game Sifloop. By handing them the 'started leaning on each other for comfort more blatantly toward the end of a4' thing, since, well, I think exploring the "Loop expected at least one of them to be dead by the end of this/Loop never expected this to end, and thus began filling in that 'Lover' role as comfort/pity/selfishness/mercy given their knowledge that Isabeau is forever out of reach for both of/at least one of them" angle is... Well it's certainly fuckin' compelling that's for sure. Like oops, you let the timeloop malaise get to you and maybe started a trist because you thought you'd be dead before there'd be any lasting consequences. Here's those consequences, motherfucker !! But you won't catch me putting that explicitly in my comics because I don't want to change anything about the raw text of canon when I'm exploring its consequences. However, nothing I do is Incompatible with this read. And I enjoy making things more tortured so. Shrugs and hands this to you. Be free. (....x)

*** those of you that know what i mean by this just had all of it click just now didnt you. lol.

[somegrumpynerd]

Okay so good news and bad news about the bitty I keep seeing at work,

The good news is I saw the little guy again when I was putting food down and I got very close this time!

He still looked kinda wary but he didn't run or anything so I thought maybe he was coming around to me. I also was putting down the food anyway so I figured I'd offer him some directly.

The bad news is I guess that wasn't the right idea...

I don't know if this was because he's not friendly or maybe he just got scared or something, but he took the food and bolted after he bit me. I hope I didn't scare him off trying that, I'll let you guys know if I see him again (and if I turn into a were-bitty lol)

[calypsolemon]

sometimes people negatively criticizing DR will say things like "it must be bad writing otherwise it doesn't make sense why the ninja act differently in [DR situation] than they did in [MOS situation]" with no further justification for why that would be the case and it's like. my brother in spinjitzu the Situations are Different

[willowser]

you don't know how much comfort your dragon king bkg drabble has given me ever since you posted it!! i keep reading it i love it sm 🥹

as it turns out, the man bakugou is — a bit harder to handle.

he sleeps like a heathen; you once thought the dragon bakugou to be a bit lazy, with how often he tended to curl up in the fields of grass, warm under the sun, but now — it would seem his little human form needs significantly less rest.

almost up all hours of the day, and when he does finally lay down, he's everywhere. a mess of limbs: one thrown carelessly out to the side and the other bent at an angle you can't believe doesn't hurt his joints. his head stays tucked into you somehow, either buried in your neck or pressed against your ribs — or you'll wake to find him nose-to-nose with you. he still snores like a dragon, however.

you're also beginning to wonder if there is a bottom to the pit of his stomach. he ate much before, whole fields of things, but you expected that appetite to dwindle, at least a little, now that his stomach has decreased considerably in size. and in number ? you're not even sure how many stomachs a dragon has; that's not something that was mentioned in the fairytales.

it burns through him quickly, gives him more energy than he needs, and it doesn't ever seem to affect his weight much. already, he's huge and thick with muscle and eating as much as he does never dulls the severity of his cut abdomen. not that you're looking all that much.

— not that you have a choice not to, as he seems to have little-to-no understanding of —

the door to the bathhouse kicks open, with enough force that you already know who it is without ever turning to look. you try not to shriek when you see him, because he seems to like that in some evil, impish way.

you've been alone to wash so far, thankfully, as the inn you'd managed to find was small and far enough out from the nearest kingdom that the occupancy was low — enough for you and your little brute.

the man bakugou comes to stand in front of the bath, blinking and huffing against the steam. finding clothes for him was — nearly impossible, and so the trousers you'd found hanging on someone's line outside fit above his ankles, a bit too tight around his waist. instead of a shirt, you've wrapped him in a scratchy linen, swaddled him up like a baby to cover the small smattering of scales that decorate his body, almost like freckles from the sun, though they gleam just as bright and red as they ever have. no matter his form.

a horn has started to sprout, on the right side of his forehead, and you've done your best to cover that, too.

you have no idea how long this man thing will last. if it's permanent or if he even has control over it. the last thing you need is for him to switch back, somehow, while you're in the middle of feeding him, absolutely demolishing whatever tavern you're in and calling all of king todoroki's guards to attention.

bakugou grunts, almost sleepy, and tosses a fat, weighty sack onto the edge of the bath. it jingles a certain jingle that makes your heart stop.

"oh, allfather—" you move for the edge, awkwardly keeping one arm against your chest despite the fact that he's seen it all by now. when you peek inside and confirm your fears, you lob it back to him furiously, as if it were a steaming potato. "where do you keep getting this stuff?"

things have started to turn up, miraculously. shiny things — like coins and rings and gems. things he could not have simply found rolling around in the dirt.

"go put it back!" you hiss at him, and the tone of your voice makes his frown deepen. you never realized how pouty he was, when he was still a dragon.

you think he understands you, and you're pretty certain he just chooses not to listen; instead of doing what you've told him in the slightest, he simply dumps the coin-purse to the floor, and then lets his linen and stolen trousers cover it as he unceremoniously undresses.

the biggest issue that you would say the man bakugou poses is — his complete lack of understanding of personal space.

"bakugou!" your voice wavers, shocked again by his nakedness. as if you haven't seen it all by now. "no, you — get out!"

but he does the exact opposite, which is hop into the steaming water, ignoring the arm you hold out to keep him away as he saddles up beside you. skin against scales, pressing a nose into your hair to huff out his annoyance, to make it something you can feel.

if anyone were to walk in right now, they would — probably think the lie you'd told the innkeeper was true. that you are a simple traveler and this is your mute, over-sized husband.

regardless, you think this behavior isn't polite. especially in a public bathhouse.

"bakugou," you try again, turning your face away as you speak to the wood-paneled wall. "i'm taking a bath, you have to wait your turn."

all you receive in response is another huff against your ear and a low rumble of disagreement from his chest.

he has yet to speak back, and has only used inhuman sounds as his points of conversation. the only word you've ever heard him utter is oi, which he does when he really thinks he needs your attention. you're starting to wonder if he's named you that in his head. oi.

curiously, you turn back to him and the movement has him pulling his face from your hair, just enough that he can look down at you, too. watch you, with the red-rippled sea in his eyes.

they're — amazing, you will admit. just as bright and detailed as they always have been. fit for a fairytale told by the fire, veiled by the soft-ash of his lashes. he watches you through them, half-lidded, and you wonder if it's something other than fatigue that has them so heavy.

"do you know what i'm saying?" you ask quietly, voice lacking the firm heat you want it to. instead it's heavy, too, weighted by something soft and unfamiliar and frightening. "can you even understand me?"

bakugou doesn't respond, not with a huff or a rumble or ever a purr, like the one he let out on the night he lay over you by the lake. you've only heard it sparingly since then, oftentimes in his sleep when his face is pressed into you.

you try not to frown at his silence, try not to let it disappoint you because it shouldn't; he's a dragon afterall, and you're not sure what it matters. the little horn protruding from his forehead catches your eye and you reach up to touch it gently, watching him blink away the water that drips from your wrist — and then he's turning into you again, too close.

beneath the water, you feel his hands skate up your bare thighs, wrap around your waist until your chest is pulled flush against his. you feel his huff, again, against the damp skin of your neck but it's slower, lighter. not laced with his frustration. some unknown thing you feel guilty for liking.

you drop your hand to his hair, rushing full force into all the damned things you've thought about doing but have been too afraid to. he's soft between your fingers, and you trace your nails lightly against his scalp until he groans quietly; a new noise, one you don't know how to translate.

your fingers stop when they brush upon little spines that have grown at the base of his skull, that have started to trail down the center of his back.

suddenly, tangled up in the bath with him, you wonder how much time you have left.

bakugou huffs again into your skin, a little fiercer this time, and it's because of his light jostling that you realize how rigid you've gone. you try to relax so that he will, too, though you must not do a convincing job, because a sharp nip comes to your earlobe.

"ow!" you squeal, but he doesn't let you go far, not even as you try to jerk away from him. in fact, the harder you try the more his teeth show: into your cheek and the point of your jaw and then dangerously low on your neck.

it's not until you finally freeze that he stops, huffing again, with a warmth that burns more than the steaming water.

and then, very quietly, he grumbles, "shitty wife," into your collarbone, just before biting you again.

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[hballegro]

the clock is here. all hail.

i forgot to turn antialiasing to the right settings with my pen so it is. the little numbers are chunky. thats life sometimes. just dont zoom in too hard. if i fix it, i wont make a new post abt it ill just edit it on to this one or something [and state that i did so in the post]

prev post with noclock version

and as promised here is also progress pics, harvested from when i sent screenshots to friends as i worked. as a bonus ive also included various layer names and the 5 different names the file went thru. the parts i [very lazily] painted over with dark blue had not been done yet, ergo anything with dark blue over it is just the picture itself so do not regard it

i will now be nice to myself and work on my fanfic and smaller drawings for a while. i will do eye posts sometimes still when i get a slow day and wanna do some peepers for 3 hours, i have collected many eyes [klinger, fr mulcahy, trapper, margaret, charles, hawkeye, bj. ive been busy stealing eyeballs to paint on. theyre all on one document its pretty funny]. i will be doing my best to force the cast into my style so i can do quick stuff.

i also WILL do more paintings of full shots again, but. fellas. ive done 3 back to back full paintings with no other digital art projects in between.

this has been NOT good planning lol

not sure if i should tag everything again so i will just. do so? idk i have not been on tumblr hardcore since like 2018 and have never regularly posted so idk proper etiquette. im gonna leave off characters for this one ig

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

[worstdream]

antis be like "your f.os would hate you for being proship ..!!" like babygirl my f.os are grown men dating a little boy (me)

[washiinmachiine]

briar in a modern fit bc i love clothes. also some fan skins i made for fun for the same reason. cafe cuties one is kinda old but ill shove it here anyway..

[cerealmonster15]

cheneige moment aka me trying to learn how 2 draw rsa students

[sysig]

They’re both so cute, what’s up with that (Patreon)

[welcometogrouchland]

[ID: a digital drawing of Hunter and Willow from the owl house based on the "lesbians doing makeup" meme. Hunter is lying beneath Willow, who straddles him while doing his makeup. He looks at her somewhat dazed and she looks at him fondly. the background is a mid-tone blue. End ID]

This is what they are. To me