#i get that its what i lot of people do

[johnconstantinekissesmen]

iv got one better. invite someone over or call someone you trust not to judge that state of your room, and use their presence as a steadying focus point. someone you can talk at as you clean to get excess energy out, who you can sit with inbetween tasks, and who can help you pass the seconds in between motions with

they dont even need to physically help, and it helps!

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[s0fter-sin]

thinking about the way ghost doesn't hesitate to start killing shadows when graves betrays them but soap only takes one hostage

you can almost hear the voice in his head telling him it doesn't have to be this way; they can still talk it out

"i'm calling shepherd"

his first instinct when confronted with betrayal is to play it by the books: to go up the chain. that goes against everything we've seen him do. he bucks authority at every chance except for the one time he's confronted with the barrels of his allies' guns

he wants a peaceful resolution; for the first time we've ever seen, he doesn't want violence to be the answer. there has to be another fix, a solution that doesn't end with him killing the same men he's been working with; his friends

nothing's happened yet

it doesn't have to go this way

but ghost has been betrayed before. he knows the way this ends; either with him six feet under or his enemy

he doesn't hesitate

it's only when they knock alejandro out that soap shoots; when they spill the first blood and cross a line they can never come back from

only when ghost orders him to run and he has to cover his retreat

and somewhere along the line, between civilians’ screams and taunting voices, between his shaking breath and ghost steady in his ear, that naivety is stripped away; his trust turned to teeth that he uses to sink into throats of men he'd have given his life for

"be careful who you trust, sergeant; people you know can hurt you the most"

he's learned the price of trust

just like ghost did

but unlike ghost, he has someone to guide him through the aftermath

"good advice, It"

[xxplastic-cubexx]

what kind of underwear do you think Erik and Charles wear (i'm not asking this to see them half naked) ((please believe me)) (((PLEASE)))

My Personal Belief is charles is a briefs guy while erik's a trunks guy. trunks/briefs kinda couple because i can

and idk just a lil bonus or somethin. as i do.

[dykedvonte]

Curly's little blurb on his steam trading card just keeps reminding me he is a much more miserable person than people realize.

We don't get a lot of his thoughts, inner confliction that aren't bogged down by what Jimmy says or does. Even in the The Last One and Then Another, his dialogue is reflective, not the Curly before the crash but the result of everything. Parts of the him he was are there of course, but also disfigured and warped beyond recognition just like he is physically.

Curly really doesn't think much of himself and desires. He clearly chases fleeting moments of happiness. He doesn't really have prospects for himself, assumes in a similar way to Swansea, that if it should make it happy then he is happy. Though, he hasn't reached the point Swansea did to admit it doesn't. He neither sees the glass half full or empty, it's just water, something he needs and he'll take it from any perspective.

He wasn't running from anything but he's never really been going towards something either. He's listless. I've been using the term complacent to describe how he feels about his life and the closest people (really just Jimmy) in it, but now that word feels too neutral, too nice. Happier than Curly really was. There isn't just one word for it, he's unfulfilled, uncertain, uninspired. There are no active problems he faces and that's the issue, why should he be upset?

I believe he really is a person who doesn't know who he is or wants to be. He follows a structure. I don't think he's suicidal, but he clearly doesn't think about what makes him happy. He's numb. I suppose that is a better word than complacent, used to the feeling even if he hates it. It doesn't hurt so why stop it?

[bunnieswithknives]

Dev this is serious stop beatboxing.

[blueskittlesart]

in the nicest and most non-confrontational way possible. i feel like some of you think that anything that isn't directly openly spelled out for you within a story is "missed potential" or "unexplored." like. sometimes there are implied narratives. sometimes the point is that you as the reader are supposed to think and draw your own conclusions and participate in the story. the writers not directly spelling every little detail out for you doesn't mean that the story is poorly written or missed its own plot details somehow. PLEASE.

[shouyuus]

was thinking about it this morning as i was making tea and i think there's a fundamental gap in the advice we give to writers/creators to "first and foremost create for ourselves", bc yes. in the beginning, i am almost always writing for myself. i write all the time, and im sure that artists doodle and paint all the time too. there are things i've written that will never see the light of day and are truly just for me.

and then there are things that i choose to share, because i want to share them. because i'm proud of a story, and want to put it into the world. the act of sharing it is, above all, an invitation.

its me inviting you into a corner of my mind/heart/soul, opening the window and throwing open the curtains and waving, holding up a sign that says "hi! do you like this too? let's talk about it!"

what im asking for is a connection, a conversation. a shared space. digital or otherwise. and the so-called "harm" of "ghost consumption" is not that artists will stop creating art or that writers will stop writing -- no, that's not quite how creativity works (thankfully, and sometimes unfortunately). we will always create.

we just might not be inspired to share it anymore.

[bitchthefuck1]

I actually really love that we see Helena's palpable hesitation about going back to the severed floor. We know that this has all been a publicity thing for her and it's about helping Lumon, so she's really invested in the outcome, but like. from her POV, she's literally letting someone who actively hates her and everything she stands for, and also has a proven willingness to hurt herself if it means hurting Helena, who now knows who she is and her significance to Lumon, pilot her body for 8 hours every day in an environment where they've repeatedly failed to control her. If I were her, I'd be genuinely surprised to wake up with my limbs intact.

You already questioned why on earth she'd come back after Helly's suicide attempt, and the identity reveal explains the reasoning, but on a human level that's still a wild thing to have to think about. This person (who is you but also isn't) almost succeeded in killing you, and like a week later you let them pilot your body again like nothing happened. How could you not be terrified?

[blackkatdraws2]

There are more things in the Parable than Stanley knows about. [Blank Scripts AU]

[epaulando]

I think people who talk about F1 Academy being a regressive way of segregating racing based on gender are really missing the point of it all. One of the biggest roadblocks for young drivers trying to find sponsors and public support is purely name recognition. If nobody knows who you are, how will you make it up that ladder? Prema, for example, is excellent at advertising its drivers via social media, which gives them a fanbase and drives up "demand" for them. It's thus more profitable for sponsors and teams to pick up those drivers. F1 Academy is doing the exact same thing but specifically for female drivers. Because of F1 Academy, these women are more well-known than the majority of F3 drivers despite competing at what is technically a lower level. And that makes them more appealing to teams so that they can move up in categories! F1 Academy is all about visibility for these young women, and almost anything else is extra.

[ruporas]

invisible scars (referenced previous talk here)

[ID: A colourless, digital Trigun comic of Vash and Wolfwood talking about Wolfwood's scars. They're both laying in bed and topless. Vash lays on top of Wolfwood, playing with the rosary around his neck. Then, Vash kisses a spot on Wolfwood's chest. Wolfwood asks, "What are you doing?" Vash smiles sadly, "You got shot here. In the last town we visited. You didn't even bother moving."

Vash props himself up over Wolfwood, who frowns slightly. Wolfwood is quiet for a moment before he says, "You remember that, huh?" Vash grabs Wolfwood's left wrist and brings it to his face. "And here." He kisses another spot there. "When you helped free the hostages from that robber..." Wolfwood dismissively says, looking away, "Was a lucky shot." Vash huffs, “Don’t brag. Jeez.”

Half of Wolfwood's expression is shown, eyes returning to Vash who is now sitting up, continuing to say, "And..." Vash goes on and kiss Wolfwood's right palm. "You got cut here, even though that girl was aiming at me." A moment from the past flashes, of Wolfwood grabbing a knife aimed at Vash, his hand bleeding.

At present, Vash moves down and puts another kiss on Wolfwood's right shoulder. "And here, from watching my back." Another memory flashes of Wolfwood and Vash back to back. Vash looks back as Wolfwood grins while holding Punisher, bleeding from multiple gunshots in his shoulder.

"And," Vash combs up Wolfwood's hair to reveal his forehead, "Here." A final memory shows Wolfwood with a regeneration vial in his mouth while getting shot on his temple. The next panel is framed in blood with Vash at the center, eyes wide and stunned in horror. The next panel is a closed up shot of Wolfwood's eye, locked on Vash's face.

Back to present, Vash’s head is bowed down as Wolfwood raises a hand to his nape and says, “Spikey.”

Wolfwood looks serious and frowns as he says, "We talked about this. Those were my decisions. They're not there anymore. Forget about them." Vash looks very sad before he smiles ruefully and says, "I still see them. All the time." He leans down so they touch foreheads. Wolfwood’s sorrowful expression can be seen as Vash says, "You protect so much. I could never forget what you've done to me. And many others..."

In the last image, they're drawn more cartoonishly. Wolfwood sweats and asks, "You don't actually remember every wound, right?" Vash points at a spot on his chest. "Kuroneko left a scratch here 7 times." Wolfwood, startled, says, "Why the hell are you keeping count—" End ID]

Credits for ID here and here

[ewwww-what]

an archdevil and a presidential candidate sneak into a gay bar

flatcolor + closeups below :)

[creekfiend]

people act like being intentionally whimsical is inherently more annoying than being intentionally serious but why. suppose my temper is just naturally whimsical.

[bread-blogs]

I love telling someone that “yes I do ship those two men in that show” and they immediately go “b-but they’re just friends! They never even kiss” … hah… hahah … you’ve just barely scratched the surface of my mind