#i genuinely know of no other examples

[whathappeninglestappen]

I have a question. When the drivers do the fan stages before a race, F1 usually has two teams go at the same time (for example, I’ve seen Alpine and Ferrari go together before). Why don’t Ferrari and Red Bull ever go together?

Can you imagine Charles and Max on the stage together. Laughing when asked silly questions or blushing when they look at each other.

Lestappen interacting during a fan stage would be simply lovely. 😊

[egophiliac]

I was wanting to try doing an art piece in the style of the signature spell poster art pieces you create. But I’m not really the best at coming up with a composition for such a thing.

Do you have a process for how you come up with the compositions for them?

oh, awesome! it is an INCREDIBLY enjoyable style to work in; I hope you have fun with it! :D

I'm not great at putting my thought/art process into words, so my apologies if this doesn't make a lot of sense, but I'll try! my first step is always to do a LOT of thumbnails to figure out both the idea and how I want to show it; not trying to do a real sketch or anything, just little doodles to figure out what exactly I'm trying to portray. (I also call these "garbage passes" because they're not meant to be any good, they're just there to throw things out. aha. ha. ...anyway.) I think it's important during that first stage to really focus on the idea and the layout and not to get too bogged down in the actual drawing yet!

I tend to save my final thumbnails, so I'll use 'em as examples (I posted the ones up through episode 5 here if you're interested!) (and, uhhh, spoilers through episode 5 also in this post, hopefully that won't be an issue!)

the main thing I try to think about in composition is balance -- not necessarily in terms of symmetry, but in where each element is placed and how much space it's taking up. remember, empty space is still space! it's also really important to think about the parts that don't have anything in them, as much as the parts that do!

personally, I like to divide things up roughly by both halves and by thirds -- there's a lot more in-depth info out there on why the "rule of thirds" in particular works well visually, but in short, our brains tend to focus on things that are placed closer to imaginary division lines, instead of in the exact center of an image. so even when I'm doing something that is very centered and symmetrical, I try to keep that in mind and generally aim around those for landmarks like faces/eyes (or...where they would be, anyway) and other focal points.

it's not a formula of "the character's face should be in this division of this grid" or anything, more like "our minds like to focus on these areas, let's think about how to use that", if that makes sense! and of course rules are made to be broken, art is lawless anarchy, and so on. but it can be a good starting place for deciding where you want to put things!

(blue - thirds, red - half)

and against the finished versions, because they do usually end up changing a lot (including the empty space of the border):

(...these actually lined up a lot better than I thought they would. :') it makes me look like I do things way more intentionally than I do.)

other stuff I just try to keep in mind is that our eyes like following arcs and paths, which can be a good way to guide the eye:

and frame and control the focus:

honestly, composition is one of those things I feel like I struggle with a lot, so I'm not sure how much of this is helpful or actually makes sense outside of my head. but hopefully it helps a little! it's all just stuff to think about while drawing and not anything hard-and-fast, so don't, like, stress out about making sure things are lining up exactly on the thirds or anything. again, it's more "our brains think these are the dopest parts of the rectangle" than anything else! take advantage of the cool parts of the rectangle!

NOW GO HAVE FUN DRAWING seriously though, it is always super cool that other people like this idea and style enough to want to do it themselves and for other/their own characters! thank you! ❤️❤️❤️

[hermitcraftx]

The problem with a lot of traffic life interpretations in my opinion is they don't understand character foils or don't employ them in their writing. Grian-Martyn and Scar-Ren are genuinely pretty good character foils for a series that is not really scripted or planned out like a book is. I could go on and on about how they parallel each other and the similarities between them. Even the smaller details between the four usually match up

leaving the rant in the tags so I don't have a huge block of text again ueueue

[jupitermelichios]

my favourite sexuality for comic book characters to be is "we made this other character canonically queer because of their relationship with them but for some reason they are still canonically straight"

like wade wilson? mostly canonically queer because of the period where he was married to cable. he was in a queer relationship, so we have to just make him canonically queer. (Yes I know it's not the only reason, I have read all his extremely camp early 00s comics, but lets be real they'd have kept insisting that was all just a joke if it wasn't for Cable and Deadpool).

cable? definitely straight. 100% straight. obviously cable is straight. his relationship with wade is only gay during the & Deadpool, in the Cable part of the book it's very straight. He stands next to a woman sometimes, that's how you can tell it's not gay.

Kitty has, finally, been allowed to come out, but for like a decade, Illyana was canon queer because she dated Kitty, but Kitty was definitely straight and would never date a woman, and no one at marvel thought there was anything weird about that.

[Image Description: a very straight character, interacting with another straight character, in a very believably straight way]

Marvel has way more of these, mostly by virtue of having more queer characters and also chris clairmont (you can never understate the impact of chris clairmont in these matters) but Tim Drake and Kon Kent spring to mind from DC.

I think you could even make a solid argument that 616 Tony and Steve are that, given Tony is out now and Steve, somehow, still isn't.

anyway you don't really get these in any other medium, because they require multiple writers who all wildly disagree with one another to all write the same characters to happen, but i love them, and as much as I want Cable and Kon to come out, I kind of hope this never stops happening in comics, it's just never not funny.

[ave-immaculata]

fellas we're once again wrestling with imperfect vs. perfect contrition and why imperfect contrition with a firm resolution to not sin again and promptly receive the Sacrament of Reconciliation doesn't save

[historicallyaccuratecheese]

i’m never getting over how shovel knight decided to make a love story about a socially anxious mad scientist plague doctor bird guy trying to impress a hot goth girl by crafting a potion of unlimited power and then it ended up being the greatest romance ever conceived.

please play these games.

[giddlygoat]

just vividly imagined all the kids clamoring for a chance to arm wrestle sportacus, and he’s like “uhh i don’t know, are you sureee?” and the kids are like “YES!!” so he wrestles them all one by one and goes just easy enough on them so that they ALMOST win except for like, ziggy, who he just lets win, so all the kids are completely blown away and sportacus just watches on proudly as ziggy soaks up his newfound fame. #sportadad

[mamawasatesttube]

yknow i gotta say. lex luthor can be a really fun and interesting villain, but sometimes it does just take me aback the way some people talk about him when trying to make him funny and cool, as if his biggest and most infamous shtick is not extreme, violent xenophobia.

[angelnumber27]

violently forcing myself to have better days

[rawliverandgoronspice]

I don't get why people hate the timeline so much, its not like you can't pretty much completely ignore it when you play the games. The only time it even approaches mattering to the story is when there is an explicit sequel like botw and totk or zelda and zelda 2

Hey sorry your ask got lost in the sauce of my broken tumblr, but: yeah!

I mean, I get why in some sense. It's been a heated point of debate and I think some people understandably resent the space it has taken not only in fandom discourse, but in how people began to understand the game and its narrative aesthetic choices. There is such a thing as over-rationalizing everything to hard logic, and sometimes it's just not the fandom for that --especially when you begin to forget it's all just fan theory and start to forget what the games are supposed to be like and evoke beyond just strict facts displayed in a linear way.

What I think bugs me with TotK in particular is that it both evokes and relies on continuity and the idea of a timeline, of archeology, of history itself, while being so loose and vacant with it that it both is doing Timeline Shit while also completely failing to understand why some parts of the fandom were invested in Timeline Shit to begin with.

But that's just my two cents of course!

[francisforever2014]

(under my post about everything being okay btw) i am so tired of this sentiment like in what way is it okay to imply that actually if you’ve gone through extreme trauma this does NOT apply to you and some people are beyond helping and will never be happy or okay :) like what are you talking about how is that not batshit

[theautismincarnate]

Some of my favorite hyperfixations are the ones that I’m clearly not in the target age demographic for anymore.

Like- it instills an inherent shame deep within me, but GOD DAMN do I enjoy myself with those fixations.

Love em’. I love enjoying wide ranges of media. :D

[shiroselia]

I feel like one of the greatest indicators of how fucking good Sanderson is at balancing characters but ESPECIALLY how he structures and balances his chapters is that Every time I switch to a new POV I'm like "Naw I wanted to figure out more what the person I was just with is doing" and then as SOON as I'm back to that previous POV Sanderson drops a BITCHASS cliffhanger fuck on the Current POV that makes me go "ONONONONONON HEYEHEYEHYE STOP CAN WE LIKE. STAY *HERE* FOR A SECOND HOLD UP-"

[hadesknockedupintheunderworld]

What would movie Tails think about Tails Sails Mangey and Nine?

Hohoho...

Just to warn you in advance then, my answers will be a mixture of canon interpretation and headcanon.

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Prime!Tails:

First impression:

I think in the case of Prime Tails, he'd largely see the similarities and be like "Oh! We're the same!" Whether it's a first meeting or meeting him from afar, I think he would have a healthy mix between seeing him literally as another him, while also wondering just how similar they actually are.

After getting to know him:

At this point, Movie!Tails would know just how similar and different he and Prime!Tails are. Ultimately though I think he'd be surprised by how similar they turned out in personality and image regardless. Other than that, I think Movie!Tails would be jealous that Prime!Tails' Sonic actually saved him from bullies and that they've been able to adventure and be best friends for so long. Movie!Tails would probably hope his relationship with Sonic could become as strong as theirs one day, while also taking it as a sign that it will be.

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Sails:

First impression:

Definitely "A pirate me?" I think he'd wonder how Sails became a pirate or whether he was just kind of born into it. If they get a first meeting though, I think Movie!Tails' first impression would be that Sails is surprisingly nice for a pirate (not that Sails is usually nice to the first random people he meets (*cough* the first meeting with Sonic *cough*) but Movie!Tails doesn't know that). He would find him friendly, and he'd assume that Sails' contraption is exemplary of him still being a tech/mechanical guy in this universe.

After getting to know him:

I think he'd still consider Sails a pirate version of himself, but he'd see that Sails isn't necessarily a peach either. He's still a pirate, and he still itches for excitement, but he's also loyal to his crew and his friends, something that movie!Tails can respect.

Now, Prime never really gave us backstories for anyone other than some of the New Yoke variants. Personally, I like to headcanon that Sails was an outcast on his island, and he was in a bad spot when Dread first found him. I like to headcanon that post his initial failure to get the Devil's Lighthouse, he still couldn't ditch the sea life. So, though he wanted to put himself in a position where he'd never zero in on that treasure and hurt people again, he still needed a crew to continue the sea living. With this, the idea is that Dread picked up his crew members out of bad spots and offered for them to join his crew. Under this framework, my personal headcanon is that it was Dread that saved Sails (either by directly confronting his bullies or by taking him in while he was in poor spot health wise in the wake of his treatment as an outcast). If this was the case, I think Movie!Tails would be surprised at the knowledge that this world doesn't have a Sonic, but he'd definitely be able to relate to Sails. I think he'd be able to understand why being a pirate on the Angel's Voyage is home to him by relating the similarities in their lives.

Anyhow, the tech/mechanics thing. With getting to know him, Movie!Tails would find out (as Sonic did) where his strengths lay. Sails has a natural talent for it of course, but he gets his start in "contraption making". His world does not have the same technology as Movie!Tails' world.

ㅤ

Mangey:

First impression:

I must admit, if he watches how Mangey acts out of context, his first impression would probably be that Mangey is "me but crazy" or have questions about his intelligence level. As long as Movie!Tails doesn't present himself as a threat and make a bad first impression on Mangey, though, in a first meeting he'd probably thing of Mangey as a sweet little thing.

After getting to know him:

If you spend a while with Mangey you get to understand who he is and his situation better, and Movie!Tails is no exception to this. He may even feel a bit ashamed for assuming that Mangey was "crazy" or "savage". While he can't personally relate with Mangey quite as well as he could with the others, I think he'd still be able to relate with that idea of having found home. I also think he'd logically end up learning of Mangey's inate technological talent as well and would patiently learn how to communicate with him. Not that any of that is easy, it's just that I think at some point Movie!Tails would "see the signs" so to speak and realize that even though Mangey is different and life is different for people here in general, he's still a person with thoughts and feelings. I can also see him apologizing for how he initially saw and/or treated Mangey.

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Nine:

First impression:

It depends upon what era of Nine's life Movie!Tails sees him in or meets him in. In general though, I think he would see Nine as "me but a villain" at worst, and "bad end me" at best. Nine is a version of himself who is isolated and also doesn't have a Sonic, so though Movie!Tails' opinions are dependent on how much knows at this point, I can see him at baseline feeling a bit sorry for Nine. Even if he thinks Nine is a bad guy who caused all of these problems, I think he would baseline feel sorry after imagining a possibility in which Nine was him.

Idk. Like I said his opinions would be very context heavy. If his first impression was like. S3 Nine at his worst, I can see him sort of shutting down the empathy center and just seeing him as a bad guy. But if he's just seeing him pre-meeting Sonic, being bullied or trying to stay isolated, he would just straight up feel bad for his living situation. It's...nuanced.

After getting to know him:

I think in a way the level to which he relates to Nine would be a little scary. It wasn't scary with Prime!Tails because the two aren't terribly different on the surface. Just two people who met Sonic and became heroes in a bit of a different way.

But if he learns Nine's story, where Prime!Tails' story is interesting in it's similarities and differences, a story that holds shared happiness in finding someone like Sonic to look up to and relate to, Nine's story is more terrifying in the ways Movie!Tails relates. In its most basic and shallow form, Nine's backstory is exemplary of what would happen if there was no Sonic (or if there was no one who would save Tails from bullies or inspire him). Even before meeting Movie!Sonic, Movie!Tails was already a tech and mechanical guy. We know he straight up had traps and weapons in his backpack, he'd developed the Miles Electric, and could fly a plane. With Nine's story as reference, I personally headcanon that if Movie!Tails hadn't started watching Movie!Sonic live and become fixated on him as someone he could relate to, he would have had a similar end as Nine (code: just trying to isolate himself from others so he won't be hurt again).

Essentially, I think that if Movie!Tails got to know Nine's story, it would probably shake him to see what might have happened had he never learned about Sonic, and had he eventually taken it upon himself to get rid of his bullies permanently. And I think if he knew how things turned out for Nine by the end of Sonic Prime, he would feel very sorry for him (both for his great loneliness and in not being able to be around Sonic or really, truly at home).

In other words, complicated feelings. Nine's reality would probably make him feel uncomfortable, but in the end, Movie!Tails would want for him to be happy and truly "home" as well.

ㅤ

Thank you for the ask, anon! While I see most versions of Tails as surprisingly judgy (surprisingly in the way that they can be a bit surface level and dependent on first impressions), I think especially when it comes to other versions of himself Movie!Tails would become more sympathetic or empathetic upon actually getting to know them. And since none of these four are really bad guys at the end of the day, I think he'd be willing to see them subvert his initial impressions of them.

[specterthief]

The "just not the dub" in your tags, thanks 🙏. (I do think the dub has its place and it's got some stuff but it's not necessarily the same show. And the original is just superior when it comes to the emotional beats. The dub I think tried too hard to be "funny" and it kinda took away some of the characters' good qualities (esp Reki imo).)

tbh ironically reki is the one character who i think suffers least from the dub because when the script is good his performance is generally really good on a technical level and pretty fitting to the character's original tone, and he seems to have suffered from the least like... active material changes to his characterization, i guess because no one really had any problems with reki lol

but saying "when the script is good" is kind of fraught in the first place, because untangling the absolute mess of the general scriptwriting from the intentional character changes from the actors improvising with no oversight is such an overwhelming task i've tried to break it down and given up multiple times already, so even generally feeling like reki was the character who had the best transition to dub he's still held down by being in this dub

i do think it can have some entertainment value just to watch a bit here and there to hear the characters speaking english but the fact that they self-admittedly completely rewrote characters and altered the script to the point of changing the actual plot and themes of the show just kind of supersedes the few praiseworthy things it's got, because it's treated as an equal and equivalent way of enjoying the story and it's just... really functionally not the same story. and now the fandom is full of people going solely off the dub and thinking it's the same story and projecting that back on the original text or gleefully praising the dub's (again, admitted) efforts to "improve" the source material and "make it gayer" by adding fanservice while censoring the actual text. it doesn't even hold up for a theoretical accessibility use case, before you even get to the story changes, because important information in the visuals that's conveyed in characters' dialog and tone in japanese gets completely cut or lost in english.

i can't stop people from enjoying it obviously but i wish there could at least be an understanding that it's not the same show and shouldn't be discussed as if they're interchangeable, and i'm always going to put disclaimers like that on any kind of recommendation because the original story is what i'm recommending and the dub isn't that. i love the original show and i want people to experience that as nearly as they possibly can, not someone's smug fanfiction pasted over the original animation.

[itsalwaysdark]

i like overthink everything now it makes me feel so dumb. i used 2 be able to just talk 2 ppl but nowadays every single thing im like Is that actually going to make them hate me. Yes probably. and then i just dont respond which makes ppl hate me. this is how it is