#i forgot to make it make sense im so sorry

[asouwan]

🌠 Day 6 - Domestic

[strangersteddierthings]

Good People - Final Part

Part One🦇Part Two🦇Final Part

It is not often that Wayne is happy with the monotony of work. Tonight is one of those nights, if only because it allows him to think about where he went wrong speaking to Eddie. He had never meant to imply he thought Eddie was like Al; he'd meant the apple and tree comment to for Richard and Steve. However, he does acknowledge why Eddie drew the conclusion that Wayne might have thought Eddie would follow in Al's footsteps.

Wayne's being a hypocrite, applying the logic to one boy, but not the other. And even though he never, not once, thought that Eddie would become Al, he'll never be able to take that thought from Eddie's mind that he had. He can apologize until he's blue in the face, Eddie might even forgive him, but he's not sure Eddie will ever believe him. Not truly.

And how could Wayne expect him to?

No. That's a shame Wayne will take to the grave.

Next strike to Wayne's conscious; the misjudgment of Steve Harrington, and how it ties into the fact Eddie accused him of not trusting his judgement, and, moreover, Eddie being right. Wayne hadn't trusted in Eddie's trust of Steve.

He should have. It's been years since Eddie came home crying about a boy, but what father doesn't see their kid crying over their first heartbreak and doesn't grow protective? And with Eddie, it's even more terrifying. Getting mixed up with the wrong boy could mean bruised ribs, black eyes, or worse.

In a town like Hawkins, a boy would just have to claim Eddie made a sexual advance and his murder could (would) be justified.

Now add the manhunt and being suspected of murderer to that. Well, Wayne's scared for Eddie's life almost every minute of his day.

But it's no excuse. Or if it is, it's a poor one.

Wayne doesn't know the full story but he does know that Steve was with the group of people on Eddie's side; that he was there with the Henderson kid, the Buckley girl, and Nancy Wheeler, digging Eddie out of the rubble from the earthquake, getting him to the hospital as fast as they could.

Steve Harrington was part of the group that saved Eddie's life, and that should have meant more to begin with. Instead, Wayne's been waiting for a shoe to drop that very well isn't coming.

He's going to fix this.

He'll give Eddie his space to be angry with him, and he'll try again in a few days.

When Wayne gets home, around 6:30am, Eddie's van is gone. He's not surprised. He probably left shortly after Wayne did, not leaving sooner just to avoid him.

There is a note on Wayne's bed when he makes it there. Says he's at Steve, and instead of letting Wayne know when he'll return it just says the words 'be back' followed by a bunch of questions marks. He ends it with 'call if worried' and leaves a phone number that must be for the Harrington residence.

Another hurt Wayne can't blame on anyone but himself.

Wednesday passes. Wayne eats breakfast, goes grocery shopping, pretends to care about his shows before sleeping the afternoon away to prepare for another graveyard. Eddie has not returned when he wakes, and two short hours later, he's off to work.

Eddie's van remains gone.

Returns from work Thursday morning and repeats Wednesday. He replaces grocery shopping with laundry and cleaning out the leftovers for trash day tomorrow morning. Goes to work.

Friday morning he returns home. No Eddie. He waits for it to be a more appropriate time, a little before 10:00am to call the number Eddie left.

It rings, rings, rings, then, a voice he hasn't heard in years. Richard Harrington's voice sounds as cold as it always was as the answering machine recites, "You've reached the Harrington's. We are not available. Leave a message."

"This is Wayne Munson. I just wanted to make sure Eddie's- that's he's alright. Let him know that I called. Checked on him. He doesn't need to call back but I'd appreciate it."

He hangs up the phone, lump in his throat. He misses his boy, and he wants to make his right, but he can't force that. Eddie has to always want to make it okay between them.

He's usually off Fridays, but he asked to pick up a shift. He can't face Linda without having fixed this. He spends the morning and afternoon doing all the small fixes he'd been putting off. Anything to keep him busy. He goes to sleep at his usual time, and wakes up two hours before his shift like normal.

Check's his answering machine but if anyone called while he was asleep, they didn't leave a message. There's still no van when he heads to work.

The plant tells him to leave an hour early. He tries to argue to stay but he's just waved off, told to go get some sleep because he's been looking a little worse for the wear.

He gets back to Forest Hills around 5:40am and finds there is another car parked at his home. Not Eddie's van, but the sleek maroon BMW that belongs to Steve Harrington parked where the van usually is.

When he pulls into his spot, the headlights of his truck light up Steve, sitting on his steps, wrapped in a coat. It can't be more than 50℉ outside right now.

Steve stands as Wayne cuts the engine and climbs from his truck. He gets to the front of his truck and Steve speaks.

"Eddie's okay," Steve says, hands shoving deep into his pockets, "I tried to get him to call you back yesterday but, well, you know Eddie."

Wayne nods, because he does know Eddie. "I appreciate you tellin' me. But you coulda just called."

"I could have."

They look at each other for a moment, and just as Steve opens his mouth, probably to tell Wayne he's going to go, Wayne speaks first, "you wanna come inside and have a cup of coffee to warm up?"

Steve tilts his head slightly to the left before he says, "are you sure?"

"I'm sure."

"Alright," and then Steve steps away from the stairs so Wayne can climb them and let them into the trailer. Steve follows behind silently but with familiarity. He's spent so much of his time here since spring break- the shame crawls through Wayne again. He'd assumed, once upon a time, that Eddie and Steve spent more time here than at Steve's because why would Steve want the trailer park boy in his big fancy house? Now, though, he wonders if it's because this place felt more like a home, even with Wayne's cold shoulder.

Steve sits at their little kitchen table, a luxury they didn't have before because there was no room in the single wide, one bedroom they'd had before. The new double wide (with three bedrooms) offered them a bit more space for a dining area.

Wayne's still suspicious of the government's offer to replace their destroyed home, but he wasn't foolish enough to deny the offer when it was made to him by Jim Hopper (newly returned from the dead back then).

"How do you take your coffee?" Wayne asks, once the machine finishes filling the carafe.

"Oh, I can fix it-"

"Nonsense," Wayne waves him back to sitting, "just tell me."

"I like it with just enough milk to take the scalding heat out of it," Steve says, and while Wayne's not sure just how much that it, he tries anyway.

He sets a cup in front of Steve before taking a seat across from him. "I really do appreciate that you came to tell me Eddie's okay. I want to give him his space but...."

Steve sips his coffee before shooting his cup a small smile. Wayne must have got the ratio right. Then, he looks to Wayne and the smile drops, a more serious expression taking its place and he says, "Eddie wouldn't really tell me what your fight was about, other than, uh, me and that you... overheard some of what I said last time I was here. I don't, like, want to come between you and Eddie, but I'm not, I'm not going to let you scare me away. So, just tell me what I have to do to get Eddie to believe we're cool, and I'll do it. Anything, except for getting out of Eddie's life. 'Cause I won't."

"I would never ask you to do that," Wayne says. Steve squints at him, a look of suspicion now. Completely warranted, given what Steve has known of Wayne thus far. "I owe you an apology, Steve. For how I've been treatin' you."

Steve's eyes go wide, "Oh. What? Why?"

"You've been nothin' but good to Eddie. For Eddie. And I refused to see that. I made a judgment about you without knowin' anything but your name." Steve let's out a soft 'oh' at that, but Wayne plows on, "And that weren't fair, and it weren't right. I can't undo it, but I want you to know I regret it. I'm sorry."

"Okay," Steve says, after a moment. "I forgive you."

It's Wayne's turn to be surprised. He's a bit speechless. So much so, he takes a page right out of Eddie's book and asks, "are you sure?" which is a question he's never asked after having an apology accepted before, but one Eddie had asked a lot when he first came to live with Wayne, and they were learning to co-exist.

"Yeah. I get it."

He doesn't like that answer. Doesn't like the he contributed to the mind set that gave Steve that answer. "You're allowed to be mad at me for it."

"I think Eddie's mad enough for both of us."

It doesn't feel like closure. It doesn't feel like forgiveness, but Wayne doesn't know what to say. He can't just start sprouting all the bad things he thought about Steve; there's no reason Steve should have to listen to that. But without hearing it, Steve doesn't even know what he's forgiving Wayne for. "I'll be honest with ya, Steve. It feels like you shouldn't."

Steve frowns at him. "Why?"

Why? Why? For all the reasons Eddie yelled at him, and all the things Linda said, and all the agony he's felt these last few days. The guilt and the shame that still eat at him, even as Steve Harrington says he forgives him. "It's too easy."

Those three words have Steve leaning back against the chair. His eyes dance around Wayne's face before taking in the whole of him. Or, what Steve can see of him with from across the table. When Steve meets his eye again, Wayne sees recognition there. "If you can't forgive yourself, I get that. I do. I-I've spent most of my life as one big apology. And I'm not saying that I, like, don't still feel like- what I mean to say, is that, I forgive you. I'm not, like, gonna hold it against you that you were just trying to look out for Eddie, man. Like, two years ago your fears would have been justified, so."

"Don't make it right," Wayne argues, but he doesn't know why.

"No," Steve agrees, "but I'm forgiving you anyway. You think you're the first person to hear the name Steve Harrington and assume you know everything you need to know about me already?"

Steve's words sound like they could be confrontational, but his tone is light. Teasing? Wayne says, "no. Suppose I'm not."

"Every person I love has done that," Steve says, and the ease of which he says that has Wayne feeling some sort of way. Eddie's words echo in his mind 'you made me help him feel that way'. How many other people have made him feel like he's a bad person? "Even- even Eddie. He made a point, during spring break, to, uh, well, he didn't apologize for anything because there was nothing to apologize about, but he made a point to tell me I was very 'metal' and a 'cool dude' so.... I know my name comes with, like, a shadow or a curse or whatever. I think it will for as long as I live in Hawkins, but that's," Steve flaps his hand in the air, as if that fills in for the word he can't find, and it's a move so reminiscent of Eddie. "Anyway, if you aren't actually, like, ready to accept an apology, you shouldn't be making one."

Wayne sits in that for a moment. There's a lot more to Steve Harrington than he'd ever thought. So much he doesn't know, actually, but he thinks he's okay with learning more. This boy told Eddie he was half-way in love with him earlier this week, and while Wayne never heard Eddie say it back, he knew anyway. It's why he was so protective. "You're pretty wise for your age."

Steve grins and shakes his head. "Nah, that last part was all Robin. She says it all the time to me."

"Well, then you best stop apologizing when you ain't ready to accept the forgiveness," Wayne parrots back the words.

Steve throws his head back and laughs.

They finish their coffee with silence and small talk. Steve tells him about how he never thought he'd miss his job at the video store but working at Melvald's is making him long for the days when the biggest complaint was late fees. Apparently, there's so many more things to complain about in retail.

Wayne talks about working at the plant and how the tasks are repetitive and a bit labor intensive, but the graveyard pay is worth it. Steve asks him a few more questions about working at the plant that Wayne's happy to answer and the more Steve asks, the more Wayne becomes aware that Steve might be looking for a change of occupation. He makes a mental note to put in a good word to Floyd, just in case.

Steve leaves with the promise of returning with Eddie, as soon as possible. As he was heading to the door, Wayne asked why he showed up so early.

"Eddie can't stop me if he's not awake," was Steve's answer, a mischievous grin on his face.

Wayne watches from the porch as Steve backs out. Steve shoots him one last little wave with his fingers before heading away.

He goes back inside and washes the dishes. Even dries and puts them away, a feat usually done once a week; he and Eddie have no qualms with using dishes directly from the dish drainer. His only other chore for the day is leaving for work a bit early so he has time to stop at the gas station and fill up the truck.

Grabbing the remote from its spot on the coffee table, Wayne plops onto the couch to spend his day as mindlessly as possible with some TV.

He goes to sleep at his usual time and wakes up at 7:43pm according to his alarm clock; a little over two hours before his shift is to start. It's time for more coffee, he thinks as he dresses for work before heading to the kitchen.

He jerks to a stop when he sees Eddie and Steve sitting on the couch, leaned close and talking softly. He's not about to repeat a past mistake, so he makes his presence known. "Evenin' boys."

Eddie pops up from the couch quick as lightning, taking a few steps towards Wayne before stopping. "I don't like being mad at you."

Wayne nods, "I don't much like you bein' mad at me, either. For what it's worth, I am sorry."

Eddie closes the distance between them, then, and pulls Wayne into a tight hug. Wayne returns it instantly, how can he not? He hears Eddie say, softly, "it's worth an awful lot, you terrible old man."

They part, and Eddie speaks first, "but if you ever pull shit like this again, I won't be so quick to forgive."

"I won't," Wayne says, at the same time Steve says, "he won't."

Both Munsons look at Steve, who grins back at them.

"You think you know my uncle that well already, from one shared cup of coffee?" Eddie asks, sounding amused.

Steve shrugs, "no. I just, uh, plan to stick around, y'know. Kinda hoping there's no dude after me for him to be an angry dad about. I would appreciate it, though, Mr. Munson, if you'd skip the shovel talk bit of all this?"

Eddie sucks in a breath and Wayne's a bit shocked by what Steve's implied. What Steve's admitted, really, out loud in front of another person. Wayne wonders if any boy Eddie's ever liked before would have done that.

"What good's a shove talk when you've already told me you ain't goin' anywhere?" Wayne says, hoping his tone is as light and teasing as he wants it to be.

"Glad we're on the same page," Steve agrees, "but, uhh, do you want me to go? So you can have a real talk?"

"No," says Eddie.

"No," says Wayne, at the same time.

"Oh. Okay. Uh, in that case, you got anything to drink here besides coffee?"

Wayne nods and they all pile into the kitchen to get a beverage before settling in the living room. There will be time to talk later, Wayne realizes. He's going to apologize properly.

Later, though, when he'll really be ready to accept Eddie's forgiveness, because there's no doubt Eddie'll forgive him. So, he's going to sit in the living room and chat with his boys until he has to go to work.

By the time Friday comes around again, he'll be able to tell Linda she was right, everything's going to be okay one day, and maybe ask her on a date he's been putting off asking for since high school.

Done!! I hope the ending is sufficiently cheesy.

I'm so sorry if I missed you! There were a lot of people asking to be tagged haha

@i-less-than-three-you @nburkhardt @afewproblems @skepsiss @unclewaynemunson @kaij-basil-lionelli88 @swimmingbirdrunningrock @mugloversonly @limpingpenguin @krazyperson @acrolius @salisbury-at-the-stake @littlebookworm86 @savedbytheirmusic @wxrmland @myownworstenemyyy @thelittleclare @awkotaco24 @djohawke @wrenisflying @croatoan-like-its-hot @actualwakingnightmare @krowepoison @jamieweasley13 @yourmom-isgay @irregular-child @oldwitcheshat @abstractnaturaldisaster @wishiwasacasualfan @vinteraltus @zerokrox-blog @warlordess @stevesbipanic @steveshairspray @slowandsteddie @samsoble @waelkyring @just-a-tiny-void @saramelaniemoon @halfadoginatank @nightmareglitter @scarletyeager @hellfireone @rovia2312 @munsonslure @a-little-unsteddie @soaringornithopter @eddiethehunted @starlight-archer @dryptid @inkjette

[sereniv]

Can someone who is NOT a zionist tell me why Jewish people have so much conspiracy and hate? when did it start and why? how and why did it spread?

Preferably someone who is jewish or really knows what theyre talking about answer

[dancinghannigram]

im really into space cowboys

[hethinkslikeaking]

"omg homophobia :( the lesbian ship i want to kiss didn't kiss in an episode that was obviously going to be the backstory of another main character :( hes EXPLICITLY gay in a MARVEL DISNEY+ show and kisses his boyfriend but its still so homophobic :( the episode wasn't straight out of my headcannon so i hate it :("

do you know how dumb u sound rn

[buggitino]

more headcanons about sebastian solace from the hit game pressure roblox

back on my bullshit and i promise i only talk about The Situation a little bit

☆ his third arm is more sensitive than the other two (i'm thinking that either the USHD doctors fucked something up during the operation OR it grew in wrong, nerve endings closer to the epidermis and whatnot, something like that)

☆ just hates being touched in general, he’d rather initiate that contact (need an update where he gently —> not very gently shakes expendables off (depending on whether and how much they’ve annoyed/flashbanged him) when they climb him) ☆☆ part of this is due to trauma, he cant trust anyone to touch him without hurting him ☆☆ the other part is that he’s got that fucking dawg in him (i’ll get to this in a second)

☆ unlike what his new voice lines are starting to suggest about his character (i’m not gonna talk about zerum again because i think everyone knows what's happening at this point and ive already thrown in my two cents) he does NOT hate the expendables. literally his first line upon meeting him in his shop has him calling himself your friend (as strained of a connection as it may be, he could very easily not offer items, not share documentation/info, and just take the expendables data and hoard anything he picks up to make it harder for them to get to the crystal) (like yes, it's a mutually beneficial relationship but if sebastian didn't care about or sympathize with the expendables to some extent, it wouldn't be). i really do think he just has a short fuse (i'm not going to bring up trauma again, however-) and says things he doesn't mean (e.g. “they deserved it. and frankly so do the rest of you.” (im coping with the mischaracterization of these new lines leave me alone)) as a means of protecting himself and pushing the expendables further away (both physically and emotionally)

☆ he’ll act like a brat once they’re done, but he lets younger expendables sleep in his shop (he cares about them but would never in a million years let them know that) ☆☆ if a younger one comes in with a bunch of adult expendables, he’ll treat them all the same but will secretly slip the younger one some extra batteries, gauze, something unnoticeable (he feels especially responsible for the younger male expendables cause they remind him of his little brother)

☆ sometimes he thinks he can hear his family's voices on the radio, just under all the static, calling out for him like a search party would. he used to cry over this but he almost got caught once by an expendable coming into the shop so he does his best to tune it out. it’s hard. guilt pulls at his stomach every time he hears a clip of his family, begging for him to come home, to respond, something, anything, and he ignores it.

☆ autism (cause i said so) - i'm including this one for the sole reason that he does the dinosaur thing with his third arm and generally keeps his hands clasped together in the secret dinosaur position (he just like me fr) ☆☆ hates bright lights (the only light he uses/allows in his shop is the one he emits) (its a very soft/warm hue as opposed to the bright fluorescents throughout the rest of the facility) (not to bring up the flash beacon, obviously nobody likes getting flashbanged and he's got angler eyes but sTILL)

☆ he used to hate eating fish (pre-op) and now he’s pissed cause it’s all he has available and the DNA changes made it so fish is the yummiest tastiest thing in the world (i like imagining him actively fighting the urge to eat whatever fish he’s cooked in one bite cause he refuses to acknowledge that he's changed on a level that isn't physical/appearance-based)

☆ calls grown adults “kiddo” (even the ones that are older than him) ☆☆ he gets a certain kind of joy from seeing the 40/50/60 year old expendables try to figure out just how old he is after they get called “kiddo”. it’s extra fun for him when they’ve clearly already heard the rumors and/or gotten a glimpse of his file

☆ the ring is just an accessory, a bracelet on the floor or in a locker he found and liked. assumed nobody was gonna claim it and kept it (shoutout to @/lotus.eaterr on tik tok for this one!!!!)

[connect404]

So I saw this tweet earlier Abt the dynamic between Stanford and fiddleford during the partnership and how similar it was to Stanford and bill's dynamic (incoming essay)

AND I COMPLETELY AGREE

As much as I love fiddauthor (or just ford and fiddleford in general) , fiddleford doesn't deserve the type of treatment he got from Ford.

Throughout the entire partnership,ford treated him poorly and only ever cared about him if it was related to the portal. Fiddleford was willing to work with him even though he knew he was being treated poorly,not to mention he didn't know abt bill or his intentions yet (at the time) and still had his suspicions while working with ford. He remembered to give ford a gift (hand-knitted special gloves for him to wear with several failed attempts beforehand AND a snoglobe of the shack) yet forgot to get a gift for his own wife.

He does all this but the second he tells ford that the portal is dangerous and should be destroyed,ford gets angry at him and says he doesn't need him ???

That's not to say ford isn't completely a POS , he does enjoy fiddleford's company and his partnership with him. Ford even gets closure with fiddleford and actually apologizes to him for all the shit he did to him. Ford gets character development for the most part and actually becomes a somewhat decent person. He's terrible but that's what makes him a great character. He does horrible things but also acknowledges he did said things and actively tries to not do that,even if it's hard to avoid it.

(op said he's objectively an awful person for what he did but also loves him anyway because that type of writing is what makes his character compelling and honestly I relate)

It's a shame that ford favours results over sympathy/empathy. He only ever cares people when they are of use to him and when they say something he doesn't wanna hear,he throws them to the side and searches for another.

Another thing Abt ford is that he tends to be stubborn and an egoist. No matter the situation,he always puts himself before others. This can be a good thing sometimes (like when he gets electrocuted instead of just giving bill the equation) but it's always shown in a negative light. Stan dedicated almost his entire life to bring back his brother after several decades and he never even got a thank you or when instead of hearing Stan out on that invention he broke in highschool, he just let his brother get kicked out (Ik the twins are kinda crappy people but Stan breaking ford's perpetual motion machine was an accident damnit. It's been 30+ years and he still won't let it go 😭😭)

DESPITE SAYING ALLAT....ford isn't completely to blame for his behavior and how he treats other people around him to the point of being manipulative. Sure,his main flaws are what make him act this way (insecurity,need to be better than others,doesn't really think of others,etc.) but I think the only reason they've become worse is because of bill and how he manipulated ford,basically feeding into his ego and validating his beliefs. That, combined with his occasional selfish urges makes him want more.

More knowledge.

More praise.

More fame.

And this need for more makes him impatient. So much so that he starts using the same manipulation tactics (whether intentionally or unintentionally I'm not sure) bill used on him on fiddleford to try and get the same results,since said tactics work on him,so it would makes sense for him to do the same.

TL;DR yes,ford is a bad person but he's a bad person with layers and that's why I love him sm. Also fiddleford deserved better treatment

Anyway this'll probably get like 5 likes but uhhhh I'd love to hear any take on this really.

Agree,disagree I'd love it hear it

[deoidesign]

Hello! I just discovered your blog and I immediately became captivated by your webcomic, but I'm unsure where to read all of it. I know it's on Webtoons, but I can see it hasn't been updated for a while, and you still post about it.

Are your physical novels just prints of the webcomic? Are they a continuation? Is the story complete? Thanks in advance!

Hi there!

Glad you found me and are enjoying my comic!

It's only on webtoons, and the story is not complete yet! We're 2/3 of the way through right now. It's currently on hiatus, and it's scheduled to come back in about 2 months!

I'll explain why it's been so long if you're curious, but also for my followers who might also be wondering about it under the cut. Sorry, it's pretty much just me complaining haha

I took a month off I took 2 months to get the books printed I took a month to prepare my next comic and I took 2 months to write the rest of the series (I knew the character arcs I wanted, but not the time periods or mysteries!!!) I've been working on actual episodes since then

I had to take some time off because of some pretty extreme burnout due to the sheer amount of work it was to draw over 800 pages and write 6 complete stories in a year and a half... I was getting sick almost weekly due to the overwork, it was really really bad honestly. I was having to work 60+ hours every week just to keep up...

The nature of the comic itself is also difficult... Each of the arcs is a complete, self contained story which can be read (ideally) without context, and my arcs need to be about 10-13 episodes each... And since I have an exact number of episodes to work with, it's even harder.

It takes a ton of planning and a ton of refinement, and working week to week with no breaks I was forced to put out second or even first drafts, so I just wasn't happy with the work I was doing... And to do that for the rest of the series? I wouldn't be proud of the work I did.

Plus... To be entirely honest, webtoon has treated me quite badly IN MY OPINION... They deprioritized me before I launched (I had to beg for more promotion, I'm not exaggerating), they outright denied me the opportunity to even ask for a raise, I don't make any money on fast pass and they pay me less than my partner makes working at trader joes. My first editor left me completely hanging, my second editor (who I loved) was fired... And they told me I wouldn't get a third season before my first season even finished. So it was just repeatedly completely demoralizing.

I'm sorry it has taken so long, it'll have been 10 months by the time I come back. But I realized... I won't get promotion either way. I won't get more episodes either way. I won't get more money either way. So to finish everything, to make it feel good, to make it something I'm proud of, I chose to take longer to make it better.

I am fully aware I will lose a significant amount of my readership for this and it might genuinely affect my career moving forward. But it's what I had to do! So I'm sticking to my guns on it, and I'm confident long term it'll be worth it. It never could have been this good if I didn't take this much time.

[jazzzzzzhands]

i broke my ankle today! so ofc i must project myself onto Wally as usual! i dont know how to use or draw crutches!

[seiwas]

*coughs* would just like to say ☝️ that in any moment of danger, kiri does that thing where he steps in front of you and reaches back to kind of cage you against his back while he presses a hand against your lower back to keep you close 🙂‍↕️

[hiemaldesirae]

The Hazbin Graduate’s Guide to Homicide (3)

HAZBIN'S MIDSEMESTER STUDENT REPORT Student: Vox Vanhal Supervising Staff: Professor Enoch Leviathan Sponsor: Not Applicable To the Board: Vox Vanhal may be one of the most brilliant students this school has seen in decades. In all my years of teaching at Hazbin, I have never met a student more insanely ready to learn and apply their skills- due in part, of course, to said student's own possible insanity. I mean this in a jovial way, of course, but I will admit that when young Vanhal's true identity was revealed to me that my first thought was along the lines of 'is this student insane?' Whether or not my student's reason should be called into question is something myself and my fellow professor Asmodeus have discussed in length, but there is one thing that we can definitively agree on: If there is any one student in this school who I would choose to place my bets on, it would be Vox Vanhal. There is nothing more to say at this time of report evaluation. Sincerely, Professor Leviathan.

May God's blessings be with you now and at the hour of our deaths, Amen.

[ 1 ] / [ 2 ] (<- read these first for context and more murder academy radiostatic content!)

Though Alastor may have thought that Vox was much more knowledgable in how Hazbin's Institution for Homicide worked, the truth was, Vox was still fully flying on the seat of his own coattails.

He had no damn clue what he was doing still, and although it'd been two weeks since he'd arrived, part of him still felt like how he did when he'd first arrived: hesitant, scared, not knowing where to go or what to do besides the want to make his boss suffer as he killed him.

That level of animosity might sound strange to anyone not a Hazbin student or alumnus, but it was perfectly normal for any student enrolled in the academy to have such feelings. After all, there was quite a rigorous process involved in the application, and for Vox, this application process (and what led to it) was perhaps more intense than most.

There had once been a time where Vox had dreamed of becoming a Hollywood starlet, one who lit up the silver screen and was blessed by hundreds of thousands of cheering, dedicated fans who would fawn over his every move and action. He'd wanted to follow in his mother's footsteps, at one point. But after taking on his first roles in Carmine Studios, the glamour of Hollywood had shattered like fine glass.

"Miss Vesper! Would you please look over here for a second?"

"Miss Vesper, when is your next movie coming out?!"

"Miss Vesper, is it true that you and your co-star on Anna Karenina, Valentino Vega had an affair-?"

"Fuck! Fuck, fuck, fuck! That- fucking bastard!" Vox rushed into the privacy of his and Val's shared apartment, slamming the door behind him as he collapsed into the couch, head cradled in his hands. He couldn't even begin to start detailing the number of ways he'd wanted to fucking butcher and rip apart his boss.

Andrealphus Goetia was no stranger to the spotlight, naturally. One of Hollywood's top directors, the man had been an influential cornerstone in the history of movie-making, a real legend to light the days. But behind that picturesque platinum reputation laid a monstrous piece of shit.

It had been a complete accident that Andrealphus had found out about Vox's identity.

Vox himself hadn't even really planned out what to do about himself at that point, only that he'd known that the dresses he wore on screen were far more suited to his best friend than they were for him. Knew that the copious amounts of makeup flattened on him everyday made him feel more like a clown than a princess, that it was the most uncomfortable feeling to have to sit and play the pretty face for the audience's sake.

But he persisted, telling himself, one more year, one more year til my savings account has enough to supply Val and I with a comfortable life and we can leave.

But of course- of course Andrealphus had to ruin it for him.

The man had found out and immediately proceeded to blackmailing Vox with the information, holding things such as promotions, media gossip and rumors over his head. And now... now... Vox stared down at the script he held clutched in his hand, his knuckles turning white as he grasped it with an iron grip.

"Dieser verdammte bastard," Vox muttered under his breath.

Though he'd never loved the spotlight that came with his first taste of fame, he had loved acting. Had loved being adored for his skill, applauded for the emotions that he could evoke in crowds of people and the way he could twist people's hearts. He had wanted to be one of the best, a household name.

And now, he stared down at the script for a movie that Andrealphus knew would tank his reputation. It was absolute bullshit. The plot was held together by thin strings and a bit of glue, despite being an adaptation of one of the past decade's best selling books. Not only that, but the moment he left the safety of the apartment once more, he would also have to contend with the rumors that were steadily piling against him and dragging his loved ones and friends into it too.

All this, because Vox had refused to sleep with his shitty boss.

He could still hear the fucker's voice- come on, don't you wanna say that you got a piece of me? I'll even leave out the part about you being a transvestite, darling, just the fact that I got a piece of you is enough.

God. If only.... if only he could see that bastard's face when he crushed his fucking skull in between his hands. He wanted to see Andrealphus' stupid face contort in revulsion and terror when Vox finally did the deed, wanted to bathe in the the fotze's inbred blood. He'd do anything for the chance to just kill that piece of shit-

"Amorcito?"

Val's voice makes Vox jump on the spot, quickly shifting to hide the script from view. His friend comes around the corner, eyebrows furrowed with concern, and it's this that makes Vox break his composure, a single tear falling down his face as Val frowns, taking a seat next to him on the couch. "Voxxy, amor... tell me what's wrong."

And because he can never keep his mouth shut when it comes to his best friend, Vox tells him everything. Val nods along, pauses at the right moments, all of that stuff that friends do when they're trying to let you know that they'd rip apart your shitty boss if not for the law.

But- and perhaps this is something that Vox knew deep down to be true anyway- Val was a bit different in that aspect. He'd met the man under... less than legal circumstances, after all, and he knew that Val was the heir to quite the illustrous cartel career.

So when Valentino stops him with a firm hand on the shoulder and hands him an application paper for Hazbin, telling him to think it through, Vox barely takes even a second glance at it before filling it out.

Now, two months later and sitting in the auditorium of Hazbin's famed Music Hall, Vox doesn't find himself regretting the decision. Sure, it's a bit lonely without Val's supporting presence by his side, but the students he's met so far have proved to be some of the friendliest people he's had the pleasure of knowing: ironic, considering the kind of school they're studying at. And he's even managed to make a friend! Not that bad a start, altogether.

Vox absentmindedly doodles on the edge of his notes as Professor Leviathan's soothing voice lectures them on the importance of a proper alibi. "If it walks like a duck, quacks like a duck, looks like a duck, but it has an airtight alibi, it is...?"

"Not a duck," the auditorium echoes back to the professor, who nods, looking satisfied with the class's response. "So, then! The first step to alibi making is...? Miss Velvette, perhaps you'd like to answer this one for us?"

The girl sitting beside Vox shoots up in her seat, looking as if she'd just fallen asleep and was awoken by the professor's question. "Uh... the..."

After a moment of silence and stuttering, Vox takes pity on the girl, sliding Velvette over a slide of paper that she squints at before reading. "Make sure you're in a different place from the crime?"

"And how would I do that?"

"I... uh. Use an accomplice...?" Velvette stutters.

Professor Leviathan shakes his head, looking disappointed. "Not quite. One thing you will have to learn at Hazbin's is that you should never rely on any other person to carry your deed out for you. No hiring accomplices- after all, paid personnel's loyalty is shaky and they have no honor code preventing them from taking you to the police- and absolutely no committing crimes as lovers, unless you can guarantee that neither of you will be snitching. Would anyone else like to take a try?"

Vox raises his hand hesitantly. "Move the crime scene or otherwise obscure the culprit?"

Professor Leviathan snaps his fingers, "Yes! Absolutely. One of the best ways to make yourself an iron clad alibi is, if the pope is shot in the church at midnight, make sure that you are seen halfway across town in the bar at midnight; so drunk that you cannot even leave until your wife comes to pick you up at two- and no one will suspect you, even if he was actually killed right outside the pub and moved to the church instead. By moving the crime scene, you can make yourself an ironclad alibi. Obscuring the identity of the perpetrator and making it someone who couldn't possibly be you also works splendidly. After all, if the police believe the murderer to be a six foot tall adult man, then the actual perpetrator, a four foot tall young woman, would be able to pass by completely unnoticed. Thank you for that input, Vox. Now, onto the actual creation of such an alibi..."

When class ends, Vox is the first to leave his seat and head for the door, intending on leaving and getting to Track with Professor Satan as quick as possible when someone stops him in his tracks with a firm grip on his shoulder.

"Hey. Vox Vanhal, right?"

"That would be me, yes," Vox turns to face the person he's talking to, only to be met with the young woman that Professor Leviathan had called out in class earlier. "You were... Velvette?"

"Yep, that's me," the chipper young woman responds. "Listen, I know you don't know me at all, but I really need to get through this school year. Like- look, okay, I'm in a little bit over my head right now. I still want to go here and do what everyone here does, of course, I'd love to just go and plunge a damn butcher's knife into my cunt of an ex-friend's neck, but... well, you saw how I did back in class- look, what I'm trying to get at is I need someone to help me. And you're like, Leviathan's star student. So- I don't care what I have to do, I'll-"

Vox holds up a hand to stop her.

"I don't need you to do anything for me, unless you've got any tips on how to kill my boss and make him suffer during it. But I'll help you with whatever you need to study during your courses. Just..." He pauses, taking a moment to think out what he's about to ask. "Could you teach me how you did your makeup on your own?"

Velvette blinks, clearly not expecting that response. She laughs, a shrill, sharp bark and grabs his hand to shake it firmly. "Yeah, 'course I can. So, do we have a deal?"

"We do," Vox smiles. "Pleased to make your acquaintance."

[boxwinebaddie]

*awkward boyfaill!stan doing the sexc smoke and mirrors vegetarian siren raven vc a.k.a the kenny cosplay vc and wearing the tiny boytoy monster high doll outfit e.t. ten shoehorned him into against his will*

hola, engenra de amanecer, or rather, my dearest dalingest dawn spawn. well, it only took me...a whole damn month, but at long last, i present to you, my magnum (d)op(e)us, the clusterfuck that is...

The Official RM Playlist.

there are, quite literally, 150? i think...songs on it ( rip ). i was very passionate about it and tried to put all the songs in chronological order, but obviously there are a ton of gaps in it/contains references to scenes that i either touched on briefly a long time ago or not at all,

so feel free to send in asks with questions about what corresponds with what on the playlist; i'd be happy to oblige. it's a little choatic and cringe, but she is my baby, mi amor, mi vida. <3

but now, my darlings, as always, i'm sorry or you're welcome, i hope you heal, i hope you enjoy the very worst part of your day, and, finally, i hope you rem(ember)ed to pack a nightlight, dear listeners,

Because It's Always Darkest...

BEFORE.

CRIMSON.

D A W N.

[p4nishers]

let me just say this: if crowley EVER makes an actual move on aziraphale and aziraphale gives even a HINT of reciprocation it's over for him in SECONDS bc u know aziraphale half asses nothing so it'll be like crowley tries to brush their fingers together and aziraphale fully beams at him and interlocks their fingers in seconds. crowley stares speechlessly at their hands for 5 minutes, looks up at aziraphale and faints. crowley gets aziraphale flowers and aziraphale puts them in the very center of his shop where everyone can see and keeps them alive for months. crowley fights a giggle every time he sees them. crowley offers his jacket on a cold night and aziraphale wears the jacket everywhere for weeks and gushes about it to everyone he meets. crowley chokes on his breath every meeting aziraphale is in it without fail. crowley slyly asks aziraphale on an actual romantic date and aziraphale SLAMS down their wedding invitations infort him of like "im so glad u asked, dear, i've been waiting for this" then launches into a rant about flower arrangements and table cloth colors and crowley is left blinking at him and trying not to explode. poor snake.

[holysheithyall]

spoilers for ln 1 and 2 i think.

anyways i love them so much theyre all i can think about rn

[give-grian-rights]

can someone tell me why im being abnormal about a character i've barely touched the content of. like yay yippie i watched like 20 hours of you. there's fucking 80 years of content get me OUT OF HERE?

[layraket]

ok so a dear friend of mine (@pokezeus <- this man) pointed me out that in Oracle of Seasons there's two types of zora, the ones from apparently the sea, and the ones from the rivers (enemies)

via

SO

cuz these are the only two titles where we see these two kinds of zoras at the same time it is very possible that EoW happends somewhere close to the Hero of Legend's era

we could say that a group of zoras moved to Labrynna and Holodrum after the events before ALttP keeping their friendly demeanor and now in EoW maybe theyre considering coming back to Hyrule?

idk now it seem less weird to be there two types of zoras