#i feel special feelings about this photo

[strsmn]

this.

this is my roman empire (i'm not exaggerating).

[territorial-utopia]

Huzzah! It's birthday time! I'm slowly accumulating more and more things I like (latest additions this vest I made and a travel typewriter! Still need to fix the latter one though)

Sure has been a year.

[gmaybe666]

who up and genuinely dreading the ending of succession, saw this quote from james cromwell and physically recoiled

[5-turtleducks-in-a-trenchcoat]

Still crying about the fact that Sasha got to live a long and happy life after never thinking she'd actually get that.

[batsplat]

do you know why vale seems to have a soft spot for pedrosa?

there's not any single one reason, I don't think, but here's are a few contributing factors that come to mind:

history! in large part because of the honda link, dani's the alien he's known the longest... valentino was the number one honda rider at a time at which dani was honda's rising star. photo on the right is from the 2001 honda celebrations at the last race of the season (when dani was sixteen); from oxley's valentino rossi: all his races: "that night vale celebrated in style at a raucous honda victory party, where he taught honda youngsters daijiro kato and dani pedrosa how to drink". they've known each other forever! valentino was getting teenage dani drunk! quite natural to be fond of someone you've seen grow up like that, even if they are being moulded to be your next big rival

circumstance! the way it basically works with valentino is that if you want to have a feud with him, you generally need to have a title fight with him when you’re already ‘established’ rivals (ignore marc, that’s its own thing, 2015 is a freaky season). biaggi and valentino were enemies headed into 2001 and then were worse enemies, he was cool with sete in year one but not year two, mostly *wiggles hand* the same with casey and jorge… feuds aren't build overnight. valentino and dani weren’t ever really direct title rivals - closest they got was 2006 and 2008, but in both cases valentino probably didn’t see dani as his main problem that year. there wasn't really any competitive necessity for valentino to get nasty... also with one or two notable exceptions, valentino did kinda have dani handled in their actual wheel-to-wheel fights, which let’s face it probably didn’t hurt

yapping! so this is just a theory but it’s one I believe strongly in. you know how valentino loves to talk, right? the thing about pressers and podiums is that you're always going to have a few regular attendees, if you will, corresponding to the front runners in any given year. now, unfortunately for valentino, there were periods of time where almost every other regular attendee was someone he had pretty active beef with. that doesn’t mean he always avoided yapping at them, but relatively speaking you want a guy you can build up some good repartee with to pass the time. dani was his guy… less complicated than casey and jorge, plus dani is polite enough to go along with it and maybe even enjoy chatting to valentino (it’s been known to happen). pressers can be boring and at podiums you're still full of adrenaline, valentino wants to share a joke with someone! my completely unscientific sense is that valentino does this a lot with dani around 2008-ish to 2012, then for two years marc is the number one yap victim, then for a while it’s a bit…? oddly valentino does seem to chat quite a lot with jorge in 2015... he likes to throw in a quirky behavioural pattern sometimes to keep you guessing. anyway then in 2016 he is Actively Ignoring two of these men so vale goes!! hi there dani!! and takes it from there (though the field is more mixed up post-2015 so he becomes more of an opportunistic yapper). in general, valentino will chat to pretty much anyone with A Few Exceptions, but he does usually have a bit of an order of preference

dani’s personality! now, obviously dani is very much capable of feuds, but he’s not that naturally combative a character. valentino generally needs a competitive justification for beef, though some personal animosity can help too… but he never really hated any of that trio of young riders to come through. valentino's known dani forever, he’s been around dani a fair bit because of their respective statuses in the sport, dani isn’t going out of his way to pick fights with valentino, so no reason not to get on! he does clearly quite like chatting to dani and seems pretty fond of him even towards the start of the alien era, at a time in which it was broadly expected that dani not casey would emerge as vale's primary challenger... god knows if the relationship would have soured if dani had assumed that mantle (probably at least a little lol) but failing that, valentino does just seem to quite like him. y’know, sometimes it’s like that

They Have Also Had Their Disagreements, But There Hasn’t Been Much Cause For It To Escalate Further. these disagreements have tended to be over racing standards, where dani is generally in the ‘you people are all insane’ camp and valentino is generally in the ‘ah it’s fine’ camp (though, obviously, there is nuance here… cf vale also criticising sic over the le mans 2011 incident that left dani with the broken collarbone). generally, they don't get into direct conflict over it, more of an underlying difference in positions (hey, aragon 2013 is an example)... but there’s been dani’s suggestion that valentino’s sepang 2015 stance is inconsistent with his generally laissez faire approach, and also some other isolated little scuffles over the years like say 2017 aragon (see below). pretty small scale stuff in the grand scheme of things and if you've been on-track rivals for that long it's kinda inevitable you'll eventually disagree about some stuff, but perhaps worth bringing up

went through all of the alien combos in my head and these two slot in just behind dani/casey as probably the two most consistently beef-free inter-alien relationships? dani/casey gets extra credit for surviving The Teammate Test. but, y'know, the thing about valentino is that he's a sociable, outgoing guy... he likes talking to people... he's actually interested in them... he's a decent conversationalist, easy to get on with, all that stuff. so if you expose valentino to this nice fella who at most was like... perhaps a bit more reserved towards the start of his time in the premier class (partly due to his mentor's approach), but really was generally pretty chill... well, if valentino isn't given any reason to hate dani, then default state is that he won't. good on them etc

[uhbasicallyjustmilex]

oh my god oh my god oh my GODDDDDD i can’t BELIEVE i found these on my little rainy october thrift shop wander this morning. like, one would have been more MORE enough. but both?? at once??? i am quite simply floating and may never touch back down to earth

[xxplastic-cubexx]

sorry if you've already mentioned but what (re?)ignited your love of comics/x-men/cherik? curious because there are so many different adaptations of them

i think im gonna speak for a few (or a lot of) people when i say that TL;DR the wolverine x deadpool movie that came out this summer is what pulled me back into comics and i COULD leave it there but i will go into excruciating and unnecessary detail instead because i love an origin story and i love oversharing.

under the cut tho because im nice sometimes (there's also wxdp doodles in here. if you want to see that)

ironically (and probably commonly), growing up i was more of an avengers kid. Kinda. Loosely <- binge watched the cartoons and movies and read copious amounts of comics and fics and i am hoarding fanart in my old dresser as we speak ok 'loosely' is a modest lie.

embarrassingly i remember getting into discus cause of captain america LMAO so yeah needless to say i was a Humble Fan- me joining my school's comic class/club didnt help either (shoutout to my teach from that she was the realest one out there for. A Multitude of reasons). she definitely is was inspires me to even draw still and make comics and i often think bout the tips i learned from her class tbh she was great

back to the movies t and comics tho, i got into em because my brother would offer to take me and that's how we'd hang out (i rarely saw movies in theaters and i even more rarely went anywhere as a teenager. still kinda like that today tbh ooops) and yk. it just snowballed after that.

my brother and i have always liked comics- he just more than me for a while (though he still very much loves comics and As We Know From My Posts we still talk about them whenever i see him To An Exhausting Degree)

durin then i was really into stony and i have a few surviving doodles i made but those are between me and god. and anyone who asks tbh LOL

'snap can you make this related to x-men again this is long' ok so fast forward to This Summer again I Still Don't Really See Movies but my brother offered to take me and this was the first time i'd actually seen an x-men movie in full

as a kid i only remember seeing the 'perfection' scene between erik and raven in first class while i was channel surfing. pretty sure i changed the channel after seeing mystique naked cause i was scared my parents would get mad at me if they caught me watching it LOL

BUT MOVING ON As A Kid i think it's also natural you'll sometimes watch 92 if it's on And I Did though evidently it didn't stick too hard (i do remember really liking beast and gambit though.... still do really): my knowledge of x-men was. INCREDIBLY sparse. like diabolically so so i didnt have too much expectations (aside from the fact i vaguely liked deadpool beforehand).

tbh i dont know why my bro never took me to see any of the x-men movies. it's not like he doesn't Also like x-men (90% sure nightcrawler's his favorite but my brother will be caught dead saying he has absolute favorites like that)- he owns a bitch load of deadpool comics/omnibus sets too (of which ive read over the years and reread this year) but Shrug moving on

Much Like Most Of The Internet i fell down the rabbit hole that way. i have some doodles i made a couple days after seeing WxDP that i now have an excuse to throw at all of you Look And Perceive

and so. As I Do. i got curious and told myself i'd binge watch all the x-men movies the week before i went back to school And Then I Did ft. My Brother Sometimes and then i said i'd binge watch all of '92 and And I Did That ft. My Brother Sometimes But Less So and now we're here. currently watching Evolution...

once i got to school i realized i lived near a comic shop and started getting into the comics that way (the first ones i got since going down this rabbit hole was Magneto Was Right!, The Resurrection of Magneto, and The Trial of Magneto. if you were curious !!!!! clearly i didnt care too much about context i just needed to see My Guy jelvejlkvj i have no regrets and Evidently ive read more since)

i'm pretty sure what dragged me into cherik specifically was the fact i saw a clip of The Famous ending to 92 where erik's aghast at the notion jean even has to question his love for charles. i think that was what officially had me refocus my lens on them: not a single poolverine thought after that LOL (all the cherik posting i saw on twitter definitely helped too but that was the nail in the coffin for any other interests i had: i was locked into cherik and x-men in general now)

that clip specifically, i was surprised at the fact they- frequently even- have the x-men franchise say erik loves charles and vice versa so bluntly. even if it's not meant to be romantic, i fear im just a fan of how casually the word's thrown around with them two and i got tender bout it all. Then Yk. i just live for the drama. the hilarity even. the sincerity .... they make me sick if i think of them too long so im gonna end it here

before i go tho ironically enough, the first x-men issue i owned was This one (story a this is that while stuck in some wacko dimension charles accidentally gets himself trapped in logan's mind while utilizing his astral projection. if you were curious). pretty sure i got it for free with another comic set i got years ago since our old comic shop loved to do that, but it's poetic aint it. maybe ill doodle something referencing it..

i should probably look into finishing this arc someday im Dummy curious to even know how it started and how it ends.....

[leqclerc]

Monaco 🇲🇨, 5th September 2023

[gucciwins]

my friend asked me about the “italian racing event” 🥹 and i just feel so seen

[berryblu-soda]

Anyways update i just didnt bother to post earlier:

fr God is good and the whole car crash my parents got into last week was so incredibly mild in terms of injuries!!!! worst was a bruised knee im pretty sure

ALSO-

*taps mic* HUG YOUR FREAKING LOVED ONES OR SO HELP ME!!!!!!!

[carolinanadeau]

In Praise of Sally Ann Howes

As I've made it one of the purposes of my blog to share photos and songs and general positivity about the wonderful English actress Sally Ann Howes, I thought I'd make a post to talk in much more detail about all the great things about her and why I adore her so much!

This classy English beauty possessed a highly expressive face and eyes, an astonishingly powerful soprano, a great sense of humor, and the world's most charming laugh. One thing I cannot stop saying about Sally Ann is that she did not and does not get nearly enough credit and recognition for her immense talent and prolific career, and it's precisely for that reason that I'm here to do my part in giving it to her!

This overlong rambling post is a combination of biographical information and my personal fawning over her performances... whatever I felt I most wanted to put out there in the world and what I'd like people less familiar with her to know.

Click on Keep Reading and I'll take you on a journey!

As she preferred to work on the stage and didn't really pursue a film career, the catalog of Sally Ann's work that can still be viewed today is unfortunately small - though you can find almost all of her early films on the internet if you look hard! In her early film days, mostly made before she was able to pursue her true passion of musical theatre, her extraordinary singing talents weren't utilized by the producers at all.

However, we were fortunately blessed with exactly one musical film role from her, and it's an iconic one: the aptly-named role of Truly Scrumptious in Chitty Chitty Bang Bang (1968), the golden-haired, golden-hearted candy heiress who falls in love with and eventually marries Dick van Dyke's character Caractacus Potts after joining him and his children on a madcap adventure. She's a sweet, intelligent ingenue with hidden depths and one of my favorite sorts of character arcs - the uptight, lonely woman who becomes more and more warm and open as she discovers newfound freedom and joy in life and falls in love.

There is something about Sally Ann that just glows in every scene of Chitty, and it's not only that bright blonde hair! The way she widens her eyes sometimes, the way she raises her eyebrows, her gentle and soft presence in the happiest scenes, and the particular airy lilt she has to her speaking voice are all so distinctive and appealing, and I can't take my eyes off her. And her smile! When I say she glows it's barely even a metaphor, the woman just emits light. 

(Funnily enough, I started to realize that many of the laudatory quotes I've found about her also refer to her in this way, like this quote from a 1965 TV Guide article, from playwright Sidney Kingsley: "She's luminous as an actress. I mean that literally. In Brigadoon she really lit up the stage.")

For me, I'm weak for any actress who can do the defrosted-ice-queen trope so incredibly well. Truly starts out as closed-off and prim, and nearly reverts to that state when she and Caractacus have a Big Misunderstanding near the end, but in the scenes where she's happy and carefree, the warmth just radiates off of her.

She also has the most adorable chemistry with Dick van Dyke in an annoyances-to-friends-to-lovers relationship that absolutely shaped my young brain. Whenever Sally Ann and Dick glance at each other, whether with irritation and frustration early in the film or with warmth and affection later on, their chemistry is obvious and natural, and there's so much expressed in each one of those glances. One has no difficulty believing that these characters are going to be very happily married.

(Here's a cute on-set interview where she talks about, among other things, how easily she and van Dyke clicked.)

While I acknowledge that the character of Caractacus Potts was absolutely originally planned to be an actual Englishman, Dick van Dyke played him with an American accent, and to me they will always be an adorable English-American couple. It's a whole part of the charm of this pairing to me!

Sally Ann also had a great relationship with child actors Adrian Hall and Heather Ripley who played Jeremy and Jemima Potts, and did her best to help make them more comfortable and happy during the many very long days on set. Having been a child film star herself, she knew a great deal about how difficult and alienating it could be. The genuine affection the three of them shared is obvious in their scenes together, especially in the extremely adorable "Truly Scrumptious" number, and it really makes the developing mother-child relationship between the characters so believable.

The beach scene, where so much of the relationship between Truly and Caractacus and the Potts children is developed, is incredibly cute and heartwarming, and a lot of that rides on Sally Ann's performance and how her previously prim-and-proper character shows herself to be warm and loving, once she (literally) lets her hair down. We've already seen how happy the Potts family is together; now we see how Truly fits in perfectly and makes them all even happier.

Look at her! Literally glowing!

(One thing I should mention: I think both the plot and the love story of CCBB are greatly improved if one just treats the "dream sequence" as real events, which was possibly the original intention anyway, so just note that is always the perspective I'm coming from here. It's the only way to make some things make sense and for the characters and their relationships to fully develop.)

"Lovely, Lonely Man" is Truly's big solo moment, and was probably the least comprehensible part of the movie to me as a kid (lol), but is now indisputably one of the very best parts to me as an adult. It's an exquisitely beautiful love song, especially the bridge, and I somehow love it more and more every time I rewatch it. Sally Ann's dreamy, graceful movements and the way the whole scene is shot make her look like a princess, and the slow build of the song is masterfully done. She has this distinctive crisp way of articulating her words while singing, especially the closing consonants like N and M, that I just love to listen to. The string section and the building countermelodies are so beautiful it makes me want to weep. Everyone involved in creating this scene and song deserved an award, I'm being so serious. While it's not the highest of soprano songs and doesn't fully show off Sally Ann's astonishing range, she shows an incredible amount of vocal control here through the many diminuendos and crescendos, and she's mesmerizing to watch and listen to. One of her "glowiest" scenes, for sure!

While I've seen people call this song irrelevant to the plot, I strongly disagree - the romance is part of the plot, of course, and while I didn't fully understand the meaning as a kid, this song establishes how much Truly's outlook on life and hopes for the future have already changed since meeting Caractacus, and how much happier she is with the poor Potts family than she's ever been in her life of luxury. Plus, now we know for certain that she's head over heels for Caractacus, but he doesn't know... increasing the dramatic irony of the pining and yearning to follow!

In the reprise of "Hushabye Mountain", which was sung in a much earlier scene by Dick van Dyke alone, Caractacus loses the will to continue the song because he's overwhelmed with emotion thinking of his children being held captive. Truly comes in to aid him with the final verse - another pivotal moment in the developing romance - and Sally Ann's singing here is nothing short of breathtaking.

And of course, I can't neglect to mention the "Doll on a Music Box" number, where Sally Ann, who was not a trained dancer and in fact considered herself to be "appalling" at it, performs an incredibly precise, incredibly impressive clockwork song-and-dance number while on a spinning turntable! She practiced it so well that she managed to successfully complete the shot in a single take, prompting the stage full of extras to burst into applause.

This is another important character moment for Truly, though it's disguised in a diegetic performance: though it's another thing that went over my head as a child who only got to see the movie once, the lyrics about being trapped up on a music box and longing to be freed by love pretty clearly symbolize how trapped the real Truly's high-society life makes her feel, and how she yearns to break free from class restrictions and live happily-ever-after with Caractacus, as it's only with him and his family that she really feels free.

Then there's that incredibly warm romantic look that Truly and Caractacus share at the end of the song when she silently acknowledges the love confession he's just made while singing in counterpoint with her, though they're still in a dangerous situation and can't give themselves away by appearing too human and breaking their disguises... sadly this vital moment is cut off on all the Youtube videos of the scene I can find, because none of the people who clipped it understand that that's the whole point of it all, apparently. But here's a gif!

The character of Truly doesn't exist at all in the original (quite different) book by James Bond author Ian Fleming - surprising, I know, given her name! - and, honestly, the fact that Truly and the romantic subplot of this movie exist are why it had such a strong impact on me as a child, and very much why I fell in love with it again as an adult. Even though the score is wonderful anyway and the story is charming and magical, I can confidently say that I would not have become as completely enchanted or had such a strong desire to revisit it again and again if there'd been no Truly and no love story. The fact that Sally Ann's performance makes Truly so loveable is, obviously, a pretty crucial factor there.

Sally Ann's delivery of "Well, Mr. Potts... now you'll have to marry me!" after Caractacus kisses Truly... that slide from prim mock-outrage to the playful, warm, you-can-hear-the-smile-in her-voice conclusion is flawless. Not even exaggerating when I say that this was the moment that made me into a hopeless romantic as a 9-year-old child. Sure, this wasn't the first movie I'd seen where two people fall in love and live happily ever after, but I distinctly remember that this was the first romance story that had me in a giggling, kicking-my-feet, "I ship it so hard" state of mind. And after revisiting it as an adult for the first time last year, I have confirmed that yes, child me already had great taste in fictional romances!

Oh, I could say so much about the difference in her body language between the two scenes where Caractacus carries Truly out of her car that's become stuck in a pond. The first time, Truly is affronted and extremely embarrassed by the situation, holding herself so stiffly and awkwardly to avoid an accidental embrace that she causes him to nearly lose his balance and drop her. The second time, when they're in love and they know it, she snuggles right up into his arms without hesitation and it's the cutest thing ever. Sally Ann was 5'6" but looks so tiny in that scene!

(And that kiss! Maybe I'm getting off-topic here in terms of strictly focusing on Sally Ann's contributions, because Dick van Dyke deserves tons of credit for making this kiss so good... but wow, the kiss. Several times I have called it "the Most Kiss they could have gotten away with in a children's movie." Again, giggling, kicking my feet etc.)

While Truly's costumes and hairstyling are rarely historically accurate (the film is set around 1910), the stylized nature of her fashion is iconic and memorable in itself. Sally Ann also completely pulls off playing a fresh-faced ingenue who is 12+ years younger than her actual age - and I do wonder if the aging-down of Sally Ann is at least part of the reason why Truly wears her hair loose throughout most of the movie! Either way, it works perfectly and I was shocked when I first learned how much older she was than her character. (If you watch her in The Admirable Crichton, where she is also in Edwardian costume and was closer to Truly's actual age, she really doesn't look all that much different. If anything, I think she looks even more glowingly beautiful in Chitty!)

Also, as for Truly wearing her hair down... it may just have been an intentionally anachronistic stylistic choice, but in-story, I think it actually contributes to her character by showing a willingness to flout convention and pursue whatever will make her happy instead of what's expected of her, which happens to be a key theme of her character arc.

Another thing that led me to adore Sally Ann as a person as I learned more about her over the last year: in the 1960s, she appeared as a panelist in quite a few episodes of the game show To Tell the Truth (as well as a few episodes of Password), and these can be found on Youtube. I really adore how her personality shines through - she's unfailingly bubbly, witty, self-deprecating, and a bit quirky. Just listening to her speak is a delight and she has one of the best laughs I've ever heard. Here is one of my favorite little moments that I clipped. 

By all accounts, she was a delightful person to know and work with, witty and clever, very professional, and very serious about her craft. She also always maintained a great affection for and pride in Chitty Chitty Bang Bang and her role as Truly, which is always a wonderful thing to know about an actor in a beloved role.

Another bonus: here is a super charming interview with her after a backstage disaster at What Makes Sammy Run? on Broadway.

She was also, along with Twiggy and Diahann Carroll (as Julia Baker), one of the first three celebrities to have her likeness made into a Barbie doll.

Two of her earlier films I recommend are the comedies Fools Rush In (1949) and The Admirable Crichton (1957), if you can find them (hint-hint, you can.) You may also be able to find the 1966 TV movie of her reprising her Tony-nominated role of Fiona in Brigadoon with Robert Goulet, and although I feel like the oddly close-up way the film was shot kinda does a disservice to the actors at times, it's still amazing to be able to see and hear her in a role she performed on Broadway.

Richard Rodgers once called Sally Ann "the greatest singer who ever sang on the American musical stage." Now, I don't quote this to claim this superlative as some kind of objective fact. If you know anything about me, I am very, very strongly opposed to pitting women against each other and all the Golden Age sopranos are absolute queens who deserve crowns, no matter how much mainstream success or present-day name-recognition they have/had. I just think it's phenomenal that she received such high praise from a man who worked with many of the best musical theatre singers who ever lived... and to think, many people today have never even heard her voice. Without her performance as Truly Scrumptious, it's possible almost nobody would in the future! I am so glad that Sally Ann's lasting legacy was ensured by such a beloved film role.

Sadly for us, many of the theatrical roles which she originated (and thus, for which cast albums featuring her exist) were in shows that either flopped quickly or at least did not enter the theatrical canon, so she never achieved the level of mainstream recognition she clearly deserves. But Sally Ann also played such legendary and challenging roles as Eliza Doolittle in My Fair Lady, Fiona MacLaren in Brigadoon (for which she received a Tony nomination), Maria Rainer von Trapp in The Sound of Music, Anna Leonowens in The King and I, and, much later, Desiree Armfeldt in A Little Night Music. She received great acclaim for all of these performances and, judging by what we know of her process on My Fair Lady, was excellent at making roles distinctly her own and never merely imitating another performer.

Even in her iconic original role of Truly Scrumptious, you don't get to hear the true full power of Sally Ann's extraordinary soprano. For that, I highly recommend listening to "Another Time, Another Place" from Kwamina (1961), and "Something to Live For" from What Makes Sammy Run? (1964). I'm always sad that we don't have any recordings of her in her "fiery" star turn as Eliza Doolittle in My Fair Lady, but you can at least hear her do a Cockney accent, be silly, and sing "With a Little Bit of Luck" with Bing Crosby here!

If it weren't for the enduring success of Chitty Chitty Bang Bang, few people might have even heard of Sally Ann Howes today, and that would be a terrible loss. I cannot overstate that I am so grateful that we all know who she is because she played this role and we get to see her give this radiant performance of a character that's all her own. Maybe this sounds strange, but I think the fact that this was Sally Ann's only musical film role (and the ONLY role most people will ever see her in) makes it even more precious, and makes everything she brings to the character that much more distinctive and unique and special.

Both for all of the talent and charm she brings to the role itself, and everything else that I and many other fans have been able to learn of so much of her otherwise-obscure work because of it, the world is incredibly lucky to have the lovely Sally Ann Howes immortalized as our Truly Scrumptious, and I wouldn't have it any other way 💖

[icewindandboringhorror]

Recent-ish life pictures and etc.

[pendinganchor]

Billy was sitting at the kitchen table— one hand being used to hold open the book he was skimming for the fifth time, the other trapped in a loose thumb war with Steve. He wasn’t sure what Steve was doing— but he started winning any time it distracted him. He wasn’t sure when he had stopped worrying about his father coming home— but he’d pay for that later.

Hushed whispers sounded in the doorway. Billy tensed for half a second before relaxing when he saw Max and El out the corner of his eye. Then he heard the all too familiar sound of Max’s polaroid camera going off.

“I bought that for you two months ago and I’m already regretting it,” Billy groaned, placing his bookmark— that was actually just an old receipt— into his book then letting it fall shut.

“Come on, Billy,” El teased. “You look pretty!”

“Well then, let’s see it.”

Max reached out with the photo in hand. Billy abandoned his thumb war with Steve to grab it— which caused Steve to realize other people were in the room with them. “See what?” he asked, using his now free hand to push up his glasses.

Billy looked at the photo— his face forming into a slight frown. “Why do I look like that?”

Max raised an eyebrow at him. “Happy?”

[jorvikzelda]

Three years on Jorvik.

[crayonurchin]

Doing between 3-5 birthday parties every weekend means I get to see a lot of different people doing different types of parties, and this includes Instagram style parties.

For the record as long as the kids are happy and safe, do whatever the hell you want. It literally doesn't matter just give the kid a happy birthday and everything else is irrelevant.

However if you are prioritising how your party looks to others over your kiddo on their special day, then it's a problem.

The frustration I feel over kids in expensive outfits who can't play incase they get dirty, or kids being torn away from games I'm running to take a thousand photos with their parents friends, or kids who clearly don't like whatever theme the parents chose yet the parents doesn't care because the party is more for their followers than their baby, is immense. I can't say anything, all I can do is try to make sure the birthday kiddo is having some fun.

But here's the fun revenge.

I have gone to so many 'white' and 'beige' aesthetic parties. You'll have seen them, all white aesthetic that looks amazing in pictures but is depressing as hell at a 6 year olds birthday party. There is an infamous set of white ball pits and white bouncy castles and white soft play that I constantly see rented out for these events.

You know what's great about those all white rentals? It takes one kid with a runny nose to make every picture of that bouncy castle look nasty. You know what my job is? To run birthday parties. You know what I have the power to do?

Have the kids run about getting muddy and dusty and filthy then send them all screaming into the EXTREMELY easy to stain bouncy castle and decorations and 'accidentally' make all the photos the parents are so concerned about look awful.

Yes it's petty but god lord is it hilarious watching then boil red with rage but not be able to do shit about it without looking insane because screaming at children for playing at a birthday party is generally not a good look

[martyrbat]

one last halloween — dcu halloween special (2008)

(ID in alt!)