#i feel like the point would have worked better if it was about more canonically aroace characters

[mikailakay]

But like I said there isn't anything that proves Lily isn't mediocre in personality. She is a normal person without anything special that would tie her to Voldemort. Her traits of stubornness and cold streak are traits any person can have. You implied she would be a better match for Voldemort than Harry just because they wouldn't clash but that would mean she has the same personality as Harry does which is not true at all. Harry has been through hell. He is used to danger therefore he wouldn't crush under Voldemort's will. His psyche is trained to withstand danger and Voldemort's antics. Lily would crush because she grew up to be a normal person with normal reactions. She cannot relate to Voldemort in any way. They have no path that would allow them to connect. It would all be just manipulations on Voldemort's part. She also wasn't abused. Just because she has a great knack for intuitive magic does not mean she has the right personality to match with Voldemort's. It is implied she is insecure and the interactions we have of her do not prove her supposed genius. It seems like she makes exactly the same judgements as Harry does. Like when she said to Snape he should be grateful to James for saving him. She seems to go along with the crowd and allow others to influence her easily. I feel like part of her insecurity is that she wants a social standing and to belong. And also if she was as magically powerful as you said we would definitely see or hear more proof of that no? There is not much about her that Voldemort would find impressive or worthy of interest either. He would probably find her easy to manipulate and use. She would be scared of him and see him as just a monster because they have nothing in common and nothing to relate to in the other. What my main point is also is just because a character is implied to be talented does not mean they are a good fit to be shipped with an other talented person. That does not guarantee a good dynamic or chemistry. What creates that dynamic is personality. The reason they would not work is because of very different life experiences and life perspective. And also because Voldemort wouldn't want to connect with someone he doesn't find relatable. And what seems to work in Voldemort ships the most is when he can relate to the other person or they have something deep in common. The path to him respecting someone opens when they can somehow understand him. There is not a person that understands him more than Harry - that is confirmed in the canon text. Lily has nothing that would make him respect her humanity. Her magic means nothing too because tomarry also doesn't work because of Harry's talent and like you said he and Lily share the same talent. Tomarry works for the many different reasons I mentioned in my text and Lily simply doesn't have that. I really don't understand your perspective sorry.

hello! i was wondering whether or not you can envision someone as better suited for tom/voldemort since i remember you saying neither harry nor hermione would be a match — them being the most popular two characters shipped with tom. and on that note, what do you think about bellatrix and voldemort? pro/against?

i tend to get a bit blindsided by the sheer obsession she has for him, honestly. i mean… i feel like she would be willing to shape herself down to the last atom to what appeals to him, if he ever were to show any true interest, and that’s very… sad.

Hello 👋

Thank you for the ask and as with all ship asks, ship what you ship, these are just my subjective opinions.

Now, what I said about Tomarrymort is that I don't think they would realistically get together and have a functioning relationship, I didn't say it wasn't fun. Like, I love Tomarrymort, but only if the relationship is a messy push and pull that makes everyone (both involved and uninvolved) miserable.

Now, as for Bellamort...

Do I think they had sex at some point in canon? Maybe. Like, that's not the most absurd thing about CC for me, so I consider it plausible.

Do I think Voldemort actually likes Bella romantically? Not really.

Do I think their relationship works like an actual equal functional relationship? Not one bit.

Do I think their relationship is entertaining and interesting? I mean, clearly, many people do, but I don't like Bellamort.

Like, it really doesn't interest me. There's a reason I only like Tomarrymort when there's a push and pull and Harry and Tom are portrayed as the equals they are. Like, I don't like Tomarrymort where Harry is completely submissive to Voldemort and Bellamort for the same reason — these aren't the kind of relationships that make Tom interesting.

I like both Tom and Bellatrix a lot as individuals, but I don't think a romantic and/or sexual relationship between them pushes their characters to interesting places. They are both stagnate in this relationship and, for me personally, that just doesn't interest me.

Like, Bellatrix is completely submissive to Voldemort nodding her head excitedly and panting after him: "Yes my lord! Whatever you say, my lord!" And this is not the type of dynamic that'd push either character towards growth. They don't push each other into a character arc, which is what I usually like my ships to do.

Additionally, this dynamic basically means Voldemort always gets what he wants, and Bellatrix is happy with it, as you said, she'd shape herself for his every whim. This isn't a relationship between equals. It's a relationship where she worships him and he doesn't respect her or care about her as a person. Like, at all.

The dynamic we see from them in the books gave me the impression Voldemort cares about Bellatrix. He doesn't want her to be hurt or to die:

Bellatrix’s gloating smile froze, her eyes began to bulge: For the tiniest space of time she knew what had happened, and then she toppled, and the watching crowd roared, and Voldemort screamed.

(DH)

But he cares about her like how you care about your favorite pet. He relished in giving her orders and having her submit completely:

“Master, I am sorry, I knew not, I was fighting the Animagus Black!” sobbed Bellatrix, flinging herself down at Voldemort’s feet as he paced slowly nearer. “Master, you should know —” “Be quiet, Bella,” said Voldemort dangerously. “I shall deal with you in a moment. Do you think I have entered the Ministry of Magic to hear your sniveling apologies?” “But Master — he is here — he is below —” Voldemort paid no attention.

(OotP)

He doesn't actually care about her being hurt if it's not too bad, he doesn't care about her feelings or apologies, especially not when Harry is right in front of him — his obsession, his one failure. Bellatrix takes a backseat, basically always. He doesn't care about her all that much. He cares and respects her like a loyal dog, not like a person he has a relationship with.

He also relished in humiliating and embarrassing her. He likes making fun of her in ways Bella clearly does not enjoy, which isn't something you'd do to someone you love:

“I’m talking about your niece, Bellatrix. And your, Lucius and Narcissa. She has just married the werewolf, Remus Lupin. You must be so proud.” There was an eruption of jeering laughter from around the table. Many leaned forward to exchange gleeful looks, a few thumped the table with their fists. The great snake, disliking the disturbance, opened its mouth and hissed angrily, but the Death Eaters did not hear it, so jubilant where that at Bellatrix and the Malfoys’ humiliation. Bellatrix’s face, so recently flushed with happiness, had turned an ugly, blotchy red.

(DH)

she's desperate to please him, to tell him everything she thinks he wants to hear and she happily lets him treat her like fucking dirt. I don't find a relationship like that compelling, as I said, Voldemort would never change for Bellatrix and Bellatrix honestly deserves better than this. He even lets other Death Eaters jeer and laugh at her, this is not a romantic relationship.

Like even if he had sex with her, it was purely physical as he just doesn't care about her as a person like this. As more than a faithful servant (which he enjoys making fun of, as he does so for many of them).

And he is unwilling to show her real, unintentional weakness or ask her for help:

“My Lord, let me—” “I do not require assistance,” said Voldemort coldly, and though he could not see it, Harry pictured Bellatrix withdrawing a helpful hand.

(DH)

He does trust her with one of his Horcrux as the cup is kept in her vault and she seems to know what it is:

“Be quiet! The situation is graver than you can possibly imagine, Cissy! We have a very serious problem!” She stood, panting slightly, looking down at the sword, examining its hilt. Then she turned to look at the silent prisoners. “If it is indeed Potter, he must not be harmed,” she muttered, more to herself than to the others. “The Dark Lord wishes to dispose of Potter himself. . . . But if he finds out . . . I must . . . I must know. . . .”

(DH)

He trusts her loyalty, and she is one of his preferred Death Eaters (he doesn't hate her like he does Wormtail, Tom appreciates courage and loyalty, which are both traits Bellatrix possesses) but he clearly doesn't trust her with his backstory in the first war:

“Shut your mouth!” Bellatrix shrieked. “You dare speak his name with your unworthy lips, you dare besmirch it with your half-blood’s tongue, you dare —” “Did you know he’s a half-blood too?” said Harry recklessly. Hermione gave a little moan in his ear. “Voldemort? Yeah, his mother was a witch but his dad was a Muggle — or has he been telling you lot he’s pureblood?” “STUPEF —” “NO!” A jet of red light had shot from the end of Bellatrix Lestrange’s wand, but Malfoy had deflected it. His spell caused hers to hit the shelf a foot to the left of Harry and several of the glass orbs there shattered. [...] “He dared — he dares —” shrieked Bellatrix incoherently. “— He stands there — filthy half-blood —”

(OotP)

She doesn't really know who Voldemort is. She worships the persona of Voldemort. She loves his lies and masks. She doesn't actually know Tom Riddle. And I don't think she could accept and love the real Tom Riddle behind the title of Voldemort — the poor but brilliant nerdy half-blood who craves recognition. She would find him pathetic.

It's basically Hinny, isn't it?

She adores his persona and fame and what people think he is without actually knowing or understanding him. She changes her personality to fit what she thinks his girl needs to be because she is so focused on being with him. And He likes that she doesn't get in his way and lets him do and say whatever without crying about it but doesn't care about her or her feelings nearly as much as people think.

Bellamort is just Hinny with a different skin, and I never liked Hinny.

Like Hinny, they don't know or understand each other, and it's clear Bella and Ginny care about Voldemort and Harry more than the boys care about them. Like, yes, Harry would be devastated if Ginny died, but he'd get over it way faster than he did about Sirius. Same for Voldemort, he cares about Bella, but not as an equal he understands and cares for the feelings of. Voldemort got over Bella's death fairly quickly as well, he's way more focused on Harry.

So, with all of this, who do I think is the best pairing for Voldemort?

If we're talking about canon characters who are actually characters in the books? Then Harry is my top choice. Harry is the only one Voldemort would see as an equal and can actually push and change Voldemort as much as Voldemort changes him. There is no other character in canon, I believe, who would be able to do this to the level Harry could. Their dynamic is just so mutually obsessive and tense that a relationship like that can't not change both of them in a myriad of interesting ways.

Though, I was thinking about it, and Severus/Voldemort have potential. Voldemort clearly respects Sev and his opinions more than the average Death Eater:

Snape did not speak. “Perhaps you already know it? You are a clever man, after all, Severus. You have been a good and faithful servant, and I regret what must happen.” “My Lord—”

(DH)

He cares about him and regrets having to kill him:

Harry saw Snape’s face losing the little color it had left; it whitened as his black eyes widened, as the snake’s fangs pierced his neck, as he failed to push the enchanted cage off himself, as his knees gave way and he fell to the floor. “I regret it,” said Voldemort coldly

(DH)

Voldy is willing to forgive Sev for things he'd kill most for. They have so much shared experience (poor, muggle childhood in incredibly abusive environments) that would allow them to understand each other. They probably both get frustrated over pureblood idiocy. Both are intelligent and share many interests, like they're both magic nerds who'd talk all night about magical theory...

So, I think, under the right circumstances, Severus is a pretty good pairing for Voldemort.

The only real downside is that depending on when they get together, they'd push each other to be more extremist and overall worse. Like, they'd push each other to have less empathy for other people if they get together, say, during the first war. Well, it might not be a downside. It really depends on how you look at it.

If they get together in the second war, it's different, and in my opinion, more compelling and interesting for both of them. Like, pairing them up after Voldemort's return and after Sev already turned traitor opens so many interesting avenues. I mean, Sev was someone Voldemort actually regretted killing, that was remorse there, wasn't it? It means Severus could push Voldemort to change in a way Bellatrix doesn't. Because Voldemort respects Snape in a way he doesn't respect Bella. I mean, think about how many times Voldemort shut Bella down when she kept insisting Snape is a traitor — it's clear he values Snape more than he values her.

If we're also looking at side characters we don't know as much about, then we have some more options.

@iamnmbr3 has convinced me that Alphard Black/Tom Riddle is an option, and I have been very compelled by it. We don't know much about Alphard, but that never really stopped me because what we do know is interesting.

We know he is Sirius' uncle. He was born after Walburga but before Cygnus, probably closer in age to Walburga. So, I headcanon he was born in 1927 and was in the same year as Tom Riddle.

We know Alphard was a Slytherin since Sirius mentions all his family was in Slytherin, which would include his uncle. And we know Alphard was burned off the family tapestry when he gave Sirius money when Sirius ran away from home.

This leaves us with a character, who's cunning, capable of listening to his older sister Walburga go off about whatever without making the fight worse but has a spine to stand up to her bullshit when it's actually important. This gives him the right characteristics to be able to wrangle a character arc out of a romance with a younger Tom Riddle (and perhaps the older one, too).

He's a pureblood who's open-minded enough to support Sirius and not hate muggleborns (probably). He likely has the subtlety necessary to fix Tom without Tom feeling like he's being fixed. Alphard, used to his very eventful family, is an expert in dealing with dramatic people (like his siblings) and how to undercut their drama instead of pushing them further into their position (which is what Harry would do, for example. Harry and Tom would keep pushing at each other while someone like Alphard would be able to just remove the heat from the argument and allow it to not get as extreme).

Again, it's not much to go on, but it has so much potential.

(Also, @iamnmbr3 has this post about how Voldemort’s violence became worse in 1979, which happens to be the same year Alphard Black died, and while I don't agree with all the points made there, I find it to be a super fun concept)

Voldemort/Lily also has potential. She's smart, stubborn, academically inclined, and has the right rough edges to have the kind of push-and-pull dynamic with Voldemort that I like with Tomarrymort. Lily is probably the kind of witch Voldemort could grow to respect as well. I don't think he would've agreed to spare her for Snape if he didn't respect both of them. JKR also said he tried to recruit James and Lily, so, he was aware that she was talented.

I think, though, Lily/Voldemort would be slightly better than Harry/Voldemort in some aspects. Lily isn't as hot-headed as Harry. Lily's anger is usually much colder, which I feel would work better with Tom just because she wouldn't push all his buttons (just most of them). She would still push him into a character arc, but it would be a gentler nudge than if Harry did it.

My only real rule when shipping Tommy Boy is that he can't be shipped with someone mediocre, he'll just steamroll over them completely, and that's not as fun, in my opinion. He needs a partner he can grow to respect and see as an equal (or close to it) and that has the spine to stand up to him, otherwise, he'd just keep getting what he wants, and I think that's the opposite of what Voldemort needs in a relationship.

[tuxedoferret]

Arcane finale was good....but

Spoilers for the finale of Arcane season 2, Arc 3 in general.

I'm probably screaming into the void but I wanted to get these thoughts out and see what other people think.

In general, I liked the endings for most of the characters. Their arcs make sense.

Vi, Caitlyn, Ekko, Jayce, Mel, Singed, and Viktor's story conclusions, I think were ended beautifully! (And Jinx too but I'll circle back to her in a second). Their endings made sense and were executed very well! I'm content with how their stories end!

And MOST of the deaths make sense... most of them.

Of course most of the minor characters are dead, no surprise since a majority of them we don't even know the NAMES of unless you scour the credits in the VA section.

Ambessa's death was well done, with Mel finally getting her mothers approval through breaking free of her control and finally being able to decide her own life and Caitlyn becoming a true leader.

The only thing that really bothers me, is the deaths of Heimerdinger and Warwick/Vander. Out of all of the champions in the game they're the only non-humanoid ones that made it into the show. They're also the only (game first) champions to actually die and they barely get to do anything. (I am one of the believers that Jinx is alive because there's no fucking way they would kill off one of their chief money makers, also based on evidence in the show).

With Heimerdinger in season 1 we see him serve as an oppositional force against Jayce, and then a mentor working with him. He gets kicked off of the council as a result of his conservative viewpoint. And he reflects on this, he leaves to go help the Zaunites however he can but gets shunned away. Then the goes and helps Ekko with repairing his board and getting home. In season 2 this continues with Heimerdinger helping Ekko get into Jayce's lab and them having the discussion about wild runes before getting sucked up into the anomaly. His last episode is him in the alternate universe with helping Ekko build the Z-Drive to return to his own universe. He puts it in the amplifier, is about to go with Ekko, then runs out and puts a few more things together and just... dies. Thats it for him. MAYBE he'll come back since he's a Yordle but this is new canon and the man had flesh and blood squished out of him. But in general his death feels cheap and unnecessary. What was the point of his death? How did it impact the narrative and what did the story gain from it as a result? Not fucking much really. He's never mentioned again afterwards. I feel like his death had no impact on the story whatsoever. I honestly think it would've been better if he had survived and returned with Ekko to fight in the battle against Noxus and Viktor. I would've liked to see him, either returning to the council or not, atoning for his mistakes by trying to make things better in Zaun with his inventions.

With Vander/Warwick there was so much hype around the theory that Vander would be returning as Warwick. And we were all super excited when that came true! We love it when the narrative rewards us for paying attention! But we get like... 3 episodes with him before he becomes a Viktor automaton. He was also still very much alive even after Singed drained his blood, so Viktor was wrong about how that would kill him. Warwick's role in the end felt very lackluster, and it felt redundant to just, kill him off AGAIN. Maybe I'm just a little mad because I have read up on Warwick and I feel like he had more potential for the narrative than just... make Vi watch her dad die all over again. The fight scene with Warwick could've been replaced with any big evil bruiser really (coughBlitzcrankcough). In general Warwick felt more like a Vi and Jinx accessory than his own potential character. Which kind of sucks. And maybe I'm a bit salty that we didn't get a full wolf Warwick. I think the whole his mind was reset/erased bit could've still been done if the explosion damaged his head and it healed back wrong/if singed replaced his head with one of the wolves' heads to make him fully Warwick in the end.

Isha's death kind of feels... not impactful at all to the story afterwards aside from Jinx's spiral. I would've liked it if her death did more than just that (Like I said, permanently damaging Warwick/Vander would've been nice)

This is about the league of LEGENDS and you'd think that Warwick and Heimerdinger would have bigger roles than just being killed off to further another characters story after barely impacting the narrative.

Also I feel like Sevika being on the council is like... stupid. I think she wasn't handled well at all after episode 4. She just completely disappears after running away with Isha. Why do we never see her hanging with Jinx and Isha again? I would have LOVED to see how Sevika reacted to Vander not being as dead as previously thought, the man she betrayed and ultimately ended up mirroring in the end with her refusing to give up Jinx to Piltover. I think it would've been fun if Sevika was the one to tell Vi when she woke up that Jinx gave herself up, despite all of Sevika's protests, an inversion of what happened with Vi and Vander. Putting Sevika on the council in the end is just kind of weird for her character. I understand it's like, the idea of Zaun finally getting representation on the council, Sevika getting a say in what happens in the undercity. But I feel like that could've just as easily been accomplished with finally letting Zaun have its own independence with Sevika being the "Baron" of Zaun, being the new leader. Because we've seen she's a genuinely good leader! She has a good head on her shoulders. It would've been fun to see how she'd struggle with being the new leader of Zaun, struggling against the Chem Barons if future series ever decided to look into Zaun again.

In general I'm fine with the ending of Arcane. But I feel like the endings could've been written a different way for those 3 characters. I honestly feel like it would've been better if the show ended off where the game picks up, and I don't even play League, I just like the lore from what little I've been reading.

[aristaspark]

You're like, the greatest Kenlynn shipper I know. You have any idea of why do Darius love Brooklynn if they're not going to be canon? That kind of plot is very common and Kenlynn already break up. So why? I know Brooklynn didn't wanted their relationship to end, but I don't see how they will keep going... You said something like "Darius learning how to deal with rejection is a mature theme they would bring here". But Kenji learning to let go wouldn't be a mature theme too? Or Kenlynn realizing it can't work is also a mature theme...

Hello, well, first things first thanks for the compliment 😭 (?)

So to adress your point, me saying that Darius's arc being about dealing with rejection (and his guilt) makes for a compelling storyline doesn't mean that I think the same can't be said for Kenji and Brooklynn.

That's why I wasn't even mad when they introduced the storyline in season one, because it was believable that Darius could fall in love with her and it was very in character for Brooklynn to be obsessed with an investigation to the point where she neglected Kenji, it made sense and was simply very good writing. So, yeah, coming into season 2 I was sure they were going to take the "kenji/brooklynn both realize they could never work" route and shove dinostar down our throats to build them up, because looking at the story as a media with a fandom, that was what seemed more likely.

But then there was the promotional material in which Brooklynn only wrote to Kenji, which made me really doubt my conviction. And then season 2.

I think I already listed pretty much everything that suggested, at least to me, that the writers were going for Kenlynn, or AT LEAST that dinostar would remain platonic.

I wouldn't have been mad if they had made dinostar canon (still possible), it was kind of expected since they had Darius fall in love with her. But season 2 suggests it's not the direction they're heading towards (according to me at least) and honestly, I'm glad.

I'm happy because they really stepped up the writing and character conflicts since jwcc, and to me having Brooklynn reciprocate his feelings would be REALLY questionnable writing at best and straight up fanservice at worse.

In universe Brooklynn has been with Kenji for 6 years. They have being a couple for far longer than they have ever been friends. And it was Kenji who broke up. And you want me to believe she would fall for her a guy she has always seen as her best friend only a week after her break up? 😭 Mind you, a best friend she only visited because she was still obsessed with her investigation, not because she wanted to see him (proof she was like that with everyone, her relationship with Kenji wasn't the problem, it was her).

My take on Darius's arc was basically me trying to understand where they were taking his character, why they had introduced this storyline in the first place if it wasn't gonna go "anywhere" as everyone puts it.

But that's the point, we're so obsessed with shipping that we basically forget that it's not all that makes a story, and IT SHOULDN'T BE.

Darius having this arc wouldn't have been in vain even if he doesn't end up with Brooklynn. It gave him his entire arc in season 1, with him being filled with grief and guilt over her death, and it also gave him his conflict with Kenji. It made his character compelling, relatable, interesting. Like, shipping isn't all that matters, whether they end up together or not it's such a compelling story, so why would they refrain for telling it simply because of fandom culture? And to me it's just a testament of how better the writing has gotten since jwcc. The characters no longer have one dimensional relationships/conflicts with each other but have real conflicts/problematics. I'm not only speaking in terms of shipping, but also other storylines. Sammy not speaking to her family, her and yaz struggling with their long-distance relationship, Ben's paranoia, Kenji loosing two of the two most important people in his life back to back, having a death wish, Brooklynn loosing a limb, being cut from all the people she loves for months...

It's clear the writers are putting the characters in very uncomfortable situations, like, death wish and the loss of a limb, please ???

So why would Darius be any different? Why would they refrain from tackling the subject of unrequited love, of messy feelings and confusing friendship with love?

I think that what I'm trying to say is that it's a mistake to look at jwct the same as jwcc/as a kids show cattering to the fans. They're clearly not writing storylines to please the fans, but want to tackle very real subjects, and treat their characters as real people and I respect them so much for that.

I'm gonna stop here because I feel like I'm repeating myself (which I totally am, I'm sure I already wrote that in my endless ramblings). Sorry if I got carried away 😂

And (because I feel like I need to say it) I could be TOTALLY wrong. I'm only making theories on my account, I don't know sh*t except from what's in the show, so it's totally possible dinostar will end up together making me look like a clown 😂

[d3lly1000]

I think I brought up some interesting topics! But maybe I misunderstood some of my views on some things by the way I pointed them out

The Sonic 2006 Gang forgot what happened:

Everything was recreated from scratch and resumed at the beginning when Sonic runs through the festival. The feeling Elise has is "familiar" but she doesn't remember the events! The images you showed demonstrate my point about it, it's as if the characters have Deja-Vu about past events, but they can't remember 100% of what happened. Sonic has the same thing, apparently, he tries to remember but the feeling is a "distant memory" just like Blaze, Silver and other characters! They don't remember, it was erased, but they feel something "strangely familiar." (deja-vu)

The issue of the ship:

Personally I don't like it, but that doesn't mean it's wrong to like it! Again in my opinion it was built in a way that was too rushed for the development of the story. It didn't unfold naturally, there are many parts that become a bit embarrassing due to how the game ended up in the final version. And Elise being human and Sonic being a hedgehog is also a reason for me to find it strange, but that's just my point of view.

The kiss:

I always thought that even if it was another character, it would be better not to have it. Even though it was based on the fairy tale, it would be more symbolic and impactful if it was a tear from Elise causing Sonic to wake up. Bringing up the issue of her finally being able to cry, with her tears being the symbolism for rebirth!

The issue of the glitch:

There are videos on YT about this! The game was very poorly polished, so there are several glitches similar to this. I mentioned the fact that even if you choose Elise, you are forwarded to Amy's decision. As if it were supposed to be her instead of Elise. The fact that this trial ultimately doesn't change anything in the story is also very complicated, but following the 2006 direction, again: They basically wanted the player to quickly become attached to Elise, so that it would be plausible for Sonic and her to be the romantic couple.

2006 an obscure game:

Yes, but personally more for the technical flaws. Was it poorly executed and rushed? Absolutely. There's no denying it! The story has holes and errors as I mentioned, but it still has a good campaign like Shadow's. Even with the same problems mentioned, his Campaign is considered the best precisely because of the way the character was worked on and had a good ending! Silver the same, even with the problems above (and the fact that we don't understand Blaze is there). Sonic's Campaign for me is the "weakest" for the simple fact that it doesn't go as deep as the other two (and the battle against Silver is painful).

About the dynamics of both and the "Romance Arc"

Parallels in the Sonic franchise are nothing new! Just look at Sage and Metal Sonic, being parallel to Shadow and Maria. Blaze and Cream (or even Marine) being Sonic and Tails, Shadow and Sonic being parallel to each other and so on! The dynamics wouldn't need to focus on the issue of a type of love. Elise is a character who is aware of her kingdom, and she has always made it clear that they were her priority. Her love being directed at several people in a responsible way would be a mature and very interesting topic to address! As I said, just like Maria was for Shadow, I would personally find it interesting if it were the same for her and Sonic! And again, I don't hate Elise. I hope she returns to the franchise in a better way, she is a character with a lot of potential and I believe she will appear again at some point!

About the Takeovers being "Canonical"

As I said, I consider them Semi-Canon! They focus on having fun and entertaining us, but they are questions selected and thought of by the team as a whole, not one person, or two, it is the team that develops them. As I said, most of them are just for entertainment, but in this way, they are content that adds to the fandom's questions! In the screenshots I took of the managers of the official Sonic account, they themselves point out "What people are most curious about" And that's my point: They are answers to expand the franchise further. They make it semi-canon because they are more details about the characters for us fans!

I hope I answered what I found strange!! They are just my point of view on :') Thank you for understanding! 🤍

About Sonic and the others forgetting the events of Sonic '06 + The Twitter Takeovers are semi-canons

Okay, here we go... I saw some people mention this answer about Sonic forgetting Elise and being upset about it, and thankful that the Takeovers are "not canon", so I'll share my point of view on that and talk about why the Takeovers are semi-canon! (oh boy a long post-) ~~~~

To start: "But Sonic forgetting Elise is absurd! He was the one who put out the flame with Elise, they both should have known about each other." No. They shouldn't have. From the moment the flame went out, everything was reset and started at the point where Sonic was going through the festival. There was no invasion by Eggman at that moment, Elise was not kidnapped, there were no Events of 2006 EVEN though the game is canon. THIS has ALWAYS been a fact since the game's release. And it keeps gaining strength with new media (Sonic x Shadow Generations and mentions that Sonic make in external media).

And I dare even more, not even Silver should know about the events. But if he knows, it's only him and Mephiles, who was ERASED from existence and ended up in WhiteSpace, the Limbo of Sonic's Universe. (As for Silver, he constantly travels through time, he could be the only one who remembers, but I doubt it a little) But the point here is: The representation of the flame going out at the end of 06 is that everything was rewritten in a new way. Things didn't happen that way and that's it.

"But it's absurd. Sonic would never forget Elise, they liked each other!"

I know that in some way there are fans of Sonelise, but I don't think it's right to support their romance so much when it was rushed and totally done in a hurry to make us get some kind of "emotional attachment" to Elise. Elise was the one who showed the most interest in Sonic, even kissing him (geez...), while Sonic, even choosing Elise in the "Trial Of Love", sometimes the game still throws you to Amy's option in a strange glitch. Which doesn't make much sense since theoretically he "would be in love with Elise."

Elise had the potential to be an excellent character and I still believe in that! She was introduced in an obscure game (just like Silver) and we can't deny that fact. She always couldn't cry because she had sealed the Iblis Trigger in herself, she lost her father and had no mother and yet she was the governess of the kingdom of Soleanna. Have you ever thought how much she could have stood out by working on this issue of pressure that she suffers in a deeper way? Instead of Sonic's entire campaign revolving around a somewhat embarrassing romance, have you ever thought how incredible it would be if it focused on how far the line of our responsibilities goes and the fear of failing everyone? Elise could potentially even be an incredible parallel for Blaze being what she is, even if indirectly! There's the other idea of ​​Sonic and Elise being a parallel of sisterhood like Shadow is with Maria, and that's much more captivating than a romance, and I'm sure we'd get much more attached to her knowing that!

Sonic 2006 and plot holes...

Sonic's campaign is the weakest;

Elise is a character who has potential for much more than what we were given;

the time travel issue has many holes like the Blue Chaos Emerald being with Elise the whole time;

Blaze is in the game and we don't even have an explanation for it;

We're very vague about Silver and his future; So, the fact that Sonic and the others "forget" the events is something canonical since the end of the game and has always remained that way.

Now, about the Twitter Takeovers:

The Takeovers are silly and focused on humor, but that doesn't mean there aren't writers behind them!

(Social Media Manager for Sonic's official Twitter account.) This same script is thought by the entire team, since the company's characters are acting! There is a lot of work behind it, which must be recognized! In other words, the information becomes "canonical", since it covers and gives us answers about things that we don't have in the games yet. It's an expansion of the characters, the universe and the story that hasn't been told or fully explored yet, and that's fantastic! The questions are selected based on what they can probably tell us. Whether it's just about Sonic's fur or Shadow's taste for coffee, or even about the Super Transformations and the relationships between the characters. They are Semi-Canons. They are information that adds to our knowledge as fans, but they are not necessarily real, like Sonic breaking the fourth wall. As a fandom, we have to know how to separate some things! That's what makes the Sonic universe unique. Everything can be considered more clues to add to the franchise, but we need to know how to understand the reasons and whys behind it!

Conclusion

I still hope that if Sonic '06 gets a remake, they'll do a good redemption of it, because it deserves it! And who knows, maybe we'll see more of it in the future?

If you want to comment, feel free, this is an open field for that discussion. Just keep it respectful and friendly! I'd love to read and participate too!

Thank you very much for reading! Sorry for the bad English... Stay determined! 🤍

[bleue-flora]

Why I think c!Dream is Autistic - Part 3

[Part 1] - [Part 2] - [Part 3]

Alright, you’re gonna want to probably go read part 1 and 2 first, promise they aren’t too long.

Done? Long time no see buddy. :) Good deal. Now finally, the last reason(s) I think Dream is autistic is because of how it fits narratively.

Who better to frame as the villain than someone who is already on the outside, who is already different, weird, a little off, not like everyone else, obsessive, abrasive, and already setting off subconscious red flags of not fitting the norm. There’s a quote that most have probably heard by Andrew Smith that says, “People fear what they don't understand and hate what they can't conquer.” And does that not say it all? Talk about history repeating itself, real history. This truth is the basis of many real wars. And if communicating and thinking differently weren’t enough to garner dislike, sucess and intelligence are another foundation of hate and as I said in part 1, while not true across the board, high IQ is one way they identify people with ASD (Autism Spectrum Disorder). So who better to frame as the villain than an autistic admin infamous for being one of the best Minecraft players.

Of course, I hear you ask - couldn’t you make the same argument for sociopaths/people with ASPD (Antisocial Personality Disorder) are they not also different than most people to garner inherent fear? The answer is: No, not really. Contrary to popular belief, people with ASPD are not the odd balls out but are more likely to be popular and well liked as they lie and manipulate others to get what they want. In other words, there is a more calculated persona/masking in both ASD and ASPD, but while ASD is just trying to fit in, people with ASPD often have an inherent entitlement to the things they want and are trying to gain power and stand above the crowd not in it. In addition, autistic people tend to be honest, to the point of inappropriate or rude because they are straight forward. In the dsmp, Dream’s default isn’t to lie in fact he tells a lot of truth before often being forced to change his answer [clip]. Unlike people with ASPD who lie because they enjoy the power it gives them and to get what they want.

There is of course empathy to be considered when comparing ASD and ASPD as perhaps the main difference between the two and I think there is a lot of evidence that Dream does have empathy. In fact, I think his moral compass is originally one of the strongest before the dsmp slowly wore away the edges. He returns items after wars, fixes creeper holes and destroyed property, helps people mine or gather materials, fights for the side of who was wronged first, constantly gives out food to feed people… etc. He does a lot of caring things he doesn’t have too. That give him no real advantage, but often even end up putting him in a sticky situation. I mean what better example do we need to prove he has empathy than him rebuilding Tubbo’s house [post]. There was no reason or manipulation or obligation to do that, he did it because he saw that Tubbo was upset. I mean I’ve said it before that we can’t truly prove whether someone does or doesn’t has empathy, but we can look at behavior and I’d argue that his less empathetic acts come much later on his arc and are not consistent across the board like they would be if he truly were a sociopath. Leaving us with the most obvious conclusion then that his logical mind that makes him look like he’s unempathetic and his masking must be because he’s autistic instead, which again aligns well with his high intelligence and obsessive development of skill.

Finally, and perhaps most notably, while a lot of times masking is associated with ADHD it is much more notable and important for an autistic person. Because we are not masking just to cover up our stimming or hyperactivity we are putting on a different face to blend in and be accepted and loved. We are shifting the very parts of ourselves to fit in a circle shaped hole when we’re squares. Which is a skill and habit I don’t find it hard to believe that Dream would use for his villain persona, especially since our (my) masks tend to change too based on environment, whether needing to fit into the family dynamic, student culture or professional world where the social rules change. Which is exactly what we see from Dream as his mask changes depending on who he’s with whether that be Tommy, a large audience, Wilbur, his friends, The Warden, Quackity, Badboyhalo, Techno… etc.

In other words, how fitting would it be if a character with the disorder infamous for masking had a literal mask. One that he literally had to take off to discovery who he was all along. What better example of the dsmp main theme of seeing things from other peoples point of view to gain understanding, than the extreme case of that. What better picture of communication issues than a disorder infamous for social struggle. Like not only does it fit so very well with Dream’s character, not only does it make sense with the symbolism of his mask, and the narrative, but it fits the overall arching dsmp story too, because by being autistic Dream is kind of like the ultimate version of the theme and for him to be a main front runner of the story just truly drives the point home in a beautiful and important manner.

[katyspersonal]

Thinking about that time when a popular artist was a prick to me personally (claimed that I "baited" them for a conflict when all I did was pointing out something in lore contradicting their claim, without any rudeness or condescension, and basically told me to go hang out with other autists instead of bothering them) but the reason I blocked them was not that, it was the fact that they've admitted on not even caring about the source material and just using scraps from it to do their own thing. Priorities hfngkfngj

[snaggletoothedbastard]

i know this is a thing that Literally Everyone says, but some people really do need to stop viewing their personal headcanons as Facts.

[illusioncanthurtme--art]

These are a couple doodles from yesterday, Gideon as a younger teen, before the growth spurt, maybe 14? He's discovered he's a vampire, and has a lot of recovery to do, since he's severely blood deficient.

I'm gonna let myself explode about my vampire gideon ideas, under construction, under the cut: (I don't write fanfiction, I just throw up my ideas on a tumblr post, apparently :'D)

This is what I love about tumblr - it's a place where I can throw the doodles (something that isn't finished *artwork*), and let myself be really delusional about fictional characters. So I'm gonna take a moment to ramble about the ideas I have for Gideon as a vampire.

If you're a fellow Gideon Head, HI THERE... anyway, here's my thought process on a potential vampire-gideon backstory???

I've always liked the idea of gideon being a vampire, and also becoming a much better person when he's older. And that got me thinking, maybe those two things are linked. Maybe the vampire thing is somehow tied into his reformation.

But I tend to lean towards building my ideas off canon (as opposed to making an AU). And if gideon was a vampire, and knew this during the events of the show, it would have come to light at some point. So, either he doesn't know he's a vampire, or he becomes one later. Becoming one later works narratively, but he's already so vampiric, with the white hair, pale skin, sunscreen, evil, etc. So I'm like, let's go with that.

So, gideon has gone his whole life without knowing he's a vampire, and without drinking blood. I'm thinking that being a vampire in this case (my gravity falls fan version of what a vampire would be) wouldn't adhere to typical vampire conventions. You don't NEED to drink blood to survive.

Here's the idea I got yesterday: after the events of weirdmageddon, gideons experience motivated him to become a better person. It was the awakening, basically. But in the subsequent years, he's still a little shit. Maybe he's in juvenile detention, or prison again. But now, he has the self awareness to know that what he's doing is wrong. This is where my ideas get a little fuzzy, so bear with me. Bud has his suspicions, and as a last resort, puts gideon on some sort of mission trip type of cross country trip, when he's in his teens. And along the way, maybe at the end, there's this secret group of vampires that open gideons eyes to what he really is.

Basically??? Without blood, gideon is very evil. He's an evil little shit. This may not be how it is for every vampire. Maybe some grow very sickly without blood, just get hungry, etc. The effects of blood deficiency vary from vampire to vampire. But Gideon becomes very unhinged. And he'd essentially been Blood Hangry for his whole life. That being said, some of it was just his personality that he needed to work through, but drinking some blood helped a LOT. Blood isn't food for him, it's more like his medication.

Once he has that discovery, he spends a long while, I'm thinking maybe even a year, just recovering from the deficiency. He's almost always drinking blood to keep up his levels, and he's very rarely seen in public to keep the vampire thing a secret. That's what these drawings were supposed to be, him in his pseudo bedridden state. This period in his life would be one big blur; mostly spent binge watching soap operas and being all cozy. In contrast to his usual suit + tie, he's dressing for max comfort: sweatpants, sweatshirt, a knit hat over his ridiculously big hair, and always wrapped in a blanket. Not sure if somehow he feels cold when drinking blood?? But for some reason, I feel like he'd always be wearing like 10 layers and laying under a heated blanket or something.

Eventually, he'd only need to drink blood about once a month for maintenance.

Character development wise - even as an adult, Gideon isn't sure if he's truly a good person. Is the blood deficient version of himself the true gideon? Or is this well adjusted man who he truly is? And there's an issue of the chicken and the egg, too. Gideon was born a vampire. Did these genes activate because he was predisposed to being evil? Or did the vampire thing happen by coincidence? Does being a vampire make him evil, or is it the other way around? He doesn't know, and he never will.

The one thing I'm not sure I like about this idea: i'm worried that I'd be writing off his villainous personality as an illness that can be cured with a thing. Obviously, it would be better if he faced that head on, and figured out how to be better. So I'm still grappling with that. But for now, this is an idea I'm entertaining. Of course, I think it would be interesting if there was a plot point where his usual source of ethically sourced human blood was compromised for a time, and he had to grapple with his personality going topsy turvy.

It's actually embarrassing how much I just wrote???? If you've made it this far, wow, I applaud you. I guess this was just my idea of having a good sunday night, writing down my silly thoughts on gideon gosh darn gleeful. Let me know your thoughts too!!!! I'd love to know if you have any ideas, or questions, or ways to strengthen this potential backstory.

[thebibliosphere]

I was just playing gotham knights again and noticed some passive dialog regarding Babs having a back brace, which is at least acknowledging that there was damage done, but I'm a little sad for the loss of some really cool disability representation. What are your feelings on her (and on a similar note Batman's) miraculous recovery from paralysis in DC?

I think Gotham Knights handled her disability fairly well, considering this is a universe where magic, nanobots, and puddles of evil green goo that can heal the dead exist. All things considered, it would have been very easy for them to either erase it entirely or just handwave and say, "She worked really hard and got better," as previous iterations of the canon have done.

Because she did work hard and get better, but the hard work is ongoing because they depict her issues as chronic.

She's got a limp (it's the most obvious in her Talon suit with no cape in the way), which means she can't rely on speed or high kicks like the others can (I mean, she can kick, but it's her slowest motion, and until you max out her suit, it's the most liable to get her thrown to the ground), so she falls back on precision and her tech.

Jason punches for maximum pain, Dick moves with dizzying speed, and Tim's gonna sneak up on you and drop you like a rock, but Babs is going for the pressure points with ruthless precision. Not to mention her drones.

The conversation with Tim, realizing she might need help boosting her suit to compensate for her pain/strength issues, is a nice little way of making the player aware that she's got these ongoing problems because, honestly, a casual observer could mistake her back brace for athleisure wear if they didn't recognize the shape of it. It's also a good way of throwing in some exposition about how she's still going to physical rehab and that her PT would like her to "wean off" her back brace, but because her PT doesn't know her actual job as a vigilante, Barbara admits she can't and is essentially finding ways to manage her own care and create her own accommodations. Accommodations which they are all shown to be willing to help with.

It's a nice little touch when superhero narratives tend to revolve around self-sacrifice to the point of self-destruction. Alfred giving Dick into trouble for pushing himself too far and hiding injuries is a nice touch, too, even if it's like trying to bail water on the Titanic with a teacup.

I also like that not only do you see her wheelchair lurking around the Belfry—along with the disability adaptations they put in place, like the ramps, the wheelchair elevator, and the desks that move up and down to wheelchair height—but that she also still uses her chair from time to time.

[ID a screenshot from Gotham Knights showing the Belfry. Light streams in through a giant clockface, showcasing a bank of computer screens. In front of the screen, Barbara Gordon is using her wheelchair as Dick Grayson stands behind her, probably making a bad pun.]

Whether she's using it because she's tired or simply because it's more comfortable than the computer chair is never revealed. Nor is it brought up or commented on. It's just something that's normal for Barbara to do, and I like that. I like that it's normal. It's not a part of herself she's trying to erase. She works with it, not against it.

Is it perfect? No. Do they outright erase her disability like so many of the comics are guilty of? Also, no. I'd argue that, in fact, they kept her disability. They just changed the nature of it.

Barbara now has a dynamic disability, one which fluctuates and requires different management based on her day-to-day (or night) activity. She's in active treatment for it and will be for the rest of her life. Are some of the physical feats she achieves realistic for someone with an injury of her nature? Not really, but again, this is a world where nobody stays dead, and there are zombie assassins coming out of the walls. I'll take the attention to detail and care they put into her story any day over the "Willpower Fixed My Spine" narrative we could have gotten.

As for Bruce getting healed by magic, again, it's Batman. Comic book logic is wibbly-wobbly at the best of times, and realistically speaking, they couldn't leave Batman paralyzed. His whole deal revolves around being stealthy and punching the shit out of people. He wouldn't be Batman anymore, and frankly, I don't trust the comic writers as far as I could throw them to handle that right.

By contrast, the Gotham Knights writers handled Barbara with much more care and nuance than I ever expected. And I'm thankful for that.

---

*I also like that both Dick and Barbara are often shown wearing joint braces. Dick's are especially reminiscent of the way gymnasts and people with hypermobility tape their joints to reduce pain and prevent injuries. It's a nice little touch. They're not invincible. Their bodies hurt. They're just like me but with money and much bigger problems like giant killer robots and zombie assassins.

[starsapphire]

idk my view of bruce's parenting (of dick especially) is informed by the fact that i will always see him as a teen dad. at least with dick. i feel like canon and readers generally agree that bruce would have been a young teenager when dick was born and like... yeah obviously bruce's approach to parenting is going to change. at a certain point he's going to stop being a stupid guy in his early 20s and realise "i can't actually be besties with this child i'm raising and responsible for, and also maybe i should put more supervision into the equation instead of just fully letting him run wild when beating up evildoers at night." and dick would understandably get pissed about it, because at that point he's coincidentally at the age where you want your parents to give you Less supervision and rules! and of course bruce seems like a different, maybe even better parent with the next kids, because 1) that's how it works when you gain parenting experience and 2) bruce was not parenting dick as well as he ought to have been those first few years because he was like 23 and should have been at the club

[tojisun]

the hand that feeds you

— “i take care of her, s’all.”

johnny mactavish x f!reader

cw: 18+ work - minors dni; age difference; daddy issues (kinda the central plot); cooking as a love language; slow burn but in high speed; a breath of angst; power imbalance; canon divergence - regular/non-military life au // amazing divider by @gildui! // 6.5k words

extra notes: this is a very self-indulgent work. there are holes in the plot, 100%, so ignore those holes pretty pls </3 also ik this is more of a captain johnny-verse but midway through, i started projecting so i might’ve written him incorrectly and im really sorry for that!!

being roommates with johnny is not as weird as it is; he’s amicable, at first, then full blown nice when days passed. he’s not loud, per se, but there’s always a constant chatter streaming from his space, like he physically can’t sit still through the silence which is great because you don’t fare any better with the stillness too, so reminiscent of how it was in the suburbs.

you moved to a neighbourhood just skirting past the inner city just because it’s a lot cheaper. but even then, rent was always high and your little box in a rundown complex wasn’t going to sustain you forever even if you wished it would. then, an opening in johnny’s townhouse was posted, almost half-price than whatever is up in the market, and it’s great despite your skepticism. hell, it’s more than great — it’s lifesaving.

your shitty job at the bookstore really can’t cover much of your expenses anymore, and sure student loans and the grant is great, but the growing debt makes you wince so it’s whatever at this point. you’re about to graduate soon anyway, pooling work experience from volunteering and club organizations, and it’s not like you can even go back to how it was.

(underway to law school, primed up before your father’s scrutiny but the burnout got to you before you could even write the LNAT. you realized that being a barrister wasn’t really what you wanted so you changed programs, midway, and switched to children’s education.

god, the disappointment in your pa’s eyes was so big, you knew to pack your shit before he could even kick you out.)

it’s… tough.

god, is it tough. none of your old friends and colleagues could stay in contact, which you don’t hold against them because most of them, by now, have graduated and entered law school. you’re straggling about two years back because of the switch in programs, and everything’s gone too tight. your budget. your social life.

your dating life.

johnny often distracts you from it all — he works in downtown, in one of those high-rise buildings often reserved for limiteds or holding companies, and has to travel off the city every three months. he makes good money, he said jovially, and you know it’s a nudge as to why your portion of the rent is cheap in the first place.

when you finally bit the bullet and asked why he put up one of the rooms in the market, johnny just shrugged and said he needed someone to house sit but sort off permanently. said something like last time he left, the pipes bursted and he couldn’t really fly back to help with the repairs.

it’s great being with him. he’s bright and bubbly, but also dependable in ways you never really thought about. like—

well, it’s all mundane things so listing them feels embarrassing, and it makes you feel as though you’re a touch-starved damsel and johnny just so happened to be the next older man to give you any attention and his time. but you can’t help it. god, you can’t help preen at the way he exists beside you.

he’s just so… beautiful, is what it is.

rugged and charming and loud and filling. the townhouse is too big for the two of you, but johnny makes it work. makes it feel like the two of you just fit into each other’s spaces.

early mornings are spent with him lilting between english and scottish, his exhaustion plastered onto him even after he’s downed two cups of coffee. he bumps his hip onto yours when he ambles out to prepare for his work, grumbling something like good morning and how’re you. afternoons are more lively and productive; it’s of you coming back from campus at six in the evening only to find him in the kitchen, fixing up dinner. it’s always something fancy and rich in flavour; something he always eats with wine on the side.

you, uh, you never thought he could actually cook, let alone feed himself well, but there he was, always a plate ready for you too like it’s expected that you’ll eat dinner with him. like spending time with him was just natural — the sky is blue, the ocean’s deep, and you and johnny fall into each other like there is an invisible string pulling you close to him.

it’s a beautiful change of pace, and there are more days now when you can breathe in a little easier, and you know it’s all because of johnny. it’s all him who pulled you out of your slump and out of that darkness and gave you the room, literally, to grow.

he’s beautiful, but you’ve said that already, haven’t you? he’s just… so good to be with.

then, johnny began picking up and bringing some home.

.

the first time it happened was shocking, really.

you had an early morning, something that’s so murky now in your memories so you’re unsure if it was anything uni related or work related, just that it was five in the morning and you were clambering downstairs as quietly as you could. you rounded the length of the hallway from the platform to the kitchen when you ran into someone.

“steady,” she’d said, voice hoarse and loud in her shock too.

you yelled, jumping, arms swinging because was there an intruder, and it took johnny physically subduing you for you to calm down. looking back now, you burn in embarrassment, but then you had been so worried, your body wound up so tightly in your fear.

“shh,” johnny had murmured with that wry grin. “s’just me, lass.”

your eyes danced between him and the brunette — pretty even in her rumpled shirt, with long legs and a small waist — trying to understand what was going on. you are sure johnny had told you before that he wasn’t seeing anyone so who—

“your girlfriend?” she asked johnny, turning to him with her lips pursed and her brow cocked up.

the question settled in your stomach, doing wonders to your already-fragile psyche. you’d just spent hours thinking about johnny and what he meant to you; what living with him meant. how it eased up something carved within the trenches of your being, like you’d always been waiting for someone like him.

the question was a reminder, like prickling you with icicles, leaving you to navigate the swoop. but johnny had laughed, nothing mean but so dismissive that you felt the curl of shame brandishing from the base of your spine like johnny was laughing at you.

“oh, nah,” he replied, arm still slung over your shoulders. “she’s sorta my ward, yes? i take care of her, s’all.”

that’s all. you’re nothing more to him but a ward. a tenant. not even a friend—

she hummed, then leaned over to kiss johnny, her eyes still drawn to you like she’s watching, waiting for a reaction, and when she got none, she trudged to the door. you and johnny watched as she bent down to slip in her shoes, some stilettos with red bottoms, before wordlessly disappearing into the darkened morning.

“pretty,” you chirped, trying to break the tension of whatever that was.

johnny laughed in that way that surely crinkled his eyes, only to steer the conversation away by asking why you were up early. you remembered what you had to do and you dived to the kitchen in a flurry, chatting about the deadlines and due dates — so it was a school thing — and johnny just watched, silent, humming, eyes still curved in his glee.

you left no sooner than his… paramour did and, for a while, that was that.

but your semester is coming to a close and your schedule is changing, but so is johnny’s. he’s coming home later and later, but always seemed to offer apologies in the form of easy-to-microwave meals for your dinner. they’re still homemade, probably cooked up in the morning before he left for work, and you’d messaged him to say that he didn’t need to worry about you. that, sure, you came to him amidst financial struggle, juggling work and school, and trying to decide if you would have to starve this month because of rent, but you can cook. for yourself and for him too.

johnny’s face did a terrible thing when you mentioned that in person, the first in a while after things got hectic.

“what,” you bit out, embarrassed.

“nothing,” he said, blinking like he was realizing things he shouldn’t. “s’fun doing things f’r you.”

then he clamped up, spooning soup into his mouth, some of it messily dribbling into his chin. it’s not like you were doing any better, with how your throat closed up at his words, eyes going wide.

it’s been a thing, is what it is, but neither of you two have ever acknowledged that it’s a thing. it’s been a wordless experience — of johnny taking over things when it comes to the house because of course he will, it’s his home, but he always covers things for you too. things you’re sure normal landlords don’t really worry about, but not johnny.

there’s always extra food in the kitchen, extra blankets when the weather dips. there’s even a new cooling machine for the summer even though you know johnny’s room already has an installed air conditioning. he’s even changed the seats in the dining room because he caught you once hitting your hip after an all-nighter on a project.

then, he refurbished the den to make it your office.

“you didn’t have to,” you told him, mind racing at your savings, wondering if he was going to increase your rent.

johnny just shook his head with an almost fond roll of his eyes and clapped your back, arm hovering there. “s’all yers, hen.”

everything he did always accounted for you. so why the women?

they’re all long limbed and trimmed waist, with eyes that sparkled even when all you’ve seen of them is always within the poorly-lit hallway. they have voices that curl teasingly, breathy like they’re enticing johnny for one more night. and they’ve always, always, treated you like a—

like a kid.

a burden, almost, of johnny’s.

and, hell, maybe you are. johnny’s almost twice your age; he’s also already well-established in his career, some senior position that you can’t really follow but one he talks about with fondness. he’s got land rover-money, the car in his garage big and black and almost military grade, and it looks so expensive especially beside the crappy civic you were able to snag for a cheap price because it’s got about three-hundred-thousand mileage already.

you’ve got nothing to give him, other than the lousy rent payment that he doesn’t even really need but is just asking for courtesy because it’d be so weird for him to offer a room, or two now given you have the den too, for free. you’ve got nothing on your name, and if it isn’t pity that makes johnny care for you, then you don’t know what.

maybe his string of one-night stands are right — you are just a kid.

that maybe you really are still too wet behind the ears for the real world that you go running to the next person that could protect you from it, stumbling into his life and licking up every drop of his attention, mistaking his kindness for devotion. his care for love.

.

you should have known, then, that the thoughts would ripple, leaving you to feel like the days are unnavigable. obsession quickly took root, growing fangs, and it ensnared you; a vice noose at what had been a pleasant coexistence.

hell, you can barely stand being with johnny because of the jealousy. it’s a shameful thing, but a part of you thinks you deserve johnny more than the others do.

you tell yourself that nobody knows about johnny’s nightmares and the horrors that spill from his lips when it’s twelve in the morning and the two of you have hit the bourbon. you tell yourself that nobody knows about johnny’s aversion to the windows in the living room; that the reason why the curtains are a deep green is not to match the new plants he’s allowed you to fill up his home but because they shroud the panels more than the cream ones had. you tell yourself that nobody knows that johnny can sing; that he can cook a mean tomahawk; that he likes reading; that his wrists were hurting so he’s currently scheduled for a surgery; that he’s soft to you.

the women don’t know this johnny, you tell yourself, nails clawing at the hems of your chest. they don’t know him the way i do.

it’s a pathetic whisper. it’s so laughable. so juvenile.

they’re right. they’re right.

(you’re just a—)

“i don’t see you anymore,” johnny murmured one morning, when things have gone quiet again, a cup of coffee sitting on the counter while he watches you throw orange peels into the garburator.

he just got back from a work trip in aberdeen, his exhaustion loud on his face. his hair is overgrown, the bottom ends of his mohawk curling along his nape. he was there for over three weeks, skirting almost close to a month — the longest he’s ever been away — and you had tried so hard not to message. not to drop casual check-ins because you’re sure no tenant ever does that to their landlord, but johnny had remained just as friendly; asking things like if you wanted another potted plant, a monstera or a dragon tree, or if you still had that swiss chocolate he brought home as a gift, or—

the list of his questions grew, but you’ve given him clipped replies, not knowing how to act right anymore since your quiet realization. even the “thing” that you thought you shared with him had fizzled at the drop of the women coming-and-leaving, and you are left to pick up the pieces.

it’s not like you’re broken or ruined or angry. god, no you aren’t.

but you feel unsteady, like now that you know that you liked him more than he liked you, you forgot how to breathe. how to live without that looming burden because your affection is nothing but a burden.

what will johnny do if he finds out? you can’t afford a new place to move into, not when you’re so close to graduating, the finish line just about to graze your very fingertips with how near it is. money is still tight, and johnny has already spoiled you rotten. has shown you how it is to live a comfortable life. and if he learns of your feelings, you would lose this. more than anything, you would lose him.

so you detached yourself from the noose, curling into yourself and using his work trip as a way to move on.

jesus — move on, huh? like there was a ‘you and johnny’ to even move on from. like there was anything there to read. like there was anything there to pull away from; twitching fingers drawing back into the spaces of your ribs, tucking yourself away from his warmth.

“i’ve been so busy, john,” you muttered, just as tired.

“yeah?” he said, still light. still jovial. “let me cook something nice for ye, huh? reward yer hard work and all.”

“i can’t.” you swallowed down the prickle lodged in your throat, eyes ducking away to avoid seeing his. “i’ve got a meeting with the club.”

(you missed the way johnny’s smile dipped.)

“oh,” he said.

you shrugged, internally wincing at your weak attempt at being normal, before gathering your thermos and your messily-wrapped sandwich. johnny was still standing by the counters when you turned around from the sink, his bulk so close to yours in ages. it had been so long since you could just reach over and feel his warmth; feel the soft pudge of what once were hardened muscles.

he’s looking at you with such sad eyes that it’s jarring to truly see because he’s looking at you like—

like he’s losing you.

“i’m gonna…” you trailed off, not really knowing how to end this truly awkward interaction.

“yeah, f’course,” he croaked out. “take care of yerself huh, lass?”

“thanks.” the smile on your face felt more like a grimace. “see you.”

he said nothing more after that, his eyes still searching; still furrowed like something’s changed and something’s happening, and it made your stomach drop because please. please don’t let him notice.

but johnny just watched as you went, his coffee all forgotten.

(something bloomed in the soft press of your heart, flickering like a young ember. you’ve never realized how longing could feel like your mouth is stuffed with cotton.)

.

johnny hasn't picked up since his return from aberdeen.

they’re getting a new firm so the shuffling has been brutal, leaving johnny to clamber out at five in the morning before coming back home when it’s pushing 11pm. the scruff on his face is becoming more unkempt, salt and pepper becoming more intense, but even then, he’s never looked more ruggedly beautiful as he is now.

it’s like he’s aged years and you shouldn’t be reacting so strongly to the change, but looking at johnny now makes you ache in a different way — core throbbing, throat parched and eyes stinging as you watch him. you’re so drawn to his gravitational pull, unable to detangle yourself now that it feels like he’s more back in your life than he ever was.

and you know it’ll end up hurting you. that you’ll go back to isolating yourself at the drop of a new girl in the house, the smell of her chanel or bvlgari perfume filling up the crevices that you’ve dutifully dusted every saturday morning while johnny’s out for a run. he’s made having casual lovers a cycle, one that you cannot blame him for because johnny doesn’t like you back.

but johnny’s been so attentive to you these days. he’s been a hovering presence even when he looks like he’s one blown wind away from passing out in his exhaustion, his warm hand always on the small of your back as he walks you to the door before chirping a hearty, “kick ass, bon!”

he’s back to fixing up food for you, like that blip in your schedule got him all creative because now, it’s not even just dinner. you’ve got breakfast waiting for you in the microwave, and packed lunch already in your bag, carefully tucked beside the manila folders and plastic envelopes for your capstone. it’s like he’s making up for something which is dumb and wrong because now, you’re all swooping stomach and prickling lungs.

“yummy?” johnny asked, catching you wriggling in excitement at the flavour bursting into your tongue.

your cheeks tingled, feverish, before giving him a shy nod.

he huffed, something so achingly fond, and rested his chin atop his crossed arms. you didn’t know what to focus on — the scruff on his face or the hard lines of webbing veins spilling from beneath his folded sleeves. then, he crooned, “good. that’s good.”

you ran upstairs to your room, throwing an excuse about finishing up your paper, before locking the door, and feeding your cunt two fingers to satiate the burn. the stretch was delicious, raw and sweet, and you humped your wrist, trying to douse the flames burning you up.

you thought of johnny, of the way he looked and how much nicer he’s been; of johnny and the way he was so kind to you, so caring like you’re up in his priority list again, overtaking his busy schedule and the firm restructuring, and his needs.

your orgasm felt like a ripping of reality, your mind splintering at the edges as you’re stretched thin. it felt like you’ve been pulled taut, then released with a resounding snap. it felt euphoric, like the explosion of something intoxicating. something wickedly addicting.

you knew that this could never be unmade. your affections had grown their tendrils, curling past the quiet admiration and spiralling into something unforgiving. into something greater than yourself.

“fuck,” you had rasped out, eyes prickling with tears as shame rushed into your chest. “fuck.”

you didn’t need this. you didn’t need any of this.

but it becomes a cycle — wash, rinse, repeat.

johnny continues to go unshaven; continues to pour his attention to you. and you soak it up, needy and soft, unable to turn away with your tail tucked between your legs. you fall back to the ease of how it had been, hip bumping his, morning coffee shared in the silence, dinner a filling affair once more. all that’s changed are the lingering looks, the resonating touches.

how johnny’s wide hand falls to the small of your back more often; how his fingers just slots against yours every time he passes you your cup; how his eyes rove over your face, always searching for something you dare not hope for.

the last time he flicked his eyes down to watch the way your tongue lapped at your lips, swiping away at the extra cream, johnny’s pupils had constricted before a quiet groan rumbled from his throat. your thighs had quickly clenched close as heat exploded in the pit of your belly, spreading like wildfire through your veins. the pressure on your nub made you hiccup, like a whine dragging itself from your trachea, and johnny had snapped his eyes back to yours so quickly, it made you heady.

“bon–”

“i have to go,” you murmured, clamouring to shaky legs.

you fucked yourself to a deafening point once more, ears ringing as you squirted, the gush of your slick pushing past your fingers. you had to gnash your pillow cover to muffle the moan rumbling from the base of your throat, trying desperately to be good. to not be heard. to be better.

but johnny’s burning gaze on your lips was seared into your memory, blazing on top of everything, and you imagined—

god, you imagined.

the way he’ll take you — beard rough on your chin, thicker fingers spreading you wider, reaching deeper, before finally filling you up with all of him, bullying the whole length of his cock until he bottoms out.

you pressed on your stomach, dizzy, thinking about how johnny would hit that far. you know he would. the women he’s slept with have told you, anyway, in passing, describing how he was in bed with dreamy sighs like they weren’t still reeking of sex and johnny’s aftershave.

(you still wonder why so many of them were mean, their noses tipped up every time they saw you. they were the ones that johnny chose, the ones who were fortunate enough to have been his lover, so you wonder why they still sought you out like you were competition.)

“johnnyyyy!” you moaned, loud and long, your fingers prodding at your walls, and you knew that you’d regret the wrangled cry later, but you didn’t care then, too busy swimming in the aftermath of your orgasm.

.

but johnny heard it anyway.

he told you that he had heard you. 

it happened so quickly — one moment you were bent over the espresso machine, fiddling with the levers with bleary-eyed attempts, then the next thing you knew was that johnny was crowding you, trapping you between the warm bulk of his body and the counter, his eyes furrowed so deeply which made the lines on his forehead run much deeper.

“whu’?” you asked, blinking tiredly at him.

johnny just did this shaky breath that rattled his whole body, like he was propped up by a couple of sticks instead of his whole mass. the mood shifted with that weak inhale though, and you turned to fully face him, ignoring the beeping machine because johnny was still looking at you with those eyes.

the ones that made you feel seen, read, and laid bare before him. like he could weave his eyes past the fabrics of your shirt to peek into the very jagged shards of your heart and see the cross that you’ve been carrying. like he knew things about you that he shouldn’t.

“johnny?” you prodded again, finding his silence alarming.

“yer too young for me, m’eudail,” johnny finally rumbled out, voice thick and deep.

and it’s—

what.

your mind was pressing into your skull, trying desperately to link your synapses together; for the fog to clear and for your coherence to rise above the pull of drowsiness, but johnny was faster. like now that he’s said the first words, the rest just follow, unstoppable in their force and in their meaning.

“i told myself i couldn’t,” he murmured, still breathing shakily; gaze still too fragile. “that yer lookin’ for nothin’ like me, and that yer just tryin’ to get out there with yer career.”

he lifted a hand, fingers twitching, before balling it back down to a fist.

“told myself i’ve gotta let go. found a way to cope and shit.”

johnny took another ragged breath in, and it startled you into gulping one of your own — you didn’t even realize that you’ve held your breath as he spoke to you, your chest clenching tightly as your mind began to link the passageways together, filling you in on what he wasn’t really saying.

“but carin’ f’you was so easy. christ, it was even delightful, hen.” he chuckled, something that was somewhat raw and pained.

you licked at your lips, blinking wide eyes open. johnny tracked the movement, his nose flaring like you’ve done something more than a subconscious thing, his shoulders going taut.

“i like doing all sorta things for you. liked seeing y’eat what i cooked; liked seeing y’use what i got f’you. liked watching y’come home to me. to me.”

a soft sound echoed between the two of you, and it took you an embarrassingly long time to realize that it was a breathless whimper that petered out from the base of your throat. you didn’t even realize that you’ve curled into yourself, almost like you’re trying your best to shrink before johnny, and johnny crooned.

callused palm cupped the round of your cheek, his thumb swiping just underneath your eye. “told myself yer too young; that surely yer looking for someone closer to yer age, but bon, i heard y’last night.”

you startled in his hold, a quiet gasp piercing through the heat. johnny’s lips danced with mirth.

“s’right. heard a loud thump against the wall and ran upstairs, all worried, but guess my surprise, yes? y’were moanin’ my name so loudly, it’s like y’left yer door open.”

“johnny, i–”

“tell me,” he said, moving closer, his chest pressing against yours. “tell me t’stop, bon, an’ i will. but y’ve got to tell me. y’ve got to push me away.”

you looked at him, your eyes trembling at what he was laying out thickly, and your throat going parched at the blanketing desire rippling from him. there were so many things you wanted to ask, but his breath was tickling the bridge of your nose, dancing so close to the bow of your lips, and your heart ached.

desire coursed through you in waves, dribbling from the cup, and you lurched forward, chasing after his lips.

johnny melted into you. his hesitant touch turned greedier, more possessive, mapping your body and pulling you closer into him. his mouth devoured your own, gulping down the pleased little sighs and keens spilling from your lips. he kissed like a man starved, but you weren’t any softer; all nippy and desperate, fingers digging into his hair and fisting at the thin strands.

it was feverish, almost to a boiling point, and you needed more.

god, you needed more.

“johnny,” you mewled when he pulled away just enough to slide his damp lips along the cut of your jaw. “johnny, need you.”

“christ,” johnny sounded so wrecked, his voice rumbling deeply from where his lips were suckling on the soft curve of your neck. “i’ve been dreaming of this, mo luaidh. i knew i shouldn’t but yer so sweet to me and i– i wanted.” he said that word like it was dirty; like he’d been fighting tooth-and-nail to suppress it.

it made you tremble to hear how johnny desired you just as much. he had always felt unobtainable; always danced too far from your grasp and was always bigger than what you knew you could handle — his lovers had always looked divinely; pretty, yes, but fierce in their own right like they knew how to live without johnny; and you know they could, because they didn’t need johnny the way you do. they didn’t look at johnny like you do, like he hung the stars with those thick and aged hands of his.

but as you stood there, feeling every word punctured onto your skin, you couldn’t help but begin to cry, the tears springing from your eyes to slip down your cheeks. johnny rubbed your back, soothing and gentle. 

“i wanted t’take you – make y’all mine,” he whispered. 

you hiccuped, shaky from the weight of your hunger, and nuzzled close. your hands fell from fisting his hair so you could claw at the sharp corners of his shoulder blades, feeling the muscles there rippling, all taut when he bent forward and kissed you.

“please,” you began, feeling your mind thinning because you wanted more. more. more. more. “i can be– johnny, s’always been you. nobody else but you.”

you tugged him away, cupping his jaw and forcing him to look at you. and god, johnny looked so devastatingly beautiful, his eyes all furrowed and his cheeks all flushed, and his lips spit-sheened.

“fuck me,” you whispered, tired of dancing around.

he groaned, something that sounded so pained, before he was tugging you with him, up the stairs and skirting past your room and into his. 

you’ve never been in johnny’s room before, just as he had never been in yours since you moved in, and until now you still don’t know what you had been expecting upon walking in, but the smell of johnny wafting through was almost gut-punching. he smelled so close, like he was everywhere — surrounding you from the ground-up, dousing every pore with him until even your mouth felt full.

and johnny, he smelt like home. 

there were no more words uttered as he stripped you off your pyjamas, sure fingers making their way down the buttons, unlatching them from the hemmed slits. you watched with heavy eyes, blinking slowly like everything had been wrung out of you, leaving you pliant and soft. johnny hummed, appreciative, and mapped kisses from your heaving chest, teeth nipping at the fat, before moving on, sprinkling every expanse of your skin with such reverence. 

your hands were balled to your chest when he reached the jut of your belly, his chin hovering just above your crotch. johnny flicked up his darkened eyes at you, asking silently.

you gave him a nod, not trusting your own voice too.

johnny’s eyes had turned into slits, pleased, and hefted himself up just enough to be able to fit his hands on your hips and tugged your pants down. you shivered, the warmth in his room not enough to suppress the winter chill, and it made you buck into him. johnny comforted you with a quiet shh, rubbing his palm on the pudge of your thigh in soothing circles.

you don’t know why that touch was what did it for you, but soft sobs finally spilled from your mouth, scrunching up the desire into something undeniably frail. johnny didn’t startle though, like he knew that you had been wounding up to this tipping point, and instead continued to touch you tenderly, almost like if he could, he would cradle you close. 

“i love you,” you said, sniffling, because that was the crux of your vulnerability, right?

you love him. god, you love him. 

you’ve loved him since the day he sat you down for dinner and told you that you’ve got nothing to worry about, not anymore and not with him around. you’ve loved him since the day he flipped the den so you can have your own space for work; don’t mind the fact that he didn’t know if you were going to even stay, just that he insisted that you deserved that room either way. you’ve loved him since that swiss chocolate, since that cup of coffee, since he’s begun filling your painfully lonely days with his care. 

you’ve loved him since and now—

“oh, mo graidh,” johnny breathed out. “i love you too.” he kissed your thigh, scruff ticklish. “gu siorraidh is gu brath.”

you wanted to ask what that meant but johnny was already moving, sitting back up to strip out of his own shirt. you trailed your eyes down his body, capturing your trembling lips between your teeth at how breathtaking he was — soft with fat but still heavy with muscles, fuzzy with hair with the smattering pooling just underneath his belly button before trailing down to where they were hidden underneath his pants. 

you twitched before finally braving enough to reach out and brush your knuckle over the indents of his softened abs. johnny hummed, something that curled with appreciation, before covering your hand with his and holding it there. 

“all of me s’yers, hen,” he said with such finality that you felt it settle deep within the marrows of your bones. 

you nodded, emotionally spent and johnny lilted something else in scottish, so soft that it was almost a croon. you let him manhandle you — pushing your hips up so he could slot a pillow under for your back; you were so malleable to his touch as he took over, bending once again for a kiss while his fingers danced past the laces of your panties and into the damp heat of your pussy. 

you moaned, eyelashes fluttering when he pressed one in, so careful and slow, but you were so wet that it slid in with no resistance, gobbling it up knuckle-deep. johnny had groaned like he could feel your rising euphoria, before nosing along your temple as he wiggled the finger around, stroking at your walls. you wondered if he was going to tease but then he was pulling it out, only to plunge two in the next thrust, curling and stretching, and oh—

oh, ssss’good.

you don’t even remember how long he’d been spearing you with his thicker fingers, rough and long and reaching far, far deeper than you could with your own, but you laid there, sobbing, feeling your slick slip out, pooling, making a mess of your thighs and his sheets. johnny had moved from suckling on your neck to taking a nipple in his mouth, teeth softly gnashing at the bud. you felt like you were on fire, burning from your core, aching for a release. 

“cum f’me, m’eudail,” johnny groaned, breathless himself, his cock poking underneath his boxers, the fabric all wet from where his tip was, leaking pearled pre-. “let me see you.”

“johnny, i’m gonna– i’m–!” you squealed, legs jumping, squeezing johnny’s sides as you jolted, hips twitching at the bloating ecstasy. johnny just pushed down on your thigh, not letting up with the pace of his fingers. he was fucking you so hard that his hand’s slapping against your skin, his palm grinding down on your clit just right, and the pleasure sizzled into something biting. into something that was almost painful.

it was catastrophic, pulling you into two directions. johnny’s everywhere — his scent in your lungs, his fingers deep in your pussy, his mouth hot and wet on your tits, and like this, like this, you felt yourself breaking. 

ripping—

then, your orgasm was punched out of you. 

your senses had gone awry — throat throbbing as you cried out, your eyes going blind as they rolled into your skull at the final curl of johnny’s fingers. white noise filled your ears, and it was like you were submerged underneath water, wading through the crashing tides of your climax.

you came back to johnny peppering your face with soft kisses, whispering something you couldn’t decipher past the croon of your name and something like you did good and so beautiful. he’d already pulled his fingers out, and used both arms to cradle you close. you felt so empty — god, that wasn’t even his cock, yet — but your body thrummed pleasantly, almost like the itch was finally scratched. 

“johnny?” you puffed out, voice all scratchy and weak. 

“i’m here, bon. i’m here.”

you hummed, curling into his chest, head pillowed by his arm. you wanted to ask what about his own euphoria, but johnny seemed so content just laying there with you, not really desperate or needy, so you let it go, losing the battle against your drowsiness before finally slipping into a quiet sleep. 

.

johnny’s there for your graduation, carrying a big bouquet of only eden roses. you didn’t even know that those particular ones were expensive until someone from the graduation party oohed and aahed to their friend. 

your cheeks burned when their friend chirped, “well someone’s clearly loved.”

you know that what they said would have had johnny agreeing loudly if he was allowed in the lineup because he is never one to be shy about what he feels; or not anymore, anyway. he loves so fully and openly that you still wonder why it took the two of you so long to get together, but the days since then had just been kind and filling that you have long forgotten how it was to not be with him. 

they’re going to call your name soon, and your stomach swoops, excitement and anxiety mixing in a dizzying tandem. 

you’re graduating with a bachelor’s degree in psychology and a diploma in early childhood education, and this is not where you thought you would be when you first started university, but it’s the happiest you have ever been. and sure much of your poli-sci courses were scrapped when you changed majors, and that’s also a lot of money wasted, but you have three job opportunities lined up already and it’s like the seismic shift in your life had finally corrected itself. 

(your mom said she’s sorry that she and your pa couldn’t come, but you’ve stopped longing for their acceptance and told her it was fine.

there’s a date saved in your calendar, though, for a brunch with her and that was enough.)

you ducked into johnny’s arms when the graduation ceremony ended, careful of the bouquet he’s holding. 

“congratulations, bonnie,” he says, a hearty laugh rumbling from his chest. “christ, i’m so, so proud of you.”

you never pegged yourself for a crybaby, but tears begin to pool in the corners of your eyes at the weight of his words. 

“thank you,” you reply, soft and raw, and honest. 

johnny pulls you in, his lips warm as they’re pressed on your forehead. 

and this, just like this, you know things will only get better from here on out. 

[screams-of-the-damned84]

(flops on stage) i now present to you my very silly swap au,,,

essentially jasper is now the co-leader of the society who was bitten by a werewolf and is trying to hide it, jekyll is the uni student who got kicked out due to his experiments and then picked up off the streets, etc. jasper and rachel can’t communicate and jekyll and lanyon are living the world’s weirdest horror romcom you’ve ever seen. more info under cut hehe (feat. bad explanations and doodles)

in simpler terms, jekyll and lanyon swap narrative positions (?? is that the right term) with jasper and rachel respectively. (lanyons and rachels swap doesn’t technically work as well as Jekyll’s and jaspers does but shhhhh). Frankenstein becomes the mad scientist that attacks the society and moreau becomes jaspers idol.

longer explanation but WARNING!! it is 3am when i am typing this and i am terrible at explaining. it may be slightly incomprehensible.

so like jasper and rachel founded the society after jasper publishes his research and gets semi famous. two years before current events jasper is out on a research venture and gets bitten by a werewolf. he doesn’t want to scare rachel or the lodgers so he keeps it a secret (to his own detriment). flash forward to now and jasper gets a call to investigate a “creature” terrorizing the streets of london only to find hyde.

before jasper can process the dumpster man he is looking at hyde transforms back into jekyll. jekyll explains that while trying to prove his theory of spiritual alchemy at his university he may or may not have split his own soul. and got kicked out. and is now living on the streets.

jasper, not really knowing what else to do and kinda relating to the poor guy, takes him back to the society. he introduces his co-leader rachel, who pretty much keeps this entire thing up and running. (rachel and jekyll still become friends but she especially takes to hyde. that little brother shaped hole in her heart is still very much present!) then theres the lodgers (idk how they all swap) and then there’s lanyon, a university student at the society because it was mandatory for one of his courses. he is not enjoying it and would very much rather be breaking boy’s hearts back at school. lucky for him tho, there’s jekyll!

this goes about as well as you would expect. lanyon then spends the rest of his stay at the society trying to understand (and woo) the conundrum that is jekyll and hyde. it’s very fluffy and they learn to communicate like jasper and rachel in canon (yippee!)

unfortunately for jasper and rachel, they have been playing the “just friends” game for the last decade. im having a bit of trouble trying to flesh out swap rachel so i don’t really know if she’s in a lavender marriage like canon lanyon is or is estranged/divorced or just single but whatever the case is she likes jasper but thinks he just sees her as a friend while jasper is madly in love with her and is too scared to tell her. this problem has only worsened since jasper got bitten. everyone else tho is aware of how they feel about each other and are stuck witnessing their tortuously long slow burn.

(hyde and lanyon at some point probably come up with a scheme to try and get them to confess. it goes horribly wrong.)

so yeah. this au has been floating around in my head ever since i read the comic for the first time. it mainly came to be because of how well jasper and jekyll parallel each other and because i wanted to draw stupid fluff and older jasper lol.

if anyone has any ideas/questions/etc TELL ME!!!!! this is just a rough idea if you have a better concept go for it awhdvgevd

[not-neverland06]

conflicted spaces

Arthur Morgan x fem!reader

a/n: He doesn’t get TB in this. Why? Because this is fanfiction and I’m god and fuck canon (I just finished the game, I’m emotionally distraught and needed this)

Warnings: brief attempted SA

Summary: Your father is a gambling man and you’re always the collateral. He refuses to pay the wrong man and now you’re being dragged across country roads to a man you’ve never met. Arthur Morgan, an outlaw down to the bone, is in charge of making sure you get there in one piece. Except, he doesn’t feel right selling a woman off like she’s property.

You’re done being a doormat and letting the men in your life tell you what you’re worth. You’ve got three days to escape him, but you’re not prepared for the reality of the real world.

“Put your hands where I can see ‘em, cowboy.” Arthur’s shoulders tense and he curses under his breath. His hand darts to the revolver on his hip, but the second his fingers twitch towards it he hears a hammer being pulled back. The cool barrel of a gun digs into his neck and he raises his hand in surrender. 

The man behind him lets out a familiar laugh and tugs him around. Arthur rolls his eyes and glares at Dutch. “The hell are you doing?”

Dutch clears his throat, still laughing slightly. “Relax, Arthur, but if I had been an O’Driscoll you’d be dead right now.” Arthur doesn’t point out that the only thing they have to worry about out here are the Lemonye raiders. He’s more focused on why Dutch is even out here. Rarely does he leave Shady Belle to traverse the streets of St. Denis. 

None of them are particularly fond of the place. If he wanted to step in horse shit every other step he’d go to a stable. At least those smell better. Dutch slings an arm around Arthur’s shoulder, tugging him away from the saloon he was heading towards. 

“You’re gonna have to save the cheating for later, Arthur, I need you for something.”

“You know I don’t cheat,” Arthur jokes and Dutch grins at him and it’s nice. This is familiar to him. This feels right. Dutch has been odd lately, the jobs he’s been taking, the risks he’s been imposing, none of them feels like the man he knows. 

Now, Arthur would follow Dutch straight into hell without being asked. But he can’t abide by how he’s putting their people in harm's way. He’s felt like a stranger more often than not and he’s been doubting the people he shouldn’t. Right now, though, he can see the man he knows in the teasing curl of his lips. 

“What’dya need?”

Dutch pauses in front of a tailor and pats Arthur’s chest. “I need you to look prim and proper for a party we’ve got tonight.”

Arthur’s brows furrow cynically and he scoffs. “Someone invited us to a party?”

Dutch hesitates, a stiff smile on his face. “Well, let’s just say someone is interested in our work.” Arthur wants to question him further, he’s hiding something from him. But Dutch is pushing him towards the door of the shop before he can argue. “And get a haircut, we need to look presentable not like a bunch of mountain men.”

Arthur watches as Dutch leaves, something heavy weighing down on him. Dutch doesn’t usually tell people about his plans beforehand. At least not every step of them. But this is odd, he’s definitely hiding something and Arthur isn’t sure he wants to know what. 

With a resigned huff, he heads into the tailor. He has to mentally prepare himself for being stuffed into a starched collar and a stiff suit for the rest of the night. He hates these damn parties, hates having to pretend like he knows what the hell is being said. 

Most of the people that attend are educated or pretend to be. And when he lets it slip that he’s more likely to shoot a gun than read a book they turn on him like jackals. You can’t let them see that you’re different than them or you’ll never get a word in edgewise. 

The only part he enjoys is the booze and robbing them of their money. It’s not like they earned any of it. Most of it was made by breaking the backs of the people they mock for being too poor to afford a fancy suit. 

Arthur takes a deep breath and looks for the cheapest suit he can find in the overpriced shop. 

“Now,” Mr. Crane’s hand tightens around your bicep and he jerks you closer to him. You keep your face impassive, not letting him see just how much he’s hurting you. But you can feel your skin being stretched to its limits by his clammy fingers. “You’re going to behave tonight. I’ve got a few gentlemen I’d like you to meet.”

He looks at you expectantly but you keep your mouth firmly shut. His eyes narrow and he jerks you around roughly. “Understood,” you force the word out through gritted teeth. You’re trying to breathe as little as possible, not wanting to smell his cigar-laced breath any longer. 

Finally, after a tortuously long moment, he releases you. You take ten steps back, smoothing out nonexistent wrinkles from the silk skirt he’d forced you in. You glance out the window of his office, watching as the workers scramble to set up the tables for tonight. You can hear cooks in the kitchen, shouting out orders for the food for tonight. 

Everything must be perfect. Mr. Crane never fails to deliver on his extravagantly indulgent parties. The man himself is the very embodiment of greed. You glance over with a disgusted sneer as he sinks himself into his leather chair and pulls out a wad of cash. 

He catches your eye and sends you a sickly sweet smile. “This,” he waves the money at you and you track the movement boredly. “Is how much you’re worth, sweetheart.” Your brows raise in amusement and you scoff. More than you thought he would put up for you. 

You wonder who he’s going to have transport you. He’ll need you out of the city soon, your father is starting to catch onto what’s happening. It took him long enough. You’ve been missing a month, you’d think he would have put two and two together faster. Then again, he’d never been very interested in you beyond what you were worth to others. 

“When will I be able to meet these gentlemen?” You ask, taking a step towards him. Your eyes dart towards the letter opener on his desk and for a brief moment you picture yourself strabbing it into his fattened jugular. 

But he flicks his wrist and like magic the door opens, his men coming inside and standing resolutely by your side. “Not anytime soon, my dear.” He looks to the men surrounding you and you take in a sharp breath, wishing you’d just taken the chance when you had it. “My associate is feeling quite tired, take her back to her room, please.”

They grab you by the elbows, even though it's entirely unnecessary. You wouldn’t run, and even if you did you wouldn’t get far with the chains he has hidden under your dress. A punishment for the first time you snuck from his home. You’ve been well behaved since then but he doesn’t trust you. 

You’re whisked away without another word. The trek of the stairs is a slow one. They’re forced to help you navigate by lifting your skirts and not tripping on the chains. It no longer brings you any satisfaction to cause a hindrance in any of their days. 

Before, you would think of being an annoyance as a small victory. But it’s not, it never was. It was just a way for them to keep you complacent by allowing you to think you’d done something for yourself. You believe your father used to do the same thing. 

It’s just another way of keeping you quiet. 

When you make it to your rooms, they shove you inside. Like clockwork, you hear the jingle of the keys and then the lock clicks. You sigh and take a step towards your vanity, working on touching up your hair. 

You think the worst part of this must be how well you’re treated. You have meals made by a private chef. Your quarters are decorated more lavishly than they ever were at your father’s house. Yet, you hear the suffocating tick of the clock as it counts down your doom. 

You’re not entirely sure what their plan is with you. You know your father had made a promise to Mr. Crane involving some land. Or perhaps it had been a wager. But as always, you were collateral when your father refused to pay up. 

You know Mr. Crane wants you out of town so that he has more time to negotiate with your father, to call in the interest he owes him. You also know the only reason your father is interested in finding you is because you’re meant to marry the son of a business partner in two months. The money he’ll get from that will be enough to finally pay off his debts. 

Except, now, Mr. Crane tells you that should your father refuse to pay you’ll be married to one of his associates. And the deal he’ll make from that will be enough to cover what your father has refused to pay. 

No matter what, you’re going to be married off to some man you’ve never met and yet again be a quiet trophy on a shelf. It’s a very convoluted situation, one which makes you think leaping from a window might be a better fate. 

None of the men your father or Mr. Crane is in business with are particularly kind. They’ve got more skeletons in the closet than there are in the graveyard. You doubt you’ll live a very happy life with whoever they pick for you. 

You slump forward onto the vanity, trying to fight off the burning feeling in the back of your eyes. You’ve known this would happen for years. Even before Mr. Crane had you kidnapped, you knew that this would be your destiny. You would never get to be one of the free-spirited women who fought for the right to choose. You would always be forced into this role. 

Yet, being so close to it coming to fruition makes you feel choked and suffocated. You can feel the noose around your neck tightening, the hangman’s fingers twitching as he waits to see you drop. 

You dig your nails into your palm, taking in a deep breath and fighting back the wave of despair. Where there is doom, you also see a sliver of hope. Your next journey will be a long one. He’s hiring someone to have you transported to an area further up the map. 

If you play your cards right you might be able to escape while you’re traveling. If you’re incredibly smart about this, thinking with your head and not your heart, you might have a shot at freedom. 

You take in a deep breath, reapplying your makeup and resolving yourself to another night of mindless entertainment. But you hold onto that fleeting feeling of hope. You have a shot, you just have to take it. 

Arthur’s heard of these parties before. Some Mr. Crane fella that likes to blow all his money on food and booze. He indulges his guests and when they’re weakest, gets their secrets from them. He’s a snake and everyone knows it. Yet, missing his party is social suicide. They have no choice but to go and indulge in him. 

Arthur had never had any interest in meeting him or doing any business with him. But Dutch had informed him that’s exactly what’s happening tonight. They’ll mingle for a little while, maybe scout some other jobs, and then Mr. Crane will invite them up to his office for a private discussion. 

Dutch still hasn’t told him what exactly their business with him is. He brought Hosea along tonight so he has to assume it’s not going to be anything violent. But he can’t think of anything else they could be good for. 

“Alright, gentlemen,” Dutch places his hands on Hosea’s and Arthur’s shoulders, a scheming smile on his face. “Try not to embarrass me.” He slips behind them, heading up the stairs of the home. Hosea and Arthur share a brief look before they split up, blending into the background of the garden. 

Arthur lurks near the bar, he knows he should be talking to these assholes, possibly learning something useful. But he can’t be bothered. He orders a whiskey, gaze surveying the partygoers. They’re all loud with painted faces and fake smiles. Not a goddamn person here seems to be genuinely interested in anything they’re doing. 

“First time?” The soft voice beside him catches him off guard. He glances to the side and is surprised to see that you’ve slipped past him. He hadn’t even noticed you slide up next to him. You laugh at the look on his face and it’s the first thing here that seems real. “Sorry, it’s just that look on your face, I recognize the disappointment. You’ve never been to one of Crane’s parties before?”

“No,” he clears his throat, still recovering from the surprise. “Uh, I can’t say I have.”

You suck on your teeth, narrowing your eyes at the people passing by. “They’re not worth the effort. Everyone who leaves here leaves carrying his debt on their back.”

Arthur chuckles a little, lips twitching up into a small smile. He’s surprised by your frankness, most people like to hide behind passive-aggressive digs. He appreciates the straightforward attitude. “Then why are you here?”

You shrug and Arthur finds himself enchanted. He shouldn’t be, he’s never been one for romance. He finds women pretty and he’s been in love before, but he’s never bought into the idea of love at first sight. Or any of that mushy stuff that Mary Beth devours in those books of hers. 

But you are absolutely gorgeous, dressed in a silk dress that’s so expensive he’s sure he could buy two new horses with it. Your fingers and neck are decorated in dainty jewels that you fidget with as you stare down at your drink. When you set your eyes on him again he thinks he might have been struck by Cupid’s arrow. 

“I don’t have a choice,” you finally answer, sending him a stiff smile. “What about you? Why are you here?”

Arthur suddenly remembers himself, remembers why he’s here and what he’s supposed to be doing. The fog in his head dissipates and he’s disappointed in himself. Pretty women have never done anything except get him in trouble. 

“Business,” he answers vaguely. Your eyes narrow and your brows twitch in discontent. Something like realization dawns on your face and you back away from him. The easy attitude you’d carried yourself with is gone, replaced by a vague look of distrust. 

“Right, should’ve known.” You let out a rough sigh and Arthur can’t help but feel like he’s said the wrong thing. “I suppose I’ll be seeing you again soon.” You slip past him before he can ask you what you mean. He hears the faint sound of metal clinking as you walk back up the stairs. 

Something silver flashes under your skirts but he can’t get a good glimpse of it. He feels unsettled as he turns back to the bar. The whole interaction was odd. From how stricken he was with you to how cold you turned. 

He doesn’t know what you saw in him but it was probably for the best that you left when you did. Neither of you needed the trouble the other would bring. He shakes his head, downing his whiskey and muttering nonsense to himself about not thinking with the wrong head. 

It’s not that much later that Dutch is appearing on the balcony and silently motions him forward. Arthur leaves the bar behind and slips up the same stairs you’d disappeared on. Dutch says nothing as he leads Hosea and Arthur through the house. 

The mansion is a maze more than anything. Arthur loses track of all the turns they take and the winding staircases they descend. Finally, Dutch stops them all in front of two large oak doors. He raps once on the door and then lets himself in. 

A large, balding man with a shiny head is perched on top of a leather chair. He looms behind his desk, fingers steepled as he greets them all with a false smile. “Ah, gentlemen, so nice to finally meet you.”

Dutch grins and motions to Arthur, “This is the man who will be doing the transporting, Arthur.” Arthur’s eyes narrow in confusion but he says nothing as Dutch moves to Hosea, “And this is my associate, Hosea. He’s a lot better with money than I am, Mr. Crane. You understand.”

Mr. Crane lets out a boisterous laugh that makes Arthur’s ears hurt and nods his head, his cheeks jiggling with the movement. “That I do! Well,” he waves them forward when they linger in the doorway too long, “come in, come in.”

Arthur closes the doors behind them as Mr. Crane lifts himself from his desk. There are two couches positioned in front of an unlit fire. He takes one of them and Dutch and Hosea take the other. Arthur perches himself on the armrest of their couch, eyes surveying the office like it might reveal the truth of their visit. 

“I trust Mr. Van der Linde has kept this all quiet?” 

“He has,” Arthur grouses. 

At the same time, Dutch says, “Of course, Mr. Crane. I promised confidentiality and Dutch Van der Linde is nothing if not a man who keeps to his promises.” Crane nods, looking satisfied and  Arthur holds back a laugh at how easily he seems to trust Dutch.

“Good, good.” He dips his hand inside his jacket and Arthur’s palm instinctively drops to where his gun should be. Of course, they’d had to give up their weapons before they came into the party, if he does has a gun Arthur can’t do a damn thing. 

But he doesn’t, instead, he pulls out the thickest stack of cash that Arthur has ever laid his eyes on. A loud thud resounds through the room as he slams the bills on top of the table between them. Arthur’s eyes widen and Hosea’s jaw nearly drops at the sight of it all. 

This would be enough to get them out of St. Denis tonight. Shock sours quickly into suspicion. What the hell has Dutch signed up for? “Now, this is the first half. This is simply for accepting the job and,” he gives them all severe looks, “for your silence.”

Arthur shifts uncomfortably on his perch and waits for Mr. Crane to finish. “The other half will be given once the package has been safely delivered.” There’s a certain lilt to his words when he says package that has Arthur’s hackles raising. Whatever is getting delivered is not going to be good. 

Crane turns towards the bookshelves on the wall and calls out, “Darling, won’t you join us?” Arthur figures the man must have lost his mind, they should just take the money and leave. But there’s a loud creak and something like metal gears grinding together. One of the shelves pops open and the panel swings forward. 

You pop your head out, glancing towards Crane and then taking a step forward. Arthur, without even thinking about it, finds himself sitting up, and brushing some of the dirt off his pants from the ride over. 

At first, he’s so confused by seeing you again that he doesn’t realize why exactly he’s seeing you again. Then you glance towards him, a knowing look on your face and it clicks. You’re the package. You’re what he’s meant to be transporting. 

He glares over at Dutch, when exactly did they get into the business of trading women?

Hosea voices his doubts in a much calmer manner. “If I may, sir, why does she need to be delivered so discreetly?”

Mr. Crane laughs and your face twitches unpleasantly. You grimace, glaring at the back of the man’s head with something like murder in your eyes. He doesn’t know what he’s done to cause such a visceral look of hate and he doesn’t want to think about it. This whole situation is bothering him. You’re not here willingly, which means you’re not going to be transported willingly either. 

None of this makes sense. Dutch would never have taken a job like this before, even when they needed the money. And there’s no way in hell a rich man like this one would want to pay a couple of grungy outlaws so much money. There’s got to be some sort of trick in all of this. 

Cran clears his throat, “She’s a daughter of a, well,” he frowns and struggles for the words. “Let’s just say we’re in a hostile competition for a lot of land. This land, boys, could be very beneficial in expanding my business. He’s not interested in selling and, well, desperate times, desperate measures.”

You scoff, laughing slightly at him and rounding the couch. Dutch ignores you, Hosea looks uncomfortable, and Crane continues prattling on without missing a beat. “Should her father not pay me, she will be married to the associate you’re bringing her to. He’s promised me enough land and money to cover what I lost to her father. And if he does pay, she’ll be returned in time for her wedding here.”

Arthur’s eyes dart towards you and you send him a bitter smile. It makes him shift where he sits, hating the way your eyes bore into him. “I just need someone who's not afraid of getting their hands a little dirty to make sure she behaves while she’s delivered to my friend,” Crane glances over at Arthur. He asses him, the bulge of his arms in the suit and the scars on his face, whatever he finds must be satisfactory because he smiles over at Dutch. 

Arthur stands, ready for Dutch to tell Mr. Crane that they’re not in the business of selling women off. But Dutch doesn’t, he smiles at Mr. Crane and reaches for the money, passing it off to Hosea to count. “Well, I do believe my friend Arthur is just the man for the job.” 

“I think you’re right, Dutch.” He stands up now, pot belly nearly bursting the buttons of his shirt, and reaches for Dutch’s hand. “Pleasure doing business with you.”

Dutch smiles and takes his sweaty palm, “You as well, sir.” Dutch walks towards you and holds his arm out. “This way, my dear.” You glance between him and his elbow before rolling your eyes and reluctantly placing your hand on his arm. You follow him silently and obediently, no fight is left in you. Hosea follows after you both, a concerned look on his face. 

Arthur remains in the office, standing dumbfounded and staring at the doorway you’d disappeared through. He’s struggling to process what just happened. Arthur has helped people get home safely before and provided protection. But he’s never been one to traffic a hostage. 

Crane glances up, finally noticing him still standing there. He walks past him, patting his shoulder as he does and giving him an approving smile. “Don’t be afraid to take care of her should she get out of hand.” He’s nearly out the door but he looks back and adds, “Just don’t bruise her too much.”

Arthur’s fingers twitch for his revolver once more and he’s never wanted to shoot a man more. But he knows Dutch is waiting for him and he’d never make it out of here alive if he started a fight right now. Reluctantly, he makes his way out of the manor and towards where you’re all waiting for him. 

He’s fuming by the time he stops in front of Dutch. He’s trying to help you onto his horse and Arthur finally realizes what the metal sound he heard earlier is. There are chains around your ankles and you can’t maneuver yourself on the saddle. 

His eyes narrow and he glares at Dutch, “What the hell are you doing? We’re selling women now?”

Dutch glowers at the tone of Arthur’s voice. You watch them both passively, fiddling with the rings on your fingers and looking unbothered by the entire situation. “Watch yourself, Arthur,” there’s a clear warning in his tone but Arthur’s too upset to care. 

They’ve done a lot of bad things. They weren’t good men. But this was just going too far. “We need this, Arthur. You want to get out of here, you want to keep our people safe?” Arthur let out a deep exhale, gritting his teeth together and nodding reluctantly. Dutch huffs, “That’s what I thought. We’re not selling anyone, Arthur. It’s a simple delivery.”

His jaw clenches as he watches Dutch struggle to help you again. “It’s not going to work,” you inform Dutch. You lift your skirts, flashing him the chains he hadn’t seemed to notice yet. Neither of you gets a chance to say anything as Arthur pulls out his gun and shoots the lock off. 

He feels a little guilty at how startled you look. Your eyes widen until they look like they might bulge out. Your hands fly up to cover your ears as the sound rocks through you. It breaks violently through the silence of the night. 

Dutch turns and gives him a stern look, “Have you forgotten the meaning of subtlety?” Arthur can tell he’s trying not to shout and drag any more attention towards you all. 

Arthur glares at Dutch, something wicked brewing in his stomach. “The lady wouldn’t be able to ride a horse like that.” He mounts his horse and rides off without a look back. He can’t stand to be near you or Dutch any longer. 

The reality of what they’ve turned into hits him like a bag of rocks and it makes him irate. They’ve never been these people. Never traded a person off like they were an object. He’s sure plenty of people in camp would have a problem with this. But he doubts Dutch will let them know the truth until the job is done. 

And by then, everyone will be too happy with the money to complain. Dutch is nothing if not good at saving his ass. He’s hitching his horse as the rest of you ride into camp. He lingers by Diablo, resting a hand on the thick neck of the shire while Dutch helps you off the saddle. 

His eyes narrow in on the way Dutch’s fingers glide along your waist as you jump down. You take a step back the second your legs are steady sending Dutch a dirty look that almost makes Arthur laugh. 

He starts towards Dutch, ready to try and reason with him again. But he holds his hand up and walks away, not even giving him a chance to speak. Arthur lets out a rough sigh as Hosea comes up behind him. 

He pats his shoulder comfortingly, “You should get some sleep, Arthur. You’ll ride with her to Strawberry tomorrow morning.” He almost walks off but he whispers a quiet, “I’m sorry,” before he goes. 

Arthur glances towards you but you’re looking around the camp, eyes lingering on Javier as he sings by the fire. He swears he almost sees you smile but it's gone as quickly as it came. He takes his hat off, running his hand through his hair and letting out a tired sigh. 

“Alright, come with me,” he starts towards the house. It takes a minute to realize you’re not directly behind him. When he looks over your shoulder he sees you with your skirts lifted, tiptoeing through the mud and trying not to get your pretty skirts dirty. 

He rolls his eyes, storming back towards you. Your eyes widen at the look on his face and you stumble back a few steps. Undeterred, he bends over, throwing you over his shoulder and walking towards the house. 

Your hands claw at his back, desperately grasping onto his shirt so you keep your balance. He storms up the stairs, ignoring the alarmed looks he gets from others in camp. He can already hear them whispering, wondering who you are and why he’s dragging you into his room. 

They can make up whatever the hell they want. Arthur’s too pissed off to give a shit about rumors tonight. He drops you unceremoniously onto his bed and storms back out. He heads downstairs, rooting around in one of the chests for some extra clothes. 

You won’t be able to ride to Strawberry in those ridiculous clothes. You’ll need some pants if you’re going to sit on the horse properly. He tucks the outfit under his arm and makes his way back to you. 

When he opens the door your hand immediately darts away from his shaving kit and shoves itself under your butt. His brows furrow as he catches a flash of silver in your hand. He places the clothes down on the end of the bed, eyes drifting towards his shaving kit. Sure enough, his razor seems to be missing. 

He lets out a sigh and you tense up, hand clenching around your prize. He briefly debates taking it from you. But he figures you should be allowed a modicum of comfort. Even if you did try and use it against him it’s dull, he hasn’t sharpened it in a while and you wouldn’t be able to do much damage anyway. 

He lets you keep it, leaving you on your own without another word. He can hear the exhale of relief you let out when he walks away and it makes him feel just a little better about this. At least you’re not completely terrified. 

You change into the clothes Arthur gave you. They’re a little big, but you appreciate the pants. It’s much better than the ridiculous dresses Crane had you in. You collect your dress and toss it out the window of Arthur’s room, watching it sink into the mud pit below. It brings you some satisfaction to see Crane’s pretty silk getting ruined. 

You take off the jewelry you’d been given and stuff it into your boots. If you did manage to escape while you were traveling with Arthur then you were going to need some cash. You could sell off the jewels and hopefully, it would be enough to keep you comfortable. 

It feels nice, to wear real clothes. Not being dressed up like a doll for once. You envy some of the women here, who can wear what they want. There is an appeal to the outlaw life. As long as you’re on the right side of it, which, currently, you’re not. 

You slip out of the house before anyone has a chance to retrieve you. The whole night you were curled up around a dull razor with your eyes wide open. Spending a night surrounded by outlaws isn’t exactly restful. 

You figure you might as well try and walk around before you’re on the back of a horse for the rest of the day. There are more people up than you’d expected. Luckily, you don’t see Dutch around anywhere. You don’t feel like having to deal with any more of his false charm or empty apologies. 

The same man you’d seen strumming his guitar the night before is asleep next to the dying fire. A blonde woman catches your eye, she’s walking past some other women in dresses. They’re still asleep but she looks like she’s been up for hours. 

There’s a bit of blood on her pants and you briefly wonder what she’d been doing. “Who are you?” She asks, surveying you from head to toe with suspicion in her eyes. 

“A package,” you tell her bluntly, walking past her towards the only lit fire of camp. She follows you, a wry grin on her face as she watches you pour yourself some coffee. 

“You’ve got a real attitude, I like it.” 

You huff out a laugh, taking a sip of the burnt coffee and giving her a brief smile. “I’m sure my future husband won’t.” 

She rolls her eyes and scoffs, waving you off. “Husbands, good for nothing. I loved mine but he was useless as a sack o’ flour. You’re better off without them.”

Your smile turns strained and you look down at your feet, at the boots that aren’t your own. You’ll never get to dress like this again. Or speak like this to a woman who isn’t afraid to voice what's on her mind. 

“Yes, well,” you shrug and meet her eyes again, “I don’t seem to have much of a choice.”

Her eyes narrow and she frowns, “What’s that supposed to-”

“Mrs. Adler!” Dutch’s voice booms from across the camp and forces the others awake. Most of them grumble, but they’re quick to get started on morning chores. “I see you’ve met our guest,” he says your name with a flourish that almost makes you laugh. 

He’s a good actor. He’s especially good at covering up his mistakes. “Yeah, what’s going on, Dutch? Who is she? Why don’t you guys ever let me in on this stuff?” She fires off questions rapidly, you almost don’t catch them all. There are clearly underlying issues here other than your unexpected presence. 

“In due time,” he assures her, laying the charm on thick. But even you can tell he’s full of it. He’s not planning on letting her in on anything unless it benefits him. “And this is our guest, her fiancee has paid us handsomely to provide her safe passage back to him.” 

He walks towards you, laying a hand over your arm and squeezing slightly. You give Sadie a stiff smile and let him lead you away. “I do believe it’s best that you just wait for Arthur, dear.” He gives you a look that lets you know it’s an order, not a suggestion. 

Still, you play along, “I think you might be right, Mr. Van der Linde, thank you for the hospitality.” You run a tired hand over your face, sitting down on the stoop of the house and finishing off the rest of your coffee. Dutch watches you for a while, never straying too far from where you are and intercepting anyone who asks about you. 

He spins quite the romantic tale of your lost love and how he desperately wants you back. You wish it were true, that you were living out some wonderful fairytale and were about to be reunited with the love of your life. Instead, it feels like one long walk to the gallows. 

The wood creaks behind you and you don’t need to turn to see who it is. “Ready?” Arthur asks and you figure he means, ready to leave freedom and happiness and the will to live behind? 

No, “Sure,” you toss the rest of the coffee into the grass and leave the mug on the stairs. You get to your feet and let him lead you towards the horses. He shares a brief look with Dutch as you pass by him but it doesn’t look entirely pleasant. 

He makes his way toward a towering black shire and your eyes widen in horror. “What’s this?”

He works on saddling the horse up, not paying much attention to you. “This is Diablo.” You take a step closer and the horse starts huffing, swinging his neck towards you with his lips pulled back. You jump back a step back, eyeing him warily. 

Arthur glances over and lets out a low chuckle, “He won’t bite. He’s just curious.”

“Mhm,” you give him a disbelieving look. “You’ll have to excuse me for being wary, I’ve not met a lot of horses.”

Arthur looks a bit shocked by your admission. “Really?” He questions, sounding doubtful. 

You give him a brief smile and nod. “Hard to believe, I know, but I’ve lived a very sheltered life, Mr. Morgan. Haven’t had many opportunities for exploring on my own.” 

He opens his mouth, looking like he wants to say something. At the last second, he stops himself, instead taking a step closer to you. You flinch away from him when he reaches for you and he lets out a sigh. “You can’t spend the next three days terrified of him, come on.”

He coaxes you forward and you reluctantly step closer to the beast. He chuckles at the scared look on your face. You don’t appreciate how much amusement he’s gaining from this. “Come on,” he mutters, taking your wrist and leading you closer to Diablo. 

The damn thing is named Devil, how could you not be terrified of it? 

“He won’t bite, I promise.” You don’t trust him but he doesn’t give you much of a choice. He presses your open palm to Diablo’s nose and you wince, bracing for him to lash out at you. 

But he doesn’t, he lets out a soft knicker and it seems like he doesn’t even care that you’re there. You let out a relieved laugh, running your hand tentatively over his muzzle. It’s shockingly soft and oddly squishy. 

He doesn’t seem to mind as you awe over him. You smile and glance over at Arthur but it drops when you see the odd look on his face. He seems perplexed by your reaction and you can’t fathom why. “You really never have ridden a horse before, have you?”

You shake your head, “No. I told you.”

He purses his lips and nods. You don’t know what it is about this that’s bothering him and you don’t care to ask. If he doesn’t believe just how strict your upbringing has been then fine. “Alright, come on, we need to get a move on.” 

He leads you around to the saddle and helps you up on the back of the horse. It’s beyond odd, sitting on something in pants. Getting to spread your legs freely is something you are going to greatly enjoy during this journey. 

Arthur takes off without much warning and you yelp, throwing your arms around his waist to steady yourself. He glances over his shoulder at you but says nothing. You turn your head, watching as the camp gets smaller and smaller. 

The people mill about, greet each other, and break bread together. It hits you suddenly, this will be the last time you get to see people being free. If you don’t get out, if you can’t escape, your life will be filled with starched collars and powdered faces. You’ll never have a genuine conversation with someone again. You’ll be turned into pretty jewelry hanging off the arm of a man you never met. 

The ride to Strawberry is three days at least. You have three days to get your plan together and to escape. You almost feel sorry for Arthur and the repercussions he’ll have to face losing you. But not sorry enough that you’re not gonna try. 

Arthur’s speed evens out and you let your arms relax, easing away from him slightly. Your wrist jolts against the gun on his hip and you eye it curiously. If you had a gun there would be no doubt you could escape. You see Arthur’s fingers twitch on the reigns of the horse and you move your arms higher up his torso. 

You doubt you’ll be a quicker draw than he is. He is an outlaw after all. You don’t think he’d have many qualms about delivering you to your fiancee with a few extra holes in your gut. Your mind drifts to the razor in your pocket and you consider it for a moment. 

You’re sure you’d be quick enough to just whip it out and slit his throat. You sigh and dismiss the thought. You were a lot of things but you were not a murderer. There are lines you can’t bring yourself to cross. Besides, as wicked as what he’s doing to you is, you know he’s a good man. 

It was an instinctual feeling. Mr. Crane and your father were both horrible, evil men. They knew nothing but greed and would never be satisfied by all the riches they reaped. They were the type of men you looked at and knew deep down that there was nothing left to save. 

Arthur has undoubtedly bad things. You don’t become an outlaw without spilling some blood. He was weathered and rough from a hard life, but that didn’t mean there was nothing good left in him. You won’t have his blood on your hands, no matter how much you might want to get away from him. 

As grateful as Arthur is for the silence, it is odd. He’s helped a few ladies find their way back home before and for some reason, they seem to think he’s the best listener in the world. It seems everyone who rides with him wants to tell him their life stories. 

You’re completely silent, though. He has to keep looking back just to make sure you haven’t fallen off the back of the horse. You’re pretty complacent, following along with whatever Dutch said and coming along quietly. You seem beaten down, the fight dragged out of you. 

He wonders what Mr. Crane had done to you. A few times, he’s seen just a glimpse of the spark that used to be there. But it was snuffed out before he got a chance to know it. He almost wishes you would talk. It would distract him from what he was doing right now.

It didn’t feel right, bringing you along to marry a man you’ve never even met. He has to keep reminding himself that it would have happened no matter what. Ladies like you are always sold off into a profitable marriage. The only thing he’s doing is switching up who the fiancee might be. 

None of that makes him feel better, though. He should be helping you, not dragging you away to your worst nightmare. But, his people come first. The amount of money Dutch’ll get from this will be enough to get them all out of here. This could finally be the last score. 

You gasp behind him and he whips his head around, immediately expecting someone to be following along beside you both. Maybe your father’s men or just some raiders. But he doesn’t see anything except a herd of deer running through the trees. 

His brows furrow in confusion and he glances back at you. You’re watching them like they’re something spectacular. Arthur’s always been a fan of the quiet beauty of nature. He appreciates them in ways most folks don’t understand. But you’re looking at ‘em like you just found God. 

“Never seen deer before?” He teases, chuckling a little at your reaction. 

You startle, not realizing he had been watching. You clear your throat and look away from them sheepishly. He almost feels bad for ruining the moment for you. “No. No, I haven’t.” 

He knows it's possible, but it’s astounding to him that someone truly lived their whole life in the city. It just doesn’t seem right. Cities are full of shit, smog, and bad people. Not even having a moment out of that your whole life seems like torture. 

“I’ll just enjoy it while it lasts,” you mutter, eyes darting back to the tree line. But the deer are gone and you don’t look very interested anymore. 

“Right,” he shifts forward, the air between you awkward. He’d only meant it in jest. He didn’t mean to remind you of what was about to happen to you. He doesn’t like the silence, not this time, it feels wrong. It makes him stew in his shame and that’s a nasty feeling. 

Selfishly, he prods you for more. “A few days on the road, you’ll be eager for the city again.”

You laugh but there’s no humor to it. “I very much doubt that Mr. Morgan.”

“Arthur,” he corrects, “just call me Arthur.”

“Right,” your tone remains cold, “well if you don’t mind Arthur, I’d like to ride there in silence.”

He's got no other choice but to comply. If you don’t want to talk he won’t make you. He just wishes he could make this a little easier for you both. 

Camping is something. You don’t have a word for it. It’s nice to be out in nature and embrace it for the first time in your life. But you really would not mind the comfort of your bed right now. 

Rocks digging into your spine and head do not make for a good night’s sleep. You’ve been lying in front of the fire for hours, flipping around uselessly. It doesn’t matter how much you shift, the rock stays digging painfully into you. 

You let out a loud huff, flopping onto your back and glaring up at the starry sky in defeat. At least the view is nice. In the city, you can’t see the stars. The smoke’s too thick and you never get a good look at them.

Out here, they almost feel fake. They’re so bright and beautiful, you thought the paintings in the museum had always been exaggerating just how breathtaking a night sky can be. But you were wrong. And you hate that there’s a potential future where you’ll never get to see this again. 

“Would you quit squirming so damn much?”

You shoot up, resting on your elbows and glaring over at Arthur. He’s got his hat over his eyes, arms crossed, and looking like he’s been asleep for the past few hours. You hadn’t realized you’d been keeping him up. 

“Some of us aren’t used to sleeping outside,” you hiss, throwing yourself back down to the ground. He doesn’t say anything for a while and you figure that’s the end of it. You clench your eyes shut, counting sheep in your mind and trying to force yourself asleep. 

You hear boots crunching across leaves and your eyes fly open. Arthur’s standing over you, hands propped on his hips as he glares down at you. “Can I help you?” You snap when you get tired of the staring. 

He scoffs and shakes his head, kneeling to be eye level with you. You’re startled by the proximity, an odd heat creeping up your neck. “Come on, I’m gonna tire you out. Maybe then you’ll get some sleep.”

You gasp, astonished at the audacity of his suggestion. “Excuse me?” You demand, tone incredulous. 

His brows furrow before he shakes his head and rolls his eyes. “Not like that,” he grouses. “Get up,” he doesn’t give you much of a choice. He places his hand under your back, shoving you onto your feet. You stand with a slight stumble, glaring at him as you brush dirt off your shirt and pants. 

You can’t help the snotty tone of your voice as you ask, “What are we doing?” 

“Huntin,’” He answers gruffly, going over to the horse and taking the bow out of his saddle. 

Your brows furrow as you recall the few stories your father told you of hunting bison. “Aren’t you supposed to use a rifle?”

He shakes his head and nods towards the treeline. You glance back at the fire before reluctantly following him into the dark forest. The moon is full enough that it provides just enough light for you not to be terrified of what’s lurking in the underbrush. 

“Got a friend,” he tells you, kneeling and glancing at some tracks on the ground. “Taught me how to hunt properly. Bows are quieter, less disruptive, and they provide quicker, cleaner kills.” He looks back at you and motions towards the arrows, “Less pain for the animal.”

Your face slacks with something like astonishment. All you’d heard from your father was the thrill of the hunt, the satisfaction of the kill. He never mentioned keeping anything from the animal, using it for meat, or about how long it took for them to die. You’d never thought there was anybody who actually cared for the creature’s comfort as it died. 

You suppose there’s going to be a lot about Arthur that’s different from the men you know. 

“Arthur,” a twig snaps behind you, and your eyes widen. You drop your voice to a whisper, not wanting to draw too much attention towards you both. “I don’t want to kill anything,” you hiss.

“Ha!” He barks out a laugh and you purse your lips in irritation. He stands and looks at you, chuckling again before shaking his head. “I wouldn’t be so confident in your huntin’ skill, kid.”

You click your tongue and glare at him, “Don’t call me that,” you snap. It’s the same patronizing nickname your father loved to use on you and you detest it. He raises his hands in surrender and you roll your eyes at the smirk on his face. “Then what’s the point of this?”

He shrugs and heads further into the trees, you have no choice but to follow along behind him. “Figure you should be taught a few skills before I get rid of ya.”

You want to argue with him that there’s no point. If you are given to Crane’s associate, you’ll never set foot in the woods again. However, if you do manage to escape him, learning a few survival skills wouldn’t be a bad idea. 

So, you keep your mouth shut and let him lead you through the forest. “How do you know where to go?” You ask, trying to figure out what it is he keeps looking at in the mud. He waves you forward, moving you so you’re standing directly in front of him. 

“You see that?” You have to squint, relying solely on the light from the moon, to make out what he’s pointing at. There are some tracks in the mud that look vaguely like hooves. “It’s buck tracks, you can tell by the size.” He kneels and when you don’t follow he tugs you down by the sleeve. “You can’t rely on just the tracks, though. You have to look for other signs of ‘em.”

You glance around, noticing some crushed twigs and grass a few feet ahead. “Like that?” You point towards it and he huffs in amusement. 

“Caught on quicker than I thought.”

You feel vaguely offended by that but don’t bother voicing it, just glare at his back as he gets up. You walk silently through the forest, letting Arthur show you which tracks to follow and which to avoid. You’re not comforted by how many cougar prints you find. You stare up into the branches always expecting something to already be looking down at you. 

Miraculously, no wild cat chooses you for dinner as you track the buck down. You find him near a small stream, antlers dipping into the water as he takes a drink. He’s got to be one of the most gorgeous creatures you’ve ever seen. 

You’ve lived your whole life in St. Denis. The most you’ve seen are overworked carriage horses and mangy dogs. No life slips through the cracks of that place. There’s just smoke and misery. This is nature, real beauty. It’s breathtaking, the way the leaves ripple in the wind and the starlight reflects in the water. 

You can’t imagine seeing this and wanting to tear it down to put up an oily machine that contributes nothing to the earth but death. It just makes you hate your father more. It also makes you more resolved to not be forced back into that life. You can’t do it. You can’t have this one taste of freedom and then let it go without a fight. 

Arthur pulls the bow out and nocks an arrow. You glance between him and the buck and rapidly shake your head. “No,” you hiss, “I don’t wanna kill it.”

He rolls his eyes and moves you in front of him. You don’t have much choice as he places your hands on the string and guides you into the right position. “Relax,” he murmurs in your ear as you fight against his grip. “You ain’t gonna kill it.” 

It doesn’t bring you much comfort, but if you’re going to make it on your own, sometimes you’ll have to do something you don’t like. “Now,” his hand drifts down your bicep and you suck in a sharp breath. “Don’t hold it too long, you’ll get tired.” 

It’s dawning on you just how close you both are. You’re kneeling on the ground with him behind you, essentially cradling your body to him. You’ve never been this familiar with a man before, it’s making your brain short-circuit. You can hardly pay attention to what he’s telling you. 

He lifts your elbow slightly and points you towards the left. “You need to keep your arm steady even after you let go or your aim will be off. Take in a deep breath and release on the exhale.” You give him an apprehensive look, still not wanting to hurt the buck. He just nods and there’s something in his gaze that lets you relax slightly. 

You release the string and the arrow flies over the buck’s head, burying itself into the tree behind it. Its head shoots up and it turns towards you both before dashing off. You let out an astonished laugh, glancing down the bow and then back at Arthur. 

“My god, I’ve never shot anything before.”

“Congratulations, you’ve killed your first tree,” he remarks dryly, but you see the glint of humor in his eye. 

He gets to his feet and offers you a hand up. You smile up at him, undeterred by his attitude. “Thank you for this,” you tell him earnestly. He gives you an odd look but nods anyway. He doesn’t understand just how important this is to you. Knowing how to do something like this is the difference between life and death when you’re on your own. Of course, he doesn’t realize you’ll be making an escape attempt soon. 

He retrieves the arrow from the tree and you run your hand over the curve of the bow. You wonder just how much he’d miss this if you took it from him. 

Arthur’s tearing down the camp and you’re standing by Diablo, feeding him some apples. You stroke absentmindedly over the horse's muzzle, watching Arthur intently. He’s too busy pulling the tent apart to be paying attention to you. 

You got better sleep last night than you did at Crane’s. He was right, hunting had tired you out. You were eager enough to sleep that you didn’t even feel the rough ground underneath you. He seems to be a little more lax about his watch over you. 

Something about last night must have eased him into a sense of comfort that you’re not going to run. That’s his own fault, though. You glance over the curve of the hill, noticing a carriage that will be passing by soon enough. 

You look back at Arthur and ease slightly away from Diablo. Arthur is still collecting the blankets and rolling them up. He turns towards the dying fire and tosses the rest of the coffee out. You take another step back and he keeps his back to you. 

Slowly, you release Diablo’s reigns, giving him one last apple before you turn on your heel and run down the hill. Your foot slips out from under you and you let out a loud yelp as you go flying headfirst down the grass. 

You land on your back with enough impact to make the breath rush out of you. But your descent is still going and you’re flipping over headfirst into the road. You slide forward, the dirt scraping up your chin as you cough and try and catch your breath. 

“Look out!” You roll out of the way just before the carriage rolls over you. Someone shouts your name from the top of the hill and you see Arthur glaring down at you. He starts towards you and you scramble to your feet. 

“Stop!” You scream, waving your arms wildly and chasing after the carriage. The man gives you a bewildered look as you throw yourself at him. “Please, sir, I’ve been kidnapped, you must help me get back to my husband.”

The man looks behind you, sees a very angry Arthur bellowing out your name, and moves to the side. “Hurry up,” he urges, giving you a hand on the bench beside him. You let out a relieved breath, taking his hand and throwing yourself the rest of the way up. 

He whips the horses, hurrying them along all the while Arthur is yelling after you. It’s not hard to believe that he would kidnap you. He looks half-crazed as he follows along behind you. You turn over your shoulder, giving him a brief wave and a smile. “Thanks for the help,” you tell the man beside you. You offer your hand and name. 

He glances down at it but doesn’t take it, instead looking forward and ignoring you entirely. Something uneasy settles in your stomach but you push it aside. You blame the feeling on the adrenaline still pumping through you. 

“Where are you headed?” You ask, glancing into the back of the carriage. You notice some moonshine and a crate full of guns but decide not to question it. 

“Said yer husband’s waitin’ for ya?” He demands, completely ignoring your question. You stare at the side of his face but his expression isn’t giving anything away. He comes to an intersection. You see a sign pointing towards a town and figure he’s going to take it, but instead, he pulls onto a smaller trail leading to the woods. 

“Um,” you clear your throat uncertainly, glancing back at the sign. “Yes,” your voice cracks and you know you sound like you’re full of shit. 

He laughs and the sound sends chills down your spine. You rip your eyes off of him, looking down at the horses and suddenly realizing just what you’d gotten yourself into. “You sure about that, little lady?”

Something cold digs into your side and you gasp quietly, looking down to see a gun pressed against your ribs. “You scream, run, or do anythin’ to piss me off and I’ll put a fourth hole in ya.” When you don’t say anything he digs it harder into you. “Understand?” He growls and you can do nothing but nod your head. 

You want to move, want to shove him off the side of the carriage and make a run for it. But you can’t, you’re frozen solid. You’re so petrified with fear you can’t even blink. You think you’re holding your breath, as if taking in air is going to set the gun off. 

He grins, a blackened curl of lips over rotted teeth, at your obedience and comes to a stop in the trees. “What are you doing?” You whisper, staring at the secluded area with a newfound sense of horror. 

“Shut up,” he snaps, his voice echoing through the quiet of the woods. You hear no birds or animals and you feel so alone it makes you want to cry. He gets off the carriage and turns towards you. “Down,” he demands. Your eyes dart towards the reigns of the horses and he pulls the hammer of the gun back. “Don’t even think about it.”

You lift your hands in the air, slowly slipping down the seat. He doesn’t appreciate you taking your time He grabs the front of your shirt, jerking you further into the trees and tossing you to the ground. 

You let out a rough groan at the impact, blood staining your shirt as your elbow slips across a jagged rock. It’s like something is snapped loose in your mind. He comes stomping towards you, kneeling between your spread legs and it finally clicks. 

You lunge forward with a shout and he rears back in surprise. You wonder how often someone’s actually fought against him or just let it happen. You don’t want to die, you don’t want to get shot by this scum, but there are a lot of things worse than dying. 

You grab the arm holding the gun, jerking it around, and knocking it out of his hand. “You bitch!” He hisses, bringing his open palm down across your cheek. The smack rings through the trees and ricochets through the air. Your head whips to the side so hard you think you might have snapped your neck. 

Blood dribbles out from your lips, your teeth having bitten into the fat of your cheeks. You spot the gun nearby, the silver of the barrel glinting from under the leaves. Just as you reach for it, he’s wrapping his hands around your ankles and dragging you back towards him. 

You feel like screaming as your hands desperately grasp at the dirt underneath you. But there’s not enough air to scream. You dig your nails into the mud, feel them split against the rocks, and kick at his chest hard enough to make him lose his breath. 

His grip on you loosens and you throw yourself at the pile of leaves. Hands groping for something solid. Just as he flips you over you wrap your hand around the handle of the gun. You pull the trigger and the bang is deafening. 

Your ears ring and your hands are trembling from the recoil. His jaw goes slack and he tumbles on top of you. You let out a grunt, breath pushed out of you by his weight. You scramble against his chest, something warm making your hands slip as you struggle to roll him off of you. 

You glance over, waiting for him to spring back up. But there’s something dark pooling around him and sinking into the dirt below. There’s a hole in his chest and his eyes are already flattening. You fall back against the earth, staring up at the trees above you. 

The sounds rush back to you all at once. The birds singing, deers prancing somewhere in the distance. You hear a stream rushing nearby and let out a stunned laugh. There’s a smile on your face but there’s nothing to be happy about. 

You think you might be in shock. Mind still trying to catch up to what just happened. You glance down at the gun in your hand and toss it to the side, not wanting it near you anymore. Only a second later do you reach for it again. 

You struggle onto your hands and knees, checking over yourself for any injuries that you might be numb to right now. The only blood on you is from the dead man on the ground. You keel over, hands on your knees, and suck in a deep gasping breath. 

You stumble back, limping towards the carriage. You dig around in the back of the wagon, tugging out a giant hunting knife and walking towards the horses. You cut them loose, keeping the rope on one of them and tugging yourself onto her back. You tuck the knife in your belt and nudge her side, leading her forward gently. 

You don't even have time to process the fact that you’re riding a horse on your own. Your body is moving on autopilot. You can only think about getting ahead, getting away. What just happened will hit you later. You slump against the neck of the horse, adrenaline leaking out of you and exhaustion catching up. 

He’s going to find you and he’s going to kill you. Leaving while he had his back turned. Getting on some carriage with a man you’ve never met before. How dumb do you have to be? You can’t trust people out here. Not when there are gangs, raiders, hell, he’s encountered a few cannibals. 

For all he knows, you’re already dead and he’ll be delivering a body to the train station. The thought makes him curse and urge Diablo forward. It’s not hard to follow the tracks of the carriage, what concerns him is when they lead into the forest instead of the town. 

“Goddammit,” he mutters, “the hell have you done woman?” He leaps off Diablo, figuring it will be easier to track you on foot. He follows the paths of the wheels, finding the wagon abandoned and the horses cut loose. 

His brows furrow in confusion as he wanders around the side and spots a lump in the leaves. All he can see is the bottom of a boot and blood splattered across the orange of the fallen leaves. 

His stomach plummets and he races towards it. But it’s not you buried under the foliage, it’s the man who offered you a ride. “What the hell?” He kneels, brushing the leaves off his chest and frowning when he sees the blood splattered all along his chest. 

He doesn’t need to look long to figure out what killed him. He’s sure the bullet buried in his heart did the job. Arthur curses and stalks away from the man. There are prints where the horses were but there are too many to tell which one you might have taken. 

He’ll have to rely on instinct to find you. You’re becoming a real pain in the ass for what was supposed to be a simple job. Still, he can’t help but be a little relieved that it was a stranger and not you lying dead on the ground. 

He turns back onto the road, taking the turn into town. Someone on horseback rides past him, they look disgusted by something up ahead and it makes alarms go off in his head. He urges Diablo forward, running the rest of the way into town. 

An unsaddled mare lazily eats some grass as the sound of a rushing river meets his ears. Diablo’s hooves sound off against the wood of the bridge. He finally sees what disturbed the other rider so much. 

You’re sitting on the railing of the bridge, legs dangling dangerously over the edge as you stare down into the crashing waters below you. Arthur gets off his horse, approaching you slowly. He doesn’t want to startle you and have you go tumbling over the edge. 

He calls out your name and you glance briefly over at him. Blood is splattered across your neck and the front of your shirt is soaked with it. He knows it isn’t yours but it still puts him on edge. “What’re you doin’ kid?” 

You don’t answer him, “Did you follow me?” He eases up beside you, straddling the railing so he can catch you if you slip. He nods and you let out a rough sigh. “Is he dead?”

He scoffs, “Sure as shit hope so, don’t know how someone would survive that.”

A manic laugh bursts through your lips and you double over your head falling into your hands. Arthur surges forward, steadying you before you dive headfirst into the river. “Alright, let’s go,” he quietly urges you around. You don’t put up a fight, letting him maneuver you how he likes.

He gets you on your feet and leads you back to Diablo. You latch onto the horse's reigns immediately, stroking your hand over his mane. Your silence is concerning. Arthur doesn’t know what your regular behavior is, the most he’s seen of you, you have been quiet. This is different, though. He’s seen this sort of quiet in women before and it never ends pretty. 

“You’re alright, come on,” he tries to keep his voice low so he doesn’t set you off. He keeps his hands light as they land around your waist, giving you help onto Diablo’s saddle. Your gaze is distant and you move like someone else is controlling your body. 

He collects the mare you’d brought along with you and leads both horses into town. He’ll have to get a saddle for her, she already seems attached to you. And maybe taking a horse with you into the city will let you escape a little. 

The town, at least, is on the way to Strawberry so he doesn’t have to worry about being too far off schedule. Though, that’s the least of his concerns right now. His eyes keep darting up to you. Waiting for you to try and bolt again or finally break down. It doesn’t look like anything is going on in your head, you seem completely distanced from the situation. 

It’s a good thing for him. He can’t handle a distraught woman. He’s not a kind enough man for it. 

He hitches the horses in front of the hotel. You turn in the saddle, staring down at him and waiting for a hand down. You slide easily through his hands, landing in the mud with a dull thud and heading up the stairs of the hotel without prompt. 

He huffs and follows after you. He doesn’t know how to explain the blood on your clothes away and hopes he won’t have to. The man running the place, thankfully, doesn’t have many questions. He looks disturbed but keeps his qualms to himself when Arthur slips him a little extra cash. 

Arthur guides you up the stairs with a light hand on your back, opening the door of the bath for you. “Alright, here’s your room key. I’ll be out for a while so, just,” he sighs, taking in the blank look on your face and shaking his head. “Try not to cause any more trouble.” You nod and close the door behind him. 

There’s no worries that you’re going to make a run for it again. He’s sure whatever happened in those woods was scarring enough to make you want to go back to the city and never see country folk again. He wouldn’t blame you, there are some nasty people out here. Himself included, but he could never imagine hurting a woman like that. It just ain’t right. 

He heads to the shop across the street, buying some new clothes for you that actually fight properly. The horses are brought to the stables and he goes ahead and gets a paper for your mare under your name. Diablo will be faster tomorrow if he doesn’t have to carry the weight of two people. You might make it to your handler in time. 

Arthur still doesn’t feel right about this whole thing. Leaving you with a man you’ve never met feels even worse knowing what happened to you today. He doesn’t think you being so calm about it all is a good thing. Shouldn’t women react?

Dutch likes to tell him women are a more sensitive breed. He’s seen some tough ones in his life, but this seems like the time to be in hysterics if there ever was one. He heads back to the hotel, planning on just leaving the change of clothes in your room. 

He passes by the bath and hears an odd sound seeping through the cracks. Frowning, he presses his ear up against the door. A man passes by him, giving him a disgusted look as he goes into his room. Arthur sighs but he stays where he is. 

It’s clearer now, you’re crying and it’s hard to listen to. It's the type that makes it hard to breathe. That sort of crying makes your ribs ache and bruise. It’s wrong to keep listening to such a vulnerable moment. So, he does what he planned, drops the clothes in your room, and then heads to bed himself. 

Sleep comes easier than he thought it would. It’s not as restful as he’d been hoping but it draws over him faster than it normally does. He’s always been a light sleeper, though. It comes from years of having to be on guard in case some O’Driscoll is gonna try and slit his throat while he’s asleep. 

When he hears the door creak his hand is already on the trigger of his revolver as he shoots up in bed. The glow of the lamps outside illuminates what’s clearly a woman’s form. But he can’t see your face until you take a step further into the room and the moonlight provides some light. 

“Arthur?” You whisper his name, peering into his room. “Are you awake?”

“I am now,” he grumbles. With a sigh, he shoves the gun back under his pillow and runs a rough hand over his face. “What'd ya want?”

You let out a low breath and rock back on your heels. “I’m sorry,” you mutter. “I just, I can’t sleep. I keep thinking he’s gonna creep out of my closet or bust through the door, I-”

You cut yourself off but he can hear the emotion thickening your voice. He clenches his eyes shut in irritation, arguing with himself over what he’s about to say. “You wanna sleep in here?” He mumbles reluctantly. 

You close the door immediately, practically running towards his bed. “You don’t mind?”

You’re not really giving him a choice, but he’s not going to say that to you. “No.” He grabs a pillow and blanket off the bed and rounds the end of the mattress. You frown as you watch him toss everything to the ground. 

“Well, what’re you doing?”

“What’s it look like?” He snaps, angrily gesturing towards the floor. “I’m givin’ you the bed.” 

You bite your lip and he feels horrible instantly because you look like you’re about to cry. He’s not trying to be rude but you woke him up in the dead of night. What’d you expect him to say?

“I was sort of hoping we could share the bed.”

His eyes widen and he glares at you in disbelief. “You mean-”

“No!” You cut him off with an aggrieved sigh. “You fool, that’s not what I mean at all. I just don’t want to be alone, alright?” 

“Look,” he scoffs and shakes his head. “I don’t think I’m the man you want to bunk with for company, alright. I’m not that kind of guy.” You glare at him and snatch his pillow and blanket off the floor. 

“Don’t be so damn stubborn.” You aggressively fluff the pillows, throwing the covers back and gesturing towards them, your brow set in anger. 

“Right,” he huffs, “I’m stubborn.” He reluctantly crawls into bed and you follow behind him. It’s not that he minds sharing a bed with a pretty lady. He’s just not the sort of guy you should be coming to for comfort. 

He doesn’t think he can provide whatever it is you need at this moment. But you seem to think otherwise as you inch towards him slowly. He lays on his back, arms under his head as he watches you out of the side of his eye. You think you’re being subtle, slowly moving into his side until you’re flush against him. 

He doesn’t say anything to object and you don’t bring up the proximity. He doesn’t want to admit it but it is nice having someone else beside him. He’s so used to camping out on his own. He hasn’t had anyone beside him in a long while. He lost interest in women of leisure a long while ago. And ever since Mary, he’s given up on any sort of intimacy. 

He hates to admit it, but he finds himself easing towards the warmth you provide. The second you feel him reciprocating you’re inching a tentative hand around his waist, cuddling closer to him. He recognizes it for what it is. 

He’s always been looked at as someone who can protect, at least by the gang. He’s their muscle. To most others, he incites nothing but fear. It should be the same for you. But after what happened today, you just see someone who can keep the monsters in the dark away. 

He doesn’t mind being used like this. He wraps an arm around your shoulders and waits until he feels you settle to ease into sleep again. 

Arthur figures you should both get breakfast in town while you’re here. He reasons you should enjoy a hot meal before you’re on the road again. You don’t point out that you know he’s just trying to ease you into the day. 

You appreciate it, honestly, but yesterday wasn’t your first run-in with men like that. It’s become incomprehensibly normal in day-to-day life, even for a city girl like yourself. You’d cried everything out in the bath once you’d scrubbed your skin raw. 

You don’t think Arthur will ever understand just how much his presence helped you last night. If you’d been on your own, jumping every time you heard the wood creaking outside, you’d have driven yourself over the edge. He protected you, even if there was nothing to be protected from. 

You don’t think he gives himself enough credit. Ignoring the situation you’re both in and what he’s taking you to do, he’s a good man. While the caliber of the men you’ve met is questionable at best, he’s one of the best ones you’ve ever known. At the end of the day, he disagrees with the whole situation, but he’s doing this for his family. That’s admirable in its own way. 

But, god, does he have poor conversational skills. “So, yesterday.” You glance up from your toast, brows raised in question. He clears his throat, eyes darting between you and his food like he can’t choose what to focus on. “That man, did he…”

He trails off and you feel your hackles rise. “Don’t worry,” you hiss, a bite to your words, “I’m still pure for my husband. Your pay won’t be docked, if that’s what you’re worried about.”

His hand clenches around his fork and his eyes bore into yours, “That’s not what I meant,” he growls. “I wasn’t worried about that,” he snaps, “I was worried ‘bout you, woman.”

You take in a deep breath, actively biting your tongue from saying something spiteful. He wasn’t being rude, that’s just what you’re used to. “I’m sorry,” you concede lowly. “Nothing happened,” you repeat without the attitude. 

“Well,” he huffs and goes back to his breakfast, “good,” he settles on dully. 

“Good,” you agree quietly, pushing the rest of your food around. You find your appetite dulled and you push the plate away. You lean back in the booth and stare out the window. The horses seem to be getting on well enough. “Did you name her?”

Arthur gives you an odd look and you nod towards the mare hitched next to Diablo. He swallows the food he’d been chewing and takes a swig of his coffee. “No, figured you’d want to do it.”

Your brows furrow and your lips quirk in confusion. “Why?”

“She’s yours, ain’t she?” He grouses. 

You shake your head, “Nope,” you tell him, popping the p. “I just took her so I’d have something to get me to town.”

“Yeah, well,” he sounds less sure of himself and he’s looking like he made a mistake. “I thought she’d be nice for you to have with you in the city. A way for you to get around without relyin’ on someone else.”

You can’t help but smile, something in your chest easing away at the kind gesture. “I appreciate it,” he lights up a little at your approval, but you crush it in an instant. “But I can’t keep her, I won’t be allowed to. I’ve tried to have my own horse before, hard to control something that can get away from you,” you tell him blankly. There’s no emotion in your voice because it’s something you’re used to. 

He looks slightly horrified at how blunt you are. He can’t comprehend not having that freedom but he fails to recognize that he’s got a leash of his own. You doubt a man like Dutch would ever let his main asset just run off to wherever he wants to. 

A few people walk into the saloon, the women giving you odd looks when they see the pants on your legs. You smile cheekily at them, reveling in what you know will be a short-lived experience. You’ve never been on the receiving end of a judgmental look like that. 

You’ve always blended in. Been the perfect wallflower for the men in your life. You were never something to gawk at or cause trouble. It’s a relief to stick out for once, to break the mould for the first time in your life. 

Arthur clocks the interaction and chuckles. “Missin’ the skirts yet?”

“Not one damn bit,” you tell him, smiling as you take a sip of your coffee. “I’m going to miss being able to run around without having to lug an extra four pounds of fabric behind me.” 

“Ya know, you could just wear some pants, you’ve got a choice.”

You grin patronizingly at him, propping your head on your chin and watching him finish the rest of his breakfast. “You don’t know city men very well, do you?”

“Glad for it,” he grumbles, distaste clear in his tone.

A laugh breaks through your chest, the first real one in a while. “I’m going to be marrying one, Arthur. I won’t have a choice in much of anything anymore.” You can tell he wants to object, tell you there’s always a choice. 

He’ll never truly understand what’s going to happen to you, though. You’re no longer human once you’re married. You’re cattle and property, meant to be bred and shown off. You accepted your fate a long while ago. And after you’re failed escape attempt, you’ve realized this is what you were always meant to be. There’s no point in fighting fate. 

“Don’t apologize or argue,” you tell him, no spite or bitterness in your tone, just the honest truth. “I don’t mind anymore, really. What place is there for me in this world, anyway? I can’t exactly take care of myself.”

“You did a damn good job yesterday,” he snaps back quickly. He doesn’t seem too keen on the way you’re talking about yourself. But you’re not lying. Yesterday was a wake-up call. If you let yourself get screwed over by a hillbilly that quickly then how were you ever going to make it on your own? In your defense, you were raised to be dependent, you never had a chance. 

“Sure, but that was a one-off incident. I’m not going to run again, Arthur. There’s no point. And there’s no point in fighting against the way things are, they’re never going to change for me.” You take in a deep breath, the easy mood ruined by your sincerity. 

“I’m just gonna wait by the horses.”

You slide out of the booth, leaving Arthur to stare pensively at his plate. You’ve nearly slipped through the door when Arthur calls out, “You should name her.” You pause at the doorway, glancing back at him. He’s settling the bill at the front and you walk back out to the horses. 

The mare picks her head up as you walk towards her, ears perked and tail flicking. “Hey, girl,” you run a hand over her muzzle, admiring the sleek silver of her coat. “I guess I should name you.”

You run a hand over her mane and swing yourself onto the saddle. “How ‘bout Bullet, it’s how I got you, anyway.” A dark joke, but it eases the macabre feeling hanging around you. 

Arthur walks out of the saloon, tucking his money away into his bag. He lifts himself onto Diablo, glancing over at you with a knowing glint. 

“Name her?”

You resent how smug he sounds. “Bullet,” you answer reluctantly. 

“Bullet?” He questions, tone incredulous. 

You grin at him, “It’s how I got her.” There’s a slightly stunned expression on his face before it slacks away into something more amused. 

He shakes his head and nudges Diablo forward, Bullet follows alongside him eagerly. “Clever,” he mutters.

“Not really,” you snort, running a hand over her neck lovingly. “But I think it works for her.”

“Your husband’s gonna have his hands full with you,” you know he means it in jest. The lightness of the conversation turns into something heavier. Realization sinks over both of you and the smiles slowly drop away. “I-”

“How much further to Strawberry, anyway?” You effectively cut off whatever train of thought he was going to follow, distracting you both from the truth. 

“Half a day,” he tells you, frowning when you refuse to meet his eye again. Half a day. That’s all you’ve got to enjoy the last bits of freedom you have. You’re gonna take your damn time getting there, that’s for sure. 

You slow down from the steady trot Arthur had led the horses into, easing Bullet into a slow walk. You’re slowly getting the hang of riding a horse. It’s easy when she’s so intuitive. By god, though, your ass is sore. 

Arthur shoots you a questioning glance at the slow pace and you shrug. “Might as well take the time I’ve got left.”

“You’re actin’ like you’re on death row,” he chuckles. 

“Aren’t I?” He falls silent and you don’t know what’s bothering him but you don’t have the energy to inquire. 

He’s slowing you down on purpose, he knows it and you know it. Neither of you says a damn thing about it but it’s bugging him. He shouldn’t be this bothered by a job. He knows how to separate himself from what he does. He just can’t this time. 

There’s something about you that glows. You’re sitting beside him on the peak of a hill, overlooking the roads below you, and laughing as you make up stories for the people that pass by. It’s a far cry from the beaten-down woman he’d seen at Crane’s house. 

Even after what happened yesterday, you somehow manage to seem happier. There’s nothing about it that makes him happy. This feels like the last goodbye of someone who knows they’re going soon. The last bout of happiness before they just give in. 

You’re not gaining your spark back, you’re just giving in to what you think is inevitable. But it doesn’t have to be inevitable. You could fight back you just refuse to. He’s sure growing up the way you have, you don’t think it's possible to stand up for yourself. 

But you don’t have to give in like this. You don’t have to roll over and let someone else dictate your life. Which is rich, coming from him. He’s practically Dutch’s lap dog now. Even when he disagrees he still follows along behind him. 

He shouldn’t even be thinking like this. He can’t criticize you for not standing up for yourself when he’s the one thing standing between you and freedom. “Not hungry?” You nod towards the uneaten meat on his knife. 

He shakes his head, plucking it off the blade and passing it to you. You give him an odd look before popping it in your mouth. “Ya know,” you mutter around a full mouth. You take a moment to swallow it down before smiling over at him. “I’ve grown up with private chefs my whole life, but there’s is something infinitely more satisfying about this.”

He takes his hat off, running a hand through his hair. He snorts at your comment, “I find that hard to believe.”

“No,” you shake your head, insistent, “I mean it. Being out here, hunting the game myself, I don’t know, it’s nice.” You shrug and lean back on your hands, gazing across the way at the trees and river. 

“You can always get a bow and go hunting.” He speaks to you like it's a cut-and-dry truth that you’re just not accepting. Your face screws up and you give him an annoyed glare. 

“No. I can’t,” you tell him again. Where your words were patient before, he can tell you’re growing irritated at how much he’s pushing this.

“Yes, you can,” he snaps. “You don’t have to keep yourself boxed up in some manor in the city. Get out, woman, do something with your life!” His voice echoes through the air and you flinch back from it, lips pulling down into a sneer. 

“You know, that’s really easy for you to say, Arthur. You have a goddamn choice. Sure, I grew up with a silver spoon in my mouth, little miss rich girl crying about being pampered.”

He lets out a rough sigh, “That’s not what I meant-”

You cut him off, getting to your feet and glaring down at him. “You got to grow up with a choice. What to do with your body, your life, your career. You get to have an education if you want it. Every goddamn door is open to you. You don’t get hated for not wanting to have a family. You get to choose. And as much as you insist I can too, you will never understand the position I am in.”

You kick dirt over the fire and head back towards Bullet. “It’s a double-edged sword, Arthur. Sure, my life might be comfortable, but it’s never really gonna be my life.” He stays there on the ground, too stunned to get up. 

You glare down at him, impatiently waiting for him to get a move on. This isn’t how he wants things to end. He doesn’t want you to go off thinking he’s just some ignorant fool. But he is, much as he denies it, he’s always been a fool. 

He should never have thought he could make a difference in your life. Not when he’s the one backing you into this corner. He could have helped you escape the very first night he saw you. But he was too selfish to let you go, now you’re both paying for it. 

He mounts Diablo and you both head back to the roads silently. You’re moving faster now, leaving him behind if he lingers in one area for too long. You’re too pissed off to enjoy the rest of your day and he hates that he ruined it for you. You, at the very least, deserved a slower journey towards your future. 

You’re in Strawberry before he’s ready, he’s sure you aren’t. “Hey, we could-”

“I think that’s him.” You cut him off before he says something stupid like spend another night in town before you go. He’ll miss you, he thinks. Odd, he’s known you such a short time but it’s been so different having someone beside him as he rides. It was nice, what he wished he and Mary could have had. 

Arthur follows your gaze and lets out a tired sigh. Sure enough, some prim and proper ass is standing in front of the ticket station, foot tapping impatiently. He’s got a large bag beside him, gaze wandering around expectantly. He doesn’t doubt the man who looks like he’s got a five-foot stick up his ass is Mr. Crane’s associate. He’s got the same slimy glint.

You slide off Bullet and Arthur follows suit, taking the reigns of both horses and leading them towards the platform. The man’s eyes narrow in on you before lighting up. He calls out your name and it’s like a mask being dropped over your face. 

The spark is gone once more, a subdued and demure smile resting on your face as you wave at him. “I apologize for my dress,” you tell him as you walk up the steps. “Pants were more conducive to such a long ride.”

He takes your hand, pressing a lingering kiss to your knuckles that makes Arthur roll his eyes. “No apologies necessary, I brought you a change of clothes. I figured you would be less than put together after such a journey. I’m only sorry I couldn’t accompany you.”

You scoff and nod along, “Okay,” you mutter, not believing a word of his bullshit. You take the bag from him and move towards the saloon to find a room to change in. They both watch you leave, though the other man with a much more devious glint in his eye. 

Arthur’s hands tighten on the reigns of the horses, anything to keep him from reaching for his revolver. He’s already getting a bad feeling about this. There’s nothing trustworthy about the man in front of him. 

“Mr. Finch,” he holds out his hand and Arthur gives it a distrusting look before reluctantly shaking. Finch attempts to squeeze the life out of his hand but Arthur can barely feel it. He tightens his own grip and revels in the way Finch’s face blanches. 

“Arthur Morgan.”

Mr. Finch looks him up and down in the same way Crane had. He sees a commodity, not a person. “I trust,” he drawls, “nothing unsavory happened.”

Arthur feels rage bubbling in his gut. The only damn thing he cares about is whether or not you’re “pure.” Not if you were okay or injured during the journey. If he told him that he’d punched you out for talking back Finch would just ask if you were bruised. 

“She’s fine,” Arthur grits out. 

“Oh, good, good. Glad everything went smoothly.” Finch has a way of talking he’s found most self-important men do. He draws everything he says out, and forces you to listen to him speak. Makes you pay attention so he can pretend he has power for a moment. 

His gaze darts behind Arthur and he turns just in time to see you slipping out of the saloon. The dress Finch has provided you is ridiculously large. It poofs out at the waist in a way that makes Arthur wonder how you’re going to fit into your seat. 

You look beyond uncomfortable. Grimacing as you join them again. You try and plaster a smile on but it’s a struggle. You look to Arthur, a finality on your face that makes him want to throw you over his shoulder and run. He’s doing this for the others, he reminds himself. They’ll be on a boat to Tahiti in a week. 

“Thank you, Mr. Morgan, for everything.” The smile you leave him with is real, if just barely. Something lurks under your words that Mr. Finch will never understand and Arthur knows it will drive him crazy. 

“Let’s go,” Finch grabs your hand, looping it through his arm and tugging you towards the doors of the station. 

“Wait!” Arthur calls out, feeling foolish when you both look back at him with perplexed expressions. “You’ll be wanting Bullet, won’t you?”

Mr. Finch answers for you with a condescending tone, “She won’t be needing a horse, thank you.” You give him a knowing smile, turning away and slipping through the doors of the station and onto the train. 

Arthur stays rooted where he is, something crawling up in his chest and rooting around restlessly. The whistle blows and the wheels start cranking slowly forward. Arthur just barely catches a glimpse of you through a window as the train chugs past. 

“Shit!” He hisses. He tugs himself up onto Diablo’s saddle and urges him after the train. He was born a fool, he’s always going to be a damn fool. But he’d have to be a complete moron to just let you go. 

Mr. Finch keeps a painfully tight grip on your elbow, jerking you through the passenger cars and practically throwing you into your seat. You land with a thud, your arm bouncing against the window painfully. You keep a stoic expression, trying not to let him break you so soon. 

He takes a seat beside you, straightening out his jacket and tugging on his tie. Something white flashes in his jacket pocket and you lean forward, perplexed when you realize what it is. “What is that?” You question, not quite believing your eyes. Finch glances down at the thick wad of cash in his jacket and grins. 

“Oh, this? Mr. Morgan must have forgotten to collect the rest of his payment.” He sends you a condescending smile and you flinch away in disgust. “He was too enamored with my fiancee to pay much attention, I’m afraid.”

“That’s his money,” you snap, the volume of your voice catching the attention of a few other passengers. Finch sends them apologetic smiles, making you seem like a mad woman. “He earned that!” You object, eyeing the money warily. 

His hand snakes out, gripping you tightly around the arm and dragging you towards him until your noses are nearly touching. You nearly gag at the smell of his cigar-infused breath. It’s not like when Arthur would smoke one, you didn’t mind that. But this was making you sick to your stomach. 

“Let's get a few things clear, I will not be dealing with an obstinate wife. You can either get yourself in order or I’ll do it for you.”

Your lips pull back in disgust and you jerk yourself out of his grip. He’s not as strong as he pretends to be and you’re not going to be scared into submission again. “I’m not your wife yet. My father still has time to pay.”

He laughs at you, spittle flying from your lips and sprinkling across your cheeks. “He has time to pay, but that doesn’t mean he’ll be getting you back, sweetheart.” Your eyes widen with the realization and you want to throw yourself off the side of the train. 

You never had any chance to get out of this situation. Mr. Crane was always in control of it all. To even think of having a hope of getting back home was foolish. To believe for a second that you were going to escape this had been utter idiocy. 

He sees the crestfallen expression and sinks into his seat with a satisfactory look on his face. He thinks you to be subdued. But now you’re nothing more than a cornered animal with no other choice of escape. You’ve got nothing left for you, nothing to hold onto. 

As much as you’d thought you’d bonded with Arthur, you were still nothing more than a job to him. You were nothing more than a commodity to be traded between men. You would never have a say over your life. 

You have nothing, you doubt you ever actually had anything left for you. You glance over at the man beside you and feel a cool dread blanket itself over you. Nothing left to lose. 

There’s a solid weight tucked into the bodice of your dress. Its cool metal has been warmed by your skin. Its handle curves around your ribs and it only has one bullet left. You reach down the front of your dress, fingers curling around the revolver you’d stolen from a dead man. 

Finch glowers at your inappropriate behavior “What are-” You pull the gun out, turning it on him. He jumps back in shock and throws his hands in the air on instinct. “Please-” you revel in his pathetic pleading only for a moment. Pulling the trigger a second time is surprisingly easy. The screams that ring out through the train car are less enjoyable. “Shit!” He cusses, hands coming up to try and staunch the flow of blood pouring from his stomach. 

You slip your hand into his blazer, stealing the money before he can object. You run out of the passenger car, leaping to the flat car with all the cargo. It will take a few minutes for them to catch onto what happened and figure out where you went. 

You don’t know what you’re going to do now. You’re stuck on a moving train, there’s nowhere for you to hide. You hadn’t thought when you’d shot him, you just wanted that smug look on his face to disappear. 

“Where is she?” You hear the guards shouting out your name, flipping over crates to find you. They’re still at the front of the train, but you don’t have long until they start moving back here. 

God, what have you done?

You just know, if you made it to that train station, you were never going to make it out. His men would be waiting there to transport you. You’d be watched every second of your life, you can’t do it again. You can’t be locked in a gilded cage, that’s not a life worth living. 

There’s no escape for you. Nowhere left to run, nowhere to hide. You glance over the left side of the train. There’s a slight dip into a deep ravine. The crashing water looks almost peaceful from up here. 

You don’t know if it would be a quick death but you know it would be merciful compared to what’s waiting for you at your last stop. You keep your eyes on the water, see yourself taking control of your life for the first time, and take a step up on the rail. 

Someone shouts your name from the right side of the train and you gasp, arms circling wildly as you almost go toppling over the edge. They shout your name again, panic laced in the tone. This doesn’t sound like Finch or any of the other guards. You whip around and find Arthur riding his horse beside the train. 

“What the hell are you doing, woman?” 

Your brows furrow in confusion and your eyes dart between him and the ravine. “Jumping! What the hell are you doing?”

His gaze narrows and he shouts to be heard over the rumble of the train tracks. “Stopping you from being a goddamn fool. Get over here!” You hear the guards getting closer as they storm down the rest of the train. 

You don’t have long to make a decision, you can already see his horse struggling to keep up with the speed of the train. There’s a bridge coming up in a moment, he won’t be able to go any further and they won’t be able to come after you. 

It’s a split-second decision, one that has you pushing off the railing of the car and rushing towards him. You don’t have time to doubt yourself or plan this out further, you take a running leap off the train, towards his outstretched arms. 

He barely catches you in time, jerking on the reigns of the horse and bringing him to a sudden stop before all three of you go tumbling into the water. Shots fire off on the train, but they’re gone before they can do any real damage. 

Your chest heaves as you dangle from his arms, fingers digging into his shirt desperately. Your heart is pounding so hard against your chest that you almost can’t hear what he’s saying, but you get the gist of it. 

“The hell were you thinking? Trying to jump off the damn train! You’re a fool, woman.” He tugs you onto the saddle the rest of the way. As much as he tries to sound angry you can feel his relief in the way he squeezes you close to him. 

“Thank you,” you whisper, head sinking into his neck and breathing in the familiar scent. 

He sighs, struggling between yelling at you more and just enjoying the fact that he got to you before you did something neither of you could recover from. “You’re welcome, just,” he pauses, holding you a little closer, “don’t be so damn stupid again.”

You laugh and it’s a little wet as tears start to pool in your eyes. “I’m not planning on it.” You sit up, easing away from him and glancing over your shoulder. You watch as the train grows smaller until you can only see a plume of smoke and nothing more. “What the hell are we going to do?”

He sighs and turns the horse around. You maneuver yourself around, facing forward and pushing back against him.  “I don’t know. Dutch ain’t gonna be happy about you comin’ back with me.” 

You bite your lip, a hundred different possibilities swirling through your head. You’ve never been able to make a choice before, faced with it, you’re overwhelmed with options. You can’t pick one so you blurt out the first coherent thought you have. 

“What if we don’t go back?”

Arthur stills behind you, “What?” His tone is low and filled with something you know means he’s ready to say no. 

“Just for a little while,” you rush the words out quickly, trying to fight for a chance to get him to listen. “We can send this to the camp,” you tug out the wad of cash you’d stolen from Finch and Arthur barks out a laugh. You feel his chest tremble behind you and it makes you grin. 

“Did you steal his money?”

“Your money, technically,” you correct, grinning over your shoulder at him. “Besides, he doesn’t need it anymore.” He gives you a concerned look but you just wave him off. “We can send the camp some money and go off on our own for a while.”

“I don’t know, kid.”

“Don’t call me that,” you interrupt, glaring at him. “It’ll only be for a little while, Arthur. Come on, I’m free for the first time in my life, enjoy it with me.”

He looks uncertain and you know it’s an odd notion to him, putting himself first instead of the camp or Dutch. You’re sure he’s never done it before. Breaking away from them instead of going about like the loyal soldier he is. 

“Just a little while?”

You nod, turning just enough to tuck the money in his pocket. “Just a little while,” you swear.

“John Marston!” You frown, turning away from the oven and glancing out the window. Arthur’s grinning by the gates of the horse pen, leaping over the wood, and walking out to greet someone. You abandon the stew, heading towards the door of your home. 

Outside are two horses, one with a woman and her son, and an abandoned one. The owner is currently bringing Arthur into a brief embrace, John, you presume. Arthur’s told you about him a bit. They weren’t always close but it was getting better before Arthur went away. 

Sometimes you feel bad, having dragged him away from everything he was familiar with. You meant it when you said you only wanted to be gone for a little while. You knew if you went back immediately there would be hell to pay with Dutch and you’d both be put to work. 

You’d be going from one owner to another. All you’d wanted was a few weeks on the road on your own. But a few weeks turned into six months and then a year, and it was Arthur telling you he couldn’t go back. He couldn’t stand what the gang was turning into. What Dutch was turning into. All you’d given him was an excuse to finally get out before it all blew up.

You walk down the steps of the home Arthur built, wiping your hands off on your apron. You give a brief wave to the woman you assume is Abigail. She waves back, slipping off the horse and helping Jack down. 

Arthur pulls away from John, turning towards you and motioning you forward. John gives you an apprehensive look. “Do I know you?”

Arthur gives him your name, throwing an arm over your shoulder and pulling you in closer. “That job Dutch got from Crane.” John’s face lights up with recognition and he smirks. 

“I see,” he shakes his head and gives Arthur a knowing look. “It’s always a woman with you, isn’t it?” You snort at how aggrieved Arthur looks. “Well,” John turns towards you and smiles, “nice to finally meet the woman that got him under control.”

“Nice to meet you too,” you smile lightly at him, pulling away from Arthur. “Are you going to be joining us for dinner?”

“No, he’s not,” Arthur answers at the same time John says, “I would love to.”

Arthur and John share a look you can’t understand. You glance past John and wave Abigail forward, “Come in, please. I’d enjoy the company.”

“Forgive my obstinate husband, he tends to linger where he ain’t wanted.” She brushes past him and you lead her inside your home. Leaving Arthur and John to bicker outside. Jack stays outside, smiling up at Arthur. You know he’s missed the boy, you’re sure he’s okay entertaining them for one night. 

Abigail helps you set the table while Arthur and John catch up over a bottle of whiskey. Arthur tried to pull out a cigar but you’d shut that down quick. He’d had a cough a little while ago and the doctor advised cutting down on tobacco if he wanted it to go away. You know it’s hard but you’re cracking down on how much he smokes. 

“We got the money you sent,” John’s telling Arthur as they come over to join you all at the table. Jack eagerly hops into the seat beside Arthur before you can snag it and you grin. “Dutch blew it all and wouldn’t tell us on what. He kept saying we still needed another score.”

John shakes his head and the distant look in his eyes makes your stomach churn. “You’re a lucky bastard you got out when you did, Arthur, truly.”

“Hosea?” Arthur questions and you grimace at the look on John’s face. You can see Arthur deflate as John shakes his head. 

“There was a bank robbery, Molly told the Pinkertons we were going to be there, he didn’t make it.”

Arthur’s hand clenches around the fork and you wish you could say something that would make him realize it’s not his fault. “I should have been there,” he mutters. 

“Wouldn’t have done anything, man. Hosea had given up in the end. We all had. It was so damn divided, the family was gone.”

“Still.” Arthur insists, glaring down at his plate like it had offended him. 

“No,” to your surprise it’s Abigail that snaps. “Dutch was gone and that bastard Micah just kept pushing him over the edge. The only thing you would have done is get yourself killed. You’re damn lucky Arthur Morgan.”

You’re sure he’ll still blame himself later. Reason a hundred times over that had he been there something would have been different. Even if it was him on the other end of the gun he’d be happier knowing someone else hadn’t died when it could have been him. You couldn’t stand that these self-sacrificing ideals Dutch had drilled into him were still present. 

But you know Abigail and John help ease the guilt slightly. It’s on Arthur to let it go entirely, though you doubt that will happen anytime soon. John picks up on the change in mood, he’s reluctant to let the night sour so soon. 

He turns towards you with a look that makes you feel like you need to prepare for trouble. “So you did all that to escape getting married. And then you marry this moron?” He motions towards Arthur and you can’t help but laugh. 

“John!” Abigail snaps but he only smiles at her. You can see the way she fights the twitch of her lips and it makes you smile in turn. 

You correct him, “We’re not technically married-”

“Might as well be,” Arthur argues, glaring at John. You reach across the table, taking his hand in yours and gently squeezing. You can’t help but laugh at him. 

“Yeah, we might as well be,” you agree. “But it was never about not wanting to be a wife. I just wanted to have a damn choice. That’s what I got out here. I can hunt or cook. Sew or go out and make some money. And it’s a lot nicer being a wife out in the country than it is in the city, I’ll tell you that much.”

“Here’s hoping,” Abigail mutters. She glances towards Arthur, “That’s why we’re out here. We got word from a few people that you might be lurking around here. John’s thinking of getting a house, really settling down.”

Arthur sighs, leaning back in his chair and glaring at John. “That’s why you’re here? You want a handout,” he accuses. 

“No!” John snaps. “Dammit, Arthur, why you always gotta assume the worst of me?”

“Because it’s usually true,” Arthur mutters. “If that’s not what you want then what is it?”

John purses his lips and lets out a spluttering breath. “A loan,” he lands on, struggling to find the right word. 

Arthur barks out a laugh, slapping his hand on the table and poking a knowing finger into John’s chest. “I knew it!”

John swats his hand away and glares. “Look, Morgan, I only need a little. Just to buy some animals, get started on the house.”

“What’d ya want Marston, my whole damn house?”

Abigail lands a gentle hand on your arm and nods to the porch. “They’ll be at it for a while.” You nod and leave the table, following her to the swing out back. She settles down on it with a sigh, gazing out at the trees that line your home. 

“You’ve got a nice life out here.”

You smile fondly, “I like to think so. We’re thinking about getting a few cows, maybe starting a proper ranch.”

Her face lights up at the idea and she laughs. “That’s what John wants. It’s unbelievable how similar they are, they’re too thick-headed to see it.”

You can still vaguely hear them bickering inside the house. You peer inside and see Jack sitting at the table, watching them both with an entranced expression. You can’t help but grin at the look on Arthur’s face. He’s laying into John but he looks happier than you’ve seen him in a while. 

You know he’s missing everybody, has been for a long time. Maybe if Abigail and John are close by he’ll have that sense of familiarity again. “The others,” you start, turning back to Abigail. “Charles and Sadie, what happened to everyone else?”

“A few of them are living good lives, some of them aren’t. Most of them are drifting, not ready to give up the outlaw life just yet.”

“It’s hard to watch the world change while you’re still stuck in the same spot.” You brush some hair out of your eyes and smile at Abigail. “Me and Arthur are gonna help you and John. But I’d like it if you were both close by. It would be nice to have someone familiar near us, we’re pretty lonely up here.”

She gives you a brief smile back, “I think that would be nice.”

John’s voice picks up from inside and you jump, “Oh that’s a load of bull-”

Abigail’s smile drops and she leans over your shoulder to shout, “Watch it!” at John. You laugh when you see the perturbed look on his face. She motions towards his son and Arthur gives John a smug look. 

“You gonna help him?” You ask Arthur as you settle into bed later. He opens his arms, pulling you into his embrace once you’re settled under the covers. 

“John?” You nod, brushing a strand of hair out of his eyes. “Yeah, ‘course I’m gonna help him. But there’s nothing wrong with jerking him around a little bit first.”

You roll your eyes and shake your head, tucking yourself under his chin. You almost think he’s asleep but then he’s speaking up again. “We should really do it.”

You pull back, brows furrowed in confusion. “Do what?”

There’s a certain look in his eyes that causes something to swirl in your stomach. It’s not an unpleasant feeling, just an excited one, “Get married.”

You give him a bewildered look, shaking your head in disbelief. Nearly five years you’ve both been living out here and he’s never once mentioned getting married. You never thought you two actually needed it. You always knew what you were to each other, how much you meant to one another. 

You were each other’s salvation. There’s no telling what graves you would be laying in were it not for Dutch bringing you both together. You hadn’t thought he wanted to be married, he always told you he’d given those dreams up. “You really mean that?”

He shrugs like it’s the easiest decision in the world. “Might as well, right?” 

You shake your head, but there’s no fighting the way your lips curl up. “You’re a fool, Arthur Morgan.”

He nods, dipping his head down to press a gentle kiss on your temple. He treats you so gently, it makes you want to cry. But then he goes and says something ridiculous like, “Yeah, a fool for you,” and he makes you laugh. 

You tug him down, lips nearly touching his. “Yes,” you whisper, “I’ll marry you.” You were always scared of living a life like this. Being tied to one man for the rest of your time on earth. But he’s not some city man looking to make you into a pet. He lets you live, breathe, and be free. He’s a partner not a warden and that’s all you’ve ever wanted. 

end. — I do not own the characters or the game Red Dead Redemption 1/2, but this writing is my own all rights reserved © not-neverland06 2024. do not copy, repost, translate & recommend elsewhere.

[brucewaynehater101]

Tim with hannaki disease

spending his childhood choking on flowers

Barely able to breathe rejection after rejection

Jason is attacking him at the tower and he can’t stop coughing out flowers

when dick gives Damian Robin, Tim leaves the cave spitting out petals

imagine if he died of suffocation during the Bruce quest

Fuck. I love hanahaki disease.

Tw: death, blood, asphyxiation, fictional disease, dead body description, gore

For those of y'all unaware, it's a completely fictional disease where having unrequited love results in the person growing flowers in their chest. It's usually romantic, but I prefer the platonic versons (especially child-parent angst, holy fuck).

I've seen two types of hanahaki:

The love is actually unrequited

The person only perceives the love as being unrequited

Either way, the progression is as follows:

Person coughs up one petal

They start coughing up more and usually blood

They cough up an entire blossom

They die trying to cough up the entire flower (blossom and stem)

There are four outcomes to hanahaki disease, depending on what rules you are working with:

Love becomes requited

Person dies

They have a surgery to remove their ability to have feelings

They lose (voluntarily or not) their memories about their unrequited love

Some people play with flower meanings of the petals being coughed up. I fucking love those versions so much.

Let's get into the AU! The timeline is mine to fuck around with, so excuse any non-canon progressions.

~~~~

Tim has chronic hanahaki disease from his parents. They visit often enough to quell the worst symptoms and mitigate the damage, but they don't stick around enough (or show enough constant attention) for the petals to go away.

Janet once asked Tim if he'd like to get the surgery. Tim said no. Janet respected that choice and never asked again even though Tim was like nine at the time. It also becomes a fear of his. He wakes up in cold sweat at the phantom idea of just not being able to love anyone. It terrifies him, even if the feeling of asphyxiation is the only other option.

When Janet dies and Tim becomes Robin, he does his best to hide his condition from Bruce. It worsens, from the way Tim adores and loves the Bats, but Tim manages.

It's a rough few years, but slowly, the ice begins to melt. The Waynes show Tim more and more affection. YJ also shower him in so much care to the point that Tim has days of uninterrupted breathing.

It's a novel but welcome feeling.

Jack waking up from the coma complicates shit. His condition worsens again, but it's manageable.

Until Tim's sixteenth birthday.

The teen will never admit, but that test nearly fucking killed him. Bruce never finds out how close he was to killing his Robin, but Tim knows. He'll never forget how thorns scraped along his throat at the idea that he can't trust anyone. He'll never rid himself of the intimate knowledge of how blossoms taste in his mouth and the sickly sweet smell of blood mixed with flower petals.

Tim has to quit Robin, for his safety, health, and as a "fuck you" to Bruce, but realizes he can't keep in contact with Dick, Alfred, or Barbara without it. He can't contact his team.

He has to go back, so he does.

Tim's not sure if it's better or worse that Bruce didn't know about the hanahaki. If the man did, would he still have done the test? Due to him never showing remorse or guilt for his actions, the teen doesn't know.

The question pesters him even when his dad finds out about Robin.

It plagues him through Steph becoming Robin and dying.

It festers into his bones when, while wearing those same damn colors, he hears his father die.

That is one or many reasons "Uncle Eddie" was created.

Tim can't quite trust Bruce, but he finds himself still loving the father-like figure in his life. He finds himself forgiving him. He leans into the hair ruffles, shoulder pats, and gruff words of affection. He lets himself be loved.

Then, an undead asshole in a gleaming red bucket comes to kick Tim's ass. The teen can't help but laugh at the way his life bounces between breathing and dying at the drop of a hat.

He's just barely able to hide the flowers from both Red Hood and the Titans.

A little assassin appears, and each attack brings a petal.

Each new death hampers Tim's ability to breathe. Tim tries, but it's so fucking hard. How is he supposed to live without them?

With the ticklish scrape of petals, Tim doesn't think he's supposed to.

Bruce isn't dead. Tim knows, with every fiber of his being, that Bruce can't be dead. Tim won't survive if he is.

Even if Tim loses everything, even if these damn fucking flowers consume him, at least his death will have a purpose.

That's what he tells himself as he lies in a pool of blood beneath the stars. The sand at his back is soft in comparison to the stem piercing his throat and tongue. The sound of his choking is joined by the bubbling wheezing of Pru.

Ra's peers down at the body already set with rigor mortis. Tim's jaw is pried apart by a bouquet of yellow carnations dripping in blood.

The demon head hums at the sight, a dangerous gleam to his eyes. With the flick of a hand, two assassins grab the young detective's corpse. The other three bodies are taken as well.

Tim's eyes fling open as the teen gasps for air.

It's wrong. It's wrong. It's all wrong. He's empty.

He's surrounded in green.

Oh fuck.

For awhile, Tim just soaks in the soft expansion of his lungs. He marvels at their capability.

He can't remember a time when he's been able to breathe so easily. It's enchanting and allots the teen a giddy sort of relief.

Through the destruction of both the Spiders and the LoA, he finds himself taking small moments to just breathe. It's a simple joy he can't help but partake in.

Tim logically knows there's a price. His breaths cost him, though he doesn't know their price. He should be dead and buried within the flowers.

He is neither.

He is alive. He is free (from the petals. It takes him a little bit to become free of Ra's).

Tim brushes aside these valid and alarming concerns to focus on his goals: escape, take down Ra's, and derail whatever retaliation occurs.

So that's what Tim does. He ignores the insistent sense of wrongness and focuses on the task at hand. He coordinates his friends and family. He faces down Ra's. He gets kicked out of a window.

With a grim smile, his body goes lax and his eyes flutter shut

He's done.

When Tim springs up from unconsciousness, Steph's voice reassures him he's safe. She tells him he's in the batcave.

The tension to bleeds from his body as Damian mutters a demand. Tim's eyes dart from Robin to Batgirl to Batman (Dick) to Alfred.

That sinking feeling of wrongness returns.

Dick's eyes are trained on the teen as he asks Tim, "How did you know I'll be there to save you?"

It's obvious the man is worried. It's obvious he's so fucking glad he caught his younger brother.

The lie falls from Tim's lips as smooth as any truth, "You're my brother, Dick. You'll always be there for me."

Dick's face brightens with fond relief.

Tim watches. He observes the reactions of his older brother. He catalogs the effect of his words on the man he's admired and loved for thirteen years.

He notes all of this.

And he feels nothing.

[abyssalzones]

can you tell us about your interpretation of the better world universe!!!! especially curious how stan/mystery trio works into it

hell yesssss I definitely can. ABW is maybe my favorite niche gf thing and probably the only "AU" I care about but that may be due to the fact that it's an AU that exists in the canon and we know so little about it. so it has an established foundation that you're left to fill in the details with yourself... it's like a poke bowl to me. you can put anything in there

and since I felt like it here's a bonus pic of them living their best lives pestering ford

[explanation-y stuff under ze cut because I got very longwinded]

as for specifics of how I see everything working out, there's a few key points that establish why things happened differently from canon, the most important being:

Stan agrees to hide journal #3 somewhere

Ford reunites with fiddleford and they begin working together again

both of these are already confirmed in canon, the first being the most obvious "schism" between timelines. literally everything in ABW is the way it is because stan made a different decision. kind of crazy in terms of its implications: I feel like that moment in the basement is a really good example of how stan gets so few opportunities to shape her own life (while ford is in the picture...) because of her role as the 'black sheep' twin. it's not exactly a premeditated decision to push ford into the portal, it's her acting on feelings that have been bubbling unaddressed under the surface for 10-something years at that point, and only then does she have any sort of power over the "narrative" of both her life and the story itself, something that from her pov has been ford's story. and in the canon timeline, she says no.

so like, what the hell made her say yes in ABW's timeline? this question kind of haunts me because I feel like it has to be entirely dependent on what the inside of stan's head looked like at the time. it's possible something influenced her, but overall I think it's more interesting if ford did and said all the exact same things up until this point and it really was entirely dependent on stan's decision internally.

so stan says yes, goes on a big trip to the other side of the world somehow, and buries journal 3 somewhere probably never to be found again. yay! but, uh, going on a trip like ford was suggesting would... take weeks. that would leave ford alone again. and not to have my established thoughts informed by new material or anything but bill did give him 72 hours.

so, next order of business: how in the fuck would ford convince fiddleford to rejoin him??? I'm unsure between journal 3 and tbob's information how ford may have tried to reach out to him but it seems like fiddleford was pretty adamant about staying away from that guy, out of guilt or fear of bill/the portal or both. I don't think logically it would just be a matter of ford calling him enough times or finding out where he lives- and I think that's kind of getting away from the point of why ABW is the way it is too. if stan is suddenly making decisions that are influencing ford's life, I think it would be similarly interesting if fiddleford also possessed some unique autonomy in this scenario.

aka I think ford got fucked up badly (possibly involving losing an eye) and fiddleford found him half-dead while trying to burn his house down. [mabel voice] romance!

to clarify: I don't think fiddleford is obligated to take care of ford. a major part of him leaving the project was finally making the decision to leave a situation that was hurting him, that he'd been staying in entirely because he still cared about ford and felt on some level he could still help him (which gets broken with "I don't need you!") and I think that's a very reasonable decision on his part. but I also do have to think about all the times ford has been "the hero" in situations where fiddleford ends up hurt and helpless because of something traumatizing. I think it'd be fascinating to see that reversed and have fiddleford actively making the difficult, messy decision to take care of that guy even when they're on miserable terms. and so begins like a solid week of these two desperately trying to look out for eachother in a nightmare scenario where one of them probably needs to go to a hospital + keeps getting possessed off and on and the other is going through the worst addiction/withdrawal cycle of his life irt the memory gun. yay! (part of the reason this even works To Me also is heavily informed by the lack of secrets: if fiddleford is actively dressing that guy's wounds he can't really keep it all to himself anymore. crushingly intimate perhaps...)

stan gets back eventually. such is the context of this pic

from there it's a nebulous grab-bag of things I think could happen up to the foundation of the institute.

how do all three of these incredibly fucked up individuals get along? well they don't but then they do.

how do they get bill out of ford's head without performing amateur brain surgery? idk. my best guess is a fiddleford and stan bonding trip into ford's mindscape that potentially helps answer the first question. possibly utilizing the memory gun. shrugs.

what's up with that one picture you drew of parallel fidds holding the memory gun up to ford's head? well. okay that one might or might not be something that actually happened but the idea was just that ford is coping badly with a few specific things and I liked the idea of fiddleford "holding onto" something for him to remember and work through later when he's ready to deal with it, it's an interesting reversal of how he's normally more of a memory sink.

from the point in canon about them stabilizing the portal so that bill can't use it to get into their dimension anymore onward, I think it just becomes a matter of them living the lives they could've always had in canon without realizing it. hence "a better world." some cool tidbits I like to think about:

stan gets to transition much earlier (late 1990's perhaps?) and probably starts going by "lee" instead

she's also the institute's CMO and is mostly in it for going on business trips abroad with ford. and the money. obviously.

the institute probably also legitimately changes the world on a sociopolitical scale outside of just interdimensional travel since their research renders them uniquely untouchable and all three of them are trans (I'm cartoon logic-ing a little bit here just let me have this one)

ford is the eccentric bill nye esque face of the company, fiddleford is the backbone. that isn't to say ford doesn't do anything as I think he'd always moreso be in it for the science than the fame (though it is nice to be more than comfortable financially) but it's an open secret fiddleford keeps tabs on literally everything, he's still very security-oriented.

the northwest family now has a more prominent ongoing rivalry with the pines family that could be very funny to think about. they've taken all the LOGGING JOBS with their damn SCIENCE

part of the reason I thought ford should lose an eye is because I think having him wear an eyepatch would be a neat way to parallel stan's "role" as mr. mystery visually! stan wears an eyepatch for no legitimate reason to keep up appearances as a schlocky tourist trap host, but it also alludes to her being more than she seems under the surface. ford's eyepatch does sort of have a legitimate reason to exist, but he also could just wear his glass eye and it would probably be less "conspicuous." he chooses the eyepatch instead because it's part of his image as Stanford Pines, Founder of Oddology, and because it keeps him safe. there's also a little residual scarring there from damage to his eyelid/tarsal plate which could easily represent him hiding the more "damaged" aspects of himself under his successes. ouch.

I'm unsure if ford and stan would ever feel comfortable getting back in touch with their parents. I know a lot of people go that route with fan material but I don't think they should have to. I think they're much happier now having healed the rift between them on their own and getting to live successful lives for themselves, rather than to prove something to their father.

that being said I do think fiddleford gets in touch with emma-may and his son again and they end up on better terms with time and a Lot of effort. tate's family is now composed of his father, mother, "uncle" ford (in the ye olde gay closeted sense of referring to your dad's partner as an uncle), and auntie lee, and I like to think they go out on trips to the lake together often :]

also ford and fiddleford tie the knot unofficially (in the eyes of the government anyway) in 1990. owed to stan somehow getting "ordained" as a rabbi. don't ask me how.

the pines twins start visiting the institute from a younger age than they do irt visiting stan in the show-- but they're only permitted to come along on heavily-supervised interdimensional excursions once they turn 12. cue antics!

anyway, hopefully this extremely longwinded and loosely structured mess helped answer your question. I like ABW sooo so so much you guys

[redroses07]

The Umbrella Academy Season 4 Fix It Fic // Five Hargreeves x Reader Edition

WC: 3.1k

CW: Canon accurate violence, swearing, kissing, use of Y/N, Y/N is a bad ass, domestic fluff, angsty af.

Summary: A Five x Fem!Reader rewrite for the end of season four because I absolutely hated the ending. Five and Lila are not a thing in this fic, because that made me literally gag.

A/N: Hey luvs! I worked my ass off writing this fic because I needed to have a better ending for season four. In my mind this fic is canon. I hope y'all like it because I truly love how it turned out! Have an amazing day and enjoy! - Claire ♡

Five sat on the empty train, riding round in aimless circles. He had no intention of ever stopping. Perhaps he would die here, if death was even possible in this endless void. There was no reason for him to continue, they were out of options.

All he wanted to do was save his family, save you, but he couldn't even do that. At least this way he could escape having to witness the end of their lives.

He couldn't help but feel as if this was all his fault, if only he had listened to Reginald when he told him never to time travel. So much pain, so many lost lives, it never would have happened.

Five looked out the window, he didn't know what exactly for. Everything looked the same. Round and Round again, each identical station feels more hopeless than the last.

After an immeasurable amount of time, days? years? who knows. Something caught Five's eye.

He jumped up from his seat, following the dark figure out into the station.

Was that? No.

"Hey, wait!" Five shouted, chasing him down a staircase.

He rounded a corner, seeing a dimly lit cafe filled with all too familiar faces. The place was filled with several alternate versions of Five himself. It was an odd feeling for him to see himself this way.

Nonetheless, he took a seat across from the Five he had followed.

No more than ten seconds later, another Five served up two pastrami sandwiches. Five number two began to complain about the amount of sauerkraut on his sandwich, staring intently at the meal.

"What is this place?" Five asked, reaching for the cup of hot coffee next to him.

"It's a gas station. What the hell does it look like? It's a Deli." He could see that the alternate Five share his love of sarcasm.

He went on to explain how this was a place where all of the Five's from alternate timelines end up while trying to fix the "broken timeline" issue.

"Okay, so what shattered the original timeline?" Five asked.

"Not what. Who? I'll give you three guesses." Alternate Five held up three fingers.

"We did!" Another Five yelled.

Five wasn't surprised, everything always seemed to be caused by him.

"By we, do you mean my siblings?" Five asked.

"Yep, the morons."

Five rolled his eyes.

"When we come into existence, the timeline is shattered, and then we're stuck trying to save the world. How many times was it again?"

"145,412."

The number seemed almost impossible to fathom, but the more alternate realities, the more opportunity for the world to end. Alternate Five pointed at the wall, which was filled with every possible way the world had ended. Viktor's attempt at blowing up the moon was front and center. Seeing it gave Five an unpleasant sense of nostalgia.

Five came to realize that the commission was created by an alternate Five in an attempt to fix the timeline, but it was never successful since the Hargreeves siblings were the root of the problem.

"I have to get back." Five turned, rushing out the door. He heard the alternate versions of himself begin to speak, but his overwhelming thoughts drowned it out.

Five ran as fast as he could, getting back on the train and returning to his rightful place. With his family.

As Five entered the abandoned shell of his former home, the room's occupants turned to look at him.

The first person he noticed was you. You watched him with sad eyes, eyes he thought he would never have to gaze into again. Yet here he was, and undeniably, he had a plan.

You watched Five scan the room. Dark hair hung in front of his eyes, his chest heaved from running, or perhaps from anxiety.

"I didn't think you'd be back." You purse your lips, giving him a sour look. '

Facing your bitterness was the hardest part of all this for Five. Of course you had every right to feel that way, he had just up and left you. Although, in his mind that was better than having to watch you die.

"Yeah, neither did I." Five muttered.

Everyone looked at him, obviously awaiting an explanation.

"We caused this." Five began.

"What the hell are you talking about?" Alison sighed.

You stared at Five intently, wondering what had changed since he decided to ditch you and everyone else.

"The marigold that infected our mothers bringing forth our births had a side effect, it fractured the timeline, bringing forth the end of the world."

Five looked from person to person, attempting to read everyone's emotions. They were unreadable.

"Extracting the marigold from our bodies is the only way to stop the cleanse, and in short, fix the timeline."

Silence settled over the room. You weren't born with marigold as the Hargreeves were, but due to Ben's antics, this now concerns you too.

"Okay, but how exactly do we do that?" Diego asked.

Five looked over to Viktor.

"Viktor, you can use your powers to extract the Marigold from our bodies. Unfortunately Ben and Jennifer are too far gone to be saved, but their sacrifice will have been for the greater good."

Viktor let out an elongated sigh, and with little to no hesitation, he agreed.

"Okay, let's get moving before it's too late." Viktor said, speeding out of the room.

You followed closely behind, trying your hardest to avoid Five's gaze.

"Y/N, I-" You cut him off, this was not the time to be talking about all the mistakes he had made. Even if those mistakes led to the answer for all your troubles, they were still mistakes.

"We can talk about this later, if there is one."

Five sighed and watched you exit the room, not even bothering to look his way. He had fucked up big time.

You watched Viktor head towards the monster that was Ben and Jennifer. The creature growled, as it hurdled towards your group.

You turned back as you felt someone grab your arm, Five was standing behind you. You saw something in him that you had only seen a few times before, fear.

"Please. If we don't make it through this I want to make sure we're okay." Five begged for your forgiveness.

In any other circumstance you would not have given in this easily, but the dire situation has just begun to settle in. This could be it.

Neither of you wanted to leave this world with so many words unsaid.

Your gaze softened, and you followed Five away from the other Hargreeve's.

"I know what I did was wrong. With every bone in my body I feel that it was wrong."

He spoke loudly enough to drown out the oncoming chaos, but softly enough to omit any sort of aggression.

Five reached for your hands, and you reluctantly let him take them.

Five paused for a moment, trying to find the words that would mean the most, considering he was dealing with limited time.

"My worst fear is to see you suffer, and at the time, running away seemed like my only escape. I feel like I've already caused so much hardship in your life, and the thought of any more terrified me." His eyes stayed glued to you.

Five was the whole reason you had joined The Commission to begin with. He helped you to believe in a cause that you otherwise wouldn't have, and the two of you hadn't left each other's side since.

You didn't regret it per say, but you couldn't deny that you often wished for a different life. You would never blame any of your circumstances on Five though, and you hated how he always chose to blame himself.

"Nothing that has happened to me, or to anyone, is your fault. I think all of us share some responsibility, but blaming yourself is just wrong." You squeezed Five's clammy hands.

Five let out a sigh of relief as he was able to recognize forgiveness in your eyes.

"I love you." He said, fighting the tears that began to form in the corners of his eyes. The phrase was reserved only for you, as it is a concept that has always been hard for five.

Growing up with Reginald as a father, and a family that could win an Olympic gold medal in dysfunctionality, Five didn't exactly have a positive outlook on love.

"I love you too. We've been through worse, we'll get through this too."

Five pulled you into a tight hug, breathing you in as if it was the last chance he would ever get to hold you. The two of you were versed in the end of the world, this was not the first final hug you had shared. Five placed a soft kiss on the top of your head, and he didn't miss the small cry that escaped your lips.

You rarely cried, and when you did it was always around Five. He was the only person you felt comfortable enough with to show vulnerability. It was the perfect moment, and the past few days had worn down your patience. You reluctantly let a few tears slip loose.

"Get your asses over here love birds, Ben is here." Diego called from the other side of the room.

You and Five exchanged a look before running over to the center of the room and rejoining your family.

Ben growled ferociously, the red goo that dripped from his body falling around the room.

"Just so you guys know, I have no idea what the hell I'm doing. So if we all die, I apologize in advance." Viktor said, clenching his fists on either side.

His newly improved orange power began to swirl around his body. He squeezed his eyes shut, clearly focusing on the task at hand.

You reached for Five's hand, interlocking your fingers with his. If these were to be your last moments, you wanted to make sure he was with you.

Five gripped your hand with everything he had in him, every bit of strength was to remind you of his presence.

With each moment that passed, the colorful plume of Viktor's powers grew, encasing not only Ben and Jennifer, but all of you.

You and Five watched as the all too familiar gold marigold specks began to float through the air. It felt odd, it didn't hurt, but it wasn't a particularly pleasant feeling. It was like your whole body was being poked by a prickly cactus.

The air turned cold, and all other sounds were overcome by the rumbling of Viktor's power.

An unbearable wave of exhaustion washed over you, and it became hard for you to keep your eyes open.

You looked over at Five, making eye contact with him one last time. He gave you his signature smirk, funny how in spite of everything he could still be himself.

The last thing you saw was Ben falling to the floor, the marigold protruding from him filling the whole room with a deep yellow glow.

And just like that, the world turned black.

· · ─────── ·☂· ─────── · ☂ · ─────── ·☂· ─────── · ·

Five opened his eyes, the bright light of day overwhelming his vision. The ground beneath him was soft, the tall grass tickling his fingertips.

Five sat up slowly, his eyes adjusting to the sun. He looked over next to him, and there you were. Just as you had always been, right by his side. Your chest rose slowly, a thankful sign that you were still alive.

Five looked beyond you, to see his siblings all scattered around the lawn. They were all exactly where they had been before the blackout. The empty patch of grass, of course, was where the Hargreeve's mansion used to stand.

Without the existence of their powers, The Umbrella Academy was never formed. It was strange, to know that what Five remembered, no one else did. It was like waking up from a strange dream.

However, one thing was missing, Ben. And of course Jennifer. Five wasn't surprised that they hadn't made it, considering how their bodies were overtaken.

Five watched as his siblings slowly began to rise from their temporary comas, their eyes heavy and glazed over.

Five nudged you slightly. Unable to wait for you to wake, wanting to share this beautiful moment with you.

You opened your eyes and felt as if you had awoken from a decades long slumber. The first thing you saw was Five next to you, a genuine smile on his face. That was something you had missed.

"Are we in heaven?" Klaus mumbled, rubbing his eyes.

"Well if this was heaven, I'd be awfully disappointed." Lila replied.

You laughed to yourself, and stood up on wobbly legs.

You all had done it.

"Viktor. I think you might have just saved the world." Luther announced.

Viktor smiled and looked down, maybe eventually he'd let himself take the credit.

You began to take in your surroundings. The sound of traffic in the distance, the wind stinging your cheek, the smell of spring air. It was all so normal.

"Guys, where's Ben?" Klaus asked, and your heart dropped.

"Klaus...we all knew he probably wouldn't make it.." Alison said sadly.

Just then, something caught your eye. Something yellow that stuck out in the patch of green.

"Guys, look!" You pointed at the unique plant.

"Marigolds." Five said softly, and you felt his hand close around yours.

Two beautiful yellow flowers sprouted from the earth, a reminder of what was sacrificed. A reminder of what had to happen for all of this to exist, and a symbol of hope.

~~ Two Years Later ~~

You awoke to the sound of birds chirping outside your window, a song that was often your wake-up call. You rolled over to see Five sleeping peacefully next to you. You weren't surprised. He always slept late, after all, he was an old man at heart.

It had been two years of living freely in the new timeline. You and Five now share an apartment next to Lila and Diego and their three kids.

Life wasn't without its challenges, but compared to everything else the two of you had been through this was paradise.

Viktor had started his own Cafe, a small shop on a street corner that had quickly become a local favorite.

Alison had landed a big movie role not long after everything returned to normal. Ever since it hit the big screen, she had no problem with job offers. She didn't even miss her power of persuasion.

Klaus still lives with Alison. He doesn't really do anything specific, he often refers to himself as 'self-employed'. But he was happy, and that was all that really mattered.

Luther had somehow reconnected with Sloane, who had re-appeared after the timeline was fixed. Of course she didn't remember anything, but it must've been fate because they got to fall in love all over again.

Diego decided to put his skills acquired from his power to use and now taught axe throwing classes.

Lila had decided to help people who had ended up in a mental hospital, similar to how she had. She was working on getting her degree in psychology.

As for you and Five. Five kept his CIA job, and you decided to join him in his career. As the two of you had always done everything together, why not this too?

You felt Five stir next to you, letting out a series of groans. He slowly opened his eyes, a smile spreading across his face the moment he saw you.

"Good morning, beautiful." His morning voice is thick and deep.

"I love you." You whispered, pushing his messy hair out of his eyes.

Five leaned up to kiss you but you counteracted it by jumping out of bed. You pulled the blanket off of him and he whined in protest.

"Time to get up, Gramps, Lila wants us to drive the kids to school today."

Five rolled his eyes at the nickname. You snickered and kissed him on the cheek before heading to the bathroom to get ready.

After the two of you grabbed breakfast, you met Lila outside, Grace and the twins behind her.

"Thank you again for helping us out with this, I don't know how I'd ever get to work on time without you." Lila gave you a quick hug.

"Of course, whatever you need." You ushered her away, signaling that you could take it from here.

You were used to driving the kids places, and they always said you were their favorite aunt. Five however, could not surpass Klaus for favorite uncle.

"Alright guys, who's ready for school?" You said as you jumped in the driver's seat.

There was a chorus of enthusiastic cheers from the back, and you laughed.

"I was never that excited about school when I was your age." The kids had no idea how long ago that actually was for you.

You made sure to put on some kid friendly music, anything but Baby Shark. You dropped the kids off and made sure they all got inside safely.

"Anything else on the schedule for today?" Five asked you.

"Nope, we're both off today so I think the rest of our day is free."

"Great, we should do absolutely nothing." Five's eyes lit up with excitement.

You nodded in agreement and drove towards your home.

Once you arrived, the both of you threw on pajamas and cuddled up in bed. Five flung his arms around you and rested his head on your shoulder, simultaneously letting out a big sigh.

"I love you." He mumbled in your ear.

Even after all these years he still made you blush every time he said those three little words.

"I love you more." You pressed a kiss to Five's nose and he scrunched it up before responding with a chaste kiss to your lips.

After breaking apart you and Five settled into each other's arms, excited to spend a calm day together.

He reached for the remote and flicked on the TV. The small kiss he placed on your forehead didn't go unnoticed.

As Five settled into this new life, he found it hard not to expect a new life altering crisis to pop up at any moment. But it never did.

As the day dragged on, nothing out of the ordinary happened; and you could almost say that it was an ordinary day.

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