#i feel like my boyfriend would do this

[cashmoneyyysstuff]

as long as he leads the way . .

katsuki's childhood habits remain the same

katsuki still apologizes to you the same way he used to when you were kids.

he always makes a face whenever he knows he’s gone too far or when he’s done something he knows he shouldn’t have, his eyebrows are furrowed and his little chubby face contorts into a sad little pout. he tries to look tough but he can already feel guilty tears in his eyes so he looks away from you, little hands balled into fists at his sides and his head hangs low so you can’t see his red face through his bangs.

usually, he tries making it up to you by showing you something he thinks you’ll like or something he finds cool, and sometimes he’ll even let you hold his precious all might card, but only when he knows he really messed up. he’ll stiffly pet your head as an apology for pulling at your hair a little too hard earlier and if you ask him to he’ll kiss the pain away from when you scrapped your knee because he accidentally shoved you a little harder than he meant to when he was chasing you around.

but when you’re mad at him because he’s been really mean, in ways he knows his shiny holographic all might card won’t fix, he opts to simply sit next to you. with a little pout on his face and with his cheeks turning red, he’ll shove his head into your shoulder. he holds onto you tightly so he’s sure you won’t be able to escape him or his apology. you squirm around a little bit but he doesn’t let you go. you stop moving around but you still huff at him, calling him a big meanie. all he does in response is shoving his head against your shoulder and he mutters out a little "m’sorry." against it.

he hears you shuffle to look at him and he looks up at you, his eyebrows are still furrowed and his cheeks are so red because he’s really not used to apologizing and he doesn’t like to, but he does for you. and even at the tender age of seven, you really can’t stay mad at him when he looks like that, so you forgive him and you’ve already forgotten what you were even mad about when he grins at you boyishly, already back to his usual self as he drags you off to your next adventure who knows where, but even at the tender age of seven, you knew you’d follow him to the ends of the earth as long as he led the way.

he’s changed so much and not at all at the same time. he hates it whenever you get mad at him and he still does everything and anything to get your attention when you are. and just like before, whenever he hurts you in ways he knows his actions can’t fix, he opts to come up behind you and wrap his arms around your middle loosely, giving you the option to break out of his hold if you wanted to. his hold on you slowly tightens when you make no move to, his head is shoved into the crook of your neck and his chest is pressed flush against your back,“ i’m sorry.” he whispers.

it wouldn’t mean much if it came from anyone else but this is katsuki. you’ve known him for as long as you can remember, you know how he is : he’s unruly, headstrong and so stubborn it drives you crazy sometimes. but he casts all of that—all of him aside for you.

“i’m sorry.” he says again, his voice is low and a little shaky.“ shouldn’t have said all that to you. that wasn’t…cool” he fumbles around for the right words to say and you have to hold back a laugh as he does so, but you can tell he’s trying.“never wanna make ya mad at me..” he finishes quietly. he’s fiddling around with the ends of your shirt waiting for your response. then he hears you shuffle around to peek at him and he looks up at you.

he really hasn’t changed. he’s still got the same little frown, the same little crease between his brows and the same rosy cheeks. sure his features are less rounded, his cheeks are definitely less chubby, he’s gotten taller but he’s still your same katsuki who’s a little rough and a big meanie sometimes, but who also always makes sure to apologize to you when he knows he’s hurt you because that’s the last thing he wants.

you grant him a tiny smile. his eyes light up and he stands a little straighter and after a second he’s on you, pressing kisses all over your cheek, grinning boyishly at you and you still want to follow him to the ends of the world as long as he’s leading the way.

[obsessedwithstarwars]

Question for the DP fandom:

Do you think Danny’s hair turns white when it falls out? It’s technically dead cells anyway but when it naturally falls off his head, do you think it turns white? Because I think it would be hilarious if his hairbrush just has white hair, no black strands whatsoever, and his significant other thought the worst until they know his secret.

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[xxplastic-cubexx]

it doesnt need to be said but its genuinely so funny how at-the-hip charles and erik are in krakoa like they really had the green light- the OBLIGATION- to be as obnoxiously close to each other as possible and abused that right to the fullest extent

[teeth-draws]

Chase suffers in love but the other Norms still let him come to their little photoshoot

[bingsucks]

I think it would be really funny if Abed becomes a (mediocre) famous filmmaker and he gets cancelled on twitter for "queerbaiting" and he's like "queerbaiting? this movie is about me and Troy, and we're just friends." then he looks at the callout posts and they're just pointing out behaviors that actually exist in Troy and Abed's friendship that Abed perceived as platonic (but lets be honest here) and being like "see??? that's clearly meant to trick us into thinking they're gay."

anyway that leads to Abed having a queer awakening and makes him even more yearny

[sysig]

Growing closer than expected (Patreon)

[theoldkyokodied]

And here it is, my macdennis brainworms compressed into a playlist, for anyone who wants to ingest them <3

[ministerofchaosabsolute]

He's teaching him how to game

[oceanwithouthermoon]

i posted abt this on my tiktok story but i need to rant more so im putting it here 😭😭 the way a lot of mikosai shippers (on tiktok, pinterest, reddit, etc) are is such a big reminder to me of why i hate the strictly romantic soulmates trope with every fiber of my being 😭😭😭 people who interpret soulmates as "that means theyre canonically together" regardless of how the characters actually feel about each other and if they ACTUALLY get together is so fucking gross to me oh my god its so fucking gross i hate forced romance so bad 😭😭 someone cant just say "hey, we're soulmates so you HAVE to date me and its literally weird and impossible for you to like anyone else because i said so!!" and also aiura WOULDNT do that anyway ???? HELLOOO???

you have no idea how many people ive seen call all saiki ships with anyone other than aiura "problematic ships" just because "theyre soulmates"

[avpdpossum]

the avpd + schizotypal traits combo is really fun because it means you can be up at 4am thinking about how you should just give up on your entire future because school and jobs and everything else worth doing involve a level of ability to talk to people that you simply don’t (and probably never will) possess and then you look up at your window sill and see a dead ladybug on it and it’s like wow. the universe itself is practically screaming in my face that i’m shit out of luck

[dazais-guardian-angel]

Well, at least Fukuzawa got his wish granted, I guess.... he's finally inside Fukuchi <3

[serpentface]

What’s the Janeys/Brakul death scenario?

So like upon review I mostly just was going to kill them off for Couya + Faiza + Hibrides’ character development (#FEMINIST WIN!!!!!!!).

The background situation of their death scenario is something that will happen either way:

Throughout the story, the pilgrimage requests tribute from the towns it passes through (mainly food and other supplies). This is a common practice for pilgrimages and the travels of royalty, and Imperial Wardi civilians are used to the concept (just not so much during a famine). Some people give fully willingly (a lot of people believe in the pilgrimage's goals/and or the necessity to keep its high status participants fed), most are at least partly coerced (usually not via direct threats, but the pilgrimage contains a couple hundred soldiers, the Usoma, and Odonii leadership. The threat is implied), some are Fully coerced via threats.

In the latter third of the story things are not going well. There’s been a lot of internal struggles among the soldiers and dissatisfaction with pilgrimage leadership (mostly Stavis), men are starting to defect and a large body are getting outright mutinous. The group has also lost much of their food supplies and things are getting desperate (they've been starting to eat their own pack khait and oxen)

With this going on, the pilgrimage sends three soldiers to exact tribute from a farming village in the province Lobera. They meet a group of men acting as representatives for the village, who flat out refuse to give tribute. Things escalate into an outright fight, the soldiers are better armed but few in number and are killed.

One of the village elders finds out that this happens and panics, knowing that the men who killed three of the Usoma’s soldiers (one of which is her son) have signed their own death sentences, and possibly that of others. She attempts to persuade the families to preemptively flee, and then takes the village's one remaining skinny old plow ox to carry the bodies of the dead soldiers back to where the pilgrimage is camped. She supplicates herself before Stavis Amanti and begs for mercy, saying they don't even have enough food stored to feed themselves, much less to give, and that the men thus considered the killings righteous self defense. She shows that she’s returned the bodies for rites as an act of goodwill, and offers the ox in tribute, the most valuable thing she can provide. She begs that the Usoma accepts this as tribute and spares the men's lives, and that the pilgrimage moves on without taking anything else.

Stavis bids her safe passage away from the camp (without confirming or denying that he's accepted her plea), and the heads of pilgrimage confer on what to do. The killing of the soldiers is a violation punishable by death, but this would be like, a notably bad PR move. Meanwhile a contingent of soldiers (including some major side characters I haven’t introduced) break off and lead a raid on the village to avenge their fallen brothers and loot supplies. Others get drawn into the fighting, and it devolves into a full on massacre.

A couple families had fled at the elder’s suggestion, but most refused to leave their homes. Some of the villagers believed they would be left unharmed if the killers were given up, others had been preparing for a reprisal and armed themselves with everything available. But they have few actual weapons and none are trained combatants. All of the remaining men and adolescent boys get killed, one woman manages to take out a soldier using a shovel but is killed, most of the other women and girls are spared murder but several are assaulted. The village is looted for supplies and kindling for funeral pyres.

Stavis Amanti has no fucking idea what to do. The soldiers defied orders and killed Imperial Wardi civilians, but the current climate amid the pilgrimage would make it EXTREMELY Bad for him if he demanded their punishment (but also potentially very bad if he didn't- not all the soldiers participated in the massacre and many were horrified). Faiza encourages him to exert authority in a measured response by having the ringleader of the mutineers killed but sparing the rest, and offers to publicly back him in hopes of avoiding full on mutiny.

The raid reveals that the villagers had been hiding more grain than they claimed they had (as in like, enough to feed their people on starvation level rations for a few weeks). Stavis takes this as an opportunity to justify not punishing the mutineers (as the villagers DID technically have something to give, and execution IS technically the punishment for refusing the order of tribute (though not execution of the entire community)), but insists that their Galenii bless the village dead and their men build pyres for the civilians as is honorable conduct. (This attempt to make amends is not particularly appreciated by the survivors.)

The pilgrimage holds a funeral for their own dead soldiers. The village ox that was given in tribute is killed and butchered for the funerary feast.

----

In the Bury Your Gays route, Brakul is one of the three that gets killed during the tribute extraction. Janeys loses his fucking mind when his body is brought back, and tries to slit his own throat on the spot. Couya stops him by wrestling him to the ground while Janeys screams threats at her and the old woman in a very pathetic public spectacle. He is deprived of all sharp objects.

While the pilgrimage leaders are conferring, he hovers miserably around Hibrides (who is also not feeling so great about all this). He's suddenly very interested in her pregnancy for the first time ever, asks to feel the baby (which has been just starting to kick). She's like "fuck off", but he strongly implies he's planning to commit suicide asap and she concedes and then is like Okay I Let You Feel The Goddamn Baby Now Leave Me Alone Holy FUCK.

Janeys turns his attention to fucking murdering anyone tangentially involved in this happening. He’s among the initial raid party, plays a major hand in it turning from its ostensible 'find and execute the ones responsible, subdue the rest, steal their food' directive to a full massacre by directing his men to immediately attack the first man he sees. He and his group capture three young men as prisoners and demand that they be slain at the soldier's funerals as is wartime custom (this isn't wartime). Janeys additionally demands that he should get to do it, as the only kin of any of the dead men. Once that's done he immediately cuts his own throat and bleeds out. They wind up getting cremated at the same time so things work out how Janeys wanted it.

At one point I realized that this is kind of just The Iliad?

----

So like obviously whether they die here or not has little impact on THESE events, but a lot of the endgame revolves around Couya Faiza and Hibrides and these deaths would be very significant to THEM in varying capacities. It affects the trajectory of the final stretch of their arcs and adds a lot of layers to the ultimate Couya/Faiza conflict. I also liked their deaths being kind of random and shitty and meaningless because that in of itself is kinda ~thematically resonant~ with the story. (A lot of tension between the lack of intrinsic meaning to events and the profound levels of meaning ascribed to them).

I'm almost definitely not going with this version of events though. Janeys and Brakul don't have much active involvement in the endgame and don't Really need to be alive for it as it stands, but I think the version where every main character (except Faiza she's doomed) survives to see What Has Been Wrought and living to experience the fallout ultimately works better.

[plutonianplaything2]

bye i relate to penelope featherington in an awful way bc i also am the unnoticed hopeless romantic chubby girl and episode four of season three has me crying

[vaguely-concerned]

I feel that during the first coffee date walk through the market, rye has a fraction of a millisecond's kneejerk trauma freakout of '...wait. wait. am I really catching feelings for a rich boy again. with how that went down last time. am I truly that stupid' (once derogatorily referred to quite openly at a party as 'young master anaxas' pet mortalitasi' to which the young master anaxas only grinned and shrugged and STILL you don't break up with his smug controlling ass for good for six more months because you have a desperate bottomless yearning pit where your self respect should go, twice shy lol). and then he actually looks at lucanis standing next to him getting harding spearmint to help with bad dreams and generally being so quietly thoughtful and sweet through the prosaic yet necessary medium of grocery shopping it makes me feel a little unwell to truly contemplate. and rye is like '*the softest fondest eyes anyone has ever turned on anything* ...you know what. I suspect we don't have to worry about that repeating, I think we're probably safe. I am comfortable being this level of stupid. (slowly dawning marital intent even at this stage)'.

(part of the reason rye buys NONE of illario's bullshit at all right from the beginning is that he's basically vaccinated against this exact type of dude after that relationship lol. charming suave guy who in the beginning pays you a lot of lavish attention and takes pains to make you feel special every time you're in a room with him -- but shallowly and mostly, it slowly dawns on you, when there's something he wants from you (and he's often doing it at the expense of someone else, raising you up to put someone else down and you won't believe this... it can turn into a seesaw at a whim. yay). and beneath that there's just a seething pit of resentment and inferiority complexes and bitterness left to fester until he can make it everyone else's problem and that IS going to start to bubble up between the cracks with you too if you stick around for long enough. no thank you been there done that wasted my youth and potential on it and all I got was this lousy shiny set of new emotional intimacy issues haunting me for life! trust me illario I HAVE, as it were, chosen the wrong dellamorte before, which is exactly how I know I didn't this time. go get him lucanis I've got your coffee

hilarious mental image: rye and illario sitting quietly together while everyone else is busy milling about during a cursed dellamorte family dinner (the vibes are so bad. you know the vibes are bad. sitting as still as you can and hoping for calm skies is your best bet without lucanis or teia favourite child privileges to work with) and rye out of the blue gazing thoughtfully into nothing over the edge of his glass with half-lidded eyes to go 'you know. you remind me a lot of my ex. not in a good way' and illario with absolutely no shame and hilariously also something that's the closest he ever gets to real sympathy going 'yeah, I get that a lot'. best talk those two ever had, unironically. their bond leveled up to its final form that day. *soulsborne boss defeated text* MUTUAL UNDERSTANDING REACHED)

[welcometogrouchland]

Noticing that TV and film will often have a character either have had an abortion in the past that isn't showcased on screen (and just used as part of the character's ~fucked up and twisted backstory~) OR contemplate getting an abortion in the present day but not to through with it. Just once I want to see someone delete that fetus within the events of the plot and not be like. Extremely majorly punished for it and/or be in the wrong