#i even have some headcanon for them

[mellozheist]

Sketch Hermits DnD design

[black-and-yellow]

'He's just like me fr'

[lucabyte]

"So what's the weirdest possible first (second) impression Loop could make on the party in postcanon?" "Yeah, that, probably."

+ Bonus

theyre just standing there in direct party order while this happens. normal tuesday.

[stiffyck]

I WISH ARO HEADCANONS WERE MORE POPULAR IN FANDOMS

[starry-bi-sky]

mmmmm danny with sensory issues both in and out of his ghost forms, but on the opposite ends of the spectrum. Ghosts can't experience sensations the same way humans can when they're in the mortal realm. They're naturally intangible, and it takes energy to be physical. When they're physical, all touch feels the same barring the texture. They feel no heat, no chill. Sunlight passes through them, and so does wind and rain.

You know when your foot falls asleep/goes completely numb, and you go to touch it with your hand and it causes a strange jumble of sensations? You can feel the skin there, your palm is pressing against an object and there's resistance, pressure, but you can't feel the heat? It's kinda something like that. Like he's feeling everything through a set of gloves.

As a ghost, when it rains, he can feel the raindrops hitting him, and he can feel his hair getting wet, but he can't feel the chill of the water and he can't feel the wetness. His suit is soaked but there's no weight like there should be. During the winter snowflakes don't melt when they land on him, and he can't feel the chill of the snow when he gets buried under it.

Sunlight passes through him, a nice breeze ruffles his hair but there's no relief in the sensation. All pressure, no sensation. It's like a strange form of sensory deprivation. And of course, the internal things. It's even worse when he's intangible, when he's not putting energy into being physical. He doesn't feel real.

As human, things become too much. Especially when he's been a ghost for hours. He can feel the weight of his ribs pressing against his ribs, he becomes hyperaware of the expanding of his lungs when he breathes, the feeling of his heart pulsing in his chest.

He curls his fingers in and out slowly and becomes fascinated by the feeling of the joints moving. He turns and grabs Tucker's hand, and soaks in the warmth of his body heat -- he can't feel it as a ghost. He runs his fingers through his hair, and he can feel the individual strands.

There's a weight when he walks. A small drag when he bends his knee and lifts his leg and takes a step, and when he's been a ghost for too long he stumbles over himself, drags his feet along the floor and stomps when he doesn't mean to because he forgot to weigh his steps. Sometimes when it rains he goes out and sits on the front steps of the house just so he can come back in shivering and soaked through to the bone. Runs his fingers obsessively over the goosebumps up along his arms and legs because he can't get them as a ghost even if he's cold.

Because there are certain things, even when he's in the ghost zone, that are exclusive to the living. The little internal things you don't notice and take for granted. Things like breathing and goosebumps and exhaustion exclusive to running that makes your heart pound against your ribcage and your chest hurt with the need for air. Sore muscles from working out and sweating. Thirst and dry mouths, chapped lips and hands, blinking and dry eye, the feeling of the sun soaking into your skin on a nice summer's day.

As a ghost, Danny faces sensory issues in the form of not enough. When he can't feel the hair behind his ears or the weight in his limbs where there should be muscle, tissue, and bone. He can't feel the sun or the wind, everything is in a permeable state of 'just fine', and its maddening. He can breathe if he wants, but there's no point to it. He has no lungs, he can't feel them expand, and there's no relief behind it. He's going through the motions without any of the reward.

On those days, the idea of going ghost again makes him feel ill. Paranoid. He can't stand the thought. He needs to feel. He needs to feel the soft texture of the rug beneath his feet and the grooves in his knuckles, he needs to feel dirt crumble beneath his fingers and get stuck under his nails, he needs to feel the heat of his sister's hand and the feeling of body warmth passing from her to him. He lays on the carpet room and stretches out, and focuses on the feeling of his heart beating and the weight of his bones and muscles and tissue pinning him to the floor.

As a human, Danny faces sensory issues of too much. When all the things he's starving for suddenly make him sick. He feels trapped in his own skin. His ribs become a cage and breathing becomes a dumbbell that he can't put down. He can feel the hair along his arms and it rashes him. He's too cold, he's too hot. He feels like a ghost puppeteering its own corpse and he needs out.

On those days, Danny dips away when he can and goes ghost, and Sam and Tucker don't see him for the rest of the day. He's gone invisible, intangible, and he does nothing but exist.

Just, him experiencing sensory issues as both ghost and human, but in opposite directions from each other. And the idea that ghosts experience the mortal realm differently, and that there are certain things that are just exclusive sensations for the living that Danny doesn't realize until he's a halfa.

[ghurab-alzilal]

Damian is VEGETARIAN

• Batman Incorporated #1 (2012)

[triangular-static]

look i understand if people just don't like the idea of billford, i think we have a different internal concept of what shipping means (they're not good for each other at all but i need to dissect their dynamic like a bug. you understand. it's fun) but it's fine to avoid things you don't like, good for you genuinely

however people saying they like. don't see it. like. i'm not saying there's no platonic way to read it, i'm aroace spec myself i'm all for reading things in different ways. but i do think saying they weren't partners in any queer sense at all is trying too hard to go against what the narrative is trying to say, or missing it. somehow

anyway media literacy time if a character makes a joke like this

and the previous context of that joke within the show is that it's about an ex wife. what connection do you think the text is trying to get you to make.

and that's just from a writing point of view. not even noting that from an in universe perspective ford likely knows the joke from the same source as stan. and is therefore. placing himself in that role of the joke are you seeing where i'm coming from

(not to mention bill's side of this text which is. extremely manipulative but also does not read very platonic. again, it can technically be read as platonic! bill literally can manipulate ford's feelings. but the specific wording used is very much meant to look like possessive ex partner wording whether the character means it that way or not. it's coding. look again i'm not saying it was good for them i'm just saying there was something there.)

and then there's also the divorce/break up/rock bottom input on the website. like. how else is that supposed to be read. and the corresponding page in the book itself.

the language being used here. like yes he's saying it in a joking way but then there's the other side that isn't joking which is him crying at the bar. it's the both sides (the very coded language on top of the very genuine emotions and dynamic beneath)

i know most of us are on the same page with this i've just seen a couple people saying they don't see it when this is some of the most clear cut coding i've ever seen. and these are just the things that explicitly reference a relationship off the top of my head i'm not even including the general vibes of Everything

tl;dr it's barely even subtext anymore it's all but straight up text. what's not clicking have we forgotten what coding is (lighthearted i just enjoy the phrase what's not clicking. what's not clicking)

[turtleblogatlast]

Something I’ve been thinking about lately is that small moment in “Air Turtle” where immediately after the Daves lose yet another game, Leo says how sorry he is and how he’s doing his best as the mascot. This moment is so short but it’s honestly jam-packed with a whole heap of characterization.

His need to apologize for things clearly not his fault - especially when it feels like he messes up the job he was given despite doing the best he can (the phrase “it’s not about you” takes a new meaning when this is one of the lessons to be learned from that - that he is not always solely responsible for things going wrong), his need to save face and make a connection with an older adult man in his life (something he consistently does throughout the series - he’s got a few daddy issues, always collecting potential father figures, it’s no wonder he jumps at the bit to keep rapport), and the way he sounds and looks and the words he chooses really pushes how he is just a kid (“Mr. the Dunk, I’m so sorry”).

Like I know it’s a one off moment that doesn’t truly mean much, but when put against the rest of the series it works really well with the rest of Leo’s established character and helps in solidifying later concepts as well.

[2hoothoots]

apropos of nothing - if you wanna draw Raz or the rest of the Aquatos with hereditary dark circles/hyperpigmentation, it can be useful to take a look at how it appears on real people! dark circles have a very distinctive pattern - they're almost always darkest on the lower eyelid, and follow the lower edge of the eye socket. depending on how strong the pigmentation is, they might form a whole half-circle beneath the eye, or they might only be visible in the inside corner!

couple of photo examples on various skin tones below the cut:

in some cases, the pigmentation extends to the upper eyelid (following the inside of the eye socket); but generally, dark circles are most visible on the lower eyelid! obviously, you can stylise it however you want, this isn't a PSA or a tutorial lol. but using photo ref is always helpful, especially when you're referencing how real traits look on real people!

[dutchs-paisley-vest]

Been thinking about Hosea a lot as I write this analysis on Dutch and Micah.

Maybe I’ll eventually whip something up about him, but for now I’m left with thoughts about knowing that not only is Hosea just as guilty as Dutch when it comes to how their boys were brought up (and continued to be treated through adulthood and ultimately up to their deaths), but also the way the two irreparably damaged John and Arthur’s entire lives beyond even their own comprehension. FURTHERMORE, they set forth a viscous cycle of familial violence and neglect that maintained momentum into the next generation. (See: John and Jack.)

The way Hosea’s action, but more importantly his inaction had in part led to… well, [gestures vaguely to RDR1 + RDR2].

Hosea might have been gentler than Dutch on the surface, but he saw it all, and at times both implicitly and explicitly encouraged it through the meticulous timing of his decisions to remain a “silent watcher.”

Yes, refusal to mitigate the violence makes him complicit, but the matter of the fact is… Hosea can’t even feign partial innocence as a third-party bystander because of how calculated he is in nature.

Additionally, there is no “third party.” Dutch and Hosea are a single unit. They occupy the same space even as two separate individuals in John and Arthur’s lives.

The deliberate nature of Hosea’s inaction puts him in the same position as the “perpetrator” because he isn’t just a watcher, he corroborates directly with Dutch and agrees with what he is doing on principle. He reenforces it in perhaps more subtle ways, but that doesn’t make him any less responsible for the outcome.

The only difference between the two is that while they’re dealing different cards, they are playing the exact same game.

[nocturnal-artist]

Rat Grinders I literally will never stop thinking about you

[lucabyte]

Hmmm just gonna spit this headcanon out in text post form since A. I don't think I could exposit it well enough in image form and B. It's not actually textually/thematically substantiated and I don't like actually staking my stuff on just vibes alone*

But anyway. I'd say it's pretty evident that all the islanders forgot their names, right? King obviously. Because why the hell else would he do that, but also Siffrin No Middle Names No Last Name.

They're 'pretty sure' they've 'always' been 'Just Siffrin' 'as long as they can remember'. It's a pretty cruel twist of the knife to say that they don't even get to keep their birth name as a memento, which is why I'm saying as such.

My utterly unsubstantiated claim is I think it'd be cute to say that Sisyphus *is* the name Siffrin initially picked, assuming the myth of King Sisyphus is recontextualised as idk, just a play or something in the setting. But I like the idea of Siffrin going 'oh shit 🫵 he's just like me fr' at a tortured fictional character long before the irony kicks in.

As for how Sisyphus -> Siffrin. I think that chronic mumbler and emotional doormat Sif just did not correct people who misheard the name during their time travelling, and went through enough places with incompatible phonologies (pronounceable sounds in the language) without ever really writing it down that it just got kinda. Changed until it was unrecognisable, and Siffrin just went with it until the earlier pronunciations slipped out of their swiss-cheese brain. And they just kinda don't remember any of that.

Also, something something the horrid realisation that Siffrin also named themselves after a King. Just not as blatantly.

*(though I think there's something here about Siffrin, a guy from a belief system that seems to thoroughly disincentivise autonomy and self-motivated choice continuously having their hand forced to make changes/choices they don't want but have no choice but to... It's not solid enough to really back this up tbh, but it informs it.)

Anyway.

[gemgdynamight0]

hc for Katsuki's sidekicks:

two sidekicks who are UA 3rd years/just graduated and they're both girls and very competitive rivals who are very serious in their job and they both grew up admiring Katsuki's skills, passion and spirit when he's fighting so they want to surpass him (that's why he accepted them). But they don't really like each other and get annoying sometimes because they fight and argue a lotttt, like imagine they're in a mission and are arguing through the comms and Katsuki is so annoyed and face palming telling them to "FOCUS IDIOTS" but he secretly smiles because it reminds him of his rivalry with deku when they were young.

They also spent their 1st and 2nd year internships with Katsuki and he trained them soooo hard because he sees boys and girls equally and also saw so much potential in those two. that made them so happy (I'm assuming their society is still misogynist like it was during the sport festival)

Part 2 of my sidekick au

[potato-lord-but-not]

I offer to you the ship of Roland Cummings, Delphine Cummings, and Charlie Dowd that has been absolutely rotting my brain and is ripe for Charlie angst. I talk about them a bit here in which I discuss multiple Charlie ships but I must spread the propaganda of them o7

Ohhhhhh despite not really being Roland/Noel girlie I can indeed see the appeal 👀

[sonknuxadow]

the sonic twitter takeovers are canon when they say something i like and not canon when they say something i dont like hope this helps

[turtleblogatlast]

[ cw: assumed death / assumed sibling death / assumed child death / solitude ]

Thinking about Leo being trapped in the Prison Dimension and keeping himself warm through the power of his own ninpo - this ability is shown to us as a flame, after all, so imagine if, when he lets his mystic energy run through him, it warms him up, just a little.

In this desolate place, all cold and alone, he focuses on that flame and leans into its warmth.

He relies on it, and he realizes it that he’d relied on it too much when it goes out, and he’s once again cold.

(In another dimension, the Hamatos believe they lost one of their own.)