#i dont want it to be THAT huge but i want it to cover my face

[3liza]

everyone arguing with material analysis/assertion about how art is a "luxury" has rarely if ever spent rent or food money on art, if they even pay rent or buy their own food, and if they did that would be considered extremely dysfunctional, and thats what i/we mean. artists are not providing a necessary service.

our plane crashes in the Andes and you are not particularly excited about my "can draw that Playboy centerfold of Marge Simpson from memory" like that is not an essential survival skill. lots of extremely skilled workers work in luxury artisan and craft jobs, it's not an insult to say even a very famous and very talented and influential artist is not producing a commodity necessary for the furtherance of human life. none of us are doing that, no matter how we stretch and strain the definitions of "essential" or even things like "morale" or "group identity". i will burn my copy of Finnegan's Wake to stay warm and thats what it comes down to.

i get foamy crazy snarling and biting about the idolization and obfuscation of what artists actually do because it is a labor issue! the public conception of artists as people possessed of a divine talent they dont consciously work to develop like any other skill, and the public idea that we are simply pleased and privileged to make art all day and "not work", something people say to my face every time i get asked "what i do", is largely responsible for the absolute dogshit reality of how subsistence and working class artists have to survive. we usually dont have health insurance unless we're so poor we qualify for medicaid AND live in a state that will enroll us. most of us are too disabled or crazy to go to a real job every day. most of us have tried, over and over, to enter the normal workforce, and have failed, and been forced to develop alternate skills that allow us to make rent in the ten hours per month we're actually functional. many of the artists i know work from bed because standing up is dicey. this has been turned into a charming eccentricity of famous artists and writers instead of people wondering why a person would need to stay in bed all day and take the enormous bother of bringing their stupid pens and paper and writing board or typewriter or whatever to their bed instead of just getting up and getting dressed and going to work. ive done this, i spilled ink in my sheets. its a huge hassle.

and artists play along with this mystique because people dont want to buy paintings from sadlords! they want to buy paintings and books and marge simpson nudes from cool guys who get a lot of chicks and wear rockstar outfits and party a lot, because of the transitive properties! of course!!! this is basic marketing!!!!! and if the artist doesnt play along they turn into Sad Story Artist where they're doing emergency commissions and posting about how sick they are all the time. this is not cool or fun or sexy. it's a sand trap and its very hard to recover from. im struggling with this right now!

famous and successful artists and writers are constantly ending up 60-90 years old with cancer and multiple sclerosis and dementia, being the subject of some sort of public, last-ditch, humiliating GoFundMe because painting paperback covers fr 60 years means you dont get a pension, you often dont even have kids who can take care of you, you dont have life insurance, you dont have health insurance. 'died penniless and alone' is one of the stereotypical artist endings for a reason, that is not fiction. this happened to more artists than i can list on two hands. look up what happened to Peter S. beagle, the guy who wrote The Last Unicorn. you write a book like that you should be set for life, right? NO. thats not how it works

i'm not saying 'all artists are disabled and working class or poor' because that isnt true, observably. nepo babies and trust fund artists exist, obviously. but they take an outsized portion of the spotlight when the public thinks of the concept of "artist". they are not actually the norm. the average artist is probably making under 40k and living in extremely precarious circumstances and has had periods of homelessness, illness, extreme debt and/or bankruptcy.

this is true even for the 'successful' artists. having one or two or ten good projects and being a household name does not save you from just not having the safety net provided by a normal career path. i was very close with a major, famous 2000s network television creator and team that you have heard of. they won awards, they changed culture entirely, they were a big deal. one of them was turned down for a half dozen projects by the same network that made millions or bilions on their franchise over several years (each pitch is completely unpaid btw, imagine carefully preparing a PowerPoint for morons for months at a time for no reimbursement and thent he morons ask you if you can put a teenage witch looking for her lost cat in the alps in it and you're like, haha, well, it's a 4 part hard sci fi miniseries set on Europa and takes place entirely inside a pressurized lander settlement, i mean Ridley Scot said he was interested already and he pitched a bottle episode about a carbon monoxide poisoning, soooooo....and the executives look at each other and they're like "it's jst not really what we're looking for right now, thanks for coming in" and you go to coffee bean and tea leaf and kill yourself and thats sort of what its like. i made that example up it didn't actually happen i'm using an illustrative example), worked on a canceled film, and just. gradually ran out of money. thats what happens. that guy ended up slowly selling off all his belongings, getting roommates in a one bedroom apartment, and then eventually having to just live on a friend's couch for years. famous guy. you probably know his name. another major member of that same team ended up in GoFundMe/commission hell for years (might still be there) because they had to take care of their two dying, dementia patient parents by themselves. these are people who go to GenCon and sign autographs for four hours at a time. THE PUBLIC IS NOT AWARE OF THIS SHIT and i'm sick of it. im sick of going to a gallery opening night ("vernissage") and drinking bad wine and having a guy with an email job that pays six figures and benefits tell me being able to push "undo" on the computer is cheating. that's a real example, that has actually happened to me. more than once.

artists currently have zero labor protections whatsoever. all of us are undercutting each other in an unregulated market and relying on welfare and private insurance and not having families or buying houses. zero security until we get so old all our illnesses and dysfunction finally ground us permanently and then we get turned into a charity case by fans (humiliating) or just fade away into ghosts and die

whats my punchline? idk i dont have one. it's possible and likely that any given artist you meet is permanently in precarity and will be until they die, even the famous ones. the culture of selling art demands that artists do not admit to this in public unless shit gets really really bad. i guess my point is you should know this, as a person who looks at or listens to or reads things that people have made for your amusement, not for your survival

[mishy-mashy]

Something I made in a post that I think'll be lost in the texts + expanded a bit more

These panels are chronological events following AFO's pursuit of Yoichi's Factor.

AFO could tell if people were related through a Quirk. AFO and OFA also are connected to each other. In Kamino, AFO could confidently tell All Might that OFA had been passed on, so all that All Might had left were leftover embers.

When AFO killed Kudo, he asked where Yoichi was. He knew Kudo wasn't the holder of Yoichi's Factor at that time. He also realized when looking at Yoichi's hand that Yoichi's natural Factor was so weak he hadn't registered its existence. This implies AFO could sense Factors since he was young, and Yoichi's natural Factor never stood out to him.

Below are three panels of Bruce (right to left). Bruce fought, AFO killed him, and looked away in disinterest.

When he beat down Bruce, he already had a sense that Bruce didn't hold the Factor anymore. That's why, rather than yell in his face to figure out where it is and interrogate for a long time, he pulled up his corpse to inspect him better.

Bruce's corpse isn't resisting anything. Look at his feet; AFO literally dragged him. Bruce is already dead. Yet he's looking for something from him.

Bruce doesn't have anything for him. Nothing AFO wants.

When he looks away, he's dismissing Bruce, because Bruce doesn't hold Yoichi. AFO is wondering where Yoichi is, because he knows now that he's out there somewhere. Thus the pensive look to the wind.

After Bruce is killed, AFO and Garaki meet for the first time. Shinomori has Yoichi at this time, and AFO never comes close to him, so AFO is lost. He doesn't have any leads, and Yoichi has vanished.

Now that he knows Yoichi can transfer, it's possible for Yoichi to be kept out of his reach for the rest of his life. So meeting Garaki and having access to Life Force gives AFO more time to search.

Yoichi is still missing for 18 years though, because Shinomori is in hiding. AFO couldn't find him during the Fourth's turn.

This is why, when he encounters Banjo, the Fifth and active wielder of OFA [Yoichi], AFO is smiling.

It's been a long time, but Yoichi's in reach again. He knows where he is now. And this is the first time he's encountered the current holder.

Thus his shock.

[Yet... you never behave as I wish.]

It was the first time a Quirk wouldn't let itself be stolen. This was AFO's first encounter with this wall: it doesn't transfer without the holder's consent, and requires willpower stronger than all the holders combined to override that.

The holder is never going to give him that consent. To override the collective willpower, he's going to need something greater.

Meanwhile, look at Banjo's arms. Shinomori is the catalyst to tip OFA over the edge, that an unprepared vessel will be destroyed by how strong the Quirk is.

Banjo's arms are both messed up below the shoulder, just like Midoriya used to be. And like Midoriya uses Blackwhip to reinforce himself and stay standing, Banjo uses Blackwhip to hold his fist / arm together. His hand is being wrapped to stay in a fist.

(What I think is) The reason the limbs turn red, and then purple, from breakage, is a matter of blood vessels. Small, itty bitty, fragile things.

Using OFA breaks the whole area, from bones to blood vessels, causing internal bleeding. Thus the redness. But breaking those vessels again in a second go turns the area purple, because it causes instantaneous internal bruising.

But En wasn't ripped apart by using OFA. There's a cut on his thumb that lines up with the path of destruction; AFO sliced him in half. Otherwise, he wouldn't have that cut if it were just OFA.

It's hidden by the text in [... you never behave as I wish], but depending on where you see this chapter, you can see he got cut on the thumb. It's clearer where we see Nana take his hair from him, in [I only want... to make you mine!]

I have a post in drafts about En being cut in half rather than it being because of OFA, but I also hit an image limit, so I'm gonna end here. Ta.

[good-beans]

(Milgram self-insert oc masterpost hehe)

Name: For the sake of posting online I’ll call her Rose!

Color: #E7355B [the pink in the art]

Age: I guess she’d be 20 given when Milgram started huh.

Status: Milgram Staff, Machine Technician

Symbols/imagery: ballet/musical theater, science experiments

Song genre: very similar to Mahiru's, something upbeat and extra pop-y

Tentatively she's number 011? She's not really prisoner but she's also not free to come and go, so I'm not actually sure if she'd get a number (Edit: I've decided she'll actually be 012. Staff is given the 01X range, and even though Es doesn't actively have a number they'd be staff member 011, making her 012.)

Story: Since the project is supposed to be realistic/present day, the mv machine would be brand new and unpredictable tech, so they’d want someone keeping up on maintenance and making sure the brain-invasive process won’t cause any harm to the prisoners. Rose was studying abroad in Japan working on some cool neuroscience tech (irl I know nothing about technology or brains but shh) and she stumbled upon some secret tech/plans from Milgram. Long story short, she was dragged into the experiment to make sure things ran smoothly.

Writer's Reasoning: She’s really fun for me to play around with, as she allows me to work with a character who has a tiny bit of pull over Es’ mindset in conversation but not the final decision (aka mirroring the voting system), and someone who is simultaneously trapped in the prison but has a reason to see all the canon content.* I really enjoy the character interactions and dynamics Milgram has set up so far, so it’s been super fun seeing how things change for better and worse when someone not quite aligned with either Milgram/the prisoners is thrown into the mix!

*As much as I love dramatic irony in fiction, it would drive me crazy if I knew every detail of of the vds/mvs but Rose didn't – and every single Milgram character is The Worst Communicator Ever so I couldn’t justify that she’d hear it secondhand from them...

Story roles:

She’s a bit conflicted -- she’s officially Milgram staff and knows she should remain neutral on the prisoners, since she won’t be allowed to interfere with the process/executions. At the same time, her job description is literally “make sure the machine doesn't hurt them and everyone's safe :)” and she's way too emotional to avoid getting hopelessly attached to everyone 😅

I really enjoy the theory that the machine extracts videos based off of priming, so one of Rose’s duties involves listening in on the interrogation and making sure there’s been enough material discussed/not too much time has passed overall (hence the ringing of the bell happening at different lengths for each vd -- That's her ringing it :3). She then watches the mvs along with Es to make sure there are no machine glitches, and know how to calibrate it better for next time.

(IEdit: I've since decided to add in official trial mvs, but before when I wasn't ready to tackle that:) She has to run some tests on the machine to make sure things are calibrated correctly, so she'd extract little things here and there. It gives me the opportunity to think up lyric snippets and recurring symbols for her without worrying about full encompassing music videos.

I'm not afraid to admit she can fall into Mary Sue territory every so often by being everyone's friend, because it's less about "aw everyone likes her" and more about "canon is too painful rn and I need a fix-it tool to take care of these guys and give them hugs and tell them someone forgives them and cares about them and unfortunately these characters wouldn't let anyone less than a friend do that." Rest assured she's definitely not perfect and will fuck everything up on occasion :3

Miscellaneous: Whenever I play around with normal au ideas she's still working on the machine (but in a public, more ethical setting), and she's Mahiru's roommate :) Her character isn't super focused on love, but if I had to pick a cover song it'd be Stickybug II. It's very much my vibe, the lyrics fit well enough (better than most songs, at least lol) and it's one of my favorites out of my limited knowledge of unchosen Deco songs! (Edit, I've actually given her non-deco cover songs hehe)

So yeah, I hope she's not too boring without a cool crime to decipher, but I wanted to share since I was really proud of her! It took a bit of tinkering to find a way to fit her into a perfect secret-third-thing role that runs very smoothly with all of canon, so I was very excited!

[stuck-in-the-ghost-zone]

im never gonna be normal about that!!!!!!!!!!!!! oh my god!!!!!!

[heyitzbud]

Just in case yall were wondering the hold mr samuels teatime stories has on me im making a crochet madeline

[rakeshouseparty]

Good morning rake gang i had a real weird dream and it involved rake!

[alukaforyou]

no rush for this BUT once i move into my future extremely sexy and beautiful apartment,, i wanna do a photoshoot with a few of my fave selkie dresses & hanbok and make it WEDDING THEMED and then i can draw in my anime husband into every photo and i can print them out big on canvas & decorate my apt with them :) that would be sexy methinks. and THEN maybe i can just let go and put visible tattoos all over myself 🥴 cuz i am SO conflicted about getting more tats cuz when i wear nice dresses i want the focus to be on DA DRESS with no tats. still just have my rib one from 3+ yrs ago and thats it :( wat if i got like. madara tats LMFAOOOOOO and make my bf do them for me 🤣🤣🤣🤣🤣

[roughentumble]

man. you know i generally dont ascribe maliciousness to the step-sis's behavior, i think generally she's just a dumbshit teen(<-neutral term), but. its pretty hard to see it any other way when she(mid teens) puts a wood-handled cast iron pot in the dishwasher(has cast iron at both houses)(isnt supposed to put wood in the dishwasher and knows it)(didnt even wash it out first so it had a thick crusted-on ring from the simmer pot)

like. girl. there's doing something stupid cuz youre a teen and youre not thinking. and then theres like. Nuclear Level Fuck Ups.

[savethepinecones]

so so sick of being yelled at for being depressed

[synonymouslyyours]

.

[meringuejellyfish]

was thinking about book covers today, heres a few i like off the top of my head

[todayisafridaynight]

SO! I've wanted to talk about The Clip all day but felt like I should wait until the tumblr "premiere" (even though I think you were literally one of the first people to see it on Twitter lol). Thank you for defending my honor btw even if I am just Someone <3

But. Yes. Yeah. Yokoyama's absolute certainty in saying that??? Without anything to even buffer it? No maybe. No "don't expect too much." Just point-blank in front of a huge fan (whom I believe he's now going to be working with), a staff member, and a massive audience. As if that part isn't the matter of contention. I WILL be injecting those words directly into my veins for some time.

I was on the verge of choking and/or spewing blood and/or crying before posting it though lol, so I really appreciate the vote of confidence regarding the translation and I love your redraw! The reception as a whole has been really nice, although I wish people would keep it to themselves if they'd rather have Nishiki or Ryuji back or whatever. Not like it's a race, but even if it was, Mine's been in last place for ages lol.

And while I enjoy Y3's writing more than most, Mine's death wasn't some Grand Meaningful Statement, it was the decision of a fledgling studio that never knew if it would be able to keep making these games trying to tell a self-contained story. It did have far-reaching consequences for the series, but those consequences are also... not really relevant anymore?

Like, I can and have argued that Mine's death caused the fall of the Tojo Clan, but the clan has already fallen. So I don't see why some people are acting like revisiting his character would be A Spit In The Face to the saga somehow, but I guess I've never really been against characters being brought back...? A quote from the staff that's always stuck with me from the staff is that RGG is always going for RGG-ism, not realism.

Ranting aside... I honestly don't know if I should be saying this, but there's this new guy working the counter at Survive in some LaD8 behind the scenes footage. Now, upfront, I'm 99.8% sure it's not Mine (I happen to have a 100% accuracy rate so far identifying major RGG characters from extremely blurry images and silhouettes lmao), and I have no idea who it is, whether it's a new character or an old one heavily redesigned or Just Some Guy.

But he's not Kashiwagi. And he happens to have slicked-back dark brown hair with what appears to be an ahoge in some angles. And, unless the materials are temporary, he also dresses A Lot Like the celebrity Mine's design was based on. And his features... line up closely enough to piss me off, even though they don't fully match in the end, which is why I don't think it's him.

I'm in argumentative essay mode 100% of the time which is why I'm saying this in a "convincing" tone despite literally not believing it myself, but like... wouldn't that be something? To just have Mine part-timing at Survive or whatever and no one makes a big deal of it because they don't know any better? If nothing else, I really do think he should get The Bartender Treatment.

I dunno, I might post about it with a comparison tomorrow because it's been on my mind lately, especially with The News, but I really don't want people to get the wrong idea either. Or embarrass myself if it was too tenuous of a link to look that deeply into from the start lol

I remember seeing it two minutes after you posted it, so I can imagine I was one of the first to the scene of the crime (so my friends put it LMAO). AND OF COURSE I- and a lot of us- can't be any more grateful for all the work you do than we already are. I'd go insane trying to document and manage everything you do! especially when you have insane people like me ready to pounce on the smallest thing like I know I'd cry FJLKAJ The least I can do is give a proper title/credit to you when I can o7

If Yokoyama had any remaining hesitance about Mine being alive, then he REALLY would have fumbled by sounding so certain. Like in his old tweet, he certainly sounded more ambiguous, but this time he really had no extra notes and sounded more sure of himself. I won't expect RGG to do anything with Mine, but the concept is still very much exciting and the idea that Yokoyama almost seems earnest about the idea of bringing Mine back for whatever reason is very nice to know :] And thank you about enjoying the art I did! I can't lie in the slightest, since the last ask where you alluded to posting the clip, I had that drawing saved in the back of my head ready to make once you had that posted LMAO

But oohh not to touch drama since I generally try to Not touch it, but yeah I can't act like I haven't seen some people be. ""Interesting"" about the idea of Mine being alive. I won't dive too deep into it, but I think my major issue with the few grievances I've seen is that RGG hasn't done anything with Mine's alive status. As of right now, it's just a thing Yokoyama said, so I don't understand the need to be so angry about it (it's especially weird to say Ryuji hasn't been back when he not only got to be a playable protagonist in Dead Souls, but he was also the protagonist of RGGO- though I suppose I can understand wanting him in the mainline series again. Still, it's weird to act as though Mine's back any more than he is and being upset about it just because Yokoyama said he was alive)...

Moving on though, I'm really curious as to this 'mystery figure' you mean. I've been missing out on LaD8 production material, so I haven't seen this bit myself but I'd love to take a stab at it and analyze myself too. I agree though: if Mine does come back- whether he's working at Survive or anywhere else- I would greatly prefer if he had The Bartender status and was just never really called attention to and only existed in the background

[apathyfairy]

i cant believe american idol was out there making us buy songs on itunes to vote now i just have a dozen random david archuletta covers in my itunes library for the rest of my life

[random-hippocat]

okay so I read the notes on this one

I think it's just, they need to refer to you in some way. so the best option is always to ask. otherwise they just have to assume. I think asking is always more polite.

I also think it's a good step for inclusivity. we're getting to the point where asking for pronouns isn't a weird thing. eventually it'll be so normal that people won't think twice about asking anyone their pronouns. but it takes time before we can get to that point.

plus if you don't want them to ask, you don't want them to assume, what are they meant to do?

Potentially hot take but I find the mandatory disclosure of pronouns increasingly prevalent in academic and some professional settings to be dystopic as hell, not cause "pronouns cringe" but because the mandatory reporting of your personal gender identity to a group of total strangers over and over again is fucking weird and invasive

[nomairuins]

RLY EXCITING STUFF i got to be on parttime tooth fairy duty for the first time ^_^

[arolesbianism]

In other news Odile crashed my game during her friend quest. Smiles in pain.