#i dont like not knowing where i stand with people

[srslylini]

The way season 1 ended she was at a point so low she was ready to blow up a city (and like she did, she blew up the council). The start of season 2 showing her cathartic wasn't actually bad I liked that direction. It felt like they wanted to show her in a "nothing state" which depression also feels like.

they showed her as not caring about anything anymore (literally just walking through every scene in the music video sucker while everything just HAPPENS around her). The meeting with Isha, while still being a little bit odd since it felt like well they randomly put them together but that's something you can overlook, was amazing. She still just didn't care, played with her life.

Her reaction to seeing her sister being an enforcer? Gut punching. Extremely painful. The fight with her STILL being more in a nothing like state, just shooting the dude with her back turned to him felt very s1 which is good because again, Jinx in the end was like??? done.

and then.... act 2 happened. Suddenly they used Jinx's mental state as a Plot device. In season 1 it would ruin missions and her freaking out would happen no matter if "the plot needed it or not" if you get what I mean? The first mission we see on screen? fucked up because Jinx lost control. This happens throughout the first season, it doesn't just come when ever the writers need it to happen.

In season 2 it does. Suddenly in situations that should freak her out she doesn't. Suddenly they use it as a plot device. Why was she very calm and relaxed upon meeting Vander as warwick with Vi? Why did she not freak out when Vi and her fought in the mines?

Do we all remember what happened in season 1 episode 3? And how Jinx immediately lashed out as soon as a fight occured? What happened? Also why was she suddenly so very chill with Enforcers in act 2 and beyond? The joke with the Enforcer and her god damn fucking pants was so out of place I cannot even handle to think about it anymore. The fight with Warwick was good and I liked that in the end they again showed that she is ready to kill herself, at least there is continuity here but that is also never addressed and also... happens for Plot and plot only

it happens so warwick can see the bomb and so they can have him recognize her, like okay arcane writers? And then after that she is simply fine with her second father figure showing up again? You are telling me the girl who had such a mental break down last season over her sister returning would be absolutely fine and 🥺family🥺 upon seeing Vander? Where was the sense? Where was her having to deal with Silco and Vander in her mind? i don't WANT to see her tortured, duh, but they set that up and showed this happening to her in season 1, so this is just, I dont know, a plothole? You are telling me the same girl who blew up the council in s1, and like LOOK AT HER in that scene, is all cuddle cuddle with her past family whose death she always blamed herself for and was scared off?

Then Isha dying, and god do I have my problems with that but that's another thing, and THEN having Jinx never mention her again? Are you KIDDING ME? like it's not even just not mentioning her as much as it is just also Isha not appearing in her nightmares etc. That is NOT how they set Jinx up as a character. While the scene with Jinx in the prison with Silco turning up was chillingly heartbreaking it also didn't make sense if you take into account how they wrote her seeing things this season. In the one scene where she talked to Silco's chair she says he doesn't show up and then when she is in pain over Isha being caught suddenly he stands behind her? I mean maybe I missed something here but I literally sat there like huh.

In season 1 it happened not because it was needed but because it wasn't. As it should be. In this season it only happened when the Plot needed to move and that's just so incredibly weird to me. Especially cause I already saw people misinterpreting the Silco and Jinx prison scene. It was her subconscious telling her to kill herself not Silco trying to be "a positive influence".

And then or course, we have this tragic character Jinx. Who was shown to have a wish of death all throughout season 1 with how careless she was with her life (for example when she threw around the bombs in her hide out) and then throughout season 2 as well. Who saw a breath of life for a bit, taken from her.

To have a character like this ACTUALLY die by killing herself and then to paint it as a GOOD thing? This isn't a tragedy. This is straight up suicide glorification. I did not cry when I watched this scene, I did not feel sadness and grief. I was beyond mad and disgusted and might be for a long time to come.

I need more ppl to talk abt how awfully Jinx was treated this season. I am soooo angry and upset

[cursedextrovert]

People comparing CaitVi dynamic season 1 and 2, are we watching two different shows or y'all just forgot what happened in the middle. There was literally a war going on, Cait's mom fucking died like are they just gonna be lovey dovey with all these politics going on? And then one moment they leave everything to just be with each other in that jail cell you are also mad like wdyw?

Also people who say their sex scene is not necessary and/or a bad representation.

Firstly, JayceMel also got a sex scene in season 1 so its not like they invented sex just for these two lesbians.

Secondly, they didnt just fuck. Vi was beating herself up thinking she made the wrong decision and fucking things up like always and Cait told her that she actually let the guards go so Vi can do that exact thing she wanted. Ultimately saying a) she trusted Vi when she said Jinx has changed and wanted Vi to let the girl out b) she wanted Vi to be happy more than she wanted revenge even tho just some months ago she was the opposite.

Thirdly, we see the detail, Cait hesitates when she sees the bandage where she used to hit Vi. We see Cait taking off her clothes and showing her all, being vulnerable because Vi deserves that much from her.

Fuck. I get it, ok? This is a rare time we got a wlw relationship where both are main characters, and in a big show like this so you want it to be perfect and deprive of all flaws. But wouldnt you rather have two well-written characters where they relationship is tangled with the core of who they are than just a wlw couple with no conflict, no personal development no nothing? Hows that a good representation? Their relationship doesnt solve the conflict between them and their politics but is the reason why they were intertwined in the first place.

And dont come at me about systematic problems as well like Im a poc myself living in a white country and a sociology graduate. I understand Caitlyn did terrible things and is a war criminal herself with how she stands aside letting Ambessa did the thing she did and for gasing Zaun just to seek revenge. But she, just like everyone is a product of her sociocultural surroundings, shes a human affected by their beliefs and emotions. Isnt that the point of the show?

I dont think she got her happy ending just because she lives, I think being alive is her purnishment. She has her whole life to make up for what she did and I believe she will. What other fate you think she deserves? Her death will not undo her crimes, so is prison, they will also prevent her from actually fixing what she caused and ultimately using her priviledge for good(which shes doing, you can read my post about it). And Im not about to start the whole ethic debate on prison. How does one define a purnishment worthy? How do one define what a person deserves?

Finally, you know who else was a war criminal and walked away with what he wanted? Singed. Reality is like that, not black and white. People dont get what we think they deserve, ever.

[i-am-a-l0st-gh0st]

Reader freezes terribly everytime they're asked/taken to dance. It's like their body refuses to move. They just get frozen in some sort of stage fright anytime someone pulls them on the dance floor, as they look down on the ground with their blood going cold, anxiety in their face expression.

I've got this problem- Scaramouche x gn!reader

And I tried to tell you

Warnings- Forced dancing, comfort, scaramouche being protective

Summary- A man trys to approach and dance with you, but starts to pull you to the middle of dance. Scaramouche will have none of that.

Notes- guys bear with me trying something, also gave up on flufftober, exams, sickness. The whole thing @keeyisbored lmk if you wanted one of these for lyney 🙏

The floor was crowded, which already made it awful. What was worse is a total stranger had made his way over to you and asked you to dance.

"Come on, darling. Just one dance."

"No. I dont like dancing." You stiffened with the weight of the mans glare.

Without a word, he grabbed your hand and took you onto the floor. The lights were warm on your skin, but you couldn't help but freeze. You could see the small triumphant smirk of the man. Even when he tried to make you move, you couldn't.

"Oh, come on." He snarled.

Before you could speak or even look at him, someone was standing right next to the both of you.

"I suggest you get your hands off them, or I may do something i regret." Scaramouche glared at the man.

However, you hardly heard his words. Everything felt too much, the light's , the other people. You felt so small, like you couldn't do anything. Despite wanting to be off this floor, it was like the cryo archon themselves had frozen you on the spot.

Your vision became blurry, and you could just make out the man leaving.

"Y/n?"

You snapped out of everything and turned to the blue haired man next to you. "Yeah."

His eyes softened with your tone. He could see how heightened you were. Scaramouch had asked you to dance back when you first started dating. You had freaked out a bit, so he noted that and never asked again. But seeing someone ignore your no, that really pissed him off.

"Let's get you out of here."

He clutched your hand, making sure he didn't lose you in the waves of dancers. As soon as you were off the floor, you started to breathe normally again. Something about a familiar hand in yours always made you calm.

"That bastard. He's lucky i didn't kill him."

"Scara-"

"I'm serious."

"That's the issue, i know."

He placed kisses over your forehead, as his hands crept up to cup both of your cheeks.

"I'm sorry i wasn't there."

"Still, you helped."

"Mm, but i could've prevented it."

There wasn't a moment where you didn't feel safe in his arms. Despite his temper, you weren't scared of him. He never aimed his anger at you but at the people who hurt you.

[cillianmesoftlyyy]

Moth to the Flame Pt. 2 | Dr. Crane x Reader

summary: Dr. Jonathan Crane isn't the only 'crazy' in Gotham City and he's about to meet his match. When confronted with an unpleasant secret from his past, he's skeptical to trust the strange young woman who calls herself Victoria Vale, the rightful heiress to Arkham Asylum (and maybe his downfall).

warnings: mentions of attempted suic*de and an insanity plea (follows the plot from the movie Batman Begins).

A/N: I really enjoy using the original DC comic lore so if you've been following me for a while, you'll recognize the backstories in this but I've tried to make a completely different plot line.

Choke- I DONT KNOW HOW BUT THEY FOUND ME 🎶

A few days pass but they feel like weeks. You’re expecting Dr. Jonathan Crane at the precinct to conduct Falcone’s psychological examination, and shift impatiently in your seat. You check your watch routinely, having assumed Crane would be a very punctual person and arrive right at 4:00. And you’re right. 

Crane saunters down the hallway like a black cat, his dark hair combed back against his head and his glasses perched perfectly on his button-like nose. You stand as you see him, pushing your chair back from your desk. You step out to meet him, keeping one hand securely on your hip to ensure your gun stays there and doesn’t get picked up by this handsome criminal mind. Dr. Crane smirks softly when he sees you and gives you a curt nod. 

“Detective Vale,” he greets you and sticks out his hand. You give a professional nod back and shake his offered hand, surprised to find it so warm. 

“Dr. Crane, thank you for coming on such short notice. One of the men we have detained in the precinct attempted last night, I’m sure you understand that we have to follow protocol- get him checked out before his trial in case there’s a more serious issue here.” You explain, knowing Crane can see right through you and your speech (just a matter of routine). 

“I’m always… happy,” he takes a breath, “to help law enforcement when I can.” The smile he gives is false, a lie, but one that you share. You nod and open your mouth to speak again when you hear Rachel Dawes’ voice splinter the conversation. 

“What’s he doing here?” Dawes stands beside you, crossing her arms over her chest in her crisp suit. You watch Crane suppress a scowl as he sees Dawes appear in front of him in her annoyingly professional suit. Though he’d be lying if he didn’t admit to having a thing for powerful women.

“Ah, Miss Dawes. To what do I owe this… pleasure?” 

“I could ask you the same thing,” Dawes retorts, her nose scrunched in distaste. 

“Dr. Crane is conducting a psychological examination on Falcone for the department,” you turn to Dawes, putting your hands casually into the pockets of your pants. 

“Is he? Then perhaps he can also explain why so many of Falcone’s men end up in Arkham because of his diagnosis.” 

Crane holds back a sigh and gives his best charming smile. “Miss Dawes, I’m simply giving professional diagnoses and my most honest clinical opinions about each of Falcone’s men. They end up in Arkham because that is where they belong. That’s hardly my fault, if criminals have a certain association with the insane.” Dawes begins to level a threat at Crane when you cut in. 

“Rachel, we’re going to get him on this one, I promise you. I’m going to oversee the examination with Dr. Crane.” You speak softly to Rachel, meeting her dark brown eyes. 

“Well I’m glad you're overseeing it, some people need it,” she glances over at Crane who looks back without speaking. You look between them before clearing your throat softly. 

“Let me know what the results are, Victoria. The judge wants to meet with Falcone on Monday,” Dawes directs her words to you and then turns to Crane again. “Falcone has no history of psychiatric problems. He got a hold of a blade and claims he wanted to hurt himself. I think he’s faking it.”  

Crane nods once, still cool and clinical despite the unspoken accusations launched at him. “We’ll see.” 

Dawes and Crane scowl at each other before you nod once again and gesture down the hallway. 

“I’ll be there to watch, Rachel, and I’ll let you know what the decision is. We all want a conviction as much as you do.” Your words sound truthful and sincere. Rachel’s pager buzzes and she looks down at it, frowning. She turns and nods at you in thanks before walking away, her black stiletto heels clicking angrily. You look again at Crane whose eyes are already on you, examining you silently.

“Very interesting…” he says coolly. You raise an eyebrow and cross your arms over your chest. 

“How’s that?”

“It’s interesting how you interact with her. You deal with her so casually.” 

“I have many talents,” you answer distractedly and turn down the hallway, beckoning him to follow, “shall we?” 

“Lead the way, Miss Vale.” His voice feels close to your neck, prickly and hot like a hand. You close your eyes for a moment and sigh, allowing yourself to dissolve in the riptide of his voice. Then you’re back, you glance around to make sure that no one has seen your “friendly” interaction and continue walking, your steps wide apart and fast. Crane follows easily behind, his gaze unfazed and silent. You stop in front of one of the soundproof interrogation rooms in the precinct where Falcone has already been placed. You step inside, Crane just behind you, and close the door, locking it and pulling the blinds.

Falcone is sitting at the table with his wrists cuffed, though there are thick bandages between the steel and his skin. He has a cigarette placed between his purplish mouth that reeks of sour milk. He raises a bushy eyebrow when he sees Crane and looks between you, unimpressed. 

“Geez doc, I gotta get help. The voices… blah blah blah,” Falcone looks around for a lighter and then turns his eyes up to Crane’s. “Got a light?” 

Crane’s jaw clenches and he sighs deeply through his nose before he pulls the lighter from his breast pocket. He flips open the cap with his thumb in one swift movement and leans over the table to light Falcone’s cigarette. You watch as this moment passes between the men, your eyes following the silver lighter as it returns to Crane’s pocket. When Falcone leans back in his chair, his cigarette lit, that’s when Crane finally speaks. 

“Now Mr. Falcone, I’m going to ask you a few questions. Answer… honestly,” Crane clears his throat and sits at the table, opening a file folder of Falcone’s medical records. 

“Sure, great,” Falcone mutters and looks at you, narrowing his eyes. “Are you staying? Is she gonna stay?” He turns back to Crane who looks up at him, frowning. 

You regard Falcone coolly and nod once. “I’m here to observe.” 

“If it’s alright with you, I’d like to get started, Mr. Falcone,” Crane cuts in, his patience thinning quickly. Falcone grumbles and nods, waving his chained hands to prompt Crane to continue. Crane takes another file from his briefcase and opens it on the table. You can sense Falcone starting to get irritated, Crane’s lips pull into a small smile. 

“I was just looking into your medical record. You’ve got a bit of a history with drug use, don’t you, Mister Falcone?” 

Falcone looks over at you for help, confused by Crane’s line of questioning. You shrug and remain silent, your arms crossed over your chest. Falcone thinks for a moment before answering. 

“Oh… yeah. Meds and stuff.”

“And stuff? In your file it says that you’re taking a prescription for a severe anxiety disorder. Is that true?” Crane raises an eyebrow, a plan brewing behind his blue eyes. One that neither you nor Falcone can predict. 

“Say, doc, what kind of question is that? You’re supposed to declare me insane and get me out of here. We had a deal.” Falcone’s tone is low and sounds slightly scared but he tries not to let it show.

Crane pauses for a moment, the statement hangs in the air like a cloud of smoke. You look between Crane and Falcone, your curiosity piqued. Crane maintains a clinical tone as he continues slowly as if he were talking to a child, “I know we had a deal, Mr. Falcone. Our deal was that I’d keep you out of jail, not out of my line of questioning…” Crane smiles, his heart beats faster with adrenaline, “I’m curious. Are you taking any anxiety medication?” 

“Sure, of course…” Falcone stutters and furrows his eyebrows. “I take all that stuff. I’m crazy…” 

You can feel the tension in the room build, and it sets your teeth on edge. You try to keep your focus on Falcone but the dull throbbing between your legs reverberates whenever Crane speaks. He reaches into his briefcase and removes a vial containing one singular pill. 

“This is an anti-anxiety pill. Quite powerful, actually. Do you know the name of this medication, Mr. Falcone?” 

Falcone’s face is a bright red now and he strains against his handcuffs. You regard Crane curiously, asking yourself why he’s asking all these strange questions. Why not just declare him insane and let that be the end of it? Crane feels a deep sense of satisfaction as he watches Falcone struggle, and you notice it evidently on his face and the way he holds his body, taut like a coiled wire. 

“Well? I asked you a question, I do expect an answer. I’m not going to declare you insane until I know for certain that you’re not faking. So, what is the name of this anti-anxiety medication?” 

"I... I don't know! Why are you asking me all of these questions? Just declare me insane already!” Falcone lowers his voice, “You know damn well I don't take any of that..." 

Crane sighs deeply and puts the vial back into his briefcase. He clasps his hands together, pleased. He smiles menacingly and lowers his voice too. 

“Here’s the thing, Mr. Falcone- that pill I was holding? It’s not anti-anxiety medication…” 

When he says that you turn, your brow furrows. Where is he going with this? Falcone rolls his eyes and stubs out his cigarette angrily. 

“You see, this medication isn’t used to treat anxiety. This medication is a powerful hallucinogenic, an extremely potent, mind-altering drug. It’s my most recent concoction, a fear toxin.” 

Falcone freezes and narrows his eyes at Crane. You feel yourself match Crane’s smile, a knowing excitement creeps into your body, your fingers flex. When he sees Falcone start to struggle even more, Crane’s smile widens. Falcone goes white and begins to panic, resorting to a feeble attempt at blackmail. 

"I'll tell everyone that I was working for you. I'll testify. I don't know what kind of drug you had us moving but I know it was something dangerous!” 

Crane lets out a small, humorless laugh and leans back in the thin plastic chair, his eyes never leaving Falcone. 

“How? You don’t know anything. And even if you did, who would believe you? You’re a delusional psychotic criminal with hallucinations. No one’s going to believe you if you tell them you’ve been moving drugs for me.”

“Get me away from this madman! I’m not fucking crazy!” Falcone shouts at you, pulling at his cuffs. You stare back, a small smirk pulling at your lips. 

“Not yet, but you will be. You see, if you want people to believe that you’re crazy, wouldn’t it just be easier to be crazy?” 

“What-what are you implying?” Falcone tries to push away from the table but the chains binding his feet prevent him from making it very far. Crane smiles and looks at you, his gaze giving you permission to contribute. 

“Mr. Falcone, I’d suggest that you shut your mouth before you say anything else you’ll regret. You’re in no position to make threats here.” You lean forward, your palms fisted on the table. Falcone looks between you and nods slowly, a slimy smile appearing slowly on his lips. 

“Oh, I see. You’re working together, aren’t you?” Falcone laughs. 

Crane’s smile drops and he turns back to Falcone, his steel gaze sharp enough to slice right through the mobster. 

“It seems we’ve reached an impasse, Detective Vale.” Crane’s voice is rougher now, more sadistic. Your whole body shivers, your cunt throbs with morbid excitement. 

 “Might I make a suggestion, Dr. Crane?” You cross your arms over your chest and rock back and forth on your heels. Crane looks you up and down briefly, discreetly. You can tell by the way he’s looking at you that he likes how your body looks in your dark slacks and a green blouse. 

Don’t get too distracted, Crane. 

Crane’s struggling to control his breathing as he watches you, his eyes lingering on the way your body moves. He tears his gaze away from you as he answers. 

“A suggestion? And what might that be, Detective Vale?”

“Well if he isn't going to be able to convince anyone that he's as 'crazy' as he says he is, maybe we should help him out. Make it more believable…” You shrug, your voice light and misleading. Falcone looks between you, his eyes wide as he tries to understand what you mean. Perspiration dots his forehead but he doesn’t wipe it away.  

Crane raises an eyebrow at your proposal but his eyes remain on Falcone, shaking in the seat across the table from him. There’s a dangerous tone in his voice as he murmurs. 

“And how exactly do you propose we do that?”

“Don't you have anything else in that briefcase of yours? Maybe something that could make him a little more... convincing?” You tilt your head towards the open briefcase, your eyes saying more than your words. Crane looks over at you, he swallows and nods, another soft smile on his face. He glances down at his briefcase and a slight shiver of excitement passes through him. Crane glances over at Falcone and feels a cruel grin spread across his face as he realizes what you’re implying. 

It’s like you’ve given him permission. You don’t need to tell him twice. Crane removes his glasses with a sigh and folds them neatly on the table beside him. Falcone watches him warily, his eyes dropping to the glasses then back up to Crane.

“As a matter of fact, I do have something else that would… help.” He slowly reaches into the briefcase and pulls out the burlap mask, his hands holding it with an almost reverent excitement. “Would you like to see my mask?” 

Falcone doesn't even respond. He's gone silent and dumb with fear. In his lack of words, You smile kindly at the man, giving him a false sense of safety.

“He uses it for his experiments, you know. It's probably not very scary to someone like you but to the crazies in Arkham… they can't stand it,” you trail off, backing away in preparation for whatever the hell Crane is about to do. 

Crane’s voice remains low as he leans forward, the mask still gripped in his fist. 

“But for you, Falcone? This isn’t just something to fear. For you… it’s going to be a nightmare.”Falcone struggles in his plastic seat, the chains shaking and clattering against each other as he tries to escape. You release a euphoric sigh as Crane pulls on the mask and gestures to the front of its burlap facade. 

His voice is no longer gentle, no longer friendly, no longer even remotely human as he continues to speak, “You’re going to spend the rest of your life in Arkham, Falcone. That’s a promise.”

As soon as the words leave his mouth his finger presses a button inside his briefcase, releasing a narrow cloud of fear toxin. It hits Falcone squarely in the face, his eyes bulge and lose their focus as some horrible nightmare overcomes him. Crane’s mask morphs into a real scarecrow, something uncanny and deranged. Falcone screams and Crane laughs, rising up from his seat and letting his palms rest on the table.

“I did warn you, didn’t I, Falcone?” 

His voice is barely audible over Falcone’s frantic screams. Crane rips off his mask, smiling contently. His hair is tousled and crazy about his head, your thighs throb. He looks over at you and you nod back, only allowing him a smirk.

“He certainly isn't going to testify now. Dawes won't be able to argue with you either.” He looks more psychotic without the silver glasses that you’re so familiar with seeing. There’s almost a ring of red in his eyes. “Impressive, Dr. Crane.” 

Crane tosses the mask aside and runs a hand through his hair as he tries to catch his breath. His face is flushed with excitement and adrenaline, and he can’t help but smile wider at you, the adrenaline making him bold.

“Thank you, Miss Vale,” he chuckles and shakes his head, looking back at Falcone, “That went well, didn’t it?”

You both look back at the screaming Falcone, smiles on your faces. A match made in hell, you and him.

“I'd stay and savor this moment with you but people will get suspicious. I'll go and arrange for his transfer to Arkham but first I need you to tell me that he's not faking it and that we need to move him to a secure wing in Arkham for treatment. I just need to hear you say it, legality,” you wave your hand about your face briefly. Crane raises a surprised brow. 

“You pick and choose the laws you follow now? How interesting,” Crane says in a soft sarcastic manner, his eyes still wide with pleasure. 

“Technically you are the expert and we brought you in here to diagnose Falcone…” you roll your eyes playfully. 

“Fine,” he takes a deep breath which is more attractive than you’d like to admit, “No, he’s definitely not faking. I believe he’s actively having a psychotic episode and will be in no position to testify. I recommend moving him to a secure wing at Arkham Asylum immediately. He’s a danger to himself and others.”

“Thank you, Dr. Crane,” you smile and turn towards the door. 

“So what? I do this favor for you, Miss Vale and then you leave me alone with the deranged?” Crane chuckles and puts on his glasses, looking you up and down. Your hand is on the doorknob but you turn and regard him, a sly smile on your face. 

“I thought you liked being around the deranged…” 

Crane raises an eyebrow back and turns his back on Falcone who continues to scream in the background. Crane’s nice dark gray suit shifts as he shifts. 

“And what does that mean for you?” 

“You’re the psychologist, not me,” you whisper back and open the door. The door closes sharply behind you but not before Falcone’s screams can be heard echoing down the hallway. You pull an officer aside. 

“Tell Prosecutor Rachel Dawes that Falcone needs to be moved to Arckham. It’s true, he’s insane too. He’ll need to be moved immediately, he’s already becoming violent. Dr. Crane is completing the paperwork and I’ll see to the transfer myself.”

… 

It is late at night when you finally finish Falcone’s transfer. You had shed your quilted jacket days before because Gotham City was in the middle of a miniature heat-spike after weeks of cold, damp weather. You check your watch and look off into the city skyline, thinking. You had followed Crane for weeks before you decided to speak to him, so you know his schedule just as well as your own. He would be in his lab at the university, working on his own projects in the secrecy of the night. His students would never know what their strange professor was up to. You make a rash decision and change directions, your feet taking you a few blocks to the left, to Gotham University. 

  Gotham University was not the type of institution that most students strive for but it still offered a good education for those who could pay. The buildings on campus were all dark and gothic, like orphanages set against a city scene. Students walking home from the library walk past you, speaking softly to one another. Some mention Professor Crane, some don’t. 

The science building is silent and empty when you break in, using the door with the broken sensor (your doing). You find Crane’s lab on the third floor, the only source of light in the dark hallway. You go to the door and open it slowly, silently. Crane has his back to you as he makes notes in a notebook with a red pen. He’s wearing a white lab coat that nearly makes his shoulders look broader, stronger. You stand by the door, watching, and waiting to see how long it takes until he notices you’re there. You pull the string that closes the blinds with a soft snap. 

“Don’t you know it’s rude to stare?” Crane's voice rises from the opposite side of the room. Your eyes widen only slightly in surprise, but then you smile and approach his lab table slowly, eyeing him up and down. His gray-blue eyes remain fixed on his work. 

“Did I frighten you?” 

“Oh no, I’m not scared of anything, remember?” Crane retorts with a distracted smirk as he finishes writing a line in his notes. When he finishes he finally turns and leans against the lab table, looking you up and down. “So, what are you doing here, Miss Vale? Why’d you close the blinds?” His smirk widens, the fact that you’re both completely alone excites him. He nearly shivers. 

“No one can know that I was here. I'm sure Dawes is already suspicious of me because I 'oversaw' your evaluation and approved the transfer when the three of us all know he was fine when we walked into the examination room the first time.” You smile and mirror his posture. 

“Mmm yes, I’m sure Dawes has already had a few choice words with you,” Crane nods and looks up, remembering the exchange the three of you had earlier at the precinct: two smart, powerful women in one room, amazing. 

“I can handle her, don’t worry.” 

Crane looks back at you and shakes his head, “Oh I don’t doubt it. You’re a highly intelligent woman, I’m sure Dawes doesn’t pose much of a problem for you.” 

You smile, flattered though you don’t need Crane to tell you what you already know. You ignore the way Crane’s eyes continue to trace the length of your body, imagining what he’d find beneath your blouse…

“No, but I'm concerned that she'll prove to be a bigger problem the more she finds out. Which is why I'm in charge of the case... or at least until she kicks me off. I'll make sure she doesn't learn too much about the 'operation' you're running here. But I need something from you first.”

“And what do you need from me, Miss Vale?” Crane’s voice is low, husky, and short, like the response was second nature.

You look him up and down, a smile growing on your lips. You can tell that he wants you and it's exhilarating to be wanted by such an attractive man... but first, you need information from him. It must be so frustrating for him but hey, that's life. You walk around the lab table and put your hands over his, gripping the edge of the table. You lean forward only slightly, leaving some distance between your bodies.

“Tell me about your plans for Gotham, Crane.”

His jaw clenches but he keeps his voice calm, composed, and his eyes evade yours. “What do you want to know?”

“If I'm going to be an equal partner in this, I need to know what you've been doing with Falcone and his men.” You look down at his lips as you speak. 

Crane’s breathing gets heavier, more ragged. His eyes are still avoiding yours, but he knows exactly where your gaze is fixated. 

“I know that Falcone has been moving shipments of your fear toxin into Arkham and I noticed that the military’s microwave emitter happened to go missing recently. Did you have anything to do with that, Crane?”

Crane can smell your pheromones like perfume and he stifles a frustrated sigh. He rolls his eyes and shrugs slowly. 

“Perhaps.”

“You could have made Falcone take the fear toxin pills you had in the box but you didn’t. You used a different form, gas. The microwave emitter vaporizes water… Your fear toxin doesn’t work in water, does it? It’s water soluble. It needs to be in a gas or powder form, correct?” 

“You’re clever, pet.” Crane smirks and moves his hands away from yours to cross against his chest. “But the pill I showed to Falcone was just a sugar pill, a placebo. Here’s a little lesson in Psychology: the body’s sense of smell is the fastest to recalibrate. By putting the toxin into gas form, the subject inhales it and reacts much faster. It’s all about speed. Water washes the toxin out.” 

“So the microwave emitter?” You prompt him to continue. 

“Yes, you’re right. If it works, it will dry up the main water line on the island, then I can release the toxin into the air… Every man, woman, and child in Gotham city would be paralyzed with fear.”

You let your lips inch closer, exhaling against his lips. Crane almost believes that you’ll kiss him until you pull away at the last moment and smirk. 

“I’ve read everything you’ve ever written about the chemical components of fear. I’ve tried recreating your ‘recipes’,” you look back at the experiments on the table, “but I can’t get the same results. There’s something important missing from your original research isn’t there? What’s the final ingredient? It has to be exotic, something you could only recently get access to. Maybe you met someone with connections. Someone who also read your research and offered to fund your project….” 

Crane is still recovering from your little trick and sighs tightly, impatiently. He looks up at the ceiling, the fluorescent lighting reflecting off of his glasses. “Is that right?” 

You hum once in confirmation and reach your hand out beside his left arm, brushing his sleeve. He keeps his gaze averted, still pissed that you teased him. While he pouts, you pick up a small petri dish from the lab table. A bright blue flower is preserved inside.

“Blue poppies?” 

Crane raises an eyebrow, finally looking down at you. He wets his lips and sighs, rearranging his arms to rest over his chest. 

“You can recognize obscure botanicals now?” He nearly snaps. You flick your eyes up to his, meeting his icy gaze. 

“That was a lucky guess.” You shrug and smile, “I’ve only read about these. So how did you get these? Who are you working for?”

Crane’s body reacts strangely to your smile, his navel warms. Your smile is so wrong… he loves it. He’s still slightly wary of your skills of deduction. He looks down at the petri dish for a moment, his mind trying to get back on track before he answers your question.

“I came into contact with someone who has strong connections. He’s agreed to fund my research and supply me with all the necessary equipment and ingredients.”

“Who?” You  ask with a little less patience. Crane enjoys witnessing one of your rare moments of impatience and smiles, getting the upper-hand. Crane’s smile only widens as he leans back against the edge of the lab table again, his hands gripping the edge in a white-knuckled grip to keep his body in check.” 

“Oh, I’m sure you know him… He’s quite the controversial figure….”

You lick your lips and you try to think. Surely it wasn’t Bruce Wayne- Crane would never work with him. Not Falcone. Not Gordon. What criminal would have both the money and power to operate something like this. Someone in the League of Shadows?

Crane’s eyes focus on the way your tongue moves across your lips. His mouth waters and he feels himself start to get hard. Instead of shying away, he steps closer, one of his hands fixing the bridge of his glasses. 

“I’m honestly impressed you haven’t figured it out yet…” he tuts patronizingly. 

“Are you going to tell me or are you going to make me figure it out myself?” 

Crane laughs and shakes his head. 

“Oh, this is just too good. You’re clearly bothered by the fact that you don’t have a name yet, Miss Vale.” He leans closer to you, his head tilting to the side as he continues in a low voice, “I wonder what you’ll do to get me to answer your question…”

You scowl, Crane getting on your nerves now. You push him back gently with a few clicks of your tongue against the roof of your mouth. “It hasn’t come to that yet, Crane.” You think for a few more moments and then something you read randomly comes to you, “the blue poppies grow in South Asia… Bhutan.” 

“Ding ding ding, good girl. The blue poppies are indigenous to South Asia.” 

“There’s only one man that I know of from Bhutan, he has a warrant out for his arrest in multiple different countries… Ra’s Al Ghul.” 

Crane’s smile widens into a crazy grin. He claps softly and then takes the petri desk back from you. “Correct.”

“Does Al Ghul know you plan to lead Gotham when it’s all said and done?” 

Crane nods slowly, looking away for a moment, his lips pursed. “He believes that my methods are necessary in order to bring about the change that the city needs. We already agreed that I will have control of Gotham when my plan is successful.” 

“Then what’s in it for him, Crane?” You ask with a raised eyebrow. 

He steps even closer to you, until there are only a few inches of space left between you. His voice is lower now as he continues to speak to you.

“He gets to auction off the city back to the government, he gets the money, I get the power. Oh, I’ve also promised him a certain number of…let’s say…highly skilled individuals for his cause.” 

“People you’ve locked up in Arkham?” You clarify, thinking it all through.

Crane nods and turns back to his research, his hand moving once again to the pen to write something down, putting his arousal to the side for a moment. Work will always come first to a man like Dr. Jonathan Crane. 

“Do you trust him?” 

Crane looks at you, surprised by your obvious question. He scoffs finally and turns back to face you. “No, I don’t trust him. But I see our partnership as a mutually beneficial arrangement. And honestly, I wouldn’t be able to continue my research at the same rate without his financial support and his access to the poppies.”

“Something about him gives me a bad feeling…” you mutter, crossing your arms beneath your breasts and tucking your head slightly to think. 

Crane tilts his head to the side in curiosity, as if he’s studying you. “Why do you say that?”

You shake your head and furrow your brow. “I don’t have a reason exactly except that it’s just an instinct. Something tells me not to trust him.”

Crane clenches his jaw slightly and his eyes harden as he starts to take you seriously. He raps his fingers against his elbow and lowers his voice slightly, almost like he’s trying to be kind.

“When have your instincts ever been wrong, Miss Vale?” 

You look up at him and shake your head finally, confident. “Never.”

Crane takes a final step closer to you, his chest nearly touching yours now. He can’t help himself from being drawn even closer to you, like a magnet. His voice is even lower than before as he looks down at your face.

“So, what do your instincts tell you now, Miss Vale?”

You look up into his eyes, heavy with desire. You feel the same desire, the same unquenchable and animalistic urges. Your noses are nearly touching as you exhale softly against his lips. You swallow and then speak. 

“This...”

________________________________________________

@m0thh3ad @sl-newsie @strangeobsessed @cillamity

[dapper-lil-arts]

Have you seen the 2017 My Little Pony Movie? If so, do you everyone was acting OOC in the movie? I've been seeing so many people say this. Like Rainbow Dash doing a Sonic Rainboom while in the midst of showing off to those pirates didn't really seem out of character for her, but that's my opinion.

Honestly i dont think its a matter of being out of character, btu rather character reduction. Every girl of the mane 6 winds up being reduced to the most core components of their character, be it catchphrases or just a basic way of acting. rainbow is cocky, pinkie is loud, rarity is vain, AJ is pragmatic and somehow, Fluttershy basically only ever whimpers in the movie. the camera turns to her and shes whimpering, lmao. That's all in character, completely. its just not creative or interesting or expressive. Pinkie being used as a distraction because she's loud and loves parties is almost a meta relationship with this, Twilight knows.

I think what also doesnt help the movie is how pointless of a roadtrip journey the movie is? Like. its a movie about going from point A to point B mindlessly, but there's no real defined purpose. The maggufin they find is just an orb that makes you into a water pony, why did twilight thing that was a tool that could be used against the storm king? Who fuckin knows. the hippogriffs dont help, its all won n the end due to teamwork. its funny that they in the end assault the castle by just... going there with the friends they made along the way.

BUT LIKE BITCH YOU ALREADY HAD FRIENDS. IN PONYVILLE AND BEYOND EVEN.LIKE DOZENS OF FRIENDS THAT WOULD GLADLY HELP Where's starlight and trixie during the fall of equestria?! Having gay sex?! smh

I also am not fond of how many bipedal characters are added in here, the ponies stand out so much in a world made for creatures with hands, and even the comics dont add this many. it feels weird bc they had so many species to pick from, from changelings, yaks, griffons, etc etc, and they just made a bunch of furry people that stand and slapped them in the movie. the hoppogriffs were a nice addition even if they dont do nothin. Maybe they realised a quadrupedal world with hands is just impractical lmao

Anyways I have a lot to critique about the movie but I feel like it just all bogs down to it being like... Kind of empty to me. Devoid of an usual flair or artistic vision some episodes and specials seem to have. Characters are there to do what they usually do, the princesses are kicked out of the way so twilight and her friend scan save the day, its pretty formulaic. Maybe I'm spoiled by equestria girls and how each movie has a diffrent and awesome vibe and every character has smth to do in it lmao.

Anyways tempest is cool but she stands out like a sore thumb and her not being in FIM or EQG is just sad. Also the comics do her justice and give her a fucking girlfriend, one of her childhood friends, its really damn sweet.

[doyouremem8erme]

only if u wake up in the middle of the night with a dislocated elbow... otherwise people are just like girl wtf are u doing with ur bones and i dont even realize im doing it

but basically its quite common for various hypermobility disorders to be comorbid with autism/adhd (i personally have elhers-danlos syndrome) and it lets u overextend ur joints

(^ is it just me or does she sometimes bend her elbows backwards a lil bit... just like me fr)

(also love the one of her in maddie & marcy bc it reminds me of when we had to record all the other fitnessgram stuff other than the pacer test and i would always be completely off the scale on the reach test and the . whatever the one where you do what marcys doing in that pic. the gym teachers would not believe me until they saw it themselves)

or especially when u also have autism going on makes you sit in weird ways to be comfy with ur body being weird

(also ANOTHER common comorbidity is POTS which would explain the crossed legs and squatting since it subconsciously puts pressure on ur legs to help circulation and would explain all the constant falling over. if u stand up too fast u can get soooo dizzy)

(i wasnt going to include these images actually. i just screenshotted them bc they were funny but yeah. yeah what a mood)

youre not SUPPOSED to overextend ur joints just because you CAN (sad! i want to show off my Freaky Skillz!) but we all know that darcy does not care abt that. marcy wakes up and immediately is like why is all my cartilage stretched out like an overused rubber band

we stan an hsd queen

what if i made hypermobile marcy propaganda

[magnusthepuppet]

march 27, 2024

[cozylittleartblog]

me omw to scare mormons out of a wendys!! 🍂🖤🍟

ootd from like 2 weeks ago and yes that really happened

[poorly-drawn-mdzs]

Wei Wuxian eats a watermelon. Yep!

[starry-bi-sky]

I am absolutely loving your Danyal Al Ghul au. While I have a soft spot for the whole plotline of Danny becoming his canon personality almost right after breaking away from the LOA all because of Jazz, I'm just as much for your take in which he goes through the same character development as Damian.

Now I'm curious. You already tackled his relationship with Dani, will you eventually take a stab at when he, Sam, and Tucker meet Gregor? Given that it's one of my hated episodes as I couldn't stand Sam's infuriatingly hypocritical attitude to Danny's suspicions of him, I'd kill to see your spin on it.

Aw, thank you! Danyal Al Ghul aus are what got me into DPDC first, so I have a major soft spot for them. That being said, uh, its exactly that soft spot that causes me to have Many Opinions about the trope you just mentioned. Like the trope is all fine and dandy, i don't blindly hate it, my main issue with it is that most aus i've seen treat his backstory as an ex-assassin more like a pretty cosmetic accessory rather than something that actually should have had an impact on him. Especially if he remembers being in the league.

Like i cannot stress enough the fact that being in an ecofascist assassin cult (regardless of his standing in it) should've left him, in some way or another, screwed up morally and psychologically because that's just how development works. Nature vs. Nurture is like a game of tug-o-war that never ends, where they are constantly fighting against each other and one side usually has the upper hand or greater influence. Children model the behaviors of the adults around them (ex: bobo the clown doll experiment), and what impacts them in childhood can stick with them permanently.

Like how my psychology professor put it: a baby's brain is like wet cement; if you slap your hand on it, it leaves an imprint, and the cement dries that way. The same rings true for small children.

I could go on, but I frankly have so many thoughts on that alone that I would end up completely derailing from the second half of your ask, and I don't want to be more critical than I already have. Especially since you just mentioned you have a soft spot for the trope.

[Okay, hold onto your hats because this is long. Naturally lmao.]

Gregor! Man, I'll admit I last watched the show back in middle school on a dodgy illegal website (it had surprisingly good audio and visual graphics, and full episodes. But really annoying porn ads.) but I only made it to like season 1 before my hyperfixation faded and I lost interest. So I never actually saw the Gregor episode.

But... it is relatively easy to find free websites that stream Danny Phantom :), so finding the episode took me like. Thirty seconds. Plus the Tv.Tropes recap page because my damn earbuds just died and im out in public as of rn.

I'm not sure if I'll write something for the gregor episode like I did with Dani, since Dani's a bit of a special case in that she's a clone and tends to be a reoccurring presence in DPDC, and I thought the new dynamic with Danyal would be interesting.

Plus, I'm not a big amethyst ocean shipper for the pure reason of I'm just not all that interested in it; its kinda bland to me. I'll admit I've entertained the thought in this au due to the whole balcony scene i wrote, but I would've entertained the thought anyways if it was Tucker in that position instead. Big multishipper, me.

But, if I had to make it official? Danyal is not interested romantically in Sam when the Gregor episode happens, regardless of his relationship with Valerie. Who, speaking of I'm trying to think about how that would go, and I'm torn between including him almost-dating Valerie or not.

Because on one hand it helps point out Sam's hypocrisy (and i love her but i am always happy to point out her flaws and address them in au) in this episode in terms of Danny spying on them, but on the other hand I'll want to include a lot of set up in order to make Gray Ghost work in this au and wow will that take a while.

Especially with the Flirting with Disaster episode because it happens due to Technus' meddling, and Danny is, well, the son of the Batman? A trained assassin? An ex-assassin nonetheless, but still an assassin? A prodigy child in this au? He might not have needed to use most of his skills in the last few years, but like... there's just a bunch of 'what if' and 'well technically...' and 'would he? he could, but would he?' things that is getting in the way of my thought process and making my head spin.

.

Mmm. Okay. Flirting with Disaster occurs relatively the same as canon with a few exceptions; like Danyal noticing the strange coincidences, and he might take the idea into proper consideration because Sam has a point it is strange, especially out of nowhere.

However,,, he really enjoys Valerie's company, and he does really like her. He's been adjusting to civilian life for the last four years and while he's made a lot of progress, he's still. an ex-assassin child living like a wolf amongst sheep. This is normal, typical teenager stuff, and usually his friends like to encourage him doing normal teenager stuff.

So he's stubbornly holding out on the thought that this is normal, that ghost stuff isn't interfering here. He's a little hurt that his friends are discouraging this, he's not bothered by the fact that Valerie is a ghost hunter and he a ghost -- his mother is an assassin, and his father is Batman, and they still had a relationship. (Granted, he's not gonna tell them that)

If anything, being diametrically opposed to each other but still being in love is part of the family! Granted, usually both parties are aware of said opposition to each other, but he'll make a special exception this time around.

(And man now that i'm thinking about gray ghost, im now thinking about various like. scenes i could write between the two of them. maybe in a reblog.)

Anyways uhhh things relatively go the same as canon. Yeah. I think Sam still has a crush on Danny and still spies out of jealousy with Tucker.

.

Now, the Gregor episode! With that out of the way; the TVTropes recap for this episode isn't the best because it doesn't go into detail about the entire episode like it does with Flirting With Disaster and Shades of Gray.

(which i looked at earlier because I made a section of this post talking briefly about what changes I'd make to the Shades of Gray episode to help set up Gray Ghost, but ended up deleting because it was kinda irrelevant for the matter at hand.)

So I'm taking in bits of the episode clips at a time, I'll try not to get too nitpicky about how each scene goes because then it's gonna take me a longer time to write this.

But! First thing's first; since Danny is not romantically interested in Sam, he is also not jealous of Gregor. He is however, a bit eyebrow-raisey at him in their first introduction, but that's because Gregor is coming off as obnoxious.

Danny thinks he's kinda annoying, and it doesn't take a genius to see that Gregor is trying to impress Sam. But since they've only known him for five minutes he takes the good faith assumption and assumes that Gregor is genuinely trying to show interest in Sam's interests too because he likes her, so he keeps mum. The fake hungarian accent is weird, but it's overall harmless, so he doesn't point it out.

He does do the spying thing when he starts suspecting that Gregor might be working for the GIW. The episode only has this happen twice, but for the au this happens a handful of more times over the course of the week, with Danyal's suspicion steadily rising more and more each time.

Hah, when he brings up wanting to spy on Sam and Gregor because of this reason, Tucker still does his "woah! you wanna spy on Sam?" thing.

Danny immediately turns to him, completely unimpressed, and crosses his arms. "Tucker," he says, deadpan, "you and Sam spied on me and Valerie."

He uses a combination of his ghost powers and his regular stealth ability to spy on them. He's hiding in a tree when they're skipping rocks, close enough that he can use his powers to hear them talk but far enough away that he has a good view of their surroundings.

He's invisible in the cinema, but doesn't accidentally get in front of the projector. He checks the inside of the room for the GIW, and then waits outside the actual room itself, keeping an eye on the area and occasionally flying in to watch the movie out of boredom. It reminds him of being back on a recon mission with the League, but it doesn't end with him orchestrating someone's death.

Then when they're at the mall he stays in human form, blending in with the crowd. He runs into the GIW there, but realizes that they're not there because of Gregor; they're just shopping. They didn't show up at either of the last two locations, and he follows them to make sure they're not also trying to blend in. But they're literally just there for shopping.

Danny is rather pleased with this turnout; so far Gregor isn't a spy, he's just annoying. The next day at lunch he asks Sam how her date with Gregor went, and that's how she figures out he spied on them, because well, she didn't tell him that.

"Have you been spying on me?"

Danny messes with his food a little bit, and Tucker is sinking into his seat with embarrassment. He frowns, "Only last night. Those incompetent government dodos--"

His lip curls up; he gets all 'Shakespeare-y' (as Sam and Tucker put it) when he's insulting someone, "--kept appearing whenever Gregor did. I followed you and him last night to make sure he wasn't a spy."

A roundabout way of saying, "I was worried".

Sam is, as canon, furious. Danny understands why, he knows generally speaking that people don't like being spied on. But he's confused on just how angry she is, and is a little irritated by it.

"Why would you do that!" She exclaims, "That's way out of line, Danny."

"How? You spied on me when I was going on dates with Valerie." He narrows his eyes, and points his fork at her, "I'm not blind, I noticed."

"That's different, we told you why we were suspicious. And we don't have ghost powers like you do."

"I don't need ghost powers to sneak around, Sam, you've seen this firsthand. And I just told you why I followed you, I thought he was working with the guys in white--"

"So you think someone can only be interested in me if they're after you?" (this is a paraphrased quote, folks ;D)

"No! If that was the case I would have voiced my concern the moment I thought it. I don't get why you're so angry, you spied too."

Iiits.... a mess. Sam storms off with Gregor, Tucker tags along because okay, yeah, maybe Gregor isn't with the GIW, or maybe last night was a fluke. Either way he ends up tagging along. Danny overhears that conversation between the GIW and Mr. Lancer, and maybe he's right, maybe he's wrong; but something is up.

I've gotten to that scene in the locker room where Gregor tells Danny that he knows he doesn't like him, and I've paused at Danny's reply to say this: Danyal doesn't even bother trying to deny it.

"I know you do not like me."

"You're right; I don't."

"Ah, let me finish. I know you do not like me because you want to protect your friend, Sam, and I respect that."

"...That's correct."

"Good! Because I am going to ask her out."

"I had a feeling you'd say that," he stands up, claps his hand tight on Gregor's shoulder, and leans close to him with a threatening smile, "so you understand me when i say; if you break my best friend's heart, you're as good as dead, right?"

"Ah,, yes. I am so glad we got that cleared out of the way, and now I hope after we can.. how you Americans put it, hang out?"

In the episode he hugs Danny and gives him a la bise (which is that french greeting where you kiss someone on the cheek two or more times) after they end their conversation. But here, when he goes to do that to Danyal, Danny leans away, points an accusatory finger at him, and says; "Absolutely not; we are not close."

The next scene after that is like, end of day. Sam, Tucker, and Gregor walking away. Sam looks over her shoulder to glare at Danny, then gets forlorn. Tucker looks back and just looks forlorn.

(When did I start narrating each scene?? Eh, I'm writing this in brief spurts of time throughout the day. Don't fix what's not broke)

After that there's this whole scene with the two GIW agents that have been chasing Phantom all episode. They're there because they have Tucker's PDA that Skulker took, and it's got the information of their purple backed gorilla assignment on it. They've been going around seeing who Tucker associates with in hopes of catching Phantom.

Uhh ahaha and that is where this gets a little interesting imo, and also allows me to mention that im retconning Danyal's (already) redesigned ghost form. Which I've wanted to retcon even before this moment bc it was just too busy. I'll get to that in a moment.

The GIW suspect Gregor for being the Phantom because of his white hair and green eyes, which is all fine and dandy until you remember: Danyal (and by extension Phantom) has that very noticeable, rather identifiable facial scar that goes across the middle of his fucking face. The GIW could easily suspect that Phantom hides his scar with makeup if he's in disguise, but if they meet a kid with a seemingly identical facial scar and similar disposition? Hoo boy.

Solution? I've got two: Gregor is canonically a kid from Michigan who faked everything to impress Sam. Considering he knows she's gothic and knows that she's ultra-recyclo vegetarian? He probably watched her from afar or got information on her somehow. His hair is dyed, his eyes might just naturally be green, but if he notices that she's got a crush on either Danyal or Phantom? A little sfx makeup could help him recreate a similar looking scar.

My second solution that's gonna happen anyways bc its that suit redesign; Danyal does hide his face as Phantom. Ghosts are emotional creatures and its a popular headcanon that their interests, ambitions, etc, influence the way they look as a ghost, not just their death. A big reoccurring theme of my au is that Danyal did not leave the League unscathed, and that being an assassin is an important part of his identity.

So i'm discarding the hazmat suit look entirely and leaning into the 'assassin' thing. But the general (stylized) feel is like, white ribbon/cloth vambraces that he has used as a garrote at some point, a hood, a gaiter scarf-type thing. I'm keeping the cape. I did a doodle a few days back that's not the official redesign, but a redesign for Phantom. I may reblog this post with that attached because it's got the general feel down. There's very little white involved, but the inside of his cape flares out and looks like the night sky.

Now, the hood and gaiter scarf gets rid of most of the problem, but Danny's hood doesn't stay on all the time, so the GIW have likely seen the upper half of the scar. :] Gregor's own drawn-on scar doesn't have to be 1:1, but it looks close enough, right? A small scar cutting through the edge of his brow and ends right below the corner of his eye. A 'cool, badass' one opposed to Danny's 'garish' scar.

But! Back to the episode scene. Canon Danny gets written off as being 'too prepubescent' to be Phantom, and honestly it'd be hilarious if Danyal was written off for the same reason (he's calling them idiots in his head if they do). But instead -- leaning into the GIW's incompetence here -- he gets written off as being too mature or too talkative. Or something equally as absurd.

Sam breaks up with Gregor for canon reasons, but when Gregor does his "i really like you, but, come on-!" and gestures to tucker, he adds on "and that scary friend of yours too, seriously!"

Things go relatively the same as canon after that. Danny does end up apologizing for spying, however. Sam does it first. Sorrows, prayers, all that.

.

Things usually end up changed or different when I actually write it down, so I'd likely add more or adjust different scenes according to the flow of the oneshot. This is just like, a general vibe of how things would go, and where some of the more obvious changes would be if I did write this oneshot.

Hope you enjoyed! Thanks for the ask :]

[lilaccatholic]

I am once again thinking about the reluctant ruler whose arc justly and correctly includes assuming the throne and taking responsibility for the people set before them

[citrusai]

weekes saying all that mythal shit is up to interpretation is so weird to me because instead of worrying about leaving all of solas' past up to vague interpretation to (new) players because you're too chickenshit to stand by your established lore you could've focused on ghilan'nain and elgar'nan and who they were and what they became. elgar'nan literally let the other evanuris slay his wife and he watched on, and then he rotted in a prison made by what he referred to as his wife's "lapdog" and second in command general. and what of ghilan'nain? what is their relationship? why is it just the two of them in that prison when there were more evanuris trapped in there? why are they simultaneously this omnipotent threat capable of spawning blight at will but also two dimensional villains chasing their own tails half the game while solas just poses and speaks in his riddles in the fade. also a fragment of mythal is inside of morrigan, does no part of her gaf that her husband is literally terrorizing the world she loves? hello??

[greensupremetangerine]

PSA that harassing, bullying, and kicking a person out of a fandom is toxic behavior. A difference in opinions does not warrant anonymous hate, and claiming it wasnt that bad and there's no proof because they didn't post the hate doesn't retract the fact that something happened to make them deactivate their account.

Fandoms are supposed to be places of community, enjoyment, and celebration of a mutually liked piece of media. There isn't room for hate, because the concept of a fandom does not naturally account for it.

If someone says something you dont like, it does not give you the right or responsibility to "put them in their place" or "teach them what's right" or whatever. A person is allowed to have their own thoughts and opinions. You can retort, discuss, disagree, hell you can even block them, but for the love of god don't single them out and make them a villain. It doesn't automatically make you the right side if they stop talking.

Also, the anonymous button isn't for keeping the blame off yourself. It's not for sending a dozen death threats while still looking pretty and proper on your blog. The person recieving anons has no way to disengage from the conversation. They cannot block, the best they can do is disable anons and stop the kind, shy people from asking silly questions or hope you give up and stop. The last resort is completely deleting your account, and again, its not a sign of your victory, it's a sign of the fandom' loss, and it is a sign that you are the vicious aggressor.

If youre struggling to stop doing these things, by no means am I a saint or a therapist, but removing yourself from the situation and letting yourself breathe, even for a moment, will probably help a lot with your relationships and mental health. I'm a believer that people can change and it is in human nature to do so, even if it's hard. It's a conscious decision to be a good person (I'm not calling you evil) and being a kind person is fulfilling in amazing ways.

tl;dr don't harass people :( it doesn't give you the high ground and it makes the fandom a worse place.

[quietwingsinthesky]

see my brain just doesn’t register the idea of anyone having a ‘one true love’ which is why the common fandom tropes of making canonical love interests terrible in order to justify why your ship is better always bugs the shit out of me. it feels like the only reason you would do that is if the idea of the characters in your ship having any other sort of romantic relationship that was important to them, even in the past, is a threat to their current one, therefore all their past relationships need to be demonized in order to make them ‘not real love’ so that they remain pure and chaste and ready for the True Love of the endgame ship.

[the-meme-monarch]

oh i want to say something mean. i want to say something so mean but it's certifiably stupid and i should not care

[queen0fm0nsterz]

thinking about the Lady again and she actually is the Character Ever.

Starting off with her design. How ridiculously simple it is, right? Her yukata is plain brown and has a single layer, her wig (and yes, I am positive what she wears is not her hair but a wig soley because of how easily it comes undone... that kind of hairstyle is meant to STICK when done with actual hair) has no decorations befitting a woman of her powerful status and her mask is nothing but... empty. You could mistake her for a mannequin and you wouldn't even be wrong. It's by design, after all: she is as insanely important, as a figure, as she is anonymous as a person.

But then, it's with amusement that you note that that boring, unexpressive mask is called the "Rascal's mask" when unlocked. It's such an oddly affectionate nickname stemming from a person so utterly despicable. And then you notice her hair. Her long, black hair that should be hidden under her wig, as the hairstyle goes, but are instead hanging out freely. Not very traditional at all, right? You could almost read it as a small act of defiance of... something. Now, what that thing is, I doubt even she knows. Maybe it's just her way to seek individuality without having to step into zones she does not want to touch.

And then, of course, the lack of shoes. It's not uncommon for people to wear slippers in the house - especially for the Japanese - but she just... doesn't. In that small, small way, she is similar to Six - and every other child in the Maw running around barefoot. Except she's above running, of course. She's got the privilege of floating like a ghost so that she may never touch the ground.

(The only time when this rule is broken is when she fights Six, poetically enough. You can see her visibly step back.)

These strange little things are the first things that push you to wonder about her as a person. Not the title, not the Lady of the Maw: the individual behind the mask. Who is that person? What is she like? Is there a way to answer these questions? I think yes, if you know where to look - but is it worth to ask these questions considering what she does?

That depends on you. Me personally, I think there is narrative worth to be found in what she has to hide. Her foil, Six, finds value in the aspects of herself she does not hide: she is very unapologetic in her selfhood. The Lady isn't, for the most part.

(I wonder if that would make her envious of her younger counterpart in a different context?)

Frankly, looking back on her choice of attire, the fact that her personal bedroom is barely decorated is not surprising. She only has the essentials: a bed, the vase with the key, a few pictures of importance (of people long forgotten, herself included no doubt) and... an ungodly amount of misplaced clothes all over her quarters. All the same yukata, repeated over and over, maniacally folded and arranged in towers, but never where they're supposed to be.

A bedroom is the reflection of yourself. Of your inner world. The fact hers looks so barebones is quite telling about who she is. Or isn't. She herself may have some trouble trying to figure that one out.

I think that, in a vacuum, it's easy to assume that the reason she's so displeased by her reflection is soley out of vanity. That is definitely part of it, but I don't think that's all there is. Because after seeing the mannequins that all look just like her, the four women in the picture who also wear her same exact clothes... and that hidden quote.

This quote, which is from Alice in Wonderland. Specifically from a conversation in which Alice expresses how she doesn't recognise herself anymore because of how many times she grew big and small during the course of the day. She is not the same person she was before entering Wonderland.

I find the way she clings to the dolls and the music box to be much more... sombre when keeping this in mind. In a way, that scene is reminiscent of Monster Six clinging to her music box in the chaos of the Tower; an attempt to attach to something safe. For the Lady, it's even more personal. Those are her toys. Her song. No one can take them from her and claim them as theirs. These materialistic tomes are physical proof of her identity. She likes dolls, and she likes to sing that song from her music box. Surely, that much is something.

But a ceramic toy and an old music box are not really enough to placate the inner turmoil. Hence the broken mirrors, the hidden statues... the hung down portraits with their eyes scratched out - from times of the past. There is a person looking back in the mirror which she does not recognise. That can't be her, right?

It isn't. The reflection is but a faux image of her outward appearence. The inside, however... much like this concept art shows, she is melting away. Rapidly decaying no matter how much she tries to stick to her youth.

Because at the end of the day, that's what she's doing, no? The toys, the music box, her appearence... all of it, just to cling a bit more to the person she used to be. Point being that I doubt even she remembers what she used to be.

You'd think a person like this would be inclined to feel at least some sympathy for all the lost children wandering the Nowhere. A sense of kinship, perhaps, or even just... basic human compassion. She has proved to have very human emotions, after all. This is where she proves you wrong. Whenever you think she's stepped the lowest, she always goes lower.

In her humanity, she is brutal. Relentless, ruthless. She offers no sympathy to anyone and has no empathy to spare either. She is very much aware of what's going on under her roof: she not only allows the Maw to continue being the way it is in spite of having the power to change things, but she actively engages in its despicable practices. She has petrified children in her quarters, as well as their ashes - of which the use is unclear - and then she is responsible for the Nome population and exploitation being so large and so eerily heavy. She's twisted necks, broken bones, murdered innocents.

The Shadow Children are, to me, one her greatest offenses. I don't think they serve any particular purpose other than... being there because she wanted to make them. Children ripped away from their life because of her whims. Not even in death can they rest because she can get her hands on their souls. They're nameless, forgotten shadows with blank masks: they're just like their creator, in that way. Ripped of all individuality and devoid of everything.

Everything she sees, the Lady devours. Not a creature is safe from her shadows and her wrath, especially if they come and actively intrude in her activities. She's twice as aggressive if the Maw is at stake.

The Lady's personal bedroom has another motif piece which I did not previously mention: the Maw wallpaper. While Roger and the Chefs have wallpapers that portray them with her, the Lady... does not. She only has the Maw. She's not part of that picture.

The Lady can't let the Maw change its ways. She is the Maw. The Maw must survive: so must she. To change the Maw would mean challenging herself enough to bring about a change; to her, who does nothing but lament what she lost, that would be too much effort. Too outside of the comfortable zone where she can survive in peace. Miserable, but unbothered.

... For the most part. Until Six comes around.