#i don't plan on posting about him or developing the ship much
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silverselfshippingchaos · 29 days ago
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so.... g.oku, eh?
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robolvrr · 2 months ago
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late night adventures  ⁠`⁠๑🍻
swerve x gn! human bartender headcanons /
i need more of this adorable little guy.
sfw / suggestive under the cut.
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"wait a minute. you gotta go to academy to make drinks?!"
you end up on the lost light completely by convenience. sure, cybertronians haven't exactly gotten the best reputation - a waging war following wherever they migrated wasn't pleasing for the planets caught in between a billion years of conflict. still, you're tired of working in a shitty bar with shitty customers and shitty pay.
while brainstorm first suggested to find a way to mass displace you (which you tend to just tune out his plans because he makes zero sense), the crew has settled on just making you a mech suit. it's not boxy, fitted for your frame. you don't have a helmet on because the mechs like to look at you.
kind of like a zoo animal exhibit to be honest. look, the alien in the tin can can speak!
you quickly develop some favorites. tailgate is adorable and cyclonus is terrifying but warms up to you over a few months. rewind is chatty. rodimus is.. rodimus. whirl has his charm and you love to hear skids ramble.
but who you really click with?
swerve.
my god he is OBSESSED. a human? on board? in his lifetime? at HIS bar?
it's even better once he learns you share interests.
you talk about your experience as a bar tender and yap his audials until he's melting. he loves it though.
he finds it interesting all the personal touches humanity tends to do for drinks.
like little fruits in fancy cups? burning a glass just for the fun of it?
"do you ever experiment with drinks?"
"well, yeah. to an extent."
"huh. do your customers sometimes offline for a lil?"
"... no honey i don't think they ever have."
please help him convince ultra magnus to include their trades for wines and spirits.
sometimes he lets you get behind the bar top.
he gets posted at your side and gushes like a goof. he finds the way you're able to talk and make drinks very, very impressive.
he learns to make drinks for you over time.
the first time you kind of gag and he freaks out, but you just end up patting his helm and choking out it's alright, he just gave his drink some extra kick.
HOOO. that is LIQUOR sir.
"what's wrong, starshine? feeling nervous?"
so. swerve isn't much of a flirt funnily enough. mechs laugh at his jokes and he's gotten some great connections, but not nearly the time to actually go out of his way (or shell) to banter like that.
it doesn't help that not a lot take him seriously. :(
when you talk to him about the culture of bartending, you joke about whether or not he had to sweet-talk his frequenters for tips and such.
he looks so confused.
"huh? why would i? you come to a bar to.. drink. right?"
oh boy.
you laugh though pat his shoulder when he gives that tiny pout of his. and you have the brilliant idea to show him what you mean.
it turns into a bet. if you can casanova the armor of em you win! and he'll get to see you in your full element. that means one night, human bartending - which drags in a HUGE crowd.
swerve bumps into mech after mech, shooting a lazy set of finger guns before knocking his way up to the bar. why was it never this busy when he was tending?
maybe he should hire the human. they certainly got some flair. for business purposes, of course. not like he's been thinking about them in the middle of the night staring up at the ceiling still as a statue. that would be weird. and creepy.
is it hot in here? it's definitely hot.
he eases himself on a stool. it feels funny being on the receiving end for once.
imagine his surprise when he spots you effortlessly zipping around, making drinks and finding him in the crowd! that look in your smaller optics sparkle and he feels the ship shift. is he having a spark attack? maybe premature crisis.
"hiya, handsome. the regular?"
he doesn't even look down at the glass you set before him, but it's his favorite engex mix and you remember, you remember what he likes. frag. you are a real sparkthrob.
"haha, already starting with the show, huh? you're gonna have to do better than that if you wanna prove your point."
it doesn't take a detective to sense how nervous he sounds. or an magnifying glass, because his gaze is a little focused on where your aft would be. your mech suit is real nice. there's orange and yellow accents, dark coal mesh barely visible between rivets of armor.
sometimes in the shower he thinks about how you'd look as a cybertonian. you'd probably be just as hot.
hot galaxy babe. ha. so he's a hopeless romantic and a xenophile.
"you're my favorite customer, swervey. just admit it feels nice to be pampered. big, hard-working mech deserves a little treat now and then."
then you toss that impish look over your shoulder, shaking two steel mixers together. the motion is standard. up, down, up down, up down, shake shake.
your grip is firm and confident on the equipment. your fingers can't really fit fully around the circumference.
he gulps.
"y-you're not slick. nuh-uh-uh. takes a lot more than saucy words from a pretty thing to get this motor running."
"oh. so you'd like me to demonstrate? i am a hands-on learner."
"this kind of talk wouldn't fly around here for long, sweetspark. makes me kind of jealous - you doing this for all the crew? cause i gotta tell you, there's some reaaaal bastards--"
thank primus it's loud in here. you don't help you know, tipping over the bar with a wry grin.
something pops into his mouth. an energon cube. raw.
"then it's good i just like teasing you."
you slide down about four drinks along the metallic table. swerve wonders if love at first sight is truly like the movies.
"tell you what. these drinks? on the house. and if you stick around.. i can teach you some chemistry outside of just making a damned good cocktail."
steam whistles out his vents.
..........
yeah. you won.
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demi-god77 · 8 days ago
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I don't like getting into drama, so that's why I'm making my own separate post, but it drives me insane when people claim s5 will have no time for relationships.
The driving force of the ENTIRE show IS the relationships between characters. Whether these are romantic, platonic or familial. The bonds they have, what brings them together, what tears them apart.
You're obviously allowed to have your own opinions about the plotlines/ships, whatever. But those opinions are not facts.
The creators have time and time again pointed out that s5 needs to tie everything together and that INCLUDES relationships. They can't leave things on the air, they need to answer everything.
And let's ignore Byler for a second. Things between Nancy and Jon are a bit tense by the end of s4. They're not telling each other everything and that storyline/love triangle needs to be tied up. Ffs they CAN'T introduce a plot point (ie. Jon's college acceptance letter) if they go nowhere with it.
Same with Robin and Vickie. You don't introduce a love interest in the penultimate (!) season, if you don't plan on following through with it/developing them in any way. They didn't introduce Vickie only for her to not get any development with Robin, simple as that.
I wish people would understand that writers and directors don't just do shit. They don't tell the actors to go on stage and do whatever. You simply don't introduce a plot point, if it doesn't come back. Chekhov's gun and everything. Will being in love with Mike, giving him the painting that was essentially his indirect confession, IS a plot point.
When I say the biggest Byler proof for me is the narrative, I mean it. Will believes Mike is not in love with him and will never be. If he's right, it's a useless storyline. Simple. It's not a plot twist, it doesn't defy expectations, it's exactly what we already knew. So why make it a plot point? Why introduce it in the first place? Will is certainly not a character that needs to learn he can't always get what he wants, it doesn't develop his character in any way and Mike not loving him is something he has already convinced himself is true. It serves no purpose.
ST is a sci-fi show yes, but it has never been just that. The themes, the bonds between characters, there is so much more. This is why I can't stand when people say they won't have time in s5 to develop anything. A season without any development to any of the characters is a failed season. It's a season where nothing happens. And this isn't about Byler exclusively either, it's about EVERY character, EVERY bond and relationship. Were any of the past seasons focused solely on the monsters and the supernatural? The driving force was always the characters. The final season is not gonna be any different.
The creators have said they don't have time to do a "where is everyone now" thing that they do at the start of every season, because obviously stakes are much higher. They can't spend time showing Steve flirt with some random girl or things like that. THAT DOESN'T MEAN CHARACTERS WON'T DEVELOP, HOLY SHIT. They just can't spend time on random things.
That is all.
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gelakaien · 5 months ago
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I disagree when people say there is no romantic subtext in itafushi because, I do think there is. I also disagree when people say there is too little [of romance] to base itafushi on it because that's really not true.
It starts with Megumi saying his type is someone with an unwavering humanity. Which is the very literal meaning of Yuuji's name. It slowly develops from there.
I also don't like how people say itafushi is one sided. IT'S NOT. He cares too much. Fushiguro is always the first one he notices in any room he's in. Even in the time he was hiding his death, he would mention Fushiguro now and then. Fushiguro just doesn't leave his mind, never did. He thinks he's very reliable, he SPECIFICALLY told Sukuna to not say anything to HIM about the fingers-resonance thing in the aftermath of the bridge fight. And the scene at the lake, where Megumi told Yuuji he'd kill him if he died, he defintely took it in a serious way, not just because he said "I better not die then" right after, but like, he even referenced that to Megumi in Shibuya. As a way of reasurance. As a way to say "I won't die on you, I will come back to you." Also thanks Mappa for making this even more gayer with the finger guns thing.
Hell, he even knows Megumi's favorite popcorn flavor and he teached him how to make meatballs. They barely knew each other for a few weeks??? And he was so overly excited to learn he'd be his closest roommate. Sure, you can say he's joyful with anyone and he is indeed, but towards Megumi, it's so much more intense. And yeeessss that could be because they are best friends alright but you can't deny it can work both ways, can you?
Since I touched in the best friends topic, I will quickly say how much it bothers me people refuse to ship two guys because they are two guys the same holds true when it's two girls but I'm mostly talking about a m/m ship. I saw someone yesterday talking about itakugi being endgame and like, sure there was some disapproval, but not as aggressive as it would be if it was an Itafushi post. Because when it's about itafushi, they easily jump on you saying "ThEY arE bEST FrIeNDds, CaN't tWo gUyS bE fRIeNDs anyMoRE??!?!? tHIs is jUst fRIendSHiP sTOpInG mAkInG iT gAy/wOkE!" well, it's funny because these exact people would immediately ship a guy and a gal even though there's so much little going on between them (take Ozawa as an example, sure she is cute and all but people saying they have more chemistry than itafushi is just... lack of literacy, like wtf???? how come a girl that appeared in ONE chapter and then NEVER AGAIN god knows if she is still alive - possible have more chemistry than two guys who went through good and bad shit together since chap 1?). But if it's a m/m, then it's a immediate no-no...? This is not about chemistry, friendship or whatever, there is a very clear name to this, the instict to immediately shut down the idea of two guys or girls together in a romantic way. You know very well what is called, don't you?
Anyway, back to Itafushi.
In the whole Shinjuku fight he's been thinking about Megumi, he went through possible ideas and plans TO SAVE Megumi. He's willing to become Sukuna's host AGAIN to save Megumi. Of course they (including Yuuji) need to defeat Sukuna, stop the Merge and save the world blah blah blah, but until so far, the core of his actions is moved by one objective: to save Megumi.
In post Shibuya he felt so conflicted about whether or not he had the right to live, and when Megumi asked Yuuji to save him, Yuuji's eyes shined again with life. They were devoid of any light until then.
Megumi means so much, so much to Yuuji, he treasures him too much. Way too much!! He would feel lonely without him.
And I don't care the way the translators chose to word this, we can safely assume that to Yuuji, Megumi's absence means loneliness. He would feel a void in his heart (I, the person writting this, am telling this in a romantic way, but you can assume that as platonically too if you like) without him. Megumi MATTERS to Yuuji, and Yuuji MATTERS to Megumi. Hell, Megumi even puts him in the same level of importance as Tsumiki, his sister, the only family he had the whole life. I'm not even gonna dive into the topic of "megumi wanted yuji to marry tsumiki" bc i think that is pure nonsense. plus she's dead. meaning they would never marry anyway.
In conclusion I think there is a lot of room for romance to flourish between these two, it might not be now, it might not be the objective of the whole work (because in the end it's a shonen, so yeah), but it's defintely not weird to think about. Love is a central theme since JJK 0.
Unfortunately people on twitter are mega stupid and I had the unpleasure to see a lot of hate towards itafushi because we apparently are in the wrong for thinking about two guys kissing no matter how much gay chap 266 was. And apparently we are in the wrong for taking Megumi and Yuuji's exchanged to a romantic level even though that shit was gay af (i personally don't talk like that to my best friends but okaaay whatever right) Which prompted me to come to another space (hopefully away from those ppl) to deposit my thoughts.
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buddiebeginz · 4 months ago
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Everyone who watches 911 is entitled to have their opinions on the show. Good, bad, or indifferent. This goes the same for Buddie. But don't assume you can make posts talking about how "willfully delusional" you think people in your own fandom are simply because we're talking our cues from the show (and the people involved in it) and seeing the signs of Buddie canon without any push back.
I‘ve been watching this show for years and in my opinion we have never been closer to Buddie canon than we are now. This isn’t just fans seeing what we want to see this is everything that’s gone on with the show, it's creators, and cast since the promo for s7 started.
Before s7 even started Ryan and Oliver were doing tons of press together. There was more talk of Buddie than had ever been previously. We had Ryan and Oliver talking at the s7 premiere about how Buddie's relationship was changing and how they were going to be getting even closer.
During s7 we had more Buddie scenes than we had in recent seasons and not just like scenes of them working together but scenes that cemented their relationship and showed them becoming even closer than they'd been. Scenes like Eddie relying on Buck to help with Chris (multiple times during the season). Scenes like Buck talking about how worried he was about Eddie during the Kim stuff.
It's even more clear that Buddie canon is where things are headed when you look at how Tim chose to handle B/T vs Buddie in s7. If Tim was planning on making B/T a long term ship there were so so many times he could have done more to develop them and he didn't instead the development was put into Buddie.
704 was not about Buck trying to get T*mmy's attention it was about Buck having these big intense emotions he didn't know how to deal with or really understand (because they were about his best friend) and misplacing them onto T*mmy. If Buddie wasn't a part of the plan I don't believe Tim would have ever even included Eddie in that episode especially not the way he did. It would seriously be one of the stupidest moves the show could make. They know how much of their audience ships Buddie, hell people who don't even watch the show talk about Buddie.
Plus it's obvious that Buddie's karaoke scene in 706 was supposed to be a parallel to Maddie and Chim starting to realize their feelings for one another in 208 (when they did karaoke). But the karaoke scene was pulled once they were renewed for s8 when they likely decided to pause on Buddie happening and Eddie coming out until they had more time. Why else would they have them singing a karaoke duet to a love song (in Madney's wedding episode no less) if Buddie canon was never going to happen?
Then you had the very domestic scene in 707 with Buck commenting on Eddie's cologne and throwing food into his mouth. And zero mention of T*mmy in the entire episode. Then in 709 you had Buck looking at Eddie (not T*mmy) when he got his award. In 710 it was Eddie by Buck's side the whole time Bobby was at the hospital and the only scene B/T got was that dinner scene which didn't do one single thing to further develop that relationship.
Back to the bts of it all. Oliver liked and commented on Buddie stuff throughout s7. He also posted Ryan often on his stories. Most importantly he posted a pic of him and Ryan on the basketball court after the B/T kiss in 704. If I remember correctly after the B/T dinner scene in 710 he also posted something to do with Buddie too.
You also had Oliver saying in interviews that he sees what Buddie fans sees and we're not wrong. He also talked about Buddie as how it could work if it happens. Ryan also talked about Buddie happening and said it was baby steps for them to get there. Ryan also said in one interview (can't remember the exact wording) but it was something about who should lead like who should come out first and it was decided it was going to be Buck. But the way he worded it was very clear that both of them are supposed to come out not just one. Lou also talked about how it was originally going to be Eddie getting the queer storyline (with T*mmy) and instead they decided on it being Buck. Lou also talked early on about Buddie and B/T as T*mmy being someone that is basically getting Buck ready for Buddie.
I firmly believe that Oliver would not be interacting with Buddie stuff nor talking about Buddie as much as he has in interviews if he knew Buddie was never going to happen. He's said point blank before he stopped talking about Buddie in the past because he didn't want the fans to feel led on. I think this is part of why he hasn't really interacted with B/T shippers or anything much to do with that ship. He knows it's not meant to last and he doesn't want those fans to feel like he's lying to them.
I know people look at Ryan calling Eddie heterosexual during some of his s7 interviews as a sign that Buddie isn't going to happen but as soon as s7 was over and he had a couple of interviews he started using gender neutral phrasing and saying things like "partner". There was also an interview where he talked about how Buck is basically taking Shannon's place.
Now as we've started to get promo stuff for s8 a lot of the social media stuff has been revolving around Ryan and Oliver with it leaning more towards Ryan. This is similar to how it was for s7 only things were leaning more towards Oliver because of everything that took place with Buck. It's clear that Eddie is going to have a big storyline this season and it can't just be that he's missing Chris or going back to religion.
ABC and Tim know how popular Buddie is and they know how huge it will be for the show and their network to have Buddie go canon. It's why they're handling this very carefully. Honestly I don't think they would have even had Buck come out if they weren't at least considering Buddie because they would have known that the fans yelling for Buddie would only get louder once one of them was confirmed queer. And like I said earlier if they had no intention of Buddie they would have at the least been distancing Buck and Eddie and certainly wouldn't have made Buck's entire coming out episode all about him.
They also would have told the actors to limit talking about Buddie in interviews and the journalists wouldn't have been allowed to ask about Buddie. If you look back at previous seasons and the kind of interviews Ryan and Oliver had Buddie was rarely if ever talked about. That's because Fox did not want it to happen and networks can control what is talked about in official interviews. There's a reason Buddie was talked about so much during the s7 interviews. It's the same reason B/T has barely been talked about even though it should have been a much bigger deal being Buck's first relationship with a guy.
Oh also there was the person on twitter who claimed to have inside info for the show and proved that at different times during s7 with how they seemed to know stuff long before the episodes would air. They said that people behind the scenes had been trying to have Eddie come out in s5 and again in s7 it just hasn't worked out yet. This also fits with what Oliver said that Buck was originally supposed to come out in s4. This fits too with the shooting storyline and the panic attacks early on in s5. Buck would have had his bi awakening in s4 and maybe his feelings realization after the shooting. This would lead to Eddie having his queer awakening during the whole Ana storyline in s5. But Fox shut all of that down.
My point in all of this is that there's a lot of evidence to back up why Buddie fans are so sure about Buddie canon this time. More so than any other season. It's not just us seeing the show through our buddie tinted glasses. It's the most logical outcome at this point. Sure we could all be wrong and the show could leave us heartbroken but at the same time it's still fun to be excited and hopeful about the show.
Oh and one more thing. I get it if you don't like Eddie's mustache, we all have things we find attractive or don't for whatever reason. But continually comparing Eddie, a Mexican man who many lgbtq people relate to and see as queer coded, to characters you describe as "violent and abusive" or a "corrupt cop" just feels all kinds of wrong to me.
Again like I already stated above Buddie canon and Eddie being queer might not happen but there is plenty of evidence to back up why people see Eddie as a queer character. In some ways he's been far more queer coded than even Buck has been. To get upset at people for seeing the mustache as another sign of queer coding makes zero sense to me. You can think it looks unattractive but mustaches have a long history of symbolism in queer men's culture. This isn't just about thinking it looks like Freddie Mercury it's that mustaches (especially ones that look like Eddie's this season) have often by used by queer men as a signifier of their sexuality to other queer men. So the idea that the show is using it as an early sign to the audience that that's where they're taking his character isn't totally out of the realm of possibility.
You are free to disregard all of the facts I just pointed out. You are free to see the show how you want. But you're not free to insult the people in your own fandom and then act surprised when people don't want to follow you or even go so far as to block you because they're tired of the negativity. I mean we get enough of that from B*mmy stans we don't need it in our own fandom too.
If the fandom and the show is causing you to be unhappy it might be time to consider taking a break.
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the-entity-down-the-street · 3 months ago
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Okay so. The New Beetlejuice Movie.
I have thoughts about Lydia and Beetz, and how Beetlejuice's feelings developed for her.
Yes. I ship them. I don't think I've come out and said it yet, but yeah I'm one of those. Block me if it bothers you. Winona and Micheal ship it, too. For the record.
Analysis under the cut
Okay folks. So, I don't believe for a second that Beetlejuice loved her in the first movie. He doesn't know her, barely interacts with her, doesn't care about her outside of having a means to an end. You can see this in how he treats the wedding, too. He rushes it and does everything in his power to stop everyone from saying his name. I don't even think they had a cake?
Now, this isn't to say he isn't intrigued by Lydia.
"I think I could get along with Edgar Allen Poe's daughter, she gets me."
Let's be real, though. He's a scumbag and a sex pest in the first movie.
This is in stark contrast to the sequel. He calls Lydia the love of his life, keeps a photo of her on his desk, fulfills all his promises to her, helps her get revenge on Rory *after* making him tell the truth about his motivations, and the DANCE SEQUENCE?? If his goal was just to escape the Netherworld, he'd have rushed the wedding vows and gotten it over with as quick as possible. And considering he has *more* motivation to get out than the first movie-- Delores coming to kill him, for real, permenantly-- that makes the second wedding even more romantic. He is down BAD bad.
So, how did we get here?
That's what I've been puzzling over for past couple days. I think it has something to do with the psychic connection Beetlejuice mentions to Bob.
@herefortheships has an excellent post that helped fill in the "why" of the psychic connection. Lydia can see all kinds of ghosts. What makes Beetlejuice different?
It's because they almost completed the wedding in the first movie. Sure, Lydia never said "I do", but they were almost there, and with this marriage ceremony being so powerful as to bring the dead back to life, even an interrupted wedding forms a link between them. Beetlejuice being such a powerhouse himself, and Lydia being naturally psychic, probably strengthens it. The closest comparsion I'd make is never closing out with a Ouija board. A very powerful, horny Ouija board.
So, this gives Beetlejuice a chance to get to know Lydia over the years. He watches her grow up, with a set of ghost parents no less. He sees her powers strengthen, and how she goes on to start a show utilizing her gift. I wonder if the show inspired Beetlejuice to start his own business?
She becomes a wife, a mother, a fully rounded adult who never loses her adoration of the macabre. I think he sees what he originally saw in Delores, and it ignites something, for lack of a better term, long-dead within him. Lydia is a much better person than Delores, too, and Beetlejuice knows that. After all, she originally agreed to marry him to save her (already dead) friends.
No wonder he's fucking smack dizzy in love. He softens, becomes a marginally more respectable person. Keeping a picture of teenage Lydia on his desk is objectively creepy, but that's also when he saw her in person last, so it makes sense.
Something else I noticed, and this kind of a tangent, but it's interesting.
He only started appearing to her again recently. Like, she'd felt him around the corners, but it's only around the start of the film that he tries to actively get her attention. I have a theory as to why. In part, he wanted to make himself better for her before making a grand entrance (reputable businessman and all), but there's something else that's more obvious.
Rory. He knows Rory's bad news, and I wouldn't be surprised if he used his connection with Lydia to spy on him. Beetlejuice probably knew he was planning to marry Lydia for her money soon. Now, he couldn't talk to her properly due to her blatantly trying to push him out, but he could still be loudly present.
Notice how when Rory summons him, Beetlejuice presents as a relationship counselor. He even says "I think there's an enabler here, but we'll talk about that later," which I think is because he wants Rory to know he sees through the emotionally manipulative bullshit.
I think he also knows Lydia was not going to believe him if he said Rory was a creep. I mean, why would she? Beetlejuice bides his time with gross out gags and other typical Beetlejuice antics. It's only after he's proven himself honest enough to stay true to his word by saving Astrid and sending her boyfriend to hell that he gives Rory the truth syrum.
He's really, really grown to genuinely love Lydia, way more than he ever loved Delores I'd say, and it's because he's fallen in love with the woman he got to watch her become.
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stagefoureddiediaz · 10 months ago
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Costume Meta 7x01
Aaaaaaannnnd we're back!!
OMG I cannot tell you how good it feels to be back writing costume meta - I have missed it so very much and this first episode has given me lots and lots to talk about so lets crack on with it shall we!
Where to start?! Firstly - Its amazing to have Alayna Bell-Price back in the driving seat and she is a genius because she knows the characters better than anyone and I have to say from my perspective there is a pretty clear difference between this episodes costumes and the ones from season 6 - not that s6's costumes were bad, just that you could see the shift of having a designer who didn't know the characters to the same level. I’m going to go in order of character appearance in a non uniform capacity for this one I think so we’re going to jump around from character to character a bit. There is no Maddie or Hen this week, as we don't see them out of uniform, but every one else is accounted for and I've included Norman and Lola as they've got a multi episode arc and their costumes are interesting and playing into a colour theme!
putting it below the cut as its a long post and I on't want to overtake everyones dashes! Enjoy!
We start off with Athena in this pale pink high neck ribbed sweater with large bell sleeves. I've spoken a fair amount about pale pink over the last couple of seasons of costume metas and how, in clothes its representative of childish and immature behaviours or thoughts. That holds true here - the pale pink is playing into Athena's childhood - when she developed her fear of cruise ships - its creating a connection between her childhood experiences and the woman sitting in Franks office.
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We get a flashback that shows her in yellow and orange - the yellow for communication and the orange for transformation. A literal moment where we see Athena transform from the innocence of youth to her developing anxiety and fear around cruise ships. Its really clever visual storytelling connecting adult with child and shows us her fear is genuine and founded in something that she may not have been able to articualte fully as a child, but she can as an adult, even if she doesn't actually articulate it to Bobby.
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Our next non uniform costume is Chimney. The lighting is really low in this scene, so it's kind of hard to be 100% sure of the colouring, but he seems to be wearing either a dark navy or black button up shirt under a dark green and black bomber jacket. The use of really dark green in combination with black, Back is a colour that can be about hiding ones vulnerabilities - concealment and masking, but it is also a colour associated with magic (generally dark magic) as well as pessimism. The green is growth and renewal, and the hope for a better future. to use them in combination i this way is playing on Chimneys insecurites and fears, his desire to keep the 'magic' alive in his relationship with Maddie, but it also speaks to his growth, that he goes home and talks to her about it (even if he does come up with an insane plan to 'date forever').
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Eddie in the locker room - aside from being shirtless for much of it and pulling some epically good faces - was a super interesting costume choice. Especially the use of his watch! first though - Denim shirt time! We don't actually see Eddie in a denim shirt all that often and we've seen him in the super washed out one far more than dark denim shirts. I've been laughing a little bit at a few people (on twitter mostly) claiming its the same shirt he was wearing at the hospital during and after Bucks coma and it being a play on bringing Buck back to life. While I like the theory, its actually a very different shirt - the one in the hospital was black with a grey wash out and was made of velveteen - so different colour and fabric.
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This shirt, is however one we have actually seen Eddie wear before and its far more telling than if it were the hospital shirt. You need to bear in mind that this scene is about Buck and Eddies respective girlfriends (or lack there of) and the fact that Christopher has a girlfriend now as well. This shirt is the same shirt Edie was wearing when he (re)introduced Ana to Chris in 4x08 (breaking point my beloved! the gift that keeps on giving!) and this puts a conversation about Marisol and things going well with her into the same category as Ana - suggesting she is ultimately destined for the same fate as Ana. the other thing that plays into this narrative is the use of the watch.
Eddie does not put the Christopher watch on until after he has found out that Buck has broken up with Natalia - so during the entire conversation about their respective girlfriends, he is only holding the Christopher watch, rather than wearing it.
In the picture below from 4x08 you can see that Eddie is wearing his black 'work' watch rather than the brown strapped 'Christopher' watch. Remember that the first time we see the Christopher watch is when he goes for his first date with Ana in Jinx, so he already has this watch and in theory should be wearing it in this scene. The fact he isn't is pretty telling and I'll go into that a bit more later when we get to Chris's (and Eddies) date scene.
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Then we have Buck in his outfit of many colours! The white trainers, continue to play into my theory of Buck wearing them when he is in key points on his journey to discover his self - her it is about showing his growth - that he ended the relationship with Natalia - this is a massive thing when we saw how long it took for him to end things with Taylor - The man who clings is growing and getting out before it drags him down!
The jacket is similar in style to many of the ones we've seen him wearing in season 5 and 6, but this one is much brighter and more colourful. I know I go on about white meaning bad things for Buck, but that isn't relevant here - the white bad things happen to Buck theory is much more about t-shirts, jumpers and shirts rather than jackets - its an under-layer rather than a top layer that = danger. So i'm not thinking of its relevance here for this scene. What I am going to say is that this (according to my spreadsheet!) is the first time we've seen Buck in a white jacket of any description. To me, it's playing into the idea of purity and rebirth which is what white is often associated with. This plays into the comment Eddie makes welcoming Buck back to 'the land of the living' but also implies that Buck is starting a new chapter and making a fresh start - the check patterning suggests it might not all be plain sailing though.
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The check pattern is an interesting one, obviously check pattern theory comes into play here, but whether its only in relation to the reveal that he split with Natalia, or if its also foreshadowing Buck getting himself into danger/trouble down the line, remains to be seen.
I'm going to quote myself again because I did predict that this scene may be about his relationship with Natalia when we got the stills dropped - the costume department never let us down!
The only thing I can do is scream into the void about check theory because check does't bode well for people - they always end up in the middle of the drama (see my check theory posts linked on my pinned post for more) and while they come out the other side (99% of the time) Buck in check for that scene in 6x18 pretty much doomed his relationship with Natalia (its specific to her and not C&K's baby as Buck wasn't wearing it when he delivered it!) and as that shirt in the still is very un Buck like, has not only yellow ochre in it, but also its a white base (and we all know buck in white is a bad sign!!) and its check patterned - my theory is that this scene is connected to Natalia in some way - either Buck is not being true to him self in more than one way - that things are going to/have come to a head for their relationship (my kingdom for a reverse of Buck to Eddie about Ana in 5x03!!!) and lead to a pretty big change in some way (fingers crossed for Buck to end it and then finally break down and deal with his trauma!!!) Some other things about that shirt - the colour combination - the green blue and yellow ochre are giving me call backs to coma Buck (another reason I think it might be connected to Bucks unresolved trauma around his death and Eddies absense in his dream)
In the quote above, I was also referring to the blue and white check pattern shirt he was wearing when he and Natalia got together, but there was also the fact that in the balcony scene at the end of 6x18, we also saw her in one of Bucks white shirts. I wrote in my 6x18 meta about how those two things combined didn't bode well for that relationship going forward, and thats what leaves me unsure about the check pattern on this white jacket being purely about something that has already happened. If I put my Buddie goggles on, I would perhaps suggest that the troubled times ahead may be more connected to Buck and Eddies relationship, and this would fit in with a couple of the things Oliver and Ryan have said. The thing with check theory though, is that generally speaking if it's on one of the mains, they come out the other side of the dram/trauma stronger than before. So if it is connected to Buck and Eddies relationship, then we can expect it to be in an even stronger position on the other side of whatever goes down (and at this point you can't strengthen their relationship any further and keep them as just friends imo!)
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Chimneys forever dating proposal to Maddie, connects with his outfit when he's talking to Hen - it's the same jeans and black shirt, so the meanings of black, can be continued on into this scene - the idea of magic and hiding his vulnerabilities. The addition of the jacket with this brickwork pattern in its weave is a fun choice, it's playing into the idea of building something, but also plays into the idea that Chimney has his walls up - again fitting in with the black meaning of hiding his vulnerabilities - because instead of expressing his fears to Maddie ad then them talking it thorough, he comes up with his insane forever dating concept. the fact that much of this scene is a contrasting parallel with the scene from season 1 when he is pretending to be someone else entirely for Tatiana all ties in perfectly with this costume. The fact that he reverts to wearing blue (ran out of picture spaces so I couldn't include one) later on - when he's realised his plan isn't realistic, talks to Maddie and they end up back on the same page is really good to see - the blue being a signature Chimney colour and is indicative of him being true to himself.
Bobbys blue suit and blue check patterned shirt. The brightness of the blue is a really important choice - it's the only time we see him this brightly coloured on the cruise until he ends up in the bright red at the end. This is important because this is the moment when he's still all excited and hopeful for his honeymoon cruise - everything is good in Bobby's world at this moment in time - the check pattern is telling us that it's not going to stay that way for long. From her on out we see the colours of Bobby's costumes slowly beginning to dull and take on a washed out tone, but here in this moment all is good.
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Athena's bright yellow dress is all about making her stand out - communicating with the audience, she is the brightest person in the room (in more ways than one!!). The thing with yellow, apart from the communication aspect, is that it can also be a symbol of anxiety and fear, so this dress plays rather nicely into the theme of Athenas fear of being on that ship.
The colour does have other good traits too - its fresh and bright and is a colour of happiness in its more jewel like tones and I think we can see all of these meanings in these scenes - Athena might be anxious about being on the ship, but she is also happy and enjoying herself with Bobby in that moment.
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Lola and Norman. Lola is the one we need to focus on in her very bright very check patterned Victoria Beckham dress. Obviously the check pattern plays into check pattern theory, but the red also acts like a neon sign to the audience - highlighting that Lola is in danger - the ga won't pick up on check theory, although they might connect the dots about the fact this check patterning looks very like a cage - foreshadowing her being held captive later on, but also as a nod to the fact she was incarcerated previously.
The red is also a nod towards romance and love - playing into the rekindling of their relationship and romance in the aftermath of the freeway 'see me Norman' incident.
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Ok so Christophers date night and by extension Eddies date night! This is where this meta is goingto get a bit messy and I'm goingto jump around a bit becasue I need to talk about the way colour theory is at play in all the scenes in Christophers bedroom, so we're going to talk about Christophers bedroom as one big thing rather than the two separate scenes that it actually is. They are extensions of one another and build on so much of the groundwork we've already seen in previous seasons.
Chris in plaid check yellow and red check plays perfectly into check pattern theory - it’s a signifier that something is about to go down with him - namely that the fact he’s dating multiple girls at the same time. 
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He’s also wearing a white shirt which is not a colour we see on him all that often - in fact, the only times we’ve seen him in a completely white shirt is with his suit in 5x01 when suit shopping and again in 6x08 for his school dance. He did wear a white vest when dressed as wolverine for halloween  So as you can see its not a common colour for him, but the times have seen him wear it as a solid colour have been connected to school/girls and dating (i’m including the suit shopping in this because Ana was there and it was kind of a Eddie and Ana date of sorts - in that it was suppose to be for this Christening - meet the family - date type thing).
The most interesting thing is the plaid hooded shirt though. It was such an interesting choice to go with for a couple of reasons. the colour way is especially loud - we tend to see Chris wearing greens and blues and greys, with the odd other colour thrown in occasionally. So red and yellow are not common colours for him to be wearing.
On the red front we see him in it a couple of times - the adapted skateboarding scene and the scene in 4x10 when he joins Eddie and Ana on the sofa - getting in the way of their date night. We do also see him wear red in Christmas related episodes (so I don’t tend to count them in the same way as the Christmas colour theming will nearly always override any other colour theming intention - the use of stripes or check or other patterning is more important in those episodes!). 
On the yellow front things are even more clear cut - the Tsunami arc, the aftermath of him falling off the skateboard, Mays graduation party and 5x03’s Eddie Ana break up! These (apart from the tsunami shirt) were all bright almost neon yellow.
This new plaid shirt is more into the yellow ochre part of the yellow spectrum, therefore tying much more to the tsunami arc, which is actually really fitting if you think about it in a little more detail - its a connection, not only to Buck, but also to loss and grief. Eddie might have been using his secret weapon (Chris) to get Buck out of his moping (read mourning) over not being able to go back to work, but Christopher is also still grieving the loss of his mother at that point as well, so its not just about cheering Buck up, its also about giving Chris a chance to do something fun and distract him from his own grief. That is why the use of yellow then ties in so nicely with its use on Chris now.
The other thing that really grabbed my attention about this shirt though is the fact that the two times we’ve seen Buck have a conversation with Chris in his bedroom, he has sat in the same spot and has been wearing one of those two colours - post shooting in maroon and this episode in the yellow ochre - if you watch those two scenes side by side, you see that they’ve used almost identical camera angles as well to film Buck.
I've spoken a lot about the use of maroon as a colour connected to parenthood - especially fatherhood , which is how its intended to be read on Buck - connecting to Eddie and his being shot, pushing Buck into a parental role in Eddies absence.
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That alone is a pretty loud reference to Christophers connection and relationship to Buck, but then we have the yellow ochre of it all.
I feel a little bit insane about how close my prediction was on what the Buck Christopher scene was going to be about - this is from the meta I wrote when t he stills dropped;
Whatever this scene transpires being about, based on what we've seen with Buck wearing yellow ochre, we can assume its going to continue to play into this idea of Buck not being fully truthful with people and fitting into the role he thinks people want him to pay rather than being true to himself. I do want to add to this theory by looking at Christophers shirt as well. The grey/ yellow combination is a bit reminiscent of Breaking point (the episode that really is the gift that keeps on giving) because we get Chris in grey and Eddie in tan - that is yellowish toned whilst not actually being yellow There isn't a good screenshot of them together, but the placing of Chris and Buck in the new one has echoes of Eddie and Chris in that scene (one that is interestingly enough playing into the idea of changing family dynamics, but also the moment before and the one that happens afterwards at Bucks loft, directly placing Buck into a parental role (as an aside the idea of Buck being a miracle worker plays into the theme of Eddie looking for magic, just saying!))
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Indirectly this scene was about Buck not being true to himself with people and fitting into whatever role he thinks people want him to fit into, only this wasn't an active situation - this was a scene where Buck could draw on his experience of having done that in the past to help Christopher - the line from Eddie 'you didn't end up being like you' is such a call to this and actually shows how valuable Bucks own experiences and learnings are in helping Chris (we've all been joking about Eddie choosing Buck to help him with this Chris's issue, but in actual fact he was the perfect person for the job - not just because of his being a 'reformed player', but also because of his relationship with death and the death of a loved one where you are reliant on others for their memories of a person rather than having your own)
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The thing with the Yellow ochre (this meta here that i've already quoted from above is the place to go if you'd like more detail on its use on Buck more widely) isn't just its about it's connection to Buck, his place in Christopher's life and more loosely to the will of it all, (the fact that Buck and Eddie are both wearing the same colour ways as in the hospital bed will reveal scene and are both on the same sides of the screen in both scenes is a stroke of genius and is meant to connect these two scenes together) its also its connection to Shannon.
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The first time we meet Shannon, she sits on Christophers bed in more or less the same position as we see Buck and Eddie sit, and looks at where Christopher has been positioned in all these conversations, and she is wearing a burnt orange top thats pretty close to the dark yellow ochre we see Buck wearing. Shannon wears a lot of yellow - as in it there are only a couple of times we don't see her wearing something yellow or with yellow in it and those are key scenes (which I will talk about later on).
Shannons appearance in Christophers room to read the letter she wrote him had her in this black top with a floral patterning on it. She was also wearing green trousers (which can be seen in the still below but aren't actually seen during the scene.
I actually really loved the green trousers and black top as a choice because the top is very Shannon - it sits perfectly with the floral patterns we saw her wearing when she was still alive. The green trousers are a bit of a departure for her, but I think its very intentional for two reasons .
The first is that they are very much in the Eddie trousers wheelhouse, especially in combination with black - he wears green khaki trousers a lot. The inference being that the black and green combination is an echo of Eddie.
The second ties to Christopher. Green is also a colour we've seen on Christopher a lot, it's probably the colour we see him in most. It's being used as a reflection of the fact he is growing and transitioning from child to teenager. But having it here in this scene - on Shannon connects a Christopher growing up without his mom.
Both of these combined really connect into Shannon in this scene, tying the three of them together and on Eddies efforts to keep her alive for Christopher - the underlying implication that his growth into who he is so far is as much to do with Shannon as it is to do with Eddie.
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Her necklaces were not identical to the ones we saw her in in season 2, but that's most likely because they don't have them any longer, so they've replicated them as best as they can. The other little nod that I enjoyed is the brown bracelets on her right wrist - the same place Eddie wears his brown strapped Christopher watch!
But the top they have her in plays into a couple of other things - the prominent yellow flowers make an obvious connection to Buck from the previous scene, but they also tie into the 'I want a divorce' scene from 2x17 where she is wearing a dark blue dress with bright yellow ochre flowers all over it. the dress is not especially close to the top in the wider sense - blue dress with white squares v black top with florals in a variety of colours, but the yellow flowers are the prominent aspect of both items of clothing and play into the yellow theme connected to Shannon and then to Buck.
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This is espeically relevant when you remember that Eddie is in a black suit in that scene and he's wearing black when he gives the letter to Christopher.
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The black for this sequence of scenes is such a poignant choice - its Eddie mourning all over again, not for his loss, but for Christophers loss. I did find it telling that again in this scene, we have the absence of the Christopher watch. Eddie has very rarely not been wearing a watch in his scenes, so the times when we don't see him wearing one are very telling.
For me, in this sequence of scenes, it's about the fact that they are not about Eddies relationship with Christopher, but about Shannons relationship with Christopher. The watch is much more about Eddie and Christopher, so to have it absent from this story arc makes total sense and is symbolic of Eddie being a good father
Then we have Christophers grey shirt - I said when we first got the stills from that scene, how it was likely to be connected to complex family relationships - a la when we’ve seen Buck wearing his grey shirt. And what do you know - the scene was about complex family dynamics/ relationships.
It wasn’t perhaps in the manner I was expecting, but that series of scenes played with the full scope of Chris’s complex family relationships - from the relationship he has with Buck -not only as Christophers friend, but also as more or less Eddies co-parent (the way Eddie asked for Bucks help screamed co-parent rather than friend imo - that whole burnt out car scene was two co-parents discussing their child!) to the relationship he has with his dad - which is a pretty great relationship, but it is a complex one.
The relationship he has with his mom - or the fact he feels he doesn’t have a relationship with her despite Eddies best efforts, because as he grows up she feels further and further away. 
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Eddies 'date' night with Marisol. Again I ran out of pictures (30 is not enough!) so you're going to have to use your imagination or go back and rewatch the scene for yourselves, but trust me when I say that Eddie is wearing the same shirt he was wearing for this date night as he was in 4x10 - when Christopher interrupts because he can't sleep!
It's also a similar tee to the one Eddie wears when he has his breakdown and trashes his room (that one was more green when this one is much browner). Its slouchy and has cut and stretched raw edges at the sleeves and on the pocket - in the same way his breakdown shirt did. there is an element of being in familiar surroundings and being comfortable at home, but stretched out raw edges and Eddie generally tend to mean not so great things.
Of course there is the element of his parenting skills being tested by Christophers having more than one girlfriend, but if that where the only reason, then it would've made more sense to have him in that shirt when he's listening in to Chris talking to Buck, rather than when he's on a date with a new girlfriend.
This is especially true as the screen time for that tee has more connection with Marisol than it does with Chris. Combined with the fact that once again, like in the locker room scene, he is not wearing his Christopher watch in this scene and that speaks volumes.
If we are to read the scene as being about Christopher soley, he should be wearing his watch because that watch is a physical embodiment of the importance of Christopher in Eddies life - that he puts Christopher first in all things.
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Got to say I was a bit shocked to see Marisol in his bright magenta silk spaghetti strap top when you consider the costumes we saw her in last season - mostly dressed down, t-shirts, jumpers and dungarees so this is a complete 180 for her character.
There are a few interesting things connected to her outfit, firstly it low key ties into Natalia - we saw Natalia in a red version of this top for her first proper onscreen date with Buck (when they go to the badge and ladder joint) so there is an interesting low key parallel to draw there. There is also the fact that her bracelet is a chain one - much like we've seen on all of Buck and Eddies previous girlfriends - although those have been necklaces, so I'm undecided if this chain bracelet is paying into the same trope as those.
Then there is the pink of it all.
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You see Eddie and Pink on his girlfriends doesn't bode well for Marisol.
Both Shannon and Ana wore pink. Ana wore it a lot - there are two examples below, but generally speaking its her most commonly worn colour - including on her first date with Eddie in Jinx.
The first example below is from the first time we see her in the Diaz house. the shades are different, but the fact that the first time we see both characters in the Diaz house they're both wearing pink, speaks volumes.
The other key use of Pink is when Shannon is at the beach with Eddie and Christopher and she tells Eddie she's pregnant - Eddie takes it as the sign he has been looking for - the chance to effectively start over with their marriage, but this is the beginning of the end for their relationship, even if she hadn't died a short while later. She is wearing pale pink in that scene and it's the only time we see her wear the colour in the show.
The fact we can also contrast the use of pink with when Buck wears it is telling in its own right - we see the relationship between Buck and Eddie strengthening when Buck wears pink - May's graduation party, the tsunami, the Hildy coffee machine - all moments (big and small) that show the development of various aspects of their relationship and its ability to endure.
Essentially all this use of pink on the women he has had previous relationships with, doesn't bode well for Marisol and the longevity of her relationship with Eddie. How quickly it will end I can't say, just that it will end.
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I spoke earlier in this post about colour theming for the episode and this is where I talk about it!
Pink - and in particular the very bright pinks we saw scattered across the episode. Marisol above wearing it, isn't just about connecting her to Ana in costume terms (especially as at this point that costume is a departure of her costumes from s6) it also connects her to the other characters we see wearing bright pink in this episode - Lola and Norman.
At this point in time I'm not sure if we're going to see it play out as a theme across the season, but its use in this episode was very loud on characters that are going to be around for more than 1 episode. It suggests that there is some underlying theme that connects them (by this I don't mean that they're gonna meet and hang out I mean that personality traits are going to be similar)
Magenta and bright pink in colour theory means a few different things, and like with all colours, has positive and negative traits. Generally speaking its a loud and brash colour thats designed to stand out and draw attention to it's wearer.
Things that are considered positive traits for this shade of pink are; intensity, acceptance, kindness and it's supportive and uplifting nature. It's connected to naive love (as in lust rather than the passionate and enduring love of red) can also be considered a nurturing colour.
Negative traits are; intensity, volatility, arrogant and impatient, irritability and irritating and frustration. it is also said to be a stress inducing colour and is said to be overly emotional.
Theres a clear and fairly loud connection between Lola and Norman getting into danger - Lola is in magenta trousers when she is kidnaped. Norman also has bright magenta flowers on his shirt at this point as well. My guess at this point is that we're supposed to lean into the stress inducing element, and also the irritating nature of the colour (On Athenas part at the very least!) and we'll see if those are the themes that play out for Marisol as well down the line.
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Norman is in bright pink when he's lying and claiming she's unwell from being outside or too long. We also see that he is wearing pink in the ditsy print shirt later on (again I ran out of picture spaces!)
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Athena's black top in this scene is much like the use of Chimney in black in his scenes. It's all about power and authority but it's also about her hiding her vulnerabilities. The other thing it does is creates a huge contrast with Bobby and all of the other passengers - she is the only one in black in the scene and it contrasts her with the underlying white of Bobbys shirt - juxtaposing them and visually putting them at odd with one another.
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Like I said above about him becoming increasingly pale - here we see Bobby in a sea-foam green shirt - its the palest and washed out colour we've seen him in on this cruise (grey pyjama shirt not being included as its blink and you miss it and a pyjama tee!!!). Sea-foam green doesn't really play into the traditional meanings of green - there is still the element of renewal about it (the sea washes the sand etc)but its mostly a self-conscious and uncertain colour - both things that perfectly sum up how Bobby is feeling in this moment.
The other fun thing about this outfit is the palm tree shorts the patterns Bobby has worn in relation to this cruise, up to this point (and that includes the shirts from season 6) have all been tropical themed but on his shirts, the fact that they've now slipped down onto his shorts is a visual representation of him becoming increasingly dissatisfied with the way his honeymoon is going - that the tropical vacation vibes are slipping away.
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Athenas red and white shirt, in my opinion is showing her cross purposes - its the duality of investigating and being on a cruise in a shirt. The bright red ties into the red and blue first responder colour way the show uses (for obvious reasons) while the white and the palm fronds, the lei flowers and the watery theming of the pattern fit into the troipical cruise they're on.
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Bobbys red shirt contrasts with the lavender that we see on Athena - its not a colour we see on Bobby all that often and that makes its use all the more important. Especially considering the entire cruise thus far we've seen him in blues and greens - especially pale closer to pastel tones.
This red is bright snd bold and unlike his usual choices. Red is a colour of cross meaning - there is obviously the connection with love and the heart, which is absolutely at play her - his love for Athena is spurring him on and is part of what is pushing him in to investigator Bobby mode - and its representation of love is what is going to be the key player in the up coming episodes on the ship - when he is looking for Athena during the evacuation etc. But the other meaning of red is war, courage and anger and that is very much present here in this episode, and will (i'm assuming) be later on in 7x02 and 3.
The other thing I think its worth pointing out at this point (which is pure conjecture on my part at this moment in time but that I think will become relevant in the next two episodes rather than this one) is the foreshadowed parallel with Buck in season 5 when he broke down Eddies door. The bright red we saw him wearing then was an uncommon colour for him, in the same way it is for Bobby here. It's paralleling the way Buck was prepared to go into battle for Eddie, with the way Bobby is prepared to do so for Athena - going to war for your closest person, your loved one and doing what you need to do to save them.
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Putting Athena in lavender the moment she gets to go into cop mode was a choice that had me giggling! Lavender is a colour of relaxation and order so for her to start wearing it the moment she gets to start being a cop again - speaks volumes for her state of being - it shows that her fear of being on the cruise ship and of being alone with bobby, has been overridden by her need to do her job and start investigating things. Its the perfect colour for this moment and for the impeding trouble brewing on the ship - Athena will bring order to things as order has been restored to her inner world.
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Hopefully you've enjoyed this little canter through the costumes of 7x01 we're back in business and I can't wait to read your comments in the tags and comments 🥰
Tagging for those who've asked to be tagged - drop me a comment on this post if you'd like to be added to the list for the next meta 😎
@theladyyavilee @mistmarauder @xxfiction-is-my-realityxx @mandzuking17 @spotsandsocks @loveyou2thecore @wanderingwomanwondering @oneawkwardcookie @leothil @copyninjabuckley @nathleigh @shammers86 @crazyfangirlallert @missmagooglie @inandoutoffocus @katyobsesses @radiation-run @gayandbifiremenofmine @lemotmo @bi-moonlight @satvojihusana @crazyaboutotps @princesschez75 @mongreloer @alliaskisthepossibilityoflove @sherlocking-out-loud
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erika111111 · 2 months ago
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The Quarry and queer-baiting
It's a pretty known issue within The Quarry fanbase that this game basically set us up with two gay couples for them to just... not happen. In fact, it's almost as if the game rubs it in the players' faces that they don't, won't, and can't happen, besides the first half of the game setting them up rather clearly. It feels like the writers completely abandoned the idea halfway through, or for some reason just wanted to draw players in with the concept of queer relationships/characters just to rip it away in the end.
Disclaimer: This topic has been in my rough drafts for like, nearly two years at this point. I updated and added some stuff, but forgive me if I missed any crucial details.
So in the beginning, a lot of people wind up shipping both Ryan x Dylan (Rylan) and Emma x Abigail (Blygbank). Let's start with Blygbank since it's the shorter of the two.
So we do establish that Emma had a boyfriend, but the keyword is "had." To be fair, Jacob and Kaitlyn talk about it for the entire first section and that's the whole reason this game even happens, since Jacob wants another shot with Emma. So this straight couple is obviously very prominent. But, throughout the entire game, from multiple characters (Emma herself, Kaitlyn, Dylan, Ryan), it's repeatedly stated that Emma wants to move on from Jacob. Then we're introduced to Abigail, who's first scene is of her drawing a sketch of Emma. It's established that Emma and Abi are good friends. Maybe Emma and Abi will start a relationship? But, then we're introduced to Abi's crush on Nick. So I guess that idea just got blown out of the water...
To be fair, Emma's lack of interest in Jacob and Abi sketching Emma all happens very quickly within the first chapter. Perhaps it's the players' fault for jumping to that conclusion so quickly... but still.
What's more disappointing is that Abi and Nick are basically useless after chapter 6. There is actually yet another opportunity to develop some Blygbank relationship, but once again, it goes nowhere. Nick is bit and infected and starts acting absolutely horrible toward Abi, which very noticeably turns Abi off from him. Then Nick disappears for the rest of the game. But given Abi survives, she'll have another opportunity to have some alone time with Emma. Yet nothing of actual importance is discussed here. Not Emma kissing Nick. Not how Nick treated Abi. Not where Abi and Emma's relationship stands. Not where Emma and Jacob's relationship stands. We do get a moment where Emma reveals some of her true colors and she says that she needs Abi and she's been great to her, but once again, this goes nowhere. I guess we could see this as romantic, but Abi kind of seems just tired of and annoyed with Emma at this point and doesn't comment much about any of it. Basically there's just no conclusion. We have literally no idea where their relationship stands, romantically or otherwise. It's a huge missed opportunity.
While you can't get both of these scenes in the same playthrough, they do also push the Blygbank agenda. If you can get the "Nobody's Fool" route where Emma and Jacob reunite and Jacob tells her the truth, Emma will be completely and entirely done with Jacob. No more joking, no more mixed signals, she's just done. Which is kind of where the entire game was leading to from the beginning anyway, but this route gives it to us loud and clear. This accompanied with Abi and Nick going south again leaves us with a Blygbank option, but obviously, we get none of it. I know there's not much time left in the game by the time any of these scenes happen; maybe this is something else that could've been developed if we got any post-credits scenes, police interviews, I don't know. Again, maybe I'm reaching way too far with this one, but I think there's pretty good reason to ship Blygbank and assume maybe that's the direction they planned on going in. But I digress...
Onto part two, we have Rylan. And... Ryka? I have no idea what the ship name for Ryan x Kaitlyn is and I don't know if shippers for this couple even exist, so I'll just call them Ryka. And they're not a queer couple, but it's necessary to talk about the two at the same time.
I'll be honest, during my first several playthoughs/watchthroughs of The Quarry, I had no idea Kaitlyn was interested in Ryan. They do not do a good job of establishing that at all, and you can very easily miss every single opportunity for it to be brought up until chapter freaking nine. So honestly, Kaitlyn is pretty much a non-factor here. Dylan's crush on Ryan is very vocal and obvious, and the two are paired up very often throughout the game. Even if Kaitlyn's crush on Ryan was more well-known, Dylan is still the more obvious one between the two because, again, Dylan and Ryan are always paired up together.
Ryan is rather... uninterested in everything and everyone. But between everyone, he seems closest to Dylan. Of course, this can depend on how you play as both characters. You can make them argue A LOT, and Ryan won't always say the "I'm a bit closer to Dylan, I guess" line, but regardless, there's some scenes with them being close that will always happen. The most prominent scene between them is when they're walking to the radio hut and Dylan actually opens up to Ryan about who he is and what he likes to do. Ryan will have unwavering, non-negotiable interest in Dylan as a person here. Sure, they CAN kiss at the firepit, but Ryan can also choose to kiss Kaitlyn. They can joke around about the Bizarre Yet Bonafide podcast name, or they can't. They can agree over the gun, or they can argue instead. Ryan can cheer Dylan on or rush him. They can grab the phones and go or Dylan can annoy Ryan so much, he'll yell at him. Point being, there's a lot of options you can take with their relationship. You can make them close or you can make them bicker. Regardless, Dylan will remain interested. And regardless, they will have this intimate moment together on the way to the radio hut. Point being again, it's veryyyy obvious this a queer relationship in the making. Justice Smith is even a queer actor, and Miles Robbins is a very vocal supporter of the LGBTQ+ community.
Then Laura comes and fucks the whole thing up. And I love Laura, mind you, but for some reason the writers decided to take this whole ship and spin it on its head when Laura arrives.
Before we get into the Laura segment, let me point a few more things out. I personally thought that Ryan was maybe oblivious to Dylan and Kaitlyn's feelings, didn't really know which one he liked more, or most prominently, maybe he was asexual. When Emma tells him to kiss either Dylan or Kaitlyn, he asks if he can kiss both. I thought that was kind of an odd thing to say unless he either liked both or just didn't care. Also, he can ask Laura, "You're doing all of this for a boy?" He really seems like he doesn't understand this kind of love or investment in another person romantically. Upon discovering that line, I pretty much accepted Ryan as asexual.
But then he's not asexual. And he's not oblivious to Dylan and Kaitlyn's feelings. And he's not interested in either of them. According to Justice Smith himself, when Laura asks Ryan who he likes more and he answers with "Maybe neither," it means that Ryan has a crush on Laura. And I truly don't get this, for several reasons. For starters, yes, Laura is doing all of this for a boy--her boyfriend, Max. She literally has a boyfriend already. And Ryan already had a thing going with Dylan. So why, seven whole chapters through this entire game, giving us LauraMax and Rylan, do they suddenly pair together Lyan? It's just a creative decision I will never understand. Maybe if Laura and Max had broken up, but still. She's not reintroduced until chapter 7 so we've already had six chapters of Rylan still. Maybe they could have made it more obvious from the beginning that Ryan wasn't interested in Dylan or Kaitlyn, but they just didn't do that. They particularly paired Ryan and Dylan up all the time and made them close. So, I call queer-baiting.
Of course, Lyan never goes anywhere. The only ending you can get that involves any kind of romance is actually Laura and Max reuniting. Laura and Ryan's romance happens in basically two seconds and there's barely any romance to even speak of. Laura does flirt with him a lot, but I believe that's due to the werewolf curse, as she stops that kind of behavior after her curse is lifted. They do seem to be close friends by then, she just doesn't flirt anymore or make weird comments. And really neither does Ryan. Sure, you don't always get the "maybe neither" line and you can choose less flirty options sometimes, but then they have a whole ass The Lovers card. So it's extremely obvious what the developers were going for. I just don't understand why suddenly go for this couple eight chapters through after already establishing a gay couple with Ryan himself and Dylan.
The only other thing we get on this matter is Dylan and Kaitlyn discussing Ryan's relationship with Laura on their way to the scrapyard. The most positive outcome for Rylan here is when Dylan says he and Ryan got close and Kaitlyn tells him "There's always next year." So it does give a bit of hope to this ship, leaving it open-ended despite the sudden occurrence of Lyan. Of course, you might not always get these lines, and Dylan and Kaitlyn can both agree "screw Ryan" and move on. So... I don't fucking know. It's like they purposefully set players up to support this clearly laid out queer ship of Rylan to then make it all insanely confusing and open-ended and piss people off. I think they really fumbled the bag with this one, and it's why I have a hard time shipping Ryan with literally anyone. It's all just a confusing mess.
I'd definitely say that the whole Supermassive Games chain of video games definitely got less queer-baity and more queer accepting over time. Just a few months later, The Devil in Me is released and they give us a Lesbian ship with Jamie and Erin. Also, with the Until Dawn remake, they cranked up the Jemily and Climbing Class. Not by much, mind you, but regardless, they acknowledged the popularity of these queer couples in the fanbase and added some crumbs for the players. It makes me wonder if they'll ever delve on Blygbank or Rylan in the future. I'm doubting The Quarry will ever get a remaster/remake with added content like Until Dawn, but who knows, I guess. As I said, both ships are pretty much left open-ended. But for now, I think The Quarry has a serious problem with queer-baiting, or maybe they just had no idea how to handle writing queer characters. I really don't know.
Lastly, none of this was supposed to be negative or attacking any single one of the ships mentioned in this post. I don't know how anything I said could be interpreted that way, but you never know. This post was just supposed to be informative. I hear a lot of people criticizing the queer-baiting within this game, as they should, and I decided to make an informative post covering all of the points and how I believe they screwed up the opportunities to put in these queer couples and somewhat alienate their queer audience.
Link to part two here.
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sapphic-agent · 5 months ago
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As anti BKDK & anti Bakugou, can I ask why you hate him and Aizawa so much (at least I get it why you dislike Endevour)? Yes, Bakugou was bad at first, but he grew as character. Now, he is one of the best anime/manga character ever. When he 'died', many anti Bakugou overjoyed, but he came back alive !!
Why do you thing Bakugou as a character is so popular (beloved by non shippers and shippers)?
Are you anti BKDK because you dislike mlm shipping?
Thanks for your blog, I don't like to say rude things just because of fandom and fictional characters, but can I ask why you dislike Bakugou so much when he changed so much? Like, his devotion to Midoriya is real and he truly is a hero.
(Hope you don't mind to have follower who is Bakugou fan and BKDK shipper)
I have made a lot of posts about why I hate Bakugou.
It's not because he's a bad person. A bad person can be a great character. Shigaraki is one of my favorite characters in the series. I have a lot of issues with Bakugou as a character, not a person.
A big issue is probably how everyone treats him, especially in comparison to other characters. Bakugou can be as callous and spiteful as he wants and so many characters trip over themselves to praise him. Aizawa (I'll get to him in a second), All Might, and the other teachers don't see fit to correct his behavior, even when he's been violent towards his other classmates (mainly Izuku). Worse, Aizawa outright favors him.
Bakugou punched Izuku during the Final Exam and refused to cooperate. What did Aizawa do? Nothing. He passed him even though he failed Sero, who sacrificed himself to save Mineta. He doesn't even scold Bakugou for this even though he scolded Uraraka and Aoyama during the Training Camps.
Monoma isn't even half as bad as Bakugou. At worst, he gives 1A a hard time occasionally. But 1A absolutely can't stand him. Bakugou's friends- Kirishima and Sero- are Monoma's biggest critics.
Then there's how the narrative bends over backwards to make Bakugou seem like a better person. And why I hate Aizawa is that most of the time it's through him. Bakugou is accused of going too hard on Uraraka? Aizawa scolds the crowd to blatantly tell us- the viewers- that they don't know what they're talking about and that Bakugou respects Uraraka as an opponent.
Which isn't even true. He a) blatantly told Uraraka that she should have given up and b) assumed her plan was Izuku's doing. Aizawa was dead wrong, even though he's supposed to be a way to tell us what's going on. And this isn't even the only time he does this, he also defended Bakugou's behavior to the journalists and said that he would work on improving it.
Except he didn't. But this was a way to, once again, shut down criticism of Bakugou. Everyone who criticizes Bakugou even a little is antagonized to make him look better than he is: the pros at the Sports Festival, the journalists, Monoma, etc.
Izuku is also forced to be a tool to make Bakugou's development look better. He was forced to validate Bakugou's insecurities during Deku vs Kacchan Part 1. We're told, by All Might, that Izuku doesn't hold Bakugou's behavior against him. Even Bakugou's apology was less about Izuku- his victim- and more about making Bakugou look better. Izuku, as one of my favorite characters, deserves better than that.
Also, to me, Bakugou's "change" isn't all that significant. He still does most of the things he did before, it was just changed to be more comedic. Bakugou didn't actually change, he got a character shift to make it easier to redeem him. How can I say he's changed when none of the other characters hold him accountable?
I hate Aizawa because he's a bad teacher and a hypocrite. He's constantly scolding and berating Izuku, but says almost nothing to Bakugou. Accuses All Might of favoritism when he had a whole protege on the side he was trying to get into the hero course. Constantly berates his class for their faults while doing nothing to make them better.
Again, during the Final Exam, he had five other students who failed. Students he could have easily worked with prior to that exam. But he was fine bending over backwards to make sure Bakugou passed. He's a bad teacher that the series tries to make out to be better than he is.
Also, I do NOT hate mlm shipping. Zolu is one of my favorite ships ever. I hate yaoi shippers who feel the need to bash female characters for getting in the way of their ship (or being shipped with a male character in Katara's case). It's blatant misogyny, just because it's gay doesn't mean it's not prejudiced. Uraraka gets treated terribly by BakuDeku shippers, or she's shipped with Tsu or Toga, tucked away in a background sapphic ship where she can't interfere. That's just as bad as bashing her because it's using a sapphic ship as a tool to prop a gay ship.
I don't hate mlm shipping. I hate how some of my favorite characters are treated because of it. There's also an issue with it fetishizing gay men for straight women, but that's another issue entirely.
My hatred for BakuDeku is actually separate from this. It's a ship built off of abuse. The abuse even persists in their platonic relationship, it would absolutely maintain in a romantic relationship. BakuDeku benefits Bakugou and only Bakugou, not Izuku.
I think Bakugou is so well liked because his gimmick of tough and edgy entices a lot of people. He had a lot of fans before he started to get redeemed. And now with his "great" character development, it justifies a lot of people's love for him.
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iamnmbr3 · 5 days ago
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I saw someone on tik tok that made a video saying that book Harry would be disgusted by being shipped with Draco. And people in the comments were saying fr and saying that we are crazy for shipping drarry and someone even said that drarry was the most disgusting ship ever made in the Harry Potter fandom.
And what you think it would be Lucius and Narcissa reaction to find out that Draco and Harry are dating??? Love your blog
Thank you so much! I'm glad you like my blog!
First of all, making content like that with the intent of shaming/bullying other fans is silly, immature and just plain unkind. So what if people are shipping something you don't like? Or that a fictional character wouldn't like if they were real? Just let other people do their thing and have fun and curate your own content.
Second of all, drarry is the most disgusting ship ever made in Harry Potter fandom? Drarry? Really? Lol. Lmao even. *Insert the 'oh my sweet summer child' speech here*
Third of all, in the case of drarry there is actually a lot of canon evidence, so while that certainly doesn't mean people who don't want to have to ship or enjoy or be comfortable with it, based on canon it's rather unlikely that Harry would be disgusted by it... (Not that it mattes either way. But just saying...).
What Lucius and Narcissa's reaction would be is an interesting question. I think they probably wouldn't be that pleased, but would be kind of resigned. Post-war Lucius just wants to stay out of jail (or, failing that, he wants to get out as fast as possible and then avoid going back). The last thing he wants to do is be openly hostile to Harry Potter, hero of the hour, The Boy Who Lived Twice, Savior of the wizarding world etcetera, etcetera. He probably plays reasonably nice - though I doubt he and Harry will ever like each other.
Harry is certainly not who Narcissa would have chosen, but the fact that Draco does seem genuinely happy with him and that Harry truly cares about Draco and goes out of his way to help him and, just by being with him, rehabilitates his image, certainly makes her want to be cordial. Though again, while she probably pretends otherwise, I doubt she ever really changes her attitudes as much as she pretends. Though perhaps over time she does develop some grudging respect for Hermione (and this perhaps admits, if only to herself, that muggleborns aren't as inferior as she once believed). And well, she and Harry do have their love for Draco in common so that helps them get along even if the relationship is never an easy or entirely comfortable one.
I think there's a plausible argument that by book 7 Narcissa already suspected something was going on with Harry and Draco. In the end of book 7, not only does Voldemort think that Draco has run off to "befriend" Harry, but Narcissa immediately assumes Harry will know where Draco is and if he's ok. So she seems to also think that Draco has gone off to find Harry and she doesn't seem to think that he was looking for a fight. She asks Harry about Draco as though Harry not only will know what's become of him, but will care. Not as though she expects that any meeting between them would end in them fighting to the death like you'd expect given they are on opposite sides of the war. I think maybe she always planned to help Harry, and she just wanted to ascertain what her next steps should be once they got back to the caste - whether she needed to go in and find Draco or if he was already safely away or dead and beyond help. She thinks she and Harry are united in caring about the same person.
After all, she did see Draco lie for Harry at the Manor. And she saw Harry pull a wand from Draco's hand while Draco let him, and then not even stun Draco after. And later she found Wormtail's body in the cell that Draco went into alone and left entirely unharmed. Not to mention, after book 6 she would have read about how Harry named Snape but not Draco as being involved in Dumbledore's death (at first she probably dismissed it as Harry just not having seen everything, but later she puts it together with everything else and she starts to wonder...)
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peggingeddiediaz · 8 months ago
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I've read so much bucktommy tumblr posts and ao3 fics that I'm done with buddie. Maybe you should read some and be done with it too. It's ok to admit when you're wrong.
I don't ship buddie because Buck and Eddie are hot together. I ship them because they complement each other.
Buck has always been searching for a family, for stability, for someone to love, for someone to stay, for someone to love him completely and for someone to accept his love.
Eddie, has been stuck trying to take care of everybody, carry out their plans for him, always sacrificing himself for others, never allowing himself to get what he wants without feeling guilty, unable to express his emotions freely, reluctant to ask for help.
You know what’s the beauty of buddie, even as just friends? That in the first 3 episodes of season 2, the buddie dynamic was already stablished and it gave us so much characterization. Buck, wanting to be supportive, helped Eddie out by introducing him to Carla, checking in with Bobby so that Chris could stay at the station, driving Eddie to pick up Chris after the earthquake. And Eddie, who wouldn’t normally ask for help, not only accepts it but allows Buck to continue to take care of him and Chris.
Now compare all that characterization across 7 seasons, 7 years that we got to know these characters vs 5 scenes with Tommy... You can't tell me you give up on buddie after 4 episodes with a new character whose storyline could barely fill a paragraph and be taken seriously.
Like it's ok to admit you only wanted to see Oliver kiss a man and that's it. That's fine, but miss me with all this superiority complex with shipping bucktommy.
Yeah, you guys wrote 3000 fics and innumerable posts on tumblr filled to the brim with *check notes* tropey headcanon on top of horny headcanons, gender roles, and once again buck getting female coded with stereotypical bottom tropes. Fanon buddie bore me before, and I’m already done with fanon bucktommy aka Tommy “might as well be an OC” Kinard and Evan “self insert” Buckley.
 Every single previous female love interest of Buck had more characterization than Tommy, but somehow *cough* misogyny *cough* Tommy has this insane fan support behind him by his 4th appearance. I wonder why?
I don't hate Tommy or the ship, but I'm sorry, he is not a fleshed out character, you guys just love how plain he is (so the headcanons are easier to apply) and how hot Lou is, because where was all this energy and push for a love interest to stay in the show, for any of the previous female love interests??? 
All this talk about how perfect the relationship is but when Natalia and Buck, who also had the same amount of scenes and development by her 3rd/4th episode, no one was rooting for her to stay.
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hestzhyen · 3 months ago
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Chapter 52 Hype Posting
Hi void. I am going to vibrate out of my seat. Oh I'm going feral, absolutely feral. Another WSJ cover and lead colour page next week already! Promotion on TV during prime-time in Japan! The insanely good volume 4 PV! Hokazono-sensei judging for a manga award! Kagurabachi's getting the push to be the Next Big Thing at last- you love to see it.
Kind of.
I want Hokazono-sensei to get all the recognition he deserves, but I also don't want the fandom to explode and become yet another annoying dudebro space. The success of the series is more important though, so I'm happy to see Kagurabachi get so much support. Everyone needs to know about this manga! ANYWAY.
LOOK AT THIS TROLL.
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It's Chihiro's turn to have a creepy parasocial admirer now.
Hiruhiko's not doing this just for kicks, however- he deliberately (and successfully) triggered Chihiro to orchestrate his dramatic fall. Given what happened at the end of this chapter, I would not be surprised if Chihiro's literal descent is foreshadowing a metaphorical one of some kind down the line.
And this just breaks my heart:
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Triggers Chihiro's rage then fucks off only to do this? I will not be mourning Hiruhiko's death.
Chihiro's not built for being a murder bot and it pains him so much to be seen as equivalent to someone like Hiruhiko. But he was taught to see things through and uses his hatred for the Hishaku to keep going. Revenge is probably the only thing he wakes up every day for- he wasn't kidding about that "fresh hatred" line in chapter 1. And neither was Shiba when he said living like this would break him. This kid needs a hug and a safe place to cry out the pain so badly, man...
More than that, though... more than anything...
HIRUHIKO'S THE FUCKIN' ANTI-HAKURI.
"We're equals", he says. "I killed my family", he mentions. "Let's be friends," he asks as he forces his way into Chihiro's life. "I'm the only one who can understand you." The hell you aren't you rat bastard. Hakuri's the one whose soul resonates with Chihiro's. He's the one Chihiro acknowledged as an equal and a friend. BEGONE, FOUL DEMON.
God damn it. Hokazono, I love you for making my most hated villain archetype into a character I want to see more of. I've never understood why playful psychopaths are so beloved but I get it with this guy. Smooth move making him the evil version of my favourite character in all of fiction, Mr. Author. Now I need Hiruhiko and Hakuri to face off over their ideals about who Chihiro really is. It would be the perfect reprise to the Sojo arc! PLEEEEEEASE. There's so much HakuHiro potential in this setup... Hakuri being the one to pull Chihiro forward again would be amazing. But not for his own goals this time- just to help Chihiro as a true friend and partner. Not gonna get too attached to this since it's just one potential development out of many... I won't let myself... (too late).
(Psst... 昼チ or 昼チヒ will probably be the JP ship tag/name for Hiruhiko/Chihiro. Ain't no way Chihiro is the top in this pair for most Japanese fujin lol.)
The Show
The main character of the play's name is Sasuke and Hokazono-sensei is a huge Naruto fan. So much so that he's taken his own spin on Naruto and Sasuke three times now (Enten, Roku no Meiyaku, Kagurabachi). Chihiro is, in fact, his OC donut steel character inspired by the most annoying emo ninja boy ever. I see you, Hokazono-sensei.
The Battle of Soshima might be a made-up title to reference the real historical event The Battle of Tsushima, which fellow Golden Kamuy fans will recognize. At any rate, there aren't any famous Japanese stage plays with the same name, so there's no direct narrative parallels to draw insight from (sad trombone noises). Fortunately for us Hiruhiko is a yapper like I hoped and tells us the plan pretty plainly anyway:
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I relate so hard right now, random audience guy.
Hiruhiko says the plan to kill Chihiro's not a bluff. But he's not acting like he's intends to make good on that statement. So that means...
Perception vs Intent
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Chihiro looking his best: stressed and menacing
This is gonna be huge I think. Remember what Azami said back in the Sojo arc in ch. 9:
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Azami, please come back soon. I need you carnally.
Then consider likes like this...
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Local violent gang member still pretty tough after becoming human shishkebab through a moving train.
Chihiro could be set up to tarnish his father's legacy.
The public doesn't know the true strength or capabilities of the weapons that won the war- they just know that Rokuhira Kunishige made them and they were the key to winning. So Chihiro dropping in on a stage play to splatter the audience with a headless corpse's blood is not a great first impression. He looks downright villainous in this scene. Awesome, but villainous.
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The Hishaku are going to metaphorically "kill" Chihiro somehow. For some reason, tormenting this poor guy is absolutely vital to John's plans... it's probably more along the lines of Chihiro being a useful pawn to move around to create conflict they can exploit, but still. They're going to try to break his spirit this arc for sure. Leave Chihiro alone! He's been through enough!
I've got a hell of a lot to say about this but I need some key details from the next few chapters before going off on lunatic tangents. Fuckin' hell though, this is great. This is exactly the type of development I was hoping we'd see after Samura's chapter. Chihiro's committed to the cause of killing the Hishaku, who so far have been wholly unsympathetic villains. But killing is a wrongful act. And this chapter sets up that Chihiro might not be the sympathetic avenging swordsman we love him as in the eyes of the public- he appears to be more of a menace like some of the members of the Kamunabi accused him of. He might be challenged on his murderous modus operandi via a Hishaku-backed smear campaign. Seriously, using Chihiro's brutality against them to ruin his father's legacy would be so evil and cruel. I love it.
We'll be able to count on Shiba and Hakuri to make sure Chihiro doesn't go off the deep end at least. I wouldn't be surprised if Hiyuki played a pivotal role in helping Chihiro out this arc too, but I don't want to commit when we've hardly seen anything of her so far (my spaghetti sovereign... please come back to the main story full-time soon).
Whether or not I'm right (I'm not, I never am), Chihiro's murder sprees fueled by Fresh Hatred are going to get looked at in a critical way. High time and I am definitely here for it. Tell me what you've got to say about violent revenge motivated by grief, Hokazono-sensei. You have more space to examine the topic now compared to Farewell! Cherry Boy.
Shorter than usual but that's not a bad thing. I can always come back and edit this (came back to do so twice now already) or make another addendum post, but...
... Just choose kindness, people. For yourself and others. See you later.
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ms-lirio · 8 months ago
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"You hurted yourself. Again."
"I guess I should say: I am deeply sorry."
"Do not act so reckless, Alfred."
"—Promise. And you should take a rest, you look tired."
"I am fine. Do not worry about me."
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I have MANY pending books to read, whether diaries, reports, story books, Brazilian Pracinhas and Nurses and much more.  But to save time, I decided to just read a few quick articles to prepare this post.
All pointed here is in a historical view.
Brazil was officially the only South American country to send troops to the conflict under its flag.
Historically, Brazil's actions prevailed in Italy.  It was where Brazil sent its troops, and its participation in the war was delayed as Brazil wanted to maintain its relations with both sides and remain neutral throughout the conflict.  After German and Italian attacks suffered by Brazilian ships, Brazil gave up its neutrality, siding with the Allies.
American military bases were built in the Northeast region of Brazil and Brazilian troops received American training.
"In 1939, with the beginning of the Second World War, Brazil remained neutral, in continuation of President Getúlio Vargas' policy of not defining itself by any of the great powers, only trying to take advantage of the advantages offered by them. Such "pragmatism " was interrupted at the beginning of 1942, when the United States and the Brazilian government agreed to transfer air bases on the island of Fernando de Noronha and along the north-northeast Brazilian coast to receive American military bases (if negotiations had not result, with Vargas and the military insisting on maintaining neutrality, the US had plans to invade the Brazilian northeast, codenamed Plan Rubber).”  (WIKIPEDIA)
"Natal, the capital of the state of Rio Grande do Norte, in northeastern Brazil, has a very important strategic global geographic position. This fact made the city host the two main American military bases during the Second World War: the Naval Base and Parnamirim Field – at the time it was the largest US Air Force base on foreign territory.”  (WIKIPEDIA)
// Getúlio Vargas flirted with the Fascist ideology even tho, he went to ALLIES' side. 💀
HCs: (don't take them too seriously)
⚠️ Remembering the following content: we are still talking about Hetalia, so my HCs and lore are not absolute truth, but my perception of my oc's participation during the conflict.  Even though it has a historical basis behind it.  And also, this is historical fiction (ofc, it's hetalia).  WWII is an extremely sensitive topic to many. I ask for caution, I will be careful with what I have to say.
— Alfred used his charm and charisma to make Mayara fight alongside him (Good Neighbor Policy). What worked and they formed an alliance based on a mutual exchange of interests.
— Mayara had developed a strange feeling that intensified for Alfred (something between admiration and wanting to be like him, a complex feeling, which perhaps was confused with platonic love and which sought certain privileges in that alliance), even if she was reluctant to give end her neutral stance towards the conflict (something similar to what happened in WWI).  She would later do this after torpedoing of vessels by German and Italian submarines, retaliation due to Brazil's accession to the Atlantic Charter;  thus, she broke ties with the AXIS and declared war on Italy and Germany.
— In my universe, Mayara also served as a nurse, and spent most of her time with Alfred, often tending to his wounds.  Sometimes just chitchatting together or learning about militarism and things like that. He trained her. He was the one who supported her.
— I changed my conception of another topic, which was May's direct participation on the battlefield.  I think that Mayara, in addition to serving as a nurse, also fought on the front line when necessary (due to the fact that she was the representative of Brazil) and needed to be on the front line.  In my former HC she didn't go to the front. (I disagree with the 2021 me xd).
—  I don't believe that Alfred reciprocated any kind of feelings for May. She was an important piece for him, and so he courted her, to secure a new ally.  It was a benefits relationship.
— Besides Alfred.  There were FEW times where dialogues with England took place, this was due to the participation of Anglo-Brazilians on the English side (if I'm not wrong, in the area of ​​aviation, but I need to delve deeper into the topic).  An almost tiny interaction compared to the prevalence of Alfred's actions, which was immensely greater and also generated impacts.
PS: I don't ship BrAme/AmeBra, they are just friends.  However, Mayara, as I said, had strange feelings for him at some moments in history (I was reading an article about diplomacy 🇧🇷-🇺🇸, I realized that Brazil had a greater interest in getting closer to the USA for economic and regional power, that is, an admiration that aimed for benefits/just as the US aimed for strategic support/Mayara would support Alfred in anything, as she thought she would get support in return).
I used the word "courtship" as it was stated in this old History book (which I no longer have).  Alfred... used his charm against May. Lol.
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Evidence of a strange obsession with Alfred:
Meet the United States of Brazil:
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(I showed this damn flag to my dad he got disgusted lmfao)
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acotar-taylorsversion · 10 months ago
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I think a big reason as to why I can't accept the possibility of Gwynriel or Elucien is because of how much Sarah has put into Elriel. Not putting Elriel together would leave so many questions unanswered.
Some of the questions that I have about everything that need to be answered regardless of who ends up canon or not are:
Why can Az smell Elain's bond with Lucien?
Why did Mor (whose power is truth) draw the sisters and bat boys on the wall in the cabin like it was some family portrait?
Why does Elain gain confidence around Az but loses her newfound boldness around Lucien?
Why does Elain seem fine when Lucien is gone all the time?
How can Lucien stay gone all the time?
Why does Elain get Az gifts and not Lucien?
What has Elain done with the gifts that Lucien buys her?
Why do Az's shadows react to Elain the way that they do to Mor?
Why does Az act more like Elain's mate than Lucien does?
What did that spark mean at the end of Az's bonus chapter if it literally had no effect on the rest of silver flames?
Why did Elain get Az ear plugs when the next night he "found" himself at the house of wind when the priestess were singing? What does this mean?
Why does Lucien seem happier talking about and to Vassa?
Why does he choose to stay with her and not attempt to get to know Elain?
What if the poison that was in Az's blood affected a potential bond between him and Elain the night she was changed?
Why did Lucien immediately feel their bond when it took feysand and nessian months and years to feel theirs? They had always known but they couldn't feel it until later on and Amren was the only one who could smell feysand's bond and she's made different. What does this mean?
Why did Az feel the need to give Elain TT and how was she able to use it and step out of shadow to kill the king?
Why is Gwyn so concentrated on Az during training if it's not because he reminds her of that night and wants to prove herself?
If Gwyn and Az are mates, why doesn't he act like it? Why doesn't she act like it? You think she would have told Nesta or Emerie during the rite when they were telling each other their stories.
If Elain accepted the bond, would it be for her or because of how much it would benefit the Night Court?
If Sarah has planned for Elain to end up Luicen all this time, why talk about rejecting the bond? Why make her avoid Lucien and develop some type of feelings for Az if she's going to accept the bond and have a happily ever after with Lucien?
Why spend precious page space and word counts showing Elain and Az being happy with each other and attracted to each other just for them "to end" in a bonus chapter that more than half the readers did not have access to when it came out? Was that the intention or are they just getting started?
If Elucien and Gwynriel were always meant to be endgame, the why leave readers with questions like these? Why make it where two people get to know each other, accept their failed loves (Grayson and Mor), develop attraction toward one another and have these secret moments between the two just to ignore this and put them with a mate they don't want and someone they wouldn't even call a friend?
Having these questions, especially the ones about Elriel, won't allow me to accept any other ship that's not Elriel.
Feel free to add any more questions if you guys want to. These are just what I could think of in the 10 minutes it took for me to make this post lol
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willowmosby · 7 months ago
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I have over the last 5 months watched all 15 seasons and the immortality special of the original CSI. I have no plans to watch the reboot anytime soon so I thought I would info dump my thoughts, and if love to know how others feel. I will now present a very very long post with breakdown some quick thoughts on the seasons, more thoughts on most of the characters and a few ships.
Tldr: I really enjoyed CSI as a whole and I'm sad to say goodbye to a formula and some characters I've really grown attached to. ( And If there is a good Nick Stokes written into immortality fic please lmk)
Seasons:
I do think the early seasons the most fun/ light hearted, which feels weird to say when it literally opens with Sara investigating Warrick for negligence. I kinda wish I had blogged along or something so I could be more detailed in my response about them.
Like a lot of shows I think it really hit its stride in the middle seasons. If I had to pick a few seasons to watch it be 5-7. It also helps that I had finally gotten used to the lighting.
I think the 9- 11 stretch is too serious, don't get me wrong there were some bangers but overall not great
12-15 they were better and back to a little more fun, and I think the series kept its footing pretty well in its final innings. It was no golden era and I felt really bad that Catherine got demoted but I really enjoyed it. ( Well ok I really wasn' a gig harbor arc fan)
Immortality was a fine special, although I don't really feel like it stuck the landing. Part of that will probably become obvious when I talk about my character and ship takes but I also just felt the case could have been better. It's the freshest in mind, obviously, so I will say I really loved having Catherine and Grissom back and if anything I felt like it gave good closure for them and to a lesser extent Sara.
Characters( kinda in the order of their exit):
The lab rats: Bobby, Mandy, Archie icons every one of them. There is a world where Wendy, Hodges and Henry get their own sections but I feel like they would appreciate being in this group. Never pushed into too much melodrama their characterization, always great at their jobs. I would love to grab drinks with any of them
The cops: Brass will get his own sections but to summarize my feelings on all the others. They did their job and I love that for them. They almost never overstayed their welcome but they also aren't the reason I'm watching this show. The only two I would want to get drinks with are the should have been lesbian Sofia Curtis ( she almost got her own section but then i got lazy) and the best uniform in the business, the man, the myth, my man officer Mitchell.
Warrick Brown: My smooth talking gambling king. He was definitely missed after his death. While I didn't love his characterization in the greda Arc, I usually really enjoyed his dynamic with the team and his drive to the job. His death was the closest I came to stopping my watching. His skills with kids are underrated ( probably cause Nick and Catherine are so good) and I do have a say on top of all his intelligence and skills at the job he is so handsome. I think he might go a little too hard for me to enjoy getting drinks with him but I would still do it.
Gill Grissom: My second favorite Dr. Bug ( sorry no one can beat Jack Hodgins) he really is the smartest person on the show. You can always feel his passion for science which is lovely. While sometimes out of touch or oblivious he is usually incredibly kind. I liked his tie to the deaf community. You can pull the fact that he is Demi from my cold dead hands. In a lot of the ways he was the heart of the show and it definitely shows when he left. His relationships with Catherine, Warick, Nick and of course Sara were well developed. I would kill to get a drink with him just to listen to him talk science.
Riley Adams: she gets a section as it is rude for me to not mention a character who was in the credits but she's fucking white bread milk toast. Would not bother getting drinks.
Raymond Langston: I love his relationship with Robbins and I think he's incredibly smart. But I just think the show gave him way way too much too quickly. I mean just compare it to the fucking effort Greg put in to reach CSI or that as new CSI 3 there was a long stretch where Nick didn't get his own cases. I appreciated his complex background but he brought with him the Haskell arc which was just too fucking long and serious. I would get a singular glass of wine with him.
Catherine Willows: What a girl boss. And I mean that is all the best and worst ways. I really love her at her best but man some of her lows are just.. no fun. She is absolutely vital to the show's success and 9/10 times she is out there taking no prisoners and careing for her team. Just you know wish she hadn't shown her daughter a dead body or faked a crime scene with a new guy to name some examples. She could drink me under the table no doubt.
Jim Brass: While never my favorite character I always appreciate seeing him on my screen. Competent enough to hang with the scientist and still be a good cop. I appreciated how dedicated he was to his daughter but Just not personally my vibes. I would get a drink with him but uhh maybe make it non alcoholic cause it's unclear if he needs sobriety help.
Julie Finlay: She's sweet and very very good at her job. If she had come earlier on she might be one of my favorites just my top 3 was already filled. She brings a good balance back to the team, and she has a weird level of breaking and respecting the rules that I enjoyed. She very quickly had such a good dynamic with all the returning favs that there are moments I forgot she was so new. She's got big Bi & Poly energy. I know the actress wasn't coming back but I would've paid to see her interact with Grissom. Sad that she died off screen but also kinda glad they didn't end 15 with her completely dead. I would absolutely get drinks with her, probably mimosas despite my dislike for them.
Morgan Brody: eh shes fine. I feel like despite everything she still comes off as naive. I love her relationship with Eklie and Hodges but overall she left something to be desired. Nothing that I super disliked but I do kinda wish some of her screen time went to Sara or someone else.
D.B Russell: he was honestly a breath of fresh air, well until he wasn't. I think I just love Ted Dansion for one but also I felt like Russell was a beautiful balance between caring and professional. It was nice to have a supervisor who was actually kinda good at politics. I love that he actually cares for his kids and loves his wife ( although I was informed by my mother that he is divorced in Cyber). I do kinda wish the kept the bit where he laid on the ground as a body but mostly cause I found it way funnier than it is. I really hated the gig harbor killer arc and I felt like a large reason is it made him too serious. I would get a drink with him, but honestly I'd love to have a full meal with his family
Super Dave: what a lovable but weird dude. Genuinely a great example of how you can blend strange comments with kindness and consistency to create a great character. I would love to grab a drink with him.
Doc Robbins: What an honest man and in the running for the best M.E ( up there with Ducky and Cam). I'm glad he mostly stayed out of the drama and appreciated that he was always thorough, even when people were occasionally questioning his own work. Not kind to a fault but definitely empathetic. I would 100% grab a drink with him.
Now to the top 3, the best of the best, the ones who were in for the long haul.
Nick Stokes: Whether it's the sweet Texas accent and big bown eyes or the fact that he's the longest running main cast member I do think he is my favorite. Empathetic and kind, almost to a fault, he is also a man's man who can hold his own against the worst criminals. The show put him through the absolute fucking ringer but he still leaves with a smile on his face. Even when he clashes with other characters I feel like he resolves the problems better than other people. He definitely could have benefited from good therapy but I still love him anyway. His skills with kids are so nice and grounded in his backstory. Loved that he became the new big guy. Occasionally they try and paint him as a bit of a player but given he sleeps with like 2 women over 15 seasons it doesn't super add up. This is definitely the queer in me talking but he gives huge repressed Gay energy. Like a lot of his early arc is about graining confidence in himself. Not to mention,his relationship with Warrick and Greg are so filled with undertones and honestly let that man get fucked and some of his problems might go away. Anyway. So I guess more power to the actor for not coming back for even a cameo but I really really felt the lack of him in immortality. So If anyone knows a fanfic where he's there lmk I would read that shit in a heartbeat. Would get drinks with him, would die for him.
Greg Sanders: I love rave going lab rat Greg. I love the new CSI trying to prove himself to Greg. I love mob history author Greg. I mean he's got to be one of the most intelligent characters on the show- he's good at science and history- and it never makes him come off as rude or entitled. I think his shift from lab rat to CSI, whether intentional or accidental, is well built. He is criminally oh I mean so so so criminally underutilized in immortality. I dislike when he's angry and there are certainly episodes where he feels off but overall he's just so lovable. Disgusting hair choices but hey at least that was a consistent trait. His relationship with Nick and Sara throughout the whole show are really great and after 15 seasons they really do feel like they've been a team for 15 years. He gives Huge Bi energy so I would take him to a gay club for drinks and dancing.
Sara Sidle: You can call her a problematic fav all you want but she's a bad bitch and everyone should love her. She is so great at her job and she never lacks humanity. The show kinda lost track of her exact backstory at some point but I don't care too too much as she stays strong willed and passionate the whole show. Her will to never quit and iconic smirks will stay winning forever. I have thoughts on her relationship with Grissom but bottom line she knew what she wanted and got it. Her friendship with all the main cast, particularly Greg and Nick, is really lovely and shows how she has grown and changed over 15 seasons. Because I actually care about continuity I would not get an actual alcoholic drink with her but non alcoholic drinks aplenty would be had if I could meet her.
Ships:
Listen I don't have a real finger on the pulse of what ships are popular as this show finished airing 10 years ago and I was trying to not be super spoiled.
That being said
GSR: I'm not super into Grissom/ Sara ( side note I know the Internet was a different place 20 years ago but who picked GSR as their ship tag), but I'm also not against it. I think they have a big "match my freak" energy which is nice but. I don't know I just feel like by the end of it Sara could do better. Like she gave up the lab director for the guy who asked her for a divorce. I still think it's better than some other options just you know not like my otp. 8/10
Catherine/ Warrick: I think that the flirting was all fun and games and then if became too much. Let's be honest neither of them are built for committed relationships. Probably would have been better then whatever the fuck was happening with Warrick and Tina. 5/10
Catherine/ Vartann: its canonical and like they were fine I didn't hate it didn't love it. Probably better for Catherine in the long term than any other of her potential ships 6/10
Nick/ Greg: idk if this is super popular but it's my otp for the show. They seem like they bring out the best in each other. Nicks more clean cut natural could balance out the more chaotic ature of greg. Obviously with the era the show was made in I don't think that there tension was intentional but it's still there. From the name that chemical compound game to working together until the end of really think they would be great. 11/10
Nick/ Warrick: I had to mention for the just two dudes who have homoerotic tension energy but ehh Warrick dose really read straight to me in every other context. 3/10
Wendy/ Hodges: ehh they give straight white couple who should have just talked about their feelings. 4/10
Hodges/ Henry: is this a real ship? idk man, But it's an friends to enemies to lovers I would love to read. 6/10
Morgan/ Greg: ok part of this is the my ship bias( see above) but I did not like them together. Their flirting is not good, his anger at her kidnapping too extreme, idk I Just really feels like they operate in different levels. 0/10
Morgan/ Hodges: I actually thought this was really sweet and was super said they went with the parents dating thing. I think they understood each other on a really fun level and that they brought out the best in each other. I loved how supportive they were of each other even in seemingly poor decisions. 8/10
Finn/ D.B: I would assume that this is the popular het ship for the them but uhh D.B is so happily married and Finn ( much like Warrick and Catherine) doesn't really give monogamous relationship. 0/10
Finn/ Sara: 100% queer women projection but uhh just imagine post divorce Sara figuring out her identity with Finn and they try friends with benefits but then need more. 6/10
If you made it this far thanks so much for reading and id love to hear others thoughts as I do a deep dive into this show. I Will be reading plenty of fanfiction and may start CSI: NY to appease the new hole in my heart.
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oneatlatime · 1 year ago
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The Tales of Ba Sing Se PART 2
The Tale of Zuko
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Maybe I should make a Zuko's Stupid Faces post.
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Zuko and Iroh's whole dynamic in one frame.
This girl is cute. Total girl next door type. She does have fairly horrible taste in men, but she's also very cute.
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I just want to take a minute to point out a VERY important distinction. Zuko is not going out on a date. Zuko is not taking a girl out on a date. A girl is taking Zuko out on a date. She's got that arm in a death grip. Not only is that a clever reversal of the usual hetero dynamic, but I'm convinced it's the only way Zuko would ever get any action, so it's also in character.
I know Zuko's social skills are non-existent, but apart from the blow up at the waiter he is actually trying. He's failing, but I have to give him points for trying.
The way this girl's voice actress says "You juggled" made my ears very happy. And the beleaguered "yes. I juggled." is equally good.
Zuko! Tell her you did sword stuff! That's something you can actually do!
It gives me hope that someone so steeped in the most toxic parts of the Fire Nation, for so long, can STILL be so bad at lying, but it would certainly be a handy skill right about now.
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I take it back. This girl does have good taste in men. Zuko's such a softie when it counts. He still sucks at being normal, but he just risked his identity because the girl he didn't even plan to go out with was a little bit sad.
This girl is the best.
Ha! He kissed her back! He Did! I saw that!
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I take back what I took back. Zuko's evil again. He made my new favourite girl droop.
I love that Iroh's waiting up for him while making it look like he isn't waiting up for him. How many times on their ship, when Zuko was out Blue Spiriting, do you think Iroh found a reason to be randomly sat on the deck at 3 am?
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Character development baby! Can you really call yourself loyal to the fire nation if you admit to having a good time on a date with an Earth Kingdom girl?
The Tale of Momo
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Pretty.
That was a FILTHY bait and switch. For one shining moment, I had Appa back.
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They should take that to June.
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Not Appa.
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Also not Appa.
I did not have 'Momo gets gaslit' on my Avatar Bingo card. Nor did I have 'interspecies animal friendship angst.'
Are these cat things the raccoons of the Avatar universe? Or the squirrels? Urban scroungers?
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I love the idea that this guy just grabs the closest squirrel, sticks a hat on it, and expects it to dance. He got lucky with Momo.
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I thought they were taking the animals to the pound, but this is very much a butcher. Which means that in Ba Sing Se, they eat varmint. Stay away from the hot dog carts.
That's very effective Simglish.
Thank god for thumbs.
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Aw they're friends! This has Aristocats vibes, when O'Malley and the girl cat are getting together near the end.
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And one final Fuck You, because god forbid Momo's tale ends on a happy note.
I'm guessing that's an Appa print, but couldn't it also be a platypus bear?
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Something about the cats standing vigil over Momo's grief gets to me.
Final thoughts
I'll go through each of these stories individually, but first some general comments.
Last episode was kind of intense, and definitely ended on a downer (not that this one didn't), so it was a good call to at least start this episode off on something a bit gentler.
I was really impressed with the soundtrack throughout. Apart from the Tale of Momo where it's the animal noises that are front and centre, the music is doing a lot of work in every story, the strings especially. The strings are doing emotional work, plot stuff, and even humour. Seriously, next time you rewatch this episode, pay attention to the strings. These shorts are actually very light on dialogue (apart from Sokka's), but they don't feel that way because the music is doing the talking.
I'm assuming that this all took place over three days at least, since Iroh, Zuko, and Momo's tales seem to end on different evenings. So I don't think calling this episode 'day in the life' is accurate. My bad. It also occurs to me that this kind of episode format would be a great way of showing time has passed. If they had had an episode like this in the Northern Water Tribe - after Katara beat the crap out of Poophead but before the Fire Nation attacked - I would have liked the pacing of the whole finale arc better.
On to the stories!
The Tale of Toph and Katara
It might be because I didn't understand what this episode was doing yet, but this one didn't do much for me. It was good to see Toph have a moment of self-doubt, but I never would have assumed, based on her previous behaviour, that her appearance was her proverbial weak spot. Katara did a really good job at building her back up, and she was delightfully (and appropriately) understated for once. When she's reassuring Aang of something (especially in Season 1) Katara tends to got from 0 to 60 very quickly, so it was nice to see her be reassuring in a quiet, non-steamrolling way. Is this Katara character development? Apart from the fact that Toph quite literally got her eyeballs sanded, nothing much in this episode stuck out to me. Except those bitchy voices. Those were like knives in my brain.
The Tale of Iroh
So many questions! Is Lu Ten buried in Ba Sing Se? How is that grave not defaced yet? How did Iroh get a copy of his son's picture? They lost everything at the North Pole, right? Did he ask the people who got him their passports for a picture of his son too? Does Zuko know/remember that it's his cousin's birthday? If so, why isn't he there offering Iroh the world's most awkward hug? Given the fact that Iroh spent the whole day helping people, including a very misguided youth, and given that Iroh says something along the lines of "if only I could have helped you [his son]" does this imply that Lu Ten was going through a crisis at the time of his death? Was he misguided like the wannabe mugger? Is Zuko not the first Fire Nation Prince that Iroh has had to guide through an identity/existential crisis? Is Zuko going to be the first time Iroh succeeds at guiding a Fire Nation prince through an identity/existential crisis? Does Iroh live in perpetual fear of failing Zuko the way he seems to believe he failed his son? Am I reading too much into this?
To be quite honest, this story would have hit me harder if I had remembered going into it that Iroh had a son. Lu Ten takes being a textual ghost to a whole new level. Also the 'In honor of Mako' text confused me. And worried me a little.
The Tale of Aang
I liked this one! Aang can't help Appa at the moment, but he can help all the Appa stand ins who aren't fortunate enough to have an Aang to help them. Aang is a nice little boy! Of course he'd free a bunch of animals without thinking about the consequences and the epic pile of platypus bear dung he's just landed the zookeeper in with the Dai Li. I liked the animal designs. I liked the earthbending. I liked the Siamese cat representation. I loved cabbage man. I think that, if Appa could have known, he would have approved. I also think that I'm once again reading too much into this. it was nominally a fun fluff piece elaborating on a established emotional conflict (Appa missing), which gave it just enough weight to be slightly more than a fluff piece.
The Tale of Sokka
I am entirely serious when I say that 'poetry bouncer' is my favourite joke so far in the WHOLE show. I love absurdity played entirely earnestly. It's fridge funny too. The longer I contemplate the implications, the funnier it gets. What past event required a poetry bouncer be introduced? He's not there to protect the students or the teacher; he's here to reinforce the structure of the Haiku by force. Was he hired by the concept of Haiku? Is Haiku taken so seriously in Ba Sing Se that he's needed to break up cat fights between students? There is a rich well of haiku-related hijinks just hinted at by his presence, and I want to know more.
Sokka is so often his own worst enemy that it makes sense that he's taken out by his own hubris. That fortune teller lady was absolutely a crook, but she did one hell of an accurate cold read on Sokka.
The Tale of Zuko
Credits tell me that the girl's name is Jin. I would like to congratulate the creators of Avatar for managing to illustrate romantic interest so palpably without resorting to heart eyes and steam whistle noises. Nothing wrong with those; I'm just impressed by how much of Jin's interest in Zuko you can feel. Also, she'd better be more than a single episode character, because I need more of this sweetheart. She's a real contender for displacing Toph as my favourite girl in the cast.
To be fair to Zuko, he did make Jin droop (UNFORGIVABLE), but it was also the right call. He can't date her honestly. It IS complicated. And I don't think any Earth Kingdom girl (worth dating) would knowingly go out with Fire Nation royalty. Jin wanted Lee the Tea Boy. Try as he might, Zuko can't stop being Zuko. I would argue that he shouldn't stop being Zuko. His flashback mom told him not to forget who he was, so I'd also argue that the narrative doesn't want Zuko to stop being Zuko either. I guess it's a case of right girl, wrong time. It looks like she's cool with him being a firebender, but firebending and being the Fire Lord's son are not the same magnitude of hurdle to dating. Maybe when the war's over they can hook up again.
The Tale of Momo
I think this qualifies as cruelty to the audience. I got the impression that this story was crafted borderline maliciously, to make the viewers suffer angst dump after angst dump.
I liked seeing things from Momo's perspective. I loved the animal noises, which really got across a shocking amount of emotion. Those, combined with body language, were as effective as any spoken script. These cartoon people really know how to use their medium.
It absolutely kills me that Momo is missing Appa, and since he doesn't understand human speech, he can't even be comforted by knowing that his humans are actively looking for him. If you've ever seen one of your pets missing another of your pets in real life, you know there's nothing worse than the helplessness that comes with not being able to explain or magically summon their friend back from the kennel, or the vet, or the dead. All you can do is give them hugs. I'm glad that Momo got a street cat support group at the end of the episode, but the animal grief at the beginning was hard to get through. It's sweet to have confirmation that Momo sees Appa as family, but surely they could have showed that to us in a way that doesn't make me need to hug the stuffing out of my own pets?
Final Final Thoughts for real this time
This episode wrings you out a little. Fully a third of the stories are about Appa, despite him not being there. At least half are about missing someone who isn't there. At least half are bittersweet.
I liked this episode format. I hope they use it again next season. Only Toph and Katara's tale felt too short to me. The rest did such a good job at drawing me in, that when I went back to check timestamps I was surprised by how short these stories are.
I'm going to go eat too much chocolate.
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