#i don't mean to come off that way!!!!

[simply-windy]

youre one hell of a goddamn cool person (and slightly intimidating, sometimes i wonder how i managed to get your interest but thats ok /j) if you get to 100 parody blogs one day ill drink a bottle of ketchup in celebration of your legacy, ROCK ON!!!

★

[shitty-check-please-aus]

What we need to do is convince all the disney adults in america that high speed rail would be a preferable way of getting to disneyworld compared to driving or flying. We could maybe harness their fondness for the monorail or something, but this is a group of people that has time, income, and passion that we could leverage. If we could direct 5% of the enthusiasm they have for limited edition popcorn buckets into calling their representatives and demanding high-speed interstate rail, we could get it by 2030

[sparrowlucero]

do you actually dislike the bird abode or just the creature designs? not saying the name directly so your ass doesn't get blasted by the tag

I like a lot of the creatures in it; the showrunner is a really fantastic horror artist and it really comes through in the aesthetics of the show. I especially like this hand dragon, though there's a lot of other great designs:

As for the show on the whole, it's not bad but not really for me? Early on it really feels like it's schtick will be that it's a subversion of harry potter-esque stories, where the protagonist wants to go on an adventure similar to her favorite fantasy book but instead ends up hanging out with the "villain" (who's actually just othered)/the magic school turns out to be secretly oppressive/the world is kind of gross and spooky instead of clean and approachable... but as it goes along I think it ends up being a pretty by the books YA fantasy thing played mostly straight, and it isn't super interesting or funny or scary or anything besides that. Which admittedly was probably to its benefit, I think a lot of its popularity comes from it being this very tropeish and not-uncomfortable magic school/found family story that's actually queer, like I genuinely think this is hugely appealing to the average cartoon fan on twitter, but I'm just not personally into it in comparison to a lot of it's contemporaries

[blackkatdraws2]

This little NPC is lost. The Narrator [Black] has come to guide her back to where she needs to be. [Blank Scripts AU]

I imagine Black would be a lot more tolerant toward his NPCs since they're basically just the Dungeons spawns, and by extension, his own creations.

[If you're familiar with manhwas / manhuas that features the dungeon / system genre, you'd be able to understand this AU a lot easier. The majority of my inspiration for worldbuilding came from those specific genres.]

[NOTE: 'Dungeon' is just another term for the Parable. Technically, Black owns a Dungeon and the Parable is just a small part of it. The Dungeon itself is much, much larger.]

For context, the comic below references this post about the Dungeon's children/guard dogs.

[They're more like the immune system since all they do is make sure the (body) is safe.]

[The reason the Narrator [Black] considers them his children is that the Dungeon is feeding off his energy and in turn shares the 'nutrients' to the monsters it produces, which transforms them into an image that resembles his power.]

And the old man below is Joseph!

Joseph is NOT AN NPC! He is a person who exists outside of the Dungeon!

[There are two separate 'worlds' for this AU. Inside the Dungeon (where most of the game-like stuff is happening) and the world outside (pretty much their normal world.)]

[There is a secret third world, and that's our world. Our reality.]

These characters are not actually important or anything, I just made them to make the AU feel more lively. To make a world that exists, you know?

When the Narrator [Black] first established himself in their world, he found a growing problem with homelessness. Not understanding human norms or why this has become a problem in the first place, he offers (tricks) them into working for him as janitors for the Dungeon and they accept for the money.

Most of them left after they got paid, but Joseph was one of the people who stayed. He doesn't have anywhere else to go and has no ambitions in life. He just wishes to live a peaceful life with food and a roof over his head.

Joseph defaults to referring to the Narrator [Black] with feminine terms due to his appearance despite his voice. The Narrator [Black] is not the type to care for such terms anyway so he doesn't care how other people refer to him as long as there's respect.

--------------

This post focuses more on the worldbuilding and background aspects of the AU! There are a lot more in store for the Blank Scripts AU, and I want to explore more on how the characters might interact with their surroundings and how this would work to make a world that makes sense.

It would be so cool if people made self-inserts or OCs for my AU actually. I'd love to see how you guys would work with my stuff. Play around with it like a barbie world for your little barbie dolls. Be canon compliant, be canon divergent, who cares, have fun.

[old-skyguy]

The silly stupid alien show about ghosts that steal your cock and balls just pulled the most gut wrenching, poignant shit possible and portrayed it so artistically and meaningfully what is even life.

This was MASTERFULLY done. The visual and environmental storytelling, the subtle foreshadowing, and inject those motifs into my fucking BLOOD.

Ho. Ly shit. Good fucking lord.

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[monotone-artist]

[id in alt]

some idw redraws

[lemonhemlock]

I did not get into Game of thrones when it first started airing. In fact, I waited until it was long past it's heyday (around s6 or 7) to check it out because the marketing and the conversation surrounding it misled me into thinking it was nothing more than "grimdark" bullshit. As one famous YouTuber sarcastically called it "hot fantasy that fucks." So, I avoided Martin's work for literal years due to the impression that I got from online reactors and show-only casuals who did as you and a few others have described as his work being fundamentally misinterpreted.

Fortunately, I overcame my hang-ups, purchased the books (even the supplementary material) and fell down an entire rabbit hole of ASOIAF which led me to recognizing that this world he spent decades creating is far more complex than what had been portrayed onscreen. Regardless of the possibility of the books remaining unfinished (which I am fine with, personally), what George has created is a genuine work of art that I imagine took a tremendous amount of time and energy. So, for so many people online to behave like children and throw tantrums because they feel entitled to him (ew) instead of ushering forth more reasonable conversations and legitimate debates about the nature of his situation frankly makes me look at this fandom with a heavy dose of skepticism.

It is truly baffling to hear even professional critics and see articles describing George as being "ungrateful" or "unprofessional" when it has been well-documented just how often authors get locked out of the adaptation process and left to the wayside as consultants. Look at what happened to Rick Riordan and Christopher Paolini! George R.R. Martin is not the only author to have qualms with how a multimillion dollar studio has mishandled his creative work, and to act like he should remain silent just because he's amassed a certain degree of wealth is quite frankly, ridiculous. He shouldn't have to settle down, be grateful, and stay quiet because the greedy corporate executives and their media drones will get offended by actual criticism that could alter the perception of the adaption being revealed as mediocre for having departed from the source material.

TLDR: authors should be allowed to speak up about their art being sacrificed for commercialization.

Thank you so much for this message, anon! This needs to be talked about more, because I don't think a lot of commentators truly understand the vulgar, late-capitalistic sheen that seems to set in and slowly poison any ASOIAF adaptation. It honestly baffles me how quick some members of this fandom are to rush to the defense of, what is essentially (let's not be kidding ourselves here), a cashgrab by a giant corporation to the detriment of the actual artist and the actual creative foundation behind it.

Why else would "MAX" (if that is even their name) make another (or several other) ASOIAF adaptations? Not to stay true to any philosophical aesthetic vision, as it has become more than apparent with Season 2, but to increase shareholder profits by appealing to the lowest common denominator. Even the basic premise has been shifted in order to address popular trends and satisfy the mindless consumer that doesn't want to engage with anything deeper than their favourite tropes, prettily packaged:

from a story about a doomed ouroborous family superimposed on the pitfalls of feudalism, with villainy and heroism to be found on both sides, it has been simplified and reduced to a narrative that exalts white feminism and disqualifies anyone who opposes its girlboss protagonist. This is Sheryl Sandberg's version of Fire and Blood.

Truly, I think Sara Hess did (unintentionally) outline it the best: "civilians don't matter in Game of Thrones". They don't matter in Game of Thrones, but they matter in A Song of Ice and Fire. The entire heart of the series is contained in Septon Maribald's speech. The writers "kind of", must have forgotten, though.

[hamofjustice]

nemona feels like an obscure blorbo instead of the main rival character from the latest pokemon game because to get to her really good content from people who really get it, you first have to wade through the ocean of yandere pervert obsessive stalker annoying punchable bimbo amazon goddess interpretations of...

... a neurodivergent and possibly disabled high schooler who's desperately trying to make any friends or get any support from her rich neglectful family - while everyone in her school is jealous of their own imagined version of a privileged asshole version of her they made up - who deeply and platonically loves and supports the one new kid who agreed to take the time to get to know and respect her and her special interest without having to hold back her true self

unlike her, it's not great!

kinda feels like she has the same problem in our world that she does in hers.

[uncanny-tranny]

You know, I feel like other trans people might get this, but it's honestly kind of refreshing when a cis person has, like, undeniable tboy/tgirl/whatever swag. It's like when you come across somebody who speaks the same language as you and you only find out when they start speaking it, too.

[allastoredeer]

Aren't you guys kinda over feminizing Alastor a little bit????? like I get it that we want him to sub/bottom, but aren't you guys doing the same thing you hate that people do with Lucifer???? Like Alastor to me would never wear a dress? unless like he's joking or something??

....Alastor wore a nun outfit....out of the two, he's canonically worn a dress.

If you're going just by the show--no headcanons, no fanon, no tropes, no fan-art--Alastor has exhibited more fem-like qualities, has acted more feminine, than Lucifer ever has. I'd go as far to say that Lucifer is actually pretty masculine in the show, he just happens to have a pretty face.

And I mean, we don't know if Lucifer would wear a dress either. He's only ever worn pants, shirt, and a jacket, we have no evidence that he would wear a dress. But people like to put him in them anyway because of ✨vibes✨ - which I totally get. Vibes are important. It's not like I don't think Lucifer wouldn't wear a dress. I totally think he would and he'd rock it.

As for Alastor only ever wearing a dress for a joke, I definitely agree, but I think that guy would do anything for the bit. He'll do whatever it takes to get the last laugh. He trolls for the sake of trolling. He's a menace. But it's not like he wore the nun outfit as a joke, it was more of a manipulation tactic when you think about it. He's as faithful as a nun 🙏 see how faithful he is, Charlie? He'll never lead you astray.

I love Alastor's masculine and feminine sides. He does both so well. If I have been leaning more into feminine Alastor recently, well, it could be on account that I haven't come across a lot of content of him being feminine, and make the content you wanna see, right?

But thing is, I don't think we have been over-feminizing Alastor, at least not to the extent that Lucifer has been feminized, in my opinion. I mean, Lucifer has been feminized to the point that he's--in some cases, not in all cases--unrecognizable from the show. Whereas with Alastor, at most, I've been posting gifs from the show of him being his girlypop self. Something's not mathing, because it's not adding up. These two things feel very different.

Tell me if I'm wrong, cuz I very well might be, but I'm getting the vibes that this is going back to Alastor's ego being the reason he wouldn't wear or act in a specific way.

I just don't see how his ego would stop him from wearing a dress. It's not like he has anything against feminine clothes or attributes, nor do we have any evidence at all that he would be against it. If anything, I get the vibes that he appreciates and respects femininity more than masculinity. I don't see why he would be against being in a dress, or appearing feminine, when he's done both in the show.

It smells of misogyny. My boy is many things, but a misogynist he ain't.

[soupmanspeaks]

You know what

In celebration of a common CC W

Here's some rare Soup art of the boy

[qishylia-adelia]

Lanyan my babygirl,I wish people would treat you more than who they ship you with (when she finally release)

[the-glorious-evolution-fanart]

Before I watched s2act1 of arcane tonight, I had theories on how Viktor would become the Machine Herald from the og lore, but now that I’ve heard they’re basically scrapping League Jayce and Viktor’s lore and making Arcane canon, I desperately came back to your blog to mourn 😔 and I know your Viktor isn’t even the current one, yours is the 2011 one, but I feel like with every iteration Viktor shifts more and more away from his original concept. And that was so COMPELLING!! 1/2

Yeah we never got anything done with his original concept.

The idea he was released with was "The evils of academia and a specific type of mental health struggle, masked by scientific achievements, revolutionary technology and ego."

Ekko's convergence comic is just a cartoon villain unrelated to anything, 2016. lore's goal was to attach Jayce and Viktor to the hip. In the process it irreparably damaged Viktor's character by saying "he wanted to remove free will" and the echoes of it affected Arcane. It was because Riot didn't know how to make Viktor "morally grey" to justify Jayce, who they needlessly turned into a jerk just to try to balance him out with Viktor. It was artificial rather than arising from characters themselves. The short story kind of had the right idea for the vibe, but it fumbled the details.

All Riot ever thought up was extreme villainy in the form of lack of morals for the endpoint for Viktor, when his release story was anything but forced to have that as its ending, naturally due to its starting topic. It seems it was abandoned as soon as it hit live, because either Riot doesn't quite understand, or they think the audience doesn't care about such a topic. I liked it so much.

[bayetea]

I don't like the judo flip in moa as much as the next guy but in my eyes it's largely the result of rick not taking female violence half as seriously as male violence (a result of viewing women as weaker and inferior to men such that their acts of violence don't need to be taken as seriously) and not so much anything about annabeth herself. like I do genuinely feel that annabeth is a complex heroine and definitely one of the better ones in the realm of ya action-adventure fiction produced in the past 25 years but she is still a girl being written by a man and all I'm saying is that her writing clearly reflects that sometimes (more in tags)

[sysig]

Growing closer than expected (Patreon)