#i don't know how many times we have to say this

[lostfracturess]

words you couldn't hear — satoru gojo

satoru's been hopelessly in love with you for years, but can only confess when you can't hear him. but someday—maybe someday soon—he'll tell you for real.

"How do these look?" you ask, slipping on a pair of noise-canceling headphones and striking a pose. "Be honest."

Satoru, who's been trailing behind you in the electronics store for the past hour without complaining like the best friend he's always been, looks up from the speaker he's been fiddling with. "You look good in anything."

"No, for real." You turn to check your reflection in a nearby screen. "Do they make my head look bigger? I feel like they make my head look bigger."

He snorts, reaching over to adjust the headband. His fingers brush against your temple, and you try not to think about how many times those same hands have absentmindedly played with your hair during movie nights, or how he still unconsciously reaches for you whenever he laughs too hard, just like he did when you were kids.

"That's what you're concerned about? The size of your head?"

"It's a valid concern."

"Your head is perfectly normal-sized," he assures you, his fingers lingering perhaps a moment too long as he fixes the fit. "Though I suppose all that overthinking has to go somewhere—"

You shoot him a look, but there's no heat behind it. Fifteen years of friendship has made you immune to his teasing — well, mostly immune.

You're not quite immune to the way your pulse quickens when he's standing this close, or how he still smells like that same cologne he's worn since high school, the one you helped him pick out for his first date with someone else while ignoring the weird ache in your chest.

"I really need good ones for studying," you say, checking the price tag. "My roommate talks way too much."

Satoru winces at the price. "Expensive. But they're supposedly the best."

"Worth every penny if they can block out her ramblings." You adjust the fit, immediately noticing how they muffle the noise of the shop. "Oh wow, these are actually incredible. Say something so I can test them properly."

"What should I say?"

You arch an eyebrow at him. "Anything. Just need to check if they work."

His expression shifts then, melting into something tender as his lips move. Even though you can't hear the words, something about the gentle way he's looking at you makes your heart flutter strangely in your chest.

"These are perfect!" you say, pulling them off, trying to ignore the way your pulse has picked up. "I couldn't hear you at all. What did you say?"

Satoru leans against the display counter, chin propped in his hand as he watches you fiddle with the headphone cord, a fond smile playing at his lips. "Nothing really," he murmurs, but there's something soft in his expression, something unguarded that makes your heart skip.

You pause, catching the way he's looking at you — like you're something precious, something more than just his best friend of fifteen years. "Satoru?" you say softly.

He seems to catch himself then, straightening abruptly as a flush creeps up his neck. "Ah, yes. Should we, uh." His voice comes out slightly strangled. "Should we get these paid for? Before they close?"

"The store closes in two hours."

"Better safe than sorry." He's already heading for the checkout, nearly tripping over his own feet in his haste.

What you don't know — what you couldn't hear through those noise-canceling headphones — were three words he's been trying to say for years. Three words that slipped out so easily when he knew you couldn't hear them, when the safety of silence gave him the courage he's never had before.

"I love you."

Simple. Honest. Everything he's wanted to tell you since he was seventeen and realized his best friend was the love of his life. Everything he's been too afraid to say, too afraid to risk losing you.

But for now, those words remain caught in the space between silence and sound, in the safety of a moment you couldn't hear. Maybe one day he'll find the courage to say them again, when you can actually hear him.

Maybe one day soon.

© lostfracturess. do not repost, translate, or copy my work.

[housederiva]

Here's every version of the letter the Inquisitor gets from their LI plus Varric (which didn't make me cry at all)

If your Inky didn't romance anyone:

Inquisitor, Greetings from miserable, rainy Minrathous! (Don't tell Dorian I called it that.) The rotten weather here is making me nostalgic for Skyhold. The mountains were freezing, but at least the air didn't smell like wet garbage. We'll have to get in another game of Wicked Grace, soon. Harding picked up the trail again. I'd tell you not to worry, but I know how useless that is. Instead, I'll just say: I've got a great team on this. Neve could stare down the Maker, and wait until you meet Rook. He's/She's/They're a natural: Smart, resourceful, completely unpredictable. You'd like him/her/them, as long as you don't try to beat him/her/them at cards. Chuckles'll never know what hit him. I'll write again once we have something solid for you. Drinks at the Hanged Man are on me when this is over. Take care of yourself. Varric

Blackwall:

My love, You have summoned me to Minrathous, and I will answer your call, as soon as responsibilities here in the South allow. I have missed being by your side. Will these troubles be the last we face? The world seems always to conspire, through duty or disaster, to pull you away from me. I do not resent it. You are dedicated to purposes far larger and more significant than myself. I hope you do not think me a fool for hoping that one day, your only concern will be the color you wish our walls to be painted, or the flowers we will plant beside our gate. I'm partial to carnations. Yours always, Thom

Cassandra:

My love, We are no strangers to duty, or the separation it demands of us. You head for Tevinter, and though I want to go with you, there is work we both must do. I will not falter in the tasks that wait before me and I pray my actions, in whatever measure they can, will keep you safe. The others see only confidence in my resolve, but you have always known more than mere appearance. I confess to you, and you alone, that I am afraid. I'm afraid of what may happen, that Thedas will face such turmoil as it did before. I know not what awaits us. Yet even in the face of uncertainty, there are two things I cannot doubt and never will. The first is that our paths are never separated long. That I will find you at my side when I need you, as you will find me at yours. I will play my part in this and follow as soon as I can. The second thing I never doubt is you. Whatever lies before you, trust yourself. Trust your heart as I trust it. It will not lead you astray. Yours, Cassandra

Cullen:

The top of the letter has been punctured by small, sharp teeth, leaving most of a beloved name and a few sentences chewed to read. I fear the puppy started on this letter shortly after I did. I'd start over, but I must send this tonight if it's to reach you. Matters are settled here and I make for Tevinter as soon as possible. I almost believed chaos might spare us this time. I can't say I wished to see Minrathous before now, but I am eager to see you. I long to see your face and know that you are all right. You are I've There's I wish I was better at putting into writing all that's in my mind. For now, simply know that I love you. It is the most cherished constant of my life. The days ahead will not be easy. I know there's much you carry, more than many realize. But whatever you must face, you will not meet it alone. You have my sword, my counsel, my - I could write this list forever when all I mean to say is this - Whatever you need of me, I am yours. Cullen

Dorian:

Amatus, I'm writing. Again. Yes, the sending crystals still work and yes, you'll be in Minrathous in a few short weeks. But a letter, written in blind longing, is real. It can be touched, and it can be held, when ink and paper must substitute for your skin on mine and my breath in your ear. I used to scoff at frequent declarations of affection. Trite, I thought. Save them for rare and precious moments. But time and love are no longer things I care to squander, especially not as we race again toward calamity. And so, in each of these fleeting, ephemeral seconds, I will tell you that I love you. Whether penned or spoken, or conveyed by glance or action, I love you. In this moment, and in all the moments to come, for as long as they do, I love you. I will find you soon. Yours, Dorian

Iron Bull

Hey, Kadan, Not the first time we've marched toward different battles. I know you're keeping the crap from catching fire up in Tevinter. Wish I could be there, but I'll make sure there's a world for you to come back to when you're done dealing with crazy vints and stupid Antaam and whatever other crap Solas kicked up. (Shit, the Antaam. Remember when I was worried what would happen if I went tal-vashoth? That right there!) I know you're gonna be careful, and you've got Morrigan there. Just take care of yourself. If anything happens to you, I'm going to have to take Krem and the Chargers and stomp across all of Tevinter to come get you. It'll be a whole thing, and you know it'll upset Dorian. Being apart from you made me realize something else. I spent so long being whatever the Ben-Hassrath wanted me to be. An investigator. An agent. A mercenary sending reports. These past years, since the Inquisition ended, I've been able to just be what I want to be. And what I really want to be is yours. I like the person I am when I'm with you. So come back safe. Love, The signature appears to be a stylized rendering of the Iron Bull's head.

Josephine:

My Dearest Lord/Lady, I have spoken to friends in Minrathous. They offer us their hospitality, not to mention shelter from the worst intrigues of the Archon's Palace. While you're well acquainted with the roving eyes of grand courts, please take care. Tevinter's regard can be the oldest and cruelest of them all. The family writes the weather back home is beautiful. I do miss our quiet times together. There is a question I've wanted to ask you for so long. I would like to pretend I have been busy, or it was not the proper time. But, if I am being honest, I only waited because I have been afraid of choosing a poor moment. Please, let me make a promise to you here. When we return to Antiva, I will ask you, on the steps of the estate, if you will do me a great honor. And I dream you will say yes. Always yours, Josephine Postscript: I cannot believe it nearly slipped my mind. Yvette and Lord Otranto send their best wishes, and hope to see us back home in time to welcome their third child.

Sera:

(An artistically doodled journal page presumably from the Inquisitor's partner, Sera.) Keep this as close as I need you. (A drawing of a pile of flowers, with lines like it's moving, an arrow pointing to it labeled "us.") - North again, Mini-wrathus still stuck up its own pucker. - Magiturds are scared of us. They don't even know. - We work with Maevaris, right? She's wow. - So many Friends! Jennies in all the walls! - We kill him this time. He took from us twice! (A drawing of a cracked egg scribbled out, with "can't even joke" in letters that tore the page.) - Still thinking of you sideways. - Never mind the Dalish, here's the Veil Jumpers! Tempest-kin! (A drawing of a tall, shorthaired elf (Sera?) and Irelin brandishing two fingers, backflipping as a tree explodes in runes.) - The memory thing makes my head spin. If that Rook doesn't take it, throw it out. - Tell Morrigan ppbbth! for me. - I'll also tell her ppbbth! She knows why. - Tell them to Stripe. Him. Up. I wanted more books. (More heavy scribbles that tear.) - You meet; I'll keep you safe. Then I'm your time off, and you're my time on. (The last section has different colored inks, like Sera has returned to it several times.) New naked names: -Sweet-tits (scribbled out) -Bestest (scribbled out) -Loverly (scribbled out) -Lovey (scribbled out) -My-for-always-and-ever - name's not too long, time's too short. -But "Sweet-tits," though (scribbled out)

Solas:

Vhenan, I do not know if you will see these words. My ritual is ready and will soon be set in motion. Perhaps when you read this the world will be as it once was, and you will see why all I did was necessary. I cannot ask your forgiveness, but I hope you come to understand. That night in Crestwood, when I shared the truth about your vallaslin... you do not know how close I came to breaking. I could have shared the truth, or even put my plans aside and simply stayed with you as Solas... as I wanted. I regret the pain I caused you. What I feel for you will never change. The note is unsigned, but the handwriting is Solas'.

[catboybiologist]

Yay I'm going to get all Political and angry again.

So pretty much every trans American is probably aware of the Sarah McBride situation at this point, but here's the bullet point summary if needed for anyone else:

Sarah McBride gets elected to the House as the first transgender member of Congress in US history.

Republicans predictably flip their shit. They pass internal rules of conduct that prohibit trans people from using bathrooms of their gender and stating that bathroom use is defined by AGAB. It obviously singles out McBride, but I believe there are trans staffers that are also affected.

McBride issues a statement that she will abide by these rules, and pretty much only use the bathroom directly associated with her physical office. She issues a statement saying she "wasn't elected for bathrooms" and will instead fight in issues that matter, with a milquetoast criticism of Republicans for wasting time on this.

Many trans Americans are predictably scared and disappointed by this, especially because this internal house rule is being used as a blueprint for more extensive laws, including a likely ban on trans people in gendered bathrooms in all federal land and buildings (including, notably for me, national parks. Which breaks my heart, but that's a different rant.)

There's been a lot of disappointment and criticism of McBride over this. The general leftist reaction has been criticism. There's lots of people that have expressed disappointment or rage, including Erin Reed, and also more "personality" type people like Vaush and Jessie Gender.

Now.

I'm disappointed too.

But. And please keep reading before chewing me out for being an apologist.

I think we can all understand that McBride is in an impossible situation. If she fights this too hard, then it vindicates the Republican rhetoric that Dems are crazy trans obsessed leftists. But there's a fear that this will only lead to more infringements of rights for trans people. McBride is completely stuck, and is a junior, freshly elected member of Congress who is trying to figure out how to make her voice the most effective.

I am so, so fucking tired of rights being ceded one by one. So I'm disappointed. But yeah, I understand McBride's statement.

But there's just one tiny. Eeny weeny. Minor. Itty Bitty question having over all of this. Just one little concern.

Where.

The fuck.

Are the rest of the Democrats?!?!?!?

There is a PAINFULLY fucking easy solution to all of this. McBride needs backing, solidarity, and other people to speak for her. If she's worried about her voice being effective, and being branded as the crazy trans representative, then step the fucking up, you spineless liberal slimebags.

AOC is the only one that I know of that has expressed any real opposition or anger. Her statements are getting aaallll the airtime.

But the real story is McBride's sentiment being echoed amongst the entire party. This is absolutely some kind of official platform. The fucking grumbling, milquetoast finger waving and "well I don't like this, but there's nothing to be done! Anyways"

Of fucking course minorites are abandoning the left. The message they're sending is "we'll abandon you with the most pathetic of excuses. We don't give a shit." Trimming groups out of their support one by one.

McBride is doing the impossible calculus of trying to be the most effective on the house floor. It's an insane task for a trans woman. And yeah, she got it wrong this time. But where the fuck is the anger for her cis colleagues? Why the fuck aren't people angry and terrified for everyone that let this shit happen?

As much as people love the narrative of the line wolf resistor, resistance takes coordination, effort, and solidarity. Without that, what would McBride raising opposition even be? One representative against the hundreds of others.

And yeah, of course I didn't expect any better from the Democratic party. But you should be disappointed and mad at your representative, not just McBride.

[lastoneout]

It really is kinda awful how many job listings will just straight up lie to you about what you "need" to be able to do to screen out disabled applicants. Like fucking Safeway will be looking for a cashier and the listing is like "you ABSOLUTELY MUST be able to stand for 8+ hours a day, NO exceptions" as if you can't do everything required to run the check out line sitting down. Old Navy is like "you must be able to understand body language and facial expressions and make eye contact" like sorry dude I think autistic people can sell t-shirts just fine without doing all that, like honestly what the hell does understanding facial expressions have to do with telling someone where the clearance section is. Don't really think the customers at TJ Max are going to go full Purge mode if one employee can only perform a task requiring fine motor skills 15 times a minute instead of 30, like idk maybe you don't need the lines to move thst fast actually. Maybe everyone can chill out and wait a second. I think the people at Starbucks will be okay if the barista isn't great at multitasking and can't make small talk with every single customer while also running the drive through and making 15 different drinks.

It's such horseshit, none of these job require these things but they can just lie and say they do and disabled people will clear out because we know it's just a big neon sign saying "crippled freaks need not apply", even if that sentence is followed by some fake ass fluff about you being an equal opportunity employer. Like you would not be insisting your underpaid cashiers be able to "make eye contact and understand body language" if you cared about not discriminating against disabled people, that wording specifically is straight out of the DSM-5, what you're doing is fucking obvious and pure goddam evil.

The best part too is then you get denied for SSI benefits because you "can" work, they don't actually care that every single job listing is tailor made to tell us to fuck right off. The potential to be able to work and actually being able to be hired are too different things entirely but sure. I can work. If I find an employer that doesn't care that I'm in a wheelchair and can't make eye contact or life heavy objects or that I need to only work 4 hours a day so I still have the energy to take care of myself outside of work and also have to take 10 days a month off for doctor's appointments and unpredictable health flares. And also crucially does NOT require a fucking degree or drivers license. Find me a job like that that and I'd be overjoyed to work.

But trust me, jobs that can accommodate me simply do not fucking exist, and unfortunately for all of us that is very much by design.

[im-da-bronx]

This absolutely.

But I just want to say, as someone whos family currently gets the majority of their groceries from a food pantry:

Grocery stores work with local food banks and pantries. A good percentage of our food isn’t donated by people, but by grocery stores. If the grocery store throws out food, it’s because it wasn’t safe to give to the food pantry. Trust me. We get so many foods with “Sell by” dates on the day we get it.

Grocery stores aren’t throwing out food that could be given away. They are throwing out food that has the possibility of making someone sick. Sure, a lot of the food is probably ok to eat, but when it comes to food poisoning, it’s better to be extra safe than sorry, especially when food poisoning can cause lifelong chronic illnesses and death.

Some supermarkets work with local farmers in an effort to minimize food waste. Anything designated “unfit for human consumption” but not completely inedible will be used as food for livestock, and any completely inedible food that can will be composted. (This is the part where I remind you that consumers are the largest single contributor to food waste at 43%, and while businesses do contribute to 40% of food waste, this includes restaurants and food service companies alongside grocery stores).

The biggest reasons grocery stores limit what they donate are liability and logistics. Stores think that they can be sued if someone gets sick from food they donate, which means they tend to be overly cautious when throwing food away (as I stated earlier). However, the US has the Bill Emerson Good Samaritan Food Donation Act, which legally protects donors (such as major chain grocery stores) so long as they meet certain criteria when donating food.

The second issue is logistics, meaning that grocery stores and food pantries might lack the ability to safely transport or store donable food, which leads to food being discarded when it would have been donated. This can mean they don't have enough refrigerated trucks, they don't have enough drivers, they have a limited amount of cold storage at the food pantry, or even that they simply don't have enough volunteers to help load or unload food.

It is important to keep in mind that there are a lot of people who recognize a problem, that just don't talk about the problem. Sometimes its because they don't care or don't know what to do, but a lot of the time the reason they're not talking about the problem is because they're actively working to fix or circumvent the problem. If you are concerned about how much food grocery stores throw away, volunteer with a food pantry to help transport food safely. And if you're wondering why you don't hear about this on the news, its because 1) most news agencies have some kind of agenda, and 2) there is a sense of shame at being unable to provide for your family, even if you're working full time. It's not something that people really talk about, which is a tragedy, because if you don't talk about it, how will you know where to go for help?

Anyway, TL;DR: while there are many things that our country meets with unnecessary violence, grocery stores donating to food pantries is not one of them.

I think it's stupid when people say political violence has no place in this country when our government uses violence against poor people every day. Why does a person sleep outside in the cold when the car dealership is heated all night? Why do people go hungry when grocery stores pack dumpsters with perfectly edible food? Because of the threat of violence. Because someone with a gun will show up if you even try it.

[not-so-mundane-after-all]

I know plenty of people have already made a version of the "Jinx is alive" theory post but I've also seen so many of you mourn her death that I decided to gather all the evidence and make another post, turning this theory into a fact.

Because Jinx is alive. It's not a speculation. It's literally there.

The first thing I'm going to mention are the context clues Jinx gives herself. First, the last thing the ghost of Silco tells her. I think the cycle only ends when you find the will to walk away. Then, the realization she comes to when Vi hugs her in the cell. You're never gonna give up on me, are you? What she tells Vi after she leaves her in that cell. You don't need to worry about me anymore. [...] And yes, her initial plan is to kill herself, because she thinks the only way for Vi to move on is for her to be gone. And Ekko gets there just in time to stop her but it looks like he doesn't convince her to abandon her plan, just change it.

And later, when she joins Vi in the final fight. What does she tell her? Still don't get it, huh, sis? I'm always with you. Even when we're worlds apart.

Everything that happens after is constructed specifically to let us and Vi believe that Jinx died. Until we get to this scene:

Caitlyn is studying the Hexgates designs.

She's looking through the pages depicting the place where the final fight happened, specifically focusing on the air vent shafts, while toying with a monkey bomb head - the same monkey bomb that Jinx used in her supposed last monents.

She looks down at the monkey...

Watch the eyes. The realization hits her...

And she smirks, knowing. Jinx used one of the air vents to escape before the explosion.

I've studied the explosion frame by frame. First, a small yellow explosion goes off - Jinx sets off the monkey bomb.

As it becomes bigger, she shoots out of there

this is still the beginning of the blast when we can still see her, and the big boom that destroys everything starts 10 frames later

Last context clue is a reference to the very first episode, which is clearly depicted in this gifset here, so instead of explaining, I'll just send you there to check for yourselves.

One thing that is speculation here is, how exactly did Caitlyn come into possession of the monkey bomb head? I doubt she found it there because it would have been turned to dust. And I'm thinking, Jinx took it with her and left it for Cait to find as a clue. She didn't want Vi to know but maybe she wanted Cait to figure it out. I imagine her sneaking into her house and maybe leaving it somewhere for Cait to find, like her desk or something. It gives Cait an idea, a gut feeling she needs to check, and that allows her to figure it out. Just like we are supposed to figure it out on our own.

Bottom line, Jinx is alive. She escaped the explosion through the air vents, then boarded the airship and left the city, convinced that the only way to give her sister a happy ending is to take herself out of the equation. The glitching closing shot saying The End in Jinx's colorful handwriting is a sign that she is telling us that this is where this story ends, like she's saying "don't look for me. It's over." That's also probably why we aren't shown what Caitlyn does with the information she now possesses.

I hope this helps take away from the grief 💙

[badnewswhatsleft]

rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE  WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be? 

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails. 

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can... 

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band. 

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music. 

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special. 

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

[ylangelegy]

After MAMA awards I'M VERY PROUD OF MY BOYS and seeing Woozi crying, nooooo my mannnnn

So can I request Woozi or anyone after awards, all members celebrating with their partners hehe LOVE YOUUU!!!

PLEASE PLEASE 🛐🛐

🍑 i will really live the rest of my life repaying you.

you don't see seungcheol until the next day. such is the life of the general leader, it seems— the never-ending heralding, the non-stop worrying. he deals with his boys, first, then the fans, then the staff. but once that's all done, he's at your front door, collapsing into your arms before he's even past through the entryway. it doesn't matter how many awards its been. he is still overwhelmed by it every single time, and you are a soft place to land. he comes home to you and whispers the sweetest nothings in your hair. i'm so proud of them and they did so well and they're so happy. as he holds you tight— like you're the only thing keeping him upright— it's your turn to let him hear those words. i'm so proud of you. you did so well. you get to be happy, too.

the jeonghan on the other end of the video call has been quiet for the most part of the past half-hour. you'd be more worried if you hadn't already predicted where his solemness was coming from. "hannie? still with me?" you prompt gently, and he finally tears his gaze away from the ceiling to look back at you. "yeah. yeah, i'm with you," he answers. a beat. there are some things you no longer have to say out loud. how he wishes he was there. how he misses them and tries not to let it show. instead, you give him a reminder that's quiet and firm. "this is yours, too," you say. this award. this moment. these boys. all still his. there's a ghost of a smile on his face as he mumbles, "right. of course. how could i forget."

joshua likes keeping lists. a running one he has with you is that of gratitude, where the two of you try to end each day with acknowledgements of what you're grateful for. you're expecting a whole essay for him after tonight. he surprises you by keeping it short, sweet, and straight to the point. in no particular order, he types out into your shared note. music, the boys, you. hours later, he adds a footnote like it'd occurred to him as an afterthought: i'm always grateful for those three, but especially so today.

"look at them!" jun shrieks. his video call pixelates, either from spotty connection or his sudden burst of enthusiasm. you have half a mind to warn him that he may get a noise complaint again, but this time it'd be completely warranted. he's positively vibrating with excitement, his eyes glued to the livestream of his twelve brothers ascending the stage for their second award of the night. "look at them," he repeats, and this time his voice is more reverent than anything. you could comply, could do as he's asking, but your eyes are trained elsewhere. and look at you, too, you want to say. look at you and all that you've done to get this far.

even though it's been an exceptionally long day, soonyoung comes home brimming with adrenaline. he does dance routines in your living room. he jogs around your block until you beg him to just come back. he sings in the shower before collapsing onto the bed next to you, where he suddenly becomes boneless. the glow of pride stays even as the exhaustion hits. he pulls you against him and cuddles right into you. to soonyoung, this is as good as any trophy: the peace that comes with falling asleep next to you.

wonwoo has no destination in mind. he has a car with a full tank, and a playlist of all his favorite songs, and you in the passenger seat. that's more than enough. you pass through tunnels with warm lighting; expressways where he keeps the windows down so the wind will whip at your hair. occasionally, you'll stop to grab a snack or take a photo of something interesting on the side of the street. after hours of just going in circles, he'll ask, "should we keep driving?" even though he knows you'd never deny him this. this. his little celebration in the form of getting 'lost' with you.

nobody hears from jihoon for the next couple of days. the managers are worried, but the boys all just shake their heads and say that he's in good hands. which means: he's wherever you are. the two of you don't talk about his speech, about his public breakdown, because both things make him want to hide forever. instead— he sleeps in. he watches movies from months ago that he promised he'd get to. the two of you go on walks at night, and have breakfast at lunch time. the vicious cycle will soon have to begin again. jihoon knows that. but for a few, precious moments, his heart is not a heavy burden because it's safe and sound in your capable hands.

seokmin takes you on the textbook definition of your perfect date. a shopping spree? here's his black card. an amusement park? he'll rent out lotte world for the day, if he must. you're understandably baffled. he's the one who just won big, and yet you're the one being treated like royalty. try to resist and he'll only push back on you. seokmin already spoils you enough as is, but this is just a little more over-the-top than the day-to-day stuff. at the end of it all, his rationale is as sweet as it gets. "you keep me going," he tells you. "and so you deserve just as much credit as i do."

mingyu has always liked to celebrate with a meal. you'd expected his usual fare of some swanky restaurant or high-end café, but, this time, he asks for only free reign of your kitchen. he props his phone up against the salt shaker and pulls up a youtube video before flashing you his best 'just-trust-me' grin. your trust is not misplaced; the two of you do manage to bake the celebratory cake, though whether it's any good is an entirely different story. the end result doesn't matter as much as the process. mingyu is happiest about the flour marks on your cheeks, about the kisses he steals while you whisk eggs. it's not a birthday cake, but you light up a candle for him anyway. just for the hell of it. "make a wish," you tease. he's looking straight at you as he blows at the flame.

minghao asks for a beach day. the two of you set out for the nearest one. maybe the sand is a bit rocky; the shore, lacking in shells. he doesn't care. he only seeks out the sun beating on his back, the saltwater clinging to his skin, the first punch of air after emerging from the water. as the stolen weekend winds to a close, the two of you sit at the point where the water lap at your toes. neither of you have to speak. here, minghao lets the tide wash away the ache of homesickness. here, minghao redefines 'home' as a future with the boys of his youth, with the music that is as constant as the waves— and with you, of course.

the ferry ride to jeju is about four or so hours long, but seungkwan doesn't mind. there's just something so right about getting on the first vessel that will take him back where he has family waiting with a homecooked meal and a play-by-play of the award show. besides, the ferry means having four hours of uninterrupted leisure time with you. the pair of you literally have nowhere else to be except this boat and this point in time, which seungkwan is a little guilty to be so happy about. he's a glutton for your time and attention, and these ferry rides— these trips home— remind him just how much he likes taking the scenic route.

vernon treats it almost like it's just another day. almost. you're thrown off by his initial nonchalance, by the lack of utter fanfare in the way he asks you out to lunch and the two of you barely discuss the recent accolades. when you prompt him about it, you realize it's not because of arrogance or ignorance. "we're just doing what we always do," he says with an expression of mild confusion. winning?, you almost inquire half-jokingly, but that's only part of it. he elaborates, "we were just ourselves, y'know?"

when chan suggests a rage room, you're understandably confused. the wrath-based activity doesn't seem like the most optimal celebration, but you're not about to cramp his style. the two of you queue the angriest songs known to man before smashing some defunct appliances and throwing empty bottles against a wall. once your time is up, chan looks at you with that familiar spark of fire in his eyes. that dedication you fell in love with, that passion that has always burned bright. "again?" he asks, and you know it's not just the rage room that he's asking for.

[brandthefish]

EEEEEEEE This is so rad! I plan on doing this with all my Tavs, starting with Wren! (Tiefling Rogue)

General

Wren can be recruited under a piece of rubble from the crash, somewhere near Astarion.

Shadowheart: "That tiefling seems awfully suspicious. It's rather strange to see someone with that many daggers and in that attire," Astarion: "I must say, our latest aquisition is absolutely delightful. I do love finding like-skilled individuals," Karlach: "Normally I'd tell you to be careful around a rogue, but Wren seems alright! They're the dash, I'm the smash!" Gale: "I have high hopes for our new friend. Hopefully their wits are as sharp as their knives." Lae'zel: "I am torn. On one hand, the purple one seems competent at the least. On the other, hiding in the shadows to make a kill? Cowardly." Wyll: "Keep an eye on that tiefling. They have a look about them I know all too well," (If pressed) "Let's just say that from my time in Baldur's Gate I've met a fair few 'friends' from the Thieves Guild,"

They have a BIG reaction when meeting Astarion. They're a bit cagey and comment about knowing him. Other than that, they act pretty gay around Karlach and are definitely displeased at Wyll's actions. (When they find out Wyll is the grand duke's son, they make a comment about almost carrying out a hit on him before he left Baldur's Gate)

Raise in Approval: Mischief and strange acts of kindness. Necessary violence, like after you've tried to talk out of it. Lower in Approval: Anything excessively horny (Ace moment) or letting someone who is clearly a problem or a bad person live (+8 points for killing Gandrel w Astarion)

They'll permanently leave the party if you come on explicitly sexually. (Agian, Ace moment) They'd give Tav one chance to apologize, and if they don't, Wren's out.

Them being a member of the Thieves Guild in Baldur's Gate. This would come up after finding the Zentarim hideout in Act 1 and more references would pop up after that.

Their personal quest involves them leaving the Thieves Guild and becoming a better person more in touch with their emotions like guilt, remorse and affection. Also letting their guard down. A branching path could be re-joining. You would have more allies among the city and to get in fights (such as another rogue, a drow named Soren) but Wren is back in the guild, and not loving it. They wouldn't be at the epilogue in this branch, called away to a job in Neverwinter.

Stay: "Fine. Not as fun to just sit here. I'll just... sharpen my knives I suppose... or read a book," Leave: "Hells yeah! Let me get my gear," (Because whenever they have the chance, they take off their armor, it ain't comfy)

The shtick with Wyll about almost killing him, and they explain why they didn't. (Change in Thieves Guild management, and their own moral compass) Once the player knows Wren is a member of the thieves guild, Wyll confronts them about it. "Why should we let an assasin stay? How heartless do you have to be to end lives for money?" "Says the man who nearly ended Karlach's life for a devil, oh virtuous Blade of Frontiers. For what it's worth, Wyll I'm not a complete monster." "Aren't you? Please elaborate." "When I was seventeen I refused to carry out a hit. On Ulder Ravenguard's son."

Yes! The Thieves Guild Master (in my fics, that's a human woman named Lorenna, but that role would be replaced with whoever the canon Guild Master is) and another thief named Soren, who's basically their chosen brother. (He's who their dream guardian is based on)

After killing the goblin in the tiefling camp. "Shame... could've prodded the old girl for information. Now there's blood to clean up," After meeting Alfira "humming The Weeping Dawn with their eyes closed before answering you,"

Story Specific

"If something's sounds too good to be true, it probably is. Nothing good ever came to anyone from blind trust."

"Absolutely not. I'd sooner let the bard pluck my eye out, then sell what's left of my soul to a devil. And a right cad of a devil at that."

"Glad he's in the open about it now. But if we can't get him bodies to drink from, he may need com- help hunting in the woods at night,"

"*groan* Gross. I mean, more power to you if you like it but... *shudders*,"

"Oh gods, you're actually doing it. I'll um... I'm going to go sharpen my blades... and poison them," (generally afraid)

They will leave if the player kills the tieflings. "They were good people. They didn't deserve that. I... If that's how you're willing to treat innocent civilians, who's to say how you'll treat us? (If the player knows they're with the Guild) Would you turn me over to The Guild for a high bounty if you were low on gold? Or Astarion to Cazador? Or Karlach to Zariel? Wyll to Mizora?"

Singing along and dancing to Alfira's songs!

"Have fun, I'm going to partaking in the wine, the music, then getting some rest. Don't have too much fun though, we still need to be able to function in the morning ;),"

"WHAT THE HELLS?! NO. THIS IS NOT SOMETHING YOU GET TO APOLOGIZE FOR I- *groans in agony* ... leave me for a moment, if you will,"

"Oh- well let's hope it wasn't venomous, or we're about to have much bigger problems than a foul taste,"

"Alright, fine. Perhaps I'll get used to being on a stage,"

Nah. I think even Orin would be a little wary of them. They're equally stabby, Wren is just aimed differently. And ima be honest, I haven't gotten far enough in my Durge run to know what that is.

Non-Ascended "I'm proud of Astarion. He was able to turn away the power, even knowing how safe it would've made him... He's a good lad." Ascended. "Let's hope he doesn't get too mad with power... I'm already seeing him change and it's scaring me. Let's hope I don't need to get The Guild involved,"

"Gods, I... I hope it was worth it," Narrator: There's more wariness in Wren than you've seen before. They're frightened of you. If they're romanced it adds. "I... I can try to get used to this, as long as all my um... as long as I'm still being listened to,"

"Then make it productive. Focus the urges on the goblins and their leaders. The urges are your arrows, and you are the bow."

They're investigating it crime-scene style, knelt over her body. "Gods... it's not a clean assasination either. Slashes and stabs long after she'd died," they close her eyes. "This was a crime of passion... almost animalistic. And the spatters... was this you?"

"Well... it's a bit sick to say I'm flattered." They hold down Durge and pour wine down their throat that's laced with something to numb them and put them to sleep. After they come to they ask if durge is alright. They just have a few scratches, they're fine. "I will get you through this. My blade and my heart are yours, I swear it."

Romance

Yes they are romanceable! They're a romantic asexual. The player would need to not give them back to the guild or their romance stops immediately. They feel too betrayed.

They do need to be flirted with.

They are technically a poly option. They're ace so they're okay with the player getting their needs satisfied by someone else. "I... I am not in a place to be picky about that, I think,"

You can dance with them at the tiefling party to music played and after share a bottle of wine and cuddle. (Shown to just be cuddling by both of them still having clothes on)

Just the one romance path.

Breaking up: "I... It was good while it lasted. I understand though." Choosing them over someone else: "Oh um... are you sure? I mean, I'm not blind to my looks or anything but... I'm not interested in... carnal delights, like your other flame is,"

"What is Wren's greatest fear?" Answer: Being controlled. "What is Wren's dream?" Answer: To quit the guild and be a poet or a singer. "How does Wren like to fight?" Answer: Throwing knives from the shadows. They named one 'Featherlight Wrath'.

"No protests from me, my love. Just be sure he knows I don't want to be directly involved in sex bit."

Mizora: "Out, devil." "I... I don't blame you for needing something but did it have to be her? Just talk to me next time you want to lay with someone." Emperor: "So... quite adventurous." Haarlep: "Are you okay? Are you hurt? Does he need a knife in his eye?"

No they will not. I think that was pretty clear from the rest of this. "Have fun, I'll be waiting outside when you've finished... ugh, realized it as soon as I said it, gods,"

They ask Tav to settle down with them anywhere not in Baldur's Gate. With the treasures they've gained on their adventure they're living comfortably and they want to take up singing. They would be interested in getting married, but later down the line. At the epilogue party if Wyll is the grand duke and the player knows about his adopted daughter, Wren would bring up adopting a tiefling from an orphanage in the city they're living in. "I don't want to have my own children at all... but I'd love to help a child so they don't have to go down the same path I did.

It would technically be possible to convince them to have sex (DC 20 Persuasion check), but it would be like if you picked the option after Astarion's Act 2 confession. It would just be a fade to black, and you would lose approval with Wren a LOT. If you were at highest, it would go back down to the middle.

Baldur's Gate 3 Companion!Tav Ask List

What if your Tav was a recruitable companion, instead of the main character? (contains major spoilers for the game, and for some dark urge runs as well)

General

Where can your Tav be recruited?  Are they first encountered on the Nautiloid, or in the Nautiloid crash region?  Or are they not recruitable until a later act?

Do the other companions have special comments or reactions upon recruiting your Tav?

Does your Tav have any comments or advice when you recruit other companions?

What sort of general actions raise or lower their approval?

Are there any instances where your Tav can permanently leave the party, depending on player character actions?

Do they have any secrets that can be revealed?  What are the prerequisites for this secret coming to light?

Do they have their own personal quest that spans the course of the game?  Can it take different branching paths depending on the choices the Player Character makes?

What do they say when the Player Character asks them to stay in camp?  How about when the Player Character asks them to come adventuring again?

Does your Tav have any escalating conflicts with one of the other companions, like Lae’zel and Shadowheart’s knife-fight?

Are there any unique NPCs associated with your Tav that can show up during the course of the game?

Are there any moments in the game that trigger unique dialogue for your character? (Like Gale’s anecdote about the barfight after you save the goblin prisoner) 

Story Specific

How does your Tav advise the player character when it comes to the Dream Visitor?

How do they advise the player character on Raphael?

How do they react to Astarion biting the Player Character?

How do they react to the Player Character letting Abdirak whip them?

How do they react to the Player Character taking their first tadpole power?

Will they stay with the Player Character regardless of siding with the goblins or the tieflings, or is it possible for them to leave the party permanently?

What can they be found doing at the tiefling/goblin party?

Do they have comments on who the Player Character chooses to spend the night with? 

Do they have unique dialogue if the Player Character lets them die when they steal the Blood of Lathander?

How do they react if the PC licks the dead spider in the Gauntlet of Shar?

What do they say if the PC tries to force them to go up on stage with Dribbles the Clown?

Is it possible for your Tav to be kidnapped and replaced by Orin?  How is Orin's deception revealed?  How do they react to the PC rescuing them in the Temple of Bhaal?

How do they react to the PC either allowing Astarion to ascend or convincing him to spare the 7000 spawn?

How does Tav react to the PC becoming a mind flayer?  Can they offer to become one themselves?  Does their reaction change if they’re romanced? 

How do they react when the Dark Urge first reveals their amnesia and murderous thoughts to them?

How do they react to the Dark Urge killing Alfira?

If romanced, how do they react to the Dark Urge trying to kill them in Act 2?

Romance

Is your Tav a romanceable character?  Are there any specific requirements to romancing them?

Does your Tav need to be flirted with to start the romance, or will they approach the PC themselves if approval is high enough?

Are they a polyamorous or a monogamous option?

Do they have a special romance scene at the tiefling/goblin party?

Does the romance have different branching paths, or just one route to take?

How do they react to the player character breaking up with them, or choosing another character over them?

What questions can Zethino ask the PC about Tav in the Love Test? 

If they’re poly, do they have a reaction to the PC engaging in a relationship with Halsin?

How do they react if the PC has sex with Mizora? The Emperor?  Haarlep?

Will they join in with the PC and the Drow Twins, or no?

What are Tav’s plans for the future?  Do they propose to the PC, or is marriage not something they’re interested in?

Free space! Share anything from your companion!Tav au!

[dreamsteddie]

AITA Steddie Au Part Three

Part Two

Hello! Sorry for the delay! This week was very busy with student conferences and my own midterms so I haven't had a lot of time to work on this. This is more of an interlude building up to bigger things, but I hope you enjoy it!

Also! Get in the comments if you have any ideas of an actual name for this series so I can stop calling it AITA Steeddie Au. I can't think of anything good 😓

------

Eddie takes Steve on that second date.

And then a third and a fourth and eventually he stops counting because he's seeing Steve as often as he can between their jobs and other responsibilities. He feels high off it, giddy with possibility and hope for this new thing that he's never had before.

Eddie has done relationships before, a couple of times. A small handful of boys and girls he took out on dates and tried his best to woo all went up in flames one way or another, but none of those relationships left him feeling so gone so fast. He felt like he was always holding himself back from giving himself up completely, too afraid of falling without a safety net to reach for that deep devotion he's always craved.

Steve makes him feel like they're plunging into that unknown together.

Still, no matter how much he's been trying to avoid it, the looming specter of what the hell to do about his friends is looming over his head.

------

"Are you fucking serious right now dude?" Eddie asks, a complicated mix of righteous anger, humiliation for himself and Steve, and complete disbelief at Gareth's unwillingness to back down from this making it increasingly difficult to keep his cool.

"Look man, all I'm saying is that Steve is like, the complete antithesis of literally everything we stand for. He's a nepo baby business major who's never had an original thought in his life! I would know! I've read one of his papers." Gareth says, forced nonchalance coloring his tone and riling Eddie up even more.

He rears up, shoulders pushing back and hands grasping at the air like he could pull down his frustration from the either and condense it into a solid ball he could lob at Garteth's head to finally knock some goddamn sense into his brain.

"Hey, hey, hey. Okay, Eddie, I'm really sorry about this. It was a fucked up idea, I don't know what we were thinking." Jeff interveins before the frustrated banshy noises Eddie is letting out turn into another yelling match that won't get anyone anywhere.

"I think we just got too caught up wanting to help you get out of this rut and it all turned into something completely insane. You don't gotta forgive us Eddie, but if there's anything we can do to try and make up for it, we'll do it. Isn't that right Gareth?" Jeff pointedly asked with a look that says agree with me right now or else.

Gareth doesn't say anything.

The thing about all of this that Eddie just can't wrap his head around is the why. Why would his friends, his sheepies, do something so cruel? He knows none of them have ever looked kindly at people like Steve. Too many traumatizing high school humiliations behind them all to trust when someone who looks so much like all the guys who bullied them in high school tries to reach out, but Gareth and Jeff have never tried something like this. In fact, it's used to be Eddie doing most of the anti-jock revenge planning back in the day, even if nothing ever actually came from it.

He thought, incorrectly it seems, that they had grown out of the worst of it by now. It's been three years since Garteth graduated, and five since Eddie made his final attempt, and leaving their hometown behind did a lot to heal old hurts.

So why this? Why now?

"Is this seriously how it's going to be man? You won't tell me what the fuck any of this was really about and you're not even going to try and apologize? Seriously?" The righteous anger is starting to seep out of him, leaving behind a bone-deep exhaustion.

Gareth just continues to stare at him defiantly, not saying a word.

Eddie pinches his nose and takes a deep breath, "You know what? Fine. Whatever. If this is how it's going to be then I'm out. Jeff, I'll talk to you later, probably not for a little bit though. Gareth?" The other man lifts his head from where he'd been looking down at his shoes. There were tears in his eyes, just a little bit but enough for Eddie to clock it. Face red from some unnamed cocktail of emotions Eddie doesn't have the energy or desire to interrogate right now. "Call me when you're ready to grow the fuck up. I've got a second date to plan."

With that, Eddie turned on his heel and made for the open garage door.

"What about the band, man?!" Gareth called.

Eddie kept walking.

-------

That was over four weeks ago.

He hasn't spoken to Gareth for most of that time. The first couple of days he blew up his phone with angry to half-apologizing texts that Eddie promptly ignored. After the second day, he sent a single text back letting him know he didn't want to talk unless he had a real explanation and apology to give both him and Steve and that he was going to block his number for a little while. He could let Freak know if he was ever ready to talk like adults. Eddie trusted him to tell if Gareth was being genuine.

In other news.

Waking up to strong arms secured around his naked waist is fast becoming Eddie's favorite way to start the day. He and Steve slept together for the first time last week, and since then it's like neither of them can get enough of each other.

"Hey, baby." Steve rasps in his ear, tilting his head down to smear sleepy kisses onto his shoulder. The hand that was resting against his ribs meanders its way down to the trail of hair under his navel, scratching just a little and making Eddie feel like a contented mutt. He's not sure if he should feel horny or like he could sink into the mattress and sleep for another full 8 if Steve keeps holding him like his.

"Mornin' sweetheart." he says deciding that a couple more hours of sleep is definitely the way to go. Steve, it seems, has other idead.

"What you thinkin' about this early in the morning?" He asks, hand continuing to scratch lazily at Eddie's stomach like he's not completely destroying Eddie's will and ability to focus on anything but the warm body behind him.

But it's been a long time coming, and as much as he doesn't want to, Eddie needs to start thinking about what he wants to do about his friends? former friends? estranged family? band and Steve deserves to be a part of the conversation.

Eddie sits up, bringing Steve up with him to rest against the headboard. "I've been thinking about the band. Gareth and Jeff, that is." He pauses, waits for some kind of reaction that doesn't come. Steve looks concerned, but not in the way he thought he would.

"Ok." Steve responds, waiting for more.

"I guess I just don't know what to do." He looks out into the middle distance of Steve's bedroom. Takes in the display of swim, basketball, and baseball trophies displayed proudly on a shelf, catching the early morning light. "I'm still so fucking mad. It's honestly kind of irritating how mad it makes me to think of what they did. It was so fucking stupid."

Steve hums a little, letting Eddie get it out.

"But at the same time I can't help but fucking miss them. Miss the music and the campaigns and everything else." It's honestly been eating him alive, the mix of anger and longing he's been feeling for his friends. The constant longing to go back in time and stop them from concocting this shit show but also, like, stalk Gareth to his 8 AM Business class so he can run into Steve and they can fall in love at first sight or some shit.

Silence.

Steve shifts. Moves so he can look Eddie right in the face. He looks thoughtful in a way that Eddie had to get used to. Sometimes when Steve is thinking hard about something, he scrunches his face in such a way that it makes him look like he's judging you. He isn't, it's just an unfortunate fact of life that his baby has a resting Judgemental Face™.

Steve heaves out a big breath, bringing Eddie back down to earth. "I mean, I don't want to, like, cloud your judgement or whatever but maybe you should try and talk to them one more time. Jeff appologized right?"

And, ok that's definetly not what Eddie was expecting to hear. It must show on his face because Steve is suddenly looking away, embaraced.

"I just..." He trails off, taking his own turn staring out at the dull shine of his old acomplishments. Eddie watches as his face once again turns pensive as he stares harder at the remnents of his high school acheivements.

"I used to be a pretty shitty guy. Did the same kind of shit your buddies did a couple of times." This isn't necessarily news to Eddie. They've talked a little about who Steve was in high school and how much work he put into himself before he decided to go back to college. It's still a bit of a shock to hear, though.

"So I get how someone can make a mistake like that, y'know? So if you want to try and talk it out, I won't be offended. I know we're in this together, now." Peace said, Steve reaches for Eddie's hand and gives it a squeeze.

It hits Eddie again, just how good Steve Harrington is. It hasn't been long, not really, since they got together but they've fallen together so completley, so easily, that it's easy to forget that there's still so much they have to learn, so many layers for Eddie to peal back. Behind every judgemental remark and complaint about the frequent phone calls he gets from chuldren he used to babysit in his hometown is a man who cares deeply and is capable of great forgiveness, even if it hasn't been earned yet.

Eddie squeezes his hand back.

"Are you sure?" Eddie asks.

"Yeah, it's not we have to totally forgive them, right? But I think you need to get a real answer from both of them about why it happened. Maybe you can find a way past it, maybe they'll say something that puts the nail in the coffin." He responds.

Eddie takes a deep breath, and thinks.

Steve is right. Eddie isn't satisfied with any of the answers he got last time, and he knows that there has to be more to the story than "trying to get Eddie out of a rut" and he's not going to be able to put any of this to rest until he understands.

"Ok, yeah. I'll call them." Steve gives him an encouraging smile at that, rubbing the back of Eddie's hand where they haven't let go yet.

"Good, I'm glad. And I can come with you if you want. Hit em from both sides." he says. Eddie think's he'll take him up on that offer, but right now he had more imporant things to do. Namely, tackling his sweet boyfriend onto the mattress and having a mid morning tousle.

"We'll see. Right now I've got more imporant things to do." He says in his best aproximation of a sultry voice. He doesn't know how good it really is, but it seems to work based on the way Steve's eyes get hooded and he looks down at Eddie's mouth.

Gotcha.

Before Steve can lean down and kiss him, Eddie snaps his hands down to his boyfriend's sides in a well executed tickle atack. Steve immedietly jolts and starts howling with laughter, yelling between breaths that Eddie is "a fucking asshole" as he continues his relentless atacks.

Eventually, Steve manages to regain his bearings and go on the offence, turning them over and trapping his boyfriend's hands beneath his knees so he can atack Eddie's equally ticklish sides.

Once the late morning has passes into early noon and they've both settled back into Steve's signifigantly more rumpled be, Eddie takes one more moment to think about the furute to come before he shelves it. He knows that whatever conversation is to come, it won't be easy, and even if things go as smoothly as possible with Gareth and Jeff, things will never be the same between them all.

Looking down at Steve, who is sporting the most outrageous bedhead in human history, laughing at the stream of reals Robin sent him in the middle of the night, he thinks he'll be okay either way.

Tag List

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[arcanewhoosh]

The Bolter

2.2k words

Proofread? Y/N

TW: Minor descriptions of injuries

Arcane Series Finale spoilers

In the aftermath of the Battle of Piltover, you find yourself desperately clinging to a toy monkey head with nails hammered into it.

If you were to ask the regular citizens of Piltover and Zaun, the regular duration of a search and rescue mission is around seven days. While this was, in a way, correct, but it would only reach that many days if there was enough proof that the missing person was alive.

Standard operating procedure only allows a max of fifty-one hours.

You've been searching for nine days, fifteen hours, and twenty-seven minutes.

We don't have the resources right now, there's been too many casualties.

Alone.

There’re too many places to look through. I'm sorry, I shouldn't have put the thought in your head-

Through every single cooling duct leading into the Hex Gate.

-the fuse assembly could've survived by other means.

"I have to try, Cait." You say as you put on your pack, loaded with first aid supplies and recovery equipment. Caitlyn moves to grab your arm. Her grip firm, but she's not holding you in any way that could actually prevent you from leaving. You still stop and wait for her to finish what she wants to say.

"It's been over a week. You've barely slept the entire time, and I can't keep changing the subject when Vi asks me where you've gone." She tugs at your arm lightly, willing you to sit down on a nearby chair.

It had been ten days since the end of the battle. Ten days since Piltover and Zaun almost met their demise. Ten days since so many lives were lost; all for power.

Vi was -is- a mess. She could barely pull herself up from the ledge you fished her out of back at the top of the tower. Dread had already begun to creep its way across your body as you made your way up to where Jinx and Ekko's balloon had crashed. The feeling only got worse as you climbed higher, seeing no signs of its three occupants. You started running faster up steps, climbing ladders with speed you never thought possible for you. For a moment the dread had ceded, your adrenaline taking over. But then there was the explosion. And then... And then eventually you heard Vi's cries.

Your body stiffens as you shut your eyes, willing the memory away. "You're gonna have to cover for me a bit longer, Cait." You say as you softly pry your arm free of her grasp. "With how loud that explosion was, there's no way the assembly could've just survived."

"If it was anyone else, maybe I would've stopped searching already. But you and I both know this isn't just anyone else, no matter which side you're on." Caitlyn looks at you for a few moments, you know we'll enough that she's already wavering in her previous attempt to dissuade you.

"You wouldn't have mentioned it at all if you didn't think-"

"I know, I know." She finally says. "I wouldn't have given you the schematics for the structure either."

She sighs, an all too familiar indicator that you've won. "Just... Don't push yourself too much. I know I'm the one that gave you hope that she survived, but at some point..." She trails off. You know she wants to say that she doesn't want you to have your hopes crushed, or to put yourself in unnecessary danger. Especially since the inner ducts have been unstable since the explosion.

"I promise, I'll be careful, Cait. You know me." You shrug and smile at her, hoping that the nonchalant display is enough to convince her that you aren't fatigued out of your mind.

The look on her face says she doesn't buy it. But she says nothing about her doubts, instead nodding your way. "Be careful, I'm holding you to that."

"I will."

"Fucking air vents." You curse as you drop your pack by the wall of the duct. The thump it makes echoing around the cavernous tunnel. You've been walking uphill to get back up to the entrance, but the strain from working non-stop for over a week, the sleep deprivation, and the mental exhaustion was bound to catch up. Maybe Cait was onto something with the whole resting thing.

You let out a huff at the thought. You didn't have time to rest, what if Jinx was somewhere hurt, with no one around- she'd find a way to pull herself out of here and escape-- or what if she was trapped somewhere -this is my second sweep of the vents and all the obstructed entrances have been cleared- You lean against the tunnel wall before slumping gingerly to the ground. Your ankle hadn't fully healed from the battle, and you still had bandages all over your midsection from injuries you sustained.

You take a few steadying breaths before pulling out a map of the vents, marking the sections you've done your sweep of. Your vision swims for a moment, and it's enough for you to shut the map and lean you head against the wall. You close your eyes and steady your breathing, willing yourself to hold it together.

You're no use to me dead. She would say right about now. I'm still alive and you still say I'm useless. You'd reply.

"Yeah, but I say it lovingly." She harks back from her chair, tinkering away at her robot bug thing that she and Isha were using for their little fight club. You turn from the pin board you were making- places in Zaun where new checkpoints had been placed. You drop the purple pen you were using-Isha had stolen the red marker you usually use-- to write and make your way over to Jinx.

"Lovingly?" You ask as you turn her chair around, a grin plastered on your face. She rolls her eyes, but her own smile betrays her attempt at brushing you off. "Don't think too hard about it, you might hurt yourself."

"Looks like you've been the one thinking about it." She scoffs at you, turning her chair back to face her work station. Though she doesn't turn fast enough for the pink dusting her cheeks to escape your notice. "I said don't think too much about it."

"Hey." You say softly, turning her chair around again and pulling up a chair for yourself so you were eye-level. She's pouting, so you know you're not in trouble. "I'm sorry for teasing." You take her left hand and place a kiss on her knuckles. She makes a face.

"Ew, don't kiss my hands, they're covered in grease."

"When are they not covered in grease?"

"Didn't you just apologize for teasing?"

"I'm sorry for teasing, again."

"You're lucky-" She clamps her mouth shut. You bite the inside of your cheek to stop yourself from grinning again. The last thing you want is for her to close herself off. You know she's being careful. For someone known to be completely reckless at spontaneous times, she could be just as calculating and reserved. She's slipped a few times already, not explicitly saying I love you, but accidentally implying it or using some variation of the word during a casual conversation. You're no better, but so far, you've been able to avoid slipping.

Maybe you both thought it was too soon to say. Three or four months of you acknowledging that there was something between the two of you might be too soon, but there was a revolution going on, and revolutions are rarely peaceful and without casualties. Who knows what might happen in a few months, weeks, days, or hours. But you don't know what the next few weeks have in store for you.

"I know I'm lucky." You say. Hoping that the implication of, I know I'm lucky you love me, is enough.

But it wasn't, and now I'm here.

You jolt forward, blinking a few times to clear your blurry vision. Had you dozed off? For how long?

You sigh and rub your face with your hands. You do need rest, just for a little bit, then you'd get back to searching for her. You're no use to her dead, after all.

The walk back to your apartment is agonizing. The second you decided that it was time to take a break, your whole body decided that it was the best time for you to feel your exhaustion in its entirety. Your pack was suddenly heavier, your ankle decided to start swelling, and the wound on your side thought it was the perfect time to start bleeding again. Despite your body's attempt to suddenly render you immobile, you're able to meander back to your door after a horrible confrontation with five flights of stairs. Damn that faulty elevator.

You decide that having a view from your balcony isn't really all that worth it as you jam your keys into the lock and make your way inside. You stop dead in your tracks as soon as you pass through the door. The lock never clicked open.

You draw your pistol quietly, and scan the open living room and kitchen area of your home. Deeming the areas clear, you start making your way towards the hallway leading to your bedroom, pistol aimed and ready. Who on the Runeterra's green earth would be targeting you? Leftover Noxians? No. Turn coats like Maddie? Unlikely. Someone from the Undercity with a grudge? Unless they figured out who I am, I doubt it.

You hear a creaking sound from a door to your left, and you quickly kick it open and aim your pistol at the intruder.

"Jeez, you'd think a girl would get a warmer welcome after coming back from the dead." The intruder says, leaning back on a chair and idly scanning a vinyl.

You stare, dumbfounded. A part of you fully believing you've started hallucinating from the exhaustion, or the blood loss, you're not sure anymore. Your intruder, however, seemed to find your predicament funny.

"What, got nothing to say to me?" She asks. She finally turns to look at you, but the grin she puts on quickly falters when she notices the blood from your reopened wound seeping through your uniform. And then she's in front of you, one hand cupping the side of your face, the other hovering just above spots of blood on your shirt.

She asks if you're okay, but you're not sure. You still haven't confirmed whether on not you're hallucinating. So you do the only logical thing in the world and wrap your arms around her.

"Jinx?" Your voice cracks as you utter her name, and you wait. Wait for her to disappear, for your tired mind to catch up and be able to distinguish what is real and what isn't, because a part of you was only ever really using the tunnel search as a coping mechanism and that-

"I'm here, it's okay." She says as she wraps her arms around you and returns your embrace. If it were any other day, it would be you comforting her, offering her words of reassurance, support, affirmation. But this isn't any other day. Because you thought for the last ten days, twenty-three hours, and eight minutes, that she had died in an explosion.

But she didn't, and now you're sure that she's alive, that she's here, and alive, and breathing and-

"I love you." The words spill out of your mouth before you can think of anything else. How could you think of anything else? When those words, you realize now, have been long overdue.

She laughs. You realize how much you've missed hearing her laugh once your tears start falling. "I'm sorry." You say. "I thought, you died."

You stop yourself from hissing as her hug tightens and pain shoots up from your side. You could stomach the discomfort for this. You wouldn't let her go for anything, not again. "I'm sorry I took so long, bubs."-Your heart soars at the nickname- "There were a few... loose ends I had to take care of before coming to find you." She wipes away your tears as she says this, her hands carefully brushing your hair out of your face.

"It's okay, nothing else matters now." Just you you wanted to add, but refrain from speaking any further. You pull away just far enough to look at her, still not letting her go. It's her, alright. Her hair is different, and she doesn't have her pants that that one enforcer described as a half-eaten circus tent, but it's her.

"You're not upset?" She has the audacity to ask.

"I spent the last week and a half thinking you were dead, upset is the last thing I'm feeling.” A pause. “Wait no, actually, I spent nine days wandering around the cooling vents to look for greasy ass hand prints on walls."

"Hey."

"And I couldn't find any so you must've washed your hands for once-"

"Okay, smart ass, I get it." She says, rolling her eyes before pulling you in for a kiss. Suddenly all the exhaustion and pain you're feeling is gone, and your mind blanks. The only thought running through your head is Jinx and I missed you, and I love you, I love you, I love you as you pull her closer to you.

"Easy, tiger." She puts a hand on your chest to stop you from chasing after her when she pulls away. You let out a huff. She laughs. "You're bleeding, I need to take a look at that first."

"Since when has me being injured ever stopped you?"

She grins at you. "Being away from me that long has you down bad, huh?"  You grumble something about her being unappreciative, and she responds by pulling your face down and placing a kiss on your nose.

"You're lucky I love you." 

[alotofpockets]

Practice makes perfect | Leah Williamson x Reader

Where you and Leah practised kissing each other to prepare for kissing boys, but you quickly realise that after that you don't want to kiss anyone but her

Woso masterlist | Words: 2.5k

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As the only two girls on the boys' team growing up, you and Leah clicked right away. Football brought you together, but it was everything else about her that kept you close. Not many people had stuck around in your life the way Leah had. From meeting at six years old to now, a decade later, she was still your best friend.

The football dream was becoming reality for the both of you. The young Lionesses and Arsenal Academy were where you spend most of your time besides school or each other’s houses. The two of you were inseparable and everyone knew it. Where you went Leah went, and visa versa.

“Remember when we were like twelve and we practised kissing?” Leah asks you out of nowhere while you’re sitting in her bed and playing video games. You think back to the moment.

It was a similar situation to this one, you were having a sleepover and had just finished watching a romcom. “How do you know if you’re gonna be a good kisser if you’ve never kissed someone before?” Leah asked with a voice filled with curiosity. 

“I have no clue. Why don’t they show those parts in the movies?” You turned off the tv and pulled the covers further over your body. “Exactly! Like when I kiss a guy for the first time, I want to make sure that like I can kiss him properly, you know?” 

You nodded, understanding her concerns. “What if we practised kissing together? Then we can tell each other if we’re any good.” Leah loved your idea and instantly sat up in bed again. “You are brilliant!” 

She made you sit up as well and once you did she double checked if it was okay. When you nodded in confirmation, she leaned in and pecked your lips. “How did I do?” She instantly asked. “Good I think, what about me?” She smiled proudly, “Nice, you as well.” 

You had practised a couple more times that night, and when you both liked boys, you had practised some more so that the first kisses you would have with them would be perfect.

“Yeah, I remember.” In the meantime Leah had paused the game to fully focus on the conversation she wanted to have. “I was wondering if maybe we could practise something again.”

“What do you want to practise?” You asked to urge her to go on. “Well, I heard from some girls in our class that they’ve been making out with their boyfriends, and they talked about how it goes and everything, but even with that information I don’t feel even remotely ready to just make out with a guy. So, I thought that maybe, if you’re up for it of course, we could practise like we did before?”

Even with the introduction Leah gave, her question still caught you off guard. Leah’s hopeful eyes were hard to ignore while you thought about her question. “Just so we don’t totally embarrass ourselves when the time comes.”

"Yeah, exactly! I don’t want to make things weird between us though, you can totally say no.” She quickly added.  “It’s not weird.” you said shifting to sitting cross-legged, facing Leah, on her bed. “We’re just practising.”

Leah’s face lit up with relief, “Exactly, Just practising.” She turned to sit cross-legged as well. She told you how your classmates had described making out, so you were both on the same page. 

“So, eh,” you cleared your throat, “do we just go for it?” Leah let out a nervous laugh, “I guess so?” You nodded, which Leah took as her sign to start leaning in. She inched closer slowly, until her lips brushed yours. 

At first she just pecked your lips like you had practised before. Your heart started beating faster, but you didn’t understand why. Her soft, warm lips on yours felt familiar, yet somehow different. “Still okay?” She asked to make sure you wanted to do this as well. “Yeah.”

You leaned in this time and let your lips move in sync with hers. Your heart thudded loudly in your chest as Leah reached out her hand and cupped your cheek to pull you a little closer. 

When she pulled back after a few moments, her eyes searched yours. “How was that?” 

Your brain felt like it was running a million miles an hour, and you were scrambling to find words. “Good.” You managed finally. “What about me?” Leah’s lips quirked into that proud smile she had done last time, “Good too.” 

A feeling came over you that you had never felt before, you couldn’t quite place it, but before you could overthink it, Leah was leaning in again. “Practice makes perfect, right?” she said softly, and when you didn’t move away, her lips were on yours again.

That night while Leah slept soundly besides you, your mind wouldn’t stop racing. Trying to make sense of what you were feeling. 

It wasn’t until a few weeks later when you saw Leah kiss a boy in your class, that you realised what was happening. The moment you saw the two of them together, you felt a pang of jealousy. All you knew in that moment was that you weren’t jealous of Leah in that moment, but you were jealous of him. 

You turned on your heels and got away from the situation as quickly as possible. Of course, you headed straight over to the football field. The one place where everything felt right. You must’ve spent hours kicking a ball around until your parent’s called asking when you’d be home. “No Leah tonight?” Your mom had asked when you walked in, seemingly without the blonde by your side. You hadn’t even thought about it, but usually Leah would join you on Fridays. “Eh, no not tonight.” You say quickly. “Do I have time for a quick shower?” Your mom nodded and you rushed to your room. 

You checked your phone and sure enough you had a bunch of messages from Leah. The last one read I hope everything is alright. Couldn’t find you at school so I headed home. Please text me back!

You didn’t text Leah back that night, or the next morning. It wasn’t that you were mad at her, of course you weren’t, you didn’t think you ever could be, but you just didn’t know what to say. Every time you thought about her, you saw that boy’s lips on hers. Every time you saw it play back in your mind, it made your chest ache.

But Leah was Leah. Persistent, stubborn, and your best friend. So, it didn’t take her long to just show up at your house unannounced. 

“You’ve been avoiding me.” She stated from your doorframe, after your dad had let her in. She found you laying on the floor with one of your textbooks in front of you, trying to bury yourself into your homework. “What’s going on?” 

You glanced at her and then quickly focused back on your textbook. “Nothing.” Leah shook her head and stepped inside, closing the door behind her. “Liar.” She sighed, “Did I do something wrong?”

“No!” You said a little too quickly and defensive for Leah to believe it. She crossed her arms and leaned against your door, studying you like she was trying to solve a puzzle. “I just need some space.” You said softly, unable to meet her eye.

“Since when do we do space?” Her voice softened. She walked further into your room and sat down on the edge of your bed. “Come on, talk to me.”

You wanted to. You wanted to tell her everything. You always told Leah everything, but how could you tell her about your feelings? How could you tell her that you were jealous of a guy she kissed? Talk about the way your heart raced when you made eye contact with her? 

“I’m fine, Lee.” You forced a smile, but it didn’t quite reach your eyes and Leah could tell. You saw that she was fighting her inner monologue to press further, her lips parting like she was about to. Before she could say anything, your mother yelled upstairs, “Leah, honey, are you staying for dinner?”

Leah turned to you, “Do you want me to go?” You shake your head, “No, it’s okay. You can stay.” She opened the door and told your mom she would love to before turning back to you. “I’m gonna help her with dinner, you know, so you can have some more space.” This time you noticed her smile not fully reaching her eyes, but before you could say anything, she had already closed the door behind herself.

You stopped ignoring Leah, because you knew she would just find a way in, but that didn’t mean that your interactions were any less awkward, well at least for you. From Leah’s side it seemed like nothing had happened, while you questioned every interaction you had with her.

When she laughed at your jokes, or let her hand linger on your arm or leg, everything made your skin feel like it was on fire.

A few weeks later Leah was picking out her prom outfit with her mom. She had tried on a bunch of dresses, but none of them seemed to be what she was looking for. Today was the last chance of finding something, since prom was literally tonight. So, Amanda was determined to spend the whole morning driving from store to store until they found something.

It was the third store of the morning where Leah’s eyes fell on a baby blue suit, and she knew instantly that that was going to be the one. Her mom encouraged her to put it on, and the smile on her daughter’s face was exactly the reason why she had.

“This is going to be the one!” Leah said as she admired the suit in the mirror. “It’s lovely Leah Cathrine.” Leah smiled big, “Thank you.” After paying for the clothes, the pair headed back to the car.

“Oh mom, I wanted to ask if you could drive y/n and me tonight.” Her mom’s brow furrowed. “Darling of course I would, but I thought y/n wasn’t going?” Leah looks at her mom as if she was crazy. “What makes you think that?”

“Oh well, because that’s what she said yesterday. She said she wasn’t really feeling up to going.” Leah didn’t understand, you hadn’t told her anything. “But she was so excited about it and had her outfit picked out like months ago already. Do you know why she isn’t going?”

Amanda shakes her head, “I don’t know.” Leah was quick to respond. “You didn’t push further?” Amanda chuckles lightly, “No, that’s more your thing, darling.”

Leah sat back in the seat and crossed her arm, going over what she could do. “Can you drive me to her place tonight?” She nodded, “Sure, darling.”

You were watching a movie in your sweats when you heard a knock on the door. When you opened the door, Leah stood in front of you with a small bouquet of flowers. “What are you doing here? Aren’t you supposed to be at prom?”

“I could ask you the same thing.” Leah shoots back instantly. “I’m not going Lee, you should still go though. I’m sure your boyfriend would like you to be there.”

“Boyfriend?” Leah steps inside and closes the door behind her. “What are you talking about? I don’t have a boyfriend.” You shrug your shoulders, “I saw you and Steve kiss, figured you two were together.”

“Oh no definitely not.” Leah said defensively, “He kissed me, and I told him that I wasn’t interested.” You searched her eyes for anything to prove what she was saying wrong, but she seemed sincere. “Oh.”

“So, come to prom with me?” Leah said, holding out the bouquet to you. “Sorry, Lee, I can’t.” She retracted the flowers reluctantly. “Why not?”

Her question hung in the air. Again you wanted to tell her, but you just couldn’t. “I just can’t, please drop it.” But Leah was Leah and there wasn’t any scenario in which she would drop this. “I won’t drop it. You’ve been excited about your outfit, the music, the pictures. You’ve been talking about prom non-stop for months and now you’re here in sweats not going. Please just tell me what’s going on. If I did something, let me in and let me fix it.” Her plea sounded desperate.

“You didn’t do anything wrong, and there is nothing you can fix.” You sighed in frustration, wishing she would just drop it. “Did someone else do something? Please just tell me what’s going on.”

“Fine, okay, I’ll tell you.” Leah focussed on you instantly, not having expected you to break so soon. “I can’t go to prom with you because ever since we practised making out, all I can think about is wanting to kiss you again.” 

Your eyes were looking anywhere but Leah, not ready to see the way she would react to that confession. “Please look at me.” She slowly reached up her hand to your cheek to turn your head to face her. You expected anger, disgust, or even hurt in her eyes, but instead you were met with softness. 

“You know the reason I told Steve I wasn’t interested?” You shook your head. “It’s because after he kissed me, I felt nothing. Which was a stark opposite to how I felt when we kissed. I swear it was just practise when I asked you, but I think that was exactly what I needed to realise my feelings for you.” Leah confessed. 

You stare at her for a moment, taking in the confession. She liked you the same way that you liked her? The corners of your lips slowly rose as it was all coming together in your head. And then without hesitation, you lean in and kiss her for real this time. She kissed you back instantly, and pulled you closer like she had done last time. It felt even better than your time practising, now knowing your feelings for each other.

When Leah pulled away, she leaned her forehead against yours. “So, prom?” Your smile grew. “Yes, just let me get changed.” 

You rushed to your room and quickly got ready. “Wow, you look amazing!” Leah said as you walked back downstairs. “So do you!” You pecked her lips appreciatively. She took your hand and pulled you out the door where her mom was still waiting in the driveway. “Ready to go to prom, girls?” She knew by your happy faces that whatever was going on between the two of you these past weeks, was resolved. “Yeah, more than ready.” You said and Leah squeezed your hand. “Yeah, let’s go.”

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[transyashiro]

Hi, genuine question, why transandrophobia is not real? I just thought it was a word to describe the transphobia specifically targeted to transmascs, but if that is not the case id like to be corrected. Also your art is so beautiful I love it!

hey anon. firstly, thank you, i'm glad you like my art. secondly, i am at the end of the day just a guy who draws sometimes. this is a question which was already answered many times by transfeminists on here, and ideally you'd want to get the perspectives of tma people rather than mine. and just in general, keep up with discussions of transmisogyny and listen to transfems, yeah?

all that said, since you are asking me personally... to put it as simply as i can: transandrophobia, or transmisandry, is not real because misandry is not real. that should be the end of the discussion, really. there is no need for a special word to describe transphobia targeted at transmascs, because transphobia and/or other forms of oppression (real ones, Not misandry) depending on any particular situation already cover everything. why is there a desire for a special word to begin with, anyway? girls got one, we want one too? c'mon

but also like, all that aside, regardless of how real or not real transandrophobia is, it is a dog whistle. if someone associates with the transandrophobia crowd, they are most likely a transmisogynist. that should be enough of a reason to steer away from those guys and not trust them. sure, some posts by them might seem compelling or validating at a glance, i've definitely seen younger trans guys who don't know any better start looking in that direction because they feel like they are finally being given a tool to discuss their experiences. i assume that's partially why your question is framed like that, too, because a simple "we just want a word to discuss our oppression" is a lot more convincing than "we hate trans women and want to make them out to be the true oppressors" or "we're just men rights activists but with a trans flag, which also means that we are incapable of oppressing trans women because of our inherent connection to womanhood. don't worry about what that logic implies about our views of trans women" or... you get the picture. it's transmisogyny through and through, you don't even need to dig much

again, i hope you'll look more into what trans women have to say on this, it would do more good than my short clumsy explanation, but hopefully it at least gives you some vague idea

[sanguineterrain]

hii this is my first time requesting sth so i hope its okay. what about spencer dating a reader who is asexual or takes a long time to be comfortable with intimacy but people are always asking if he’s getting any and reader feels like she isn’t enough

if not that’s totally fine thank u anyways

(this isn’t self indulgent wdym)

Thanks for requesting lovely. you are definitely not alone in feeling this way 🩷

fem!reader. you feel insecure after derek makes a harmless joke about how often you and spencer meet for lunch

****

Spencer forgets to eat lunch.

It's just a fact. He doesn't always forget, but he forgets enough for you to meet him for lunch when you can or shoot him a reminder text.

Today, you have a day off, so you decide to visit. Spencer tells you he'll meet you at the entrance so you don't have to go through security and get a visitor's badge. You think it's a little ridiculous that you have to do that every time, but according to Spencer, it doesn't take much time at all for people to become a danger to others and themselves.

Not that I think you would do that! he's always quick to add. You adore him.

He gets off the elevator with Agent Morgan. You watch as they approach and Morgan sees you, then claps Spencer's shoulder.

"Oh, so this is where you disappear to for lunch," he says, wrinkling Spencer's shirt. You can tell Spencer notices right away and is mildly annoyed. He shrugs his friend off.

"What're you talking about?" Spencer asks, pursing his lips.

Agent Morgan grins. "How many lunches out do you need, Reid? Seems like you're always forgetting food. 'S not like you."

Spencer looks at him, brows furrowed. "I need one a day, according to the general medical opinion. And my lunch breaks aren't that long."

You suddenly feel queasy.

"Uh-huh." Agent Morgan just grins that sly grin. "Don't be too long. Have fun, you kids."

You walk out. Agent Morgan goes the opposite direction of where you parked your car. Spencer's warm hand squeezes your arm affectionately.

"Hi," he says. "I actually brought lunch today, I just wanted to eat with you, so I lied and told everyone that I don't have lunch so we can be alone."

"Sweet of you." You voice is thin.

"Are you okay?"

You try to keep walking, but hello! Behavior analyst boyfriend alert. Spencer gently tugs you to stop and face him.

"What's wrong?" he asks, forehead crinkled in concern. "Your voice has a tremor."

"Did you tell Agent Morgan that we have sex during your lunch breaks?" you ask, folding your arms.

"What? No, I don't—no!"

"Because I know I've been making you wait, Spencer, and I know I keep saying I'll be ready at some point, but it's really shitty if you're telling people that I stop by just to give you head in your car or something."

Spencer's mouth opens and closes a couple of times in genuine, horrified shock, like when he'd found you hunched over the toilet in pain months ago during a bad stomach flu, and you realize then that you're way off the mark.

How could you think that? Of course Spencer wouldn't do that to you.

"Spencer, I'm—"

"I would never say or imply that. I don't even—I'm not mad or resentful of the fact that we haven't had sex, okay? I wouldn't care if you never wanted to have sex. I don't date you because I'm hoping to 'hit it and quit it.'"

You both cringe at his choice of words. Spencer sighs. "Okay, never using that phrase again. But it's true. I'm not waiting you out, and I'm definitely not talking about us having or not having sex to anyone at work." He shudders. "My living nightmare."

"I'm sorry. You're right, you wouldn't say that. I know you wouldn't. You wouldn't tell people even if we were having sex."

Spencer shakes his head emphatically. "Of course not."

Of course not.

"Then why did Agent Morgan imply that we were leaving to do it on your lunch break?" you ask unhappily.

"He was implying that we were sneaking off to have sex?" Spencer asks. "Are you sure?"

You frown. "Yeah, Spencer. He was teasing you about taking long lunches and always going out with me because..."

He nods in understanding. "Oh. That's... weird. Okay. I'll tell him not to say that stuff. I'll say that it bothers me."

You rub your arms self-consciously and turn your body away from Spencer. "It's not that weird for him to think, though. I do stop by a lot. And you're a young guy. Other guys your age probably visit their girlfriends during lunch and do that."

Spencer raises his eyebrows. "That seems excessive. And risky. And highly unsanitary. And uncomfortable. And—"

"Okay." You laugh a little. "I get it, Spencer. You're not like other guys."

"Story of my life."

"I guess I'm not really like other girls either," you say. "Having sex on your lunch break is probably more normal than dating for six months and never having sex."

Spencer frowns. "There's no such thing as normal. There's socially accepted behavior and opinion and laws and a bunch of made up crap that a lot of people are too afraid to challenge. I'm about the furthest from normal that you can get."

Your mouth flattens. "You're not bad, though."

"Exactly!" Spencer kisses your cheek, startling you. He doesn't often initiate kisses, preferring to show affection in his own way. You don't mind when he does kiss you though.

"Exactly," he says. "And neither are you. I doubt that how you feel about sex is so unusual. But even if it was, it wouldn't make a difference to me. It's how you feel, and I respect it. If I had a problem with it, we wouldn't be dating."

You glance down the block, at the building entrance. "But people might talk."

"Derek wouldn't," Spencer says firmly. "He jokes, but he would respect this if I told him to."

"It's not him, Spence, it's just..." You shake your head. "I've hit a stumbling block with every guy I've dated because they thought I was a prude, a tease, frigid. One guy said I needed shock therapy."

"I don't think that," he says softly. "I don't think any terrible things about you for feeling this way."

"No? You haven't tried to profile me based on my aversion to intimacy?"

Spencer's face scrunches with sadness. "No. You're my girlfriend, not a suspect. This isn't something I have to diagnose. I love you. I like spending time with you. Please don't think that I don't have the capacity to know what I want in a relationship. You don't have to be suspicious of me. I have nothing to hide about how I feel."

"People might think something's wrong with you for dating me," you say.

Spencer shrugs. "So what? People already think something's wrong with me. Doesn't mean they're right. I currently hold the record for the longest relationship in the BAU, besides Hotch. I'm the winner."

You sigh. Everything you throw at Spencer about how he should run while he can, he has a response for.

You might just give up and keep on letting him love you without any strings attached.

"Have I convinced you?" he asks. "I'm really good at debating."

"No kidding," you say. "I'm surprised you didn't become a lawyer."

"Hotch says there's still time." Spencer smiles. "Wanna go to that Thai place three blocks from here?"

Spencer loves the Thai place. It's one of his safe restaurants. You like it too, mostly because of how much Spencer likes it. And you trust his recommendations. He always checks the health inspection grade before eating somewhere.

"Don't you have lunch?"

"I have a peanut butter sandwich in my desk and I'll probably stay late. It'll keep."

"Okay." You lean in and kiss Spencer. He responds immediately, stroking your cheek with his thumb. The tenderness overwhelms you.

"You're really nice," you whisper.

"You deserve a nice boyfriend," he says. "And Chicken Satay. I'll get you both."

You link your arm with his as you begin to walk.

"Is six months really the record?"

"Oh, you don't know the half of it."

[crescenthistory]

Can you do like, an animagus!reader x regulus were reader is like, kinda sick and ill and all the time she sneezes, she turns into her animagus form????? I BEG YOUUU It would be so perfect. I love your writing and only do if you are comfortable with it. THANK YOUUU (english is not my first lenguage, so sorry about the mistekess)

this was a lovely sweetheart idea, thank you<3 big hugs!

Words: 1.8k

Warnings: not proofread, fem!reader, common cold, reader is a bit miserable, whipped!regulus, bsf!remus who feels somewhat guilty

Note: this is of course the same cat!animagus!reader that we have followed for a while

"For all the possible cons I went over before deciding to become an animagus," you drawled haughtily. "This was not something I thought to fear."

Regulus camouflaged his laughter with a soft cooing sound, petting your hair from where you were laid on his chest in your dorm room. The position could not be comfortable for you, you were practically laying on your back, with your head angled to the side to be on top of him, but it was how it had to be right now. That was to account for two things: your difficulty breathing through your cold, and the fact that you at any point could shift into your cat form, Whiskers.

"To be fair, I don't think this would be warned about in any literature." Regulus defended your past self's decision.

"You can be damn sure it wasn't." Your words would be more menacing if it wasn't for the high-pitched croak in your voice.

You had been sick before, many a time actually, including after becoming an animagus three years ago. Yet, this bout of seasonal cold for you seemed to be more sneeze-heavy than ever before, and you developed an awful side-effect to it.

For whatever reason, each time you sneezed, your startled body took it as a signal to shift you into your animagus form. Effectively draining your already limited energy and annoying you to no end. You hated it. Regulus put on his best frown in solidarity -- but would be lying if he said he didn't find the ordeal somewhat endearing. Even more so when you huffed yourself hoarse from irritation.

Considering that your illegal animagus status was not something you should be advertising, you and Regulus huddled into your dorm together to ride it out. Which, he noted, probably was good for you anyway, so that you could get better faster.

You had not appreciated it when he pointed it out to you.

"Just a bit more, amour, and then you'll be back to normal," Regulus said, hoping his tone was reassuring despite the slight laugh behind it.

"Easy for you to say," you grumbled, but, to his great pleasure, you burrowed your nose further into his chest.

“Just because I am able to see the humour in this situation already does not mean your ailment is not wounding me.” He was aware he was laying it on a bit thick, even more so when he kissed the crown of your head, but it might just be needed. Before you could have a chance to quip back and irritate your sore throat further, he asked, “Do you want anything, hm? More tea or healing potion?”

You seemed to think about it longer than usual, and he was unsure whether it was due to your feverish sluggishness, or a reluctance to answer. When you concluded with a weak, “No, I don’t think so, lovely,” followed by a rough cough, he decided on the latter.

“You shouldn’t lie to your carer, love,” he chided gently.

You tilted your head upwards so that he could see you were narrowing your eyes at him. Even your glare had lost its bite when your eyes were this foggy. “Y’re not my carer, Reggie. Don’t be dramatic.”

“Sorry, amour, you know it’s a genetic condition.” He preened at the sound of your weak laughter and then immediately switched up when he saw your subsequent frown. “Are you sure you don’t want any more tea? Honey?”

“No need to call me honey,” you tried to joke. He was momentarily ashamed of you, and waited for you to answer his actual question. “I do want more tea,” you eventually relented. “But I don’t want you to get it for me.”

His heart took on a softness he had not known it capable of prior to you, one that still somewhat unsettled him. “I want to help you,” he murmured into your hair.

“That’s not it. I just… I don’t want you to go.” Even as you said it, you hugged him closer.

He tilted his head at you in confusion. “I won’t be long.”

“That’s not it,” you whined into him. “I don’t like turning into,” – cough break – “, I don’t like turning without warning like that. Don’t wanna do it alone.”

Regulus thought he might break his ribs from how violently his heart doubled in size. “Oh, lovely girl.” He pressed one, two, three kisses to your head. “We’ll find a work around, okay?”

Without waiting for a response, he grabbed his wand from your bedside table and quietly accio’d some pen and paper to hover in the air before him. It took little to no effort for him to get the pen to write a short message on the piece of paper and have it be folded over into a small faux aeroplane, but the way you looked at him in awe, one would have thought he completed some impressive curse break. 

“Are you not a witch?” he asked, small tug on the corner of his lips as he watched the aeroplane fly out through the crack in the door. "Is this impressive to you?"

“Rude.” You didn’t need him to explain his jab at your fascination with his magic. “You know I love watching you.”

He just hummed into you, pulling you closer by the waist. “I’ve alerted Remus; I know he gets your tea right every time.”

You opened your mouth to speak, likely to coo at Regulus for growing soft, but then you stopped halfway through. The tension in your shoulders alerted him to what was about to happen and the sigh he breathed could almost be classified as a snort. Enough for you to throw him one last glare while in the middle of the ah-ah-ah part of your sneeze before finally atchoo your way through it.

Regulus imagined a plop sound as the girl laying half on top of him within a second shrunk and grew white-and-grey fur, landing comfortably in the middle of his chest. Whiskers made a soft hissing sound at no one in particular before letting your head drop with a sad thump.

“Oh my sweet girl,” Regulus murmured as he brought one hand up to rest on your middle as a form of weighted blanket – you said it helped last time – and the other to scratch lovingly at your head.

You did not bother turning back to your human form, instead letting the sneeze cycle decide which form you remain in to save on some energy. Regulus had a theory that you heal quicker as a cat anyway, so he figured it didn’t hurt to leave you to it.

The biggest downside of being Whiskers with your cold is that purring hurt your scratchy throat even further – an instinct that was hard to fight as a feline, especially when Regulus gave you scratches in all the right places (he would know). Perhaps he should be kind and leave you be.

You both knew that wouldn’t happen.

There were three soft raps to your dorm room, causing both of your heads to snap up towards it as Remus carefully stepped through it with a rueful smile. “Are we alive in here?” he asked teasingly, smile spreading once he saw your form curled up on Regulus. “Oh, hi Whiskers.”

“Still switching back and forth,” Regulus explained. A fairly obvious statement, but he had learned to never underestimate how much explanation your little friend group needs, though Lupin was the better of the bunch.

“I see that,” Remus cooed, reaching out to pet over your nose carefully with his index finger. “How are we planning on drinking this tea then, kitten?”

You pretended to bite at his finger, either for his comment or his use of the term kitten. Regulus would support you in it.

“She’ll be forced back into human form anytime now,” he began to explain, at the same time as you took a deep breath in and tensed. His eyes moved immediately from the Gryffindor boy to land on you. 

Remus had the wits to step backwards with the tea just before you let out another loud sneeze, distinctively feline-like. Just like that Regulus had his regular girlfriend back in his arms.

You immediately rolled off him to the side and groaned loudly and oh so hoarsely. “I hate everything.”

“Sorry ‘bout that lovely,” Remus said somewhat guilty as he came back to the bedside, sitting down beside you to hand you your tea, which you accepted shakily. 

You furrowed your brows at him. “What are you sorry for?” you said with poorly hidden accusation, having sniffed out Remus’ poor self image before he could explain himself. When he just shrugged you waved a trembling finger in his face. “No such apologies will be allowed around here, Mr. Blame Himself. I believe the phrase for my actions is that I fucked around and found out.”

Regulus was not proud when the snort he let out was almost identical to Remus’.

“Yeah, you’re a good friend, even if you’re not always the brightest,” Remus teased as he got up, easily dodging your weak swat.

You were about to reply when you suddenly thrust your tea cup into Regulus’ unexpecting arms, spilling some onto your sleeve in the process. Barely a second later, you sneezed yourself into a cat again.

This time your hiss was much more prominent and prompted a second sneeze that brought you right back to yourself, falling back onto the bed with a deep sigh.

“Feel better, both of you,” Remus said through a soft smile before stepping out and leaving you both to it.

“Oh, amour,” Regulus whispered before pressing a quick kiss to the side of your head. “Okay, drink this and then we’ll try something else.”

Too tired to give him any semblance of a sassy remark or even question his ideas, you quickly gulped down the tea, closing your eyes at the sensation. Regulus could not fight the urge to close the small distance and press a butterfly-light kiss to your eyelid.

He took the cup from you, empty apart from the slight tea dust on the bottom, sitting it on the bedside table. Wordlessly, he helped guide you into a lying position, head propped up by several pillows.

“This might help lessen the sneezes or better yet help you fall asleep,” he murmured as he arranged everything so it would be neatly ready. “If not, it will at the very least be nice.”

With a final peck to your lips and a sneaky smile, Regulus turned into his own animagus form, Shadow, and climbed carefully on top of your chest. There, he curled up so that he was perfectly positioned over the top of your chest, one paw laying protectively over your heart.

You sighed, absentmindedly scratching his head with the tips of your fingers. 

Regulus deemed his mission successful when your breaths started evening out. And, looking up at you and your pouty lips and perfect nose, he deemed that his life was quite nice as well.

[local-lamppost]

Act 3 Thoughts

Watched Wicked, came home, waited 20 minutes, binged Act 3. I do not recommend this lifestyle. Anyway...

I was so satisfied with where we ended up, but I would have also appreciated about 20 minutes to an hour more. It felt like some beats were skipped over, they wanted to get to specific endings and didn't have the time to wrap them up as neatly as I would've liked.

Maddie is a good example. She's a plant for Ambessa, okay but when and why did she become one? She couldn't have been one before Cait being named commander and when we next see her she's pushing for Cait to take power back from Ambessa. Did Ambessa just message her right after Cait and Vi started working together again as like a "the woman you love's actual love is back in the picture, you can either wallow or get revenge with me", but also made a smarmy remark about Cait 'at least being warm' or something. We didn't need to absolve Cait or villainize Maddie for their 'relationship' because they didn't even have a relationship-just a coping mechanism for Cait, similar to Vi's drinking. At best it was all unnecessary and at worst a waste of time.

Away from that, I want to focus on some good.

I am officially a JayVik shipper now. Them disappearing into a void together, encircled with each other, after Viktor spend however long within timelines/multiverses in hopes of finding a Jayce able to bring him back to his humanity? Come on, they needed to kiss. Especially after Jayce and Mel's low key break up. Honestly we were denied the three of them working together, because they would have been unstoppable.

Speaking of Mel, I love her. I love her design, her powers, her matricide, her taking command of Ambessa's armies, etc. I wish we could have seen more of her adapting to her new powers, finding peace with what she now is. There could have been a cool interaction with Viktor over how Arcane power has changed them both for better and worse.

I don't think Mel's story is done. With other characters, I can see them coming in for future story arcs as like, cameos or background details, but if the next LoL story is in Noxus I fully expect Mel to be a major player again.

Back to Jayce. I like Jayce, that could be my Arcane hot take, and I definitely want to write something more in depth on him. On all the characters really. For now, I'll just say that his determination to destroy everything he has built, because the only creation worth saving is his relationship with Viktor is just... glorious.

Viktor was amazing. I love Viktor in the lore, and they took his traits from the lore and amped them up to eleven. His body being destroyed and rebuilt, the process of which has chipped away his humanity and mutilated his dreams. He lives up to his own quote: "In the pursuit of great, we failed to do good. We have to make it right."

Ekko is a character I never realize I miss. That sounds mean, it probably is, but I am never the less so happy to see him every time. It's like finding the missing piece you didn't even know was lost: that is Ekko to me. His mini adventure in the parallel universe was adorable. Us getting to see what could've been alongside learning what matters most to Ekko, him getting a taste of a near perfect life and still choosing to return to his own time. That's why Ekko is the true hero of this story.

In terms of Jinx, I'll just say I'm not a hundred percent sure she's dead. The airship leaving at the end followed by her scribbled sign off, plus not getting a dead body shot. It was definitely left open ended. Her looking to do something good, to not mess up, alongside her fear of not wanting to try again because she is just tired of failure, of being a Jinx, was too real in many ways. I will go in depth on her at a later date.

Caitlyn's arc is going to be argued about, no question. It needed more time (see the start of this long post) to make her point of her anger burning away, of it not being sustainable, hit harder. I would have made her realize what her anger was doing to Vi, have Jinx point out that they really are acting the same in their treatment of Vi, and use the whole Ambessa was literally stoking the fires of her hatred to help fit what time they had left. Honestly just have Cait learn Ambessa was the one behind the memorial attack, that would be a much better way to explain her anger diminishing enough to look beyond her own hurt to realize and take account of her mistakes.

Vi, as usual, needed more screen time. Not necessarily because her story would've been helped by it like in act two, but just because I wanted her to have more time to enjoy her life. I went into act three with the sole hope that Vi would have a nice day, only for her to loose everything again. The only people she has left are Cait and Ekko, and god help anyone who tries something against those too now. Her ending being the chance to finally rest, to lean on someone else, was beautiful. She is my favorite character and please let her have only good things in the future, she was traumatized in almost every scene this season please-

Nobody tell Vi that in a universe where she died young everyone else ended up living. It would destroy her.

Vi and Cait relationship was great. I wouldn't say it was rushed in act three, because it felt like it was where it should be for a final batch of episodes, if that makes sense. It felt like the set up was Cait being genuinely remorseful and Vi just wanting someone in her life who wanted her in return. It helps that they have great chemistry and that when given the chance they fit so neatly together. I think Jinx encouraging Vi to be with Cait is what sold it to me. Jinx realizing how much Vi has given/sacrificed and giving her blessing for her sister to be happy with someone she disapproves of; not to mention Cait pulling the guards from their posts to give Vi the chance to actually meet Jinx in order to have that conversation. All in all, it comes down to Vi's "I don't care" because that's really all there is too it for them. Vi is done being miserable and Cait makes her happy, vice versa. Cait is someone Vi can rely on, Vi is someone Cait can find strength in.

Spitfire round:

Sevika being made a councilor

Every single one of Mel, Cait, and Jayce's designs were 10/10s

Vi not being given an actual uniform, just armor and the gloves

Jinx cutting her hair further to match Vi

Ekko getting his crystal sword/bats

Heimerdinger dying after living a life where he could make his city something to be proud of

I was fully expecting Vander and Silco to kiss in that one shot

Everything with Benzo

Loris' name being said

Vi humming the song and the song being their mother's lullaby

Viktor being held within the Herald

Sky leaving so Viktor was free to bring Jayce to his space mind palace

Caitlyn's rifle never surviving

Fishman McBlue being the only one of Cait's soldiers to stick to his guns and stay loyal

Sevika and Shoola side eyeing each other

Vander and little Vi and Powder with the bunny

The bunny being a passenger on Jinx's balloon

Singed's messed up family getting a happy ending