#i don't know how can i write them again

[just-null]

Wowie rly digging the yandere clone headcanons… how would each react if their darling tried to run away from them?!

You said tried so I assume this was a failed attempt!

Short answer: they get really upset and try making it your fault (shocker.) Ain't no way any of these mfs think they're the problem. Good news! you're mostly unharmed and alive.

This will just be purely writing bc i mostly had thoughts! sorry no drawing this time!!

[cw! mentions of potential harm to reader (no actual harm done), manipulation, toxic relationship dynamics (yandere flavor), obsessive behavior]

Sekido

You're always being hunted the moment the sun comes down and you don't return home in time. Reasons like that are exactly why he hates it when you part from him. 

This time is different.. he can't find you in your usual spots. There's no fucking way, right?

How could you.. No, how DARE you? Do you think that he's some joke? That his feelings for you are something that you can run away from like it's nothing? 

The second he's sure the sun won't harm him, he's already white knuckling his khakkhara, swinging at anything and everything in his path until he gets to you.

They know how to sense if you're near or not, hell, they probably know how your specific blood type smells like. 

Did you think cuddling up to you and memorizing every detail about you was for nothing? Don't be stupid. All he needs is a trace of you and he's gone in the blink of an eye.

You better enjoy running while you can because when he catches you, and he will, those legs of yours won't have much use after he's done with them. 

Sekido doesn't WANT to do this, but you honestly give him no choice. After he trusted you enough to stop looking over his shoulder, you do this? How can he ever put any faith in you again!?

On the bright(?) side, Sekido's rage wouldn't be solely on you, it'll ricochet onto everyone, especially the other clones and himself. 

They were supposed to be looking after you! But they can't do anything right, even a task as simple as this. 

And why did he think it was a good idea to trust them with something of big importance when all they do is fuck everything up!? Everyone's idiocy is rubbing off on him!

The entire time on his search for you, he's cursing and wanting to crush anything he can get his hands on, especially your bones. 

He doesn't even bother with speaking to the others, too busy spewing out all sorts of hurtful and frustrated comments about everything. 

The brutal thought that you’d rather run away than be with him isn't one he wants to entertain, but it's echoing in his head.

At least, once the other clones get there, Karaku and Aizetsu brawl with Sekido so you're unharmed while Urogi carries you overhead. 

Sekido's jealousy flares up when he sees you in Urogi's arms, making him even more pissed if that's even possible. Great, now he looks like the bad guy and the other three, the saviors. Fucking perfect.

There's a lot of yelling and a lot of blood, especially with Urogi making things so much more annoyingly difficult in the air. Karaku and Aizetsu aren't helping. Why is Sekido suddenly the problem?! You ran away!! 

But when he calms down enough, he's cursing at everyone through clenched teeth. Sometimes trying to convince the others that you don't even need your legs anyway!!

Once you get back home (or temporary prison until you somehow regain favor), Sekido will eye your legs while gripping his staff from time to time. 

Exactly why he's forbidden to be in a room alone with you for a while until he settles down..

He glares at you more often and grows colder than before. Arguments are more common where he twists your words just to have you talk with him and be angry within reason. 

Any other type of conversation makes him so irrationally upset that the others need to step in so that he doesn't lose his temper again.

Karaku

The calmest out of the group. He brushes it off as “you're playing hard to get” again, and if he makes a ruckus, you'll scamper back and beg him to stop like always!

Then it gets darker out.. and when Sekido left, he seemed pretty pissed. Like more than usual..... shit.

Karaku sprints after Sekido when it clicks that he's found you. His mind starts reeling, unsure whether he should laugh at the absurdity of your decisions or get pissed off because you didn't even bother to give a hint! 

Not like that would do anything aside from give you away but regardless!

Everyone needs to relax, this is obviously something they can sweep under the rug. This isn't that big of a deal and you're just having a fit, but things like these can get you hurt, y'know? 

They're fun and all, sure, just maybe give him a heads up next time, yeah? Sekido can't take a joke, you know this!!! Still.. There's a way Karaku can work with this.

He'll be able to swoop in, save you, be your hero, and remind you why staying with him is kinda important. Just in case you forgot~ 

You don't wanna be out and about without his charming grin and protective hold would you? Don't answer that right now, he has a feeling you'll say something wrong!

Yet.. what if you need a firmer hand to remind you of what Karaku provides? What if you got a little too comfortable being protected so you thought you'd be alright leaving them? Man, who knew you could be spoiled!

Because of this, he would purposely fumble, letting Sekido get near you just so he can stop him at the perfect moment. He purposely gets hit too and makes sure some blood gets near you. To remind you how that could've been yours.

When Sekido calms down, Karaku laughs in your face and would pinch your cheeks if you weren't up in the air with Urogi on the way home.

You should've seen your face! It was really cute~! Maybe getting scared is your thing? He'll note that for later.

He offhandedly advises you not to do things like that all the time, fighting Sekido always kinda sucks, but it's not like you actually had a chance of successfully running away so he won't chastise you too much for it. 

That's not his job, and his heart hasn’t pumped that fast in a long time.. not even in a fight! You're so amazing~~

And delusional if you think he's not going to milk this “heroism” thing back there for some extra affection points with you. 

Don't be so mean. he got his head blown off twice and jaw dislocated thrice, not to mention everywhere else on his body. Don't you think those parts of him need some extra loving? more than usual?

There's not that much Karaku can say after that aside from reminiscing like it was a funny story. He's not upset about it, mostly a little miffed you got kinda far without him noticing, but he gets over it. 

The usual routine starts back up for him when you're back home. It's like nothing happened, but he keeps a closer eye on you since everyone's so tense.

Urogi

If you're not home before the sun sets, Urogi's clawing at the walls with stress. He usually accompanies Sekido to go find you, but this time is different. Urogi could just barely tell you were around.. When Sekido bolts, Urogi's flying as fast as he can, trying to find you first. 

You're so far.. you must've gotten kidnapped!!!!!

The stress from before burns into anger, expecting to see someone having their hands on you while you're calling out in vain. How could he let this happen?! Damn sun! 

He darts through the skies even faster imagining it, and when he finally reaches you, you look.. fine? and alone. and looking at him like he's the danger. He's here to save you, dummy..

Urogi falls to his knees, burying his face against your stomach and finally wrapping his arms around you again. Your fists violently hit his head and yank fistfuls of hair back, but it doesn't phase him. 

Your comforting warmth is back, that's all that matters. And god, your smell.. it's almost making him dizzy. He missed you so much.

There's many holes to the story in Urogi's head as to why you're so far from home, but he fills them in with more convoluted delusions. It's just a peaceful reunion right now.. 

That is until Sekido finally arrives and starts swinging his khakkhara way too close to your fragile bones. 

Now he's back in defense mode where he scoops you up and tries flying out of reach. This is so stressful!!! There's lightning everywhere and he keeps having to dodge the multiple staffs thrown his way. 

He shields you with his wings as best he can while trying to stay in the air, so you don't get hurt during Sekido's outburst.

In the skies, it's much clearer to see the hurt behind the haunting glow of Urogi's eyes. Did you care about how he might feel? Did you miss him at all? Did you not feel loved enough? Did someone say something to you? 

As he maneuvers the sky, he holds you as tightly as possible, lightly digging his talons into your skin.

Being without you for a couple hours is agonizing enough on its own. If you HAD left him, abandoned, cold, alone.. he doesn't want to think about it. All that matters is that your kidnappers or liars or whatever influenced you are gone, and you're back safe with them!!! 

You.. you still like him, right? Of course you do, fate wouldn't force your paths together if it wasn't for a reason!

Coming back home is uncomfortably tense, especially with how violently Aizetsu kicked Urogi across the room, nearly through the wall, when he tried to lick your wounds clean. It really hurt! 

When you're patched up, Urogi is ten times as clingy if that's possible. He has his arms looped around you constantly so you can't stray too far, and if his hands are busy, he always has his wings!

As happy as he is that you're back, he can't help but cry into your chest sometimes. Everything is so tense nowadays, he hates it! How could you go and do something like that? Apologize immediately! Or at least hold him too? Doubt creeps in a lot, and your attitude isn't helping.. 

His mood swings are stronger. From sobbing uncontrollably into your clothes to being all smiles and radiating with joy the next just because you said something vaguely decent.

Aizetsu

The demotivation started to creep in the second you left. During the day, Aizetsu sits by the door, wanting to be the first one you properly greet. Sekido and Urogi usually bring you back and he'll be the one in your good graces without lifting a finger. That sounds nice.. 

But as the footsteps fade and the silence lingers, Aizetsu feels miserable the longer he waits... Hold on, silence?

Before he realizes what's happening, he's already dashing to where the familiar commotion is coming from. Dread sets in as his legs take him as fast as they can whilst being the slowest of the four. This doesn't feel like they're rushing over to you after a long day, it feels.. dangerous?

What did you get yourself into..? Why do you insist on going to places Aizetsu can't follow? Are you safe? He hates not knowing.

Usually you're the one who's fine. You deal with four demons almost daily! Please please please be okay. He can't fathom it if you were hurt. 

When he gets there, the puzzle pieces fall into place and Aizetsu gets even more depressed, but at least you're not hurt. Well, not if he interferes. His movements are sluggish, a perpetual frown plastered on his face as he tries holding Sekido down. 

Aizetsu wants to dissolve into the floor, and he does sometimes. Not wanting to fight Sekido off anymore, he slumps over. 

This could've been a regular day where you came home.. Are you serious? Leaving? How pitiful could you be to actually think you could get away? Or was it that you wanted to play some sick joke on them? Well, it's not very funny... It's terrible actually.

Aizetsu stays silent on the way home, walking with a bit more energy knowing you're near despite his heart ache.

You can feel the harrowing disappointment radiating off of him the moment you all go back home.

He's tired, annoyed, and so unbelievably upset. Aizetsu grimaced when Urogi got near your scratches with his tongue, so he “politely” ushered him away. 

Knowing a human's weak points is good in battle, but he started trying to learn how to heal them, specifically because he knew these types of things might happen.

As he cleans your scratches, he's actively scolding you for leaving in a cold emotionless tone. And by scolding, he's using manipulative language, trying to make you guilty for everything you did. 

He barely has the energy to live, but now that he finally found his light in the darkness, you want to leave? Is it so wrong he wants to hold onto what makes him even a smidgen happier than usual? He reminds you that he'll wither away without you, but he's not really too keen on dying just yet.

When he tries to get back into a routine, he just can't. He knows why you left, but he doesn't want to hear it. Even if you're sweet to him or not, he'll hold you from behind when you rest.

Looking at you is too much, but being away from you is even worse. Aizetsu compromises this way, but gets quieter, occasionally sniffling when he hides his face behind you.

There's too much going on and he's so tired.. If it weren't for the others, he probably would've held you so tight for so long so that you both would perish together.

Maybe that’s why he's only allowed to hold you when you're asleep. Just please don't do that again.. He NEEDS you. Please, please, please.

Safe to say you gave them a scare. When they double down on the protectiveness, living is ten times more difficult for EVERYBODY. when you lose their trust, it's pretty difficult to gain it back, but not impossible!!

Sekido and Urogi will always assume the worst if you're gone for too long while Karaku and Aizetsu give you a little more freedom until the others drag them along into their worries.

[antigonesghosts]

What I loved about Cinderella's Castle is it is so entirely about Ella. We know starkid can handle a show with tons and tons of characters but I found it quite refreshing for it to be so wholly her story? I think it was a lovely choice for this show and man Bryce did such a perfect job of it, she is truly such a star

[iwoulddieforienzo]

Something really great about the persona 2 cast is that they all individually fucking SUCK to talk to casually. Every single one of them. They are all infuriating. We have:

Tatsuya, who will stare at you blankly if you try to initiate conversation (IS) and will dip without saying a word afterward (EP)

Batsuya, who will scoff and brush you off/otherwise act dismissive

Eikichi, who might honestly be the best to talk to in the IS crew and that is not saying much, who WILL talk extremely loudly over you (probably not on purpose?) and will not be paying particularly close attention to the conversation beyond whatever he wants to say (gets points for talking about his gf. gets points taken away for constantly talking about his gf)

Lisa, who will automatically assume bad faith and will be rude to you the entire conversation unless you manage to defuse her temper (good luck)

Jun, who is uncommunicative at BEST and requires an encyclopedic knowledge of flowers, metaphor and body language just to get a HINT on what he’s thinking, and who will be extremely polite but completely unhelpful. If you tried asking him what he wants for dinner I guarantee it will be the longest 30 minutes of your life as he goes “oh I have no opinion :) whatever you want. :))” EXCEPT HE DOES HAVE OPINIONS. He has SO MANY OPINIONS. He is Expecting you to be able to pick up on his “obvious” clues. He will be passive aggressive if you don’t. (Jun babygirl you suck so bad I love u)

Maya, who is a delight but will very quickly become grating if you try to talk to her about anything serious as she hits you with the white suburban mom's "how to live a happy, healthy life" lifecoach slogans. You can’t even mention, like, stepping in a puddle or something without her hitting you with the positivity beam.

Yukino is great actually. 10/10. She’s fabulous we love her. Incredible conversationalist, chill and fun and easy to get along with. But she’s from Persona One, she doesn’t Count.

Ulala, who WILL bring up her relationship problems in every conversation within 10 minutes at least once. Any longer and she will start talking about Maya.

Do I even need to explain Baofu. Have you seen him.

And finally, Katsuya, who is a cop and a kiss ass and Very Obvious about these things. Also he can't talk to women. He can barely talk to men. Help Him.

And yet they all work wonderfully as a group. They are so annoying I love them

[spiderman2-99]

Let me assign you an affection language.

A Knife Called Grief You have left your house, you have left those people behind, but what are you going to do about the memories which have taken root in you? You can run but not without them. You want someone to sit with you on this cool marble floor while the sun burns everything.You want them to cut your rotten heart and theirs too. You want to sit with it in front of you, let them see you with all your flaws, which haven’t been your fault but you have been made to believe so, and you want them to love you anyways. Because you know you’d do that for them.

[yoinked from iobartach]

[kugamoogle]

Happy belated Collections Day! Hoping more new fans means more people will end up going just as insane over these two as I have

Mostly off topic ramble about AAI and Badd in the tags!

[necrotic-nephilim]

there is not enough femslash in batcest circles. the girls deserve to be just as weird about each other as the boys are. if BruDick gets to be weird father/son/brothers/lovers/friends/rivals/soulmates then it is only fair that Babs/Cass get to be mother/daughter/sisters/lovers too. Something about that deep intrinsic but undefinable love that is born out of trauma, especially if you consider Cass not knowing what healthy love looks like in the first place. i think it's fun and deserves just as much fandom content.

besides that, you can get even more niche with rarepairs like Helena/Steph. Huntress/Spoiler: Blunt Trauma is already a fantastic comic and even though it's their only real canon interaction it has so much potential. very comparable to TimJay in how Helena tries to get Steph to understand her morals and the corruption you could play with it.

batman: huntress/spoiler: blunt trauma (1998)

that comic also highlights on how both Steph and Helena are outcasts of the Batfamily and don't have the approval of Bruce to be doing what they do in "his city". I think there's so much Potential in Helena taking Steph under her wing because Bruce won't let her in and it becomes a weird codependent toxic sapphic mess. I think the protectiveness Helena feels over Steph from the get-go is so clear and the way she wants to look out for Steph, wants to make sure Steph understands the real world? I love them. Helena should be allowed to steal Steph, actually. I think it'd be fun.

there are a lot of other possibilities too like Babs/Steph or even getting weird with Helena Bertinelli/Helena Wayne and the existential question of "is it selfcest or not." But these two specifically live in my head rent-free, especially Helena/Steph and one day I'll convince everyone else to ship it too.

[houkagokappa]

Bless Mokumokuren for outright stating that the genre tags for Hikaru ga Shinda Natsu have never changed, i.e. the official site never dropped the "BL" tag from the series as it got more popular to reach a wider audience. It's been a persistent rumor in the fandom, and one I'm afraid will start circulating again once the anime starts airing.

If you mainly follow English language sources, please remember that whatever tags different anime and manga sites, databases, aggregators etc., either add or leave out don't always reflect the author's intent and the official sources, and should NOT be used to argue for what genre or demographic a certain work belongs to. It can just be random people claiming whatever they want based on their own interpretations and I've seen plenty of errors and real time changes to them based on new chapter developments, that might help catch the attention of some people, but don't suddenly change the genre of the work itself.

Not having BL as a genre tag also doesn't mean that a work can't include any boys loving. The queer themes have always been present in HGSN, and if you're up to date with the manga, they've been outright stated. Having queer characters or a queer story line doesn't automatically mean that a work is BL or yuri, and not including those tags doesn't mean that it's just "baiting". This gets brought up so much I think Mokumokuren's gotten tired of it, because the other day they clearly spelled it out for everyone, assuring that the story is queer, although it's not tagged as BL or focused on romance.

Here's what they shared on their Bluesky account:

The genre tag and advertising direction on the official website have never changed since the beginning of serialization. From the beginning, it has been consistently promoted as a "coming-of-age horror" within the official reach. (It's also true that the official reach is very limited…) Whatever the genre tag is, and even if this story isn't a romance, as the author, I guarantee that it is a queer story. There seems to be a persistent false rumor going around that "the author suddenly removed the BL tag from the official website by the 3rd volume," but the truth is that there was never an official BL tag from the beginning. (This is not to deny any queerness.)

And further back:

My opinion that the genre of The Summer Hikaru Died is something that the readers are free to think about on their own remains unchanged, but I view it as a story that sympathizes with those who have been left out of stories about love and sex, so I describe it as "coming-of-age horror." I think the key is the fear of not being “normal” and not having a place to belong, which is common for all kinds of people regardless of their attributes. I think it's fine for queer stories that aren't romances to exist. That's why I've been careful not to position it as a love story from the start.

Let's stop obsessing over tags and allow queer stories to exist and thrive, even when they lack a clear romantic plot or subplot and are more subdued.

[stop-breaking-my-heart-dragonage]

You ever think about how in spite of knowing their exact locations, the game never gives any indication that templar Carver has reported his mage sibling, Merril (a blood mage) or Anders (an abomination) to his superiors?

I do think about that a lot, even though I tend to ignore the Templar Carver route because I know Warden Carver to be true in my heart and soul... but I totally get the appeal of Templar Carver within DA2's narrative, y'know?

It's so fascinating, really. I've never played a run with Templar Carver, I just can't bring myself to do it, so I know I'm missing out on smaller details of it. From what I do know, this drives me crazy in the best way possible.

Deciding whether to bring him or not to the Deep Roads is such an important choice, not only because it affects his fate, but how it affects his relationship to Hawke. He tells you that he wants to go, he makes it very clear that it's important to him that he goes, too... and Hawke can just leave him behind and it hurts him. I don't think that registers enough with some people just because of how Carver is, like it doesn't matter what Hawke's motivations are [staying behind for his safety, not wanting to bring him, thinking someone should stay with Leandra, etc] it still hurts him because it tells him that Hawke doesn't need him, and Carver wants to be needed.

And yes, there are other contributing factors to why he joins the templars, but it doesn't matter what your relationship is to him, it doesn't change the fact that he doesn't turn Hawke or his companions in.

Sure, the meta reason is it's a video game and you're playing the main character. You're never in any actual danger of being captured by templars, and you're not going to lose your companions to them that easy.

But if we look at it through the narrative and Carver's character, that's when it gets interesting. You can max out his rivalry and be an utter asshole to him [there's a point where you can call him a brat and mock him for being stuck in your shadow, like Hawke can be real cruel about it] but it doesn't matter, you're still his sibling. He even makes a remark about how you might not know what that means [referring to leaving him behind] but he does. He refuses to kill Hawke in the end when Meredith makes the order, too.

Which can I just point out that Hawke has the option to let Bethany die in the end if she's with the circle and they side with the templars? Just saying, Carver NEVER does that no matter what, but Hawke has the option to betray Bethany like that and it's fucked and interesting and it makes me want to eat my chair-

As for Merrill and Anders, I think he knows that if he turns either of them in, then the chances of Hawke being brought in as well skyrocket. They're all friends, they're in the same group... bring one in, and you'll probably get the other two.

I also think Carver just genuinely likes Merrill. Yes, I'm a Carver/Merrill shipper, so I have a bias, but even if you remove anything romantic from their dynamic I believe that's true. Of all the companions, Merrill is the only one who doesn't make fun of him, or find him annoying, in party banters. He never snaps back at her, like he's never defensive with her, he's just a little awkward and nice.

Like, HE'S SO NICE TO HER! He tries to find common ground with her! She asks him about "swording" and he's taken aback by her saying he's good at it, but you KNOW that if someone like Anders asked him the same question, he's be all, "shut up, you're stupid, stop talking to me >:["

Think back to that banter Carver can have with Aveline post-act 1 where they're talking about how the guard wasn't the right place for him [hard disagree with you there, Aveline] and Carver says he was a bit of a tit, wasn't he.... and every companion will agree except Merrill. She doesn't say anything, whereas other companions like Anders will be like "ugh maker YES" and if you have a purple Hawke, they'll go on to other ways Carver was a tit like?? I think Carver and Merrill got along and he doesn't want to turn her in because she was nice to him! And she's a blood mage! He knows what will happen to her if the templars get ahold of her! He doesn't want to see her made tranquil or killed!

At that point, he's witnessed what bad blood mages can do, assuming you've brought him along for those quests, but even so. He knows Merrill isn't like that and he likes her, so of course he's not going to turn her in despite that being his literal duty.

Then there's Anders who Carver doesn't like. If you're in a romance with him, Carver will tell him that's why he doesn't turn him in but c'mon Carver, you know that's not the only reason. My theory is Carver may not like Anders and he knows the man's got a spirit of justice inside of him... but Anders also runs a free clinic. If he's ever taken in by templars, then so many people [including a LOT of Fereldan refugees] will be without free health care and will suffer for it. I think in Carver's eyes, Anders might be irritating but he doesn't more good than harm. Carver knows first hand how shitty refugees and poorer people are treated in Kirkwall. Anders' clinic is the one place they can go for help and actually get it, and he's not going to be the one to take that away because the templars say "magic bad."

So yeah, I'm not as informed about the Templar Carver route, but I do think about how if I did do that route, he wouldn't betray Hawke or their companions no matter what and what that says about him.

[feroluce]

Belobog was my fave main quest but a lot of it is so. Contradictory. It's like they had multiple groups doing different shit and none of them checked in with each other for consistency. And you see this so much in Gepard's profile.

So in the main quest, they made him unfailingly, unquestionably loyal to Cocolia. Gepard's character arc is him learning to question authority etc etc. And this isn't even a bad thing; that's a story worth telling! It makes good conflict between him and Serval! And I love that we got Gepard as a boss battle and I get to see him all the time in SU!

But then you look at his character stories and it's like. The complete opposite.

According to his profile, Gepard has already HAD this awakening, long before the Astral Express, and he'd already decided Cocolia sucks. Even outside of his stories, there's a pretty damning readable between him and Pela.

He even disobeyed direct orders right in front of her- he has been disobeying orders for a while now!

So I've decided I'm marrying the two different sides of this into a 1.5k fic-ish thingy, because I think there's some fun potential there with Gepard not trusting Cocolia, but still having to pretend to be a good obedient little soldier.

Anyway. I love to think of it as like. Gepard knows Cocolia has sunk into her apathy. He can see it in her eyes every time he looks at her. She doesn't care. Not about him, not about Pela, not about all his soldiers on the frontlines giving their lives to protect the citizens. And that's... It makes him bristle a bit, but ok. Gepard can deal with this. Even if Cocolia no longer cares, as long as she does her job then it's fine. Having compassion behind an action doesn't matter as much as the action itself. If Cocolia's heart is no longer swayed, then he'll just have to care twice as hard to pick up the slack. He considers it part of his duty as a captain of the guard anyway. It's fine. Gepard can deal with it.

And then, Cocolia starts coming down to the restricted zone. Issuing direct orders.

And Gepard realizes he is in way over his head.

Because Cocolia orders him to stay back and issue commands from the ramparts, away from all his comrades, away from where he can protect them.

Gepard had thought nothing could be as bad as watching a fellow guard die right next to him. But the first time he watches someone struck by a killing blow, so far away, it hurts. Every defensive scar across his arms itches, his fingers curl in want of a weapon, the cold cannot numb his hands enough as they desperately ache for his shield. It hurts.

Gepard tries to find any reason to stay. Because surely... He knows Cocolia has lost her love for her people, but surely... She wouldn't...

One day, Cocolia orders for their gunners to advance 20 yards. There are no survivors. She almost looks like she smiles.

Gepard doesn't sleep that night.

Pela brings him the report at the end of the first month; and then the month after that, and the month after that. A significant uptick in losses, and all of it started on that first day Cocolia started overriding his authority and issuing her own orders. The ends of Gepard's pens have all been nearly chewed off. Pela outright calls Cocolia an idiot, and Gepard corrects her. Cocolia isn't an idiot. Gepard had known her through Serval, knew her through all her college years and then some, and he knows how intelligent she is. It's not that she's stupid, and it's not that she's inexperienced, it's nothing of the sort.

Cocolia knows exactly what she's doing.

She must, there's no way she could make such a horrible mess of things so badly by accident. And Pela, quick as a whip, sharp as a tack, always too smart for her own good, catches onto the meaning behind Gepard's correction without any further prompting. The tent goes deathly quiet, nothing but the wind howling outside.

"...She's trying to kill us," Pela whispers, her voice swiftly suffocated by the silence.

Gepard swallows. He can't bring himself to correct her this time. There is nothing he could say that he would actually mean.

His gaze drops, back down to his desk and the reports on it. The names aren't listed, just the numbers, but Gepard knows them, knew them, and there must be something wrong, something he's missing, because why, why would she-? What could this possibly accomplish-?

“Gepard! Focus!” Something snaps right under his nose, and Gepard startles, eyes instantly honing in on Pela's irritated face as she leans over his desk. She holds his gaze for a moment before she huffs and begins to pace, wedges a knuckle between her teeth and bites like Gepard hasn't seen her do since cadet school.

Pela angrily strides from one end of his tent to the other, words hissed between her grit teeth. “What are we going to do?” In the dim lighting, Gepard can just barely see the damp spot of blood weeping under her gloves. “We need a plan.”

“A plan?”

“Wh- Yes, a plan! Unless you want more people to die!” Pela rounds on him then, all the wrath of a blizzard, winds roaring and snow sharp enough to cut.

“We don't even know-”

“What does it matter?! She killed-!!” Pela cuts off with a garbled noise when Gepard leaps up from his desk, hastily shoves his hand over her mouth. The prosthetic, not the flesh one, because he knows better than to assume Pela won't seize the opportunity to leave teeth marks in his skin.

“You're right. I'm sorry, I'm sorry; you're right. But you need to keep quiet.” Pela quirks an eyebrow at him and Gepard can read the question in her face. “Because we both saw what she did to Serval,” he hisses.

It's amazing the snow plains haven't thawed out yet, the amount of heat Pela can put behind a glare. The mere mention of Serval, and the smoking ruins Cocolia had made of her life and career, have her bristling up like a riled cat. The sudden hot breath she takes fans fog across his metal skin, and Gepard wisely keeps it in place until Pela finally sighs and reaches up, taps her fingertips against the back of his hand.

The second she's free, Pela bats him away and then her knuckle is right back between her teeth again, Gepard leaning back against his desk with his arms crossed to watch her resume her pacing. “If we spread the word, she'll have us discharged and make sure we can't even touch the frontlines,” Pela's voice seethes like an open sore. Gepard nods but keeps his silence. He knows better than to get in her way.

“And if you and I are both out of the picture, Belobog is fucked.” A little harsher than how he would have put it, but there's no denying that they're both important to the city's survival. Pela has the restricted zone running as efficiently as ever, and Gepard had become the youngest captain on record for a reason. “We need to keep this tight under wraps, at least for now… It can't leak to anyone higher up the chain.” Another nod. “Serval might know other discontents…” Another n-

Gepard's head snaps up. “No.”

“No what?”

“No. We're not involving Serval in this.”

Somehow, even the same tone that leaves entire squadrons shaking in their boots has never worked on her. “You're not deciding that for her, Gepard.”

Pela hadn't seen the worst of it, though, back when his sister had just been banned from the Architects. Serval's pride hadn't allowed it. Pela wasn't the one to find her passed out bottle still in hand, hadn't been the one to wash the sick out of her hair or carry her to bed. 

Serval still has trouble thinking clearly when it comes to Cocolia, still can't quite bring herself to be objective. And Gepard maybe doesn't want her to be purely objective- but he would worry a lot less if she thought twice before she acted more often.

“At least let me be the one to bring it up to her.”

“Whatever, fine,” Pela gestures affirmatively at him as she paces past, and Gepard sighs. Good, at least that's one thing he can help.

From there, it's a lot of hemming and hawing and frustration. Cocolia has them under her boot, and Gepard and Pela both know it. Even with the way she's been cracking down on freedoms lately, Cocolia is still, overall, liked by the people. It's unlikely anyone would believe them. They don't even have solid proof, because most people don't know Cocolia as well as they do and won't see the clues in the same light. 

The Fragmentum has been ramping up in recent years, too. Everyone is struggling just to survive as is, they can't afford a fight on two fronts. Gepard is a damn good captain, one of the best for that matter. But they're at a massive disadvantage, his experience is narrowed to fighting a defensive battle against monsters, that's all he's ever done. That's all anyone there has ever done. He has no way of finding first-hand knowledge for taking the offensive against a human opponent, and if he goes at this blind, there's no way he'll get everyone out unscathed. He's going to lose people. He's going to lose a lot of people.

He'd never thought before that Cocolia would have it in her to have someone killed. And with this new knowledge, he has no guarantee she won't go after Serval or Lynx if she decides to retaliate.

Gepard has to remind himself to breathe when he realizes this.

Pela writes down every name the two of them can come up with. Lists and lists of names and groups and anyone they can think of who might be an ally in all of this. They memorize every bit of it, make their plans of who to talk to and when. Gepard watches the sparks reflect off Pela's glasses as they burn the evidence together.

Pela finally leaves, far too late to make it home, but says she wants to stay in the restricted zone anyway to investigate. Gepard watches her make her way in the direction of Dunn's tent, watches her back until she's out of his sight and squashes down the urge to follow and keep an eye on her. His tent feels empty.

In the morning, Gepard is up before the wake up bells. He drags himself out of bed, leads his soldiers through their morning training. The same people gravitate to each other everyday. Friend groups and training partners. There's an ongoing rivalry between a few squadrons that everyone bets on. Some of them have lockets around their necks, keepsakes, mementos. Some of them wear wedding rings.

Gepard is suddenly, painfully aware of something acidic clawing at the inside of his throat, of a heavy weight low in his chest that blooms, takes up room until it threatens to spread his ribs. His mouth tastes of bile and blood.

He rearranges the schedules. Puts himself down for every open patrol into the Fragmentum, makes sure he'll be on the frontlines every single time Cocolia visits.

He only hopes that it's enough.

[undead-moth]

I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?

I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.

Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.

Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.

[cluescorner]

Arlecchino's whole deal is unbelievable

Arlecchino: Huh I wonder what's causing my weird powers? I can't really worry about that right now tho, I've gotta become King and then kill my "Mother".

*Kills Clervie and "Mother"*

Arlecchino: Huh I wonder why I was able to defeat a Fatui Harbinger when I'm like 17 or so? I can't really worry about that right now tho, I've gotta be in jail and become a Harbinger.

*Is in jail for a while and becomes a Harbinger*

Arlecchino: Huh I wonder why I am-

Pierro: Hey what's up hello, anyways you're descended from the Crimson Moon Dynasty of Khaenri'ah. I'm sure that this is a lot for you to take in so-

Arlecchino: Ok.

Pierro: ...You're just cool with that?

Arlecchino: IDK maybe? I can't really worry about that at the moment, I'm a father now. This orphanage full of children I love (who also are child soldiers and are not allowed to leave or else I'll execute them except maybe now I'm just gonna wipe their memories IDK I'm morally complex) isn't gonna run itself.

*Runs the orphanage/spy recruitment initiative*

Me, the fucking player: WHAT DO YOU MEAN YOU ARE KHAENRI'AN? WHY WASN'T THIS BROUGHT UP IN YOUR FUCKING QUEST?? OR ANYTHING ELSE????

Arlecchino, talking to me through my phone: I honestly don't know why you care, I'm too busy to give a shit. Anyways, I'm gonna go fight fate itself I guess. I'm sure that I don't share any thematic parallels with any other Khaenri'an characters (particularly as it relates to acting and family angst) and that I haven't made the idea of 'curses' on Khaenri'ans and what they entail even more complicated than they already were. See ya.

[uncanny-tranny]

Yet another crochet and knit hack: the patterns are a mild suggestion. You can do what you want forever, you have free will 💛💛💛

[askblueandviolet]

hey ever considered if. MAYBE the mayor likes you. that’s why they stick around????💀

MASTER POST

Asks Start 💜

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[kyouka-supremacy]

Very assorted - and probably disorganized - thoughts on Akutagawa's immediate reaction on the night Dazai left the pm, since it's taken a pretty delineate shape in my mind for some time now.

I didn't use to have many strong opinions on how Akutagawa acted when Dazai left (although “unknown” uses as a concept of its own. Akutagawa disappearing, and no one knows where he was or what he did– until he comes back, but as a different man). That is up until recently, when I found this fic that described Chuuya storming to Akutagawa's place and all but threatening him to come to work the day after, and for all the days to come– and thus, urged him not kill himself. And I didn't think much about it initially, yet the scene slowly, unconsciously got ingrained in the bsd canon I have in my mind. And although one could fairly think Chuuya was spiraling in his own depressive episode that night, I feel like it's feasible to believe he'd still look out for Akutagawa. Not because Chuuya cared about Akutagawa in particular (at that point of the story, I genuinely think he didn't experience any strong feeling of any kind for Akutagawa, much less had a general good impression of him), but simply because that's what Chuuya does: he looks out for his own. He's perceptive enough to grasp that Akutagawa was but a kid at serious risk in that moment, and he's compassionate enough to go out of his way to help him, even though they barely knew each other, even though Chuuya himself was hurting like crazy that night (and perhaps even because that's simply what he does to cope with great distress and impending grief: keeps himself busy, tries to think of others before himself).

And there was, indeed, a very real chance Akutagawa was going to kill himself that night. Maybe he wouldn't, for Gin; but I'm not even sure. Dazai was the man who told Akutagawa he would have found a reason to live in the mafia, and now he's gone, the man who himself had seemingly become his reason to live; what's left for him in life anymore, what's the point of going on?– is probably what he must have wondered.

In my mind, the Akutagawas only have had two houses since they joined the pm. The first one was a small but comfortable, nice apartment that was assigned to them by the pm right after they joined, their first proper house. The second, a bigger, more comfortable penthouse, they had to move in after Ryuunosuke completely destroyed their first one on the night Dazai left– caught up in that kind of uncontrollable rage that only comes from inhuman pain. That night, Ryuunosuke got home blind and out of reason. He asked Gin to go away, and when she refused to, he pushed her out of the house with his ability, despite having always refrained from touching her with it, despite having always paid careful attention to never use his ability near or on her. And as soon as she was out of range he started destroying everything with and without his ability, until he could see nothing but red, everywhere. And once he destroyed everything, once the only thing left to destroy was himself, he cowered in a dark angle and howled, covered in blood, unable to speak, hideous and inhuman, nothing but a rabid dog. And his scream echoed the one he released the night he met Dazai for the first time; and if that day he had experienced his first emotion, now he was feeling a second new, deeply painful one. Maybe that's when Chuuya had come in, and told him he was not allowed to kill himself; maybe Gin had called Hirotsu, and Hirotsu had called Chuuya, and Chuuya stormed in, and ordered him to come to work tomorrow. Because Chuuya is smart; because he knows that orders are something familiar for Akutagawa, something that can help ground him; because he knows Dazai is not worth killing oneself over. And Akutagawa didn't kill himself that night, and he kept hurting for a long time, but eh. Eventually, he'll be okay.

[misericorsalvator]

An Epitaph

Henry didn't know where he was. It was cold, freezing, but that was all he could tell, from the sharp chill that tore through his damp clothes, to the frigid air that felt like icicles in his lungs when he breathed. Even if he was someplace familiar, it would have been impossible to tell through the veil of rime in the air, the thick hoar that coated the ground. But wherever he was, he had to find shelter. soon, before his limbs grew any number that they already were and he lost the three fingers he had left on his right hand to frostbite. It took a good deal of walking, trudging through the snow, before he found something resembling sanctuary. A rocky hovel dug deep into a mountainside he hadn't even noticed was there. The crooked mountaintop loomed far overhead like a wind-swept pine tree, towering over the barren expanse and shielding the small patch of land near the cave's entrance from the worst of the snowfall. It was a narrow fit, the opening more narrow than a coffin, but it opened up into a wide chamber beyond, dark, lit only by the little light reflecting on the snow outside.

Panic stabbed at him suddenly. That chamber felt familiar, though he couldn't recall from where. The rockface of the walls was smooth, man-made, and the stalactites hanging from the domed ceiling above were unnatural, all the same length, jagged and sharpened to fine points. But he had no time to waste on the unnerving interior. The weather outside was getting worse, the wind howling like wolves on a hunt, and soon his shelter would be just as cold and dangerous as the outside. He had to think, find a way to keep the warmth in. Henry returned to the entrance. He twisted around in the narrow space as best he could and began piling up snow with his numb hands, stacking it, pressing it into shape, mouthing breathless curses to himself, until he had built a solid wall halfway up to his neck. It should last. He didn't know for how long, but at least for now, until he could catch his breath. It had to last.

Henry slumped against the wall of the cave. The barrier he had built offered some protection, but he could still feel the cold creeping in, seeping through the gaps and cracks in the snow. A damp chill gnawed at his bones, freezing the air in his lungs. He knew he had to keep moving, to do something, anything, to stay warm and awake. He couldn’t afford to fall asleep. Not here. Not now. But his limbs were leaden and his body creaked in protest with every movement. His teeth chattered as he tried to think, tried to remember where he was and how he had gotten there. The harder he tried, however, the more his thoughts seemed to slip away, like sand through his fingers. Panic clawed at his chest once more as he looked around the cavern. The walls seemed to close in, the smooth stone shimmering with a thin layer of rime frost. The ceiling above with the unnaturally sharp stalactites, loomed over him like a mouth full of fangs. He had to get out.

Henry pushed himself off the wall, his legs shaking beneath him. The snow was piling up faster now, further in through the entrance than the wall he had built, and he frantically began to shovel it away with his hands, trying to clear a path through the narrow gap. He shovelled harder, floundered, grappled til his fingers were too numb to move, but for every tiny hopeful opening he made, more snow took its place, as if the storm outside was determined to bury him alive. The cold was unbearable now, seeping into his very soul. Outside, the wind roared, a feral sound that echoed through the cavern and made the air thick with cold. Each breath now was a knife to the chest, each inhale burning his lungs. The snow crawled closer, blocking the entrance fully, and began to cover the cave floor inch by painful inch, forcing the hunter back step by painful step.

Henry's mind was reeling. He stumbled further into the cave, away from the encroaching cold, the bones of his legs creaking in protest. The deeper he went, the more the walls seemed to close in on him, the smooth rock pressing down, suffocating. The quiet there was unnerving, an oppressive stillness that made him painfully aware of his own laboured breathing and the pounding of his heart. The silence of the grave. For what felt like an hour, he pushed himself forward against the stone walls, cowering under the stalactites which were now low enough to graze the top of his head. No matter how far he went, the snow followed close behind, blocking the way back. Henry's movements grew slower, more sluggish, until he could no longer outrun it, and that white frost began piling up around his boots. He felt the fight leave him, his breathing weakened, his heartbeat slowed.

Then, from the corner of his eye, he saw it—a single snowflake, delicate and perfect, drifting down from the ceiling above. His breath caught in his throat as he watched it fall, impossibly slow, through solid rock. It glowed faintly in the dim light and Henry’s eyes followed its descent, almost hypnotized, until it landed softly on the ground. On something dark, something that wasn’t stone. He crouched down, his stiff knees cracking in protest, and wiped away the snow, his fingers brushing against a cold, unyielding surface.

A hand.

His hand.

His breath caught in his throat. He was looking at himself, at his own lifeless body, crumpled and broken, half-buried in the snow. The wounds were horrific—deep gashes and punctures that were draining the life out of him-- and the realization hit him like a sledgehammer.

This wasn't real.

The snow, the cold, it was all in his head, growing blurry as his brain ran out of oxygen. And the cavern wasn’t just familiar—it was the place he was dying, right now, in the real world. The place where his body was lying, bleeding out into the cold ground, his blood darkening the stone ground.

For a third time, panic surged through him, but it was laced with a deep, bone-weary exhaustion. The wind howled louder, and now Henry could make out voices, battle cries, screeching and yowling in twisted satisfaction. The snow now poured into the cave through the solid ceiling above, burying everything in its path. He wanted to claw his way out, to escape this nightmare, but his limbs wouldn’t respond. The snow was too thick, too heavy, pressing down on him from all sides. As his vision began to blur, the walls of the cave pulsed, breathing with a life of their own, in tandem with his own slowed breaths. The snow continued to fall, endlessly, burying him, until all he could see was white. And then, from the heart of the storm, he saw a figure—a tall, imposing silhouette that moved with unnatural grace, cutting through the blizzard as if it were nothing. Henry tried to focus, but his mind was slipping, the edges of his consciousness fraying like old cloth.

His final thoughts drifted to Bran. A deep guilt welled up inside him. He wouldn’t make it home for Christmas this year. He wouldn’t see his boy’s face light up when he opened his presents, wouldn’t hear his laughter echoing through the house. Regret gnawed at him, leaving a bitter taste in his mouth. In his last moments, as the darkness closed in, Henry barely registered the sharp pain in his chest—a bite, cold and searing, as if winter itself had latched onto his heart, and his eyes froze over with unshed tears until the world faded and he breathed his last.

In a long-forgotten catacomb in Wales, as the last drop of Henry's blood soaked into the humid ground, something ancient stirred. Beneath the layers of earth and stone, within the crypt that had long been forgotten, a pair of eyes snapped open. After centuries of entombment, something awoke. The blood of the dying hunter seeped into its consciousness, filling it with the remnants of Henry's life, his memories, his regrets. And once the blood had ran dry, the ancient knight rose from his tomb, his eyes burning with a cold, unholy fire.

He tore through the killers, the blood-thirsty beasts who had chased their prey to the ancient tomb, splattering the walls with their undead blood that burnt to ash, until none were left. Then, he looked down at the broken body of the hunter who had unwittingly become his saviour. With a grim sense of purpose, the knight knelt beside Henry’s lifeless form. He whispered words in a dialect long dead, a prayer, perhaps, or a vow. Then, with a reverence reserved for fallen comrades, the knight lifted the hunter’s body and carried him deeper into the crypt, where heroes were once laid to rest, where the knight's own tomb stood, broken apart from within. The hunter was gone, his spirit entwined with the ancient knight’s own, but his legacy would live on, honoured by one of the very creatures he had once sought to destroy.

The knight sealed the tomb with a final, solemn gesture, then left the catacombs behind and stepped out into the warm summer night, into a world which had long outlived him.

[aroaceleovaldez]

I think one of the problems with the HoO characterizations is Rick kind of forgot to give half the cast hobbies and general interests, and maybe like people they know outside of their families and outside of camp, or if he did remember to it rarely gets brought up for most of them, or in the special case of Annabeth - she randomly develops a hobby in weaving for exactly one scene and then never again. Apparently she just knew how to do that, even though it is a skill she has literally never used before nor uses again.

The best examples I can give of this are comparing/contrasting the examples of when we do actually get this with the lack-thereof: Hazel and Frank are good examples. Hazel has hobbies and interests generally unrelated to all her demigod stuff (horses and art) and we see this repeatedly discussed and brought up. She also knows and interacts with people outside of the necessities of her quest/Camp Jupiter or her family - Sammy was her best friend at school and they hung out and stuff! Meanwhile, Frank, as far as we know, doesn’t know anybody outside of his family even though he presumably went to school before Camp Jupiter? His hobby is... archery? That’s the only thing he ever really shows interest in but at the same time it only rarely gets brought up except for him using a bow as his main weapon and the like two instances of noting that Frank had hoped he was an Apollo kid for a little bit. The closest other detail we get to Frank having any other kind of hobby/interest is him mentioning off-hand that he used to play Mythomagic.

Piper and Leo - We can presume that Piper knew Shel before moving to Oklahoma, because Piper used to visit her grandpa often and as far as we know that’s also where Shel lives. But we never see Piper ever mention knowing anyone else in her grandfather’s community. Heck, when she’s introduced we’re basically outright told that she doesn’t interact much at all with any of her classmates outside of necessity, and we don’t even have any confirmation that before Hera’s mind-meddling that she even acknowledged Leo’s existence. Also, Piper has like, exactly zero hobbies. We do not know what Piper does in her free time or what she likes (except vaguely that she has surfed before), only really what she dislikes. Leo at least does have some kind of excuse for not really knowing anybody, and an explicit explanation about why that is the case and how he feels about it. Leo also has a repeatedly referenced interest/hobby in mechanics that’s very core to his character.

Percy and Annabeth? Pre-HoO, they both have plenty of interests and know people outside their general circles! Percy knows kids at school. Annabeth’s general outer social circle is Camp Half-Blood, because she grew up there, but she clearly knows people at camp. She’s also super into architecture! And Percy does a ton of stuff in his free time - he skateboards! He plays basketball! He has two pets he takes care of (Blackjack and Mrs. O’Leary)! Post-HoO he’s on a swim team! But during HoO? Percy’s hobbies just kind of disappear, besides “oh yeah he uh. Does water stuff.” There’s no acknowledgement of like, “Yeah Percy sets up a little basketball hoop on the back of his door on the Argo 2 and shoots trash at it.” Literally anything! And yeah, Annabeth’s architecture interest is somewhat acknowledged, but also like, not really? We at least get some kind of “Yeah, in her spare time she’s usually on her laptop working on stuff” but we also barely get any instances of Annabeth thinking about her friends at camp except for like, Tartarus.

For Jason it at least kind of works because a.) he has amnesia and it’s implied he doesn’t really have close friends at Camp Jupiter besides Reyna, so it figures he only ever really references random other legionaries like, twice. and b.) there is also the heavily implication that Jason doesn’t have hobbies, because his entire life was so focused around his training at Camp Jupiter. This works less with Reyna, but she also kind of has an excuse for not knowing people besides like, her sister and Jason, given she ran away when she was young, Circe’s island was destroyed, and she could have only been at Camp Jupiter for like 3 years maximum at that point. And she’s not exactly the most social character. We also don’t get much indication of her hobbies, besides she also likes horses and it’s heavily implied she likes nature/gardens? Presumably, given we get like, one note of that in HoO, maybe two if you count her living on Circe’s island, and then like one more nod to that in TOA. And we only get her POV chapters in BoO anyways so again, she has some excuses. Coach Hedge also is incredibly bland besides maybe him having a hobby in sports, and... violence? Which definitely does not count. And him lacking any POV chapters doesn’t really help.

I think this is why Nico continually feels like such a strong character, simply because we know what he does in his spare time. We know he knows people outside of the camps (most of those people are gods or ghosts, but he at least knows people) and technically you could argue him knowing about Camp Jupiter between BoTL and TLO counts too. He even references his old neighbor at one point. Obviously, he’s very into Mythomagic, and that comes up a lot because it’s his special interest and is usually also relevant to their quests. He travels a lot, and apparently used to when he was younger as well. We also learn he used to have a special interest about pirates and that apparently may have played into his crush on Percy. Like, all that is so simple and minor but it makes such a difference for how Nico feels as a character. Most of Nico’s stuff though is established in the first series, which definitely helps because the first series was pretty good about giving characters hobbies and maybe some people they know - Annabeth, Percy, and Nico we’ve already covered, but also like, Grover knows other satyrs and is usually practicing music and also we know what foods he likes. Thalia is very into punk culture and music. We know she particularly likes Green Day. We know she knew the Hunters of Artemis before the events of TTC. Rachel's whole thing is that she’s super into art and she has a bunch of connections through her rich family, and she’s basically Percy’s only mortal friend. They have lives!

If you put a protagonist in a room and told them to occupy themselves, you should have an answer for what they do. They should be able to name one person outside their immediate social circle who they are generally friendly with or vaguely know, unless they have a specific reason for that to not be the case. HoO crew needs to occupy their time by themselves, no weaponry, for twenty minutes? Hazel could be drawing, Nico could be organizing his cards, Leo could be tinkering, Annabeth could be working on her laptop, Percy could be trying out little skateboard tricks. Jason, Piper, Frank, and Reyna? What would they be doing?

TOA does actually answer that question for Jason, at least, because we learn that Jason makes tiny dioramas! That’s adorable! Why doesn’t he do that in HoO?! TOA also gives us more depth to Will Solace besides “He’s a medic and does medic things” with telling us that he’s into Star Wars. Like, that’s actually so much information to work with! Thank you! And then we also find out in TOA that Nico’s also kinda into art! We still don’t get anything new for Piper, Frank, or Reyna - besides again one more potential implication that Reyna thinks plants are Pretty Okay, and that nature is Mildly Alright. Like, not even “maybe she keeps a houseplant” territory, all we have is “if she had the option, she might be interested in visiting a flower garden.” But honestly TOA at least gives us something for most of the characters we see. Like at least one thing. Most of the rest of the writing is a mess but at least the characters are mildly interesting.

Anyways, give your characters hobbies, it’s good for them.