#i don't have a ton more to say other than i'd like to do more t4t stuff

[keeps-ache]

buttered noodles 💫💛🍜

[translightyagami]

For the director's commentary: ⭐ Do you have any passages in Christmas Wrapping you have any interest in discussing? I think of this fic constantly tbh.

It's interesting because that fic was a gift fic and yet i was totally self-indulgent by including stuff about Light getting bottom surgery. I'd always been a little interested in top Light but never vibed with how it was written by other authors – mostly because the default was always a cis L and cis Light. I really wanted to explore a part of trans masculinity that hadn't been touched on in the DN fandom, something that a lot of actual trans men have actually done and is a part of their sex life. plus idk: I think its hot! anyway here's the passage lol:

“Do you remember when I watched you in your room?” L whispers and waits for Light to nod. “You knew I was there, but you couldn’t see me. Did you imagine fucking me then? What it would feel like to have sex with someone out of sight?” “Yes,” Light hisses. “All I had were feelings. I didn’t know what you’d look like, or feel like. I didn’t even know how I’d fuck you, or what you’d do to me. I touched myself just imagining being against you and making you call my name. Forcing you to be known to me when all you wanted was to be a mystery.”

It's so interesting to me that L knows Light ages before Light knows L. Even when Light is aware of "L" in a conceptual sense, he has no idea what the guy looks like. All he has is this innate sense that someone like himself is after Kira, and its remarkable how long Light stretches a general vibe check evaluation of L before the detective shows up.

Also, idk, I like delivering off-the-cuff insights while one character is balls deep in the other. Keeps the prose interesting.

[graysexualcreature]

it's "missing talking to people who turned out to be shitty" hours

[ot3]

HOT OR NOT? POKEMON

There are a lot of pokemon out there. Some of them are good. Some of them are bad.

the world of pokemon is a beautiful one filled with many "types" of pokemon. some pokemon are steel. some pokemon are bugs. some of them are even normal. lately i have found myself thinking, which pokemon is the most steel? which pokemon is the most bugs? which pokemon is normal? and today i am proud to say i have answered these questions and more.

It can be hard to decide, since there are so many of them, but luckily I'm here to make that decision for you. i have definitively chosen the most representative (most) least representative (least) personal favorite (best) and least favorite (worst) design of every pokemon type. and i will now explain it to you in detail

now keep in mind we are ONLY talking about design here. lore is not coming into play whatsoever. if you want to explain to me why xyz pokemon is actually the most/least/best whatevertype pokemon because it's based on this or that: i don't care. that's not why we're here. we're judging books by their covers today

Normal Type

Most - Herdier: This is just a regular ass dog, which may be considered one of the normalest things on the planet. It doesn't get much more normal than this, folks.

Least - Arceus: If i saw this thing it would be one of the least normal days of my life.

Best - Skitty: This is just a perfect design, there isn't anything bad you could possibly say about it and if you tried I'd hit you. Look at that face. ^_^

Worst - Castform (Normal): It looks like either a pair of balls or casper with a fat rack and in either case it's just kind of unappealing to look at.

Grass Type

Most - Shaymin (Land Forme): Although 'grass' a type represents all plant life, I am choosing to interpret it literally here. Shaymin is the grassiest of all grass pokemon, and although this is not part of the criteria, it is also very cute so lets all take a moment to appreciate that

Least - Kartana: this is an origami swordsman bug thing which to me isn't really Grass at all. I do love the design but it's not very grassy. yeah paper comes from plants but gun to my head i would have not guessed grass type for this pokemon in top 3, maybe not even top 5.

Best - Wo-Chien: I just think this guy represents a ton of pokemon design philosophy at its best. It has a very strong sense of color, good use of shape, is just a tiny bit strange, and most importantly is a kind of Creature i would like to hang out with

Worst - Calyrex: The more realistically proportioned hare head with the strange body does NOT work for me. I'm not mad about the massive berry on top at all but why the perfectly round torso? Why the stubby little arms? Why the noodle legs with the thigh high boots? I think you could fix this one pretty easily ultimately but it really needs fixin

Water Type

Most - Wailord: Although there is no actual water in wailord's design, the mere presence of a whale implies the necessity for an amount of water that is almost as catastrophically overwhelming in its absence as its presence.

Least - Palkia: Other than looking like an anthropomorphized speedboat palkia is not particularly aquatic in its nature

Best - Lapras: There's a lot of great water pokemon designs but i think lapras is firing on all cylinders. Really a classic pokemon design.

Worst - Quaquaval: There are a lot of pokemon that are uncomfortably anthropomorphic and there have been since gen 1. It's not something I'm against in concept at all and it's produced some of my favorite pokemon designs of all time. But unfortunately when it flops it flops hard. Seriously, what are these proportions? Perfectly fine idea for a pokemon just executed with shocking inelegance.

Fire Type

Most - Gigantamax Cinderace: This is simply the most amount of fire you're getting in a fire pokemon. Biggest bang for your buck

Least - Blacephalon: Another ultra beast design that is, as a design, excellent, but i would not be able to guess the typing on the first try if you put a gun to my head

Best - Chandelure: What if a haunted chandelier was your friend. Enough said. This thing just rules

Worst - Cinderace: Everything I said about quaquaval is equally true here.

Fighting Type

Most - Machamp: He's a wrestler with four arms this is as fighting as fighting gets

Least - Meditite: This is a small child in an open, peaceful stance. I sense no violence here. If he were to fight, he would have been provoked.

Best - Mienshao: effortlessly elegant design that conveys the aesthetics of martial arts and combines it with the simplified animal anatomy and strong shape language that represents pokemon at it's best

Worst - Gurdurr: This entire line is profoundly uncomfortable to me but the prominent near-bursting veins and inexplicable hourglass figure are at their worst here.

Flying Type

Most - Altaria: This is a bird made out of clouds, which is the most flyingest a thing could be.

Least - Shaymin (Sky Forme): This dude doesnt look like its feet are getting off the ground anytime soon if i'm being quite honest

Best - Sigilyph: Great example of what flying type can look out when you branch away from simple birds. The stranger and less organic feeling pokemon are collectively some of my favorite and i think sigilyph is one of the more effective ones.

Worst - Enamorus: 😬

Electric Type

Most - Xurkitree: The Exposed Copper Wiring Pokemon. Great stuff. Also a banger design on top of being the most. i love the ultra beasts

Least - Alolan Geodude: I understand the eyebrows and hair are supposed to be gatherings of lead sand but its still not giving electrivity. it just looks like a rock, one of the least electric things on the planet

Best - Rotom (All Forms): I wanted to put every rotom here but there was no way to arrange that easily. Just picture all the other rotoms here too. Rotom is awesome it's normal design is just cute and fun and then all of the other appliances are just a great concept.

Worst - Elektrike: Not unforgivably bad or anything but just kind of a design that doesn't convey a lot of information or have any appeal to it. Completely forgettable.

Poison Type

Most - Galarian Weezing: This guy is the most poisonous possible poison you could have. This guys hobby is global warming. This guy is dumping carcinogens into the river. And not just incidentally. He's ideologically motivated AND gets pleasure from it.

Least - Oddish: Not only do I not believe eating an oddish would poison me, i think oddish is healthy. I think it's good for you.

Best - Ivysaur: It's impossible to truly extract the nostalgia from my feelings towards the gen 1 pokemon designs but I think we can all agree. Ivysaur looks great

Worst - Eternatus: Does not even look like it belongs in the same franchise as anything else on this list so far. And on top of that, it looks stupid. 0/10. I do like the version of it that's an evil hand though.

Psychic Type

Most - Mega Alakazam: This dude looks like he should be airbrushed on a black velvet tapestry. I can't imagine anything more psychic than that.

Least - Exeggcute: Picking a least psychic pokemon was a hard one, because although we have some specific idea of what a psychic is, it's hard to say what one isn't. Ultimately, I don't think a handful of cracked eggs feels very psychic to me. I'm not sure what they feel like to me to be honest.

Best - Deoxys: Take a note, people, this is how you design a pokemon that's 'cool'

Worst - Necrozma: Take a note, people, this is not how you design a pokemon that's 'cool'

Ground Type

Most - Dugtrio: Dugtrios presence in the area is synonymous with the ground. in the same way that wailord's existence comes with the implicit presence of huge amounts of water, dugtrio's existence comes with the explicity presence of The Ground, because it's part of the design. We will never know dugtrio in its entirety, we will only see as much of it as the ground lets us.

Least - Whiscash: That's a fish, it shouldn't be on the ground.

Best - Trapinch and Claydol: I really really wanted to avoid ties here but please indulge me just this one. These are two creatures that are perfectly made but each in its own distinct way.

Worst - Zygarde (Complete Forme): Overdesigned as fuckkkkkk

Ice Type

Most - Avalugg: This guy's ice.

Least AND Worst - Jynx: Not only is Jynx not particularly icy, changing the skintone was really not enough to redeem this design.

Best - Glaceon: There aren't any bad eveelutions. That said, glaceon isn't my favorite. However in the contect of ice pokemon I think it does a great job of using shape language and colors that feel icy without needing to actually resort to just chucking ice onto it. A lot of ice pokemon are either a little bit too on the nose or just outside of my taste bracket

Bug Type

Most - Caterpie: Very bug.

Least - Pineco: this is a pinecone with eyes, which is different from a bug.

Best - Leavanny: Look at that winning smile :)

Worst - Buzzwole: TOO SWOLE!!!!

Rock Type

Most - Onix: You may think it would have been geodude, who is just a rock with arms, but onix is actually just a rock with a face which is then attached to SEVERAL MORE ROCKS. That's as rock as it gets.

Least - Sudowoodo: You can't pull the wool over my eyes. That's a tree.

Best - Lunatone: What if the moon was kind of creepy and also your pet.

Worst - Terrakion: Think this motherfcukers just ugly

Dragon Type

Most - Mega Charizard X: We all know Charizard is a dragon but that's only sometimes true. When it's true, it's very true.

Least - Tatsugiri (All Forms): Why is a piece of sushi a dragon. I do support it don't get me wrong. But I'm not exactly following the throughline

Best - Rayquaza: I think sometimes the legendary pokemon end up in the Too Much category but I think rayquaza pushes riiight up against that edge without going over it.

Worst - Dracovish: Shitting on the mix and match fossilized pokemon feels kind of like low hanging fruit. I honestly think they're kind of fun in concept. But this just looks stupid

Ghost Type

Most - Haunter: Self explanatory

Least - Decidueye: A very fun design but it feels like its got much too life in it to be ghostly.

Best - Polteageist: I'm insanely biased because I love ghosts and have a teapot collection so when i saw they put a ghost in a teapot i was overjoyed and it became my favorite pokemon as a whole instantly.

Worst - Gholdengo: Looks like the mascot for a string cheese brand

Dark Type

Most - Guzzlord: Dark type in japanese is Evil type which certainly has different connotations. In either case, I think whatever it means for a pokemon to be dark or evil is embodied here.

Least - Scraggy: I don't think this guy is particularly sinister at all.

Best - Mega Absol: I'm just so charmed by mega absol because it is indistinguishable from the kind of thing a teen with a deviantart would have drawn. It's like an edgy emo fairy white haired anime boy angel sparkledog. But despite that it still has a lot of aesthetic integrity and manages to only be a bit over the top in a way i think it's suited for.

Worst - Mega Sharpedo: This cluttered design pretty much undoes anything that's successful about sharpedo's standard form

Steel Type

Most - Melmetal: the unrelenting metalness of this guy is not even tanted by any even vaguelt biological components

Least - Wormadam (Trash Cloak): Not a single visibly metallic part on this pokemon

Best - Magearna: A clockwork magical girl... what a great design. i love her. so cute. there's really strong competition in steel type though

Worst - Varoom: Something about this guy looks agonized to be alive. And I feel that agony too. It looks like a motorcycle that was in the process of being transmogrified into a creature but the process was incorrectly terminated halfway through and now it lives a cursed and painful existence.

Fairy Type

Most - Mega Diancie: this thing could give me a quest to save the world and i would listen to it

Least - Galarian Weezing: I also wanted to do no duplicates but once again I will ask you for my forgiveness. Clearly this thing is the least fairy fairy. Not only is it unfairy, I think it tortures fairies. I think it's the villain in a movie where a bunch of children have to rescue a gang of captured fairies who are being used to power a Pollution Factory. I think this things grinds fairies up into dust and uses them to line the rim of its cocktail glass.

Best - Klefki: Klefki is soooo fun. I feel like if klefki was a ghost pokemon it wouldn't hit the same way because the idea of a haunted keyring is fun, sure, but it's notwhere near as good as a Whimsical Enchanted Keyring.

Worst - Zacian: this thing could give me a quest to save the world and im not sure i would listen to it. man the legendary dogs are just kind of a mess aesthetically

Okay that's all of the types. I don't really have a way to end this post. Of course there are a bunch of really good designs and really weird and cluttered ones that I didn't get a chance to talk about but. Idk man I can't rate every pokemon design there's just too many of them. there you have it.

[mariasont]

My Boss Won't Be Happy About This - A.H

a/n: back to bimbo brain rot!!!! inspired by the first season that one episode (you know the one) where hotch is all macho man with elle in jamaica

masterlist

₊˚ ✩°｡⋆♡ ⋆˙⟡♡ ⋆˙⟡♡⋆｡°✩˚₊��

pairings: aaron hotchner x bimbo!assistant!reader

summary: you’re wrongfully arrested and hotch is not happy about it

warnings: creepy officer, inaccuracies of how law enforcement works, hotch being sexy

wc: 1.3k

"Listen I'm not the type of girl to tell someone how to do their job, but I just don't think you're doing it right."

You were speaking to an empty room, or at least, you were speaking to the mirror in front of you. It's the kind of mirror you had seen in countless interrogation scenes, the kind you usually image Hotch standing behind. You let your gaze linger, wondering if eyes are studying you from the other side, listening to your monologue.

"Well, that, and I also just don't think it's very nice." Your brand spanking new heels were tapping against the dirty floor. 

You weren't happy about that. You weren't happy about any of this. Your feet ache, but the fear of the germs lurking on the floor paralyzes any thoughts of relief by removing your shoes.

"And hey, shouldn't I get a phone call? That's a rule, I think," you mumble, lips turning downward in an unusual frown. It seems like the right time for it. "My boss is not going to take this well. I mean, he's got this look, you know? The kind that makes you want to apologize for things you didn't even do."

You conjured up his daunting expression and released a jittery laugh, all while striving to disregard the biting cold blasting from the AC vent, which seemed determine to freeze you into place. 

You were seriously out of your element, not just in surroundings but in dress--so form-fitting it left very little to the imagination. It seemed to be a good idea for a date. That was before you realized said date would be a complete disaster. Now, it felt like a trap. It had been a spectacle for a man unworthy of the effort, and as you sat in this rigid chair, you found yourself tugging at the hem every other moment, a futile attempt to preserve some semblance of modesty.

"So, when he hears about this little error... Well, let's just say I wouldn't want to be in your shoes." Six hours had passed in this dreary space, and you could feel your sanity fraying at the edges. You muttered, half to yourself, "Not that they're as cute as mine, but you get the point."

The door hinge's creak made you sit bolt upright, a silent supplication for Hotch's rescue echoing through your mind. But today, it seemed, the gods were indifferent. The officer who had arrested you stepped in.

"Having fun talking to yourself?"

You flashed your sweetest smile. "Oh, tons! But I'd have much more fun if you'd uncuff me."

He said nothing, folding his arms over his chest as he dragged his gaze up and down your body in a way that made your skin prickle in discomfort. You attempted to dispel the creeping dread, but it stubbornly lingered.

You did what you could to cover up, despite the awkward angle of your arms. "Listen, this is all just a big mistake. I work for the FBI," you insisted, though it was clear the officer's attention was fixated on your tits rather than your words. "Well, I mean, I'm an assistant for the unit chief of the BAU unit. You've heard of Aaron Hotchner, haven't you?"

The officer's mouth closed without a word, as the door was thrust open yet again, and this time, your heart leapt in recognition. Your knight in shining armor with a lethal expression.

His eyes instantly zeroed in on the officer with a look that could curdle blood, and you couldn't help but feel a sense of relief that you weren't the object of his anger. He approached you wordlessly, his every motion precise and determined.

He carefully shed his jacket, a gesture he seldom made, and draped it across your shoulders. The fleeting caress of his hand against your skin was enough to make you lean into his touch. You let out a breath that you had been unconsciously holding back. 

You watched as Hotch turned, his voice a low, steady force, his words carefully chosen and tinged with an unsettling peace. "Officer," he began, the title spoken almost as warning. "I believe there has been a grave misunderstanding. This woman is not only an esteemed member of the FBI, but she is also under my direct supervision."

He stepped closer, encroaching on the officer's personal space. You watched, almost in slow motion, as the officer's expression morphed into one of sheer terror, his earlier confidence dissolving like sugar in hot tea.

"Six hours," he continued, his voice never rising yet somehow it took up all the space in the confined room. "Six hours of unwarranted detention, without due process. I expect her immediate release. And make no mistake, this lapse in judgment will have its ramifications."

The officer was mute, his fingers clumsily unlocking the handcuffs, his movements hurried, his hands trembling. A twinge of pity flickered within you, but it was quickly overshadowed by the memory of considering the table as a makeshift blanket.

The moment the metal clicked open; you wasted no time. You flung your arms around Hotch, the pent relief and biting chill of the past few hours pouring out of you. You were desperate for warmth, specifically his warmth.

He stiffened, caught off guard by your actions. You feel the anger radiating through him, practically pulsing through his skin. As you clung to him, you felt the draft on your legs as your dress slid up, and without missing a beat Hotch's hand discreetly adjusted the fabric, all while keeping his eyes locked on the officer, a silent warning in his gaze.

Once he was certain you were decently covered, he allowed himself to draw him into his arms. One arm secured around your waist, the other weaving through your hair. You were cold. It renewed another tide of rage through his bloodstream.

With the officer's departure, the room's oppressive atmosphere lightened a touch, leaving you still latched onto your boss.

"Oh, sir, you wouldn't believe it," you started, his hands tracing up your spine and sparking a trail of goosebumps that had nothing to do with the chill. "They kept asking me about a heist, as if I'd know anything about that! And then they show me this picture, and I mean, sure, she had my hair, but that's about it."

You rambled on, and he let you, the absurdity of the situation pouring out in a stream of consciousness. Hotch's hold on you tightened. You could sense the coiled tension in him, a tempest of anger held a bay.

"And the room, it was so cold! I mean, I'm sure you can tell. My teeth were chattering, and all I could think of was how I'd rather be filing your paperwork or listening to Reid's factoids about the quantum mechanics of coffee beans."

You felt Hotch's breath on your hair as he let out a sigh. 

"I'm just glad you're here now," you whispered, finally allowing yourself to relax in his embrace.

Hotch gave a curt nod, his jaw set. He was itching to confront the officer, to unleash a tirade not meant for your ears. But he was well aware of how much you needed him right now, and that trumped everything in his book.

Hotch took a moment to compose himself before speaking. "This isn't just incompetence; it's negligence. I will have this place reevaluated for its standards, or lack thereof."

You took a step back, hands still resting on his arms, and he maintained his grip on your waist. "I bet this is the last time you'll let me go on a date without a full background check on the guy, huh, sir?"

Hotch's hold on your waist firmed just a fraction. "Maybe it's the last time I let you go on a date, period."

He was only half-joking.

"Not even with you?" You tilted your head to meet his gaze, drawing his jacket closer around you.

Hotch just simply gives you that look, the one that says a thousand words without a sound. He's telling you to tread lightly.

"Alright, I'll be good," you giggle, the tension easing from your shoulders. "Can you take me home now, please?"

He nods, "Yeah, let's get you home."

And then he leads you out, thinking to himself that the next person to take you out will be him, but that's for him to know and you to find out later.

taglist: @hotchhner @khxna

[thatsveryvortex]

Writing Tools for Planning Your Story

I've tried tons of writing apps and sites, so you don't have to. Here's a list of free sites to plot out your novel, with my review and some images of how I use it.

Milanote

Milanote is like having a giant pinboard with folders. You can upload anything onto it [yes even your main doc] and then draw over it or connect things with lines and arrows

Milanote lets you add up to a hundred things for free, not including drawing. This is one of the downsides of the site as I've found myself reaching that limit recently.

For me, the best part is being able to draw over stuff, and the color swatches.

Milanote is a lot less structured than other sites I've used, and personally, I don't think their templates are worth using.

8/10 overall, Milanote is what I mainly use. Here are some pics of how I use it:

Miro

Miro is a flowchart website mainly used for corporate jobs, however, it can be a great plotting tool for that reason

Miro has a lot of great starter templates if you are looking for a more structured freeform experience. It also comes with a blank page as well.

Unfortunately, I'd argue that it's a bit of a hard tool for beginners to use without a template, I've learned copy-paste is my best friend with Miro the hard way.

It's much better than most platforms at making timelines though.

It has a limit of three boards which is a bit disappointing but overall, I think it's worth the try.

5/10 Miro is very middle of the road for me due to the limited ability to customize things and the free limit. Here are some pics:

[I wrote that part weeks ago, I am now fully using Miro and believe it's the best for making timelines and charts, I just wish it let me make more boards 8/10]

Hiveword

This might be someone's jam, I can't really say it's mine though.

First off, the unpaid version is really just a few boxes saying "Write a summary here." which makes it just not worth it in my opinion

There really isn't any way to customise things which is my favorite part of most of these softwares

I've barely used this, so maybe there's something I'm missing but

1/10, Just use Google Docs at this point, here's a couple pics

World Anvil

People like this software, it's mainly used for tabletop, which is just a different way of writing adventure, and I've seen it recommended by authors.

Unfortunately, I'm going to disagree with a lot of people and say it's hard to use and isn't even really good at plotting.

I may be biased on this one as every time I've tried to use it in the past I've struggled. However, it seems like another just write it in a document and create a folder.

I'd say it's closer to an organizing tool, but even then just use something else.

3/10, I have nothing to say about it but maybe you'll enjoy it, all here are two photos

Campfire

This is the one I think I've heard the most about, but have never actually tried.

right off the bat, I'm going to say this is 100% worth it, you'll see at the end with the photos but this is like if Miro and World Anvil had an organization baby.

It's extremely easy to understand, and it makes timelines, it's more for writing your whole book but idk about that yet.

7/10, its themes are really pretty but it limits how much you can do to 20 I believe. Here are the photos

That's all for now, honestly, I think you should use Miro if you are looking to plot things out, and Milanote if you want to collect and organize your thoughts for writing, as that's what I do. Obviously what I like won't be for everyone, but hopefully, this helped you see some options

[erwinsvow]

what if… rafe ever hit shy reader from built up anger like more of an accident? we lowk need some rafe and shy reader angst😢

this kind of slayed me.. i feel like disclosure i do not condone abuse of any sort i just think shy reader would like getting slapped around and being really roughhoused..

but if rafe reallyyy got mad about it, it might be angsty. like if she really messed up and was apologizing a ton if he actually was mad at her her heart would stop. warning rafe is rlly mean in this

being a little whiney, a little too needy and maybe excessively touchy came easily to you as rafe's girlfriend. he was always coaxing you into being more comfortable with him, and you think you'd finally reached that point.

some of your shyer tendencies seemed to have finally abandoned you when it was just the two of you. and just like you had guessed, a smaller, more possessive side of you had recently emerged from the cocoon—wanting all of rafe's attention, all the time.

it wasn't good, maybe a small part of you knew that, but it was easy to play into it, and you liked how you felt these days, more comfortable in your skin and around rafe than you had been even just a month ago.

like today. you had been a little needy all day, not wanting rafe to leave when he said he needed to go to barry's for picking something up.

"ple-ease rafe," you said it a little singsongy, serious but not that serious. "don't go. i want you to stay." it was more just wanting to hang out with him than anything else—when he left, he was usually gone for ages, and things weren't that fun without him.

"i'll be back, kid. jus' stay here, got it?"

"but you said you would-"

"kid." the way he says it, you should have realized he wasn't in the mood for you to be behaving like this.

"yesterday you said you were free all day. and i get bored-"

"yesterday i didn't know i was doin' this shit. just, please. sit tight. i'll be back."

rafe goes, and though a part of you knows you shouldn't, you blow up his phone throughout the day. really, you're not even that bored—showering and getting ready for the day and then curling up with your book after you make rafe's bed, but you played a little too far into it.

when he comes back, you should have realized something was off—but you let everything else cloud your judgement. the way rafe is never mean to you (despite the stories you had heard), how he always reassures you that he's not mad and that you didn't do anything wrong. you were led to a false belief that nothing you could do would change how rafe acts towards you.

rafe comes to sit on the bed near your feet, and you lower your book to look at him, but don't say anything. when he turns to look at you, you bring the book back up so it looks like you weren't peeking.

"c'mon. y'mad now?"

"no."

"kid, i don't have time for this-"

"you didn't answer any of my texts! or calls. and i've just been waiting here all day-" you don't know what you want—attention, quality time, an apology. you just want something other than what you're getting.

"i told you i'd be back. had shit to take care of-"

"well, i just-"

"why're you actin' like this? huh?"

you think rafe's gonna ask you the things he always does—what's wrong? did someone say something? do i need go have a talk with 'em?

but he doesn't this time.

"spoiled your ass too much and now you wanna talk back? is that it?" you're so taken aback, you think all the air has left your lungs. did rafe really think that? he stands up, so you do too, facing rafe while he paces.

"no, i just-" you're being defensive, like always. you feel like crying—you thought rafe knew you better than that, but it's also not his fault. maybe you were acting too spoiled after all, and maybe despite what he always says, he preferred you how you were when you first started dating him.

"you think m'goin out there to paint nails and gossip with barry? we had shit to do. real shit, so i can take care of you. i thought you understood that."

when you start crying, you think rafe will stop—he always does, stopping to apologize and make sure you're okay.

"tears. great. i'm tryna explain this to you. are you gonna cry everytime i get serious? huh?" it comes out a little more like a bark than a sentence—now you're scared.

"i-i'm sorry," you get out, though it's strangled in a sob and sounds more like a whisper. you don't think he heard you, but your feelings are so hurt—the rush from thinking rafe would be happy to be back home with you crashing and burning quickly, the pit in your stomach that doesn't blame him—but rather blames yourself for your behavior.

you had gotten too comfortable, too pampered, thinking that acting like this was okay—briefly you think it's not rafe's fault at all for getting mad, that it's your own fault for this happening.

you think it's best if you leave, dejectedly heading towards the door, but the second he catches you trying to walk away, he rushes over, pushing you against the door before you can even open it. your back thuds against the frame.

"rafe, you're hurting me-" you cry out, but he seems to be lost in his own anger. "please-"

"didn't say you can leave. what the hell are you doin'? you tryin' to make me mad? huh?"

"rafe, m'sorry, i-"

"actin' like this 'cause you wanna get slapped around? is that it? y'like that too much, don't you? you want me to slap you around now?"

your heart feels like it's just stopped beating. the very idea that rafe would bring up something you had just gotten comfortable with liking, only recently convinced yourself—with his help—that it wasn't wrong or dirty to like those kinds of things with him—slapping and spanking and a whole host of other things you had never even talked about, much less actually done, with anyone other than rafe, in this situation, made fat tears slip down your cheeks.

your boyfriend didn't seem like himself right now. and you were so distraught, if you were a little more clear-headed you might realize his bloodshot, dilated eyes and shaky hands. your arm hurts from where he's holding you tightly.

"rafe, please-" you get out through tears, and he lets you go a little. you slide out of his grip and stay against the door, still crying. before you can even think about it, your cheek is stinging.

he does slap you—not in the light, playful way he does when it's just the two of you somewhere or in the slightly rougher manner reserved for bed—this one is harder, everything hurting.

after it happens, you look up at rafe through glassy eyes. your fingers go to your cheek, pressing down where it was painful, like it would help it go away. but you knew deep down nothing could ever erase this memory.

you look up at rafe and he looks down at you. when you try to turn to open the door, he presses down and slams it shut before you can get out.

[rottmnt-residuum]

Hi, I've read the Residuum comic, and I think the characterization of the boys is really good. I was wondering if you have any tips on how to write them? Especially Mikey, please.

I'd actually recommend re-watching the show with one character in mind. All my notes on the turtles come from doing separate re-watches for each of them. The key is to ONLY watch the character you are focusing on.

In the end, you'll probably be happier with your own personal interpretation. As we are with ours lol

TL;DR

Massive post under the cut

To preface: we'll be contrasting (this Mikey) against the fandoms version of Mikey, as our interpretation is very different. Don't worry if you prefer the fandom version, there's nothing… wrong per se with writing him this way. We just find him flat and uninteresting. (Main author: not me, I just hate him, lol).

Every reader or fan comes into a story with their own biases and experiences. A ton of our view of Mikey is based on how our siblings acted. We see Mikey as the young sibling that got preferential treatment from the whole family, simply due to being the youngest, but is now aging out of the privilege. Which all youngest siblings do at some point or another.

The fandoms version of Mikey is empathetic, naive, vulnerable, co-dependent and quite often a door mat who cries at the drop of a hat. And as much as the fandom like to say that people love him… when this particular character archetype is in other media, they seem to attract the most criticism. Mable pines, Bolin from Korra, people rag on Aang all the fucking time, and Steven Universe is a whole other bag. These characters don't deserve it, and yet it happens anyway.

To flatten Mikey to simply 'the baby' is a disservice. We don't see or write Mikey as the fandom “baby” version (cinnamon roll uwu). Part of this comes from having multiple siblings, so we interpret the times when Mikey does the puppy dog eyes as typical younger sibling bullshit, mostly by the way that the other turtles rarely react to it, if at all.

The other turtles traits can also get projected onto Mikey. Mikey being the fandom therapist is in the same category as this. He isn't a therapist, he's a psychology nerd who likes to psychoanalyze people and meddle in their relationships. (Donnie and Shelldons relationship, Splinter and Draxums...) he's not trying to resolve your emotional issues. Of the turtles, the character that cares the most about people's feelings is Raph. And Leo is more of a consoler than Mikey ever is. It flattens all the turtle's characterizations when you start doing this because you are ripping out parts that are integral to another characters' complexity.

Co-author has told me that they've seen people become confused when going into the show after only reading fan fiction or coming from the movie. They see his characterization as inconsistent and become upset when their view of him is contradicted. This also happens when a fandomized version of him becomes the primary characterization that they use. Sometimes when this disconnect happens (or if they just don't like the character), Mikey characterization is swung in the complete opposite direction.

They make him manipulative and abusive, or someone who is hyper violent and avoids being held accountable for anything. This is an uncharitable interpretation of him and can come off as pretty racist depending on the circumstances. (like if someone considers the turtles black or not)

Every version of Mikey is a shithead (affectionate), even this one. Especially this one, really. When Mikey not doing the "baby schtick" hes mean. If you pay attention to what he's saying, and just not his tone of voice, he's consistently saying pretty mean or condescending stuff. (You could take this as simply naïveté, but he still says mean shit pretty often regardless)

The times he does say genuinely nice stuff the turtles don't exactly expect it from him, at least, in the early season. And while he is mean, and seems to find saying mean things to be funny, Mikey isn't cruel. Nor will he ever be.

This shit-headery behavior is found in both 2003 and 18 Mikey. They have a degree of social intelligence that lets them use it to annoy people into doing what they want. 18 just has the advantage of being baby faced and having better tonal control. He's good at using people's perception of him to get what he wants.

Let Mikey have his problematic traits, but don't overexaggerate them. He doesn't revel in fooling people. He loves doing character bits, and the baby faced one just happens to be one of them. However, to infantilize or to deem him incompetent is to piss him off, he wants to be viewed as a competent part of the team and competent as an individual. He's not insecure about being young, he just doesn't want to be treated like he can't do anything.

Mikey above all is an optimistic character, he sees the brighter side quite often and is conscious of the harm his actions have on people. Mostly after the fact, but he consistently attempts to rectify the harm he has personally done to peoples lives. (Todd, Bullhop, Draxum). Food and shelter seems to be a thing that he considers to be a right. He doesn't cross a boundary twice once he learns of it, and he never pushes people too far (if he likes you, that is. if he doesn't know you or doesn't like you, he doesn't give a singular shit. But that is standard to most people.). He doesn't care about people's stuff, though. He breaks things all the time.

Mikey understands boundaries, but he doesn't automatically recognize them. He needs them to verbalized or for there to be a very obvious reaction to the boundary being crossed (unfortunately, for Todd and Donnie). Sometimes people mess up (esp. younger people), and it can take a while for teens to learn where boundary is, but he fully respects the boundaries he does know about. He doesn't act petulant when he's told about boundary, he apologizes, accepts it, and moves on. He doesn't dwell.

Mikey doesn't hold on to distressing emotions. He bounces between emotions quickly, but isn't effected in the long run. One thing Iv'e seen people often conflate is the difference between sensitive and vulnerable. Mikey is sensitive, but I have never seen him vulnerable to others. To be sensitive is to be easily influenced by the current situation. To be vulnerable is to hold that influence for a long time. Characters can have one, both, or neither of these traits. But Mikey is not vulnerable. It is the difference between compressing memory foam and a piece of metal until they deform. One will pop back, the other does not.

Those who are vulnerable but not sensitive will take longer to effect, but once you do, they will hold on to that emotion for a very long time. The vulnerable, are grudge holders. (leo). But like I've said, Mikey bounces back. What a character does has an effect on his emotions, but it doesn't make a lasting impression.

Forgiveness is another thing people like to push on him. It is not that Mikey forgives people easily, it's just that he doesn't hold grudges. He neither forgives nor forgets, but he does not ruminate. He's generally affable, first impressions seem to be a big part of how he views people. He is idealistic, and doesn't assume people are unchanging and/or evil, but he's not a mark.

Mikey isn't so much as naive or overly trusting… it's just that he's inexperienced. He doesn't get fooled by anyone in the series except meat sweats, and that's because Meatsweats is on Todd drugs. Mikey just didn't notice when he started faking. He's not… actually all that aware of people's emotional states, passively. He has to tune in to notice things like that.

Mikey isn't someone who really tries to regulate others emotions, either. The fandom like to make Mikey afraid of his brothers fighting and others being upset, but Mikey doesn't actually care. The most distressed we ever see him in a fight is in the movie, and he's not SCARED, he's just concerned (and then alarmed once it turned physical). If anything, outside extenuating circumstances (like the movie), Mikey actually seems to find their fights annoying.

(Mikey actually seems to have a pretty short fuse, but his bounciness doesn't really let it linger very long, lmao)

(One pet peeve of fandom Mikey is the constant crying, crying at fights, crying at insults, crying for no reason all the time. Sure, he tears up when he gets emotional, but when Mikey is genuinely crying It's when he's desperate, like when he's hungry, or when he's trying to save Leo from certain doom. Same thing, really.)

Mikey respects no one (we love him for this). He admires people, he admires his family: April, the turtles, his dad, Lou Jitsu. He admires Rupert Swaggert, but he respects none of them. No one is sacrosanct to the Mikey.

Above all, the way we write characters is to give them a past that informs how they act now. We view Mikey and the other turtles as teenagers that were kids, and that will be adults. Yes they all have “problematic” traits, but 1) good characters need flaws, and controversial traits are one of the best to use, and 2) they're teenagers, don't expect adult behaviors from them, also don't expect them to be kids. They're minors, not toddlers.

This is getting as long enough as it is, so we'll stop here, but this is a very broad overview of how we characterize him. There's a lot we didn't cover here, but if we even started on hobbies, or the real minutia of his quirks and ticks, or even how he feels about other specific characters... we'd be here all day. So I hope this is good enough lol

If there was something you wanted to know in particular, you'll need to get specific. Feel free to ask again ahahh

[a-suspicious-number-of-ducks]

Hermit-a-Day May, day 18: JoeHills. Today's style/medium is puppet-making! Or mostly sewing with a few other things thrown in. I had a ton of fun with this one, even though it took...so much time to make. I usually explain why I chose a certain medium but this one is...pretty self-explanatory, I think. If you have any Joe clips you want to see a puppet show of, send them my way! Details, materials, and a couple more pictures under the read more.

Materials: this pattern by Abby Glassenberg and all of its required components (minus the eyes), googly safety eyes from Amazon, baby clothes from a local thrift store, and white fabric paint.

I was originally going to try to get doll clothes to dress the Juppet in, since I didn't want to sew the outfit from scratch, but couldn't find any that were quite right. After a couple unfruitful trips into stores, I stopped by a local children's thrift store and poked around their newborn and preemie section until I found an orange onesie and gray jacket/cardigan that were close enough to the right colors. I know the jacket on Joe's skin is probably a hoodie, given the pocket placement, but surprisingly, few people seem to be manufacturing hoodies for newborn babies. Once I got home, I hacked off the bottom of the orange onesie, hemmed it, and painted the at symbol on the back with fabric paint. The front (now back) still says "daddy's mighty guy" with a picture of two dinosaurs on it and that amuses me greatly.

The puppet pattern itself was a little tricky, and there were a couple spots that I think could have used some more explanation, but I made it through. In hindsight, I wish I'd used bigger eyes, but I couldn't find safety eyes (the kind that pokes through the fabric and gets secured with a washer) in a larger size and the style I wanted, and I didn't want to just glue regular googly eyes on because I was worried it wouldn't be sturdy enough (and the edges might look messy). I ended up having to hot glue the felt pieces to the inside of the mouth, even though the pattern recommended normal craft glue for that part, because it would not stick no matter what I did. If I were to make the pattern again, I'd probably try to sew the roof of the mouth and tongue pieces onto the pink felt before attaching it to the head, rather than gluing them on after.

Honestly, there are a lot of things I would do differently if I were to make another puppet, but I'm pretty proud of how this one turned out, especially for my first time doing something like this! I just. have a Juppet in my house now. I don't know how to feel about this. I know this is a pretty complicated piece, so if you have any additional questions, feel free to message me (or send an ask, or reply to this post, or send the message by carrier pigeon--whatever floats your boat).

[aingeal98]

More Jason and Cass thoughts (sorry but also not sorry) but if I was magically given full control over DC and could write what I'd want obviously I'd make Cass Batman but I've been thinking of what sort of reaction and role Jason would have in response. I think I'd write his version of "Congrats on the new job!" as a test, involving the Joker and civilians and gangs and Red Hood and a ton of explosives. Bruce failed me, and now he's given up. You're his successor, let's see how you handle this dilemma that freaked him out so badly he threw a batarang into my throat rather than let me avenge my own death in front of him.

So obviously Cass will overcome the traps and the puzzles. That's the fun part to show how competent both of them are and sprinkle in little character moments as we go. But then we reach the emotional crux of the matter, probably laid out as some sort of saw trap because it's Jason. Here I am, a victim of murder. You say nobody dies tonight but I did, and I want the man who did it dead. Not only did Batman fail to avenge me but he failed to stop the Joker from going on to create even more victims. What right do you have to stop me from getting justice for myself? What right does this man have to life after what he's taken from me and from countless others? I'm not trying to kill a random stranger, I'm specifically demanding justice for my own death that I never got while I was gone.

There are two ways this could go. The straightforward route if I knew my time on this run was limited would probably be a pyrrhic victory like the ones Cass's og series was so fond of. Just like Bruce in utrh, she acts on instinct and saves the Joker (and Jason this time) . A win technically, but she fails the test. Jason is once again vindicated but with nothing to show for it. The story ends with Cass sending the Joker back to jail and going back to the batcave, where the old Robin costume looms judgementally, highlighting her failure. It would be the most fitting end given their character molds, all tragedy and conviction and unstoppable force meets immovable object etc.

However... I think the option I prefer would be a little different. Cass levelling with Jason, a killer talking to a murder victim. She has no right to stop Jason from getting justice, she has no love for the Joker but she knows any death she allows to happen like this would devastate her, just like that death row inmate long ago she tried to break out but ended up letting go once the family of the victim talked to her and demanded justice. I think... In this specific situation, she'd just be honest. Morally she has no right sure. Personally she just really really doesn't want anyone to die. Give her one chance, please. Let her try it her way. Not demanding, not lecturing or insisting, just... Please. Don't do this. Let me try another way.

And then what? Jason asks.

In the end a deal is struck. Cass will take the Joker and lock him up, ensuring he never harms anyone again while also trying to rehabilitate him. But the second she fails and he gets free, Jason kills him and she won't stand in his way. It's the kind of deal that leaves both of them mildly disgusted and dissatisfied with themselves, neither of them naturally creatures of compromise when it comes to this specific topic. But Cass is willing to do anything to avoid death and Jason did not expect the new Bat to be so... Flexible? Kind of? Of course maybe she won't actually hold up her end of the deal and when the Joker gets loose she'll try and stop Jason from killing him and he'll get his miserable vindication, but right now this is something strange and new and he's mildly confused and curious about where it will go. He doesn't believe in her ability to contain the Joker forever but he's willing to let her try because her reaction to that future failure interests him. She's given him a sword of damocles to hang above her head and he didn't ask for it or expect it. It's the type of power he never thought the Bat would just... Hand to him.

The conflict ends with neither of them fully winning or losing. They both don't really know what to feel about this.

The thing is, the second Cass let's Jason kill the Joker she's hanging up the mantle. She's staking the Bat on this, because it's always go big or go home with her when it comes to saving others, even someone like the Joker. In this magical universe where I have unlimited power, Cass would lock the Joker in a secret bunker and have Leslie Thompkins talk to him daily, mostly because I think her pacifism speeches and debates in the comics would make a fun contrast to the Joker's evil sadism. (But what about his rights? Doesn't he deserve a trial and to be held in a regular prison? I'm going to be honest I think Cass would be very comfortable bending the rules on this specific situation. Morally questionable but I'd have fun with it. She's going to let Leslie treat Joker like her personal pet project to save his soul because yes she wants him to change but also she's got a city to save every night so go crazy Leslie, have fun.)

And the Batman series would continue with Cass as the lead, new challenges and new antagonists and every twenty issues or so for the first hundred we'll cut back to the Joker briefly if his chats with Leslie can help highlight some thematic element of the current arc. But bit by bit he'd slowly fade away onto oblivion, maybe getting referenced every hundred issues or so until eventually no one remembers or cares about him because there's so much else going on. Meanwhile Jason's got a good thing going as Red Hood, primarily based in Park Row and a tentative ally on the occasion when their vigilante work aligns. Unlike Joker he's a much more frequent character in the comics, and after say 10 years (this is my magical fantasy universe Cass's batman run is going to last for a very long time alright) when people think of DC characters they think of Red Hood long before they think of the Joker.

Is any of this realistic? Right now of course not. It's why I'd go with the pyrrhic victory if I actually got the chance, because it would be the best way to tell the story in the larger context of the Bat narrative. But it's my fantasy DC editor and writer daydream and I'm going to dream big. They're never going to be normal happy siblings, their personal demons will never fully let them be free and the looming possibility of losing everything they currently have narrative wise if Bruce comes back as Batman will always be there. But it's maybe the closest to peace they'll ever get. Unsatisfying and tame compromise that probably violates several laws and ethical codes but whatever. Cass has never read the Geneva convention and Jason's not going to shed tears over the Joker. Let him die relevancy wise if not physically.

[mysteryshoptls]

SR Jamil Viper - New Year's Attire Voice Lines

Due to event restrictions, Groovy related lines are locked until the event has been cleared. I will update once these are unlocked. Login line has been captured. New Year's Attire Jamil does not have a vignette.

Summon: This is the perfect day to welcome in the new year. Now, look around at our wares to your heart's content. If you need it, I can even give you a tour.

Groovification: --LOCKED--

Home: What do you think, stylish, right?

Home Transition 1: Looks like it's time for me to take a break. I got a message from Kalim a short while ago, so I need to check what he sent... I sure hope it isn't anything dire.

Home Transition 2: It's much easier to move around in this outfit than I thought. With how black it is, it absorbs the sun's rays, keeping me warm outside, too.

Home Transition 3: Jack's not going to listen to anything the rival team says, huh? He's a little too stubborn, isn't he? I would have liked that he'd at least listen to any suggestions I had on how he could improve his conduce.

Home Transition - Login: A Happy New Year to you. This time of the year sure can get chilly... especially in the early morning and late evenings. We should keep moving to keep ourselves warm.

Home Transition - Groovy: --LOCKED--

Home Tap 1: A shopping list is great to have to cut back on any unnecessary purchases. However... You won't be needing one today. Here, you should buy as much as your little heart wants.

Home Tap 2: While I was attending the register, Malleus-senpai asked me how it was possible that it didn't break when I used it. Well, there's no known reason for that... wouldn't you say?

Home Tap 3: When we have any issues or complaints, no other staff member is better at handling them than Floyd. You think he goes overboard sometimes? Hmmm, I'm afraid I don't know what you mean.

Home Tap 4: When you pick something up, I'd like it if you'd put it back in its designated place. Small incidents like that can add up, making our work to clear it up more tedious.

Home Tap 5: While working here, I've found I'm always shocked whenever we have a polite customer come in. Especially since during a sale, most often you'd see a ton of over-the-top folks.

Home Tap - Groovy: --LOCKED--

Requested by @farfalla049.

[bunny-jpeg]

hiiii bunnnyyyyyy ! i'd like to request for pumpkin pie + vanilla cheesecake + berry trifle, with frozen latte + mint julep + dark roast coffee with max verstappen pleaaaasseeeeee :3

bakery menu!

want to submit an order? hit the menu up! there's tons of stuff to see! i've added new items to the menu to really spice things up! the small staff of bunnies (me) and the servers are here to take your order! don't want to suggest f1, then don't worry! there are tons of other fandoms to choose from! and thank you to this patron for such a lovely order! i see what you're envisioning here with the sub!max trope plus everything else. i hope you love it! enjoy! (also comments, reblogs & tags are greatly appreciated!!)

pumpkin pie ("i've met strays who were more obedient.") + vanilla cheesecake ("where are your manners?") + berry trifle ("wrong. try again.") + frozen latte (dumbification) + mint julep (punishments) + dark roast coffee (sub!character)

cw: smut/pwp, sub!max, dom!reader, punishments, dirty talk/degrading language, masturbation, teasing, jerking off, sex toys, mean!reader, filth (!!), mention of oral sex

you weren't with max. in all fairness the idea of being a wag felt a bit... wrong. you weren't the ideal woman for the prestige of formula one. a little rough around the edges. but yet in the sea of models in monaco, max was currently knelt down on the floor of your bedroom with his arms bound behind his back.

painfully panting at the feeling of you on your knees in front of him. stroking his cock. the soft noises from his lips as he tried to buck into your touch, but he knew what would happen if he tried to take more than he was given.

"god max. i've met strays who were more obedient." you sighed as you continued to jerk him off. your smaller hand around his painfully erect cock. the tip of it was almost purple from the blood rush.

it was making everything painfully dizzy for him. his tongue felt heavy in his mouth as he tried to form words. but there was nothing to be said. this was a punishment.

while in all fairness, you couldn't care less what place max came in. you often had the races on when you made breakfast. you knew very clearly that max was the best. but when he came in fourth in the most recent race, just slipping out of the podium. you weren't shocked that he wanted to see you after. flying back home to monaco to see his mistress.

it wasn't about love. after max's previous relationship went south very fast, he yearned for something different. he didn't need arm candy, he needed a woman that'll dip her fingers into the sick desires in his head. mess him up inside and out.

like you were now. jerking him off alongside a toy, keep orgasm just out of reach. you sighed, "where are your manners, verstappen? did you leave them on the track? you didn't even say please or thank you when i invited you into my home." you shook your head.

max dipped his head down and you grabbed him by the face with your free hand, forcing those blue eyes to look at you. he swallowed and felt like he was going to explode.

he swallowed deeply, "i'm sorry, miss. i'm sorry." his voice was tight. he was so painfully desperate. it made something curl in your stomach. it was hot in a way. having him bound like this.

his strong arms behind his back. you often wondered if maybe you should get a collar from that thick neck of his. the thought was amusing as you continued to pleasure him alongside the toy stuck to his cock via medical tape.

you kissed him lazily on the mouth and said, "see. you do know how to be good. but, you need to be better."

he nodded dumbly, "i will. i will." his tongue was loose when he got this deep. when he was using all of his willpower to keep it together. poor, poor max verstappen. needing to be punished for every little mistake.

if you don't do it, then he'll beat himself down to the bone. your time being a dom had led you to understand. that men desperate enough to let go of the control, often had skeletons in their closet.

and you had only scratched the surface in the six months you've been with max. you held his face in your hand and scratched his scalp with the other. it was almost affectionate.

you said lowly, "i need perfection, verstappen. i will not accept anything less. and you know this. i let it slide when you get onto the podium. i am forgiving. but slipping past third is unacceptable."

he nodded, "yes, miss. thank you for your kindness.'

you kissed him softly on the lips. your red lipstick stained the corner of the man's mouth. he whimpered a little and you smiled.

his voice was light as he said, "please, miss. i'm sorry."

you smiled then got onto the couch, which made max whine. but not too much, or else the punishment would be dragged out. you were naked like him and sat down. you got one leg up onto the couch and exposed your wet pussy to max.

you dragged your fingers across your sex before you sank your fingers in. you rubbed your clit a little as you pleasured yourself. you sighed, "you have so much to learn, max. i bet you don't even know how to make a woman cum. you formula boys are all so greedy. take, take, take and hurt whatever woman you want in the process." you shook your head, keeping your composure as you pleasured yourself.

he whined, "not to you. never to you, miss." his voice felt tight. he was starting to lose it. the pleasure was eating his brain and leaving mush behind.

you seemed almost bored, un-amused by max's desperation. leaving him out to dry as he withered against the toy taped to his swollen cock. you said, "right. because you're a good boy, right? well.. good boys get world championships. you're slipping verstappen. what's going to happen if norris or sainz beat you."

he swallowed and squirmed, "I'll do better next time, miss. please."

you felt a flame in your stomach as you pleasured yourself to max's sweet pleas. the promises of being better. to push himself to the next level. and while the games were fun, you could tell that max was getting too far gone. his self control was slipping.

the last thing you needed was a sub off the deep end. this was kink sex, not fucked up therapy. you pulled your fingers out of your sticky cunt then leaned back into the couch to get comfortable. you then said, "cum."

and a moan choked out max's throat. he hunched over and let out a strangled noise as he came all over himself. ropes of cum hit all the way to his chest. he was a sweaty, overstimulated mess. he thought he was going to collapse over himself from the intensity of it all.

you chuckled a little at the suddenness of it. you leaned forward on the couch, your bare cunt exposed to him. your legs spread open as an invitation for him. you took him by the hair of the hair and looked into his eyes. "and how do we thank me for being able to cum?"

he swallowed. those blue eyes gazed up at you, his breath staggering, "trips? money? anything!" he sounded almost desperate. it was a good look on him.

you yanked his hair a little and said, "wrong. try again."

he said, "giving my mistress the pleasure she deserves." before you pulled him right up against your soaked cunt and he got to work. the groan that left his lips as his face collided with your pussy made you shiver.

you had to give max credit. you was determined when it came to repaying what he felt like he owed you. this was not a romantic partnership. but as max looked up at you, his tongue against your sex. you wondered if like most things max did, he was hiding from a truth.

you pulled him closer to your pussy and let him indulge. which only made his cock twitch in alertness. it would be a long night, and you intended to use every moment of it <3

[maximumzombiecreator]

I would actually like to know what you consider the basics of improv to be! If nothing else, you phrase these things really well and in ways I haven't heard before, and I'm also aware there's a lot of things I don't know (I'm in a student run college improv group, our theory might be a bit lacking)

Be glad to. A lot of improv stuff is just oral tradition at this point, passed down in musty school drama rooms and community centers, so everyone has to pick it up somewhere. When I've taught people before, beyond the basic definition of what an improv scene looks like, I usually focus on a set of do's and don'ts.

Do's:

Make offers, and make them good offers. A good offer should be strong and elegant, like a power lifter in a ball gown.

Broadly speaking, I'd say the strength of an offer refers to how much it establishes about the scene, and how much what it establishes is different from a theoretical "default" scene. Typically, you think about how much an offer is establishing in terms of the questions words: who are the characters, what are they doing, where are they, etc. An offer that establishes "two characters who are old friends since high school meeting up at a coffee shop to catch up" is establishing a lot, but it's still a weak offer because it's such a typical scene. You're not adding much that can't just be taken for granted.

When I say a good offer should be elegant, I mean that it should be as compact as possible while still doing a lot. The typical inelegant offer is verbose and unnatural. A character walks into a scene and says, "Hey, big brother Billy, I hope you're recovering from the illness you've had for the last six months, ever since our father died," or some other expository nightmare.

So, the best offers are both. They create a lot of unique, interesting details about the scene, and they do it quickly. Let's say you stagger into the scene, miming carrying something under your arm, and say, "Doctor! I've been decapitated again!" In five words, you've established who you and another character are, where you are, and why, and you've implied a lot of very unusual details about the scene, world, and your character's history.

When thinking about elegant offers, it's also worth noting that a lot of offers that you should be making are physical. Depending on the type of improv you're doing, you might be physically embodying objects and the environment, and if you're doing background like that you can add a ton of detail that the audience can pick up without friction. But even if you're not, you can establish location through miming actions, you can create details about your character through how you walk and hold your body, you can endow others with traits through how you physically react to them.

That brings us to the next do: make strong character choices and enhance other actors' characters. People have written whole books on what comprises a "strong character" but for improv purposes I'd focus on three details: quirks, status, and connections.

Quirks are fairly straightforward: what makes this character unusual? Establishing character quirks is the focus of a lot of improv games and exercises, and the best quirks are quick to establish, significantly inform the character, and are handled with enough sincerity to make the character compelling rather than only funny.

Status refers to how powerful and important a character is. High status characters will command the room, low status characters will be ignored or mistreated. Status might shift over the course of a scene. The sheriff is a high status character until the king shows up, for example. Status might seem like an obvious thing to figure out from a character's role, but it's useful to play with it. What does a low status king look like? What does an employee-boss scene look like if you decide your employee is higher status than the boss?

Connections refer to the relationships between characters. This is going to drive scenes more than most other character details, and you almost always want to avoid unconnected characters. Choosing a connection to an existing character is a very good first choice when entering a scene, as it should immediately suggest a direction for the scene to take. This is also a reason to favour unusual connections. If two actors are in a scene where they're arguing about a fender bender they've been in, you could choose to enter as one of their friends, but it'll be far more dynamic if you choose a more unusual connection. What if you're one of their anger management therapists? Their boss? Their dominatrix?

In addition to creating your own character, you should add to other actors' characters. The main way you do this is endowment, giving the character traits through your offers. Direct endowment is when you simply ascribe them a trait. If you say, "Bill, you've been mayor for the last ten years," then you're obviously giving them the trait of "mayor." But there's also indirect endowment, where you add something to a character through part of how you react to them. If you flinch when another character moves suddenly, you're endowing them with the traits of being dangerous and erratic. If you speak to them very slowly and simply, you're implying something about how intelligent your character perceives them to be.

Putting it all together, the last big thing to do is build up. There can be a temptation in improv to build out, to add new details to scenes that sort of sprawl outward from the original premise. Try to avoid that. When you add new details, make them ones that build on the existing details. Instead of adding new tensions or conflicts, raise the stakes of existing ones. Reincorporate and re-contextualize things that have already been established. Incorporate audience suggestions repeatedly, using them to colour other offers.

Don'ts:

No blocking. This is the one even people who don't know improv know. If someone adds something to the scene, go with it. Don't reject or ignore offers, incorporate and build on them.

No wimping. Whatever the scene is, whatever your character is, whatever offers are made, fully commit. Bring all your energy to it. If someone says your character is on fire, don't just stop, drop, and roll and then go back to whatever else was going on. That's wimping. Be the most on fire that you can be.

No dithering. When you're in a scene, always be adding to it or moving it forward. Saying something that just fills space, at best makes a joke, and doesn't add to the scene is bad form, it doesn't give other actors anything new to work with. If you're dithering, you're forcing other actors to pick up the slack. This is called "gagging" if you're being funny by not adding to the scene, and is a great way to be popular with the audience and have everyone else hate you, don't be that person.

Don't make yourself look good at the expense of your scene partners. It's okay to get laughs at the expense of other characters, but not at the expense of other actors. Help others get into the scene, develop their characters, and give them things to respond to, add onto their offers.

Related to the above, don't steal the spotlight. If there's a scene going on that you're not the focus of, you should be trying to figure out how to enhance what's going on. Everyone can tell when an actor can't bear to be in a supporting role, and it's not a cute look.

More than anything, don't betray the trust of other performers. All theatre requires trust, but improv requires so much trust. If you lose that trust, you're done, you've got nothing.

[blackbird-brewster]

Highlights from Catherine Tate's Q&A Panel at Armageddon Expo 2024 (NZ) :

[I took notes best I could during the panel but some may be paraphrased]

Q: What's your favourite Doctor Who alien?

CT: The wonderful Ood!

Q: Who's your favourite Doctor? (Crowd gasps in anticipation)

CT: Well, I get asked this a lot, and obviously it's David (Tennant). I don't know what number he is, he keeps coming back. But definitely, David. Although, someone recently pointed out that I was technically the first ever female Doctor. So you know what? Me, I'm my favourite Doctor.

Q: What's your favourite episode you were in of Doctor Who?

CT:The Runaway Bride, because that's where it all began.

Q: What's a favourite memory of working with David Tennant on Doctor Who?

CT: The scene in 'Partners in Crime', the one with the Adipose, there's the scene where Donna and the Doctor see each other from across a room. But they're both behind glass and they have the whole mime scene with the windows. Well, I remember it was about 3am when we were filming that - - Russel really likes to film at night if the story is taking place at night - so it was 3am, and I said to the director 'Uh, right here it just says Donna Mimes' and he said 'Yeah do whatever'.

So that whole scene was ad-lib during shooting and David and I were so in sync with it, we did that first take and the director said cut and print!

Q: How emotional were you filming your final scene in Journey's End?

CT: So, we didn't always film in order. And I'm not really a sentimental person, but I will say I thought Donna's ending was absolutely perfect. When she meets the Doctor she was always yelling at the world, and she was so different than what she was by the end, she had so much growth with the Doctor and she changed so much in her time with him, but then, she forgets the him and all those memories. And that final scene, what really got me was how he says 'Donna, I'm off' and she's just, I think she's on the phone, and she just waves dismissively. She doesn't know him anymore. Russell, the way he ties things together, he's brilliant, that man.

Q: What was it like working with Bernard (Cribbins)?

CT: Oh, Bernard. God, I love him. He was so funny and talented. He always had stories and voices and sound effects. He loved making people laugh. But we had a gag where every single time I called him I'd say (Donna Voice) 'GRANDAD!'

He'd say, "Who is this?"

"It's Catherine."

"Catherine who?"

"Catherine Tate"

"Never heard of her."

We did this every time I called him and I loved it.

Q: Is there anything annoying about working with David Tennant?

CT: No, absolutely not. He's perfect. He's the best person to work with. I will say though, I was annoying him a lot. When we did the 60th Anniversary specials, our trailers looked exactly the same and I never knew where my trailer was. I'd walk into his all the time!

Sometimes I'd walk in and see his shoes in the trailer and instead of thinking 'Oops, wrong trailer', my brain went 'What's he gone and left his shoes in my trailer for?'

It got so bad, sometimes I'd walk up the stairs and from inside I'd hear 'NO.'

Q: Was it weird coming back to play Donna after all these years? Especially when it was along side David Tennant?

CT: It was a bit weird, more in the 'Oh I hope i still know how to do this' way than anything. But I did think it would be hilarious if David and I arrived on set and every take we just did completely wrong voices. Just thought it'd be hilarious for him to go (in an airy upper-crust British accent) 'Ohhhh, hellloooo. I'm the Doctor'

Q: If you could take any prop from set, what would you take?

CT: Ohhhh, I'd have very large pockets and see what I could fit. But mostly I think it'd be a sonic screwdriver. It's gotta be a sonic screwdriver, doesn't it? It's small and mobile... Easy to steal. Plus, it'd fetch a great price on Ebay!

Q: Best show you've ever worked on?

CT: The Office, they paid me tons of money.

Q: My mum loves David Tennant, is there something you can say to dissuade her?

CT: Hm, something to convince her he's not.... Oh, he doesn't believe in astrology! I'll say 'It's Mercury Retrograde' and he'll say 'NO, NO, NO I DON'T WANT TO HEAR IT'.

Other Highlights:

As soon as she came out, she saw the stage had no steps to the audience, so she stayed on mic and went the long way round to go into the audience and interview people, trying to find who had traveled the furthest to be here. She was sorely disappointed everyone was just from Aotearoa 🤣

Donna Lines She Performed:

"Oi Spaceman! You're not mating with me sunshine!" (Crowd went wild for that)

"Binary. Binary. Binary." (🥺)

She did some of her characters: Lauren Cooper mostly, but also wished someone Happy birthday as Nan

[no-phrogs-in-hats]

Addison Montgomery x fem! Reader

Could I please have an imagine where the reader is Meredith’s childhood best friend that came to work at Seattle Grace with her. While Meredith is pining for McDreamy her best friend wants McDreamy’s wife. (Imagine all of the hilarious and awkward moments this would result in).

Hi! I couldn't figure out how to turn this into a oneshot, so I just gave you a shit ton few scenarios!!

Sitting at lunch and getting the whole McDreamy situation out of Meredith and Cristina and Izzie spilling more to you than Meredith

Standing at the nurses station with MAGIC and Addison is on the other side of the station filling out a chart

She has her glasses on.

And her white coat.

And she's wearing black heels with a nice professional dress.

Mommy.

And you can't take your eyes off of her and you lean into Meredith and ask, "Who is that?"

She responds, "McDreamy's wife."

"So, is she into the whole adultery thing too?"

Cristina chimes in, "Considering that's why they seperated, I'd say so."

You can't stop thinking about McMommy Addison for weeks

Then, you're assigned to a case with her.

You get incredibly involved with your patients

Addison admires you so much for it.

"The world needs more doctors like you," she says after a crash C-section.

You ask, "And what do I have?"

"Empathy. You don't see very many doctors who want to get to know their patients. Most of them just see them as something they can cut into."

You're on her service almost every day for the next few months.

Asking Dr. Bailey, "Can't I have another assignment?"

Her responding, "Dr. Montgomery-Shepherd asked for you specifically, take it up with her."

But you didn't want to take it up with her.

At lunch, George brings it up and you say, "Meh, I don't really mind it."

But you start blushing.

And Cristina and Meredith start teasing you.

"Oh, she's got a crush on McDreamy's wife."

"George says, You can't have a crush on her, she's married."

"So is Derek and I still slept with him."

Cristina grins, "No wonder she has you on her service every day. You're her little bitch."

You insist that it's not true.

They continue teasing you until your pager goes off.

"Aw, is it Addison?"

"Give her a kiss for us!"

They continue making kissy faces the entire time you leave.

The first time you two kiss it's after you lost an OB patient.

Both of your emotions are running high.

You're trying to calm yourself down in an on-call room

She comes in and tries to comfort you

"It'll be okay."

"How are you so calm about this?"

"Well, eventually, you learn how to cope. You'll never get used to it, but you'll learn how to cope."

You lift your head off her shoulder and look at her in the eyes

Then your eyes flicker to her lips

And hers do the same

You finally give in and press your lips to hers

She returns the kiss and suddenly both of your scrubs are on the floor

Months of longing looks and pining and private moments in the elevator, you want to make your relationship official, but you know you can't

You're both in an on-call room once again making out

You pull away quickly and stop her

"Addison we shouldn't be doing this"

"What do you mean?"

"You...Addison, you're still married. And until you file for divorce, I can't see you."

She's speechless.

You, Addison, Derek, and Meredith all end up in an elevator together.

But weeks later, she presents divorce papers to Derek

And just a week after that, she shows you the signed papers

You don't know what to say.

"You actually did it? You filed for divorce?"

"I've made a lot of mistakes in my life...but you...you're not one of them."

This is the first time she says 'I love you'.

She gets a nice hotel room for you two that night.

Meredith asks why you aren't going home with them and then it dawns on her

You see that shit eating grin

Izzie and George and Cristina start cooing at you

"Awww, you're officially Addison's bitch."

"I am not Addison's bitch!"

"You so are!

"You'd do anything for her!"

"...Okay, fine, so I'm her bitch."

And it turned out to be a very lovely night.

[ncis-nerd]

But Daddy I Love Him

ship: older!natasha romanoff x younger!reader. wanda maximoff x natasha romanoff.

warnings: angst, no happy ending, mentions of cheating, older nat, jerk nat, younger reader, wanda is kinda a dick, age gap, arguing, being ignored.

a/n: happy ttpd day!!

"I'm done with being your second choice Natasha. Just because I am younger than you, it doesn't mean you can just go off with other women because you're scared to admit that they are what you are looking for. Someone older, more mature, someone you can relate to" Y/N exclaimed, her small frame against the older women's.

Her green eyes met y/n's gaze which only confirmed what y/n feared. "That's it? You aren't going to say anything?" Y/N spokes as she grabbed a suitcase from the closet.

"I'm so sick of Wanda! Don't think I didn't see all the ways she touched you. Her hands always on you whenever the two of you were together. I'll tell you this Natasha. I'd rather burn my whole life down, Than listen to one more second of all this bitchin' and moanin'" Y/N threw her arms up in protest and huffed.

"Where are you gonna go." Natasha spoke dismmisingly. She doesn't think you'll actually do it. You have no where to go, no one to go to. Her eyes watering at the slight chance that you may be serious.

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Natasha had an award dinner and she asked you last minute to come. It was odd she didn't ask you earlier in advance because they usually know about these things at least 6 months in advance with scheduling and whatnot. But you didn't think much of it. Because you didn't want to accept the alternative.

You came as her date but it sure didn't feel like it. You were the youngest there, all the avengers were at least 10 years ahead of you. It didn't help that your girlfriend left you to fend for yourself, your eyes stuck on her and Wanda. Natasha threw her head back, laughing. Wanda's hand on her shoulder. Their prolonging eye contact. The way they looked at each other. It gave you a bad feeling in your gut but you pushed it away.

No, I'm not coming to my senses. I know it's crazy. But he's the one I want.

You refused to accept it. She said she'd never let it come between you guys. That your age difference would never break you up. She lied. You rose up from the table but no one even noticed, everyone engrossed in their conversation. A stray tear fell from your glassy eyes.

You made your way to the bathroom. Attempting to keep your composure, they already think you're immature, you don't want them to see you as a baby on top on that.

You looked at yourself in the large glass window. You looked at your reflection. Your dress glistened in the light. The door swings open. It's Wanda. Of course she was the one who noticed you missing. Ironic isn't it.

"Y/N" she spoke, her voice filled with fake concern but a hint of guilt. You refused to meet her eyes, not willing to give her that sense of comfort. "Y/N, I'm not going to lie to you just because you're younger than us. I like Natasha. And honestly it feels like she is into me too. There's nothing I can say to make you feel better but I assure you I would never make a move on her while the two of you are together. I promise." Her eyes met yours in the mirror.

"I have money, I know you don't have anywhere to go but if you and Natasha should split, please call me. I don't want to on your own, fending for yourself. I can help you get an apartment or something." Wanda offered.

I just learned these people try and save you'. Cause they hate you

Of course, of course she wants to "take care of you". Because you're the little fragile thing who can't handle heartbreak. She just wants to make a move on Natasha, this is a ton of bullshit. You press your nails into your hand. You smile politely and say a simple thank you. Not wanting to cause a scene and give Natasha more of a reason to leave you.

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Thinking it can change the beat of my heart when he touches me. And counteract the chemistry. And undo the destiny.

Her hand reaches for my shoulder, to stop me from leaving. "That won't work anymore, Natasha. I'm calling Wanda. She offered to help me get an apartment." You spewed out, reaching for the door. It hurt. You no longer called her Natty, the sweet nickname you had gave her when your relationship was in an earlier stage. A simpler stage where you didn't have to question if she wanted to be with you.

You slammed the door behind you, goodbye Natasha.

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