#i don't even remember what i was going to post at this point

[keylimepie]

You know, I've thought about this a lot over the years. I started participating in fandom 25 years ago, and I do remember during the LiveJournal (LJ) and forums eras that I rarely if ever heard a fanfic writer complaining about engagement and each chapter was full of comments. Then around 2010 tumblr happened and everyone migrated from LJ to tumblr. Suddenly fanfiction writers were complaining about a lack of engagement. I think this is largely because we became so centralized and lost all sense of community. It used to be you had to sign up for a website with a forum dedicated to a very specific pairing, or you had to join a livejournal community that was very specific to your interest. And the membership might reach a little under 2k. Most of these communities were locked too, so you didn't have to worry about what you said being publicly visible to folks outside your community. You knew who you were speaking to and who could see what you were saying.

Tumblr, tiktok, and twitter are more like shouting into the void and hoping someone in the crowds of 100k people take notice of you, and that task is way easier with a pretty photo or a video than with a fic. You don't know who is going to see what you're saying, and I think most of us have either experienced or witnessed someone receiving dog-piled backlash because one person misconstrued what the OP said. So basically, not only are you struggling to get attention in a massive crowd from people with incredibly short attention spans who have no idea who you are, but if you do manage to get someone's attention they may be too scared to say anything publicly. Hell they may be too scared to DM the author because they don't know the author either and I have seen authors tear apart DMs publicly because they misconstrued something that was said and now the author's fanbase is dog-piling that person. You ever notice how so many asks to authors are anon? People are scared, and it is so much safer to just like or kudo something than put yourself out there in front of a potential firing squad.

Also just want to point out, that a lot of asks people send to creators never get addressed, either because tumblr ate it, or the creator decided to ignore it, or the creator's inbox was overflowing. And after awhile people stop sending asks to not only that creator, but other creators as well because they've been receiving negative reinforcement that their engagement is undesired.

I think I saw another one of these posts floating around where it turned out people were gushing about fics in discords but not commenting on AO3 or the author's tumblr. And this kind of makes sense to me. Discords are a lot like the forums and LJ communities of old, where it is a much smaller group and you tend to know most of the people there and you feel more comfortable speaking up.

I just don't think huge centralized hubs are of the benefit to creators. It is fine to post stuff to tumblr or AO3 or wherever, but that isn't enough. If you want engagement you need to build up or join a community and cross-post there. If you're just flinging your work into the void and expecting engagement, then it just isn't going to work. Sure people will find it, but they wont feel comfortable enough to say anything where they have no control over who sees it. 20 years ago, we didn't have tumblr or twitter or even AO3, you had to find or start a community if you wanted to share your work. We had to make our own spaces not rely on corporate spaces, and I think that is what the difference is. You need to create a space where people feel safe to engage, and tumblr has NEVER been that. Tumblr has been terrible from day 1 for engagement, just toxic and mindless so often.

TLDR: No one is engaging because the sense of community is completely gone and been stripped away over the last 15 years. I cannot stress enough for the younger folk how much fandom these days is just not what fandom was. It has been 13 years since I last felt a sense of community in any of my fandoms, and it sucks. I can't help but think we need to decentralize again and create little pocket communities in order to return fandom to what it is meant to be.

You know what’s really disturbing to me? The culture that seems to have sprung up around fanfiction. Writers spend weeks and months working on a story – I think my record is six months on A Place For Us To Dream. And so many times readers expect to just be given a chapter even if they don’t give anything to the writer in return.

I’m going to date myself a bit here, but I’ve been reading/writing fanfiction for ten years. And when I first started it was a wonderful community. There was an unspoken rule – if you read/enjoyed it, you review it. You take thirty seconds to tell an author who probably spent anywhere from three days to a week writing that chapter you just enjoyed to tell them you enjoyed it. Even if it was as simple as “Great chapter, can’t wait to see what happens next!”

Writers spend so much time on stories, and then they post it because they have this thing that they’ve invested so many hours into and they want to share it with the world. They know how they feel about the story, and they want to know how other people feel, what other people think.

And when you read it and don’t review, you know what message you’re sending that author? That they’re not worth your time, or you didn’t enjoy their story. So why should they keep posting it? Yeah they might continue working on it in their own time, for their own enjoyment, but you might never see another chapter again because you couldn’t be bothered to take thirty seconds out of your day to tell them how you feel.

I’ve written stories in eight different fandoms, ranging from very small to very big (I’ll openly admit I wrote Twilight fanfiction once. Once. It was an Alice/Jasper story and haters can hate all they want but I’m still proud of it). I took a break for a few years because I fell out of fandoms during college, and when I came back apparently it’d become the norm to just greedily consume writing without telling writers how you feel. And that is one of the saddest things in the world to me because fanfiction is where I really started getting serious about writing. It’s how I’ve honed by skills and become the writer I am today. And that was largely in part because of all the support I got when I was an itty-bitty thirteen-year-old writing crappy W.I.T.C.H. fanfiction.

Everyone keeps saying “reviews don’t matter, you should just write for yourself.” Well, you’re wrong. Reviews make or break fanfiction. Reviews tell writers whether it’s worth their time to continue posting that story online or whether they should keep it on their hard drives and never share it with the world.

Kill the attitude that reviews don’t matter. Start telling writers you like their stories. And if you don’t, if you all just continue to be invisible readers? Don’t be surprised when that writer disappears.

[protect-namine]

YE6's butterfly effect. AKA: how did vein "die"?

I'm trying to puzzle out the butterfly effect in YE6, and here is my interpretation so far. if this theory is correct, it would also answer the question of who has the faking death ability and what exactly was liu xiao doing during the whole arc.

of course, feel free to correct me if I got this wrong. I could be missing some key information. I'm just writing this in an attempt to figure it out myself. also, this is gonna be a long post, sorry.

a lot of people are speculating that lu guang directly killed vein somehow through an ability, but I don't think that's what actually happened (although I wish that was the case). I also don't think the situation is as simple as "lu guang wanted vein dead" because I also think that liu xiao is interfering with the same events. there are two puppeteers in YE6, imho.

let's start with lu guang. for one thing, we know he can't directly kill vein with any of the abilities he has, since both scanning 12 hours of photo history and diving into the past require, well, a photo, which lu guang did not have. yingdu even stressed the rules of how both abilities work. if lu guang directly killed vein through ability use, this would imply he has another ability up his sleeve, and I really don't think we've been given enough evidence that points to that. if he always had this ability, why hasn't he used it before on vein in other timelines?

remember that yingdu has a lot of visual metaphors in its storytelling compared to other seasons. I believe lu guang caused the chain of events to happen in such a way that vein would die, but he was not the one to kill him, and that's why there's the animation of him orchestrating vein's death through wang qing, like a ventriloquist would control a puppet. in fact, I would go even further: lu guang and wang qing never got the chance to kill vein, although lu guang certainly thinks he did. we will circle back to this under the cut later, once we've built up the evidence to reach this conclusion.

another thing is the info we learned from an interview with director li. it is unfortunate, imo, that we had to learn this through an interview and not from the show itself (I feel this is yingdu's biggest writing flaw), but whatever. here are the key points to know though:

vein doesn't have an ability during yingdu arc

liu xiao has more than one ability (we know one of them already, which is interestingly enough, heartbeat related)

(not from the interview, but hinted in the show) someone has a "faking death" ability

before we go into the butterfly effect and how vein died, let's go over the details of his death:

from the autopsy report: vein's cause of death is myocardial infarction. aka a heart attack

xia fei later says there were no external injuries and no signs of poison

also, tiny detail, but vein was holding something like a tranquilizer gun in the clinic. the "bullets" he fired on both wang qing and cheng xiaoshi were meant to put them to sleep, not to kill them.

finally, let's lay out some character motivations. this will be important later.

liu xiao wants to get the notebook that belonged to cheng weimin. vein is working with him on this.

lu guang wants to avoid cheng xiaoshi's death node, and he plans to do it by killing vein

now, for the analysis. how did vein "die"?

let's establish something first. since xia fei doesn't know what happened to vein and is looking for the true culprit, we can rule out his involvement. he probably doesn't have the faking death ability, since it was used on vein. and vein doesn't have an ability. so the most likely person to have this ability would be liu xiao. he is also most likely the one to open the body bag with vein in it.

so we can now assume that liu xiao has two abilities:

he can sense someone's emotions and intentions through hearing their heartbeats

he can "fake death" (it is unclear how this works)

well. what an interesting combination! let's put a pin on that for now. remember this for later.

okay. now. let's switch over to lu guang. the big important question here is this: how did lu guang know that delaying vein from entering the clinic would lead to his death through a butterfly effect?

for full context, let's look at what lu guang says in his conversation with vein (I'm using ani-mi's translation, but I watched the bilibili one first and there aren't any drastic changes imo):

do you know the butterfly effect? in a dynamic system, event the smallest changes in initial conditions can lead to vastly different outcomes. I've been wondering, how do you alter a destined ending? what would happen if, before the conclusion, we added another fixed point? another unchangeable node? instead of avoiding deviations, why not let it deviate completely? I know I can't stop you. but I can make you stay a bit longer. now, you can go in.

two things here. first, the mention of an unchangeable node. aka a death node. lu guang for sure wanted vein to die. because if vein dies first, he can't kill cheng xiaoshi. simple logic; great plan.

next, from this speech, we can infer that lu guang planned to create a small change (a butterfly effect) that will lead to a big consequence (vein's death).

it's the second part that should clue us in. he said, "I can make you stay a bit longer. now, you can go in." he knows he can't stop vein from entering the clinic. but he can stall him. he can add a small bit of delay, long enough that it actually matters that vein went into the clinic later than usual.

lu guang knows the effect he wants (vein's death) so how does he know what event (stalling him) would cause the domino effect that leads to it? why does that small delay matter?

let's look at what that extra bit of time actually changed. by delaying vein, another important event happens: cheng xiaoshi has extra time with wang qing, long enough for him to meet his mom, shao yuanyuan. cheng xiaoshi then learns that shao yuanyuan is trying to save cheng weimin. he promises to wait for them and to stop investigating. it is after he makes this promise that vein enters.

we can now infer one more thing here: cheng xiaoshi did not meet his mom through wang qing in the original order of events. this event only happens because lu guang stalled vein.

most likely, in the original order of events, vein incapacitated wang qing too early for her to do anything to him. we don't know what her ability is, but it doesn't matter for this post. all we need to know is that lu guang believes wang qing could kill vein if she was never put to sleep. that is the point of stalling vein from entering the clinic early.

so here's part one of my theory. from lu guang's perspective, this is the plan to kill vein:

stall vein from entering the clinic

because vein entered late, wang qing was possessed by someone with better fighting abilities, allowing her to hold out during the fight

she is then freed from possession, and is still awake when vein tries to leave with the notebook

I don't think we have enough information to really explain what happens next, but what's supposed to happen, imo, is that wang qing kills vein, either through her own ability or someone else uses her to do it. it doesn't really matter how, but this is what is supposed to happen. this is what lu guang wanted to happen. for the sake of this post, we will assume wang qing has an ability to kill vein

vein dies, therefore he can't go to the time photo studio in the future to kill cheng xiaoshi

that's lu guang's butterfly effect. stall vein -> vein dies -> cheng xiaoshi lives.

simple? not quite. I did mention there's another person interfering with these events.

everything I mentioned above is from lu guang's perspective, and that this is what's supposed to happen. but let's look at the actual order of events.

wang qing wakes up (is freed from possession), notices the notebook on vein, and calls his name (interesting point: she knows his full chinese name). at this point, her eyes have NOT changed color yet.

vein gets a heart attack

only after that does wang qing's eyes change color

we know that changing eye colors is not diegetic, meaning this is more for the audience's benefit. their eyes don't really change color in-universe. sometimes they don't even show us eye colors changing. but when they do show us, we have to pay attention.

therefore, I believe that the timing of the shift in eye color matters.

so here's part two of my theory. liu xiao knew lu guang is going to interfere, so he already arranged a "fake death" for vein in advance (which he doesn't tell vein about lmao, but he seems to have figured it out when he gets the heart attack)

this is how, I believe, yingdu happened from liu xiao's perspective:

he wants cheng weimin's notebook. wang qing has it, but would never give it to him. but she might for cheng weimin's son

he baits cheng xiaoshi into going to bridon

he heard lu guang's heartbeat in the airport, which tipped him off that he's someone he should watch out for

he confirmed that cheng xiaoshi and lu guang are investigating cheng weimin

he assigns xia fei to keep an eye on their progress

he planned to use cheng xiaoshi to bait wang qing into giving up information about the notebook. this is why when xia fei told him that cheng xiaoshi was about to meet her, liu xiao reacts like this is the expected outcome

he assigns vein to get the notebook because wang qing is about to reveal the location. but he also knows that lu guang is kinda shady, so when lu guang stalls vein (and tells him! bro don't tell your plans to your victims! don't tell him you're trying to make a butterfly effect!), liu xiao either just knew this would happen or vein tipped him off before going in

now, notice that vein gets a heart attack before wang qing uses an ability (or is used, whatever) to kill vein. and what have we established before at the beginning of this post? liu xiao has a heartbeat related ability and can fake a death. we don't know the mechanics of the second ability, but we know that compatible abilities can combo with each other. it's not far-fetched to think that liu xiao can fake death with a heart attack

later, we see vein wake up after someone (most likely liu xiao) opens his body bag

so now who's fooled? the police arrives and even does an autopsy. they declare vein dead. lu guang is relieved, and for years he believes this. vein doesn't even visit the studio in 2021 (though li tianchen does, through liu min, but that's neither here nor there). he avoided a death node by creating another one. we can let him believe this lie for a little while...

TL;DR lu guang created a butterfly effect by stalling vein, and that creates a domino effect that should have led to vein's death. except he's not the only one interfering with the timeline. while this is happening, liu xiao orchestrates a fake death for vein before his supposed death actually happens, allowing him to act dead during the autopsy and "revive" later

[inspireartnotwar]

Art. Can. Die.

This is my battle cry in the face of the silent extinguishing of an entire generation of artists by AI.

And you know what? We can't let that happen. It's not about fighting the future, it's about shaping it on our terms. If you think this is worth fighting for, please share this post. Let's make this debate go viral - because we need to take action NOW.

Remember that even in the darkest of times, creativity always finds a way.

To unleash our true potential, we need first to dive deep into our darkest fears.

So let's do this together:

By the end of 2025, most traditional artist jobs will be gone, replaced by a handful of AI-augmented art directors. Right now, around 5 out of 6 concept art jobs are being eliminated, and it's even more brutal for illustrators. This isn't speculation: it's happening right now, in real-time, across studios worldwide.

At this point, dogmatic thinking is our worst enemy. If we want to survive the AI tsunami of 2025, we need to prepare for a brutal cyberpunk reality that isn’t waiting for permission to arrive. This isn't sci-fi or catastrophism. This is a clear-eyed recognition of the exponential impact AI will have on society, hitting a hockey stick inflection point around April-May this year. By July, February will already feel like a decade ago. This also means that we have a narrow window to adapt, to evolve, and to build something new.

Let me make five predictions for the end of 2025 to nail this out:

Every major film company will have its first 100% AI-generated blockbuster in production or on screen.

Next-gen smartphones will run GPT-4o-level reasoning AI locally.

The first full AI game engine will generate infinite, custom-made worlds tailored to individual profiles and desires.

Unique art objects will reach industrial scale: entire production chains will mass-produce one-of-a-kind pieces. Uniqueness will be the new mass market.

Synthetic AI-generated data will exceed the sum total of all epistemic data (true knowledge) created by humanity throughout recorded history. We will be drowning in a sea of artificial ‘truths’.

For us artists, this means a stark choice: adapt to real-world craftsmanship or high-level creative thinking roles, because mid-level art skills will be replaced by cheaper, AI-augmented computing power.

But this is not the end. This is just another challenge to tackle.

Many will say we need legal solutions. They're not wrong, but they're missing the bigger picture: Do you think China, Pakistan, or North Korea will suddenly play nice with Western copyright laws? Will a "legal" dataset somehow magically protect our jobs? And most crucially, what happens when AI becomes just another tool of control?

Here's the thing - boycotting AI feels right, I get it. But it sounds like punks refusing to learn power chords because guitars are electrified by corporations. The systemic shift at stake doesn't care if we stay "pure", it will only change if we hack it.

Now, the empowerment part: artists have always been hackers of narratives.

This is what we do best: we break into the symbolic fabric of the world, weaving meaning from signs, emotions, and ideas. We've always taken tools never meant for art and turned them into instruments of creativity. We've always found ways to carve out meaning in systems designed to erase it.

This isn't just about survival. This is about hacking the future itself.

We, artists, are the pirates of the collective imaginary. It’s time to set sail and raise the black flag.

I don't come with a ready-made solution.

I don't come with a FOR or AGAINST. That would be like being against the wood axe because it can crush skulls.

I come with a battle cry: let’s flood the internet with debate, creative thinking, and unconventional wisdom. Let’s dream impossible futures. Let’s build stories of resilience - where humanity remains free from the technological guardianship of AI or synthetic superintelligence. Let’s hack the very fabric of what is deemed ‘possible’. And let’s do it together.

It is time to fight back.

Let us be the HumaNet.

Let’s show tech enthusiasts, engineers, and investors that we are not just assets, but the neurons of the most powerful superintelligence ever created: the artist community.

Let's outsmart the machine.

Stéphane Wootha Richard

P.S: This isn't just a message to read and forget. This is a memetic payload that needs to spread.

Send this to every artist in your network.

Copy/paste the full text anywhere you can.

Spread it across your social channels.

Start conversations in your creative communities.

No social platform? Great! That's exactly why this needs to spread through every possible channel, official and underground.

Let's flood the datasphere with our collective debate.

[eddiegettingshot]

it's only been a little while since eddie woke up with amnesia and of course buck is like not sure how to navigate this since his whole life has fallen out under his feet he has lost eddie so many times it's getting kind of comical at this point. and he's trying really really really hard to be good and figure out what's appropriate to do and how to act when your best friend you're obsessed with doesn't remember you at all and only has maybe two weeks of hospital memories with you to work with (buck spent those two weeks trying to make the best possible impression... like... it turned out pretty well the first time but he might as well take advantage of the opportunity to show post-tree eddie that he is totally worth re-befriending right...). so maybe when it's time for eddie to be discharged he—well he doesn't keep his distance exactly but he doesn't want to overdo it he is NOT going to make this about him too. eddie has to cope with so much. so maybe he tries stepping back... he's gonna hover in the doorway... let bobby figure it out with eddie maybe... and he'll just help out in any way he can. whatever eddie needs. he's there. but it's not like they're best friends right now (or are they? is there some kind of liminal best friendism?). he walks in with some shitty hospital coffee just in case eddie wants it and amnesiac eddie looks up and smiles. and is like. heeeeey buck. you ready? and buck's like Um. ready? and eddie's like. oh i—chris said you'd be fine giving us a ride home, is that—? and buck (thinking oh my god YAY!!!! he is being proprietary!!! he wants me to give him a ride home!!!!!) goes Oh Yes. Of Course. No Yeah Of Course I'm Giving You A Ride Home! Just Had To Grab Some Coffee For The Road. Btw I Have Your Sunglasses In My Pocket If Your Eyes Start To Hurt. and eddie says hey thanks man :) it's been nice knowing i got a friend like you in my corner even if i don't know you yet. i know the last couple of weeks would have been way harder for chris without you :) and buck goes oh my god! he is still in there my eddie is still in there!!!!!!!

[mariacallous]

You seem wise. Any advice for avoiding doom scrolling and terrible coping mechanisms?

Yes - avoid most social media, first of all. I keep my accounts on places like facebook, twitter, instagram, bluesky but don't post hardly anything and at this point I only use the dm function for some people, and even then it's mostly memes and occasional updates. I don't read or repost anything on them from people I follow anymore, and I unfollowed a lot of accounts. I use tumblr primarily for a number of reasons, one of which is that I can do other fun stuff on here and see other fun stuff.

Disable push notifications for most of your apps, particularly news apps - choose a few that you really trust or rely on if you feel you need to, but otherwise limit the onslaught coming towards you.

Remember the stuff you do like and enjoy and re-embrace them. You like playing pokemon? Get back in and catch 'em all again. You're a fan of the Inspector Alleyn mysteries by Dame Nagio Marsh? Remember your favorites and re-read them, or see if there's new stories or series similar. Walking with children in nature? Go back out there and breathe the outdoors air, selecting your favorite walks or finding new paths.

Don't neglect yourself - make sure you eat enough as you're able to, sleep enough as you can, brush your teeth and shower regularly enough, listen to your favorite music. Spend time with your favorite people, and rebuild those connections if you need to.

Focus on what you can do - there are always some level of practical contribution anyone and everyone can make, and you can always level up to the next one if you're able and confident enough.

Don't think of yourself as being alone in this - don't isolate and separate.

[erinwantstowrite]

JAZZ DESERVES MORE TIME IN THE SPOTLIGHT 10000%

jazz fenton has to be the best older sibling figures in fiction I think.

they could have easily gone the route of jazz not liking danny, or picking on him, etc etc. but it's like very central to her character that she really does care about her little brother. like to a point that it almost hurts her sometimes. I think her trauma with their parents should be explored way more often, and I think it also gives a very good excuse for Danny to be in Gotham in the first place?

from what little I have tried to read of Danny phantom and Batman crossovers they have him be like colleged aged sometimes? which is cool and those aren't bad, but I do want to see an au where Danny and Jazz move to Gotham together and he's like about to leave highschool or about to be a senior. (though this is honestly because I prefer not to have a romance when I read and I do see quite a few that ship Danny with characters like Tim or Jason. whereas I look at their dynamic and I'm like jazz and Danny would fit into this family so well) I do think the older sibling who hates their parents and believes them to be a danger to their child would take custody of said kid and move to a different place as soon as they could. I think jazz would be that older sibling who figured it out and makes it work...

that being said I haven't seen Danny phantom in a really long time and I only recently rewatched like the first season ish. I do recall there being something about him being tied to Amity Park but I can't remember if that's canon or if that was a fanon thing. I just think it would be an interesting concept of having jazz go to school in Gotham and have a job on the side to try and put Danny through school too, and like Gotham has really cheap rent so it's like the best place she could find. I think jazz would have decorated Danny's room and been very excited to have her own apartment, I bet she goes to all of his school stuff, I bet she makes it a point to make sure Sam and Tucker still get to come see him all the time, etc etc. and i think it would be pretty cool if someone explored Jazz as a character more often. cause i can imagine she starts expending and exhausting herself trying to keep up with everything basically as a single parent and i can only imagine the relief she'd feel when the Waynes step in. maybe they figure out Danny's identity because he continued being a vigilante or something of that nature? and they offer jazz to take care of her school expenses and stuff like that even if they don't want to live with the Waynes or whatever. a scene where Bruce really connects with Jazz and tells her she's been doing great this whole time and she should be proud of herself, but he has the resources to help both her and Danny so they don't have to worry about rent or food ever again. and Jazz just kind of breaks down because she's been independent for a long time and she hasn't experienced an adult in her life taking notice of that and wanting to help her

and obviously this would extend to Danny in many ways, because he's also there, but this post isn't about him it's about my girl Jazz. mostly just a ramble cause i woke up sick

[alea-jottun]

On dissonance : saying you story did something vs making your story say something

A problem I have noticed with people defending s2 is that they take at face value what the dialogues say (or what the writers have said in interviews), as if it were a complete justification of what happens in s2. But a story cannot simply say it is something, it has to be this thing. Dialogue that is not backed up by the actual content of a story is worthless.

A few examples for instance :

S2 wants to pretend that it has something to say about forgiveness. But what does it do ? Have alternate Silco say that "the greatest thing we can do in life is find the power to forgive" (one of the worst lines of s2 considering the context. I'm not even going to delve into why he was the worst possible character you could choose to prone forgiveness, but let's put aside his character assassination for now) yet never follow through.

That's just a line, said by a character. For it to have value, it has to be backed by the story. But s2 doesn't do that.

The problem is not that s2 wants to prone forgiveness (that was going to come up anyway, because you have to discuss forgiveness in order to put an end to a cycle of violence). The problem is that there is no well-written arc demonstrating the value of forgiveness in s2 : simply characters who suddenly feel bad for what they have done, and other characters who forgive them just like that. The justifications given for their changes of heart are either incredibly superficial (considering the gravity of the Arcane themes. We're talking about forgiving murder, attacks, etc), or absolute crap. The reason being of course that the writers did not bother writing organic, developped character arcs.

No, Caitlyn saying "I know" or fighting Noxus is not her taking responsibility or atoning for her crimes. No, her seeing Vi or being called Cupcake should not be enough to cause a change of heart this radical (and don't say that Caitlyn was feeling bad and was waiting for an opportunity to betray Ambessa, because that's simply not true. She absolutely supported Ambessa through s2. She just suddenly changed her opinion on Ambessa because the writers decided it).

Same goes for instance for the Timebomb subplot (which I have unfortunately seen heralded as another example of how s2 preaches forgiveness) : Ekko goes to an alternate reality and falls in love with an alternate version of a girl who murdered his friends and cursed Zaun, but in his reality Jinx is suddenly sad about what she did to the Council, so boom ! Forgiven with no proper redemption arc, and now Ekko tries to convince her that she can better herself. Even though throughout Arcane Jinx didn't give a damn about Ekko or the Firelights she killed. And no, fighting for Piltover and a fake sacrifice at the end do not count as redemption.

At this point, the writers really feel like a character being sad is equivalent to an entire redemption arc. But forgiveness has to be earned, and it never is in s2.

Another example of constant dissonance which I have evoked in another post, but also fits here :

Caitlyn saying to Jinx "no amount of good deeds can undo our crimes...." .... while the entirety of s2 does just that for several characters, including her and Jinx, ironically.

Again, that's just one line, said by a character at the end of a 9 episodes series. But that's not what s2 says in practice. The reality of s2 is that it keeps trying to downplay Jinx's past actions, it keeps trying to undo her crimes : she does whatever she wants and is seen as a symbol in Zaun, even though she literally prevented the Council from declaring Zaun independant. There is no problem to her presence in Viktor's commune, despite that fact that she killed him, and his dream, and again, cursed Zaun when it was about to be freed. She can literally talk to Viktor without the topic ever being properly adressed.  And then the writers remember that she is a bit more than a troublemaker, so in the last episodes you get half-baked excuses and a tentative to end herself to cause drama (which is incredibly insensitive, but that's not the point of this post).

Same for Caitlyn : despite being the one saying "no amount of good deeds can undo our crimes....", she has one of the happiest ending of s2, without ever taking responsibility for her actions, or going through redemption. She ends up with an even better social position, a girlfriend she mistreated, a victory for Piltover, and never any real punishment or coherent negative consequences of her actions. So yes, her crimes are pretty much undo-ed... and she didn't even do any real good deed.

The dialogue says something, but the whole series contradicts it.

And finally, you have lines that are absolute crap (in the context of s2) and that pretend that s2 was a completely different show : see the "trying to get rid of your imperfections" line (Viktor's so-called quest for perfection doesn't exist apart from a few lines of dialogues, it is never a proper plot point in the show itself). See the "If he had found the letter it would all have been different" line (not even going to go into details with this one because there is so much wrong with it, it's impressive at this point). Or Jayce's "All I want is my partner back" when Jayce is not shown caring about Viktor after he goes back to Zaun (and no, hallucinating him once in the fire does not count. Also it does not help that neither Jayce nor Viktor have much screen time) and then tries to kill him. So what does s2 do ? Have a cheap thirty second explanation in the last episode, introduce the worst "plot twist" of the series, and pretend it did the job.

Add that to the terrible interview of the writer who said that they made the story as "economical" as possible (they genuinely thought that if they implied something once, then they never had to mention it again) when a good story is supposed to be the complete opposite : efficient (say as much as you possibly can).

S2 is all filler no substance. I know we're joking about the people defending it with the "micro-expressions" argument, but that's understandable : that's all there is in s2 : micro-potentials of what could have been a great series, drowned in an ocean of incompetence. 

[cloverapple]

hiii! i came across your blog yesterday, and i love your advice. that's why i feel like you would be the best person to ask these questions that I've been having for the longest time (sorry, long read ahead).

I've studied LOA for the past 2 years or so, and even though i have a good understanding of it, there are some things that always trip me up when it comes to shifting.

how do i deal with waking up to the 3d? yes, by assuming that you are in your dr and that you shifted last night. that's the most logical answer. but even though i know that, sometimes it is a lot easier said than done. for example, a few days ago i wanted to manifest shifting by simply deciding i could shift on command and that i am there. i could be 100% sure the day before that it would happen. the whole day, and even a few days after that I'd stay in that state of being a master shifter, and i would feel amazing because of it. but it's like there always comes a point where i wake up to the 3d and i get discouraged (yes, i acknowledge that i am manifesting that reality by saying this, but i finally have to get this off my chest). my thoughts get all messed up and i start spiraling, returning to my previous state. i start questioning myself a bit and feel down. the main reason for that being time.

it took me so so long to figure out this issue about myself. I'd be like: how long is it gonna take? when will it happen? i know i have it in the 4d but when will it appear in the 3d? having it in the 4d isn't enough, i need to have it in the 3d right now. stuff like that. i find it very difficult to formulate my thoughts, but basically I'm in a spiral of:

watching a video/reading a post about LOA/shifting that reminds me of how easy it is -> applying LOA to shifting/any desire in a way that feels good for a few days at most -> starting to question myself after a few days because it hasn't shown up yet in the 3d (which is caused by me forgetting the role the 3d plays and how LOA works) even though i did everything "right" (e.g. letting go of control or the outcome, deciding, not wavering, etc.) -> falling back into a state where i question how i can shift, what i am doing wrong, etc. -> repeat

how can i break out of this cycle?

i think the main problem here is time and in general the 3d.

i know that the 3d is not a measure of my success, only made up of my current assumptions etc. i know that. but it's like i forget it once i step into the state i wanna be in and stay there for an extended period of time.

i always hear people say that "time isn't real" but i still don't really know what that means, how to apply it or how to internalize it. i really need that mental "click" to finally understand it and use that concept in my favor. because my problem is that with manifesting/shifting, after a while i start asking questions about why it's taking so long the 3d. for example, most nights i fall asleep with the assumption that I'll wake up in my dr (while letting go of control and not wavering) the next morning. but when it doesn't happen eventually, i start to question why, because since time comes from consciousness aka me, it should work in my favor.

I'm honestly so lost right now and i would really appreciate some help because I'm spiraling again. I've known about shifting since 2020 but only realized how ridiculously easy it is after joining tumblr this year and yup, i acknowledge that i am desperate to shift, preferably right now. it's not something i admit to anyone or myself because that's basically continuing to tell a story i don't want to experience (a surefire way to fail), but it is unfortunately the truth as of right now.

thank you for reading, i know this was a lot to get through!! (*^^*)

So pause for a second, because I’m going to tell you something I hope to ingrain in the mind of everyone who sends me an ask—and that you need to remember before reading everything I’m about to say:

YOU ALREADY KNOW HOW TO SHIFT. The ability is inside you right now. The moment you read this, your mind already knows how to shift. Everyone does.

The moment you accept this, you solve half of your problems.

And then you tell me, "But if I know how to shift, why isn’t the 3D reflecting that?"

Well, yeah. You painted the house, and now you’re sitting there watching the paint dry.

Look, watching the 3D closely and looking for results isn’t a problem for some people. Some can assume, “I’m already in my DR,” open their eyes, and BAM—they’re in their DR.

Some people assume, “I will shift tonight,” and just like that, they shift that night.

Some people let go of their DRs, stop putting them on a pedestal, and they shift.

Some people clutch their DRs close to their heart until their knuckles turn white—and they shift.

It sounds a lot like you’re forcing yourself into a method of applying the Law of Assumption that doesn’t serve you. Why?? If you recognize that your issue is focusing on time and constantly checking the 3D, work around it. Remove time from your shifting journey.

I don’t like assuming I already have something, then checking the 3D and not seeing it there. Hell, I can shift on command, and yet, if I were to lay in bed right now and tell myself, “I’m in my DR,” I guarantee you I wouldn’t shift. Why? Because that doesn’t work for me.

My dude, change the way you affirm. If affirming in the present (“I already shifted”) doesn’t work for you, change it! Say, “I’m going to shift.” If even that hasn’t been working, let go of implementing time into your affirmations.

Change “I’m going to wake up in my DR in the morning” to “I’m going to wake up in my DR at some point because I KNOW I can shift.”

Change “I’m in my DR right now” to “I can’t wait to be in my DR.”

Remove time from your affirmations and assumptions, because that’s clearly the problem here. Instead of trusting that you’ll shift tonight, trust yourself because you already know how to shift. Or trust your mind because it knows how to shift. Trust your awareness because it knows how to shift.

“I fall asleep with the assumption that I'll wake up in my DR (while letting go of control and not wavering) the next morning.”

If this were completely true, you wouldn’t be sending me this ask. You wouldn’t be doubting yourself as much as you just did in everything you typed. Truly letting go means releasing the need to see results in the 3D.

So, take time out of your assumptions. From now on, say “I will shift.” Or say, “I already know how to shift.”

Your brain then goes: “……???….uh….” looking at the 3D all confused “When? We haven't shifted!”

And you tell it, “It doesn’t fucking matter because I’m going to shift eventually.”

Now, let’s say hypothetically, one week passes and you haven’t shifted. One month passes, and you haven’t shifted. Two months pass, and you haven’t shifted.

And then you come back and say, “Clover, why the heck haven’t I shifted yet? It’s been (insert amount of time). You told me to remove time as an expectation, so why haven’t I shifted yet??”

And I’ll smile at you and ask, “So you’ve been counting the days?”

Let me tell you something about letting go—and hypothetically, ignoring the 3D.

Treat your ability to shift like your fortune. You have a fortune sitting in your bank account right now, and you’re rich. Do you think a rich person checks their bank account every hour to confirm they’re still rich?

"Well yeah, Clover, because a rich person’s reality already reflects that, they’re sitting in a mansion with all their riches."

Your fortune, what makes you rich, is your ability to shift. You already know how to shift. Shifting isn’t something you learn how to do, just like breathing isn’t something you learn how to do. Just like chewing isn’t something you learn how to do. It is an integral part of every human being. If you have awareness, then the ability to shift exists within you.

You don’t learn shifting—you learn yourself.

You learn what makes you shift. What makes you manifest easily. What makes you assume easily. What kind of affirmations your subconscious doesn’t argue against. What makes your self-concept skyrocket.

Because everyone is different, everyone shifts differently. What works for Person A might not work for Person B. What works for Person B might not work for Person C, and so on.

Even my reply to you, it might not resonate with you. But that’s not my fault, and it’s not yours. If that's the case, your job is to look elsewhere—and, in the best-case scenario, look internally because that’s where the answers always are.

Let’s go over your fix options because I just yapped a lot:

YOU ALREADY KNOW HOW TO SHIFT.

Remove time from your affirmations and assumptions. Removing time from your shifting process makes it so you have nowhere in the 3D to look.

Stop paying attention to the 3D and pay attention to yourself because what’s going to shift is your awareness, not the damn 3D. Every time you catch yourself thinking, “Oh, but it’s not showing up in the 3D,” remind yourself:

A) You already know how to shift.

B) Shifting is something you can do.

C) It could happen at any moment, so why should anything else matter?

If you were promised a million bucks from a 100% trustworthy source, would you spiral?

One more thing before I wrap this up:

It could be that actively using the Law of Assumption isn’t what works best for you. Maybe you work better with visualizing. Maybe you induce the feeling of being in your DR or being a "master shifter." Maybe subliminals work better for you. There is a world of options out there, and it is completely useless to force yourself to do something that's only bringing frustration in the end. Because there is no singular way to shift. There is no singular way to manifest. And sometimes—for some people—while the Law of Assumption is always true, focusing on it directly isn’t what serves you.

[achaotichuman]

ACOTAR Discussion

Okay, so recently my mutual @sonics-atelier posted this fic Perfect To Me (which is so fucking amazing, I cried, go read it rn) and in this fic, they write about Tamlin developing an eating disorder (specifically anorexia) since his body changed after starting to get Spring back on its feet. And it started me down a whole rant about fictional characters being the pinnacle of beauty standards, specifically in relation to what they're bodies look like. So, to save my mutuals the long spam texts about my thoughts, I'm gonna post em here.

General trigger warning- Discussion of a variety of eating disorders, body dysmorphia and Cassian.

SJM covers disordered eating within ACOTAR, it happens specifically to the female characters. And this is something, I have a huge problem with. That might seem like a massive asshole sentence, but let me explain my thought process.

These eating disorders are not well respresented, they do not further affect the plot, they only serve to be an outward appearance to the male saviour characters that something is wrong, and they never appear on the female characters in a way that makes them any less pretty, in fact, I would say, the resulting skinniness from said disordered eating, is the desired result. By that I mean, yes I think SJM writes her female characters starving themselves to make them fit the female beauty standard.

This is very evident with Nesta, who somehow miraculously only grows thinner in the waist and hips when she is starving herself. But still has massive breasts which Cassian makes a point of oogling, despite noticing how thin she is everywhere else. Instead of taking Nesta's not wanting to eat anything and turning it into a plot point for her character in which she learns to take care of and eventually love her new Fae body, SJM decides to further starve Nesta, but Cassian limiting her sugar intake, so she reminds the same 000 size in the waist.

Now, onto what really, truly makes me angry within SJM's series. Character's gaining weight, rather than losing it.

This happens once in the series. It is one singular comment, that put me off Cassian forever.

"You need to get out in the practice ring, brother. Don't want your mate to find any soft bits."

This comment was from Cassian to Rhysand in the third chapter of ACOSF, after looking Rhys up and down pretty much.

May seem like a harmless jab to a lot of people, but take into account all of the context around it.

Cassian had just been eyeing Nesta's body-clearly suffering from the effects of long-term starvation, like a hunk of meat.

They had just won a war not long ago-still coming down from the stress highs that would have no doubt been enough to put any normal person in bed for a month.

Rhysand had only recently found out about Feyre's pregnancy, if I remember correctly-would have also found out about the risks, and would be dealing the extreme stress that would be causing.

It would be incredibly normal for Rhysand to gain weight because of all these factors. Not to mention this being the first (and I'm fairly certain) only time, SJM's mentions a male character gaining weight, and it being in such a negative light, could only suggest she, and thus Cassian, find the idea unappealing or perhaps downright abhorrent.

Which really fucking pisses me off.

Most of her female characters have experienced a form of anorexia throughout the books as a trauma or stress response. And it never exists to go further than making them more conventionally attractive.

Now further on her male characters, not a single one of them ever has an ounce of fat on their body. Weight gain is entirely out of the question, even when it should be the obvious occurrence due to whatever change in their situation.

Now this also brings me to another problem I have, which also leeches into fandom behaviour.

We all love Tamlin's tits, ofc, ofc, but muscle behaves like fat if its not being actively flexed. Tamlin's pectoral muscles are no doubt incredibly strong, and would, probably be able to crack a nut (no pun intended) if flexed. But if they werent, they would be soft and squishy. No one talks about THAT THOUGH DO YOU???

Not to mention, that, Tamlin is a beast creature, wandering the forests, not training or exercising properly, and is only gouging on the carcasses of animals he kills. This could be an excellent time to lean into weight gain, and the intense feelings of guilt, and body dysmorphia that it brings.

Lets also discuss Gwyn, a traumatised young woman who fled to the Library in order to live a life of peace. She has never trained a day in her life before becoming a Valkyrie, why is she so skinny?

It's never mentioned Gwyn having any kind of reaction to her trauma that affects her eating (as far as I remember) and I think it would be far more interesting to delve into the effects grief and the lose of a dear loved one has on the body and ones eating habits.

Lets talk about Elain, who is said to use baking a coping mechanism, why is she skinny? This is the perfect opportunity to delve into a character binge eating, then extreme guilt from the times where they were in poverty, and purging. But finding comfort in food because food = wealth, wealth =safety.

And in the end, a character can be fat and be happy. Why do we have so many characters that are so thin at the end of their books?

So many of these characters also have near no stability, their diet would not doubt be changing constantly from the inconsistency in their living situations. Which should to lead to drastic changes in their body. This could be a very interesting way to explore body dysphoria. Hating seeing yourself in the mirror even if you just survived battle, because you can hardly recognise yourself. Changing so much in the mind and not even having the comfort of your body being the same. Especially with Nesta and Elain being Made against their will. I honestly believe Nesta's starvation should have been her hating her new Fae body so much that she just wants to destroy it. Her healing, should have been learning to love herself, no matter what body she is in.

In the end, your body is you, but you are more than your body. Bodies are such incredibly fascinating tool, and people don't always have to like what it looks like to care for it. Bodies can be smaller, bigger, stronger, they take your brain wherever it wants to go. But they are not all of you. And that should have been what especially Nesta's journey could have been.

Anyway, this is incredibly sensitive topic for a lot of people, so I do really want to open this up to everyone. What are your thoughts on this topic? Do you think SJM's portrayal of eating disorders is justified, or do you think I'm wrong on any of these points? Let me know in either the comments or the reblogs, I would be happy to discuss it.

[bwat5-blog]

Continuing The Cycle

**Spoilers For Arcane**

Let me say to begin with, that nothing in this post is to downplay or brush off Piltover's oppression of Zaun. There will be some who read that and still scream at me, that's okay. I just want to be clear.

Many people on here more insightful and intelligent than I have spoken on this already, but it has been sticking with me lately so I wanted to get my thoughts out.

I have been quite free with dismantling some of the inane attempts at criticism of Arcane in this space. But, I promise I do actually understand everyone is entitled to their opinion. After all, how we connect with and understand art on an individual level is one of the things that make it so special. I have never, and will never come for someone who is simply stating their honest opinion based on the actual content in a respectful manner.

Where my issues come in, have to do with these wide-spread critiques/takes/stances that so directly undermine the meaning of the narrative they are best ignorant and at worst malicious. And more often than not rely on omission of details that negates their stance, or fabrication of details to support them. To that end, what I am discussing today is the black and white thinking that has permeated the fandom, poisoning understanding and appreciation of all corners of that narrative.

LET'S JUST GET IT OUT OF THE WAY:

*Before we get into the Arcane content, we need to discuss where a lot of this is coming from. I am just gonna get this out here right now, and there are some people who are gonna keel over reading it but if you are one of those folks I might as well not waste your time*

Arcane is not the Israeli–Palestinian conflict.

It could not be more clear that this is where a lot of this is coming from. Let me be explicitly clear, this is NOT a deep-dive or analysis of this conflict. This thing is immensely complicated . If you comment here with a "IT IS NOT COMPLICATED ITS" sort of comment I'm sorry to tell you but you are wrong. The modern phase of this has origins as far back as the late nineteenth century and there is more going back even further. I don't care if its a straight fucking line. Something going back that far has more to it than the average nerd like me is qualified to speak on. Now, that being said, I do understand to a degree why this is happening. Not like this conflict has ever really been settled but in the last few years especially things have really been active and generating a degree of media content I don't remember seeing this level of in my short 32 years. So in a world where everyone (myself included) is so plugged in and enveloped by social media, a lot of us are getting a more direct look at this than we really ever have. And we analyze and connect with art through the lens of the world around us to a point. But we CANNOT do so exclusively. Trying to force a narrative into a one-to-one comparison robs it of a tremendous amount of meaning. Because no matter how complex and intricate this story actually can be. IT IS NOT REALITY. I'm not getting into it here, that would be pages and pages of writing and I'm here to talk about Arcane. But I'm going to say this because it applies to real life and the show both and will take us into my actual point today.

The idea that anyone on one side must always be good and justified simply because they are the oppressed, while the other must always be evil, is juvenile, naïve, and fails to grasp even a fraction of the complexity of human nature

Some of you are going to have an absolute seizure reading me say that that statement applies to real life as well. I don't care. It takes time, maturity, and meeting people from all walks of life to understand things are not so simple.

BACK TO ARCANE:

But, that being said time to get back to business. How does this all apply to Arcane?

"The show should have ended with a civil war between Zaun and Piltover!"

"When Zaun arrived during the last battle Jinx should have unloaded on the Enforcers and the Noxians both!"

"They ruined Jinx's character! WTF do you mean she apologized for killing Caitlyn's mother? Her mom was part of the oppressive system that ruined Jinx's life and brought it on herself!"

"Silco did bad things but it was all to gain power to protect Zaun!"

"Poor little rich girl lost her mom and acts like it's a reason to punish an entire city with warcrimes. The people of Zaun have been suffering worse for their entire history"

"Rebel Vi I miss you! How dare they make you care about people in Piltover!"

"The coward show runners made Zaunites into boot-lickers fighting for Piltover wearing Enforcer armor at the end!"

You get the idea. I have seen variations of these and many more time and time again. Zaun should have let Piltover fall or even attacked themselves. Caitlyn deserved everything done to her because she's of the Piltovan elite. Every terrible thing Jinx or Silco did was totally and completely justified because of Piltovan oppression.

Now there are many angles I could come at this from. My usual one is simply addressing the astounding lack of logic in most of these sorts of arguments. For example, I can rope all of the people saying Zaun should have let Piltover fall into one category. People who forgot about this guy:

Like he was just gonna "evolve" Piltover than call it a day and zoot off into space with his new buddies. Obviously not and the idea that he wouldn't immediately take Zaun as well then keep moving is completely laughable. But this sort of thing isn't my issue today. My issue is that those so zealously insisting the the show should have continued on a path of hate, death and destruction are completely missing the point.

I titled this continuing the cycle for a reason. So much of this show, revolves around this concept of the cycle of violence. Those who keep it going, those who suffer from it, and those who break it. And the issue I'm finding is that a tremendous amount of people have seemingly decided that anything people from Zaun do is justified, and anything people from Piltover do is not. When in fact, where they are born is irrelevant in this context. Because each and everyone of them has the choice to further the cycle, or to walk away.

Silco & Vander:

Vander continued the cycle when instead of forgiving Silco for his part (whatever it may have been, we never really get the whole story) in Felicia's death he tried to kill him. And Silco did the same when he took his revenge instead of walking away ending not only the life of the man who wronged him, but causing the deaths of two teenage boys, trying to have Vi killed and causing her imprisonment altering her life forever, and taking Powder as his own after obliterating her second family altering her life and the lives of all those she would hurt through her actions as well.

Caitlyn:

In Caitlyn we see all three. She was an admittedly naïve but well-meaning young woman who was victimized terribly by cycle of violence around all for thinking she could help. We then watch her heart-breaking transformation into being a part of it allowing her hate and pain to warp her into someone dark and vengeful. Then finally we see her laying down the hate for her mothers killer in favor of her love for the woman who means everything to her. Stepping outside of it and turning her back on that violence.

There are of course other examples. Jinx walking away, Ambessa choosing to continue the bloodshed even with her last child begging her to stop. the list goes on. My point in discussing this is that it doesn't matter where they come from. Characters from all over this story play a part both good and bad in the events that occur. And to properly appreciate and understand this tale and what it is saying we MUST recognize that.

Yes Silco was a Zaunite. No Silco was not justified in unleashing Shimmer on his own people. He was a revolutionary once, but he lost his way. In the end he died a violent drug lord who exploited his people for his own gain. He was not a hero.

Yes Jinx is a Zaunite. No, Jinx attacking the council was not a noble strike for her people against oppression. She was a terrified, mentally ill, grieving and angry young woman who lashed out in a moment of awful pain. And in doing guaranteed Piltovan oppression against her people. .

Yes, Heimerdinger was the father of Piltover and his neglect caused terrible problems for everyone. He also gave his life for a Zaunite rebel commander to help get him home. (I understand in the lore he's probably alive but we haven't seen that yet and they have for sure diverged so it isn't a guarantee)

Yes, Caitlyn Kiramman is the daughter of one of the high houses of Piltover, and played a part of the people of Zaun suffering under Ambessa's manipulations and cruelty. She also gave the leader of the Firelights the gemstone she was so determined to return, stood side-by-side with Vi and told the council to their faces they failed Zaun, and put her own body on the line to make things right against Ambessa.

And that isn't to say that any of those characters were all good or all bad. It's to say that they all are capable of both. Just like every character. To slap a Zaun sticker on Silco and a Piltover (or cop as so many of you are fond of) sticker on Caitlyn and give them a pass or not for everything they do based on that is simplistic and ignorant. These characters have so much to them that to reduce them to these easily digestible bite-sized pieces is to deprive yourself of that true weight of this story.

All that said, lets take another look at a few items from that list from earlier:

"The show should have ended with a civil war between Zaun and Piltover!"// At the moment where all of humanity was at stake, people came together and fought side by side to quite literally save the world

"They ruined Jinx's character! WTF do you mean she apologized for killing Caitlyn's mother? Her mom was part of the oppressive system that ruined Jinx's life and brought it on herself!"// In a moment of pain and clarity Jinx found herself speaking to someone she realized she horribly wronged. Someone who had been twisted into something dark and violent by pain and grief, a feeling Jinx knew all too well. So she said the most she could, it isn't a direct apology. But her remorse is clear. "

"When Zaun arrived during the last battle Jinx should have unloaded on the Enforcers and the Noxians both!"// Jinx went from someone hated and feared, who felt like she had nothing to offer anyone, who felt like she had failed or killed everyone who loved her, to riding into battle leading her people and bearing symbols of her loved ones into the war for all mankind. And although I and most agree she's alive, the last act we know she for sure that she took was to save the life of the older sister who loved her so much in her most dire moment. If she did die, Jinx died a hero.

CLOSING WORDS:

Arcane is many things. But it's humanity is its heart. I've said it many times and many ways, but good stories... in this case great stories matter. They stick with us. Because long after the giant battles, the wolf monsters, and shiny blue magic rocks have faded, its the humanity you remember. The sisters fighting desperately to hold on to each-other in a world determined to rip them apart. The lovers from different worlds finding hope in each-others arms. Brothers betraying one another, a daughter having to take her mothers life, the list goes on. But when we rob these characters and this story of all of that, when the flash is gone, what's left?

I haven't done a long one in a bit and I feel like this is a bit rambling so I apologize. To those who take time out of their day to read anything I have to say I appreciate you more than you know. Feel free to share your thoughts! I love discussing this show. And in closing will leave you with one of my favorite quotes.

“It's like the great stories, Mr. Frodo, the ones that really mattered. Full of darkness and danger they were, and sometimes you didn't want to know the end because how could the end be happy? How could the world go back to the way it was when so much bad has happened? But in the end, it's only a passing thing this shadow, even darkness must pass. A new day will come, and when the sun shines, it'll shine out the clearer. I know now folks in those stories had lots of chances of turning back, only they didn't. They kept going because they were holding on to something. That there's some good in this world, Mr. Frodo, and it's worth fighting for"

- JRR Tolkien

[daily-memory-of-touch]

Sorry i never played this game and don't intend on to but. Could you explain what's the meaning of this scene in fortnite terms (no more seriously actually wondering about the context or whatever. If you don't mind spoiling this random anon. Ty)

Okay so leading up to this scene is Siffrin (hat + cloak fella, uses he/they) reliving the same Fortnite game over and over because he's in a time loop. He and his squad mates (Mirabelle, she/her; Isabeau, he/him; Odile, she/her; Bonnie, they/them) are the last ones alive aside from a few other players. There's a griefer on the server named the King (he/him) that they gotta defeat and the party has rallied the entire server against him. Not everyone has the best gear for the job so that's why it's up to the party to defeat him. The King is making the storm disconnect you from the server if you in it for too long

So Siffrin has been in this loop of playing Fortnite for a while now. The King has placed himself in a big structure and set up traps to try and catch the party off-guard, and every time the party (or just Siffrin) dies and can't be revived time loops back. With the help of Loop (they/them), a knowledgeable gamer who's aware of the loops, the two of them have been in a separate VC figuring out how to handle all of this (Loop gives advice and Siffrin does their best)

At this point Siffrin is pretty sick of the time loop. They actually have beaten the King a few times, but even if the party gets their 1# Victory Royale time still loops back. Every morning the party actually meets in-person to grab lunch before heading back to game. Siffrin and Isabeau have been pining over each other for a while now and the time loop makes Siffrin's yearning worse and worse, especially since Isabeau (and the rest of the party as well) think that Siffrin is touch-adverse when in reality he just gets surprised by sudden touch and is just touch-starved

So before everyone else gets to the shop they all eat together at it's just Isabeau and Siffrin. The two of them are having a convo they have every loop, which in the middle of it includes Isabeau going to put a hand on Siffrin's shoulder but then pulling back when he remembers that he should respect their space. This has been bothering Siffrin the entire time loop, and on this loop he has certified had it and doesn't want to feel stuck anymore. So, without wanting he grabs Isabeau by the collar and kisses him. Isabeau immediately pushes Siffrin away, but his actual reaction is unclear because Siffrin then loops back to right before he made that impulsive choice and the convo goes on like normal. It's unknown if Isabeau reacted like that out of surprise or disgust or any other emotion. Siffrin and Loop later talk about this during this loop and Loop isn't happy with them

Not relevant to the rest of the post but Siffrin and Loop tend to meet up for breakfast separately from the rest of the party, but if they don't meet up Siffrin just makes something at home to eat. Sometimes they'll grab a quick coffee together if they talk mid-day before the Fortnite gaming session. It's not important but the detail matters to me as to how those two have irl talks

[entropicbias]

star trek online with a youtube video.

(note, this is an old post, but i've decided to do more blogging like this here, so i remembered it.)

i decided to try out star trek online and live out my trekkie fantasies the other day. my first run in with the game was eons ago at a thrift store, but my current laptop is lacking a cd player, so i couldn't really try it out for sure. i don't know if it would work anyways considering it's a copy of the game from, what, 2010? what would be the point of that.

the first star trek game i ever played was the TNG game for the snes. i emulated it on my shitty old laptop. it was unfortunately a bust, cause i had no idea what i was doing.

speaking of tng, before i do my review, did you know a certain somebody used to make tng edits? can you recognize that flute sample?

anyway, my best friend dave (who doesn’t even have a tumblr) brought it up, assuming i’d never heard of star trek online. TCH! who do you think i am, you simpleton? naturally, i had to flex on him. whipping out the cd like some kind of seasoned star trek online veteran just to make a mockery of him. but really, the joke is on me, because let’s be honest, no one takes a self-proclaimed star trek online expert seriously.

so, i downloaded it off steam and ignored all the mixed reviews! i didn't stay in character creation for too long, but i tried to make him resemble me as much as possible. that's because my character's name is john kirk. he is john tiberius kirk.

john t. kirk of the u.s.s johnterprise. because enterprise is a restricted word (STUPID AND LAME?)

here is what i was greeted to.

quite frankly, i'm a little upset at the amount of diversity aboard. already i am seeing TWO vulcans. this is absurd. there is only one vulcan that should be aboard my ship, and he hasn't finished downloading the game yet.

OK! TIME TO PLAY THE FREAKIN' GAME FOR REAL! :D

after picking some of my skills (i chose to be aggressive, pistol handy, and uhh... i forgot the other one but believe me when i say it was good.)

i am meet this son of a bitch

captain...? CAPTAIN? OF THE JOHNTERPRISE? THE HELL YOU ARE! GET YOUR FALLOUT CLAYMATION ASS OFF OF MY FREAKING CHAIR! i thought you started out as captain? what is the point of naming my ship if i don't even get to be captain??? i need to show this guy who is BOSS.

the second thing i figured out about this game, is that if you walk into an object and believe in yourself you can actually gyrate with skill akin to that of a zumba instructor. so, i immediately had to gyrate next to captain isaac carrot to put him in his place.

it was a massacre for garrett. if i was you, "captain", i'd hang my head in shame and go back to being an ensign from being so hopelessly outmatched. it was also at this point i remembered that i could record my gameplay, which countered my ability to remember that my computer's cpu couldn't properly cool itself and i hadn't turned on my laptop fan. so amidst scanning some debris, my computer shat itself and died.

AND THEN RECORDED THE REST OF MY GAMEPLAY! watch it here. https://youtu.be/eeEs0el8Woo?si=djN9iLpkH3bGwNle there is some impossibly hard to read commentary there, and you may be wondering why i don't talk, and that's because i sound like bart simpson, so it's best that you just squint your eyes and pretend like morgan freeman's sultry voice is narrating my captions. if you do not want to sit through half an hour of shitty footage, then feel free to skip to 24:47 where i realize that you do not get a chance to meet captain kirk at the end of your first rodeo, and it genuinely breaks my heart. that is todays post, goodbye. update from jan 2025: i haven't touched the game since because i realized that i was just not going to be all that invested if most of the gameplay was from outside of the ship and i didn't have my very own personal spock.

-eb

[protect-namine]

Ahhhhh your theory about how Vein died is sooooooooooo fucking real. Like I've seen people talk about how Lu Guang might have a secret power? But I feel like that's not the case cuz then we might have seen it play out in S1 and S2. Lg would surely would have used it in the fight with Qian Jin.

for context, anon is talking about this post where I theorize how vein "died." I go into it in more detail there, but the tl;dr version of it is: no lu guang did not kill him vein directly. he just delayed vein from entering the clinic early, thus creating a butterfly effect (hence his whole speech about it) that led to wang qing being awake when vein tries to leave with the notebook, thus creating an opportunity for her to "kill" vein which she wouldn't have had originally. but liu xiao interrupted this chain of events and that's why vein is alive using the faking death ability.

I am linking the reblog version here because other people have added their own thoughts since the creation of the post. I'm not sure if anon has seen it or just the original post, because in my original post I posit that liu xiao has the faking death ability. but after seeing other people's thoughts, I am now more leaning to the idea that wang qing has the faking death ability or perhaps, that a combination of wang qing and liu xiao is what made the "heart attack but fake death" happen. perhaps (unintentionally) they created a power combo-ing effect similar to how lu guang and cheng xiaoshi can create a mind link across time when combining their powers, or how li tianchen can possess people across space by proxy of li tianxi.

a power combo that works across "death" would be interesting, though this is merely speculative at this point. it would certainly provide another perspective to why they're paired up in the ed.

to now address anon: yeah, exactly. even if the addition of non-photo based powers is a recent change in writing direction (that they may not have had foresight on during the writing of previous seasons), it still would be too much of a drastic change for lu guang to be hiding another ability.

as I said in the post, it is unfortunate that we have to rely on information outside of the show to make sense of it, but yingdu really does make more sense when you've seen the recent interview with director li. in particular, it is heavily implied that liu xiao has more than one ability, and the process of gaining an ability (aside from inheritance from parents) is through death or stealing it from others.

while I am a believer in the idea that lu guang is willing to do morally questionable things for cheng xiaoshi, I don't think he would've had an opportunity to just get a new ability so soon after he just got the diving ability from cheng xiaoshi. on the flip side, if he always had multiple abilities since he was a kid, it would be bad writing lmao because then why has he never used it until now? especially when he's been timelooping for who knows how long to avoid a death node. I know link click is possibly retconning some details (2018 is now 2019, they changed the plans for red eyes, etc etc) but I don't think this would be a retcon they'd do because it would change too much of lu guang's character.

I am going to use this ask as a jumping off point to talk about yingdu's storytelling style, and how we should take this into account when analyzing this season. putting this under the cut now since this gets long and is kinda just a tangent now to the ask itself, though it does circle back to lu guang's role in vein's "death" in the end.

part of the reason vein's death is confusing is definitely because of the animation of lu guang puppeteering wang qing. I can totally see how people would come to the conclusion that lu guang was controlling her somehow. but we have to remember that yingdu is not like S1 and S2, for multiple reasons. one, it's a shorter season meant to introduce plot hooks, not plot; it's a setup for S3. two, it's a change in perspective from cheng xiaoshi's more grounded reality to lu guang who has been timelooping for forever. three, it was animated by a different studio than studio lan. fourth, it aims to provide a different story, and the storytelling style reflects that.

whereas S1 and S2 has a storytelling style that focused more on plot details and building up tension; yingdu focused more on relationships and emotions. it heavily uses visual metaphors in its storytelling compared to previous seasons.

in a way, although I have qualms about yingdu's writing, I do think visual metaphors is a valid solution to the problem of, "we only have six episodes to establish new plots and characters and motivations. how do we convey information efficiently in that amount of time without compromising artistry?"

I will mention one metaphor in detail that will be relevant for the lu guang discussion later. one example is glasses as a perception metaphor. this meta was written in YE5, and YE6 continues the metaphor as well because we see lu guang wear clear glasses for the first time, symbolizing that he is no longer stuck in his rose-tinted glasses era of looking into the past, and has decided to look into the future, solidified by his decision to remove vein from the situation and also because he reveals later that this is the last time he can loop.

there are, of course, more examples. idk if I have links for existing meta on this, but we have hands as a metaphor for relationships (hand holding, handshakes, fist bumps, etc) and the power balance of each relationship (with regards to secrets, deals, etc). we have various color theories floating around. we have theater/cinema and chess as metaphors for everyone's narrative roles. lu guang's imaginary clock as a metaphor for how he thinks the timeline should go, and how it's prevented from running by red strings forming the word BRIDON. we even see the clock fall apart in one of the later episodes (I forget which one atm). hell I could write a whole meta on liu xiao's tetris game as a metaphor for how he sees the "game" he's playing and the role xia fei plays into all of it.

side note: I think it's incredibly valid for people to feel that yingdu did not have enough space to properly establish characters, and I feel the same way too. but at the same time, I think a lot of characterization also gets missed in yingdu because it's a season that loves its metaphors and encodes character motivations through it instead of just showing it to us. I have conflicting feelings about this, but ultimately, they only had 6 episodes to tell a story, and I think that's something we should always keep in mind when managing expectations.

circling back to vein's "death" and lu guang's role in it... visual metaphors are gonna be confusing if people don't know this is what yingdu's storyelling heavily uses. I don't think we should be reading yingdu the same way we did S1/S2.

someone could watch lu guang puppetering wang qing and think, "oh he's using her to kill vein directly" but if we stick to yingdu's storytelling style, it is more likely a metaphor for him learning to manipulate the butterfly effect for his purposes (again also symbolized by the glasses metaphor, since he wears clear glasses in the same episode)

scenes should also not be taken out of context. there is a reason he made a whole speech about the butterfly effect first. a small change (delaying vein) results in a big change (killing vein). if lu guang was controlling wang qing or whatever, that is not a small change. that is not a butterfly effect. we literally had a butterfly land on lu guang's shoulder after he made this speech to vein. the point was to create a butterfly effect that would lead to a situation where vein dies.

and for my final tangent: this sets us up perfectly for S3 because I believe lu guang and liu xiao are supposed to be narrative foils.

they both have expressed wanting control over the timelines. liu xiao wants "to make uncertainties into certainties" (whatever this means) and lu guang wants "to make certainties (cheng xiaoshi's death node) uncertain." but as of S1 and S2, lu guang was not yet in a position to properly rival liu xiao over this theming, because we know he's been timelooping and failing over and over to save cheng xiaoshi, while liu xiao has been successfully manipulating people into doing things for him (getting li tianchen to retrieve liu min's phone for him; baiting cheng xiaoshi to go to bridon so he can use him to bait wang qing to revealing where she hid the location of cheng weimin's notebook so vein can steal it).

now, lu guang has shown some semblance of control. and we have seen the effects of it. cheng xiaoshi is still alive and well in a post-S2 post-yingdu timeline.

I mentioned this way back in YE2, but there's also a distinct change in the way we're moving from "closed loops" to "butterfly effects" as a theme in yingdu. yingdu has many objectives it wanted to do as a season, but the main one was lu guang learning to manipulate the timelines through creating a butterfly effect. in keeping with this theme and objective, it just does not make sense for him to kill vein by somehow directly controlling wang qing.

[bdsmonlinefemmtraining]

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[faceofpoe]

Poe, I was delighted, nay, obsessed with the post you reblogged about Collapsed Coruscant. What do you think would happen there after everyone with any credits fucked off to Hosnian Prime or wherever?

Ha, hello friend! Thank you for the much-needed break from doomscrolling. XD

My morbid obsession with Coruscant has always been around how we've seen it (it's so twisted! it just keeps burying itself, layer by layer! the iconic episode 10 Luthen&Lonni shot is of course an excellent example of the old mostly-forgotten infrastructure but my favorite glimpse of the depths is actually in the final Clone Wars season (there's a fucking lake! fucking what. and even THAT is like... so HIGH relative to the surface) (the SURFACE! there's some twisted remnant of a dead planet down there!) (I have gathered through the course of researching for a TBB fic that the TCW portrayal is largely born from a canceled video game called 1313? I think? Lost to the Dark Times the Disney I imagine. Anyway I digress)(MiniPoe just came down to tell me about his Sonic Encyclo-speedia and something about Metal Sonic getting too much backstory(?)(maybe?)so I lost my train of thought)).

BUT if we take a moment to imagine the infrastructure that must go into keeping the lower levels habitable (I'm not sure what the canon (if any) on how deep one can go) with food and water and air (I mean - AIR, at some depth surely it's just suffocating surely??) -

Side tangent there was an old EU novel in the New Jedi Order bonkers era where a mass evacuation of Coruscant/collapse of the government-ish happened and the novel Traitor has a character wandering the desolation of the planet and all the destruction and I don't remember a lot from it (there were def monsters though) but it's probably where my obsession was born.

Additional side tangent one of the EU X-wing novels has a fun little bit with a star destroyer buried (somehow??? these books were written pre-prequels, mind) under the city and it blasts its way free and just MAYHEM DESTRUCTION DEATH like millions of people just -

LAST side tangent in I thiiiiink the EU Jedi Academy trilogy (do not quote me on that) (also pre-prequels days) the Very Young Solo twins wandered off and ended up finding their way to the bottom of Coruscant where they met a dude who was like... a self-proclaimed king of the underworld (I think he'd once been some govt lackey under Palpatine maybe? I read these like 14 years ago lol) and he'd fled and was ruling happily in the depths and upon being informed 'oh hey yeah it's not like that anymore the Empire is gone you can come back up now' he was all "why would I I am a KING down here?" and just fucked off back to the basement.

Point being the EU was ridiculous as all fuck but it had fun playing with Coruscant before we had a Lucas-approved visual of Coruscant.

BUT if all the wealth up and fled Coruscant after the Empire. Hm. I mean, we still see a significant govt presence on the planet a handful of years later in Mando s3 I believe? So I like to imagine there was a sense of 'hey let's not murder trillions via negligence' but as time goes on and instability heightens and whatever the fuck First Order schisming or some shit (sorry I'm the worst sort of Star Wars fan (the type who thinks Star Wars would be good if only it were good))-

I feel like Coruscant would actually become a bastion (lol (no one gets that joke probably)) for remaining (wealthy) Imperial ideologues. Like - maybe some money would flee but I actually wonder if plenty wouldn't move in and continue enjoying living atop all the poor denizens of the depths. Content to live in the shadow of former Imperial glory and leave the New Republic to its rebuilding.

Ensuing power struggle with underworld warlord sorts who have been moving up since the Empire was yeeted? Waiting until the New Republic gets bored rehabilitating the galaxy to come all the way up and claim the prime real estate?

Eventual massive division and power struggle among a bunch of chaos factions, basically, is my proposal. Eventually, winning becomes more important than maintaining the infrastructure and supply lines. Eventually, maybe, the vicious competition for said supply lines ends up severing them altogether. Plenty of safer business to pursue, in the galactic rebuilding. Coruscant slowly fades from the greater galactic awareness. Left to its madness. Left to tear itself apart. Left to rot. Eventually left, undoubtedly, by many of the same sorts who set it on its slow death spiral in the first place.

Coruscant eventually goes dark.

Coruscant eventually goes quiet.

Every new level constructed through the millennia was, of course, built to be the best, the top, built to last.

How strange to finally have one emerge the victor, standing proud atop a dead city.

But the planet is just the same thing it always was, far back as history remembers - a tomb at the heart of the galaxy.

[the-wanderer]

Netflix has seriously harmed it's reputation with how often it is now cancelling shows. What used to be seen as the go-to service for saving cancelled shows, has now become the very thing it swore to destroy {Hello There Obi-Wan Kenobi reference). Netflix likes to repeat it's standard line that they have never cancelled a successful show, but they conveniently never tell us how they measure success, because this doesn't ring true with their shows like Lockwood & Co and Shadow & Bone, that got to both Number 1 and Number 2 respectively in Netflix's own published streaming charts, and that still wasn't enough to save those shows from cancellation. Also Netflix clearly has favourites in terms of marketing, for example I enjoyed the show Everything Now, but you've probably never heard of it, and I searched Facebook - Netflix did one post about it when they dropped the trailer 3 weeks before it's worldwide release, and that was it; but other shows like Bridgerton, you can't fail to know it's there because they post daily about it on their socials for weeks up to and including release and for weeks after too. You even have actors in a new show saying they have to search their show to find it so they can watch and it's not even advertised on Netflix's own home screen, let alone anywhere else, so no wonder these shows get cancelled as they are never given a fair shot to succeed.

It seems unless you go viral or break Netflix's own streaming records, like Stranger Things or Wednesday, then even getting the number one or number two spot is not good enough to save a program from cancellation. Netflix needs to remember that not all releases are an overwhelming overnight success - even some of the best and most popular shows took a while to find their audience, like Breaking Bad, Game of Thrones, The West Wing, The Sopranos, but then when they did find their audience they became what everyone was talking about, and people who had never seen the show, still knew about them from it's impact on the cultural audience. Somebody else said, and I truly believe it, that if Netflix had made Breaking Bad today, they would have cancelled it after two seasons, and then think what great storytelling we would have missed out on, all because the show wasn't a record hit in it's opening week.

And now Netflix finds itself in a self-fullfilling loop where they have now trained their audience to not try new shows and get attached as they'll likely be cancelled. Think about it, how many new shows can you think of on Netflix that got renewed last year. It only seems to be people will tune in for shows like Bridgerton, Emily in Paris, Outer Banks, as they have had time to grow with the characters, so now Netflix has got themselves in to a model where customers don't try a new show, like KAOS or Everything Now, and they'll wait and see if it's renewed, and when after only a month since it's release, it does indeed get cancelled, the consumer hasn't wasted time getting invested in a show & characters that get cut short, especially nowadays when there is so much to watch across traditional TV and now streaming services too, that just because the audience doesn't come running to watch as soon as it drops, doesn't mean it's not there or interested.

2025 see's the return of some of Netflix's biggest shows like Squid Game, Wednesday and Stranger Things, but 2 out of those 3 also end this year too and then what shows will be left that are associated with the Netflix brand - they had Stranger Things, House of Cards, Orange Is The New Black when Netflix first got going, it'll be hard to say by the end of this year what big shows Netflix will have left to draw customers in

Unless Netflix, and the wider industry, change their perception to not only see massive, viral numbers as success and that shows with strong-moderate success are allowed to grow and widen their audience, then there will eventually reach a tipping point where they will cancel one show too many that either customers leave their service, or creatives will decide that Netflix isn't a good partner to work with where you put years of work in writing, filming, producing, editing a project just for it to be cancelled a month after it's release, so if you have a story that needs more than one film or a one and done series to tell it in, then Netflix probably isn't your best bet any longer.