#i don't even know what i'm particularly nostalgic about
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m-eltdown · 1 year ago
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being nostalgic for a certain time or place and knowing full well that you can never go back and experience any of it again no matter how much you might want to feels like a punch in the chest every time
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kianamaiart · 3 months ago
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No offense to the magical girl story you're doing, but I'm not sure about it. It's looks good, and you've put effort into it, but I'm just not fond of magical girl stories, like, why do they always go for the teenage girls and not, you know, adults, particularly ones who already understand the concept of responsibility and sacrifice. But good luck.
That's fine. If you don't like the genre, you don't like it
I thought about playing with the idea of an adult magical girl (magical woman?), similarly over it, but it was giving like... bitter millennial vibes which isn't what I'm going for LMAO.
With an adult it felt like "ah this is her job and she hates it haha she's so relatable". But I wanted my story to feel more like "Oh this girl hates her job, which makes sense she's a baby she shouldn't even have a job or all these responsibilities actually". Since this series is somewhat of a parody of the genre, I feel like leaning into the tropes is important. Teenage girls having this burden of protecting the world is one of them.
It also falls into the themes of being a "gifted kid who people have a lot of expectations for" that I want to explore. Growing up too fast sucks, Aika's aware of that and trying to reclaim her childhood
That's why I'm doing it but in general, I think magical girls are usually teenagers because the genre is generally marketed toward tweenage/teenage girls. A lot of film and fiction is either made to sell a fantasy and/or to inspire. What I love about magical girl animes is that they aim to teach little girls that you can to be feminine and strong. Not that I don't think you can't do that with an adult character but we all know it's nice to see characters that are like you, whether it be race, gender, sexuality and in this case, age. A child doesn't know what it's like to be an adult so seeing a kid like them doing cool shit probably resonates more. Then on the flipside, an adult can remember what it was like for them to be a kid/teenager. So having a younger protagonist can still be relatable or even nostalgic for an adult. I think teenage characters just cast a wider net of appeal/relatability for audiences.
I would love to see more media tackle broader age ranges also, but also I get why high school is an, admittedly overused, but popular age range to write.
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thesnadger · 2 years ago
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I spent last night looking at Neocities sites and here are my takeaways:
There's a real push to keeping the internet weird, open and less corporate-driven -- info on bypassing paywalls, protecting your data, archiving web media and basic coding/tech literacy.
(I found one tutorial on how to make a pop up that detects whether someone has an ad blocker and suggests they install one if they don't! Love that.)
There's also resources on finding the kind of internet that isn't the default experience anymore - alternate search engines I hadn't even heard of, human-made link lists and webrings. (Webrings! Turns out they never went away!)
If any of that sounds interesting to you, by the way - sadgrl.online has a lot of it and is possibly the best thing on the internet????
The "90's web" aesthetic is really fun and nostalgic, but I particularly loved seeing some people bring the better parts of the "modern internet" into it. What if we had weird, eye-searing personal sites BUT with plaintext alternatives for accessibility purposes? CW for flashing lights and unreality triggers?
(Again sadgrl comes in with a lot of resources for making your website accessible.)
Most of all, I'm honestly emotional about all the sites I found that were like, "hi! I'm 14 and this is my website where I talk about stuff I like haha."
It's so good that so many kids and teens who never experienced the "old internet" are still finding stuff like this and making their own weird stuff! Not just because weird websites are more fun, but because these skills are being passed down.
Anyway it's great and who knows maybe I'll make my own site sometime to keep horror media recommendations or something.
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bunny-jpeg · 3 months ago
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ˏˋ°•*⁀➷ smokin' - toto w. ˏˋ°•*⁀➷
toto knew he should quit. he had seen enough of the pamphlets in doctor's offices and read enough to know, smoking kills. and at his age, he needed to be bit healthier. he worked out, and ate well, but sometimes, after a hard race, there was nothing like a pack of cigarettes in his hand and somewhere to sit down. let the nicotine flood his rattled senses and having a nice relaxing evening. it was almost nostalgic, he remembered when the red of marlboro's logo was all over the jackets and cars of formula one. now replaced with sports drinks. while he wasn't smoking a pack of day to lazily have one or two felt nice, letting the smoke fill his lungs even if it occasionally made him cough. he felt like he was trying too hard if he tried vaping to get the same fix. like a desperate attempt to be 'young', so he stuck to the cancer sticks. plus if he quit smoking, then he'd have to stop participating in his favourite punishment. keeping an ash tray balanced on your back.
you had been a bad girl. you knew it. it was a 'crime' that you knew would be found out. someone stole their daddy's credit card and racked up a healthy charge all in one day. toto knew he promised you the world, but, you can't take what isn't yours. toto liked rules, he liked to make sure that you were following them. he couldn't have you on bad behavior, it would look poorly on him. that he couldn't keep his alarmingly younger girlfriend in line, that wasn't the association that someone like toto wanted. so while he didn't return the items you bought, you'd have to pay him back somehow. which meant enduring a punishment. which meant him seated on the couch, lounging with a cigarette in his hand, getting his fix after a particularly rough weekend. and you, naked, save for the necklace with his name on it around your throat. the name torger almost dangled in the low light of the living room. the smell of cigarette smoke filled the air. right now you were nothing more than a piece of furniture made to hold his expensive ashtray. "don't drop it, schatzi." toto's voice was low, "worth quite a bit. probably more than that little house you grew up in." he exhaled smoke, "look at me." you looked over to him, being on your hands and knees for so long made you a little shaky. your arms felt like jelly and you knew your knees were rubbed raw. toto smiled a little, the kind of dangerous smile that made something run through you. it excited you and made you hot. you said, "please, daddy." and toto shook his head, "the punishment was until i finished this. the worse behaved you are, the longer this will take." you swallowed and kept your gaze on him, there was something some domineering about him. it was almost scary. he was the big man in charge, the team principal. and while he made all the decisions, you just had to be by his side and behave. but, you couldn't even do that. you watched him took another drag of his smoke and you rubbed your thighs together, everything burned from the position you were in. toto spoke once more, "i give you the world and you still want more. you should be know better by now, meine prinzessin." he leaned forward a little bit and got some of the ash off of his smoke into the ashtray, "you're a smart girl, no? if you're not smart, you are at least well behaved. but even now i am questioning that." you shook your head and looked down at the hardwood floor, "no daddy, i'm good. i promise." you bit the inside of your cheek, "please." toto sighed and exhaled smoke, "schatzi. i am trying to believe you, but it's hard."
the money was nothing, honestly he found it amusing. it was barely anything in the grand scheme of things, under four hundred dollars. barely a scratch in toto's finances. but to watch you whimper and whine, well, that was worth more than anything. but, toto had rules. he was the head of the relationship, the one who took care of you, and while it wasn't cheap, he expected for things to be followed. another drag and he eyed your quivering form. he knew you liked this, if he moved a little he could see your soaked pussy. you got off to being toto's little toy, used for his pleasure. it made him thankful tha the found you before someone with worst intentions got their claws into you first. you were too sweet at times, it all mixed in perfectly with your brattiness. "i'm starting to think you like this. you like getting into trouble. did someone not have rules when they were young? didn't get the attention from your real daddy." his tone was harsh. he saw you quiver a little more, he must've struck a nerve, "poor little princess didn't get the love she wanted, how sad. i bet daddy was too busy with everyone else and left no time for you." he knew your history inside and out, he even met your father. he knew that any psychologist would have a field day if they took one look at you and him. a younger girl who wanted an older man to take care of her. and an older man with a thirst for younger women who didn't like being asked difficult questions.
"but don't worry, schatzi. that's why i'm here. to make it all better."
when he was finished with the cigarette, toto purposefully missed the ash tray and put it out on the small of your back. you whimpered and bucked your hips, toto was quick enough to grab the glass ashtray before you made more of a mess. "schatzi." he said, "you need to be careful." and he saw the burn on your back. it made a deep part of him very excited at the sight of you. maybe next time your skin should be his ash tray, litter would unblemished skin with the burns of cigarettes. "please daddy." you gasped, you ended up with your cheek against the floor. unable to hold much longer, and now with the burn on your back. it all flooded your head. toto put the ash tray on the coffee table and said, "if you want to finish yourself off, princess. you better do it yourself. you've become lazy because i do everything for you. if you want to feel better, you have to do it yourself. you're a big girl." he watched you swallow before you put your hand between your thighs and rubbed your achy clit. your cheek still against the floor with your hips raised, your back as sloped as you pleasured yourself.
"please, daddy." you whined as you pleasured yourself. the smell of smoke filled your brain and while it made you scrunch your nose at the heavy scent. you continued to make yourself feel good. you panted heavily like a dog as you rubbed your clit against the side of your hand. your other hand was on the floor. you tensed up, your hand covered in your wetness as you whined and whimpered. toto was hard in his slacks, but he was a man of control. unlike you. you were whiny and loud, your pants heavy while your squirmed against your own touch. while toto would've been happy to seat you on his cock. maybe even have another cigarette while he used your pretty breasts as an ashtray, you needed to learn your lesson. so either you got yourself off, or you'd be left sexually frustrated. he said to you, his voice a rumble that made a shiver run through you, "spoiled little girl. you had me convinced, now you've become spoiled. but." he shifted in his spot on the couch. leaned for a little bit to get a better view of your body, "i am more than happy to train you all over again. it's almost the summer break, which means, it will just be you and i. i wonder how many marks i can leave on you. go to the dutch grand prix with my marks on you inside and out. might turn a few heads." his words made pleasure flood your core, "maybe a collar. even a leash so i could tie you somewhere and no have you get lost." he sighed, "you always wander off. he watched you pleasure yourself and the sight was erotic. it wasn't long before your moans were tight and your body was tense like a bow. you looked beautiful, blissed out beside toto not even fucking you. with a few more drags of your hand across your clit, you came and then you ended up fully flat on the floor. your brain felt elsewhere and your body felt the weight of an orgasm across your achy joints. your tongue was even stuck out a little as you tried to center your thoughts once more.
toto chuckled lightly before he got up off the couch and went to you. you got a view of the bulge in his slacks before his face, you tried to get yourself up to undo his belt. but instead he grabbed you by the hair. he looked at you as he said, "i don't fuck on the floor like an animal. your punishment isn't over, but you should be lucky i'll even fuck you on a bed." and you, the good girl you were, nodded to your daddy. you words were simple as you got up, "yes daddy." <3
a/n: i lost control of the keyboard
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petday · 4 months ago
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your art is so so so so inspiring to me which is strange bc my style isnt very similar to yours at all. but it makes me happy to see your art, especially when you make art from things from childhood id forgotten about💫💫💫💫💫🩷🩷🩷🩷
Thanks. Your message and similar messages from others over the years inspired me to try to put into words why I draw 'nostalgic things'. I ended up writing a lot.
There was a period of time when I became cynical about being seen as an 'artist who reminds people of childhood' or a 'nostalgic artist'. I no longer feel that way but I will explain why. Some artists, who I like and respect, will sometimes mention 'nostalgia holding artist's growth back' and 'nostalgia causes learned helplessness.' But I feel differently.
Maybe I perceive time differently. I have lived long enough to witness cycles of 'what is valued, and what is not valued' repeated. For example, I loved what is now called 'Y2K' style, but during mid 2000s, for whatever reason it was derided as something to be left in the past, something embarrassing. "Aren't we glad we optimized things now, and they are 'sleeker' and less complex? Old things were childish, an embarrassing weakness for humans, we must advance and reach our ideal evolution." That became the common attitude. I felt pressure to have the same thoughts. I just couldn't make myself feel that way no matter what, though. Even with the increasing threats about, 'keep up with others or you won't ever develop positive social relationships!' I couldn't change my mind.
(If what is currently valued becomes devalued and then it becomes valuable after that… that's an odd cycle to me. For example, if we like bananas, even when bananas cannot be harvested, we still like them even though they occupy a smaller space in our minds but we don't deride them. Going even further, though, I sometimes wonder if it is possible for humans to eventually remove the 'devaluation' stage, particularly in art 'trends' as I am an artist. Whatever is considered valuable remains valuable. A counter arguement would be, 'no, the devaluation of the previous thing is exactly what causes the next thing to be valued, and then the cycle flows beautifully: X was valued -> Y is valued, X is devalued -> Y is devalued, X becomes valuable again. If you want X to always remain valuable, just develop better patience. Like we cannot pick fruit we like all year, we cannot simply keep adding onto the pile of things we like, something has to be seen as inferior by the majority of humans.' I disagree. I might explain my thoughts against this argument more in the future.)
Anyway, what people call 'Y2K style' or 'art that emulates how things commonly appeared in early years of 2000s' is popular nowadays. Even someone who did not grow up with it can become attracted to it. That 'desire' itself is a communication between past and present. Something can make someone feel 'lighter' [in sense of, "wow, the crushing weight of my circumstance feels not so crushing when I look at this'] -- a similar 'light' to how someone in the past was perceiving it when it was the present and not the past. So, even though two people were born in different eras and may not become friends or even meet, they're still connected by that 'lighthearted' feeling they both like. I know it will be seen as 'lower value' soon, but I truly cannot care because as I mentioned earlier, I might perceive 'time' weirdly.
When I started playing video games, a family member would point out, 'those games were made before you were born, interesting!' but that statement confused me at the time since my perception was, 'well, if these games are from before I was born, I don't understand why she is bringing attention to it. Why is it interesting? It's just regular. They're alive in the present now, because I'm in the present and so are they.' That was when I was a very young child. I subconsciously kept the same feeling even as I was reaching teenage and adult years. The feeling echoed when people liked to ask the question 'why are you still playing games from long ago?' as I got older but still played the same 'old' games. The answer: they are beautiful and will remain beautiful, and something made in the past is still communicating in the present, so are they really truly 'outdated inferior games'...? Just because the cycle of valued and devalued happened to be in a different position and those old things were seen as an embarrassment? (Now there are popular games inspired by the era of games many people ridiculed me for consistently enjoying, lol. Similarly, I was using 'crappy' old versions of programs even through 2017. Now people from wealthy upbringing and background use 'crappy' programs willingly. lol)
The present talks to the past all the time, nostalgia is not a dead end. In that sense I cannot see nostalgia as a death trap but rather a connection made from past to present. A string between the past and present that feelings can crawl across and communicate. Feelings such as 'I wish my life took a different direction. I can't make things like how they were back then, it won't ever be the same again, so I'll do nothing.' The criticism of 'nostalgia' is towards that last sentence. But there are things you can do with those feelings. 'Doing nothing is boring. And I keep thinking of that fun drawing I saw... I kinda wanna try to make something.' Making something while thinking of the past and present at the same time, so there is a communication between past self and present self. Pure bitterness communicating with slightly light-hearted view, the 'end result' is artwork/creation.
*I used light-hearted feeling as example, but nostalgia can exist for any feeling, and not just for people who were nice when they were younger. If someone was cruel as a child/teenager, after the person has been an adult for a while, they can communicate with their younger self about what was it about the cruelty that was enjoyable, and then extract a small part from the cruelty that they wish to bring back into the present -- example, the attraction to 'high speed activities, playful mischievousness' can be extracted from 'hurting people on purpose so they will acknowledge/react to you'. The dialogue could be something like, "'honestly, you and I both know spamming people with bad things felt pretty fun at the time, so let's just keep the 'high energy mischievousness' feeling and leave behind the crap that hurt people deeply, and let's make an animation while thinking of that high energy feeling.
^ I don't answer questions or reply to messages often because of giving answers that aren't too long or too short is tough for me. lol. Thanks for liking my art. I like a lot of art that doesn't resemble mine as well. It's fun! Like appreciating different flavours in the same meal even if you cannot make the meal yourself.
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tj-dragonblade · 25 days ago
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[Connect 4 FIC] Mementos
Fandom: The Sandman Pairing: Dreamling Rated: G Word Count: 1243 Tags: fluff, pre-relationship, future fic, photography
Notes: For the @sandman-connect4 prompts Goldfish and Photography
Summary: Hob waxes nostalgic about an old hobby that's also his newest career.
On AO3
"Photography is such an amazing innovation, yeah?" Hob snaps another photo as he speaks, capturing the elegant swish of orange and white fins just breaking the pond's surface. "Still marvel over it, sometimes, used to it as I am."
"Indeed." Dream is drifting along at Hob's side, interested and attentive, and Hob knows by now that no one nearby will pay any attention to his ramblings so long as Dream is here with his notice-me-not aura. He's free to speak of whatever he likes without fear of being overheard.
"Couldn't imagine, first I heard of it—a device to take your portrait, without having to sit for a painter? Unthinkable! But it was true!" He snaps another pic as a particularly elegant fantail wriggles past a lily pad. "Couldn't wait to get a daguerreotype taken; I still have it, stored away for safekeeping, along with every other portrait I had done in the nineteenth century. They just kept refining and improving on the process—it was amazing, y'know? How marvelous, this ability to capture an image exactly as seen, and it just kept getting better. Had plans to show you the latest I'd had done at our meeting in 1889, if I hadn't put my foot in it first." He snaps another photo, two fish swimming past one another in a graceful floating of fins, and keeps right on talking before Dream can offer any commentary on that particular phase of their friendship. It's water under the bridge, done and gone and forgiven and he doesn't need an apology every time it comes up.
"And then personal-use cameras became a thing, and the tech just kept improving. It was so exciting to have the ability—I could just, y'know, pick up a camera and take pictures of whatever I liked! Any time! People I'd eventually have to leave behind, I could keep pictures now, if I wanted. Don't always, y'know, I've gotten very good at picking up and moving on when needed and not pulling a bunch of baggage after me, but it's nice sometimes to have those photos there to look back on when the memory starts to fade."
Dream makes a soft sound of agreement as Hob crouches by the edge of the pond, snapping a few rapid-fire shots from the new lower angle.
"And then Polaroids! Didn't even have to send those out, just wait a few minutes and wave it about a bit. Instant pictures. Fantastic. And then digital cameras? Phone cameras? Video, of course? Nowadays everybody's got hundreds of photos in their pocket at any given second, everyone can record or commemorate anything in their life that they want at a moment's notice, and I think that's just brilliant." He grunts as he rises back to his feet, steps away from the perimeter of the pond to capture a wider shot.
"Spent a lot of time on photography as a hobby, middle of last century," he continues as he works. "Amazing how accessible it was. Learned how to develop my own film, which lenses could do what, played with anything I could get my hands on. It was just so cool."
"It was this time as a hobbyist that led you to your current career choice, then," Dream says, in a tone of dawning understanding.
"Yeah, more or less." Teaching had lasted him another decade and a half after Dream's return before he'd needed to pull up roots and reinvent himself, and his old hobby had called to him. "With the trending interest in reviving analog photography it seemed a decent choice after retiring 'Professor Gadling'. Wasn't hard to get hired; most of what I shoot for the magazine's still digital—most of their subscription distribution is digital—but they've got an analog branch catering to collectors and enthusiasts and lucky for me I'm proficient in all of it."
"The luck perhaps belongs to your employer, in securing your skills," Dream offers, with one of those little smiles that Hob so loves to collect. He offers a grin of his own.
"I'll be sure to tell them you said so in my next appraisal."
"And do all of your assignments involve photographing fish?"
Hob laughs. "Nah, course not—it's a lifestyle-and-interest publication; I wind up shooting all sorts of things. This guy's been maintaining his ponds here for decades—probably knew that already, didn't you—and they wanted to do a feature on it. I was chuffed to get the assignment; I've been fascinated by pond building and maintenance for a few years now and I'm pleased to see this fabulous setup in person."
Dream says nothing, studying the pond in uncanny stillness as Hob takes a few more photos.
"Lovely creatures," he says at last.
"Aren't they?"
"They remind me of my sister."
"The one who—?" Hob makes a sweeping gesture with one hand meant to indicate himself and his whole still-alive thing.
"No; the youngest." Dream crouches, dangles fingertips in the water. "They often feature in the way that perception alters around her."
Hob waits to see if anything further is forthcoming, then tucks that small piece of information away to hopefully be expanded upon at a later date. He's learned much about Dream in the last couple decades by paying attention when these little dribs and drabs of personal information are offered and waiting patiently for the next.
He pauses in his photographing, glances sideways down at his friend. "What do their dreams look like, then? Do fish even sleep?"
"Not as such. Not as humans do." Dream wriggles his fingers, once, the surface rippling gently in their wake. "Their dreams are fleeting, gossamer; ephemeral wisps of comfortable waters, of safety, of plenty." There are fish approaching to nibble at Dream's fingertips, orandas and comets and ryukins; Hob watches for a moment then pulls out his phone and snaps a picture, for himself.
Dream catches the change of equipment, glances up with another of those little smiles—indulgent. Hob snaps again, pleased to have proof of that smile, pleased that Dream is present enough in the Waking today to be captured by the camera.
"Oh, look at this fellow," he says, motioning to a large black moor that is swimming up to investigate Dream's fingertips, and slips his phone back into his pocket.
"A beautiful specimen," Dream allows, holding perfectly still while the fish mouths at one finger and then another. "His color is exquisite."
Hob grins. "Must sense a fellow goth in you." He lifts his work camera again, snaps a few of the lovely black fish after Dream has reclaimed his hand.
"Perhaps." Dream's still got that little smile, and Hob remains absolutely delighted to see it.
"C'mon. Let's go see what Mr. Goldfish-Enthusiast has got in his koi pond, over here."
The rest of the afternoon passes pleasantly, more fish photographed, more stories of Hob's past told. And in his pocket, safe in his phone, there are two new pictures of Dream to remind him of his friend when absences stretch long, as they sometimes must. It is comforting, after everything and all these centuries, to know that he's allowed these mementos. He's confident by now that Dream will always return; they have met more in the last twenty years than in the six hundred before and Hob is elated that the friendship he'd recklessly claimed in 1889 has blossomed so wonderfully in truth.
But it's nice he's got the pictures to prove it.
= Started: 11/21/24 Drafted: 11/29/24 Posted: 11/30/24
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rita-repulsa-ke · 1 month ago
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Ritual of the Rose - Ch2
Agatha crossed her arms, but Rio could see her evaluating, calculating, deciding how she was going to get herself out of this one. She softened, ran her fingers through her hair in a way that, despite herself, caught Rio's attention, made her press her teeth into her bottom lip. "Come on," Agatha said, eyes downcast, pouting ever-so-slightly. "You don't really want to hurt me, do you?"
Fic Summary: Changes the events of the last episode. Instead, Agatha swears a vow and prepares to go on one final adventure with Death.
Part 3
I feel like I should say at this point that I know next to nothing about the mcu, so this fic will be taking only the events of Wandavision and Agatha All Along as canon and then just making things up.
Chapter 2 - Rio Bites
Death returned. She did not come on black wings or holding a scythe. She was neither robed nor skeletal. Between one breath and the next, she was simply there.
"Hi, baby," she said, sprawling in Agatha's yard, looking around with interest. "You know, I kind of like it? It's a little overgrown, little wild, clearly tended by someone who has no idea what they're doing, but that makes it feel so much more authentic. Like a real person lived here, though of course, that hasn't really been true for a while, has it, Detective?”
Agatha gave her a deeply unamused look, and she laughed, too sharp, too loud, not even particularly amused, and then twisted her head around at a wholly unnatural angle to meet Agatha's eyes with hers. "So what's the plan, Agatha? Where's the catch?" She reached out, started to prod Agatha's cheek and the other woman came to standing before she could make contact.
"No catch," Agatha said, not looking at her and that was so funny that all she could do was snicker.
"There's always a catch," she said, as she watched Agatha. She never stopped watching Agatha, except for a very unpleasant time when Agatha had used the Darkhold to hide from her. She had still looked, of course, looked and looked and looked. She would never give up on Agatha.
And eventually she had found her, in trouble as always, and freed her. Did she get any thanks for that?
Of course not. Agatha Harkness didn't know how to say thank you. It simply wasn't in her vocabulary. "Out of curiosity, how are you planning to wriggle your way out of this one?" Rio asked, coming to her feet without bothering with knees. She’d never quite gotten the hang of knees.
Agatha glanced back at her, head tilted slightly, a smile tugging at her lips like it wasn't sure whether it wanted to stay. "If you're so sure I'm going to wriggle out of it, why'd you agree?"
Rio closed the distance between them in less than a breath, her hand cupping Agatha's cheek. "Because I love you," she reminded the other woman. And then, because she did love Agatha, but there was only so much anyone could take, cruelty spanning centuries, she added, "I love you enough to gift you time."
The blast of purple magic that hit her in the chest was honestly nostalgic, and she skidded backwards without ever quite making contact with the ground. "I do like you more like this," she admitted. "I've missed your powers. It makes you feisty. So what did you tell the kid?"
"Oh you know," Agatha said, waving her hand through the air with lazy, dismissive contempt. "Sentimental stuff. Be good, don't do anything I wouldn't do, that sort of thing."
"Wow. That is not even a good lie. You aren't even trying," Rio said and she's surprised to find that she's a little annoyed about that, too, that Agatha didn’t feel the need to put in any effort in her lies.
"Why should I? You wouldn’t believe me regardless,” Agatha said, turning and strolling into the house. "Anyway, forget the kid. We've got a year to find and defeat one of the most powerful magic users alive so I can get my book back."
Rio followed, as she had for many years, Death always one step behind Agatha Harkness. "And then what? You run again?"
"The ritual doesn't work like that and you know it. It will kill me even if you can't. And then I'm all yours," Agatha said.
That was how it should work, on paper, in magical theory. There was no way Rio was trusting that. Agatha always lied. "So where's the catch?" she repeated, perching on the arm of Agatha's couch.
"Believe me or don't, but you agreed to it and your part is null and void if you don't help," Agatha snapped. "So can we get on with it, please?"
For a moment, nostalgia threatened to choke Rio. This was Agatha as she remembered her, impatient, demanding, moving from one objective to the other, always seeking power, always hungry for more. She found herself caught by it, leaning forward, and remembering one more of Agatha's endless series of manipulations, Agatha's bleeding fingers across her lip. "When I left you with the boy…"
"Hmm?" Agatha said, pretending innocence. Rio stared her down and she held up her fingers, trying and failing to look even slightly regretful. "Oh, the bleeding stopped. What a shame."
Rio's knife was instantly in her hand. "I could fix that."
Agatha's fingers crackled with power. "Try it," she crooned. "I'm not so vulnerable anymore."
Rio slipped to her feet, sauntered forward. "Do you really want to do this, Ags? Without the Darkhold, you know you can't beat me. We can play it out though, if you like. I owe you, after all. Maybe one cut for each year you disappeared on me?" She spun the knife in her hand, comfortable, familiar. She very much did want to hurt Agatha, to seek weregild in blood for all the suffering her beloved had inflicted on her over the centuries.
Agatha crossed her arms, but Rio could see her evaluating, calculating, deciding how she was going to get herself out of this one. She softened, ran her fingers through her hair in a way that, despite herself, caught Rio's attention, made her press her teeth into her bottom lip. "Come on," Agatha said, eyes downcast, pouting ever-so-slightly. "You don't really want to hurt me, do you?"
"No, Ags, I don't really want to hurt you. What I really want, you won't give me. Hurting you isn't a terrible consolation prize, though."
Agatha huffed, her arms going tighter around herself. She was afraid, a coward as always. She'd never liked anything that could touch her, get past her defenses.
And, more simply, she didn’t like pain.
Well, neither did Rio, but that hadn't stopped Agatha from wounding and scarring her for centuries.
"Can we maybe talk about it?" Agatha suggested, always her way out. Agatha's battlefield was words, endless words, all of them lies.
"What else is there to say, hmm? What different, exciting new ways of saying you hate me have you come up with this time?" she'd stopped in front of Agatha, and she could feel herself smiling, a big grin she noticed Agatha didn't seem to want to look at for too long.
Agatha hesitated, shrugged, then stepped forward, reached out and here was Agatha's most potent weapon, the way her fingers brushed through Rio's hair and her hand closed on the back of Rio's neck, tugging her closer. And of course, Rio could have used the knife here, with so little space between them, but Agatha's other arm had looped around her waist and she was so close, so alive, so warm, so much herself, that instead of stabbing the other woman, the sensible, sane decision, she found that she was nuzzling against Agatha's neck, trying to bury herself in this sensation before it went away again.
Agatha tilted her head back, moaned softly and that sound undid Death entirely, a soft whimper escaping from between teeth she seemed to be clenching. Agatha petted her soothingly—
And then yelped as Rio's teeth bit and twisted hard enough to draw blood. Rio ran her tongue over the wound, gathered her beloved's lifeblood, the familiar, intimate taste of Agatha in her mouth, copper and magic and relentless will, then pulled back to smile humorlessly up at Agatha. "There," she said. "Price paid."
Agatha glowered at her, hand clapped to her neck even though the wound had already healed. "Savage," she murmured and Rio burst into shrill hysterics.
"You. Should. Talk," she said, sprawling on Agatha's couch, tossing her knife from hand to hand. "So. The book."
Agatha nodded, pulling up a kitchen chair with magic, perhaps to remind herself that she could. "Wanda has it."
"The Scarlet Witch. Destroyer of worlds," Rio murmured. "So where is she?"
"I was hoping you would know," Agatha admitted.
"She's not actively destroying any worlds, I'm afraid. I don't keep track of most mortals, they generally come to me." She gave Agatha a smile. "Mostly just you."
Agatha faked gagging and that, too, was painfully familiar. "All right, so first step is we find her."
"Didn't she kick your ass last time?"
"Yes, but I didn't have Death on my side," Agatha said, favoring Rio with a smile of her own, a smile that hinted at a promise Rio knew she would never fulfill. "Still, even for both of us, she's going to be a lot to handle, especially with the Darkhold."
"So where's the kid figure in, Ags?"
Agatha didn't flinch, but it was there, a tightening of her jaw, a tug at the edge of her lips. "Insurance. If everything else fails, we can always trade the boy."
"Very you," Rio approved. "But you let him go. Why?"
Agatha considered, then got up and paced over to sit next to Rio. Rio felt herself go overly still, less certain how to handle Agatha in such close proximity, even more so as Agatha's hand settled on her knee, intimate and nostalgic. "Because, Rio, my darling, if you need someone to trust you at a critical juncture in the future, sometimes you have to pretend that you’re on their side."
Rio rolled her eyes, but it was a weak response, all of her attention fixed on that hand and that word, darling, rolling off Agatha’s lying tongue. She knew exactly what Agatha was doing. It still worked every time. "Nothing to do with the fact that you're attached?"
Agatha snorted loudly. "Me? To that boy? No. He's useful, though. The son of the Scarlet Witch."
"Still an abomination," Rio said, and thought, I bet you want me to forget that. I bet you want me to forget that there's another one. I haven't.
But I don't need to play my whole hand at once either.
"Sure, sure, but can we deal with what's more important here first?"
"Your plan?"
"That's right. My plan," Agatha said as she leaned too close, her smile wicked and crazed and so, so beautiful. Self-centered as always, Rio thought, unable to suppress the wave of affection that accompanied that thought.
With Agatha so close. Rio couldn't resist, she darted in to steal a kiss, then howled with humorless laughter as Agatha jerked away, her expression that of someone who'd turned the corner and made eye contact with a dead mouse. "You, you, you," Rio singsonged. "Who else would Agatha Harkness think of, other than herself?" She tossed her knife up, caught it too close to Agatha's face and wasn't sure whether to be happy or sad when it made the other woman scoot back, putting more space between them. "But you know, there isn't only one Darkhold."
"Of course I know that," Agatha said. "But the others are lost to—" she paused, realized where this must be going. "…Rio, you wouldn't lie to me, would you?"
"Not about this," Rio said, amused at the implication she'd ever been the one who lied. "I agreed to help, didn't I? Aid given freely."
"…You never mentioned this before."
"I didn't know when we were together. After that, I had a vested interest in not giving you powerful artifacts filled with dark magic. …Also, it is rumored to drive people mad."
"Weak people," Agatha said instantly. "Sheep. Do I look mad to you?"
Rio didn't try to stop herself from laughing. "Nooo comment."
Agatha fixed her with a long-suffering look. "Yes, yes, you're very funny."
"You know you love it," she said and Agatha did the fake-gagging thing again, which only made her giggle. "You already used that one twice," she pointed out and Agatha—
It wasn't fair of Agatha to smile like she meant it, a reluctant tug of her lips into a very pretty shape. "Oooops. I'll have to vary it up. Wouldn't want you to get bored with my disgusted reactions."
For a moment, their eyes met and no time had passed at all.
I love you, Agatha Harkness, Rio thought. And I know you still love me.
Then Agatha's lip curled in a sneer and she looked away, settling with her head on her hand on the far end of the couch. "Another copy of the Darkhold? Really?"
"Really. If you don't want to tangle with the Scarlet Witch."
"I'm not scared, you know," Agatha clarified, suspiciously like someone who was scared. "But she's not going to be easy. So, if there's an easier way—"
"Of course. You're the bravest person I know," Rio said, sprawling across the couch toward Agatha, fully expecting Agatha to run, because Agatha always ran.
Then, somehow, her head was in Agatha's lap.
She stared up and Agatha glanced down, gave her a twisted grin and a shrug, then looked away again, still brooding. "Tell me about it. The other one."
Right. Words. Rio knew how to do words. "The usual. Cursed cave in a treacherous mountain protected by ancient guardian spirits from some long-dead order."
Agatha's glance at her this time was brimming with disbelief. "You've got to be kidding me," she said. "Come on, really?"
Rio shrugged. "I don't make the rules."
"Seems too easy."
"How'd you get it the first time?" she asked and was surprised when Agatha went too still. There was a story here, one she didn't know.
From the way the other woman’s pulse flicked in her throat, one Agatha didn't want to discuss. More and more interesting.
"Something very similar," Agatha said, a little too fast. "Ancient crypt, all these terrible magic traps…"
"Riiiight," Rio said, doubtful, but not inclined to push yet, because—
Well, because her head was in Agatha's lap.
"Anyway, doesn't matter now. You're sure it's there?"
"No," Rio admitted. "But several people told me it was, after they died trying to reach it. …This will be dangerous, you know."
Agatha's fingers carded through her hair and she couldn't stop herself from exhaling, eyes falling shut. "You'll help keep me safe, won't you?"
Manipulative monster, Rio thought, with something akin to pride. "Mm, I have to. But I can't say I'll be devastated if anything happens to you." Her eyes flicked open and she smiled humorlessly. "After all, I get my prize either way."
Agatha stared down at her, then tugged her hand out of Rio's hair and wiped it perfunctorily on the side of the couch before standing up, spilling Rio off her.
"Oooh, touchy," Rio said, giggling from her new spot on the floor.
“You wish,” Agatha snapped. “Fine, we have a year. We’ll try it your way first.”
“Our last big adventure.”
Agatha gave her a crooked, vicious smile that would have made anyone doubt the other woman’s sanity. “Don’t say it like that,” she said, pretending to sulk, but the tone too obviously mocking. “You might get what you want yet.”
Rio came to her feet, too close. “What I want, Agatha, is you dead.” Almost as much as she wanted Agatha's fingers back in her hair.
“And what happens after that?” Agatha asked, a question she'd asked a hundred times.
Rio answered the same way she'd always answered. "Come and see."
"Not yet," Agatha said, dismissive. "I'm not done yet. Now, tell me where this cave is."
If you'd like to read more stuff I've written for Agatha All Along, I'm just going to link to the tag on my blog, there's a bunch at this point.
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amerricanartwork · 9 months ago
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hey, just wanted to say you’re a huge inspo for me and i adore your work! your arts so nostalgic and comforting for me, reminds me so much of older animated movies and cartoons… if someone were to make an animated rain world cartoon i would immediately think you as the perfect fit for it tbh
Awww, thank you so much! you don't know how happy I was to read this!
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Seriously, it's so good to hear that my art reminds you of old animated content! I take tons of inspiration from older films — particularly the first set of Disney's feature-length films — in everything from the concept art and sketches to model sheets and production art, to their methods of storytelling and the themes and messages they express. It's not just fun and entertaining, but oftentimes masterfully beautiful in ways that I feel few artists have captured since. I've said this before, but I do hope to work on published animated stories someday, and every time I hear feedback like this it makes me feel as though that dream of making art just as beautiful is actually coming into reach more and more!
And, funny you mention an "animated rain world cartoon", because I don't just take inspiration from these older works, but I actually have gotten in the habit of imagining my ideas in similar ways! I love that slightly exaggerated, or even cliche expressiveness of cartoon characters and love depicting the ones I draw like that too, I enjoy drawing in simple comic-esque format as well as paintings to better sell that cartoon vibe, most of my current voice headcanons for the RW cast are derived from cartoon characters, and in general I tend to imagine scenes as if they're actually animated and playing out on a screen.
So what I'm trying to say is that this is far from the first time I've imagined hypothetical animated Rain World cartoons, so that's probably another reason why my art comes off that way. And if anyone's thinking about making legitimate RW cartoons, I certainly would love to be a part of one should I get the chance, at least as a concept artist!
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palmtreesx3 · 1 year ago
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Prologue
SexShop!Steve x Reader : SexShop!Robin x OC
Series Masterlist
Series Summary: Steve and Robin have about had it with Hawkins, so on Robin's 25th birthday, the pair decides that there's nothing holding them there anymore and they start packing their bags. The friends move to Chicago and quickly find an apartment to call their own. As luck would have it, Robin stumbles on a no-strings-attached job offer for both of them - what could be better?! Now just to break the news to Steve…. This multi part story will both explore their platonic relationship and their chaotic experience working at the sex shop together as well as their own paths of self discovery as they plant their roots in their new city and finally deal with the invisible baggage they drug along with them when they moved. 
Warnings: no warnings...this time. Some non cannon relationships in this AU but cannon themes and Easter eggs a-plenty.
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Chicago: Summer of 1993
It's only his 5th trip up and down the steps in the last hour, and Steve has about had it. Being left to haul a car full of Robin's personal belongings and boxes up the three flights of spiraling staircases to their brand new apartment building while she goes off in search of dinner and some help wanted signs seemed like a good idea at the time. It wasn't until he opened the hatch and saw how MUCH she actually packed did he immediately regret his choice to stay behind. He stood there regretting his current situation in an unfamiliar, bustling and loud city while sweat beaded on his hairline and flush spread across his cheeks in the humid June air.
Muttering to himself as he passes a redheaded teen girl carrying a skateboard who refuses to get out of his way on the staircase, he finally pushes his way through their doorway and he's thankful to feel the window unit he threw in first thing after they arrived starting to rev up and cool down the space. Steve repositions the particularly heavy box full of Robin's things on his hip while he reaches over for his cup of iced water setting on the counter and pooling condensation. Desperate for the reprieve, Steve gulps down an extra large sip and attempts to swallow but all sense of relief washes away as something slams into his whole left side. The glass he is holding ricochets down to the ground while Robin's box of nostalgic memorabilia topples over and spills out too. Hawkins High all over the floor. 
 "Jesus Christ, Robbie, what the hell!?" 
Bending over to start collecting all of Robin's teenage memories, the last threads holding her down to a town that didn't love her as much as she loved it - Steve doesn't hear anything she says when she first lifts her fists over her head and into the air in celebration - barely registering that she body checked the boy as she threw open the door. 
"Rob. Robbie, what the fuck are you saying? You're doing the thing… " he waves his hand in her general direction. 
"Oh fuck, sorry." Closing her eyes, she takes a deep breath to regroup, realizing now that she came in making a whole lot of noise and saying not a damn thing at all.
She takes a deep breath and with a gleam behind her eye proclaims "I landed us a job, Dingus!" Both fists jolting upwards into the air again, he now sees the job applications crumpled up in her fists and yielded like torches. 
"Dude, gimmie that." Steve says. "You're gonna ruin it before I can even fill it out. We can't start a new job being that unprofessional. Christ… . What are we doing anyway? Gotta be better than that restaurant gig we both bombed before we left Indiana."
"Ok so, yeah, yeah this has the potential to be better than that. Definitely better than Family Video. For sure. And there's no stupid costume like Scoops. God. That sucked. We should pretty much know how to do a lot of it already and the manager seems like he's kinda chill. I told him I don't really know much about the ... uh...topic…but uh…that I'm a fast learner and he said we start on Monday and to bring the paperwork with us." She rambles, motioning to the pages Steve now holds in his hand. 
"O-oh kay Robin. Details please. You know them in your head but I don't yet. You-you gotta share." 
"Ha! Yeah! Sorry about that, I mean…." while she trails off and starts to fidget, Steve immediately knows there's more to the story.
"Robbie. What are you not telling me? " 
"It's called The Hideout. It's on Clark St, just a few streets over. 20 minutes walking - tops."
"20 minutes is doable." he says, and then quips back "Man, don't tell me it's a restaurant. I really didn't want to eat shit at that job all over again. I guess I'll take what I can get so we can at least get on our feet… "
" It'snotarestaurantit'sasexshop!" Robin blurts out in one rushed garble of words. 
"I'm sorry, WHAT did you say?" Steve stands with his hands on his hips, looking at her incredulously. "Did you say SEX SHOP?" 
Steve is freaking out. He's immediately embarrassed for something he hasn't even done yet. He can feel the tips of his ears going hot and shades of red staining his face and neck in splotches. Are those hives? She's giving me hives, he thinks to himself.
"What am I supposed to tell people when they ask what I do?! What are we supposed to tell the kids back home when they start to call non-stop? What am I supposed to say to my DAD, Robin?" He can feel her mere existance giving him heart palpitations while she looks on at him sheepishly, shrugging her shoulders. All he can do is focus on his breathing so he doesn't blow a gasket on his friend. 
Among the myriad of other things this move has going for the pair, Robin sees moving to Chicago as her opportunity to live who she is out loud and finally be free of the confines a small town puts on someone who looks a little different, thinks a little different and loves a little different. Steve, just happy for the fresh start and the chance to maybe do things for himself for once, was not really thinking this is how it would all start out, but looking at the excitement on Robin’s face made him soften just a little. 
Now pacing back and forth across the entryway to dispel her nervous energy, she looks on at her exasperated friend and he gives her an almost indistinguishable nod of the head in agreement. She smiles softly at him and says, "Anyway, I distinctly remember you once encouraging me to talk about boobies with you, Steve. Lighten up and get ready for tits, dicks…all of it! I'm ready and this city is my sexual awakening!" 
Divider by @firefly-graphics
Taglist: @livsters
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ozzgin · 1 year ago
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[Baki Masterlist]
Yandere! Kaiou Retsu x Artist! Reader
You open the door to the Shinshinkai Dojo and greet some of the men in the hall with a nod.
"You're here earlier than usual." One of them comments as you pass by.
"Yeah, the last lecture was cancelled and I had no other plans", you respond with a smile.
"You know it's getting serious when your free time is turned into training time. That's how it was for me!" the man lets out a hearty laugh.
"No way, I'm not made for this." You wave your hand in dismissal. "I'm just going with the flow and seeing where that takes me."
You go on your way, ruminating over the brief exchange. It's been a few months since you began taking karate lessons at the Dojo. You still remember Katsumi's perplexed expression as you stood before him, handing over the sign up papers.
"A-are you sure? The sparring can get quite rough and you're... well... uh..."
"You advertise it as perfect for self defense. Who needs it more, the buff pal over there or this short college student that can't even sketch in the park without being harassed by perverts?"
You slap the papers on the table with a loud thud. The man blushes slightly, realizing the irony.
"I apologize. You're entirely right." He scans over the form. "Evening classes. That's when I teach, actually! Looking forward to seeing you, then."
After the first few weeks of mostly standard workout in order to build stamina, you started learning the basics. Katsumi was greatly surprised and equally impressed by your unexpected skill. Turns out you weren't half bad at this! And so he suggested you show up more often, because he wanted to see how your newly discovered talent would develop in time.
As thankful as you are for his support, you find the whole ordeal rather funny. You don't have any intention of becoming some professional fighter. You're an artist and plan to remain one for the indefinite future. The little karate hobby serves as your dose of healthy activity and as the occasional inspiration, since you particularly enjoy recreating the human body and its intricacies on paper or in clay.
"Oh, (Y/N)!" Katsumi spots you and gestures for you to come over. Your nostalgic daydreaming has been interrupted. "Remember when I said that it helps to expand your knowledge? I have just the person for that." He places a hand on your back and guides you further into one of the main rooms.
"Here she is, Retsu-san. You might not believe it at first, neither did I, but I guarantee you she has a lot of potential."
You bow slightly to the stranger in front of you and he silently returns the gesture. He seems mildly awkward about the encounter.
"I'm sorry, I don't think I follow. What is this about?" you ask, somewhat confused. The deep stare of the long haired man intimidates you, so you avoid it by throwing quick glances at Katsumi instead.
"Would you be interested in learning Chinese Kenpo? This is Kaiou Retsu. He'll be joining us at the Dojo for a while. I thought you could use some variety."
"Shouldn't you be asking him if he's willing to teach rookies like me?" you wonder if this poor man had his services offered against his will.
"It is my great pleasure to spread the knowledge of this ancient art. I only ask that you treat it with respect and don't take it lightly." Retsu straightens his back and looks ahead, in no particular direction.
Ah, how embarrassing. He can't even look at her properly. He wishes he could drag Katsumi out in the hallway and whack some common sense into him. The least he could've done was to let him know who to expect.
Obviously he's seen women before. He's been out of the temple for a long time now. So why is he acting so strange all of a sudden? Katsumi was very secretive about his new favorite student and refused to give him any details besides "you won't regret it". He anticipated anything but this. He's especially baffled at his own reaction meeting (Y/N).
All he can do now is to pray that he isn't so obvious in just how flustered this woman has gotten him. He wonders if Katsumi went through the same nervousness when he first met you. He secretly peeks at the young man and notices how relaxed he seems to be next to you. Yeah, perhaps he just needs a little time. Then he can treat you with the same confidence, too.
***
"What matters the most here is actually the placement of the foot. If it's slightly tilted the wrong way, you lose all support and everything else falls apart. A good kick needs an equally good grounding."
Retsu is in his comfort zone. For a mere moment, he can forget his audience and focus on his technique. This is what he does best. Still concentrated, he unbuttons his shirt and throws it aside, as this is how he usually fights.
"Find the weak point depending on your opponent's stance, and quickly make your move before they've got it figured out."
He demonstrates the attack, followed by a few skillful jumps as he returns to his initial spot. He checks to see if you've been following his instructions, a prideful smile plastered on his face. Your eyes are wide, mouth slightly open in shameless marvel. His smile immediately vanishes and is replaced by an embarrassed frown. Why are you looking at him like that? It's one of the most basic moves he can think of.
You suddenly clap your hands together and lower your head in a begging posture. The way his body bends and folds in such a fluid, continuous way, the way his muscles contract rhythmically in a calculated vigor... This man is not only a master of martial arts, but your newly found muse.
"Please excuse my rudeness, but I really can't think of a better way to put it. Might I be allowed to sketch you during your training? I really wish I could capture your artistry."
You shyly glance up, worried you may have angered the Chinese man. He's covering his face with one hand and you tense up, unsure of how to proceed. Should you apologize? Then you manage to discern the deep blush that's taken over his face.
He must calm down at once. He's inhaling deeply, attempting to regulate his breathing. He can feel the vibration of his heart slamming into his chest at great speed. Truly, how happy your words made him. And this brings him to the abrupt realization that he will never be like Katsumi around you.
It's been a little under a month since he's met you, and the slightest interaction coming from you makes his whole composure collapse into shambles. All the feelings and thoughts are now avalanching over, burying him and making him unable to let a single word out. It could very well be that he's in love with you, but it's a frightful, rabid adoration that trickles out of his grasp, as if it could escape from his control at any moment. It's a terrifying discovery for someone that so values their discipline.
"If it's too troublesome, you can forget about it. I got too excited. To be honest, I've been using you as a reference for some time now, but it felt wrong not to tell you about it."
You crouch down to your backpack and hesitantly pull out a notebook with pages sticking out. You peel open the covers and spread some of the papers onto the ground, for a better view.
Retsu squats down with you and gazes over the detailed pencil works, partly distracted. He'd appreciate your anatomical accuracy if it wasn't for his presently feverish state. He places your hands between his and analyzes them. What a difference. Dainty, fragile and yet powerful enough to win Katsumi's respect. Nonetheless of insignificant size compared to his large, calloused and weathered palms. To think that you've been watching him the same way he's been watching you all this time. Perhaps for somewhat different reasons. How would you react if you knew? What would you think of someone like him?
"Umm..." you swallow dryly as you attempt to break the silence. You can almost hear a faint ringing in your ears.
What if you were to reject his confession? It wouldn't be the first time he's faced defeat. Retsu is however unsure if he'd be willing to accept it this time. He looks at you with newly found resolve. No matter what, he'll do what it takes to become a man worthy of your love. If only he could remain your inspiration forever.
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billpottsismygf · 8 months ago
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The Devil's Chord! This was my most highly anticipated episode of the series because of The Beatles - who I'm very nostalgic for, sue me - but they had a much smaller part than I expected. That may be for the best, as the actors don't look anything like the real deal, but they did an admirable job considering the circumstances.
I love the idea behind this one. I'm a musician myself and love things about music. Music being important, music being holy, I love it all. Everything from Maestro playing us into the theme tune, to the way it aligns with the characters' established personalities (the Doctor's jukebox and Ruby's band), made me very happy. The music battle was especially cool. Very The Devil Went Down to Georgia. Out there, but I liked it a lot.
Maestro was also a lot. I liked them, though. Great costumes, great performance. A campy villain in the best way. They're the Toymaker's child, which is interesting in itself, and I like that the rules around fair play seemed to extend to them as well.
There was a lot of series arc stuff here. So, Ruby has Carol of the Bells deeply ingrained within her. There was some important figure (another of the Pantheon, presumably) at her birth - is Ruby herself a child of the Pantheon? More snow, as well. There's also the One Who Waits coming up again. It all feels a little too self-conscious and crammed in - "remember, there's pay-off coming for these random mysteries that you have no context for!". I know we live in an era of heavily serialised media, in large part because of streaming and the binge model, and obviously Doctor Who has been semi-serialised since the revival, but it just seems like a lot. Maybe even too much, especially since the first episode was quite heavy with it too.
Although, I did wonder if this one was meant to be later in the series. First Ruby saying "you never hide" and then "you always know what to do" signaled a far longer association with the Doctor than she has had, but then it was especially jarring when she said it was hard to keep track of when her time is and it could be June or July... That sounds like someone who's been travelling with the Doctor for a while, not like someone who's on their second trip. And it was Christmas for her only last episode. Obviously there can be off-screen trips, but usually for the first couple of episodes we want to feel that this is the start of their journey as the audience gets to know them. Did this get plucked from later in the series and dropped into the episode 2 slot? Because it seems a bit of a shame, if so.
There was a lot of fourth wall breaking in this one as well. There was a wink to camera each from Maestro and the Doctor, as well as the Doctor's comment about thinking the music was non-diegetic (a nice little moment that probably a lot of people will miss). I do quite like a meta moment, and particularly loved the Twelfth Doctor's partaking in them, but I wonder if these serve a particular purpose, because we also had Mrs Flood talking to camera at the end of the Christmas special. Since RTD seems to be going with a theme that the rules of the universe have changed and become a bit more magical, I wouldn't be surprised if the meta elements tied in somehow.
Then, this is less meta and more fully surreal, but that whole ending musical number was... odd. I don't know what I think about it yet. The Doctor with his wink and "there's always a twist at the end" seemed to signal that we were leaving the normal reality of the show, but then... Did that musical number literally happen? How about the Abbey Road zebra crossing acting like a piano? It's part of my specific brand of autism that I struggle with surreal things when it's not clear how/whether they relate to the more realistic things going on, so maybe other people love it. It just made me feel confused, though, and slightly annoyed. I expected a musical number because the trailers showing this made that fairly clear, but I'd assumed it would be explicitly connected to the strange happenings of the episode. Instead it's just plonked at the end after everything has been fixed.
A lot of this latter stuff sounds quite negative, but overall I really liked this one! As I said before, the music stuff speaks to me personally very much, and I'll withhold final judgement about the serialisation stuff and even the meta/surreal stuff, as it may well pay off yet.
Small things
Love their outfits so much, and obviously we've known about them for a while, but it was funny they were worried about blending in when both of them (especially Ruby) were wearing pretty 60s adjacent outfits at the start. The Doctor was more 70s, but I don't think many people would have looked askance.
Ahhhh, Fifteen mentioning that One was in the junkyard made me exceedingly happy! The speculation about what happened to Susan also has me hoping beyond hope that this might be set-up for a Susan return.
I loved that extended instrumental scene where Ruby just played on the rooftop and people listened. It was quite moving!
Love hearing the word "lesbians" on Doctor Who <3 - I don't think even Bill explicitly got to use that word!
Just the general queerness is really nice. Ruby writing a song for her friend's gay break up. Maestro being they/them and it not really being a thing beyond their introduction. Ruby's mum having a "girlfriend" who was a Beatles fan that makes me wonder if that's in the platonic or gay sense.
I want to know the behind the scenes details of how they chose the music they did, especially when it comes to the chords that both summon and banish Maestro.
Henry the child is real and alive at the end! (Though it's during the musical number, so I guess real is dubious.) When he vanished into nothingness (and his music teacher didn't seem to care), I had thought he wasn't real. Does he have his own world-ending powers?
The Doctor referring to bigeneration as having had his soul "torn in half". Hmm, don't like that! I won't rehash my feelings on bigeneration here, but this implies that there is not continuity between the end of Fourteen and the start of Fifteen, which mucks up one of the only ways I could hold onto being just about okay with it.
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danrifics · 1 year ago
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I was out of dnp space for a while and these new videos are hitting hard. And I think I've figured it out.
With the loss of the gaming channel it almost felt like they were beyond/above doing it anymore, and I for some reason took that as 'oh they think this is cringe or not good or something to be embarrassed about' so they stopped. And what these new videos have done is completely reverse that idea in my head (which I don't think was actually even real at all) in that no, they loved the gaming channel, they love all their videos, they remember everything so fondly, and are so proud of what they've done.
And that's like, healing? In a way? Cause it was almost like my enjoyment of these things were invalidated due to my projected thoughts about why they stopped. So them being extremely nostalgic is...just really comforting. Like bitch, me too! I'm nostalgic too! Thank you for sharing this!! I missed the fun you had and we had and goddammit. You're funny and I forgot just how funny but it's even better now cause you're free and unfiltered and happy and dammit. I don't know how to handle that except smile and enjoy the ride.
i feel like we all kinda felt a bit confused and maybe betrayed by it at the start of the hiatus cos like we all fucking love dapg so much and its hard when you dont really understand at the time why they actually stopped. like now we know it was a bit of burn out and a huge bit to do with neither of them feeling like they could carry on while holding on to such a big secret, like i dont particularly know what its like to be closeted cos ive been out as queer since i learned what being queer (bisexual really) was when i was like 12 but like i know from other peoples experiences how hard it is to keep it from a few people i cant image how difficult it was to keep that from millions
but now theyre out and they can be themselves they can come back to dapg and actually really love it and its so beautiful to watch, to see how confident they are and how just themselves they are. queer joy is so beautiful and we get to see it every week, its absolutely beautiful
sorry this went on tangent i just have thoughts about and love for them and i couldn’t stop 😂
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upslapmeal · 6 months ago
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The Devil's Chord
For context going into this episode, I can name off the top of my head.....3 Beatles songs? idk I'd probably recognise more but I was v much hoping this episode didn't hinge on having any actual emotional attachment to them lol
that kid is excellently cast, really looks the part
RIP Henry your great casting was cut short too soon
very chaotic vibes from Maestro!
the theme on the piano!!
the theme on the jukebox!!
‘I want to see the Beatles’ followed by the most cute serious face <3
sure Doctor you've never been to see them but you've had the space time visualiser!
lmao Ruby and Fifteen are so much fun
pure vibes and here for a good time!
1963!!
meanwhile One is busy kidnapping Ian and Babs lol
so. gonna guess from their faces it’s not an actual Beatles song
poor Fifteen dying at the orchestra and Ruby just 😐😐 *pat on the back*
hey it’s that lady again!
do these people look like the Beatles? I feel like they don't but again. I don't really know what they did look like
so my question with all this is.. why still make music if music isn't a thing any more?
why are the Beatles formed as a group and recording with someone encouraging them in the control room?
why even set up a recording studio at all?? I guess it speaks to the underlying human-ness of music
that even when musicality is gone, people are still forcing themselves to make some sort of music
yeah I feel like I should care more about the Beatles lol
Lennon and McCartney just. immediately baring their souls
feels weird watching this and knowing it's about someone who's still alive
'GEGGC'....ah ~~music~~
'we had bad smog in November ’62' I love how the Doctor speaks like a reminiscing Londoner bc that's what he was!!
Susan mention red alert!!!
‘timelords were murdered. :D I’M FINE’ sure
Ruby's theme!
interesting that in-universe it’s music she wrote for someone else
the giggle!!
‘you never hide’ I get that Fifteen and Ruby were instant besties but she's speaking like someone who's known the Doctor way longer than 3 adventures
the sonic screwdriver being sonic!!
RIP piano granny
‘defeating him took everything*’ * catching a ball
‘you always know’ idk if it's a symptom of the reduced episode count but it does feel like they've skipped over a fair bit of Ruby and Fifteen getting to know each other
‘I was born in 2004’ 👵🏻
oh so it’s been 6 months since the last ep??
again I guess the reduced ep count has meant speeding through but :/
‘where’s my mum’ :(((
I like the un-music that Murray Gold has going on for this bit. v effective.
child of the Toymaker??
‘now time for my ppt presentation about nuclear winter’
'the lost chord' - I feel like they could have done a lil bit more with that at the start bc it didn't feel as though the guy played anything particularly unusual or special?
lol Fifteen kissing the tardis better. I mean it seemed to work
the Doctor leaving Actual Musician Ruby Sunday in the control room while he tries to play a guitar
‘I thought that was non-diegetic’ lmao I guess it makes sense that the whole episode's music is being messed with
‘there’s a hidden song deep inside her soul’ hmmmm
...secret evil power Ruby??
excellent visual of her held up by the music in the snow
they're lucky Maestro doesn't seem interested in just. killing them.
‘music battle’ this is so weird. not sure if it's weird in a way I'm enjoying
this ep has felt a bit....meandering isn't the word but I don't know what is
lmao the nostalgic voiceover…not-Lennon totally unfazed by magical floating notes...reading them even though they absolutely cannot be read because there’s no stave
danse macabre!
it’s just so funny that it's the most boring-ass chord that defeats Maestro
the thing is the ep did v little to establish these guys as Characters To Root For outside them being Beatles and I just. don't care
I'd be interested to know if Beatles fans felt more about them saving the day
musical number!!
that shot of Fifteen vibing in the spotlight is so much fun!
and the one of him and everyone in the control room watching Ruby!
the world has been deprived of music for so long that of course it explodes into a musical number!!
and a certain Mr H Arbinger returns…I imagine that's not the last we'll see of him
what a fun end lol
I dunno about this one, it had good stuff but some of it was a bit all over the place and weird in a way that I didn't enjoy that much. And some of the music-specific stuff just idk. didn't land.
Also I rewatched the ep before editing my notes but I watched it as ep4 which honestly made Fifteen and Ruby's dynamic seem less rushed (and then there wasn't the weirdness in Boom of Ruby not going to a planet for the first 6 months of travelling).
I don't know. Mixed bag this one.
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speedofsoundsketches · 10 months ago
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I'm curious, do you have specific favorite voice actors for the Sonic characters? (Like just the main few, Sonic, Shadow, Tails, etc.) if so, may we know your favorites?
Brace yourselves, this is gonna be a long one so under the cut.
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Jun'ichi Kanemaru is THE standard for Sonic. The guy is passionate about the role and captures him perfectly. Plus, he's a great singer! The English VA that came closest to matching him is Jason Griffith. (honorable mention to Devon Mack. Low as my opinion is of Prime, Devon's voice is actually pretty suitable for Sonic. Would like to hear him in a better product!)
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The late Chikao Ōtsuka for Eggman was wonderful, but I have zero complaints with Mike Pollack. Really, no matter what style or tone he's portrayed Eggman in, he's always done it superbly. I'd say of all English VA's that worked in this series, Mr. Pollack's probably been the one who's NEVER had a miss. Guy's got incredible range even in his work outside of Sonic (using this as a chance to shill the Pluto Anime since he starred in it. GO WATCH IT PLEASE.)
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Tails is really really REALLY hard to mess up. His voice actresses have typically been great at capturing him (save for OVA Tails who talks like he has a cold). Coleen's a fine Tails and suitable replacement for Amy Palant but I may still prefer Palant just because she's the nostalgic one for me being in all the 2000's games plus Sonic X.
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Knuckles voice preference is a tough call. His VA needs to be able to play up both his aggressive and gentler sides. It's a toss up between Dan Green and his current VA Dave B Mitchell. Mitchell has been doing good work in the animated shorts so I like him and he's the best we've had since Dan moved on. His Japanese VA, Nobutoshi Kanna, is great as well for the same reasons. :)
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Amy's best actress is still her JPN VA, Taeko Kawata (who is also a lovely singer!) Lisa Ortiz to this day is STILL her best ENG VA. She captured Amy's youthful, cutesy appeal but can IMMEDIATELY switch to her assertive side naturally. Fantastic range and it's too bad that Amy's assertiveness has been subdued so much lately that this can't be fully appreciated anymore.
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Cream's had far fewer options to choose from. I like both her actresses in JPN (Sayaka Aoki) and ENG (Rebecca Honig) honestly. I do like the almost whispery gentleness to her ENG voice particularly. Just helps her feel very soft and sweet.
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Shadow's JPN VA, Kōji Yusa, is so good. You really can't go wrong here. For the ENG VA, this might be a bit controversial because while I appreciate David Humphrey as Shadow's debut in SA2, I'm still partial to Jason Griffith purely because once he got accustomed to Shadow as a character, he really elevated the role. I think his performance in 06 was one of the best moments for the character overall.
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Rouge might one of the few times where I actually prefer her current ENG voice actress, Karen Strassman, to her older one. Her JPN VA, Rumi Ochiai, is THE standard tho so Karen just suits her best as a close match! Youthful yet still mature and her flirty quality doesn't sound too forced.
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Omega's JPN VA (Taiten Kusunoki) IS SO AMAZING. It's hilariously deeper than I expected but still robotic so something about it just WORKS. His ENG VA is alright too. But I just love the JPN Voice, I don't know why.
May do a part two if I have time for the others!
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navsstuff · 2 months ago
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First time dipping my fingers in vampire aus so instead of a full length fic I decided on shorter scenarios. I'm more of a cannibal lover sorryyy. (⁠´⁠-⁠﹏⁠-⁠`⁠;⁠) I love writing blood so that was fun
The second one is my favourite <⁠(⁠ ̄⁠︶⁠ ̄⁠)⁠>
@fruityclown19
There's fun in tracing maps along his arm, running the soft pad of a thumb up his strained neck, gripping the wrist and pressing two fingers to hear a reassurung heartbeat
Babbling on and on about hunger and thirst and how crimson is such a nice, deep, rich colour that looks so good on everything
"you're quiet today", as if Kyoutani's ears aren't muffled by both TV and murmurs, "should I be worried? No roughhousing today", a self indulgent chuckle
Kyoutani doesn't spare him a glance, looks at flicking lights coming from the screen: it's game night, even if they don't particularly enjoy football all sports are good enough to watch
It's not like he can really ignore Yahaba, with both legs underneath him as a makeshift pillow. Kyoutani can't fully ignore Yahaba when he can hear so much, feel feather like touch along his wrists and is actively using his lap to rest on; both feet up on the arm rest
It takes another squeeze at his bicep to make Kyoutani whip his head straight, annoyed to have so much sound around him; looking up at Yahaba "if you're so hungry-", staring back at such a smug face, "go hunt down someone"
It's not as easy as it sounds. Kyoutani only holds his arm invitingly, firm muscle sculped in the gym calling Yahaba's name.
eyes widening with mock innocence
Yahaba doesn't hunt, he humours Kyoutani
The soft mouthed bite almost tickles and the eye contact shrinks everything down again. Yahaba lets his eye darken, poke the skin gently
It takes only a couple of minutes for the noise to come back up, this time it's a complaint
"don't drool on me", tone pitched up as he uses his palm to push Yahaba's face away, saliva dripping on his shirt making him groan aloud, scowl and sit up abruptly. They nearly knock their heads together
Yahaba shoves his shoulder, "oh don't even!", smiling even wider, "cant handle spit and you call me a priss? How hypocritical"
"shut it"
"no fun in arguing if you don't put some effort in your comebacks", bottom lip jutting out in a pout, head cocking to the side
He pretends to be shocked when Kyoutani pats him roughly, "lay down, it's uncomfortable to have my arm up"
Sneaking his hand back on the wrist and dragging his teeth along kyoutani's shoulder; the couch too small to accommodate two people of their size laying down, so he presses himself against the couch and restraints from sinking down on soft flesh
His voice muffled, "you act cute and speak ugly", going to squeeze his waist instead
Kyoutani shakes his head, sighing
-
He's still pinned against a cold wall, the whole situation would've been nostalgically humours if Yahaba hadn't just sank his fangs down his shoulder
Blood dripping down to his chest, the other frantically wiping the missed liquid with his hands; whining when Kyoutani's shirt gets in the way
Slipping his palm under the hem instead of smudging what he can before it gets lost, trying to save it before everything dries
Yahaba doesn't know whether to be delighted or thoroughly annoyed he can't have it all in his mouth. All the liters of life essence
"don't-", stuttering out with a breathy sigh, fisting Yahaba's jacket, knitting his eyebrows together "don't rip my throat out"
And it's funny, he hasn't even touched his neck yet. Copper filling every crack of his body, curiosity when Kyoutani gulps down and there's a slight shake of his knees
"you're messy", the usual bluntness, no judgement, just an observation, doesn't shake him off. Yahaba takes it as a cue to leave him alone, popping out his happy place by licking the spot clean
Satisfied to see a slight trembling, Smothering kisses up to soothe
He has fun teasing, liking their whole dynamic "you taste angry" it's a lie, it's copper and iron and religion; a poem and joy, so close to his primal, animalistic form
Yahaba could spend ages trying to describe how addictive it all is but it's never enough, there's no enough words or time to get it right
He kisses his neck, then his cheek and then he presses a bloody finger on plush, pink lips
There's no reply, so he keeps going, "it's not a bad taste, try it", smiling fondly when Kyoutani flick his tongue to have a go
No change in expression, almost boredom
"it's blood"
"well no shit!"
Yahaba sighs in mild frustration, shamelessly plopping his fingertips in his mouth
Kyoutani let's his eyes trail down, following each movement close
It's hard to look away when the nails, neatly trimmed and always perfectly clean, show caked blood underneath. Is it weird to stare at your own blood on top of someone else's skin?
He doesn't push Yahaba away when he gives another kiss, letting himself touch the collar of his shirt instead
Kyoutani spits out what he was holding behind his throat, "it wasn't that painful", he frowns when Yahaba only hums an agreement
"im gentler than most", way too pleased at himself
"i love you greedy, Shigeru"
He gets the reaction he wanted, Yahaba pausing and straightening his back. Nose wrinkling at the words. "Don't call me greedy"
Kyoutani shrugs, "but you are", emphasizing his point by poking his chest, "you're spoiled and greedy-", bumping his head back on the wall "-keep biting me"
"hmm?"
"keep biting me", holding eye contact the best he can, "for at least a few hours, keep being messy and gross"
Voice stern, "I'm not gonna drain you out", not bkthered ny the jabs anymore. It's all true
It's not a bad finale, dying of overconsumption and blood loss. It's romantic and greedy and tragic. Over the top, sure, but why not?
Yahaba tries to find a sign of doubt, only finds determination
The hands that cradled his head are still stained crimson and ugly, picturesque. Gorgeously horrifying fangs and open mouth, a pant and drool
Not biting is hard when it's so intimate
Yahaba goes back to work, beaming, "this is how we die, then!"
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csphire · 1 year ago
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Updated Dammon Build Guide!
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Sad because you need more Dammon? Here is an updated guide on how to make him into your player character or dream guardian.
First, let's discuss the mods you'll need if you want to get your player character as close as possible to Dammon's long-lost twin or evil clone. Are you on a console or don't want to mod? No worries, alternative suggestions will be provided in this guide too.
Clothing:
This is only needed if you wish for him to wear the same outfit and for it to be the right color. If you want to keep the number of mods on the low side, you can use Basket Full of Equipment instead. It does have a blacksmith outfit, scarf and his boots too. (The boots are called: Black Leather Footwear D, just dye them brown. The scarf dye Swamp Green.)
Just know as of posting this, there is no dye in the game to match Dammon's existing choice of colors on his blacksmithing outfit perfectly. I would recommend when using Basket Full of Equipment to go with the scarf-free version and dye it Faewild Green and Dun Dye. Then you'll find his scarf in the cloak bag and dye that Swamp Green. If you can't get your hands on that rare dye Swamp Green works great too.
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Eyes (and a jump start with the dream guardian):
What do I mean by jumpstart? Well... the modder here made a great start of what Dammon looks like. But I suspect the way the mod and/or game functions, some of Dammon's coloring is a little off. His horns are nearly white, and his eyes are brown, that is if you're trying to make the dream guardian look like him. This might be corrected in the future.
What's important about this mod is that it unlocks Dammon's unique eye color for not only the Guardian but also the Player Character. It's the only one I've found so far that does this. If there are other mods that come along that just unlock his eyes, I'll be happy to include them here too.
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Don't want to install mods or can't? Try the Blue 3 or Sapphire 4 eyes. Or if you want them to glow more then have central heterochromia Elf Blue 1 and 2 are nice options as well.
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Fun fact: Dammon's eyes are blue with central heterochromia.
Oh, and there is also the option to go with his Early-Access eye color Elf-Gold 3 if you're feeling particularly nostalgic.
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The Quick and Easy Way: Use: Transform into companions and NPCs - Ring of Metamorph (Last I checked Born to be Anyone is not compatible with Patch 7 still ;_;)
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Want to make the player character and every companion in your party look like Dammon? Well, this is the mod for you. There is however a caveat. He's stuck in that blacksmith outfit. As in not even for love scenes will he get naked. Alas, the real Dammon model doesn't have a nude character model option-at least not yet. Any who...
Onwards to the rest of character creation!
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But first, a few quick side-by-side final comparisons to confirm the appearance you should get when following this guide.
Head, Skintone, and Horn Color:
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Head 4
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Blush Tone 5
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Malbolge Spires with Dusty 6 for both base and tip color.
Hair:
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Style - Arabel Ribbon Hair Color - Blonde 3 Highlight - Red 6 Intensity 80.
Makeup (optional):
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Eye Makeup - Butterscotch (Intensity 40, Metallic Tint 10, and Glossy 10) Limp Tint - Red 1 (Intensity 10, Metallic Tint 10, and Glossy 10) For makeup, I'm unsure if Dammon wears any but in all the images here I did add a subtle amount to try to make his eyes stand out a little. This might be helpful if you're stuck using Blue 3 or Sapphire 4. I thought to also add a tiny bit of gloss to his lips since he's not hanging out by his forge so much. This is just a personal preference.
In fact, Makeup 12 comes in handy for guys or gals in general at a 10 to 50 tint level to make their eyes look a little deeper set, tired even and um... more broody? Play around with this and other make-ups and have fun.
Scar (optional):
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Dammon does have a scar over the bridge of his nose, under his right eye, and on his lower left lip. But on him, as seen below, it's faded. Scar 3 comes sorta close but it's rather distracting. Until we can get a scar depth or age slidder from Larian (or a mod) I would skip it entirely for now.
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Class, Race, Voice, and Stats (optional):
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According to the Wiki Dammon is an Asmodeus Tiefling but you could subrace him into Mephistopheles or Zariel as head 4 is available to all subraces. Changing his subrace might prove advantageous depending upon what class you wish to play.
For voice, nothing can replace Frazer Blaxland's, but... I found Voice 3, out of all of them, is similar in depth and warmth.
If playing as Dammon and you want to get as close to his abilities, and fighting style as possible, it's all an educated guess. This is only mine on one class example: Druid.
To start, I made sure that all his stats were at least 10 in everything just like his original. For the extra points left over, I put them into upping his Dexterity as it helps with dodging damage. After all, you don't need a lot of hp if you can dodge damage. I also put a few extra points into the main stat for his class and a bit in Charisma just to make conversation rolls easier. For background, I went with Guild Artisan to further help him with persuasion, give him some insight, and for roleplaying purposes since he was a blacksmith. For cantrips, I would highly recommend picking Guidance if available to further aid all conversation rolls.
I went with Druid because it lets him wield a scimitar right at the start. On the Nautolid you can usually find two of these weapons. "Who uses wooden tools!" Dammon shouts as he throws that ugly staff overboard into the fires of Avernus. The second reason is perhaps while he was in the grove he learned a thing or two. He did after all pick up a few skills while in Avernus, why not at the Druid Grove too? It's just one level and you could multi-class him into anything later on.
The third reason I went with Druid for class is your doppelganger gets a discount from Arron, the other merchant to be found there.
But of course, you can make him any other class you wish or multi-class him. I did so myself by adding dragon sorcerer and bard to him later on. This is just an idea, but one could use his playthrough to try and get the Jack-of-all-Trades achievement.
If I had to go with an official class for him, my money would be on Artificer with a subclass of a Battle Smith, to be precise. The video down below explains what they are, and as early as Act II Dammon can literally craft us some bombs and free armor if you bring him the right things. He would be the perfect Artificer companion if we in the future get that class in a DLC. (And romance option-yes while keeping most of his mystery too, Frazer. This will explain just one example of how it's possible.)
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Sadly, no official Artificer class yet but there are a few mods you can try out by just searching the term Artificer on the Nexus. But this mod looks so far the most polished and fleshed out called:
Hope all this info helps you have some fun. Please feel free to tag and share with me your Dammon creations! Need any help feel free to reach out, I'd be happy to help. Looking for my old guide? It's here.
*Full Disclosure: In the previous versions of my guide, I was mistaken about his skin tone being Blush 4. After a near-unhealthy amount of scrutiny of Dammon's model, I apologize for this mistake. It's Blush 5, and the majority of the screenshots, ones that focus on his appearance, have been corrected accordingly. I apologize for this mistake and any inconvenience it has caused.
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